00:02in every frame where she is on the screen it is a digital effect but I would be willing to
00:10bet that
00:10within about the first five minutes of seeing the creature most people will forget that there's a
00:14digital effect in it even though there's no way that this creature could exist without it 95% of
00:19the shots in which you see child or adult Dren would be a live actor with some sort of digital
00:27augmentation the other 5% would be a complete digital Dren and we needed those for some some
00:33very specific action sequences for some reason people have been less inclined to use digital
00:38technology to alter the physical appearance of an actor that's only really just happening and I
00:43think we're kind of on the cutting edge Vincenzo was quite precise on his references he gave us a lot
00:49of
00:49reference just a month was so they cure the nimble to rapide pour le côté frénétique de son de son
00:57de rotation satay par exemple the moment where I felt the most relief in the post-production of
01:02this film was when I saw the first shot that core our Toronto effects company did of child
01:08trend because trial child trend is from the bridge of her nose up a digital character around her whole
01:17head the cheeks the ears the eyes the cranium everything is computer generated yet it has to
01:22match up perfectly with that nose and that mouth to create a animated component to her body and marry
01:29it perfectly to her real body is an incredibly difficult thing to do and also a highly experimental
01:35thing we didn't know for sure that it was going to work some part of me thought if they don't
01:41pull
01:41off this creature and the bar so high on special effects now people won't you know stick around to
01:47see the story we've told and when I saw that those creatures were being fleshed in as it were I
01:55was
01:55absolutely ecstatic I think one of the reasons child trend feels so real is because we use Delphine
02:03Shignac's eye performance for her digital character their digital eyes but we videotaped Delphine as she
02:10was watching Abigail's performance and moving her eyes the way she thought Dren should move her eyes at
02:16any given time that was videotaped animation channels were extracted from those with that
02:20motion and applied to the digital eyes that were put on child Dren we get to then adult Dren which
02:27is
02:27Delphine we use the computer generated head to help us move her real eyes in the actual footage of the
02:33film
02:33and then put it back on the frames and we moved her eyes apart in such a subtle way that
02:39a lot of
02:39people go and look sort of natural but something's just off about it and it's remarkably effective
02:47maybe eyes a little bit smaller at times a little bit bigger at times rotated them at times whatever
02:51suited the the shot to be honest with you emotionally and in terms of the the composition
03:05and the boxed down the rod MsK
03:09it's very much
03:10yes
03:11in just a moment
03:12it's safe
03:13Grazie a tutti
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