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Short filmTranscript
00:00:03I've always described the world in words people moments places all through
00:00:10metaphors and margins okay like my mom self-made stubborn and never wrong
00:00:19almost there you excited for your first day she calls this a fresh start I call it terrifying
00:00:31you've got this just for yourself that's kind of the problem
00:01:05okay morning class and you're not seated because I don't have a seat ah a new
00:01:16transfer Alice Keaton right let's see no there's a spot next to Charles seriously
00:01:27the charity case sitting next to Charles God quiet Charles I've always had words
00:01:38for everything but in that moment I forgot them all
00:01:54Charles move your things I'd rather not she'll be a distraction from what sleeping
00:02:03from everything if anything Charles Miss Keaton will be a positive influence on you she was top
00:02:08of her class at a previous school with all due respect sir her previous school was American I
00:02:16highly doubt that that's enough she can sit here it's fine back to Goldie thank you you got it I'm
00:02:29Sherry Vaughn Alice Keaton it's very important that we look at what he's talking about their experience of the time
00:02:40wait you sat next to Charles she didn't you totally shut her down oh knew it don't take it past
00:02:47me he's
00:02:47impossible can everyone stop acting like the goal is getting into his pants what he's hot everyone kind of is
00:02:56I I've seen Connor he's not my type you're joking I don't find bullies attractive hey be careful you're talking
00:03:05about the king of Ashford
00:03:07the what his family basically own the school and the town maybe even the country yeah everyone's tried to get
00:03:15close no one can get past his ego you're not the first to get ice
00:03:19okay first of all I wasn't iced it's more like a mutual decision and second I think he's arrogant cold
00:03:27thinks he's untouchable but if you really look at Charles he just seems isolated like he's faking out honestly I
00:03:35just think he's lonely and kind of pathetic
00:03:56next time read the room before opening your mouth American we're not in Kansas anymore Alice
00:04:23Hey how was your first day I good I think sighted captain not really super uneventful
00:04:32really how's your new job yeah all right get this they said we can stay in the servants wing
00:04:37seriously apparently the young master won't mind the company the young master
00:04:45this is your boss's house yeah isn't incredible I mean I wouldn't call it a house it's
00:04:53a museum with better landscaping
00:05:00wait here I'll talk to the butler
00:05:07wow rich people you've topped yourselves again
00:05:14Stephen King
00:05:17first edition
00:05:27breaking and entering now how American of you
00:05:53you can get up now I I'm trying wait
00:06:00are you serious well you said you were trying
00:06:04what is wrong with you funny I was about to ask you the same thing what are you doing in
00:06:11my house
00:06:13you wait your house my house my library and now apparently my unwanted guest
00:06:23oh master Charles must be miss Alice and daughter she said you'd be moving in today
00:06:29she what there there's been some kind of misunderstanding you see I'm not actually moving in
00:06:35that's so yeah I'm not staying here like at all that's a shame you must seem quite pleased with the
00:06:42arrangement well I just don't think it's appropriate well for sure and absolutely
00:06:48not come on Alice you must stay it'll be fun my dear classmate I'm dead like mentally socially
00:07:05and actually dead
00:07:14just trying to figure out how exactly my life went off the rails get it together Alice Keaton
00:07:21you've been through hell
00:07:26actually no
00:07:28this is hell
00:07:48so is that Miss Keaton
00:07:51what thing doesn't know that's often close for months
00:07:54she's going to be late
00:08:01okay how long is this thing gonna take maybe I'll just walk
00:08:05five miles to school
00:08:09okay if I sprint maybe I'll make it before first period
00:08:14or die of exhaustion on the way
00:08:20or die of exhaustion on the way
00:08:24what what are you doing here didn't you already leave
00:08:30wait did you come back for me
00:08:33relax
00:08:35I forgot my textbook don't flatter yourself
00:08:38wait
00:08:42since you're already here maybe you could be a decent person and give me a ride
00:08:50no
00:08:52seriously your car is huge
00:08:55yeah
00:08:56and I'm not a fan of sharing
00:08:59says the guy who forced me to live in his house
00:09:06unbelievable
00:09:16ashford institute please
00:09:18thank you
00:09:22who needs that entitled brat anyway
00:09:25sir
00:09:26you called the cab
00:09:27why not just give miss keaton a lift
00:09:35why not just give miss keaton a lift
00:09:37and have the whole school go crazy
00:09:39she's new
00:09:41everybody's already talking
00:09:42so you're worried about her
00:09:44you're overthinking
00:09:46I just don't like drama
00:09:53asshole
00:09:55who
00:09:57morning class
00:09:59back to golding
00:10:00remind me what he's saying through lord of the flies
00:10:08mr kenwood
00:10:09care to share what you found so amusing
00:10:11not particularly
00:10:13oh
00:10:14I insist
00:10:15you seem very entertained by golding
00:10:18I'm not entertained by golding sir
00:10:20on the contrary
00:10:22I think his ending is
00:10:25weak
00:10:26wait wait
00:10:27you actually read it
00:10:29quiet
00:10:31that's an interesting take
00:10:33explain
00:10:36he had the set up for something brutal
00:10:38something honest
00:10:39but in the end
00:10:41he backed out
00:10:42he could have left the boys on the island
00:10:44forced them to confront the collapse of all morality
00:10:46let them choose survival
00:10:48or death
00:10:50but instead
00:10:51he gave them a rescue boat
00:10:52slapped a happily ever after
00:10:54on a book about savagery
00:10:59it's a waste
00:11:00don't you think
00:11:01I'm delightfully surprised charles
00:11:03didn't think you had such strong literary opinions
00:11:06I'm always a model student sir
00:11:08let's not get ahead of ourselves
00:11:12so
00:11:13a critique of golding's mercy
00:11:15anyone disagree
00:11:33I think golding knew exactly what he was doing by ending the book that way
00:11:36it's not mercy
00:11:37it's irony
00:11:39how so
00:11:42the rescue isn't a happy ending
00:11:44you don't just walk back into society and forget you're a monster
00:11:48golding didn't save them
00:11:49he left us with the discomfort of pretending they could be saved
00:11:52that's an interesting take misqueter
00:11:54you still think it's a harsh critique
00:11:57in some ways
00:11:58but not harsh enough
00:12:01yes it's a critique of toxic masculinity
00:12:03but still golding sympathize with them
00:12:06and the civilized world
00:12:08toxic
00:12:09violent
00:12:09he didn't call that out nearly as much
00:12:11so yeah
00:12:12I don't think golding pushed far enough
00:12:14but I think it's unfair to call it a happy ending
00:12:20thank you miss keaton
00:12:22well said
00:12:23anyone else?
00:12:26both opinions are valid
00:12:28okay
00:12:28that's kind of epic
00:12:30and let's not forget
00:12:30golding faced major backlash when he first published the book
00:12:34good literature will always divide opinion
00:12:40what's happening to me?
00:12:57okay what is going on?
00:12:59why is everyone staring at me?
00:13:01well you're new
00:13:02and apparently had a thing with charles
00:13:04a what now?
00:13:06you two are in the middle of the most epic feud as you've seen in years
00:13:10we're not even fighting
00:13:11well according to everyone
00:13:12you confessed your love on day one
00:13:14got rejected
00:13:15begged to sit next to him
00:13:17got rejected again
00:13:18and today in class
00:13:20you broke down crying about not believing in happy endings
00:13:23and stormed out in tears
00:13:27you were there sherry
00:13:28that is not what happened
00:13:31doesn't matter
00:13:31people believe what they want to believe
00:13:34and they want charles to be flawless
00:13:36untouchable
00:13:37wow
00:13:39is misogyny like a rich kid thing
00:13:41or just a british specialty?
00:13:42honestly
00:13:43both
00:13:44but seriously alice
00:13:46some people already see you as a threat
00:13:55okay
00:13:57loaded
00:13:58looks like the new girl is in for a rough first semester
00:14:16hello?
00:14:18hello?
00:14:19hello?
00:14:20is somebody out there?
00:14:23oh come on!
00:14:38fine
00:14:53seriously?
00:14:56oh shit
00:15:02what the hell?
00:15:04anne
00:15:05i thought you were having dinner with alice
00:15:07she hasn't come home
00:15:08her phone is off
00:15:09maybe you've seen her this evening
00:15:14yikes
00:15:14looks like the new girl is in for a rough first semester
00:15:23shit
00:15:29alice
00:15:30alice
00:15:31alice
00:15:31mr pelton
00:15:32charles kenwood here
00:15:33i was wondering if i could get the timetable for alice keaton
00:15:36she hasn't come home
00:15:37she hasn't come home
00:15:38i'll have it sent over
00:15:40check the common room in the library
00:15:41i'll take the rest
00:15:45alice
00:15:59come on alice
00:16:00come on alice
00:16:01close your eyes and jump
00:16:03it's fine
00:16:04you're fine
00:16:06you're fine
00:16:07you're fine
00:16:07you're fine
00:16:35you're fine
00:16:38what's up
00:16:40What... what are you doing here?
00:16:45Can you get off me first?
00:16:56You're welcome.
00:16:58I didn't say thank you.
00:17:00I figured saving your life might turn me basic manners.
00:17:02Someone just dumped swamp water on me.
00:17:05Excuse me if I'm not feeling very polite.
00:17:07You smell like a biology experiment.
00:17:09Wow.
00:17:11You should try falling out of a window into someone's arms and getting insulted for it.
00:17:15Wouldn't recommend it. You're heavier than you look.
00:17:19I hope you pull your shoulder.
00:17:26Are you okay?
00:17:28No. But I will be.
00:17:31Someone did this on purpose.
00:17:33What do you think, golden boy?
00:17:36Don't worry, I can handle it.
00:17:37You shouldn't have to.
00:17:41I'm...
00:17:42Sorry.
00:17:50Sorry.
00:17:55Did you just...
00:17:57apologize to me?
00:17:58Don't get used to it.
00:17:59I wouldn't dream of it.
00:18:03Alice?
00:18:04Over here.
00:18:05Oh my god.
00:18:08You okay?
00:18:11Why are you drenched?
00:18:12Yeah.
00:18:13I just...
00:18:14took a weird shower.
00:18:16Top exploded.
00:18:18Come on.
00:18:19Let's get you home.
00:18:30Alice Keaton, right?
00:18:33I heard you staged the whole thing for attention.
00:19:00I know how this place works. If you don't do anything about it, it's only going to get worse.
00:19:06I'll look into it.
00:19:09Charles.
00:19:11Good on you.
00:19:13How many here would speak up?
00:19:18I can't believe someone actually locked you in. That's insane.
00:19:22Where the hell was the school when this was happening?
00:19:24Busy protecting their golden boys and trust funds.
00:19:27Well, for what it's worth, I heard Charles looked pretty freaked out when he ran out last night.
00:19:33Please, he just didn't want a lawsuit.
00:19:52Being a scholarship student has its perks, like saving a fortune on tuition and getting into schools that normally wouldn't
00:20:00even let you pass the gates.
00:20:02Hey, we miss you in Paris.
00:20:05Though there are enough Americans to remind us of you.
00:20:08But sometimes, being here means staying behind.
00:20:12And watching Asford elites go on a two-week enrichment program you can never afford.
00:20:18Have fun. Bring me something overpriced and unnecessary.
00:20:27The trip cost 20 grand in pounds, which translates to Mom's salary for half a year.
00:20:33So yeah, I didn't go.
00:20:57What are you doing here? Do you not believe in shirts?
00:21:00Do you not believe in dignity?
00:21:02It's comfortable.
00:21:03You look like a rejected Ewok.
00:21:05This, this is not even your kitchen.
00:21:07And this is not even your house.
00:21:09And yet, you're here, dressed like this.
00:21:12Just don't, look, go away.
00:21:14Hard not to, when you're walking around dressed like that.
00:21:17What do you guys call it? Um, buzz kill? Cock block.
00:21:23You're insufferable.
00:21:24You're the one cosplaying at breakfast.
00:21:26You know what? I don't get it. Why didn't you go on that tour?
00:21:29I thought rich people live for that kind of thing.
00:21:31Why do you think?
00:21:38Where would I go?
00:21:40I could practically recite the itinerary in my sleep.
00:21:44Florence, walk in the great footsteps of Dante, Michelangelo, Da Vinci, and Titian.
00:21:49Or Tiziana, if you want to sound extra pretentious.
00:21:53Then Venice, because everybody loves a good canal and getting lost in the most confusing city on Earth.
00:21:59Next stop, Napoli. Marvel at Pompeii. Pretend you're shocked. Ancient people had plumbing.
00:22:06The final stop, Paris, the ultimate city of romance.
00:22:11And, naturally, Woody Allen's favourite city outside of New York.
00:22:19That's word for word.
00:22:21I told you. I've done this tour so many times, I could run it.
00:22:25Okay, but still, it's Europe. Most people would kill for that chance.
00:22:28Most people haven't had their phones stolen in Paris. Twice.
00:22:33Also, I hate the accommodations.
00:22:35Aren't they all five-star hotels?
00:22:37Standard rooms in five-star hotels. No thank you.
00:22:42Wow. Some were born in Rome, huh?
00:22:45That's unfortunate. It's a very chaotic city.
00:22:47One word of advice? Shut up.
00:22:49That's two words.
00:22:52You're weird.
00:22:53You're loud.
00:22:54You're annoying.
00:22:54You're in my kitchen.
00:22:55You have three other kitchens.
00:22:57And I prefer this one. Just for today.
00:23:00Come back when you've got a shirt on.
00:23:02Come back with normal clothes on.
00:23:03You didn't have to come.
00:23:04Don't tell me what I have to do.
00:23:15Master Charles. Roads are flooded. Staff won't make it tonight.
00:23:18Will you be alright sorting dinner?
00:23:23I've got it sorted.
00:23:40I'm here to make a deal.
00:23:42What deal? You nearly gave me a heart attack.
00:23:48You'll survive.
00:23:50I'm not selling my body.
00:23:56I'm not selling my body.
00:24:02Wow. I am deeply offended.
00:24:06That thought disgusts me.
00:24:08Then what are you doing?
00:24:09The staff's off tonight.
00:24:11I'm buying dinner.
00:24:12No.
00:24:15Did you seriously think I'd spend a hundred pounds on-
00:24:18No, I-
00:24:18I- I-
00:24:19Jesus.
00:24:20Wait.
00:24:21You think I'm not worth one hundred pounds?
00:24:25I'm not spending one hundred pounds to snort Chewbacca.
00:24:28You know what? Dinner's cancelled.
00:24:33Are you sure about that?
00:24:36I present to you.
00:24:38Meatball spaghetti, stir-fried veggies, and french fries.
00:24:41You're welcome.
00:24:43Interesting combo.
00:24:44Well, I know we're not in Italy or France, but this'll do.
00:24:48It's...
00:24:49good.
00:24:56Was that a compliment?
00:24:58Although, I am obliged to inform you.
00:25:01Meatball spaghetti isn't Italian.
00:25:03It's American.
00:25:05And french fries, likely born in South America.
00:25:08You should read more.
00:25:10Put it down.
00:25:12I paid for it.
00:25:13You really just have to win every argument, don't you?
00:25:16To be fair, you make it very easy.
00:25:20It's only easy because it costs two hundred pounds.
00:25:23You know, if you'd asked for more, I probably would have given it to you.
00:25:25I'll make sure of it.
00:25:41Hey Alice, it's fine.
00:25:44You're fine.
00:25:51911, what's with your emergency?
00:25:58911, what's with your emergency?
00:26:00It's my dad.
00:26:01He needs help.
00:26:02He just had a stroke.
00:26:03Okay, miss.
00:26:04Hurricane's constant traffic.
00:26:05Shut down.
00:26:05We'll get to you as soon as we can.
00:26:07Please, he's not well.
00:26:08I understand.
00:26:09Can you confirm your address?
00:26:12Daddy, yes, I'm right here.
00:26:15Alright.
00:26:17My daughter.
00:26:18Please stay with me, Dad.
00:26:20Please.
00:26:25No.
00:26:27Please wake up.
00:26:32Dad, please.
00:26:34Please don't leave me.
00:26:35No.
00:26:45I don't have a special memory.
00:26:46I'll remove it.
00:26:47What's wrong?
00:26:48Yes, I'll get a little more of my baby.
00:26:49I'll leave me.
00:26:50It's my baby.
00:26:52I know.
00:26:57I should've all be saved.
00:26:59It's my baby.
00:27:00It's my baby.
00:27:00Can I?
00:27:06you what are you doing here
00:27:12you were crying loudly kind of hard to ignore right sorry for the night wait
00:27:24no snarky come back not tonight I'm too tired if you're here to argue knock
00:27:29yourself out you were calling for your dad right hurricane hit New York power went
00:27:39down traffic froze dad had a stroke but he couldn't get help in time
00:27:47I sat there with a candle while he laid there peaceful but he was asleep but he
00:27:59wasn't so that's why you and your mom moved here this used to be a hometown
00:28:09after dad left we had nowhere else to go
00:28:18what are you doing
00:28:23come on
00:28:40wait I thought the peril was out it is we have our own generator Wow rich people houses her just
00:28:49for tonight
00:28:50I'll allow it what you can call this place your house so enjoy it Stephen King's first
00:28:58edition Alan Gisberg's handwritten letters Jane Austen's notes all yours
00:29:08this is your home Alice Keaton
00:29:17careful almost sounded sweet don't push it okay then I have one request what is it
00:29:39are you ever going to make a man wait give me a second I'm thinking you had one wish anything
00:29:47in the
00:29:47world and in the middle of a thunderstorm inside a literal mansion you chose chess yeah got a problem
00:29:55it's just so cool like spies or genius villains in movies it's literally a board
00:30:02game says the guy who owns a custom set wait does the night go diagonally for the
00:30:08tenth time it moves in an L shape one two then turn there happy
00:30:18excited suicide or a brilliant long-term sacrifice you are playing checkers at a
00:30:27chessboard still beating you in sarcasm you literally haven't won the
00:30:30past arguments golding disagrees it's going to be a long night oh my no
00:30:36why what's wrong with that dude you can't do that
00:30:38why what's wrong with that dude you can't do that you can't do that
00:30:54no no no oh my god
00:31:01maybe he's not so awful after all
00:31:10um who are you
00:31:18what are you doing here well your parents said you were still at home
00:31:21thank god you skipped that boring grand tour who needs Italy and France again
00:31:25right when did you get back last night from Zurich you didn't answer my
00:31:31messages I missed you anyway thought I'd come surprise you
00:31:37apparently I'm transferring to Ashford your parents were so thrilled they didn't
00:31:42tell me about this I wanted to deliver the happy news myself they said it'd be
00:31:46lovely for us to reconnect you know considering the engagement and oh did no
00:31:56one tell you he's promised old money stuff very retro I didn't agree to that you
00:32:02didn't have to it's never up to us where did you find this little toy Serena oh an
00:32:12American how refreshing
00:32:18goodbye wait
00:32:37where are you going you still owe me breakfast you only paid for dinner I have homework goodbye
00:32:47your little toy has quite the temper Serena can you please just stop
00:32:51what teasing the help
00:32:59that's her that's the one from Kenwood's house
00:33:03was she like the maid or something
00:33:20oh my god what's wrong with people they're saying you live with Charles oh and Serena what about her
00:33:27apparently she told everyone you were caught sneaking into his room of course she did
00:33:45careful Alice you're starting to look desperate
00:33:59yeah
00:34:03come to the music room urgent I just remembered I need to check something you guys go ahead
00:34:09yeah okay
00:34:16hello is someone there seriously this is getting old
00:34:34wait music room what James was anybody in here earlier just miss Serena said she was waiting for you
00:34:46sir sir it's raining
00:34:58no
00:34:59come on Alice you're fine
00:35:02you're not that girl again
00:35:10wait can you remind me one more time
00:35:12okay
00:35:13okay
00:35:14rooks move in straight lines
00:35:16yeah
00:35:17bishops move diagonally
00:35:19and knights
00:35:19the knights the weird one
00:35:26rooks
00:35:28straight lines
00:35:30bishops
00:35:32diagonally
00:35:33hello
00:35:53the text
00:35:56okay you hurt I'm okay I saw the text and I thought I didn't see the message
00:36:04serena
00:36:05serena took my phone I didn't know I'm sorry
00:36:07I'm okay
00:36:10you're gonna catch a cold
00:36:11you're freezing
00:36:12you didn't have to come
00:36:16don't tell me what I have to do
00:36:18give me hope that feels like hope
00:36:41that wasn't a mistake if that's what you're about to say
00:36:45I
00:36:46I
00:36:47wasn't going to
00:37:00really bad at this you know
00:37:02what kissing
00:37:03hiding feelings
00:37:05hiding feelings
00:37:19like that
00:37:25dump those ewok pajamas
00:37:28oh
00:37:30oh
00:37:30you wish
00:37:31seriously
00:37:33it's a cock block
00:37:34you
00:37:36kissed
00:37:37me
00:37:37that's basically
00:37:39consent
00:37:40to
00:37:41everything
00:37:45dangerous words
00:37:47Keaton
00:37:47I might hold you to that
00:37:49huh
00:37:50huh
00:37:50huh
00:37:51huh
00:37:52huh
00:37:53huh
00:37:59you'll be working in pairs on your comparative essays
00:38:02the list is on the board
00:38:05one
00:38:06two
00:38:07three
00:38:07four
00:38:08paper planes
00:38:11are you okay
00:38:12fly me to outer space
00:38:16that's where I'll see your face
00:38:20and have you with me
00:38:32you're distracting
00:38:33in my heart
00:38:40since the start
00:38:41you're welcome
00:38:45they're either enemies or secretly married
00:38:48huh
00:38:49honestly
00:38:50both
00:38:51I
00:38:53was sure
00:38:54I'd never find someone
00:38:55to make my head spin around
00:38:57no one's ever gonna be the thing you need
00:39:00they all just let me down
00:39:02but
00:39:02baby
00:39:03you saved me
00:39:05till I'm brand new
00:39:08everything's so different now
00:39:11so
00:39:12the night goes in an L shape right?
00:39:15why is that the only one you remember?
00:39:17because it's weird
00:39:19and I
00:39:20like weird
00:39:28check
00:39:35you're cheating
00:39:36I'm winning
00:39:37there's a difference
00:39:38you are very distracting
00:39:41and you like it
00:39:42I would be the four young day
00:39:46I'll be the little dark in space
00:39:51I'll hold you in my arms
00:39:52Charles
00:39:54we need to talk
00:39:56we need to talk
00:40:03I expected poor judgement
00:40:05but this in my house
00:40:07it isn't what it looks like
00:40:09no
00:40:10kissing a servant's daughter in the family library
00:40:14enlighten me then Charles
00:40:15we came back tonight after speaking with Serena
00:40:18imagine our surprise walking in on this
00:40:22she isn't just
00:40:24you have no right
00:40:25to barge in
00:40:26on my property
00:40:30I care about her
00:40:31I'm not ashamed
00:40:33that's enough
00:40:34that's enough
00:40:37why do you care?
00:40:38we're protecting our son's future
00:40:40and our name
00:40:42you think this protects me?
00:40:44we think
00:40:45she does not belong in your world
00:40:50then maybe I don't either
00:40:54you're ready to give up everything
00:40:56for a girl you barely know?
00:41:00yes
00:41:01then
00:41:02are you sure
00:41:05she's ready?
00:41:12I'm asking you
00:41:13do you think she's ready?
00:41:15to lose everything
00:41:16regardless of how little
00:41:17that is
00:41:18just to be with you
00:41:20what are you talking about?
00:41:22you left us no choice son
00:41:23you shouldn't disobey your father
00:41:27Pelton
00:41:29it's Frederick Kenwood
00:41:30ah
00:41:31Mr Kenwood
00:41:32how can I help?
00:41:33if a scholarship student
00:41:35were to violate our behavioural code
00:41:37in a public setting
00:41:39with photographic evidence
00:41:41would that warrant a review?
00:41:43yes sir
00:41:47so
00:41:48answer me again
00:41:50do you think she's ready
00:41:51to lose everything
00:41:52just to be with you?
00:42:05Charles
00:42:06what happened?
00:42:07did your parents say something?
00:42:08are they mad?
00:42:08is everything okay?
00:42:10pack your things
00:42:12you can't stay here anymore
00:42:15what?
00:42:17my parents fired your mother
00:42:19she's leaving
00:42:20so are you
00:42:21wait what why?
00:42:22is it because of us?
00:42:24we can fix this
00:42:25i'll get a job
00:42:26anything
00:42:26stop it you don't get it
00:42:28if i don't walk away from this
00:42:30they'll cut me off
00:42:32okay?
00:42:32no card
00:42:33no trust
00:42:35no support
00:42:36nothing
00:42:37then
00:42:38then we'll figure it out
00:42:40we don't need all that
00:42:41we can
00:42:42do you really think i'm going to live like that?
00:42:48so that's what this was
00:42:50just fun until it got inconvenient
00:42:54what did they promise you?
00:42:58nothing
00:42:58nothing
00:43:01they just reminded me
00:43:03of what's
00:43:03real
00:43:07Charles
00:43:08i'm not stupid
00:43:09you don't just turn into a cold stranger
00:43:12because of one conversation
00:43:13what did they threaten you with?
00:43:20what did they threaten you with?
00:43:22this is the difference between me and you
00:43:24what?
00:43:25you think you know me
00:43:26or what i have
00:43:29you don't
00:43:30Alice
00:43:31you're still lying
00:43:32i'm not
00:43:33Alice
00:43:34look around you
00:43:35this mansion you thought was a museum
00:43:37it's my house
00:43:40my world
00:43:41i was bored into this
00:43:43i am not choosing between this
00:43:49and something i picked up for a moment of fun
00:43:54don't do this charles
00:43:55you don't mean it
00:43:57it was fine
00:43:58but you
00:44:01you don't compare to what i own
00:44:05i'll survive the loss
00:44:08right
00:44:11i should have known
00:44:14guys like you don't end up with girls like me
00:44:19you play with them
00:44:20then you throw them away
00:44:23go to sleep Alice
00:44:35this
00:44:36this
00:44:36fall is a little more than i expected
00:44:41in so deep i can barely see myself
00:44:45in so deep i can barely see myself
00:44:48yeah around me feels so heavy but depleted
00:44:54but i find this the place to test myself
00:44:57in so
00:45:06oops
00:45:24oh sorry
00:45:26didn't see you there
00:45:27then again nobody does
00:45:29move please
00:45:30hmm
00:45:32try
00:45:33begging
00:45:38you know what keep it
00:45:45poor thing
00:45:46so dramatic
00:45:49don't
00:45:49excuse me
00:45:51i warned you
00:45:52walk away Serena
00:46:00let's go
00:46:14last week's group assignments were mostly forgettable
00:46:19but one pair surprised me
00:46:21in a good way
00:46:23Charles Kenwood
00:46:23and Alice Keaton
00:46:25would you mind giving us a short summary
00:46:27she loves the sound of her own voice
00:46:30better have it
00:46:38our essay explored what happens when two fundamentally different voices meet
00:46:43like logic and chaos
00:46:45or silence and noise
00:46:48different worlds, different rules
00:46:52at first glance they clash
00:46:55but what makes the story interesting is what happens next
00:46:58confusion
00:47:00curiosity
00:47:01but in the end some stories aren't about staying
00:47:04and yes there is no such thing as a happy ending
00:47:17and yes there is no such thing as a happy ending
00:47:21is she still talking about the essay
00:47:26Miss Keaton
00:47:29dramatic as always
00:47:30alright, thank you Alice
00:47:32yes
00:47:32that was
00:47:34late
00:47:36are you okay?
00:47:38that good literature
00:47:40always stirs something
00:47:44hello
00:47:45hi here's Alice Keaton
00:47:46this is Whitmore Press
00:47:47we've been following your work
00:47:48we'd like to offer you a long term publishing contract
00:47:51name your price
00:47:52we'll make it work
00:47:53sorry what?
00:47:54what?
00:47:58that's
00:47:59kind of
00:48:00insane
00:48:01who's behind this?
00:48:02your sponsor wishes to remain anonymous
00:48:04can
00:48:06can I meet them?
00:48:09I want to
00:48:10please
00:48:11or at least tell me a name
00:48:17sorry
00:48:17sorry
00:48:18they wish to stay in office
00:48:19so their only interest in work
00:48:20not the person
00:48:21I'd really like to meet them
00:48:22oh
00:48:22sorry Miss Keaton
00:48:23they were very good
00:48:24I think the most generous offer we've ever given in New York City
00:48:28I see
00:48:29congratulations again
00:48:34you got the interview
00:48:36it's just an interview
00:48:37I haven't gotten it yet
00:48:38still
00:48:39Alice Keaton at Oxford
00:48:41that's iconic
00:48:43I've been a busy
00:48:45I've been a busy
00:48:47I've been a busy
00:48:50I've been a busy
00:48:50I've been a busy
00:48:50you okay?
00:48:52yeah
00:48:53I'm so excited
00:48:54i'm so excited
00:49:08it's done Mr Kenwood
00:49:09Miss Keaton signed the contract
00:49:13It's a generous deal. Are you sure you don't want it to know?
00:49:18No. No, it's better if I stay out of her life.
00:49:31Congratulations, Alice Keaton. Go live the life you were always meant to.
00:49:41Your engagement and announcement should align perfectly with the Foundation Gala.
00:49:46And the Browns already offered to host the London reception.
00:49:51It's all coming together beautifully.
00:49:56I've lost my appetite.
00:50:01I'll go check on him.
00:50:07What's your problem, Charles?
00:50:14Disengagement is not happening.
00:50:16It's not up to you. You know that.
00:50:18Serena, we're not doing this.
00:50:21You've changed.
00:50:25Or maybe I finally just stopped pretending.
00:50:27Or maybe I've got a deal.
00:50:28I don't think I'm going to take a deal.
00:50:30I don't think I've got a deal.
00:50:32I don't think I've got any plans.
00:50:43It might be, too.
00:50:43It might be, too.
00:50:49Because I don't think I've got a deal.
00:50:50Well, I do think, too.
00:50:55I guess, so, how does it work.
00:50:57You're the sponsor.
00:50:58You've been funding Alice Keaton this whole time.
00:51:03So?
00:51:04You lied to everyone, including her.
00:51:07I protected her.
00:51:11You loved her.
00:51:13Still do.
00:51:15Let it go, Serena.
00:51:18There's no point.
00:51:28I need a favour.
00:51:30Find out when the Oxford interview is.
00:51:33And make sure Alice Keaton won't show up.
00:51:40Anything, Lyra?
00:51:43She's not answering.
00:51:45The interview's almost over.
00:51:46Well, she won't just not show up.
00:51:48Something's wrong.
00:51:50Where's Alice?
00:51:52When was the last time you heard from her?
00:51:54Last night.
00:51:55She said she was prepping all evening.
00:52:01James, track someone for me.
00:52:04Wait, where are you going?
00:52:13Chill, okay?
00:52:15We won't hurt you.
00:52:16Yeah, we're just supposed to keep you away from the interview.
00:52:19That's it.
00:52:27Shit!
00:52:28Come back!
00:52:29Oh, my God.
00:53:07Hey, hey, hey, Alice, Alice, Alice, stay with me, stay with me, stay with me, Alice, Alice.
00:53:20You're awake.
00:53:22Where, where am I?
00:53:24Local clinic.
00:53:25Passerby brought you in.
00:53:28Passerby.
00:53:29He found you on the side of the road.
00:53:31He had to leave.
00:53:32He didn't leave a name.
00:53:34Oh.
00:53:37The interview, what time is it?
00:53:39Easy.
00:53:40It's okay.
00:53:41Someone already contacted the university.
00:53:43Anne sent in your writing samples.
00:53:45They've rescheduled your interview for tomorrow.
00:53:47Wait, what, who?
00:53:48No idea, but it's all taken care of.
00:53:54What did you say?
00:53:55Nothing.
00:53:56I just had a dream.
00:54:07Yeah.
00:54:10Did you?
00:54:11I got him!
00:54:15Oh, I knew it.
00:54:18Too bad Charles isn't here to watch you crush it.
00:54:21He's not here.
00:54:22Oh, you didn't know?
00:54:25Know what?
00:54:26He left.
00:54:28A few days ago, yeah.
00:54:29Everyone doesn't really know where he went.
00:54:32Honestly, Ashford's been quieter without him.
00:54:34It's probably for the best.
00:54:35Come on.
00:54:36Come on.
00:54:45The summer I met Charles Kenwood was loud.
00:54:49Chaotic.
00:54:51Unexpected.
00:54:54And with his absence...
00:54:56Come on!
00:54:58It ended quietly.
00:55:01Like summer's always do.
00:55:04Like summer's always do.
00:55:05Did you feel it from across the room?
00:55:10Did you feel a little enchanted?
00:55:16And joining us today, the decade's most unexpected literary phenomenon, Alice Keaton.
00:55:23Thank you for having me.
00:55:24Now, your words moved millions.
00:55:27They say your stories feel real, especially the ones about love.
00:55:32Which brings us to the most obvious question.
00:55:35How's your dating life like these days?
00:55:37No comment.
00:55:39A little bird told me that the past four years has been just writing and working, not even
00:55:44a single date.
00:55:45Let me guess a bird named Sherry.
00:55:46She caught me.
00:55:48Still no comment.
00:55:49All right.
00:55:49All right.
00:55:50No matter what you say, you write love like someone who's lived it.
00:55:56If you're so real...
00:55:57Because once, I did.
00:55:58That's why today we hear Sherry's story behind...
00:56:02And no one ever quite matched the light after that.
00:56:06And let's give it up for Alice Keaton one more time.
00:56:19Congratulations, Alice.
00:56:21The numbers just came in.
00:56:22You broke your own record.
00:56:25That's...
00:56:26Incredible.
00:56:27We're thinking celebration, press, photos, maybe tonight.
00:56:31Actually, there's something I'd rather do.
00:56:35I'd like to meet with the person who believed in me first.
00:56:39My sponsor.
00:56:41You're sure?
00:56:42Yeah.
00:56:43Just once.
00:56:45Tonight, 7pm.
00:56:56Good evening.
00:57:01Good evening.
00:57:05May I sit?
00:57:11Hey, Mr. Nonchalant.
00:57:16Hi.
00:57:17Hi.
00:57:20You look well.
00:57:23And you look like you just stepped out of a GQ cover.
00:57:27You always did.
00:57:29You were expecting someone else.
00:57:32I was...
00:57:33I was...
00:57:34Hoping.
00:57:36But I guess I always knew.
00:57:38I didn't come here to confuse you.
00:57:41Or to reopen anything.
00:57:44I just wanted to say congratulations.
00:57:48Oh.
00:57:52Didn't know you're still reading.
00:57:54You're rich enough not to do so.
00:57:57Always.
00:57:58Either way, your sponsorship started my career, so...
00:58:03No.
00:58:04No, you've...
00:58:04You earned everything.
00:58:09Every word.
00:58:10Every page.
00:58:13Every reader.
00:58:15That's what I came to say.
00:58:20It was good to see you again.
00:58:22I hope.
00:58:22Charles.
00:58:25Can you just...
00:58:27Wait a little longer?
00:58:36I think I knew it was you.
00:58:39There was one email.
00:58:41You said something.
00:58:43Felt familiar.
00:58:45Really?
00:58:45Kind of had that...
00:58:46Rich asshole with a conscience energy.
00:58:49Very on-brand.
00:58:51I should have anonymized my grammar.
00:58:53Too late.
00:58:54Your semicolon usage gave you away.
00:58:57Still the only girl I know who flirts through punctuation.
00:58:59Still the only god I know who uses wilds unironically.
00:59:05You've changed.
00:59:08But...
00:59:14Maybe you've grown into who you really were.
00:59:19Anyway.
00:59:20I wanted to say...
00:59:25And...
00:59:26Thanks for being here tonight.
00:59:28You didn't have to come.
00:59:30Don't tell me what I have to do.
00:59:35You didn't have to come.
00:59:37Don't tell me what I have to do.
00:59:59If you could go back,
01:00:01if you had the chance to do it all again,
01:00:03would you do anything differently?
01:00:06I don't know.
01:00:07I don't know.
01:00:10No.
01:00:16No.
01:00:20I see.
01:00:25I know my answer now.
01:00:26I didn't have the power back then.
01:00:28Not enough to protect you.
01:00:30I couldn't watch you get crushed because of me.
01:00:34Because of my name.
01:00:35My family.
01:00:38I didn't want to be the reason you lost everything.
01:00:41So you just disappeared.
01:00:43Without a word.
01:00:47If you had the chance to see the world.
01:00:49Without me weighing you down.
01:00:51If you still chose me after that.
01:00:57You keep saying you wanted to give me a choice.
01:01:01But you made a choice for me.
01:01:05Did it ever cross your mind that maybe
01:01:09I would have chosen you anyway?
01:01:17I didn't think I was the smart choice.
01:01:20You weren't.
01:01:23But I never claimed to be that smart.
01:01:34This is me.
01:01:35Right.
01:01:43I'm still mad at you, you know.
01:01:47I'm still in love with you, you know.
01:01:57Do you want to come in for a bit?
01:02:01You're asking your ex,
01:02:03who you haven't seen in four years,
01:02:06to come into your hotel
01:02:07at approximately 11pm.
01:02:10You were right.
01:02:12You never were that smart.
01:02:14You don't have to come.
01:02:16Don't tell me what I have to do.
01:02:19It's almost like you see
01:02:21The last thing's going to go
01:02:33Stop quoting yourself.
01:02:34I recycle.
01:02:35It saves energy.
01:02:37This feels wildly irresponsible.
01:02:40You sound like a disclaimer.
01:02:41You're the one who wants called romance a distraction.
01:02:44I said that.
01:02:45Yeah, before calling Wuthering Heights overrated.
01:02:48Still is.
01:02:50You're lucky you're a good kisser.
01:02:55That is cute to me.
01:02:57Don't you dare quote poetry.
01:02:59What's it going, Sarah?
01:03:00I forgot all of it the day you left.
01:03:03Then shut up.
01:03:04And prove it.
01:03:12I still can't believe this is happening.
01:03:14I told you,
01:03:14they're either worst enemies or secretly married.
01:03:17And I told you,
01:03:18they're both.
01:03:45I vow to always tell you the truth.
01:03:48Except for when you ask how you're cooking was.
01:03:51Then I lie.
01:03:53Respectfully.
01:03:55I vow to keep choosing you.
01:03:58Loudly.
01:03:59Quietly.
01:04:01Always.
01:04:03Even when you forget to do the laundry.
01:04:07Is he actually good at this?
01:04:09I mean,
01:04:10he did beat her at song, Heather.
01:04:15I vow to argue with you at least twice a week.
01:04:17Especially over Shakespeare.
01:04:20I vow to write you into every story.
01:04:23Even when I say I didn't.
01:04:25You will always be part of my life.
01:04:28If she quotes Austen in this toast,
01:04:30I'm out.
01:04:30No, you're not.
01:04:31You're going to cry harder.
01:04:33You're going to cry harder.
01:04:56I can't believe you picked Paris.
01:04:58Such a cliche honeymoon destination
01:05:02Guard your phone relax. Just don't dress like a walking inheritance and you'll be fine
01:05:09You are not wearing that on our honeymoon
01:05:13Please Alice go change don't tell me what I have to do
01:05:22No, no no no that is not an invitation to do not take off these clothes
01:05:27You look much better without them
01:05:34To the ones who loved in silence in chaos and chapters you will find your way home
01:06:03I
01:06:16It's up to us to make sure that we can gain what's been passed through these books
01:06:21Help us develop learn and grow
01:06:27Wow
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