00:01My character M'Lady, you know, I look at her as really one of the most modern women in literature,
00:10you know, she's incredibly smart and single and living in a man's world, dealing with men, yet she's respectable, you
00:21know, she can go in and out of different worlds, different societies and she gets away with it.
00:28You know, so it takes a very smart, strong woman to be able to navigate a man's world, especially in
00:34the 17th century.
00:37It goes in its own direction as a movie and it definitely brings its own to the table.
00:44So it's not like, you know, why are we making this?
00:47We're making this because it really is something new and people haven't seen it before.
00:51And this is definitely a version of The Musketeers that isn't your parents' version and it's not your grandparents' version.
00:56It really is the new generation of Three Musketeers and, you know, it takes the spirit of the book, but
01:04then it takes the imagination of the writers and the director and, you know, putting it in 3D.
01:12I mean, it's going to be a real spectacle, a real rollercoaster ride.
01:18I think Paul really is taking 3D to a whole new level with this film.
01:25You know, no one's ever done a historical piece in 3D.
01:29And, you know, it suits itself so much for the period when you see these amazing castles, these landscapes, you
01:38know, these gardens, these costumes.
01:41The rich nature of the backdrop of this book really lends itself.
01:48And I think as an audience, as a modern audience, to be able to go and be immersed in the
01:54past the way that we're going to show it to them is just like walking into a storybook.
02:00I mean, you're literally walking into a fairy tale.
02:02And, you know, it's just so absolutely rich and so beautiful.
02:07We've never really seen anything like it before in 3D.
02:13The importance of shooting on location in Bavaria, you know, it can't be in any way underscored because the locations
02:23are what really gives this movie the authenticity and the scope.
02:28You know, even if we, you know, even though, you know, we could have shot in France, at this point,
02:35the French countryside is so modernized
02:39that you wouldn't be able to really do a wide shot of a castle the way you can in Bavaria,
02:45where in Bavaria you really can pull back and it's not like the modern world is completely taken over.
02:54Costumes for characters are really important for me because, you know, that's when your character really comes to life is
03:01through the costumes and through the hair and makeup.
03:05But, you know, I think it's all a team effort, you know, and we have such talented people making the
03:10costumes, doing our hair and makeup.
03:12And, you know, you just kind of work together as a team to make the best thing you can possibly
03:21do.
03:23So it's been amazing to be able to be part of the process of watching my character come to life.
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