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00:00:04Oh, my God.
00:00:31Come on.
00:01:04Come on.
00:01:36Come on.
00:02:01Why aren't they handsome?
00:02:03Aunt Agatha.
00:02:05At my age, a lady no longer has to hide her admiration for handsome men.
00:02:09What are they?
00:02:11Pyrrhic boy.
00:02:12Are they friendly?
00:02:13I don't call a poisonous snake, my friend, on account of he don't bite me.
00:02:17Jonathan said it was so peaceful.
00:02:20Oh, he's an artist.
00:02:21He prefers not to see things other people do.
00:02:24Snakes is snakes.
00:02:32Do they mean to make trouble?
00:02:35They never tell what they mean, ma'am.
00:02:37It's them young ones.
00:02:38Especially them Tuscaroras from the south.
00:02:40They're the ones to look out for.
00:02:42I thought you said they were Iroquois.
00:02:44They're all Iroquois, miss.
00:02:46The French give that name to the Mohawks, Onidas, Tuscaroras, Cayugas, and the Senecas when they joined up together.
00:02:53This is all Mohawk country.
00:02:55The ones with the shaved heads as Mohawks.
00:02:57The longhairs are Tuscaroras.
00:03:00They're fearsome fighters, them Mohawks.
00:03:02Ain't nobody, not even the French or the British, ever beat them in a battle.
00:03:06How soon do we reach Fort Alden?
00:03:09About midday.
00:03:10We don't have no trouble.
00:03:23There's the fort.
00:03:26How do I look, Aunt Agatha?
00:03:29Like a very proper lady going to tea.
00:03:33Evidently, you don't approve.
00:03:35When a woman puts on a war paint, she's more dangerous than any Mohawk.
00:03:39Except that we like our scalps with something under them.
00:04:21Sergeant.
00:04:26Yes, sir?
00:04:27Have them dry that wagon in back of the arsenal.
00:04:29Keep a guard posted on it until it's unloaded.
00:04:32Yes, sir.
00:04:40Something powder.
00:04:43But there's something really precious.
00:04:50She appears to be already well guarded.
00:04:53The chaperone may need relief.
00:04:56Excuse me.
00:05:00May I present myself, madam?
00:05:02I'm Captain Langley, commandant of Fort Alden.
00:05:04How do you do?
00:05:05My niece, Cynthia Stanhope.
00:05:07I am Agatha Stanhope.
00:05:09We've come to visit Mr. Jonathan Adams, the painter.
00:05:12Do you know him?
00:05:13Yes, ma'am.
00:05:14Where does he live?
00:05:18Well, you needn't get that frosty look.
00:05:20My niece is his fiancée.
00:05:23Is he expecting you?
00:05:24Well, no.
00:05:25I wanted to surprise him.
00:05:27You will.
00:05:28Do you know where I might find him?
00:05:30Uh, just a moment.
00:05:33Clem.
00:05:34Clem Jones.
00:05:36Come over here, please.
00:05:39Yes, Captain?
00:05:40Clem, these ladies are looking for Jonathan Adams.
00:05:42So are all the other ladies.
00:05:45Clem, Clem.
00:05:46Miss Cynthia Stanhope is Jonathan's fiancée.
00:05:51No.
00:05:53This is not so funny.
00:05:55He knows about this.
00:05:56My good man, we did not come here to discuss our personal affairs with you.
00:06:00We simply want to know where Mr. Jonathan Adams lives and where he is at this moment,
00:06:04and that is all thank you.
00:06:05You are very welcome.
00:06:07Captain Langley.
00:06:08Clem, where is Adams?
00:06:10Out there someplace.
00:06:12With all those frightening Indians?
00:06:14There's nothing to be afraid of, ma'am.
00:06:16The Indians here about are our friends right now.
00:06:18I will certainly consider you laxing your responsibilities if you allowed him to go out there without an adequate escort.
00:06:24Oh, he's not alone.
00:06:25He took a cow along.
00:06:26And my daughter, Greta.
00:06:45Jonathan, I'm hurting all over.
00:06:49Oh, I'm sorry, Greta.
00:06:51Rest a while.
00:06:58I'm very beautiful.
00:06:59Oh, and the cow?
00:07:01It is a cow.
00:07:05Why are you laughing?
00:07:06Well, I always laugh when someone else laughs.
00:07:08It is my disposition.
00:07:10Hmm?
00:07:11And if someone should cry?
00:07:13Well, a woman enjoys to cry almost as much as she does to laugh.
00:07:27Oh, that feels wonderful.
00:07:29I know.
00:07:30I do it for my father all the time.
00:07:37You know how to do everything to make a man happy.
00:07:41That, too, is my disposition.
00:07:46And when a man kisses you?
00:07:48I kiss him.
00:08:14You have a lovely disposition, Greta.
00:08:16I am happy with it.
00:08:17You know I should marry a girl like you.
00:08:20You are very sweet to say that.
00:08:22If you should not marry me, I am too stupid for you.
00:08:25May the Lord protect me from a brainy woman.
00:08:27Not if she is brainy for you.
00:08:30Ten years from now, I will be fat like my father.
00:08:33Now we'll marry a farmer that's stupid like me.
00:08:36We'll have many children.
00:08:37We'll be joey together until we die.
00:08:39Now I'm beginning to think you're the smartest woman I've ever known.
00:08:42I'm too happy to be smart.
00:08:58I'm too happy to be lucky to be Yep.
00:09:08I'll be happy to be smart.
00:09:14Good night.
00:09:25Who will lead me to the chief Cowanen?
00:09:31Rabbits do not talk, men do.
00:09:33And the crow screams from the highest branch because it is afraid to touch its feet to the ground.
00:09:50How will you answer me?
00:09:52I will answer when you tell me why you must see him.
00:09:55Since when does the great Cowanen permit boys to decide who will and who will not see him?
00:10:00Your tongue is too long.
00:10:02You will not shorten it. I am in your village as a friend and your laws protect me.
00:10:08I am Kyoga, son of Cowanen. I will carry your message.
00:10:13Then tell your father that I come to give him warning.
00:10:15Of what?
00:10:17More settlers and more muskets.
00:10:29White man Butler says he brings you warning of new settlers and more muskets.
00:10:55Today 61 settlers and a wagon load of muskets arrived at Fort Alden.
00:11:00Why is this a warning?
00:11:02Whose land will the settlers turn into ploughed fields?
00:11:06There is plenty of land.
00:11:08Against whom will the muskets be used?
00:11:10It is wise to be strong, for this keeps your enemies peaceful.
00:11:15It is talk that many more soldiers will come.
00:11:17The eagle is not afraid of the mole.
00:11:20Those were my father's words.
00:11:23And he is dead.
00:11:26And we, the once proud Tuscarora, are driven from our land by whites.
00:11:31And come like beggars to our friend the Mohawks.
00:11:34For a handful of corn.
00:11:36And a piece of earth on which to spread our blankets.
00:11:38He was advised not to make war.
00:11:41There was no peace without surrender.
00:11:44They came one by one until they swarmed like ants all over us.
00:11:48And left us nothing but a choice of how to die.
00:11:52It is happening here.
00:11:54As I saw it happened there.
00:11:56The great spirit brought the Iroquois to the tree of peace.
00:12:00And taught us to listen to the eagle that sees afar.
00:12:04And the wise men told us we must bind ourselves together
00:12:08by holding each other's hands so strongly,
00:12:11nothing could break them apart.
00:12:14White man cannot destroy us unless we forget the great laws
00:12:17and so destroy ourselves first.
00:12:20I will make no war on the white man.
00:12:27Why do you want us to fight your own people?
00:12:29They are not my people.
00:12:39Why do you want us to fight the muskets?
00:12:39Once there was no greater warrior than your father, Kewanen.
00:12:42He is getting old.
00:12:44His spirit is gone.
00:12:45I do not understand him.
00:12:47I would have said, at least let us take the muskets
00:12:49so they will not be used against us.
00:12:52Onida.
00:12:58Will you help us get those muskets?
00:12:59But if you are caught, they will be killing.
00:13:01A mohawk is not afraid to die for his land.
00:13:04Learn from the Tuscarora, whose old men called us young ones, makers of fire,
00:13:09and chained us with their peaceful words until it was even too late to die.
00:13:12The muskets make us that much stronger.
00:13:14You heard what our father said.
00:13:16I take our father's advice when I take the muskets.
00:13:19With my own ears, I heard him say,
00:13:20it is wise to be strong, for this keeps your enemy peaceful.
00:13:44Really, Mr. Jones?
00:13:46The fattest woman in the port will buy this.
00:13:48She will never try to wear it.
00:13:50But it will make her happy to pretend it is her size.
00:14:05When do they close the gates?
00:14:07At sunset.
00:14:09The sun is setting now.
00:14:12Can anyone get into the fort after the gates are closed?
00:14:15The gates do not open again until sunrise.
00:14:18Aren't you worried about your daughter?
00:14:20They always get back just as the gates are closing.
00:14:23Always?
00:14:33You.
00:14:34It's sunset.
00:14:35All Indians outside the wall.
00:14:37I left my blanket back there.
00:14:39I do not wish to lose it.
00:14:41Go get it.
00:14:42Hurry up.
00:14:54Close the gates.
00:15:01Wagon coming, sir.
00:15:13Open the gates.
00:15:25My cow, thank you.
00:15:27Welcome.
00:15:28And I'm getting tired of keeping the gates open for her almost every night.
00:15:31Now, don't be too hard of it, Captain.
00:15:32She forgets everything when she's having her portrait painted.
00:15:38Close the gates.
00:15:43Poor Langley.
00:15:44I'm afraid I give him a...
00:15:47Cynthia.
00:15:50Here.
00:15:55Cynthia.
00:15:58Well, now, what cloud did you fly in on?
00:16:00I gave her a ride on my broom.
00:16:02Dear Aunt Agatha, as frightening as ever.
00:16:04Dear Jonathan, as flighty as usual, even in the wilderness.
00:16:09Oh, that's Sir Greta.
00:16:11She models for me.
00:16:12But you were commissioned by the Massachusetts Society to do 20 landscapes.
00:16:16And I have not a single painting without at least one tree in the background.
00:16:19Show them to me, Jonathan.
00:16:21Well, naturally, naturally.
00:16:22But first, we must get you settled and talk about you and Boston and family and friends.
00:16:26The paintings can wait.
00:16:27I'd like to see them now, Jonathan.
00:16:30Well, if you insist.
00:16:31Coming in, Agatha?
00:16:32I'm not the least interested in your paintings, Jonathan.
00:16:35Only in your character.
00:16:37But you'll know me better through my work.
00:16:38I will know you with more pleasure when you engage in more profitable work instead of...
00:16:42Painting is my work.
00:16:43And if you've made this long journey to say the same things you've been saying...
00:16:46Please, Jonathan.
00:16:46Jonathan, I do so badly want to see your pictures.
00:16:50We won't be going long.
00:16:53All these miles.
00:16:55Days and days in the wagon.
00:16:56Can't even say how do you do before beginning...
00:16:58Where are we going, anyway?
00:17:00To see your pictures.
00:17:01Oh, they're over there.
00:17:06Greta, take care of the wagon, please.
00:17:18So, you're his model, hmm?
00:17:20Yes.
00:17:22He works very hard, ma'am.
00:17:24And very good, too.
00:17:25Look.
00:17:26I'll show you.
00:17:36Is that all new?
00:17:39And very beautiful.
00:17:41Yes.
00:17:42All together too obviously.
00:18:24Very interesting.
00:18:27Really, Jonathan, how can you live in this dungeon?
00:18:30I don't.
00:18:30I just sleep here.
00:18:31Keep my belongings here.
00:18:33Otherwise, I'm out of doors for as long as there is light.
00:18:35You were to be home two months ago.
00:18:38One loses track of time out here.
00:18:39There are the four seasons and Easter and Christmas.
00:18:42And the days don't seem to count as calendar days.
00:18:46Jonathan.
00:18:47Hmm?
00:18:47Come home with me now before the winter sets in.
00:18:50And get involved in politics?
00:18:51No, no.
00:18:52Not me, dear.
00:18:53I'm a painter, not a politician.
00:18:55All I want to do is paint.
00:18:56You act like an irresponsible child.
00:18:58You need someone to take care of you.
00:19:04You are really quite wonderful, Cynthia.
00:19:07You've made this long, hard journey to tell me this because...
00:19:10Because I love you.
00:19:16What am I to do about you, Cynthia?
00:19:18Marry me.
00:19:19Oh, you've decided.
00:19:20Yes.
00:19:22We'll have a lovely home in Boston.
00:19:24And you'll do wonderful portraits of important people.
00:19:26Shades of Aunt Agatha.
00:19:28That's not very kind.
00:19:30Forgive me.
00:19:32I'm hungry.
00:19:33How can you think of food at a time like this?
00:19:37Well, with you, my dear Cynthia, one is not permitted to think of anything more exhilarating.
00:19:41I just can't understand you, Jonathan.
00:19:43And you mustn't.
00:19:45You see, you risk propriety if you do.
00:19:47And where would a gentlewoman be without her precious propriety?
00:19:51In any event, a man with a full stomach is much easier to handle.
00:20:05That from a gentlewoman.
00:20:08And propriety be...
00:20:08Cynthia!
00:20:10Cynthia!
00:20:31Cynthia!
00:20:32Cynthia!
00:20:32Cynthia!
00:20:33Cynthia!
00:20:33Cynthia!
00:20:34Cynthia!
00:20:35Cynthia!
00:20:36Cynthia!
00:20:36Cynthia!
00:20:36Cynthia!
00:20:37Cynthia!
00:20:37Cynthia!
00:20:38Cynthia!
00:20:39Cynthia!
00:20:41Cynthia!
00:20:41Cynthia!
00:20:43Cynthia!
00:20:46Cynthia!
00:20:53Cynthia!
00:21:13I'll blend the strings of my bandeau
00:21:17When I'm dreaming of you
00:21:24Love plays the strings of my bandeau
00:21:29And tells me my darlin' is true
00:21:35Need your kiss, little sweetheart
00:21:40When the day is done
00:21:45Need your kiss, little sweetheart
00:21:50Like the earth needs the sun
00:21:55So when I strum on my bandeau
00:22:00The world is humming along
00:22:06Love plays the strings of my bandeau
00:22:10When I put my heart in my song
00:22:17Good appetite
00:22:19The bell of Fort Alden
00:22:21She should be wrung every hour as a warning to all decent young people
00:22:25You have a lusty wit, madam
00:22:28Miss, sir
00:22:29And a spinster because my wit made me laugh every time a man proposed
00:22:33In due time, the joke was on me
00:22:38Oh, there you are, Cynthia
00:22:40Uh, this is Mr. Butler
00:22:43How do you do?
00:22:44You've already met Captain Langley
00:22:45I presume you two gentlemen know each other
00:22:48We can hardly avoid knowing each other in the community as small as this
00:22:53Has he done anything worth looking at, Cynthia?
00:22:57There are some very interesting things
00:22:59Mr. Adams
00:23:00Mr. Adams has not thought to show us any of his work
00:23:02Well, I didn't think you were interested, Mr. Butler
00:23:04Anything that happens in the Mohawk Valley is of interest to me
00:23:07Have you been here very long?
00:23:09I was born here, Miss Stanhope
00:23:11My family was the only white family in this area
00:23:14Until the settlers began coming in
00:23:17I used to think of this entire valley as my personal property
00:23:22Weren't the Indians here before you?
00:23:24Indians
00:23:24The Indians are savages
00:23:26They have no more rights than animals
00:23:27The Spanish knew what they were doing
00:23:29And they made slaves of them
00:23:30No one will ever make a slave of an Iroquois
00:23:32Then they should be slaughtered
00:23:33Before they slaughter us
00:23:35But no one will listen to me, Miss Stanhope
00:23:38Plough their fields and dig their graves at the same time
00:23:42The settlers come
00:23:43And then the preachers
00:23:44And the soldiers
00:23:45And even the painters of pictures
00:23:49Squeeze the great valley into a small frame like a fence
00:23:52And that's the end of freedom to breathe
00:23:57Idiots
00:24:01What a frightening man
00:24:04I never can decide which he hates more
00:24:06The Indians or the settlers
00:24:08I'm not sure he's quite sane
00:24:10He's wrong about the Indians, I know that
00:24:12We leave them alone, they'll leave us alone
00:24:39And thezenie of a man
00:24:41Go
00:24:41Go
00:24:41Go
00:24:42Go
00:24:43Go
00:24:44Go
00:24:45Go
00:24:45Go
00:24:45Go
00:24:46Go
00:24:46Go
00:24:46Go
00:24:47Go
00:24:47Go
00:24:48Go
00:24:53Come on.
00:25:22Come on.
00:25:49Why don't you go out?
00:25:50Do something.
00:25:52They'll get along fine without me.
00:25:59All right.
00:26:00Hold your fire.
00:26:01Stop shooting at shadows before you slaughter each other.
00:26:07They're most likely gone by now.
00:26:09We'll form a detail and search the fort from one end to the other.
00:26:12How'd they get in here?
00:26:14Fine bunch of soldiers.
00:26:16I'll find out how they got in here.
00:26:26Well, come on. Sit down. Finish your supper.
00:26:28Eat at a time like this?
00:26:30Maybe you'd rather go to your room than go to sleep.
00:26:32Who could sleep with all this commotion going on?
00:26:35By the time you're ready for bed, it'll all be over.
00:26:37I am rather tired, Aunt Agatha.
00:26:40Somebody better make certain there are no Indians in our room waiting to scalp us.
00:26:44Come along.
00:27:02Any Indians in here?
00:27:06You fool.
00:27:10You've had a long journey.
00:27:12Sleep late tomorrow morning.
00:27:13What will you be doing?
00:27:14Working.
00:27:16With that girl?
00:27:17That girl. And the cow, too.
00:27:18Picture isn't finished yet.
00:27:20Sleep late, dear.
00:27:25Good night, Aunt Agatha.
00:27:34This isn't Boston, Cynthia.
00:27:37A long face doesn't stand a chance against a round of ammunition in the right places.
00:27:41Let's go.
00:27:42Mm-hmm.
00:28:09Come.
00:28:11Come.
00:28:11Come.
00:28:19beautiful let me go oh no then kill me i like beautiful things i like them alive i'd rather paint
00:28:27you
00:28:32magnificent your eyes like lightning i know what's in that painter fella's room all right let's go
00:28:39they're coming in here hide over there hurry up
00:28:56yep there she is we built this tunnel 10 years ago so we could get the indians from behind
00:29:04if they were attacking us someone must have opened it for me inside been entertaining any indians
00:29:10lately no more than usual bet you cake a potter been so peaceful so long i plumb forgot about
00:29:18that tunnel what got into those redskins should be skinned alive every one of them the dirty mean
00:29:23ignorant slinking red skin skunks or letting you take your land away from them
00:29:29who side you on nobody's i'm a painter you sound like an indian lover mr painter i have no reason
00:29:36to hate them you seen what they've done tonight maybe it was our fault if you don't like how we
00:29:40do
00:29:40around here you can get out messing around with pictures ain't gonna help settle this valley put it
00:30:15in the tunnel
00:30:16in the tunnel
00:30:32sorry we'll double the guards keep on searching
00:30:52okay
00:30:53you all right yes thank you i guess you'll have to stay here until tomorrow morning
00:30:58then i'll smuggle you out my wagon why maybe i just don't know any better
00:31:03you are not like the others people have been telling me that since i was six and i still
00:31:07don't believe it trouble is the others aren't like me that is too bad well now don't be so timid
00:31:14i only want to see the other side of your face
00:31:20magnificent you must let me paint you
00:31:31i'm sorry but it's the best i have to offer good night
00:31:53i'm sorry
00:32:00i'm sorry
00:32:01i'm sorry
00:32:03i'm sorry
00:32:04i'm sorry
00:32:28Good morning.
00:32:30Good morning.
00:32:32Jonathan is going to fetch the cow.
00:32:34I wonder why he bothers to paint the cow when he already has you in the picture.
00:32:41The cow is expected by the Massachusetts Society.
00:32:44I am the surprise.
00:32:53The cow is expected by the New England men carry hot water jugs when they go courting a lady?
00:33:23Good morning, Greta.
00:33:24Good morning, Cynthia.
00:33:25Good morning, Jonathan.
00:33:26Perfect light today.
00:33:28Don't want to lose it.
00:33:29I'd like to come along, Jonathan.
00:33:30After last night?
00:33:31Oh, dear, I wouldn't think of it.
00:33:32No telling what those mohawks might be up to today.
00:33:34Well, you shouldn't go either.
00:33:36I carry a beautiful charm along that will protect me.
00:33:39Oh, I didn't mean you, Greta.
00:33:41You can't go along either.
00:33:42I'm only painting the cow today.
00:33:44See you at sundown.
00:33:48Who will get your lunch?
00:33:49Um, I'll milk the cow.
00:34:00Open the gates.
00:34:01Anyone leaving the fort today does so at their own risk.
00:34:04Captain Langley will not be responsible.
00:34:06All right, he's not responsible.
00:34:08Open the gates.
00:34:10Open the gates.
00:34:12Ah.
00:34:15Ah.
00:34:17Ah.
00:34:39You can come out now.
00:34:42They're angry with you.
00:34:44They'll get over it.
00:34:45Which is in love of you?
00:34:46Neither one.
00:34:48And yet they, they kiss you?
00:34:49It amuses them.
00:34:51An Indian woman does not kiss, not even for amusement.
00:34:54Come up here next to me.
00:35:01Ooh.
00:35:05Monita, I'm going to kiss you.
00:35:15And just why are you laughing?
00:35:18You look so long-faced.
00:35:20And your mouth became little as if you'd eaten a bitter roof.
00:35:22You're supposed to close your eyes when you're kissed.
00:35:24Do I close my eyes to watch a sunset?
00:35:27What does that got to do with it?
00:35:29A sunset is as beautiful as the spring flowers or the silver path of the moon across the water.
00:35:35The eyes open to welcome beauty.
00:35:37They close only to shut out ugliness.
00:35:40So kissing must be ugly.
00:35:43The way you put it, it sounds logical.
00:35:46Only it isn't.
00:35:50Are you married, Anita?
00:35:52No, not yet.
00:35:53Why not?
00:35:53I'm sure there are many of you.
00:35:54There are many and there are none.
00:35:57And I'm afraid.
00:35:59Afraid of what?
00:36:00The white man.
00:36:01What he will do to us.
00:36:04I heard you talk to that man in your room.
00:36:07There was no hate in your words.
00:36:09Your heart was good.
00:36:11Come to our village.
00:36:13Learn about us.
00:36:14So that you may tell your people that we wish only to live in peace with them.
00:36:17Did they let me paint what I see?
00:36:19Hold.
00:36:27Get in the back.
00:36:28I will not.
00:36:30I...
00:36:34Why are you with the white man?
00:36:35Because you, my half-grown brother, and the brave Tuscarora warriors left me behind.
00:36:40We had no chance to...
00:36:42You will have plenty of chance to explain to our father.
00:36:45You may come back to your plays, white man.
00:36:48The fire is out, and even the smoke crawls on the ground like a frightened dog.
00:36:53Come out.
00:36:54Come out.
00:36:58Come out.
00:37:09The ears are in your tail.
00:37:13Must they always talk so much?
00:37:15They waste their breath if they talk about me.
00:37:17I am no Mohawk.
00:37:19You are an Iroquois, and my father is chief of all the Iroquois.
00:37:24When a young fire burns so fiercely that its flames reach for a tree,
00:37:29it must be put out before it burns down the forest.
00:37:32Not put out, but made to burn where it should.
00:37:34They broke the peace when I told them not to.
00:37:37Rokawa, the Tuscarora led them to it.
00:37:40A guest must respect the house of his host.
00:37:43Youth and hate make dangerous thoughts.
00:37:45He has nothing left but revenge.
00:37:47We must try to understand.
00:37:49Ow! Ow! That hurts.
00:37:53Be more gentle, Oneida.
00:37:55The white man is tender,
00:37:56and like a young pig cries at the smallest pain.
00:38:00Rokawa, you talk like a fool.
00:38:02A man would not say that to me and live.
00:38:04Now you talk like a boastful fool.
00:38:07Stand up, Keogha.
00:38:10How brave you are, Rokawa, to fight a half-grown boy.
00:38:37Thank you, sir.
00:38:58Come on, IPUP.
00:39:02Come on, I estão in time.
00:39:06Come on, please.
00:39:24Are you all right?
00:39:26You're a good lad, Kyoga.
00:39:28But you'd better put on some more size
00:39:30before you challenge a man that big.
00:39:31Will you teach me how to...
00:39:33Sure, I'll teach you.
00:39:40A good guest does not create disturbances
00:39:42in his host's house.
00:39:44I beg you to forgive me.
00:39:47And please do not be too hard on him.
00:39:49When I was a boy, whenever I got into trouble,
00:39:51I would always remind my father
00:39:52that he, too, was once young.
00:39:54It worked every time.
00:39:56I told you he was our friend, Father.
00:39:59I believe it.
00:40:01You will be welcome always,
00:40:03wherever there is a mohawk fire.
00:40:07I will paint pictures of you, Kiwanan,
00:40:09and your ways.
00:40:10And I will show them to my people
00:40:11so that they will know you better.
00:40:18He who fills his mouth with big words
00:40:19ends by eating dirt.
00:40:30Any sign of the wagon yet, Sergeant?
00:40:32No, sir.
00:40:33All right, close the gates.
00:40:39Has he ever stayed out this late before?
00:40:41No, miss.
00:40:42It is very disturbing.
00:40:43Most likely killed by the Indians.
00:40:48What a horrible man.
00:40:50He should not say those bad things
00:40:51unless it is true.
00:40:53What else can it be?
00:40:54There aren't any pretty women
00:40:55out there, are there?
00:40:56I insist that you and your soldiers
00:40:58make an immediate search for that man.
00:41:00Why would you search for him?
00:41:02I'd start with the Mohawk village.
00:41:04They may not be a grill.
00:41:06Then burn it down.
00:41:07We don't happen to be at war with the Mohawk.
00:41:10What was last night?
00:41:11A social visit.
00:41:13If you won't send your soldiers,
00:41:14I'll gather the settlers
00:41:15and we'll go ourselves.
00:41:16The gates are closed, Mr. Butler.
00:41:18Neither you nor anyone else
00:41:19goes out of this fort tonight.
00:41:21There's no reason yet to believe
00:41:23Jonathan's had trouble with the Mohawks.
00:41:24Maybe he lost his cow
00:41:26and is still looking for it.
00:41:41What are they singing, Juanita?
00:41:43They tell of De Gagawita,
00:41:45who brought love and laughter
00:41:47and the tree of peace to the Iroquois.
00:41:50I didn't know an Indian could laugh
00:41:52till I met you.
00:41:53Does the small bird sing
00:41:55when the hawk circles his nest?
00:41:58As for love and peace,
00:42:00you might as well have told me
00:42:01the Indians have wings
00:42:02and fly among the angels.
00:42:04They do.
00:42:06Why has the white man
00:42:07never learned to love?
00:42:10Does the hawk love
00:42:11when he circles the small bird's nest?
00:42:14Then you do know love.
00:42:17As you know peace and laughter.
00:42:20I'm glad.
00:42:23And from Ontario,
00:42:25where lived the Hurons,
00:42:27came De Gagawita,
00:42:30father of the Iroquois,
00:42:32to plant the tree of peace
00:42:34beside Lake Onondaga.
00:42:37The tree of peace
00:42:39whose roots are in the heaven.
00:43:09And then you
00:43:38Throw it back!
00:43:39Come out and get it.
00:43:41Throw it back!
00:43:43Come and get it.
00:43:59Now you get it.
00:44:20You have to go.
00:44:22You are good.
00:44:25It is a great one.
00:44:26Come on.
00:44:41Oh, my God.
00:45:05Oh, my God.
00:45:38But it's been days.
00:45:40How can you stand by and do nothing all this time?
00:45:42He knew it was not a good time to leave the fort.
00:45:45He's city bread.
00:45:46He doesn't understand these things.
00:45:48He didn't realize how dangerous it was.
00:45:51He should have.
00:45:52He's been here long enough.
00:45:53He used to make out like we was the mean one.
00:45:55He's most likely found the truth by now.
00:45:59How can you laugh?
00:46:01They laugh because they are men and try to hide with laughter that they are afraid to go out there
00:46:04and look for Jonathan.
00:46:05That is why they laugh.
00:46:07I ain't fighting no Indians for that painter, fella.
00:46:09I like hair on my head.
00:46:11My crops mean more to me than he does.
00:46:13Let this go unpunished and you'll lose your lives as well as crops.
00:46:16Butler!
00:46:18I'll not have you stirring up a war against the Mawaks.
00:46:20The war has started, Captain.
00:46:22That senseless little raid several nights ago.
00:46:25Now this.
00:46:26The crafty devil's feeling out your courage.
00:46:28When he finds you haven't got any, he'll come in one night and slaughter every one of you.
00:46:34He's right.
00:46:35He's stupid.
00:46:36Or crazy.
00:46:37The Iroquois are thousands.
00:46:38We are maybe 200.
00:46:40How can we punish them?
00:46:41Well, that's your problem.
00:46:42And you'll have to solve it without us.
00:46:44We're going back to Boston.
00:46:45Yes, that is very wise.
00:46:47I'm not leaving here until I know what happened to Jonathan.
00:46:52I always knew I'd die a spinster.
00:46:55Now, where is he going?
00:47:22The captain from the fort.
00:47:24Nothing better.
00:47:37Is this the white friend's greeting to Koanen and his family?
00:47:44I beg your forgiveness, Koanen.
00:47:46This thoughtless imp of Satan has been gone for days, and we thought him dead or lost.
00:47:51After all my worry, it struck me funny to find him peacefully employed at painting your portrait.
00:47:56You would do better to be angry with him.
00:47:58That comes now.
00:47:59With your permission.
00:48:04I should beat your brains in for all the trouble you've caused.
00:48:07What has he done?
00:48:08About driving me crazy, that's all.
00:48:11The settlers don't understand the Iroquois Koanen.
00:48:13They listen to this madman butler who frightens them with gory predictions of massacre by painted redskins.
00:48:19When Jonathan failed to return, he promptly said the Indians killed him.
00:48:23And started agitating for a war against you as punishment for your crime.
00:48:26He's got the people all stirred up.
00:48:28I guess I better get back to the fort as quickly as possible.
00:48:31Show myself alive and happy.
00:48:32Will you be back?
00:48:34Quickly as a horse can run.
00:48:36Keogar, you will go with them.
00:48:39He who plans war does not send his only son into the enemy camp.
00:48:43They will understand that better than 10,000 words.
00:48:48Each time I look upon Koanen and his wife Minnika, I thank my God for them.
00:48:53Their wisdom and their goodness.
00:48:54Long life to you.
00:48:56And to you, long life.
00:48:58How soon will he be in?
00:49:00I've got some paintings to take and I want to bring back some more supplies, so I'll take the wagon.
00:49:04We better take back that cow, too.
00:49:05And I won't wait for you.
00:49:07Can try to get in before sundown.
00:49:11We'll be back with tomorrow's son.
00:49:16Keogar.
00:49:17Yes?
00:49:18Be careful of your manners among the white people.
00:49:21Yes, mother.
00:49:22Yes, mother.
00:49:31Yes, mother.
00:49:35There.
00:49:49Come on.
00:49:56Let's go.
00:50:33I don't understand it.
00:50:35He promised to be here by sundown.
00:50:38Could something have happened?
00:50:40Can't think of anything.
00:50:42Everything was certainly peaceful enough when I left.
00:50:45That Jonathan, when he is painting, he forgets time.
00:50:49Might as well get some sleep.
00:51:02You should know better than to hide in shadows when there's an Indian worry on.
00:51:06Indian worry?
00:51:07I thought the Indians were peaceful.
00:51:09You said so yourself, Captain, and you know better than anyone how to read the Indian mind.
00:51:14Evacuate the fort.
00:51:16Get out of the valley or you'll all be dead within 24 hours.
00:51:18You worry too much, Mr. Butler.
00:51:20You will get bad stomach trouble.
00:51:29Now this day we are met together.
00:51:32The great spirit has appointed this day.
00:51:36Now this day we are met because of this death which is our luck.
00:51:43All right.
00:51:47Now into the ground will he be born the young Kyoga.
00:51:52Now then we wipe away the falling tears so that peacefully you may look around.
00:52:03and then something stops your ears
00:52:05with care we remove whatever it is
00:52:09so you will hear the words to be said
00:52:15there is a stoppage in your throat
00:52:18and we take it away that you may speak your hearts
00:52:25every day we are losing our men
00:52:27into the earth they are born
00:52:30also our women and children and our grandchildren
00:52:35so that you are sitting in the midst of blood
00:52:38I see the ghost of the Tuscarora
00:52:44walking through the woods
00:52:46and with them I see the ghost of the Mohawk
00:52:50for you are dead
00:52:52dead as Keoga is dead
00:52:55killed
00:52:56killed as Keoga was killed
00:52:59by the white man
00:53:01and the ghost must walk the earth
00:53:03until the last day
00:53:04because the white man has plowed up the burial ground
00:53:08and there is no place for the dead to rest
00:53:11this is what I see
00:53:13as I see Keoga dead before me
00:53:16and no man saying the blood of a hundred white men
00:53:20for each drop of young Keoga's blood
00:53:24you grieve because you have not the courage to fight
00:53:27you are dead
00:53:28dead
00:53:30no
00:53:30no
00:53:33Rocawa the Tuscarora speaks angry words
00:53:36and maybe with reason
00:53:38but not he nor I
00:53:41no matter what is in our hearts
00:53:42can make war
00:53:43that only the council can decide
00:53:46and you will talk for peace
00:53:48because your women owned your mind
00:53:51and a white man owned your daughter
00:53:55I seen with my own eyes
00:53:57no
00:53:59Onida
00:54:01go to the house
00:54:07the white man killed my son
00:54:09he will not kill my daughter
00:54:11I love your daughter
00:54:12the white man does not know love
00:54:15only conquest
00:54:18let the runners go out
00:54:20to all the chiefs of the clans
00:54:22for a war council
00:54:41why did they kill my brother
00:54:44I don't know Onida
00:54:46I can't even begin to understand it
00:54:48they must have known it would start a war
00:54:51there's a madness about this thing
00:54:54if the moon were making ugly faces at the sun
00:54:57and the stars were chasing each other like mad dogs
00:55:00for they are mad dogs
00:55:02these white men who would make war to destroy each other
00:55:05what are they made of that they would deny their own people
00:55:08what white man has done that
00:55:09this man Butler
00:55:10who came to tell my father of the new muskets
00:55:13Butler
00:55:15why
00:55:16to make my father war against the settlers
00:55:20Jonathan
00:55:21you must leave while there is still time
00:55:23if the council decide for war
00:55:26and they will
00:55:26they will kill you first
00:55:28but why would Butler
00:55:30he doesn't matter now
00:55:32Jonathan think of yourself
00:55:33you are a white man
00:55:35blood for blood
00:55:36Jonathan for Keoga
00:55:38they will kill you and throw your body
00:55:40through the gate of the fort and that will be their declaration of war
00:55:45they have decided for war
00:55:47you must try to stop them
00:55:48no Jonathan
00:55:50they will kill you go now
00:55:53Jonathan
00:56:16I'm your friend
00:56:17you are a white man
00:56:19regardless I am still your friend
00:56:21you must not blame all white men for this murder
00:56:24let me find out first what mad man did this thing
00:56:27we offered peace they gave us death
00:56:30now they will have war
00:56:31let his body carry the flaming war arrows to the white man
00:56:46so be it
00:56:46mother
00:56:48mother they've taken Jonathan prisoner
00:56:50he is our enemy
00:56:51you know he isn't
00:56:52I know his skin is white
00:56:54I do not know the color of his heart because I cannot see it
00:56:58you do not sound like my mother
00:57:00I am also Keoga's mother
00:57:03I love Keoga
00:57:04you also love the white man
00:57:06and I will hate those who hate him
00:57:08and I will kill those who kill him
00:57:11even though it be my own father
00:57:12if the law be blood for blood
00:57:14then I too must obey this law
00:57:15this is a man-made law
00:57:17for men do nothing they enjoy so much as dying
00:57:21knowing that women will go on making new life
00:57:24to take the place of all the wasted dead
00:57:28what are you waiting for
00:57:30go free this man
00:57:32send him on his way
00:57:32before they cut him up in pieces
00:57:34the bloodthirsty fools
00:57:56how are you waiting for
00:58:01father
00:58:02that night
00:58:05two
00:58:19out
00:58:43It will not be so quick, white man.
00:58:46There will be fire and a tearing of the skin a little at a time.
00:58:51No, you will not die fast.
00:58:54You will die piece by piece.
00:58:56And I shall take the first.
00:59:10We're going to need to cut me loose.
00:59:12We're going to need to hurry. Somebody might have hurt him.
00:59:21Climb this wall and jump.
00:59:22On the other side, there's a soft brush. You will not be hurt.
00:59:25You're coming with me.
00:59:25I belong with my people, you with yours.
00:59:28I'm not leaving without you.
00:59:29Will it do any good for you to stay here and die instead of going to warn your people?
00:59:34I love you, Oneida.
00:59:35I'll come back for you.
00:59:40You see, Jonathan, I keep my eyes closed when I kiss you.
00:59:44Now I know why.
00:59:46Tell me.
00:59:47To love is to close one's eyes to everything except the beauty of love.
00:59:52Now go, while my eyes are still closed.
00:59:54Let's do it.
01:00:46Let's do it.
01:00:57Let's do it.
01:01:25Let's do it.
01:01:43Let's do it.
01:01:43Someone's running here.
01:01:44He looks hurt.
01:01:53Give me a hand.
01:01:59Let's do it.
01:02:00Let's do it.
01:02:05Let's do it.
01:02:15Let's do it.
01:02:16Let's do it.
01:02:17Come on.
01:02:51Come on.
01:03:17Come on.
01:03:52Come on.
01:03:54Tell the colonel we've had warnings, so we'll be able to hold them off for a while.
01:03:58But he better get help here as fast as he can.
01:04:00Yes, sir.
01:04:03All right, close the gates.
01:04:07Open those gates again.
01:04:09No one else leaves the fort.
01:04:10I am not a prisoner. I will not be detained like a prisoner.
01:04:13We need every man here.
01:04:15I gave you warning, but you wouldn't listen to me.
01:04:18Now you expect me to die with the rest of you.
01:04:20But I'm not such a fool.
01:04:21Open those gates and let me make my own way.
01:04:23Butler.
01:04:32Why did you give them warning, Butler?
01:04:34What information did you have?
01:04:36It's enough that I warned them.
01:04:37You said they would attack within 24 hours.
01:04:40That was a good prediction, wasn't it?
01:04:41Kiwanan's son, Kioga, was murdered approximately 24 hours ago.
01:04:45Did you know that, Butler?
01:04:47What is one Indian to me?
01:04:50How did you know Kioga was murdered?
01:04:52It came to me in a vision.
01:04:53How many shots were in your vision, Butler?
01:04:55As many as it takes to kill an Indian.
01:04:58One is enough for a man who knows how to shoot.
01:05:00But there's twice as much pleasure in two.
01:05:01And what pleasure was there in going to Kiwanan
01:05:03and telling them about the new muskets?
01:05:06That's a lie.
01:05:07A mohawk told me.
01:05:09You take the word of a mohawk against that of a white man.
01:05:11Mohawks don't lie, Butler. You know that.
01:05:16You kill Kioga because they're coming!
01:05:24We'll let you out, Mr. Butler, since you insist.
01:05:27Open the gates!
01:05:29Tell the mohawks we use the new muskets most regretfully.
01:05:32If you have a chance!
01:05:46Open!
01:05:48Let me in!
01:05:50By the gates.
01:05:51Open up!
01:05:53Let me in!
01:05:55Lisa, catch my muskets.
01:05:57Open up!
01:05:59And that's his name!
01:06:05Let me open!
01:06:14Go inside and get ready to help the wounded.
01:06:16It will be better for you.
01:06:43Yeah.
01:07:20Wait!
01:07:28Wait!
01:07:43Let's go.
01:08:13Let's go.
01:08:54They're leaving.
01:08:55They'll be back.
01:08:56But we'll give them the same and better when they do.
01:08:59Peter, bring wine.
01:09:00Free wine for everybody.
01:09:03And brandy, too.
01:09:04It is too good for the Indians.
01:09:06They won't appreciate it.
01:09:12It's not as painful as childhood.
01:09:14And how would you know, miss?
01:09:17We gave them what we did.
01:09:19They run off with their feathers dragging.
01:09:21Will they come back?
01:09:23And with more men.
01:09:25What if help doesn't arrive in time?
01:09:28We don't think that way.
01:09:29We say we'll hold them off until help arrives.
01:09:32Jonathan shouldn't be allowed to fight.
01:09:34He might be blinded or have his hands wounded.
01:09:37He must be wasted this way.
01:09:39He's an artist.
01:09:40He would not even be a good artist if he were not first a man.
01:09:43Today is fighting day, even for us women.
01:09:48Greta, I've said some nasty things about you and I'm sorry.
01:09:53I did not even hear them.
01:09:54It is my disposition.
01:09:59Greta, do you love Jonathan?
01:10:02Jonathan does not love me.
01:10:04Nothing else matters.
01:10:06It is that way many times.
01:10:08Love commands but never obeys.
01:10:11I must bring wine to the men.
01:10:13They are thirsty.
01:10:19Well, what are you standing there for?
01:10:21These people need tending to.
01:10:24Well, well.
01:11:02If we're left alive, come back to Boston, Jonathan.
01:11:07No, not to marry me.
01:11:08I have no hope anymore.
01:11:10But to work, or at least to live to work.
01:11:14I don't know, Cynthia.
01:11:15There's lots to think about.
01:11:16Well, let's go.
01:12:02We can hold the walls no longer.
01:12:04Retire.
01:12:05Take whatever color possible.
01:12:26Move them.
01:13:01Out of the windows.
01:13:22Out of the windows.
01:14:13And yet they died for nothing.
01:14:16For who has won this battle?
01:14:19Neither white men nor Indian.
01:14:22We hold you prisoner, Kawanan.
01:14:23But not the great nations of the Iroquois.
01:14:26For now the Iroquois will listen to the warnings of the Tuscarora.
01:14:30And the war fires will burn from the salt ocean to the great river.
01:14:35The white men will be driven from the lands of the Iroquois with a French a hundred years ago.
01:14:39Kawanan.
01:14:48There is the man who killed your son.
01:14:50He was no man's friend, not yours nor ours.
01:14:53He would have had us destroy each other to have this valley for his own.
01:14:56Is it for this man we must set our world on fire?
01:14:59Do we give him what he wanted even though he is dead?
01:15:06Too many have died already because of him.
01:15:17Here you are, Captain.
01:15:18That's all of them.
01:15:19Take good care of them now.
01:15:20If you ever come to Boston, do come and visit us.
01:15:24You too, Greta.
01:15:25It's really been wonderful knowing you.
01:15:27I must say I'll certainly be glad to get back to Boston and civilization and away from all these disgusting
01:15:32Indians.
01:15:35Deliver my paintings to the Massachusetts Society, Cynthia.
01:15:38There are 11 more than they ordered.
01:15:40Aren't you coming with us?
01:15:42No, dear Aunt Agatha.
01:15:43I'm staying right here.
01:15:50Goodbye, Cynthia.
01:15:52Have a good trip.
01:15:54Love commands, but it never obeys.
01:15:58Greta taught me that.
01:16:00You always knew that, Cynthia.
01:16:02You are also a woman.
01:16:06Greta, I still think you're the smartest woman I've ever known.
01:16:18Now we can truly dry our tears.
01:16:21For the great spirit has sent us a son in the place of he who was taken away.
01:16:26And for this reason we give you the name Kyoga.
01:16:30May you be happy until your spirit leaves us.
01:16:36Now, go to Onida.
01:16:42Why are you closing your eyes?
01:16:44I'm waiting to be kissed.
01:16:46In front of all these people?
01:16:47Well, there are some things worth learning from the white man.
01:17:02Love plays the strings of my banjo when I am dreaming of you.
01:17:11Love plays the strings of my banjo and tells me, my darling, it's true.
01:17:25Love plays the strings of my banjo.
01:17:30Love plays the strings of my banjo.
01:17:44The world is stopping along
01:17:50Love plays the strings of my banjo
01:17:54When I put my heart in my song
01:18:42I put my heart in my song
01:19:11I put my heart in my song
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