00:00I don't find the cinematographer in the editing room.
00:06I don't know if I ask.
00:09I'm not a comment.
00:12I'm not a fan of this.
00:14I'm not a fan of this.
00:19I was able to get some pictures of Sweeney Vahas and I was able to get a clip of Sweeney
00:28Vahas
00:29I was able to do something with Sweeney Vahas and I was able to do something with Sweeney Vahas
00:45In this studio, we didn't have a lot of people in Chitraanjali's studio.
00:49There was a lot of sweepers and staff there,
00:57and there was a lot of technical work.
01:00There was a lot of communication.
01:03There was a lot of work,
01:04and there was a lot of work.
01:05There was a lot of work in cinema and filmmaking.
01:16We didn't have a lot of work here.
01:23We didn't have a lot of communication.
01:27We didn't have an option for the film institute.
01:35We didn't have a lot of work here.
01:38We didn't have a lot of work here.
01:40We didn't have a lot of work here.
01:43I have been in the institute, but I have been in the penpill.
01:47I have been in Delhi.
01:52There is a lot of exposure, a lot of work,
01:59a lot of work, a lot of work,
02:01a lot of work, a lot of work,
02:02and there is a lot of opportunity.
02:06There are a lot of opportunities among my family,
02:11and I have committed to the work that I have made.
02:19I will say that there's some simple work that I have done.
02:23I am going to see it in the future.
02:27There are many opportunities around me.
02:27I have to go to theалons.
02:29There are many opportunities in the cinema.
02:31There was an option to go there and accidentally go there.
02:38There was a particular moment.
02:40There was a particular moment.
02:42There was a film appreciation course in the college.
02:50There was a film society.
02:53There was a lot of interest.
02:57There was a lot of interest.
02:57There was a lot of interest.
03:00There was a lot of interest.
03:07But now I have to choose from.
03:10So, when I went to the Film Institute and applied to the film, I thought that was a big part
03:16of the cinema and the world.
03:19That's what I thought.
03:23It's been a very important three years in my life.
03:28We have a story, a empowerment, secondly, we have a world.
03:35We have a world.
03:36We have a world.
03:38We have a world.
03:41We have a world.
03:43We have a world.
03:50It was a big mind-opening moment.
03:59We have a world.
04:02We have a world.
04:06We have a world that we have a world.
04:09We had to go to Kalyanam, Malayana, Malayana, Tarcha, Ingot, Chennai, and all of them went to Bombay.
04:23We didn't have cinema in Delhi.
04:25We had to try and try and try.
04:31I was not being taught in my language, and I wasn't even taught in my university.
04:37I was very young and young.
04:44I was very young and young.
04:46I was very young...
04:48I was very young and young.
04:56I was very young and young.
05:00I was able to get the job and get the job done.
05:11I was able to get the job done with that job.
05:14That job was the same.
05:18It's a very difficult time with that.
05:19There's no such thing with us.
05:22There are many struggles to see, even if we are sick, and when we are sick,
05:28then it's a very difficult time to reach us with the other side of the project.
05:32There's a frustration that's coming.
05:34That's what we thought about the fact that we are going to try and find ourselves.
05:39He was a very good person.
05:41He was a very good person.
05:41That's why Venu was created with a clip of Venu.
05:52I think that Venu was not a good person,
05:58but that's why Venu was a good person,
06:00but he was a good person.
06:01That's why Venu was a good person.
06:05This country is a very committed country.
06:18It's not a case for me.
06:21I don't know why I'm talking about this.
06:23The work is the same in Malayalam cinema.
06:30That is the work we have done.
06:34The work we have done in Malayalam cinema.
06:42That is the work we have done in Malayalam cinema.
06:44I have been working in a film institute.
06:53I have been working in M.P. Sukhumana.
07:06It was a good thing to do with the cinema.
07:12It was a good place and it was a good place.
07:18It was a good place.
07:18It was a good place in the studio.
07:27There were a lot of sweepers.
07:32There is a staff that is not a technical person.
07:39That is a work that is a work.
07:42It is a work that is very equal, cosmopolitan person.
07:52We didn't have any problems here, we didn't have any problems, we didn't have any issues.
08:02This is a very male industry.
08:09There is a lot of people who watch a TV company, take a look at TV.
08:16So, there was a lot of time in the cinema.
08:21But, there was a lot of time in the back.
08:25There was a lot of loneliness.
08:28Now, in a studio, we had to go to the studio.
08:33We had to go to the studio and go to the studio.
08:35There wasn't a lot of time.
08:37There wasn't a lot of time.
08:40But, there wasn't a lot of time in the cinema.
08:46There wasn't a lot of time in the cinema.
08:48There weren't a lot of time in the cinema.
08:50But, there were some all sorts of time.
09:05That is how much it is.
09:09Now, there is a little bit of pressure.
09:13But it is not like other industries.
09:20There is a lot of chemistry.
09:22There is a lot of communication.
09:25There is a script.
09:26There is a script.
09:28There is a lot of communication.
09:30There is a lot of communication.
09:35But there is no way in the editing room.
09:39Of course, we have communication.
09:42There is a lot of chemistry.
09:48There is no way to do that.
09:51The editing room is used in the editing room.
09:55But everyone is very sad.
09:58There is no director here.
10:01There is no director here.
10:04But everyone is very discomfort.
10:08But we are in our lives.
10:14I don't know,
10:15we don't have to say that we are in the editing room.
10:20So, it's not that I'm going to start with it.
10:21In fact, I'm going to comment on that.
10:27If I have a friend,
10:28if you have to say,
10:29oh, is it something that you're going to take,
10:32if you have to take,
10:36if you have to take,
10:37then you're going to take it.
10:38There's a lot of friction.
10:42If you have another director,
10:44you can maintain that line.
10:45maintain.
10:46It was a very difficult time to do that.
10:50I had to do a little bit of a husband arm break.
10:53I had to do a little bit of a job.
10:55It was a little bit difficult.
10:57But I had to edit all the cinema.
11:02I had to do a lot of the work.
11:07I had to do a great job.
11:10As you can see, there is no future of digital experience.
11:17I would say we have to go to the mountains or the mountains.
11:21I would say that's what I had to do.
11:25With that I was happy, I would say that it is a few months later.
11:33We work with all the tools.
11:36Wherever there is communication, we're going to ask ourselves that communication.
11:43The editing is a night shift because we are busy in the day time.
11:56We have a full night editing.
11:59I am going to study computer editing.
12:03I am going to study computer editing.
12:04I am going to study computer editing.
12:13I am going to study computer editing.
12:19I am also a filmmaker.
12:22M.T. Sarayalam, Arvind, John, Shyam Prasad.
12:29I am going to study computer editing.
12:34But we have a formal relationship.
12:40We have a great friends.
12:42We have a great friends.
12:45But I am a great assistant.
12:49I am a great assistant.
12:50I am a great assistant.
12:56So, we have a free communication.
13:01We are very free and trusting.
13:05We are very friendly.
13:09Many people are also friendly.
13:13We are very friendly.
13:21I am a part of the film and I am a part of the film.
13:27I do have to do that with the film, but it is a part of the film and I am
13:30a part of the film and there is a part of the film.
13:43work and energy.
13:45That's why we don't have to worry about it.
13:48MTSR is also working on a giant job.
13:52That's a good thing.
13:54It's a good thing.
13:56It's a good thing.
14:01It's a good thing.
14:02But MTSR is an editing sense.
14:05It's a great editing sense.
14:07I think there's a good thing.
14:08I'm going to say that a editor is a good thing.
14:11I think there's a lot of things.
14:19There's a lot of things.
14:21There's a lot of meaning.
14:22There's a lot of meaning.
14:24Now,
14:25the bus is going to go.
14:27The length of short
14:29is how much it is.
14:31How much it is.
14:32There's a lot of things.
14:37There's a lot of things.
14:42I'm not going to be a good thing.
14:44I'm not going to be a good thing.
14:46The couple's are going to be a good thing.
14:49there's a lot of sexual touch.
14:51There's a lot of things.
14:54There's a lot of things.
15:05I was taught as an editor as an editor.
15:16I was taught the editing of this cinema.
15:20I was taught the other things.
15:23When I joined the institute,
15:28there was a small activist line.
15:30I was taught.
15:31I was taught in Keralta.
15:37In Keralta, there were a lot of cinema in Keralta.
15:41There was a cultural space in Keralta.
15:51There was an inspiration for me.
15:56There was an inspiration for me and I was taught.
16:02IFFK has to be a space of inspiration.
16:05Now, we are young filmmakers.
16:09Now, the Malayalam cinema is repeated.
16:14We have seen these young directors.
16:18We have studied IFFK cinema.
16:23That's true.
16:25Because IFFK's curation,
16:33the whole idea was to inspire a generation,
16:40not only to understand cinema,
16:42but also to understand the world.
16:44That's what we can do.
16:46Just the American cinema,
16:49we can do everything.
16:51There is no importance in the WCC.
16:58In Malayalam cinema,
17:00there is no difference between gender and gender.
17:04This is not the same.
17:06That's why WCC is not the same.
17:09I mean,
17:10you know,
17:10there is a tradition in Malayalam cinema.
17:12There is a tradition in the Tali Kaliyan.
17:17Now,
17:18there is no tradition,
17:18to be voted or no,
17:20or to be voted or no,
17:23there is no tradition.
17:29So,
17:30there is a tradition to be voted.
17:31for the WCC,
17:32there is a lot for the issue.
17:35No.
17:35and there is no question.
17:37It is not about the issue.
17:37There is no question.
17:38As a matter of the issue, we don't have a committee report.
17:40There are many questions that are in that issue.
17:45We don't have any questions.
17:51There is no question behind the issue of the issue.
17:51In this case, we have an issue in the industry.
17:55It is not in the industry.
18:00There is an issue in the WCC.
18:04Malayalam cinema has become an organization in Malayalam cinema.
18:14This is a contemporary industry.
18:18These gender issues are like Bollywood, Hollywood.
18:29So, I feel that we have made a big contribution to Malayalam cinema.
18:33I am a director of the two festival.
18:39In Kerala, I am a director of the women's festival in Delhi.
18:46At the Dharamshayla Film Festival.
18:48I am a director of editing.
18:51I am a director of the film.
18:54I am a director of the women's festival.
18:57I am a director of the women's festival.
19:00I am a director of the women's festival.
19:03I am a director of the women's festival.
19:05I am a director of the women's festival.
19:06Thank you, I am.
19:09I am a director of the women's festival.
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