00:07I think the story is about you meet with this woman in her 30s who's totally broken down and damaged
00:16and you quickly learn that the reason she's like that because it's when she was eight years old
00:22she was the only witness of the mass murder of her family in a farm and as the only witness
00:28she sent her testimony sent a brother to jail and 25 years later she's broke she's been living off
00:37money sent by well-wishers all that time so she'd never worked or anything and she's just surviving
00:44you know she's just doing anything with her life she's doing nothing with her life and then she's
00:49contacted by this weird organization of geeks and weirdos obsessed with you know famous murders and
00:58infamous crimes and they pay her to go to this convention and they said no we just want you
01:02there and stuff and she arrives and she actually realized that these people want to reevaluate the
01:07crime and so she needs money so badly that she's gonna get paid to actually reinvestigate kind of
01:14her own life actually and then at the same time you see what happened that day where the murders
01:20happened so then you have this very inter interesting parallel structure that will lead to the relation
01:26to the resolution of the crime in the end
01:30the truly stunning actress she's a because she's kind of on set she's effortless and she's joking
01:36and she is easygoing but then you know when she goes in there it's like she's so precise and she
01:43really knows what she's doing and she also has the ability to open down or abandon herself because you
01:49know some actors are like too much in control so she controls it but she's not too much in control
01:54so
01:55that gives a very interesting balance she can really like kind of forget it at some point like
01:58even in some scenes like very very key scenes that were really difficult acting wise like the prison
02:06scenes with older Ben like I came to her after a take and she was like I don't remember what
02:13happened
02:13which is a very good sign my first vision was definitely more churchy operatic and on a single level
02:23and but then just you know starting work more deeply on the film we realized that we had other sets
02:30like
02:30that and then we scouted this location that was a potential labyrinth and that felt more interesting
02:39so it's just like finding the right location brought us there and then we're like oh there could be three
02:45floors and it could be this labyrinth and we could be confusing and we could be lost and the basement
02:50could be
02:51more like clubby music drinks then the second floor could be like more like fans role players
02:59comic-con ish and then the third floor is more academics it's the solvers it's the people who
03:05actually want to investigate on crimes it doesn't work if you treat the past as flashbacks the past has to
03:14be another present so I would see that that's two prisons that coexist versus flashbacks there's no
03:21flashback the real flashbacks in the movie are this little black and white stuff we do because it's
03:28really some characters remembering something and for me it's another time layer it's really them
03:35remembering but as far as I'm concerned the 1985 that day is present and it's just two present that coexist
03:42and
03:43and then that will join
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