- 4 hours ago
Category
ЁЯОе
Short filmTranscript
00:00TARAK рдорд╣рддрд╛ рдХрд╛ рдЙрд▓реНрдЯрд╛ рдЪрд╢реНрдорд╛
00:31рдЕрд░ рдЕрднреА рдЗрд╕ рдкреНрд░реЗрдо рдкрддреНрд░ рдХреЗ рд╕рд╛рде рдлреВрд▓ рдХрд╛ рдЕрдирд╛ рдпреЗ рднреА рдПрдХ рдордЬрд╛рдЦ рд╣реИ
00:35рдордЬрд╛рдЦ рдирд╣реАрдВ рд╣реИ рддреЛ рдФрд░ рдХреНрдпрд╛ рд╣реИ рдЕрдЪреНрдЫрд╛ рддреЛ рдпреЗ рд╕рдм рдордЬрд╛рдЦ рд╣реИ TARAKHA
00:39рдЕрдЪреНрдЫрд╛ рддреБрдо рднреА рд╕рдордЭрдиреЗ рдХреА рдХреЛрд╢рд┐рд╢ рдХрд░реЛ рдЪрд▓реЛ рдХрд┐рд╕реА рдиреЗ рдкрд╣рди рдмреЗрдЬ рджрд┐рдпрд╛ рд╣реЛрдЧрд╛
00:42рд▓реЗрдХрд┐рди рддреБрдорд╛рд░реЗ рдкрд╛рд╕ рдРрд╕рд╛ рдХреЛрдИ рдлреЛрди рдЖрддрд╛ рд╣реИ рддреЛ рддреБрдореНрд╣реЗрдВ рдореБрдЭреЗ рдлреЛрди рдХрд░рдирд╛ рдЪрд╛рд╣рд┐рдП рдирд╛ рдмрддрд╛рдирд╛ рдЪрд╛рд╣рд┐рдП рдирд╛
00:46рдореИрдВрдиреЗ рдЖрдкрдХреЛ рджрд┐рди рдореЗрдВ рдХрд┐рддрдиреА рдмрд╛рд░ рдлреЛрди рдХрд┐рдпреЗ рдЕрд░рд╡ рдЖрдк рдореЗрд░рд╛ рдлреЛрди рдХреНрдпреЛрдВ рдЙрдард╛рдПрдВрдЧреЗ
00:51рддреБрдордиреЗ рдлреЛрди рдХрд┐рдпрд╛
00:54рдУ рдпрд╛ рдЯреНрд╡реЗрдВрдЯреА рдорд┐рд╕реНрдЯ рдХреЙрд▓реНрд╕
00:56Oh yes, it was my meeting, so I had done the phone on silent, that's why I didn't come to
01:01bed and didn't listen to me, you know.
01:03Look, look, on silent.
01:15Dear Tarak, I'm coming to your house with you. I love you.
01:31I love you.
01:33I love you.
01:34I love you.
01:34Do you like to ask someone else to come to the house?
01:37J. Talal, how do you know?
01:39If there's an electronics in this house, then it will come to your house.
01:43Then what's this?
01:44Let's see what's this.
01:46Let's see what's this.
01:48There's another box.
01:52Let's see what's this.
01:55What's this?
01:56What's this?
01:57There's another box.
01:59What's this?
02:01What's this?
02:04Oh, there's also a box.
02:08What's this?
02:08Oh, it seems like someone who made a box.
02:11We made a box like this.
02:14We made a box like this.
02:15Besides that you have to order the order.
02:17But what can you have to order the box?
02:20I'll put it in the box.
02:21I'll put it in the box.
02:23Oh, my God.
02:24Oh, my God.
02:25Oh, my God.
02:27Oh, my God.
02:29Oh, my God.
02:30I love you.
02:30What's this?
02:31What's this?
02:33What's this?
02:34Look, brother.
02:35What's this?
02:36What's this?
02:37What's this?
02:40What's this?
02:41What's this?
02:41What's this?
02:42Brother, someone has sent us a nice pencil to us.
02:45Okay.
02:46Who has sent the pencil?
02:47We don't have anything.
02:48I love you.
02:50I love you?
02:57What's this?
02:58I love you?
02:59Who sent a pen to you?
03:02What do I know?
03:03I've got a courier and opened my boxes in front of you.
03:05Who sent a pen?
03:06Where did you know who sent a pen?
03:08You don't know anything.
03:10Now, who sent a pen,
03:11I love you,
03:12will you know that person?
03:15Why are you doing this?
03:16Who sent a fan?
03:18No, who sent a fan?
03:20Okay.
03:21But I need to know the name of the person who sent a pen.
03:24What do you mean by the person who sent a pen?
03:26My fans have many people,
03:28who have men and children.
03:29How did it prove that the pen was sent?
03:33Who sent a pen?
03:34Who sent a pen?
03:34Who sent a gift and sent a pen?
03:36It proves that he sent a pen.
03:38Who sent a pen?
03:41Who sent a pen?
03:41What are you talking about?
03:42What are you talking about?
03:45Look, Tarak,
03:47I don't trust you.
03:48Oh!
03:49I don't trust you.
03:50No, I don't trust you.
03:53Okay, so trust and trust.
03:54This is the same question for all.
03:55Shakin!
03:57It's everything that Shakin is.
03:58In the whole Hindi way,
04:00shakin is no name, Shakin.
04:04One minute.
04:05I have to tell my name and name.
04:09Why are you so insulting?
04:10Can you tell them?
04:10Anjali, how do I tell you?
04:11You've got this courier.
04:13You've sent a pen.
04:14And this guy has sent it.
04:15It's not a figure,
04:16I don't know who sent a pen.
04:18Look, Tarak,
04:18I love you.
04:19Put a pen with somebody's pen.
04:19I don't know who's going to buy.
04:21I don't know who's going to buy.
04:23Hey, hey, hey, hey.
04:25Hey, hey, hey.
04:27Anjali, Anjali,
04:29who's going to buy,
04:31you're going to buy a pen?
04:34One minute, Jethah.
04:35The pen has come, but he's got
04:37I love you.
04:39I know, someone who's going to buy
04:41it, there's no tension.
04:43He's going to buy a pen.
04:45If he's going to buy a pen,
04:47he's going to buy a pen.
04:50But Jethah, brother.
04:52I'll buy a pen for a time.
04:54When I mood for a first class,
04:56you'll buy tea.
04:57Then I'll remove tea.
05:00But, Tara,
05:02no fan doesn't
05:03send this pen.
05:11Come here,
05:12come back with.
05:13Look at Baba Ji in the inside of Baba Ji.
05:15Now tell me.
05:17Who is I love you?
05:18What do you mean who is I love you?
05:21Trita Lal, look at my face from knowledge.
05:23Do you think I'm like this?
05:25Yes, you're saying?
05:27Okay.
05:28How do you think I'm like this?
05:31Let's go.
05:32Trita Lal.
05:34What?
05:36You're serious.
05:37I'm just kidding.
05:39I don't know who will send this band.
05:54We're just waiting.
05:58Next to this band,
05:59it's not my interest.
06:01Hindi, hi.
06:03Should I call urban electrician?
06:06Yup..
06:07What kind!
06:08A slow schle vibrate at some point
06:09And you need to do a small job at home.
06:13What are you doing?
06:14People call the electrician to change the tube.
06:17And you...
06:18Mother, you need a easy life today.
06:21You don't have to work hard.
06:24In your time...
06:28What was happening?
06:29In our time, we were doing our own work.
06:33Whether it's a cycle of servicing,
06:35or a car,
06:36or a voiceover change,
06:38or a voiceover change,
06:38or a voiceover change,
06:40or a voiceover change.
06:40Why?
06:41For the last time,
06:41the CD player was okay.
06:43Yes, you did.
06:45What?
06:46As you put CD in the CD,
06:48and put the CD out of the CD,
06:50and put the CD out of the CD,
06:52and it's gone.
06:55Do you remember?
06:59That was the last time,
07:00when I was okay with the mixer,
07:01do you remember that?
07:02Oh, how can I say that?
07:04What?
07:04His voice is still in my ears.
07:08As the mixer started,
07:11the sound of the tractor was so loud.
07:14I forgot to put a bearing on it,
07:16but it's fine.
07:18It's fine.
07:19It's fine.
07:19It's fine.
07:20It's fine.
07:21It's fine.
07:26It's fine.
07:28It's fine.
07:32It's fine.
07:33It's fine.
07:34I'm going to send a bag for a bag.
07:36I'm going to send a bag.
07:37What?
07:38How are you doing?
07:39This is my one.
07:41I can't send a bag for a bag.
07:44I can send a bag for a bag.
07:44No, no.
07:45Send it.
07:45Who are you doing?
07:46What?
07:47Just one minute.
07:48This is done.
07:49I will start.
07:52Here.
07:52This is the work of 2 minutes.
07:54Go.
07:54Go.
07:56Go.
07:57I feel shocked.
07:58Look at that.
08:00Look at that.
08:01Look at that.
08:02Look at that.
08:02Look at that.
08:03It's a big fault.
08:04Maybe you need to replace carbon.
08:07You're fine.
08:08I'll show you some history.
08:12Electrician?
08:15Do you want to take a courier?
08:17Yes.
08:18Do you want to take it?
08:19Yes.
08:22Yes, Anjali Baba.
08:23It's fun.
08:24It was fun.
08:25It was fun.
08:27Let's go.
08:28Let's go.
08:31What happened?
08:31What are you thinking?
08:32No, no.
08:33Nothing.
08:38Talk about it.
08:41What is that?
08:43What is that?
08:43What is that?
08:45What is that?
08:46No.
08:47He was singing in the morning.
08:48He was singing with his wife.
08:50He was singing in the movie.
08:51He came in the movie.
08:54He was singing with his wife.
08:55He was singing with your song.
09:00What is that?
09:02What kind of story does this?
09:07What as was that?
09:08What is that?
09:09Something bigger than me.
09:10No.
09:11No bigger than you.
09:12But you're serious now.
09:13Hey, I'm really enjoying it, brother.
09:16Thank God.
09:17Let's go.
09:18Okay, bye.
09:22What?
09:23I was looking at that I was wearing my pants, but I didn't wear my pants.
09:34Wow, wow, wow.
09:35This is a song that means a song that means a song that means a song.
09:41I'm sorry, I forgot to tell you what I was wearing.
09:47I'm sorry, I'm sorry.
09:51Oh, my God.
09:54I'm sorry.
09:55I'm sorry.
09:56I'm sorry.
09:57I'm sorry.
09:58I'm sorry, I'm sorry.
09:58I'm sorry.
10:00Okay.
10:02Yes, let's see.
10:09Yes, right.
10:10Do you remember?
10:11Yes, I remember.
10:12But do you remember that it was free?
10:16Free?
10:17How was it?
10:19You bought a washing machine from my house.
10:22It was free.
10:24Yes, but it was fast.
10:28You bought a washing machine for 10 or 12 years.
10:32It's been so long for you.
10:35Because this company was closed.
10:38That's why it was free.
10:41Let's leave it.
10:42Let's take a break.
10:43No, I don't need it.
10:47I checked it.
10:48The carbon broke.
10:49So I'll replace it.
10:51It'll be more than 4-5 years.
10:52Yes, then you and me.
10:54We are in the Mugem room.
10:56When did that make that'?
10:59No, when did that make that?
11:00What did that make money?
11:03What was it like?
11:04I will say huh, don't ore
11:05and upgrade your Kazoo weight.
11:10How can it make?
11:12Then, in the Shell.
11:17In the Shell.
11:19Where did it go?
11:19In the Shell.
11:19And the seam.
11:20In the Shell.
11:23Good morning. Good morning, Ayyar.
11:28Good morning. Good morning, Ayyar.
11:39Gadal, where are you?
11:42No, no. Where are you? How are you?
11:45I am.
11:47Ayyar!
11:51Hi. Good morning, Jethaji.
11:53Good morning, Babitaji.
11:54Good morning, Bhideh Bhai.
11:56Good morning, good morning.
11:57Ayyar, you forgot your room.
12:00Catch it.
12:07What's up, Bhai?
12:10Ahyar.
12:11How did you catch, Babitaji?
12:12Hey.
12:13You're our captain, Bhai.
12:18What's up, Bhavitaji?
12:20What's up, Bhavitaji?
12:20What's up, Ketchum Ketchum?
12:22But you have to say.
12:24Ayyar Bhai is now a little bit of humor, right?
12:28You're all a little bit of humor.
12:31Oh, you're all a little bit of humor.
12:32What's up, Bhai?
12:33You're all a little bit of humor.
12:36Hey, Bhai.
12:38Hey, Bhai, Bhai.
12:39Don't tell me about Bhai.
12:42Bhai, Bhai, Bhai.
12:42You're all a little bit of humor.
12:44Bhai.
12:44Shrii.
12:47Uh-huh.
12:48Oh, that's what we find essential.
12:49Is covered with her sch├╢n notebook?
12:51Oh, it's done.
12:57Oh, we never get any sense of humor.
12:59Ah, for it.
13:07Oh, oh!
13:09What's going on?
13:09How many times do you know what?
13:11Boss!
13:16It's not a good job, I'm not a good job, I'm not a good job, I'm not a good job.
13:23No one has to do it, brother.
13:26No one has to do it.
13:28Let's go, Chetanendra!
13:30Oh, listen!
13:31I'll tell you myф╛Ы, you don't have to go to the shop!
13:37Ah, Haridai?
13:40Chita-la, you look at all the hair in your hair.
13:47No, no, no.
13:50Hey, Haridai says Haridai, brother.
13:54Haridai says Haridai?
13:56Why?
13:59Because he's called Haridai.
14:04He's called Haridai.
14:06He's called Haridai.
14:06Haridai, Haridai, Haridai.
14:08No, no, no.
14:11What are you doing?
14:12My brother, what is it?
14:14That the hair-dai package is,
14:18it's Haridai.
14:19So, I'm calling him Haridai.
14:25Oh, this is the thing.
14:27Let's see, today,
14:28you have the hair shortage.
14:30Huh?
14:32Where? Where?
14:33I mean, it's a short hair shortage.
14:36That's right, right?
14:38That's right.
14:38That's right.
14:40That's right.
14:42That's right.
14:43That's right.
14:43That's right.
14:44That's right.
14:58No, no.
14:59That's right.
15:01Let's go.
15:03Don't take the engine, I mean.
15:05Hey, come on.
15:07Oh!
15:15Yes, Haridai!
15:16What a shot!
15:17What a shot!
15:18What a shot!
15:20How are you?
15:21How are you?
15:22How are you?
15:23Hello, how are you?
15:24Come here, come here.
15:25Welcome.
15:27Why?
15:28Why didn't you look so long?
15:29Yes.
15:30What is it?
15:31He was making a house for Tuffu's father.
15:33So, it's been a little late.
15:35Yes, and everyone is coming here, right?
15:37So, I was going to order on order.
15:39Order on order.
15:39Order on order.
15:40What?
15:41I feel like we are meeting this way.
15:46What?
15:47Why are you saying this?
15:48Why are you saying this?
15:48No, no.
15:50Now, why are you coming here?
15:52So, everyone will be leaving.
15:56I mean, we will get people.
15:58But, in this way,
16:00we won't get time to die from this way.
16:03Don't you dare, Bindi?
16:04That's true.
16:05That's right.
16:07That's right.
16:07How are you doing?
16:09How are you doing?
16:11How are you doing?
16:12Where are you doing?
16:14Um...
16:23Hello?
16:24Hello?
16:26Hello?
16:26Is it Tariq?
16:27Yes.
16:28He's not at home.
16:29But I'm talking to her.
16:30What was your work?
16:32Yes.
16:32I was working with her.
16:35I mean...
16:36Who are you talking about?
16:39Hello?
16:41Hello?
16:42Hello?
16:49Hello?
16:51Have you done his work?
16:53Two?
16:53Come on, Roshan, Bindi.
16:54Go, Roshan, Bindi.
16:55Come on, Roshan, Bindi.
16:55Wait, what is your victory?
16:56Come on, Roshan, Bindi.
16:56Wait, wait, wait.
16:56You have to die.
16:58I have to die.
17:00You have to die.
17:02Come on, Roshan, Bindi!
17:04Wooh!
17:04Oh!
17:05Ah, that's great, Bindi,
17:05I have to die.
17:06It's our ╨┐╤А╨╕╨╜ual respect.
17:10Go on, Roshan, Bindi.
17:10Okay, go on, bindi.
17:12Roshan, Aung.
17:12Thank you, Kumbhul Babi, this is my Veera, it's beautiful.
17:16Oh!
17:17And you guys don't think that this is my Veera, I got a gift.
17:23Yes?
17:24Yes.
17:25That's right.
17:25That's right.
17:26When she went to Amgdabad last time, she went to my Veera to buy her with her.
17:31At the same time, I got this very good in a shop.
17:34And all of them, the shop was a big deal.
17:39She called me Veera.
17:41Oh, party.
17:44Let me take this place in Amgdabad.
17:47This is one piece in Amgdabad.
17:49If you get another piece, I'll give you the move.
17:54Let me take this place.
17:57Okay.
17:58What are you talking about?
17:59So, you guys don't think that Veera is only in 10 minutes.
18:04In 10 minutes, we have a shamp to shamp.
18:06I'll give you the move.
18:10I'll give you the move.
18:12I'll give you the move.
18:13Oh!
18:14Oh!
18:15Oh!
18:16Oh!
18:16Oh!
18:17Oh!
18:20Oh!
18:32Oh!
18:35Oh!
18:38Oh!
18:40Oh!
18:44Oh!
18:45Oh!
18:46Oh!
18:52Oh!
18:55Oh!
18:56Oh!
18:56Oh!
18:57Oh!
19:03Oh!
19:07Oh!
19:14Oh!
19:25Oh!
19:30Oh!
19:45Oh!
19:47Oh!
19:49Oh!
19:50Moh sandha.
20:01Oh!
20:02That means that she will be happy to live in a happy life.
20:04Yes, that's right.
20:07It's a very good thing.
20:15When will the birds grow up?
20:18When will the birds grow up?
20:19When will the birds grow up?
20:21I don't know.
20:23Anjali baby, maybe this little I love you
20:26won't be a question of your life.
20:28What?
20:29Oh Patlal, brother.
20:31How are you here?
20:33Maybe you didn't listen to our stories, right?
20:38No, no, no, Komal baby.
20:40I was here to give this to my house.
20:44When I was home, I was there.
20:47I told them that Rasila baby
20:50that the whole mandal is buried here.
20:56That's why I came here.
20:58Yes, you keep this chubby.
20:59I'll come here for one hour.
21:00Oh, Poppet.
21:01Listen to me.
21:02When you come here for one hour,
21:04why are you keeping this chubby?
21:06You don't keep yourself, Baba?
21:07Yes, that's right.
21:09I'm a businessman.
21:10I'm a man.
21:11I'm a man.
21:12I've also had the chubby two times.
21:14Here, ma'am.
21:15I've left some chubby.
21:17You've already told me.
21:19What's that?
21:20What's that?
21:20Yes, I'm a man.
21:21You're not a man.
21:22You're a man.
21:22Yes, I'm a man.
21:27I'm a man.
21:28Oh, Poppet.
21:28Yes.
21:29What would I say?
21:30I don't have to make a hot one.
21:33He's a man.
21:37I'm a man.
21:38In this time, I need to keep this guy for this guy.
21:45Where, Johnny?
21:46I'm not talking about that guy.
21:49I'm talking about peppermint.
21:55Which one?
21:56Peppermint?
21:57Peppermint?
21:58Peppermint?
21:58I mean...
22:00Oh, that's why it's a mess for us.
22:03That's a kind of thing.
22:05Okay.
22:06Permanent.
22:07Oh, okay, okay.
22:09Permanent.
22:10So, Peppermint?
22:12Come on.
22:13Come on.
22:15Yes.
22:17Daya, you're right.
22:20But I need to get a girl with me.
22:25Hi, everyone.
22:26Hi, Rita.
22:27Hi.
22:30Hi, Rita.
22:31Hi.
22:31Hi, Rita.
22:31Madhvi, I went to your house.
22:33Actually, I had to check this society maintenance.
22:36But there was no one at home.
22:38Will you give me, please?
22:39Yes, yes.
22:40This Rita has just come to work.
22:42Popper, this Rita is also working for you.
22:47So, let's go with her.
22:52No.
22:55No.
22:55I mean, no.
22:57Never.
22:57It's impossible.
22:59Hey.
23:00Never Fever.
23:02Never Fever.
23:03Where did you go?
23:04Where did you go?
23:05You're canceled for me.
23:08And you're responsible for one number.
23:12Hey.
23:13What do you mean by responsible?
23:15Yes.
23:17You're responsible.
23:17You're responsible.
23:19What do you think?
23:21Why do you fall down in the rain?
23:24If you fall down in the rain,
23:25then you fall down in the rain?
23:26Okay.
23:27And what do you do?
23:29You and the news report.
23:30You're leaving.
23:32You're leaving.
23:34You're leaving.
23:36I'm a Quas.
23:37You're making breaking news.
23:40Don't tell me this story.
23:42Oh, my God.
23:45I'm telling you today.
23:50You're telling me a love story of Tv.
23:55This is a warrior!
23:56This is a warrior!
23:57Your head is accomplished!
23:58If you ask me any other to express your head, I'll tell you in the future!
24:01I can't explain how to get out of the way you can.
24:03What are you doing?
24:07If this man is a man who has become a girl,
24:11I won't get married with this world,
24:13I'll make it with it like this.
24:14In the first time,
24:14I'll just go on the way.
24:16Look at him!
24:21Look at this,
24:23I'm going to get rid of all the people in this world.
24:27Let's go, let's get rid of all the people in this world.
24:31Look at this, I've got to ask my father's attention to the pledge.
24:36Now I'm going to be with you, pledge.
24:38You're talking so much, I'm not saying anything.
24:41Or if you listen to those who have been in your mind,
24:43that I like how big it is.
24:46Look at this, you can't always be my choice.
24:51Don't talk to me!
24:52Don't talk to me!
24:53I'm a respected paper-propet.
24:57If you talk about this,
24:59I'll talk to you about the Goku-dam society!
25:02You're not going to talk to me!
25:05Don't talk to me!
25:05Don't talk to me!
25:08Ok, ok, ok.
25:09One minute, one minute.
25:11Ok, Popet, you tell us
25:13how you feel good to be a girl.
25:18Me?
25:18Me?
25:20Me, Bavita Ji,
25:22I need such a girl
25:25who understand my feelings.
25:30Who is reading,
25:31smart,
25:33intelligent,
25:35who comes to make food.
25:38I'm making my dishes,
25:40making my own dishes.
25:42Understand my work.
25:44I go to the office,
25:45then leave me to the door.
25:47When I go to the house,
25:49when I go to the house,
25:50I'm waiting for a room.
25:54Who...
25:54Who can understand me?
25:57In short,
25:58Daya Bhabi,
25:59what?
26:00I love the girl.
26:02There will be all kinds of things.
26:06Sarvagund Sampanna.
26:10Oh, so sweet!
26:12Wow!
26:13Beautiful!
26:14So, Popet,
26:15we will all pray here,
26:17that you will get your heart
26:18like this.
26:22You're welcome.
26:25You're welcome.
26:27You're welcome.
26:28Yes, absolutely.
26:29And listen to me,
26:30breaking news.
26:32There's no need to do anything for me.
26:35I'll get to meet a good girl.
26:39Yes,
26:40I'm not going to do anything for you.
26:43There's no need to do anything for me.
26:46You're welcome.
26:47Daya Bhabi,
26:48what are you doing?
26:49You can start any topic at any time.
26:53Where am I?
26:54And where am I?
26:55Where am I?
26:56Rita,
26:57my fault.
26:58What do I do now?
27:00Sorry.
27:00It's okay, Daya Bhabi.
27:02Okay, let's go.
27:03I'll go to work.
27:04Bye.
27:05Bye.
27:07Come on.
27:08Come on.
27:08Come on.
27:09Come on.
27:09Come on.
27:17Come on.
27:18Come on.
27:19Hello.
27:20Come on.
27:20You know,
27:21Maita Saheb is a fan.
27:24And he has a fan today.
27:28Yes, I know.
27:29Listen,
27:30that's right.
27:31He was a fan today.
27:33And he is a girl.
27:37Okay.
27:38And you know,
27:39when Anjali Bhabi asked his name,
27:41he was a fatax.
27:44What are you talking about?
27:45Yes.
27:46You,
27:47what do you think?
27:48Who is that girl?
27:50How can I tell you?
27:52Yes.
27:53That's the same.
27:54That's too much.
27:55Do more stuff.
27:56When we were in clubhouse,
27:58you had to find a huge floor for that.
28:02A huge floor?
28:04Which floor?
28:06That's all.
28:06We were all women in clubhouse.
28:08And,
28:09Bhabi Hoffi was here to give up his name.
28:11I was going to go there.
28:14So, I was going to go there and talk about Popat brother.
28:18And then, Rita also came there.
28:21So, I said to myself,
28:23that you and Rita, do a good job.
28:26That's my father.
28:29What do I tell you?
28:30I took the whole club house.
28:33But who said Popat brother's wife
28:36to do a joke with you?
28:37Who said that to you?
28:39No, who said that to me?
28:41So, then?
28:42No, I just felt like Popat brother's wife
28:47should look for a good girl.
28:49Why did you feel like that?
28:51Do you feel like Popat brother's wife?
28:53No.
28:54I feel like I am.
28:56And I am not.
28:57All women go to school.
29:01And my brother's house is our fault.
29:04So, the rest of the sisters
29:06will look for the kids.
29:08And the girl will be here.
29:10You will live.
29:11You work yourself.
29:11Oh, I am.
29:13But, you understand one thing.
29:16It's a joke.
29:17It's a joke.
29:18It's a joke.
29:19So, Popat brother's the father of the girl.
29:23So, the girl is not a joke.
29:25It's not a joke.
29:27Do you understand?
29:28Don't call me.
29:29Don't call me.
29:31Seth, you were talking about Popat brother's wife.
29:35Yes.
29:36So, in my opinion, Popat brother's wife is a woman.
29:40A woman?
29:41You will get a woman in this age.
29:43You will get a woman.
29:44You will get a woman.
29:46Who is she?
29:47Who is she?
29:48We are the woman of Padma.
29:49The king of Padma.
29:52She is a woman.
29:54She is a woman.
29:54She is a woman.
29:54Put a phone.
29:55Put a phone.
29:56You will get a phone.
29:57I will get a phone.
29:58I will get a phone.
30:05Yes, say it.
30:06Madam, this is a girl.
30:07Who is she?
30:08Who is she?
30:09I don't know.
30:11Okay.
30:13Yes.
30:18Who is she?
30:20Who is she?
30:20Who is she?
30:22Who is she?
30:24Who is she?
30:25Who is she?
30:26I am the trouble of her.
30:28I have been thinking about it.
30:29I am the ace.
30:43She is going to cry.
30:47And here, please, I am Cheese.
30:50Who is she?
30:51Priya Tarek, maybe you've forgotten the petals of our garden in the garden.
30:59That's why I'm sending the petals?
31:04Is it?
31:06Maybe you've forgotten the petals of the garden in the garden.
31:18I love you!
31:22I love you!
31:23Priya Tarek, I love you!
31:29I love you Tarek, who wrote?
31:34Take a moment!
31:36Take a moment!
31:43Take a moment!
31:49Take a moment!
31:51Take a moment!
31:53Take a moment!
31:54Priya Tarek, who knows who you are once again?
31:57You will make your pet.
31:58I will make your pet.
31:59Hey, God!
32:00Why don't you get your phone?
32:02I love you Priya Tarek!
32:08Who wrote it?
32:10Priya Tarek, I love you!
32:14Tarek, you've forgotten me!
32:17Now you come home Tarek!
32:20Good job today!
32:21Today is your pet.
32:24I love you!
32:42Anjali!
32:45Anjali!
32:46Anjali! Anjali! Anjali! Anjali! Anjali!
32:48Do you remember that Dr. Swati that I wrote a book, how is it?
32:52That's one of the most sold books in one of the most sold books.
32:58Anjali?
33:00Oh, you don't get angry at the morning.
33:03What the face of your face is dead.
33:06What is it?
33:08Let's take a flower for you.
33:10This flower is a pussy,
33:12which you are in the garden.
33:14What?
33:15Who are you in the garden?
33:16What do you want to say?
33:18Oh!
33:21What is this?
33:22This is a flower.
33:24This is not a flower.
33:26Look at this.
33:28What is this?
33:29What is this?
33:30It's a paper.
33:32Priya Tarak, perhaps,
33:34you may have forgotten the flowers in the garden.
33:39That's why I'm sending flowers.
33:41Perhaps, you may have forgotten the flowers in the garden.
33:45I love you.
33:46Who is doing this all?
33:50Oh!
33:51This is a flower.
33:53It's a flower.
33:54It's a flower.
33:54Oh!
33:55It's a flower.
33:57It's a flower.
33:58It's a flower.
34:00I don't know how many times you have to call me Tariq.
34:04I asked her to call her, but she gave me a phone card.
34:08This is a joke.
34:10And now she has a phone card with a phone card.
34:13This is also a joke.
34:14It's not a joke.
34:15It's all a joke, Tariq.
34:18Anjali, you also try to understand.
34:19Come on, someone will send you.
34:21But if you have a phone like this, you should tell me.
34:24How many times I called you?
34:28But why don't you raise my phone?
34:30What did you call me?
34:32Oh, yeah. Twenty missed calls.
34:35Oh, yes.
34:36It was my meeting.
34:37So, I did my phone in silent.
34:38So, I didn't come to sleep.
34:40And I didn't hear.
34:41You know.
34:41See, in silent.
34:53We are Tariq.
34:56I'm going to meet you with your house.
35:00I love you.
35:04This is what?
35:05Now tell me, this is also a joke.
35:07Hey.
35:08One minute.
35:10And Anjali, I don't know who this is.
35:11If I know someone,
35:13then I don't feed my phone number.
35:16Okay.
35:17There's not so many, Tariq Mehta.
35:19Okay.
35:19Okay.
35:19I'll see you on this phone.
35:20I'll see you on this phone.
35:21Now you'll know who has made this message.
35:23Now you'll know who has made it.
35:24You'll know who has made it.
35:24Now you'll know who has made it.
35:27I'm going to switch off the phone.
35:28My goodness.
35:31Hey, my goodness.
35:31Hey, my goodness.
35:32What have you done with me?
35:34What have you done with me?
35:35What have you done with me?
35:36What have you done with me?
35:38What have you done with me, Tariq?
35:39Hey, my goodness.
35:41Now I'll tell you where to go?
35:43What do I do?
35:44Who do I tell you?
35:45Anjali, try to understand.
35:46You try to do something, man.
35:48I'll tell you.
35:50I'll tell you.
35:51I'll tell you.
35:52I'll tell you.
35:53I'll tell you.
35:54You're right on the spot.
35:56You're right now.
35:59Come in,цЧйф╕К.
36:00Yeah.
36:01Come in,цЧйф╕К.
36:02Hello!
36:02Hello, Jethalal.
36:03Hey, Jethalal, you'll come in.
36:05Go in,цЧй now.
36:06Why did you do that for me?
36:07What did you do, Tariq?
36:08Tariq didn't do anything, brother.
36:10So, Papu didn't do anything?
36:11Hey, Chacha didn't do anything, Jethalal.
36:13So, he did see in clubhouse again?
36:14What happened to me?
36:15Jethalal, Anjali is doing me.
36:17If you come, you'll understand everything.
36:19Come on, I'll come back here.
36:21You don't have to pay for society.
36:23I've reached 5 minutes.
36:24Come on, Jethalal. Please, come on.
36:27Listen, Anjali.
36:28I don't want to listen to anything.
36:30Try to understand what you want.
36:31I don't want to understand anything.
36:32Anjali.
36:34Nata Sahib.
36:36O, O, O, O.
36:39O, O, O, O.
36:40In our Tufan Express,
36:41once in Sri Lavanya Prasad
36:43has a new song in Sri Lavanya and Prasad.
36:45The wives, wives, and those.
36:48You don't want to.
36:51I don't want to sell them.
36:52I'm gonna give you a gift.
36:54Keep it, keep it.
36:58Let's do it.
36:59Let's go, my dad.
37:01Anjali.
37:01After that, she didn't say anything about me after going to the morning?
37:05Who?
37:07Breaking news!
37:09Who?
37:11That's a ground floor reporter.
37:14Rita?
37:15No, she didn't say anything.
37:18What happened, Anjali?
37:21What happened?
37:22What happened with Rita?
37:23What do you want to tell me?
37:25She told her about her life.
37:27She told her that we married both.
37:29She told me that if you are the last girl of the world,
37:34then I don't like to marry you.
37:36What does this mean?
37:38It's a real meaning, Popatlal,
37:39that Rita doesn't like you.
37:41So I don't like her too.
37:43But I've always told her that I don't like her.
37:49Oh, Popatlal,
37:50when you don't like each other,
37:52then leave all these things.
37:53Rita, of course,
37:54there will be many girls.
37:58Yes, Popatlal.
38:00If you don't get a girl,
38:02then do it with them.
38:05They know a lot of girls.
38:09Rita, of course.
38:10Rita, of course.
38:12Rita, of course.
38:13Rita, of course.
38:13Rita, of course.
38:14What happened?
38:14Tell her, Rita, of course.
38:16In the morning,
38:17the pen came in the morning,
38:18she didn't send a girl.
38:18She didn't send a girl.
38:19She didn't send a girl.
38:21Because she had a phone,
38:25She called her.
38:29She gave a phone.
38:30After that,
38:31she sent a girl with a friend,
38:35and then she sent a friend with a friend.
38:36After that,
38:38she sent a girl with a friend.
38:40she sent a message to her.
38:40What?
38:42She's coming here.
39:11She's coming here.
39:12Rita, of course.
39:18I love her.
39:21He's coming here.
39:24She's coming here.aient.
39:25I love
39:25her. I love
39:27her. I love
39:28done this. What a
39:28mess is wrong, I've
39:30done a mess. I've
39:30done nothing wrong. And I've
39:33called you, for saying that
39:34you will understand
39:36You'll understand it.
39:36But you have to leave your own man to understand it.
39:39What does that mean?
39:42What does that mean?
39:43What does that mean?
39:44What does that mean?
39:44Without the eye, the eye is a little bit.
39:48Someone will understand me which eye is a little bit.
39:51The eye is the one you have put in the heart of that girl.
39:54Yes.
39:55And the eye is the one who first is a pen, then a gold star, then a pen, then a
40:01phone,
40:01and the last day, the rate is a super large.
40:06Are you saying so much, Jetha Lal?
40:08Why do you guys try to understand the purposes of you?
40:10I'm just going to get this guy who has a good time.
40:14What are you doing?
40:16But why are you doing this business with your own man?
40:18Why are you doing something with Jetha Lal?
40:23Why are you doing something with your own man?
40:25Why are you doing something with your own man?
40:27I just want someone to do something with me.
40:32But no one does.
40:34Oh, wonder we lost.
40:36Where are you sitting in your tank?
40:39What am I talking about?
40:41Popat Lal, one minute. Anjali.
40:47Tarak, now I have decided.
40:52I am now, at this time,
40:57I am leaving this house for forever.
41:04No, no, Anjali, no.
41:06Anjali, no.
41:06Anjali, no.
41:07Anjali, no.
41:07Anjali, no.
41:08You can't leave this house, Anjali.
41:16Anjali, no.
41:18Anjali, no.
41:18It doesn't look like this.
41:19You don't have to leave this house.
41:20We are all together.
41:22We are all together.
41:23Hi, Tarak.
41:42Who are you?
41:43I am Minka.
41:46Who is Minka?
41:48I am Minka.
41:49Who?
41:51Hey, Tarak.
41:52Where are you?
41:53Did you forget your Minka?
41:54Who is Minka?
41:56Who is Minka?
41:56Who is Minka?
41:56Who is Minka?
41:57Hey, I am now.
41:59So, I will give you a moment.
42:00Give me a moment.
42:02Who is Minka?
42:03How is Minka?
42:04Last year, I went to Jaipur.
42:06Right?
42:07Yes.
42:08Last year, I went to my release book.
42:10What?
42:12Hotel Paradise, right?
42:15Yes.
42:16That's the same hotel.
42:16I was waiting for you.
42:18I was waiting for you.
42:19Room number 105.
42:20I was waiting for you.
42:23Hey, Bhagavan.
42:25Yes.
42:25I was waiting for you.
42:26But how do you know all these things?
42:28What do you want to do?
42:30When you come to Jaipur?
42:31You don't get to meet me.
42:33You don't get to meet me.
42:35What did you forget this time?
42:37It's been the first time for 5 years.
42:395 years?
42:42So, Tarak.
42:43You've been waiting for me for 5 years.
42:46Anjali.
42:47Look at Jaipur.
42:49Look at Popat Lal.
42:51Look at him.
42:53Maita Saip is running for 5 years.
42:57What is Jaipur?
42:58It's wrong.
42:58Maita Saip is wrong.
43:01It's wrong with water and water.
43:04Look.
43:05She's standing in front of me.
43:07What is the water and water?
43:10What is the water and water?
43:13Listen, it's me.
43:16Goyen?
43:18Huh?
43:23Gooyen?
43:43Find me, you!
43:44How are you?
43:46Find me!
43:52Oh my God, Koyal?
43:54You?
43:54Yes!
43:58You were doing all the dances in the morning.
44:00And what?
44:01What and what?
44:03How fun Koyal is this?
44:05When you're the last child's death, tell us.
44:07You're so sad.
44:09Stop and stop, Anjali took the sun to the sky.
44:11She was going to leave the house.
44:12So?
44:13Yes, I heard all of them.
44:15That's why I came inside.
44:16I thought my joke was very good.
44:20Oh, that's why I was sitting outside of the house of the devil's house.
44:23Everything I was watching, huh?
44:26I didn't give a song.
44:27I didn't listen to it.
44:30Look, you have...
44:31This is our 40-40.
44:33How many people have you seen this?
44:36Koyal name is her.
44:39This whole tension created from the morning.
44:44What?
44:45What?
44:45Anjali, baby.
44:46Look, I said...
44:48I didn't even know that I can't do that.
44:52Oh, that's right.
44:54Oh, that's right.
44:55I told you something else, Sreeudh Jeethalal.
44:58I thought that you said that you don't have to go without a drink and you have these SMSs,
45:03these gul-dusty, this frame-patre, are you wearing a drink? What do you say about it?
45:08Oh, it's too late, don't you?
45:10Let's go, let's go!
45:12Let's go, let's go, let's go!
45:16And Mrs. Anjali Tarak Mehta, you were leaving the house, what did you decide?
45:23Are you going or are you waiting?
45:26Tarak,
45:28I'm sorry!
45:29I'm really sorry!
45:31Please Jiju, forgive me!
45:33Please, please, please, please!
45:36Tarak,
45:38okay, I'm sorry, but I don't have to trust in the future, huh?
45:41Never!
45:42Okay!
45:42Thank you, Jiju!
45:45Come on!
45:45Come on, let's go!
45:46Yeah!
45:47Come on, let's go!
45:49Yeah!
45:49Yeah!
45:49Yeah!
45:49Yeah!
45:49Yeah!
45:51Yeah!
45:51Come on, let's go!
45:53No!
45:53No!
45:53No!
45:53No!
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