⭐🍉💚
FULL MOVIES ENGLISH SUB (2026) - FULL | Reelshort
#drama #cdrama #romantic #love #movie #shortdrama
FULL MOVIES ENGLISH SUB (2026) - FULL | Reelshort
#drama #cdrama #romantic #love #movie #shortdrama
Category
🎥
Short filmTranscript
00:00:03I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:19almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:05okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see no there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles God quiet Charles I've always had words
00:01:38for everything but in that moment I forgot them all
00:01:54Charles move your things I'd rather not she'll be a distraction from what sleeping
00:02:03from everything if anything Charles Miss Keaton will be a positive influence on you she was top
00:02:08of her class at a previous school with all due respect sir her previous school was American I
00:02:16highly doubt that that's enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:29Sherry Vaughn Alice Keaton it's very important that we look at what he's talking about their experience of the time
00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it past
00:02:47me he's
00:02:47impossible can everyone stop acting like the goal is getting into his pants what he's hot everyone kind of is
00:02:56I I've seen Connor he's not my type you're joking I don't find bullies attractive hey be careful you're talking
00:03:05about the king of Ashford
00:03:07the what his family basically own the school and the town maybe even the country yeah everyone's tried to get
00:03:15close no one can get past his ego you're not the first to get ice
00:03:19okay first of all I wasn't iced it's more like a mutual decision and second I think he's arrogant cold
00:03:27thinks he's untouchable but if you really look at Charles he just seems isolated like he's faking out honestly I
00:03:35just think he's lonely and kind of pathetic
00:03:56next time read the room before opening your mouth American we're not in Kansas anymore Alice
00:04:23Hey how was your first day I good I think sighted captain not really super uneventful
00:04:32really how's your new job yeah all right get this they said we can stay in the servants wing
00:04:37seriously apparently the young master won't mind the company the young master
00:04:45this is your boss's house yeah isn't incredible I mean I wouldn't call it a house it's
00:04:53a museum with better landscaping
00:05:00wait here I'll talk to the butler
00:05:07wow rich people you've topped yourselves again
00:05:14Stephen King
00:05:17first edition
00:05:27breaking and entering now how American of you
00:05:53you can get up now I I'm trying wait
00:06:00are you serious well you said you were trying
00:06:04what is wrong with you funny I was about to ask you the same thing what are you doing in
00:06:11my house
00:06:13you wait your house my house my library and now apparently my unwanted guest
00:06:23oh master Charles must be miss Alice and daughter she said you'd be moving in today
00:06:29she what there there's been some kind of misunderstanding you see I'm not actually moving in
00:06:35that's so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the
00:06:42arrangement well I just don't think it's appropriate well for sure and absolutely
00:06:48not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:05and actually dead
00:07:14just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:21you've been through hell
00:07:26actually no
00:07:28this is hell
00:07:48so is that Miss Keaton
00:07:51what thing doesn't know that's often close for months
00:07:54she's going to be late
00:08:01okay how long is this thing gonna take maybe I'll just walk
00:08:05five miles to school
00:08:09okay if I sprint maybe I'll make it before first period
00:08:14or die of exhaustion on the way
00:08:20or die of exhaustion on the way
00:08:24what what are you doing here didn't you already leave
00:08:30wait did you come back for me
00:08:33relax
00:08:35I forgot my textbook don't flatter yourself
00:08:38wait
00:08:42since you're already here maybe you could be a decent person and give me a ride
00:08:50no
00:08:52seriously your car is huge
00:08:55yeah
00:08:56and I'm not a fan of sharing
00:08:59says the guy who forced me to live in his house
00:09:06unbelievable
00:09:16ashford institute please
00:09:18thank you
00:09:22who needs that entitled brat anyway
00:09:25sir
00:09:26you called the cab
00:09:27why not just give miss keaton a lift
00:09:35why not just give miss keaton a lift
00:09:37and have the whole school go crazy
00:09:39she's new
00:09:41everybody's already talking
00:09:42so you're worried about her
00:09:44you're overthinking
00:09:46I just don't like drama
00:09:53asshole
00:09:55who
00:09:57morning class
00:09:59back to golding
00:10:00remind me what he's saying through lord of the flies
00:10:08mr kenwood
00:10:09care to share what you found so amusing
00:10:11not particularly
00:10:13oh
00:10:14I insist
00:10:15you seem very entertained by golding
00:10:18I'm not entertained by golding sir
00:10:20on the contrary
00:10:22I think his ending is
00:10:25weak
00:10:26wait wait
00:10:27you actually read it
00:10:29quiet
00:10:31that's an interesting take
00:10:33explain
00:10:36he had the set up for something brutal
00:10:38something honest
00:10:39but in the end
00:10:41he backed out
00:10:42he could have left the boys on the island
00:10:44forced them to confront the collapse of all morality
00:10:46let them choose survival
00:10:48or death
00:10:50but instead
00:10:51he gave them a rescue boat
00:10:52slapped a happily ever after
00:10:54on a book about savagery
00:10:59it's a waste
00:11:00don't you think
00:11:01I'm delightfully surprised charles
00:11:03didn't think you had such strong literary opinions
00:11:06I'm always a model student sir
00:11:08let's not get ahead of ourselves
00:11:12so
00:11:13a critique of golding's mercy
00:11:15anyone disagree
00:11:33I think golding knew exactly what he was doing by ending the book that way
00:11:36it's not mercy
00:11:37it's irony
00:11:39how so
00:11:42the rescue isn't a happy ending
00:11:44you don't just walk back into society and forget you're a monster
00:11:48golding didn't save them
00:11:49he left us with the discomfort of pretending they could be saved
00:11:52that's an interesting take misqueter
00:11:54you still think it's a harsh critique
00:11:57in some ways
00:11:58but not harsh enough
00:12:01yes it's a critique of toxic masculinity
00:12:03but still golding sympathize with them
00:12:06and the civilized world
00:12:08toxic
00:12:09violent
00:12:09he didn't call that out nearly as much
00:12:11so yeah
00:12:12I don't think golding pushed far enough
00:12:14but I think it's unfair to call it a happy ending
00:12:20thank you miss keaton
00:12:22well said
00:12:23anyone else?
00:12:26both opinions are valid
00:12:28okay
00:12:28that's kind of epic
00:12:30and let's not forget
00:12:30golding faced major backlash when he first published the book
00:12:34good literature will always divide opinion
00:12:40what's happening to me?
00:12:57okay what is going on?
00:12:59why is everyone staring at me?
00:13:01well you're new
00:13:02and apparently had a thing with charles
00:13:04a what now?
00:13:06you two are in the middle of the most epic feud as you've seen in years
00:13:10we're not even fighting
00:13:11well according to everyone
00:13:12you confessed your love on day one
00:13:14got rejected
00:13:15begged to sit next to him
00:13:17got rejected again
00:13:18and today in class
00:13:20you broke down crying about not believing in happy endings
00:13:23and stormed out in tears
00:13:27you were there sherry
00:13:28that is not what happened
00:13:31doesn't matter
00:13:31people believe what they want to believe
00:13:34and they want charles to be flawless
00:13:36untouchable
00:13:37wow
00:13:39is misogyny like a rich kid thing
00:13:41or just a british specialty?
00:13:42honestly
00:13:43both
00:13:44but seriously alice
00:13:46some people already see you as a threat
00:13:55okay
00:13:57loaded
00:13:58looks like the new girl is in for a rough first semester
00:14:16hello?
00:14:18hello?
00:14:19hello?
00:14:20is somebody out there?
00:14:23oh come on!
00:14:38fine
00:14:53seriously?
00:14:56oh shit
00:15:02what the hell?
00:15:04anne
00:15:05i thought you were having dinner with alice
00:15:07she hasn't come home
00:15:08her phone is off
00:15:09maybe you've seen her this evening
00:15:14yikes
00:15:14looks like the new girl is in for a rough first semester
00:15:23shit
00:15:29alice
00:15:30alice
00:15:31alice
00:15:31mr pelton
00:15:32charles kenwood here
00:15:33i was wondering if i could get the timetable for alice keaton
00:15:36she hasn't come home
00:15:37she hasn't come home
00:15:38i'll have it sent over
00:15:40check the common room in the library
00:15:41i'll take the rest
00:15:45alice
00:15:59come on alice
00:16:00come on alice
00:16:01close your eyes and jump
00:16:03it's fine
00:16:04you're fine
00:16:06you're fine
00:16:07you're fine
00:16:38i'll have it sent over
00:16:38i'll have it at all
00:16:38and i'll have it at all
00:16:40What... what are you doing here?
00:16:45Can you get off me first?
00:16:56You're welcome.
00:16:58I didn't say thank you.
00:17:00I figured saving your life might turn me basic manners.
00:17:02Someone just dumped swamp water on me.
00:17:05Excuse me if I'm not feeling very polite.
00:17:07You smell like a biology experiment.
00:17:09Wow.
00:17:11You should try falling out of a window into someone's arms and getting insulted for it.
00:17:15Wouldn't recommend it. You're heavier than you look.
00:17:19I hope you pull your shoulder.
00:17:26Are you okay?
00:17:28No. But I will be.
00:17:31Someone did this on purpose.
00:17:33What do you think, golden boy?
00:17:36Don't worry, I can handle it.
00:17:37You shouldn't have to.
00:17:41I'm...
00:17:42Sorry.
00:17:50Sorry.
00:17:55Did you just...
00:17:57apologize to me?
00:17:58Don't get used to it.
00:17:59I wouldn't dream of it.
00:18:03Alice?
00:18:04Over here.
00:18:05Oh my god.
00:18:08You okay?
00:18:11Why are you drenched?
00:18:12Yeah.
00:18:13I just...
00:18:14took a weird shower.
00:18:16Top exploded.
00:18:18Come on.
00:18:19Let's get you home.
00:18:30Alice Keaton, right?
00:18:33I heard you staged the whole thing for attention.
00:19:00I know how this place works. If you don't do anything about it, it's only going to get worse.
00:19:06I'll look into it.
00:19:09Charles.
00:19:11Good on you.
00:19:13How many here would speak up?
00:19:18I can't believe someone actually locked you in. That's insane.
00:19:22Where the hell was the school when this was happening?
00:19:24Busy protecting their golden boys and trust funds.
00:19:27Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:33Please, he just didn't want a lawsuit.
00:19:52Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't
00:20:00even let you pass the gates.
00:20:02Hey, we miss you in Paris.
00:20:05Though there are enough Americans to remind us of you.
00:20:08But sometimes, being here means staying behind.
00:20:12And watching Asford elites go on a two-week enrichment program you can never afford.
00:20:18Have fun. Bring me something overpriced and unnecessary.
00:20:27The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:20:33So yeah, I didn't go.
00:20:57What are you doing here? Do you not believe in shirts?
00:21:00Do you not believe in dignity?
00:21:02It's comfortable.
00:21:03You look like a rejected Ewok.
00:21:05This, this is not even your kitchen.
00:21:07And this is not even your house.
00:21:09And yet, you're here, dressed like this.
00:21:12Just don't, look, go away.
00:21:14Hard not to, when you're walking around dressed like that.
00:21:17What do you guys call it? Um, buzz kill? Cock block.
00:21:23You're insufferable.
00:21:24You're the one cosplaying at breakfast.
00:21:26You know what? I don't get it. Why didn't you go on that tour?
00:21:29I thought rich people live for that kind of thing.
00:21:31Why do you think?
00:21:38Where would I go?
00:21:40I could practically recite the itinerary in my sleep.
00:21:44Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:49Or Tiziana, if you want to sound extra pretentious.
00:21:53Then Venice, because everybody loves a good canal and getting lost in the most confusing city on Earth.
00:21:59Next stop, Napoli. Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:22:06The final stop, Paris, the ultimate city of romance.
00:22:11And, naturally, Woody Allen's favourite city outside of New York.
00:22:19That's word for word.
00:22:21I told you. I've done this tour so many times, I could run it.
00:22:25Okay, but still, it's Europe. Most people would kill for that chance.
00:22:28Most people haven't had their phones stolen in Paris. Twice.
00:22:33Also, I hate the accommodations.
00:22:35Aren't they all five-star hotels?
00:22:37Standard rooms in five-star hotels. No thank you.
00:22:42Wow. Some were born in Rome, huh?
00:22:45That's unfortunate. It's a very chaotic city.
00:22:47One word of advice? Shut up.
00:22:49That's two words.
00:22:52You're weird.
00:22:53You're loud.
00:22:54You're annoying.
00:22:54You're in my kitchen.
00:22:55You have three other kitchens.
00:22:57And I prefer this one. Just for today.
00:23:00Come back when you've got a shirt on.
00:23:02Come back with normal clothes on.
00:23:03You didn't have to come.
00:23:04Don't tell me what I have to do.
00:23:15Master Charles. Roads are flooded. Staff won't make it tonight.
00:23:18Will you be alright sorting dinner?
00:23:23I've got it sorted.
00:23:40I'm here to make a deal.
00:23:42What deal? You nearly gave me a heart attack.
00:23:48You'll survive.
00:23:50I'm not selling my body.
00:23:56I'm not selling my body.
00:24:02Wow. I am deeply offended.
00:24:06That thought disgusts me.
00:24:08Then what are you doing?
00:24:09The staff's off tonight.
00:24:11I'm buying dinner.
00:24:12No.
00:24:15Did you seriously think I'd spend a hundred pounds on-
00:24:18No, I-
00:24:18I- I-
00:24:19Jesus.
00:24:20Wait.
00:24:21You think I'm not worth one hundred pounds?
00:24:25I'm not spending one hundred pounds to snort Chewbacca.
00:24:28You know what? Dinner's cancelled.
00:24:33Are you sure about that?
00:24:36I present to you.
00:24:38Meatball spaghetti, stir-fried veggies, and french fries.
00:24:41You're welcome.
00:24:43Interesting combo.
00:24:44Well, I know we're not in Italy or France, but this'll do.
00:24:48It's...
00:24:49good.
00:24:56Was that a compliment?
00:24:58Although, I am obliged to inform you.
00:25:01Meatball spaghetti isn't Italian.
00:25:03It's American.
00:25:05And french fries, likely born in South America.
00:25:08You should read more.
00:25:10Put it down.
00:25:12I paid for it.
00:25:13You really just have to win every argument, don't you?
00:25:16To be fair, you make it very easy.
00:25:20It's only easy because it costs two hundred pounds.
00:25:23You know, if you'd asked for more, I probably would have given it to you.
00:25:25I'll make sure of it.
00:25:41Hey Alice, it's fine.
00:25:44You're fine.
00:25:51911, what's with your emergency?
00:25:58911, what's with your emergency?
00:26:00It's my dad.
00:26:01He needs help.
00:26:02He just had a stroke.
00:26:03Okay, miss.
00:26:04Hurricane's constant traffic.
00:26:05Shut down.
00:26:05We'll get to you as soon as we can.
00:26:07Please, he's not well.
00:26:08I understand.
00:26:09Can you confirm your address?
00:26:12Daddy, yes, I'm right here.
00:26:15Alright.
00:26:17My daughter.
00:26:18Please stay with me, Dad.
00:26:20Please.
00:26:25No.
00:26:27Please wake up.
00:26:32Dad, please.
00:26:34Please don't leave me.
00:26:35I will have you.
00:26:35Oh, my God.
00:26:35You two are okay, you're Soap.
00:26:37Please.
00:26:48You know I'm so sorry.
00:26:50Just feel so good.
00:26:51I'm so sorry for this.
00:26:52Oh, you're so sorry for me.
00:26:55I'm so sorry for this.
00:26:59You're so sorry for me.
00:27:07You... what are you doing here?
00:27:13You were crying.
00:27:15Loudly.
00:27:18Kind of hard to ignore.
00:27:19Right.
00:27:21Sorry for the noise.
00:27:23Wait, you know a snarky comeback?
00:27:26Not tonight, I'm too tired.
00:27:27If you're here to argue, knock yourself out.
00:27:32You were calling for your dad, right?
00:27:35A hurricane hit New York.
00:27:38Power went down, traffic froze.
00:27:41Dad had a stroke.
00:27:43But he couldn't get help in time.
00:27:47I sat there with a candle while he laid there.
00:27:54Peaceful.
00:27:56But he was asleep.
00:27:58But he wasn't.
00:28:03So that's why you and your mum moved here?
00:28:06This used to be our hometown.
00:28:09After Dad left, we had nowhere else to go.
00:28:18What are you doing?
00:28:23Come on.
00:28:40Wait.
00:28:41I thought the peril was out.
00:28:43It is.
00:28:44We have our own generator.
00:28:46Wow.
00:28:47Rich people houses her.
00:28:48Just for tonight, I'll allow it.
00:28:52Allow what?
00:28:54You can call this place your house.
00:28:56So enjoy it.
00:28:58Stephen King's first edition.
00:28:59Alan Gisberg's handwritten letters.
00:29:01Jane Austen's notes.
00:29:03All yours.
00:29:08This is your home.
00:29:11Alice Keaton.
00:29:17Careful.
00:29:18Almost sounded sweet.
00:29:20Don't push it.
00:29:21Okay then.
00:29:24I have one request.
00:29:30What is it?
00:29:39Are you ever going to make a move?
00:29:41Wait.
00:29:42Give me a second.
00:29:43I'm thinking.
00:29:44You had one wish.
00:29:46Anything in the world.
00:29:48And in the middle of a thunderstorm,
00:29:50inside a literal mansion,
00:29:52you chose chess.
00:29:54Yeah.
00:29:55Got a problem?
00:29:56It's just so cool.
00:29:57Like, spies or genius villains in movies.
00:30:01It's literally a board game.
00:30:02Says the guy who owns a custom set.
00:30:05Wait.
00:30:06Does the knight go diagonally?
00:30:08For the tenth time,
00:30:09it moves in an L shape.
00:30:12One.
00:30:13Two.
00:30:14Then turn.
00:30:16There.
00:30:18Happy?
00:30:18Exciting.
00:30:21You know.
00:30:22That's suicide.
00:30:23Or a brilliant long-term sacrifice.
00:30:25You are playing checkers at a chessboard.
00:30:27Still beating you in sarcasm.
00:30:29You literally haven't won any past arguments.
00:30:31Golding disagrees.
00:30:33It's going to be a long night.
00:30:34Oh my. No.
00:30:36Why? What's wrong with that?
00:30:36You can't do that.
00:30:38What about that? Can I do that?
00:30:39No, no. Oh my god.
00:30:41You had to shop a trip and about it all wrong.
00:30:44Tied to pull you in close as we locked on your phone.
00:30:47All yourself work cause I'm moving on.
00:30:51Oh yeah.
00:30:53Showing up at the door.
00:30:56Holding your heart there inside your hands.
00:31:00Maybe he's not so awful after all.
00:31:10Um, who are you?
00:31:18What are you doing here?
00:31:19Well, your parents said you were still at home.
00:31:22Thank god you skipped that boring grand tour.
00:31:24Who needs Italy and France again, right?
00:31:26When did you get back?
00:31:28Last night.
00:31:29From Zurich.
00:31:30You didn't answer my messages.
00:31:33I missed you.
00:31:35Anyway, thought I'd come surprise you.
00:31:37Apparently, I'm transferring to Ashford.
00:31:40Your parents were so thrilled.
00:31:42They didn't tell me about this.
00:31:43I wanted to deliver the happy news myself.
00:31:45They said it'd be lovely for us to reconnect.
00:31:49You know, considering the engagement and all.
00:31:52Engagement.
00:31:54Oh, did no one tell you?
00:31:57He's promised.
00:31:59Old Monaster, very retro.
00:32:01I didn't agree to that.
00:32:02You didn't have to.
00:32:03It's never up to us.
00:32:05Where did you find this little toy?
00:32:08Serena?
00:32:09I didn't hear you, you know.
00:32:11Oh.
00:32:12An American.
00:32:13How refreshing.
00:32:18Goodbye.
00:32:20Wait.
00:32:37Where are you going?
00:32:38You still owe me breakfast.
00:32:40You only paid for dinner.
00:32:42I have homework.
00:32:44Goodbye.
00:32:47Your little toy has quite the temper.
00:32:49Serena, can you please just stop?
00:32:51What?
00:32:52Teasing the help?
00:32:59That's her.
00:33:00That's the one from Kenwood's house.
00:33:03Was she, like, the maid or something?
00:33:20Oh, my God.
00:33:21What's wrong with people?
00:33:23They're saying you live with Charles.
00:33:25Oh, and Serena.
00:33:26What about her?
00:33:27Well, apparently she told everyone
00:33:29you were caught sneaking into his room.
00:33:31Of course she did.
00:33:45Careful, Alice.
00:33:46You're starting to look desperate.
00:33:59Yeah.
00:34:00Can you help me?
00:34:00What's that?
00:34:01I know it's 1066.
00:34:03Come to the music room.
00:34:05Urgent.
00:34:06I just remembered I need to check something.
00:34:08You guys go ahead.
00:34:09Yeah.
00:34:10Okay.
00:34:16Hello.
00:34:17Hello.
00:34:17Is someone there?
00:34:18Seriously.
00:34:20This is getting old.
00:34:32Wait.
00:34:34Music room?
00:34:35What?
00:34:38James?
00:34:39Is anybody in here earlier?
00:34:41Just Miss Serena.
00:34:42Said she was waiting for you.
00:34:44Sir?
00:34:46Sir, it's raining.
00:34:58Come on, Alice.
00:35:00You're fine.
00:35:02You're not that girl again.
00:35:10Wait.
00:35:10Can you remind me one more time?
00:35:12Okay.
00:35:14Rooks move in straight lines.
00:35:16Yeah.
00:35:17Bishops move diagonally.
00:35:18And knights...
00:35:19The knight's the weird one.
00:35:26Rooks.
00:35:28Straight lines.
00:35:30Bishops.
00:35:32Diagonally.
00:35:33Hello?
00:35:53The text.
00:35:55Are you okay?
00:35:57Are you hurt?
00:35:58I...
00:35:59I'm okay.
00:36:00I...
00:36:00I saw the text and I thought...
00:36:02I...
00:36:02I didn't see the message.
00:36:04Serena took my phone.
00:36:05I...
00:36:05I didn't know.
00:36:06I'm sorry.
00:36:07I'm...
00:36:08Okay.
00:36:10You're gonna catch a cold.
00:36:12You're freezing.
00:36:12You didn't have to come.
00:36:16Don't tell me what I have to do.
00:36:41That wasn't a mistake.
00:36:43If that's what you're about to say.
00:36:46I...
00:36:46Wasn't going to.
00:37:00You're really bad at this, you know.
00:37:02What?
00:37:03Kissing.
00:37:04Hiding feelings.
00:37:05I don't like that.
00:37:06Do you want it best?
00:37:08Do you want it best?
00:37:08The rhythm of your heart.
00:37:10The rest is not fulfilling.
00:37:11I'm flying in the unknown.
00:37:14Tell me what you said.
00:37:15Tell me where you wanna go.
00:37:17Keep behind me.
00:37:26Dump those Ewok pyjamas.
00:37:29Oh, you wish.
00:37:32Seriously.
00:37:33It's a cock block.
00:37:35You kissed me.
00:37:38That's basically consent to everything.
00:37:46Dangerous words, Keaton.
00:37:48I might hold you to that.
00:37:59You'll be working in pairs on your comparative essays.
00:38:02The list is on the board.
00:38:05One, two, three, four, three.
00:38:10Are you okay?
00:38:12Fly me to outer space.
00:38:16That's where I'll see your face.
00:38:21And have you with me.
00:38:26It may seem dark, but you always like me.
00:38:32You're distracting.
00:38:41You're welcome.
00:38:45They're either enemies or secretly married.
00:38:49Honestly?
00:38:50Right?
00:39:02Oh, baby.
00:39:03You saved me till I'm brand new.
00:39:08Everything's so different now.
00:39:11So, the night goes in an L shape, right?
00:39:15Why is that the only one you remember?
00:39:17Because it's weird.
00:39:19And I like weird.
00:39:28Check.
00:39:35You're cheating.
00:39:36I'm winning.
00:39:37There's a difference.
00:39:39You are very distracting.
00:39:40And you like it.
00:39:52Charles.
00:39:54We need to talk.
00:40:03I expected poor judgement.
00:40:06But this in my house?
00:40:08It isn't what it looks like.
00:40:09No.
00:40:10Kissing a servant's daughter in the family library.
00:40:14Enlighten me then, Charles.
00:40:15We came back tonight after speaking with Serena.
00:40:19Imagine our surprise walking in on this.
00:40:22She isn't just...
00:40:23You have no right to barge in.
00:40:26On my property.
00:40:30I care about her.
00:40:32I'm not ashamed of that.
00:40:33That's enough.
00:40:36Why do you care?
00:40:38We're protecting our son's future.
00:40:41And our name.
00:40:43You think this protects me?
00:40:44We think she does not belong in your world.
00:40:50Then maybe I don't either.
00:40:54You're ready to give up everything?
00:40:56For a girl you barely know?
00:41:00Yes.
00:41:02Then...
00:41:03Are you sure...
00:41:05She's ready?
00:41:12I'm asking you.
00:41:13Do you think she's ready?
00:41:15To lose everything, regardless of how little that is.
00:41:18Just to be with you?
00:41:20What are you talking about?
00:41:22You left us no choice, son.
00:41:23You shouldn't disobey your father.
00:41:28Pelton.
00:41:29It's Frederick Kenwood.
00:41:30Ah.
00:41:31Mr. Kenwood.
00:41:32How can I help?
00:41:33If a scholarship student were to violate our behavioral code in a public setting with photographic evidence, would that warrant
00:41:42a review?
00:41:43Yes, sir.
00:41:47Yes, sir.
00:41:48Answer me again.
00:41:50Do you think she's ready to lose everything just to be with you?
00:42:05Charles.
00:42:06What happened?
00:42:07Did your parents say something?
00:42:08Are they mad?
00:42:08Is everything okay?
00:42:10Pack your things.
00:42:12You can't stay here anymore.
00:42:15What?
00:42:15What?
00:42:17My parents fired your mother.
00:42:19She's leaving.
00:42:20So are you.
00:42:21Wait.
00:42:21What?
00:42:22Why?
00:42:23Is it because of us?
00:42:24We can fix this.
00:42:25I'll get a job.
00:42:26Anything.
00:42:26Stop.
00:42:26Stop it.
00:42:26You don't get it.
00:42:28If I don't walk away from this, they'll cut me off.
00:42:32Okay?
00:42:33No card.
00:42:34No trust.
00:42:35No support.
00:42:36Nothing.
00:42:38Then...
00:42:38Then we'll figure it out.
00:42:40We don't need all that.
00:42:42We can...
00:42:42Do you really think I'm going to live like that?
00:42:48So that's what this was.
00:42:50Just fun until it got inconvenient.
00:42:54What did they promise you?
00:42:58Nothing.
00:43:01They just reminded me of what's real.
00:43:07Charles, I'm not stupid.
00:43:09You don't just turn into a cold stranger because of one conversation.
00:43:13What did they threaten you with?
00:43:20What did they threaten you with?
00:43:22This is the difference between me and you.
00:43:24What?
00:43:25You think you know me.
00:43:27Or what I have.
00:43:29You don't, Alice.
00:43:31You're still lying.
00:43:32I'm not, Alice.
00:43:34Look around you.
00:43:35This mansion you thought was a museum.
00:43:38It's my house.
00:43:40My world.
00:43:42I was bored into this.
00:43:44I am not choosing between this...
00:43:48And something I picked up for a moment of fun.
00:43:54Don't do this, Charles.
00:43:56You don't mean it.
00:43:57Look, it was fun.
00:43:58But you?
00:44:01You don't compare to what I own.
00:44:05I'll survive the loss.
00:44:08Right.
00:44:11I should have known.
00:44:14Guys like you don't end up with girls like me.
00:44:19You play with them, then you throw them away.
00:44:23Go to sleep, Alice.
00:44:35Go to sleep, Alice.
00:44:41In so deep I can barely see myself
00:44:48Yeah, around me feels so heavy but depleted
00:44:54But I find this the place to test myself
00:45:06Oops
00:45:24Oh sorry, didn't see you there
00:45:27Then again, nobody does
00:45:29Move, please
00:45:30Hmm, try begging
00:45:38You know what, keep it
00:45:45Poor thing, so dramatic
00:45:49Don't
00:45:49Excuse me
00:45:51I warned you
00:45:53Walk away, Serena
00:46:14Last week's group assignments were mostly forgettable
00:46:18But one pair surprised me, in a good way
00:46:22Charles Kenwood and Alice Keaton
00:46:25Would you mind giving us her short summary?
00:46:28She loves the sound of her own voice
00:46:30Better have it
00:46:38Our essay explored what happens when two fundamentally different voices meet
00:46:43Like logic and chaos, or silence and noise
00:46:47Different worlds, different rules
00:46:52At first glance, they clash
00:46:55But what makes the story interesting is what happens next
00:46:59Confusion
00:46:59Curiosity
00:47:01But in the end, some stories aren't about staying
00:47:04And yes, there is no such thing as a happy ending
00:47:17And yes, there is no such thing as a happy ending
00:47:21Is she still talking about the essay?
00:47:26Miss Keaton
00:47:29Dramatic as always
00:47:30All right
00:47:31Thank you, Alice
00:47:32That was
00:47:34Leia
00:47:36Are you okay?
00:47:37A reminder
00:47:38That good literature
00:47:40Always stirs something
00:47:44Hello?
00:47:45Hi, this is Alice Keaton
00:47:46This is Whitmore Press
00:47:47We've been following your work
00:47:48We'd like to offer you a long-term publishing contract
00:47:51Name your price
00:47:52We'll make it work
00:47:53Sorry, what?
00:47:58That's
00:47:58Kind of
00:48:00Insane
00:48:01Who's behind this?
00:48:02Your sponsor wishes to remain
00:48:04Anonymous
00:48:05Can
00:48:06Can I meet them?
00:48:09I want to
00:48:10Please
00:48:12Or at least tell me a name
00:48:17Sorry, they wish to stay in office
00:48:19So their only interest in words, not the person
00:48:21I'd really like to meet them
00:48:22I'm sorry, Miss Keaton
00:48:23They were very good
00:48:24I think the most generous offer we've ever given a disability or something
00:48:28I see
00:48:29Congratulations again
00:48:35You got the interview
00:48:36It's just an interview
00:48:37I haven't gotten it yet
00:48:38Still
00:48:39Alice Keaton at Oxford
00:48:41That's iconic
00:48:50You okay?
00:48:52Yeah
00:48:54I'm so excited
00:49:08It's done, Mr. Kenwood
00:49:09Miss Keaton signed the contract
00:49:12Good
00:49:13It's a generous deal
00:49:14You sure you don't want it to know?
00:49:17No
00:49:19You know, it's better if I stay out of her life
00:49:21I will be before you
00:49:26I'll be there in your darkened states
00:49:31Congratulations, Alice Keaton
00:49:33Go live the life you were always meant to
00:49:41Your engagement and announcement should align perfectly with the Foundation Gala
00:49:46And the Browns already offered to host the London reception
00:49:51It's all coming together beautifully
00:49:56I've lost my appetite
00:50:01I'll go check on him
00:50:08What's your problem, Charles?
00:50:13Disengagement
00:50:15It's not happening
00:50:16It's not up to you
00:50:17You know that
00:50:17Serena, we're not doing this
00:50:21You've changed
00:50:25Or maybe I finally just stopped pretending
00:50:56It's not happening
00:50:57You're a sponsor
00:50:58You've been funding Alice Keaton this whole time
00:51:03So?
00:51:04You lied to everyone
00:51:06Including her
00:51:07I protected her
00:51:11You loved her
00:51:12Still do
00:51:15Let it go, Serena
00:51:18There's no point
00:51:28I need a favour
00:51:29Find out when the Oxford interview is
00:51:33And make sure Alice Keaton won't show up
00:51:40Anything?
00:51:41No?
00:51:43She's not answering
00:51:44The interview's almost over
00:51:46Well, she won't just not show up
00:51:48Something's wrong
00:51:51Where's Alice?
00:51:52When was the last time you heard from her?
00:51:54Last night
00:51:55She said she was prepping all evening
00:52:01James, track someone for me
00:52:04Wait
00:52:05Wait, where are you going?
00:52:13Chill, okay
00:52:14We won't hurt you
00:52:16Yeah
00:52:17We're just supposed to
00:52:18Keep you away from the interview
00:52:19That's it
00:52:28Shit
00:52:28Come back
00:52:55I remember how men
00:53:01Didn't need a second guess
00:53:07Hey, hey, hey
00:53:08Alice, Alice
00:53:10Alice, hey, hey
00:53:11Stay with me
00:53:11Stay with me
00:53:12Stay with me, Alice
00:53:13Alice
00:53:20You're awake
00:53:22Where, where am I?
00:53:24Local clinic
00:53:25Passerby brought you in
00:53:28Passerby
00:53:29He found you on the side of the road
00:53:31He had to leave
00:53:32He didn't leave a name
00:53:34Oh
00:53:37The interview
00:53:38What time is it?
00:53:39Easy
00:53:39It's okay
00:53:40Someone already contacted the university
00:53:42And sent in your writing samples
00:53:45They've rescheduled your interview for tomorrow
00:53:47Wait, what?
00:53:47Who?
00:53:48No idea
00:53:49Yeah, but it's all taken care of
00:53:54What did you say?
00:53:55Nothing
00:53:57I just
00:53:59Had a dream
00:54:11I got him!
00:54:15Oh, I knew it
00:54:17Too bad Charles isn't here to watch you crush it
00:54:20He's not here
00:54:22He's not here
00:54:23Oh, you didn't know
00:54:25Know what?
00:54:27He left
00:54:27A few days ago, yeah
00:54:29Everyone doesn't really know where he went
00:54:31Honestly, Ashford's been quieter without him
00:54:34It's probably for the best
00:54:35Come on
00:54:41Alice?
00:54:45The summer I met Charles Kenwood was loud
00:54:49Chaotic
00:54:50Unexpected
00:54:54And with his absence
00:54:56Come on
00:54:58It ended quietly
00:55:01Like summers always do
00:55:16And joining us today
00:55:18The decade's most unexpected literary phenomenon
00:55:22Alice Keaton
00:55:23Thank you for having me
00:55:24Now, your words moved millions
00:55:27They say your stories feel real
00:55:30Especially the ones about love
00:55:32Thank you
00:55:32Which brings us to the most obvious question
00:55:35How's your dating life like these days?
00:55:37No comment
00:55:38A little bird told me that the past four years
00:55:41Has been just writing and working
00:55:44Not even a single date
00:55:45Let me guess a bird named Sherry
00:55:46She caught me
00:55:47Still no comment
00:55:49Alright, alright
00:55:50No matter what you say
00:55:51You write love like someone who's lived it
00:55:55If you're so real
00:55:57Because once I did
00:55:58With someone who felt like chaos and clarity
00:56:01Behind Alice Keaton
00:56:03And no one ever quite matched the light after that
00:56:05And let's give it up for Alice Keaton
00:56:08One more time
00:56:19Congratulations Alice
00:56:21The numbers just came in
00:56:22You broke your own record
00:56:25That's incredible
00:56:27We're thinking celebration
00:56:28Press
00:56:29Photos
00:56:30Maybe tonight
00:56:31Actually
00:56:31There's something I'd rather do
00:56:35I'd like to meet with the person who
00:56:37Believed in me first
00:56:39My sponsor
00:56:40You're sure?
00:56:42Yeah
00:56:42Just once
00:56:44Tonight
00:56:56Good evening
00:57:01Good evening
00:57:05May I sit?
00:57:11Hey Mr. Nonchalant
00:57:16Hi
00:57:17Hi
00:57:20You look well
00:57:23And you look like you just stepped out of a GQ cover
00:57:27You always did
00:57:29You were expecting someone else
00:57:32I was
00:57:34Hoping
00:57:36But I guess I always knew
00:57:38I didn't come here to confuse you
00:57:40Or to reopen anything
00:57:44I just wanted to say congratulations
00:57:48Oh
00:57:48Thank you
00:57:52Didn't know you're still reading
00:57:53You're rich enough not to do so
00:57:57Always
00:57:58Either way
00:57:59Your sponsorship started my career
00:58:02So
00:58:03No
00:58:03No
00:58:04You earned everything
00:58:08Every word
00:58:09Every page
00:58:13Every reader
00:58:15That's what I came to say
00:58:19It was good to see you again
00:58:22I hope
00:58:22Charles
00:58:25Can you just
00:58:27Wait a little longer
00:58:35I think I knew it was you
00:58:39There was one email
00:58:41You said something
00:58:43It felt familiar
00:58:44Really?
00:58:45Kind of had that
00:58:46Rich asshole with a conscience energy
00:58:48Very on brand
00:58:51I should have anonymized my grammar
00:58:53Too late
00:58:53Your semicolon usage gave you away
00:58:56Still the only girl I know
00:58:58Who flirts through punctuation
00:58:59Still the only girl I know
00:59:01Who uses wild sound ironically
00:59:05You've changed
00:59:07But
00:59:09Not really
00:59:12You haven't changed
00:59:14But maybe you've grown into
00:59:16Who you really were
00:59:19Anyway
00:59:20I wanted to say
00:59:22Thank you
00:59:25And
00:59:26Thanks for being here tonight
00:59:28You didn't have to come
00:59:30Don't tell me what I have to do
00:59:32I do
00:59:35You didn't have to come
00:59:37Don't tell me
00:59:39What I have to do
00:59:59If you could go back
01:00:01If you had the chance
01:00:02To do it all again
01:00:03Would you do anything differently
01:00:10No
01:00:16No
01:00:16No
01:00:20I see
01:00:25I know my answer now
01:00:26I didn't have the power back then
01:00:29Not enough to protect you
01:00:30I couldn't watch you get crushed because of me
01:00:34Because of my name
01:00:36My family
01:00:38I didn't want to be the reason you lost everything
01:00:41So you just disappeared
01:00:43Without a word
01:00:47If you had the chance
01:00:48To see the world
01:00:49Without me weighing you down
01:00:51If you still chose me after that
01:00:57You keep saying
01:00:58You wanted to give me a choice
01:01:01But you made a choice for me
01:01:05Did it ever cross your mind
01:01:06That maybe
01:01:09I would have chosen you anyway
01:01:16I didn't think I was the smart choice
01:01:20You weren't
01:01:23But
01:01:23I never claimed to be that smart
01:01:33This is me
01:01:35Right
01:01:43I'm still mad at you
01:01:44You know
01:01:47I'm still in love with you
01:01:48You know
01:01:57Do you want to come in for a bit
01:02:01You're asking your ex
01:02:02Who you haven't seen in four years
01:02:05To come into your hotel
01:02:07At approximately 11pm
01:02:10You were right
01:02:12You never were that smart
01:02:14You don't have to come
01:02:15Don't tell me
01:02:17What I have to do
01:02:18It's almost like you say
01:02:21Less things
01:02:23Where can I go
01:02:32Stop quoting yourself
01:02:34I recycle
01:02:35It saves energy
01:02:37This feels
01:02:38Wildly irresponsible
01:02:40You sound like a disclaimer
01:02:41You're the one who wants
01:02:42Called romance a distraction
01:02:43I said that
01:02:45Yeah
01:02:45Before calling
01:02:46Wuthering Heights overrated
01:02:48Still is
01:02:49You're lucky you're a good kisser
01:02:55That is cute to me
01:02:56Don't you dare quote poetry
01:02:58I wasn't going to
01:02:59I forgot all of it
01:03:01The day you left
01:03:02Then shut up
01:03:04And prove it
01:03:11I still can't believe
01:03:13This is happening
01:03:13I told you
01:03:14They're either worst enemies
01:03:16Or secretly married
01:03:17And I told you
01:03:18They're both
01:03:22It's more than a night
01:03:24To let the ride
01:03:32It's enough to let folks
01:03:34Let it be
01:03:45I vow to always
01:03:46Tell you the truth
01:03:48Except for when you ask
01:03:49How your cooking was
01:03:51Then I lie
01:03:53Respectfully
01:03:55I vow to keep choosing you
01:03:58Loudly
01:03:59Quietly
01:04:01Always
01:04:03Even when you forget
01:04:04To do the laundry
01:04:07Is he actually good at this
01:04:09I mean
01:04:09He did beat her at song
01:04:11I vow to argue with you
01:04:16At least twice a week
01:04:17Especially over Shakespeare
01:04:20I vow to write you
01:04:21In your every story
01:04:22Even when I say I didn't
01:04:24You will always be part of my life
01:04:28If she quotes Austin in this toast
01:04:30I'm out
01:04:30No you're not
01:04:31You're going to cry harder
01:04:32Why are the rest of my life
01:04:37Why are the rest of my life
01:04:40Why are the rest of my life
01:05:02Guard your phone?
01:05:03Guard your phone
01:05:04Just don't dress like a walking inheritance
01:05:06And you'll be fine
01:05:09You are not wearing that on our honeymoon
01:05:13Please Alice go change
01:05:15Don't tell me what I have to do
01:05:21No
01:05:22No
01:05:23No
01:05:23No
01:05:23No
01:05:23No
01:05:23That is not an invitation
01:05:24Do not take off these clothes
01:05:26Overruled
01:05:27You look much better without them
01:05:34To the ones who loved in silence
01:05:37In chaos
01:05:38In chapters
01:05:40You will find your way home
01:05:42You will find your way home
01:05:45Sometimes I wanna be on my own
01:05:48But I don't wanna die alone
01:05:51God
01:05:51God
01:05:52God
01:05:53God
01:05:53God
01:05:53God
01:05:54God
01:05:54God
01:05:55God
01:05:56God
01:05:56God
01:05:56God
01:05:57God
01:05:57God
01:05:58God
01:05:58God
01:06:08God
01:06:09God
01:06:09God
01:06:10God
01:06:10God
01:06:10God
01:06:10God
01:06:16God
01:06:17God
01:06:17God
01:06:17God
01:06:17God
01:06:23God
01:06:23God
01:06:27God
01:06:28God
01:06:28God
01:06:28God
01:06:29God
01:06:29God
01:06:29God
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