00:01I wanted the audience to be dropped right into the middle of a very, very specific, very heady, rich environment.
00:08It's the day of the dead. Everywhere you look there's color and detail and life.
00:12We've built floats and maquettes and the costumes are extraordinary and the craftsmanship is amazing.
00:19We went to Mexico and found amazing people there.
00:24It is their culture so they had to teach me.
00:27I told them please do it your way.
00:30And they worked for six months, but the results are breathtaking.
00:33Each jacket was created per person, the dresses.
00:38We really tried to make them all different and always bringing like the death into this costumes.
00:49We have 1500 extras, which is quite unique now to the name of the costume.
00:54With CGI these days you do no more than five or six.
00:56So the trick is to do that fast and there's a minimum amount of time to get anybody ready.
01:01We did it this morning in 75 minutes for 1500. That's 20 a minute. I mean that's something going on.
01:06I think the sheer number is quite daunting. It's a hell of a lot to get out. But the creative
01:12freedom in this has been amazing. Fantastic.
01:14Because who else would he wouldn't want to do Day of the Day. So to have it captured in a
01:19Bond film in an iconic opening scene is fantastic.
01:22Everyone has been really helpful. The whole community has been amazing and very honored to have the opening of Jane's
01:28Bond film in Mexico.
01:29e siamo molto felici per vedere il risultato.
01:32Non posso essere più felice.
01:32È l'incredibile set-up.
01:35La qualità di lavoro è incredibile.
01:37È l'immagine più visibilmente
01:39che sia un'escizionante
01:40per un bond.
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