Sivaji & Laya Exclusive Interview About Sampradayini Suppini Suddapoosani Movie

Mana entertainment

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Transcript

00:00Hello, sir. Good morning.

00:01Very good morning.

00:02Hi, ma'am.

00:03Hello.

00:03You are the second time.

00:06Where are you?

00:07ETV Hashtag 90s, sir.

00:08Okay.

00:09You are the madam.

00:11I am so happy and lucky.

00:13I am so happy and lucky.

00:15Sir, normally, if you look at this person,

00:18normally, if you look at that person,

00:20you already have a Perspective Creator, sir.

00:24If you look at that person,

00:25you have a Perspective Creator,

00:27and there are a few people who are surprised.

00:28Sir, where are you?

00:29There is a few people who are worried.

00:31I have no idea why it's a man.

00:33To talk to him with a man.

00:35I have no idea why it's a man.

00:40How do you think about it?

00:42You are a student.

00:43Let's try to help you and come.

00:46We just don't look like you are.

00:47You are a man据 the same thing.

00:49But you are very compassionate.

00:50We also like you.

00:51Do you have any perspective, sir?

00:52Do you prefer me to do anything like that?

00:55I mean, it's a comedy.

00:57It's a comedy.

00:59It's a comedy.

01:00It's a comedy.

01:01It's a comedy.

01:04So, situation.

01:06If you look at the cinema, it's a dark comedy film.

01:10So, one thing is,

01:12is it serious?

01:13Is it serious?

01:14Is it serious?

01:14Is it controlling me?

01:17It's all out.

01:18I suppose.

01:19I suppose.

01:19I'm in the situation.

01:21I'm in the situation.

01:21I mean, you know,

01:23you're like a perspective,

01:24you're like a general audience.

01:25But, what do you feel like,

01:27you're like a real person?

01:31You're like a real person.

01:33You're like a perspective.

01:34there is a perspective and better.

01:36You will be like a person,

01:38you will be like a member.

01:39But, you're not a kid.

01:41If you are not doing this interview,

01:43you're like a dude.

01:45I'm a doubt.

01:46You're a little kid.

01:46I am a star teacher, sir, already.

01:51This is also a dark comedy, sir.

01:52I am a star teacher, but I am a star teacher.

01:56I am a star teacher, sir.

01:58I am a star teacher, sir.

01:59I am a star teacher, sir.

02:00So, I am a star teacher, sir.

02:03So, basically, we are going to interview you,

02:05so, we will form something.

02:09As long as it is positive, that is fine.

02:12Okay.

02:12But, there is a problem as a negative guy.

02:15So, being serious is different and fear is different.

02:19There is a choice and respect.

02:23There is no fear.

02:25There is no fear.

02:28There is no fear.

02:29There is no fear.

02:32So, there is no fear.

02:33And, mostly, it is fun.

02:35You are also aware of it.

02:38Yeah, yeah, yeah.

02:39But, I am saying that it is normal.

02:40I am a star teacher, and I am a star teacher.

02:44There is no fear in a certain time.

02:45There is no fear in the cinema.

02:46And, I am a star teacher, so, we enjoy the time period.

02:48You are also in the cinema, sir.

02:49But, you are also in the game.

02:50Yes, sir.

02:51That is a gap, right?

02:54Yes, sir.

02:54If you are in the game, the time is in the game,

02:56I will tell you that.

02:56After you are in the game,

02:56at the full day,

02:57then,

02:58then,

02:59next day,

03:01I will tell you that.

03:02Okay.

03:02I'm going to have a chance to talk about that.

03:05I'll have to say that one day.

03:07That's right.

03:08I'll have to ask a question.

03:10I'm not sure what you're saying.

03:11I'm not sure what you're saying.

03:12This is a decade gap.

03:15I'm not sure what you're saying.

03:21I'm not sure what you're saying.

03:21What are you saying?

03:23Anyways, actor's first and foremost is cinema.

03:26You can build a life in a film.

03:29You can build a place in a film.

03:30Sir, what are the thoughts of your thoughts?

03:34Do you have any questions?

03:37I don't know the gap.

03:41I don't know the gap.

03:42I don't know the gap.

03:43I don't know where the gap is.

03:45I don't know how many people have fun in cinema.

03:50When you're doing a cinema,

03:54in real life,

03:56you have to do a lot of things,

03:57and you have to do a lot of things,

04:00and you have to do a lot of things.

04:05That's how you're doing.

04:07See,

04:08what is the difference between you and you and you?

04:10You have to do a lot of things.

04:13This is not the same.

04:16But,

04:17But, everyone is all in the gap.

04:21It is extraordinary.

04:24It's extraordinary.

04:26It's extraordinary.

04:27It's extraordinary happiness.

04:30It's a life man.

04:32Everyone is all in the gap.

04:34It's a professional gap.

04:37You've never seen the interview.

04:39What did you say?

04:40It's a life man.

04:42It's a life man.

04:44Yes.

04:47But Maru is quite different, right?

04:48No, he is. He is a car.

04:50He is a car.

04:51He is a car.

04:53He is with Maru's responsibilities.

04:57I tell him I'm not.

04:58I tell him I'm not.

04:59I tell him I'm not.

05:02I tell him I'm not.

05:03I tell him that.

05:04I tell him I'm not.

05:05But he's not.

05:07I tell him nothing.

05:07He's doing this in the Gap.

05:10He's playing in the Gap.

05:11He's just playing in the Gap.

05:13I see the Gap.

05:14I tell him I'm gonna teach.

05:17I tell him that,

05:18I am not the Gap.

05:23We got to watch Tata Bellum.

05:25We got to watch.

05:27But Shivaji has been running free flow.

05:30I've seen a comedy genre.

05:31He shows what he's in mind.

05:32He shows how many more things you're doing now.

05:37He shows what he's going through.

05:40You use the word that actor.

05:42He shows how many people are looking at theengaral audience.

05:45He's smarter than he's.

05:47He's making him in a hot restaurant.

05:49But, this video.

05:50No!

05:52I have all these skills.

05:58See, he deals with a script.

06:01In nature, you enjoy both of them.

06:03You have two characters plus this comedy.

06:08If I have a different script, the comedy is...

06:12There is a lot of content.

06:16There is a lot of content.

06:17I don't want to create content.

06:19If you start a video, you can start a video.

06:23I don't know if you start a video.

06:25If you start a video, I don't want to start a video.

06:27That's it.

06:29Great.

06:31But, in recent days, I got a set.

06:35I can start a video, but I can start a video.

06:36The actor has a lot of variations in the costumes and outfits.

06:41So, there is a lot of differences.

06:47Depends.

06:48It depends on how to play a role.

06:51Personally, what I am is different.

06:53You are not screaming, you are not looking at the event.

06:58So, if you look here, you can see the characterisation of your outfit.

07:06Now, I'm thinking, I don't know how to do it.

07:09So, what I'm saying is, it's different.

07:13And if it's different, you can create a curiosity,

07:15you can create a person, you can create a person.

07:19So, if it's okay, it's okay, it's okay.

07:22So, that is what we have to create.

07:27That's what we try.

07:29If it's a little bit of success, it's a little bit of success.

07:32So, we have to learn and keep moulding ourselves.

07:35If we march, if we try it differently,

07:39we can interchange the audience.

07:41That's all.

07:42Sir, normally, when a cinema starts,

07:44there's a little hype in the cinema.

07:46For example,

07:47I will give you a hashtag.

07:48After long years,

07:50we have a great feeling of shivajigar.

07:53That's the hype starts.

07:54Now, actors,

07:55we have all the mindspace.

07:56If we have all the audience,

07:57we have all the new names,

07:58we have all the new names.

08:00We are new to the Zenji.

08:01We have all the new characters.

08:02Now, actors, we have all the characters.

08:04We have all the same input.

08:06Sir, we have all the discussions.

08:08That's all.

08:10Now, how are you going to accept Zenji?

08:12What about you?

08:13How about you?

08:15Yes, sir.

08:16So, I am with Zenji's.

08:18I am with Zenji's.

08:19In society, I am with Zenji's in my home.

08:23Wow.

08:24So, I am with Zenji's in my home.

08:27I am with Zenji's in my home.

08:45I am with Zenji's.

08:46I am with Zenji's.

08:47That's not true.

08:47Yes.

08:47That's right.

08:49I am with Zenji's.

08:51I am with Zenji's.

08:53But, that's not true.

08:55I am with Zenji's.

08:58Now, we are also with Zenji's.

09:07One is a marketing strategy.

09:09One is a generation.

09:10One is a generation.

09:12This is nature.

09:14That is Gen Z, Alpha, Beta, Gamma, Y2K.

09:20This is a great way to create Western media marketing strategy.

09:25In Bhartiya, Kutumbavyevastal,

09:28this is my name.

09:30I am the name of my name.

09:31I am the name of my name.

09:32Here's my name.

09:33I am the name of my name.

09:33You'd like to be a theater and the first day.

09:36A music market is correct.

09:39The music of that is connected.

09:41There is a single difference between people and people.

09:42There are no age limit.

09:45There is a comedy in this.

09:46Yes sir.

09:47That does not just mean.

09:49This is not just something.

09:50So, I had a name.

09:51They were names and told me.

09:53I don't want to entertain them.

09:56I don't want to entertain them.

09:58I know.

10:00I think I'm doing this.

10:01I don't know.

10:02I don't know.

10:03That's a way of thinking.

10:03I'm thinking,

10:07I'm thinking,

10:08I'm thinking,

10:10I'm thinking,

10:16I accept.

10:19No problem.

10:21I'm thinking.

10:23I'm thinking,

10:24I'm going to preview this screen.

10:25The family has to be with them.

10:27They do it.

10:29So,

10:30I think,

10:31What is a marketing company.

10:35What does a marketing mean?

10:38In a Bombay.

10:39In a Bombay,

10:41Hollywood,

10:42Western countries,

10:43Bombay starts.

10:45We are beginning to reach them.

10:50This is why

10:51So,

10:56Other people say that we need to tell this story because we don't want to see it.

11:07There's a lot of technology in there.

11:13There's a lot of cream we know.

11:16The thing about everything we do is we figure it out,

11:22or entertainment issues,

11:25we have no answer to that.

11:28That's why we receive them all.

11:30They're like, wow!

11:33Now, Radhika Gharji's character,

11:36do you want to talk to each other?

11:37That's right.

11:38What's that?

11:39What's that?

11:40What's that?

11:41What's that?

11:42What's that?

11:43What's that?

11:44What's that?

11:45That's why, Guru,

11:46we don't have to stop the marketing strategy.

11:48What's that?

11:49We're not going to film a cinema.

11:51We're going to film a cinema.

11:53We're going to film a cinema in Hyderabad.

11:54We're going to film a tourist family.

11:59That's right.

12:00What's that?

12:02Simran Garu's wife character.

12:08That's right.

12:10We're going to film a cinema.

12:11We're going to film a cinema in Hyderabad.

12:13There's a little opportunity.

12:15There's a few opportunities.

12:16A little opportunity when we saw a hotel,

12:18we're going to film a cinema.

12:20No.

12:21When we see a cinema,

12:23you can see some other opportunities.

12:28When we see the cinema,

12:31there's a lot of opportunities.

12:32what are we looking at?

12:32What are we looking at?

12:33I think there's a big opportunity.

12:35That's a big opportunity.

12:37Yes.

12:38This is a cinema.

12:38The cinema is entertainment.

12:40Why are they still alive?

12:42They are just there.

12:43They are just there.

12:44They are just there.

12:49Everything is there.

12:51That's why I can't figure that out with the cinema.

12:53And I may have seen theooo-of-theat movie.

12:58What kind of movie was you.

12:59This is the theater.

13:00Namesh said, how did cinema go to Theatr?

13:03Which movie there is?

13:05When we video the theater and then we film it,

13:10we will watch it as the phone and then we will watch it as a movie.

13:13We will watch it as the movie minutes and then.

13:14Like, how have you been to film it as a movie?

13:16I am going to get it there, I am waiting for you.

13:18How will the camera go to you?

13:19There is no idea.

13:23The cinema is Theatr.

13:25So, given to the cinema and with this film,

13:28Sir, the background is going to be very simple, sir. Hashtag to bless you.

13:32You are doing this in the theatre.

13:34Okay.

13:35If you think about this content, you will get the benefit of it.

13:39Okay.

13:41If you want to subscribe, you will have a family content.

13:45If you want to go to the cinema, you will go. Okay.

13:48If you want to go to the cinema, you will be able to go to the cinema.

13:51That's why I don't have any problem.

13:52You will be able to do that.

13:54Okay.

13:55You will also accept the public demand, sir.

13:57It's that's the most important thing.

13:59And the TV is the most important thing.

14:02Both enjoy it.

14:03They enjoy it, once they enjoy it, and they enjoy it.

14:06They enjoy it, and they enjoy it.

14:09They enjoy it, and they enjoy it.

14:12They enjoy it.

14:12They enjoy it in the cinema.

14:15So, everything is epic.

14:17That's why I didn't know.

14:19Yes.

14:20I have no idea.

14:21I have to say a lot of money, sir.

14:22Even when I'm a doctor, I have a doctor,

14:24You make sure that it's rather than was done or was created or done or was made even.

14:28So, they would simply be prepared.

14:29When you went to the finals, you'd be in the mind,

14:33and even if you were in the final, we had to do this and we were also involved and we

14:35were involved in the situation.

14:35We had to do this and we had to do this.

14:38Our job was not personally.

14:40Right, right.

14:41Our job was not for me.

14:43The problem is, if we were to get frustrated,

14:47that if we were to make trouble with this character,

14:49that we had to do it by the way.

14:50I mean, it should not be odd to do anything like that.

14:55Okay.

14:55So, it's odd to do anything.

14:57Because it doesn't accept a husband or wife.

15:01Correct.

15:04So, I think it's a little bit of a concept.

15:09But, when it's a comedy, when it's a situation,

15:12when it comes to a family,

15:14the situation,

15:17that's what's going on.

15:19Actually, it's a highlight.

15:23It's a highlight.

15:24It's a highlight.

15:26It's a highlight.

15:29So, there's a lot of connections.

15:32There's a lot of connections.

15:34There's a lot of connections.

15:35You saw the other films.

15:37Actually, we can see Tata Birla in the theatre.

15:42Wow.

15:42So, you saw all the films.

15:45So, it's a connection.

15:47So, what I'm saying is,

15:48when the situation demands the correct place,

15:51when the situation demands,

15:53that will also be fun.

15:54Okay.

15:55So, if it's fun,

15:56it's not fun.

15:58So, if it's not happening,

16:00we can check it out.

16:02Okay.

16:03We can check it out.

16:05We can check it out.

16:07We can check it out.

16:07But then,

16:08he knows it better.

16:09I don't know.

16:10I don't know.

16:11I don't know.

16:12But then,

16:13I'm going to check it out.

16:15But normally,

16:16I'm curious.

16:18You're a liar.

16:19You're a calm.

16:21You're a bossy wife.

16:23We're expecting that.

16:24We're all ruling.

16:25We're all ruling.

16:26We're all dominating.

16:27We're all in the government.

16:29We're all expecting that.

16:30But you're all prepared.

16:31We're all ready.

16:32What's going on?

16:32I'm not prepared.

16:35I'm not prepared.

16:36I'm not prepared.

16:37But what I'm saying is,

16:38every time we have to be careful.

16:41I have to be careful with a line.

16:45So,

16:46it's very important that

16:47it's not a level.

16:49You can see the same level,

16:50it's not a level.

16:51It's not a level.

16:51it's not a level.

16:53It's not a level.

16:56Definitely, in the set, many people will be in the set.

16:59We've discussed a lot about the actor Shivajigar in the scenes,

17:02but the producer Shivajigar has already discussed it.

17:05Producer Shivajigar...

17:06No, he's always busy.

17:08No, he's always busy.

17:09Now, when the actor Shivajigar is short,

17:12he says,

17:14Shivajigar is next to the scene,

17:15he's mad at it.

17:17Producer Shivajigar,

17:18he doesn't want to play the next role,

17:21so he's always busy.

17:23So, he's always busy.

17:24When the scene is free,

17:27he'll go to the caravan,

17:29if he's an actor.

17:30But he'll change,

17:32and he'll produce a role,

17:34A&T, P&T,

17:36next A&T,

17:38so it's a lot of responsibility.

17:40I'm not talking about comedy,

17:42but it is a lot of responsibility.

17:44So, he's always busy.

17:45He's always busy.

17:46He's always busy.

17:48But he's capable of that.

17:51That's the thing.

17:51If he doesn't do it,

17:52and if he doesn't do it,

17:54then he's always busy.

17:56But he's always busy.

17:57But then he can handle it.

17:58Sir, he's a producer.

18:00Sir, I'm a producer.

18:00Sir, I'm a big producer.

18:02Or if you want to see some comments, there will be some comments.

18:06I don't really respect my experience for that.

18:09I don't want to hear anything about that.

18:10What I don't want to hear it is that

18:12it shouldn't be such a bad thing.

18:15I don't want to hear anything about it.

18:16I feel it because of what I see by the cinema.

18:19I have to speak with that.

18:21So when I see what I see inăngities like this,

18:25I respect my experience,

18:28but I imagine that has come for me in a cinema.

18:31So, I have to choose each and everything. So, I have to choose my control in that way.

18:39Great. Sir, but experienced actors, you know, you know, you know, that freedom is available and you know better performance.

18:46I am creating. I am creating.

18:51I am creating. But I am creating. But I am creating.

18:56I am creating. But you also have a space in your father's daughter.

19:00And there is a distance in that character. I am creating.

19:04Okay.

19:05If you do that, it is not possible.

19:08I am doing it.

19:10If you have a vision in a small vision,

19:13you will see a caravan in the middle of a car.

19:16That's what I am saying.

19:19I am creating. I am creating.

19:21I am creating.

19:22I am creating.

19:23I am creating.

19:25I am creating.

19:26I am creating.

19:27I am creating.

19:28I am creating.

19:29I am creating.

19:30I am creating.

19:31I am creating.

19:32I am creating.

19:33Okay.

19:35Okay.

19:36Sir, but I am very interested in the actor.

19:38But actor, one cinema.

19:40In recent times, the story, one character is a big part of you.

19:44The way he performed or she performed.

19:46Who is?

19:47Who is?

19:48Who is.

19:48Who is?

19:48Who is a character in Telugu cinema.

19:50The character is a big part of you.

19:53So, I am creating.

19:55I am creating.

19:58I am creating a story.

20:00I am very impressed.

20:03One is Bagisri Borsay.

20:08What an actress man.

20:11That means, the expressions are changing, and the other one is the hero, right?

20:20Sridevi sir. Mind-blowing actress.

20:25Maybe he will do the reals, do the dub-smash, do the expressions.

20:32They are both heroines. They are both bad.

20:35They are both bad. They are not bad. They are not bad.

20:41Vagisari Borse, they rule the industry as well.

20:50Rasko, he is the success.

20:54Lenin will fulfill it.

20:58Sridevi, set. Sridevi, set.

21:02Sridevi, set.

21:03Sridevi, set.

21:06Laya Ammi, not the audience, one character, one cinema.

21:10I was very impressed with you.

21:12I think, actually everybody is doing good work and I will tell you, youngsters do a lot of things, so

21:22it's like, even web series, everywhere it is too good.

21:27I was talking about political, I can't remember the name. It came in a web series, Chandra Babu and Vyasa.

21:42That was terrific, everybody is terrific, I forgot the name of the character.

21:49Chaitanya Rao was a lead actor, we were in G5.

21:53Sponsored from 3-1-2-1-2-1-1-2-1-2-2-2-2-2-2-2-1-2

21:57-2-2-2-2-2-2-2-3-3-1-2-2-2-4-3-2-2-2-2-3

21:59-1.

21:59Even the writer about the character, it is an important character, we thought it was a good character, they performed

22:11very good and they are not themselves, they are playing a realistic character that we already know, her costume.

22:18Yes.

22:19So, everybody, even Sai Kumar Garu,

22:23even anti-Rama Rao Garu,

22:25a casino, whatever it is,

22:28a lot of people.

22:28So, there are a lot of people.

22:31No.

22:34Sir, for the first time, you have a song.

22:36What's your favorite place?

22:38How is it?

22:39How is it?

22:40How do you taste it?

22:41How do you taste it?

22:43Welcome to the hotel.

22:44Welcome to the hotel.

22:45You can taste it, man.

22:46You can taste it.

22:50The hotel is in the hotel.

22:52All of you are in the hotel, man.

22:53Yes.

22:55I will try it, sir.

22:56I will try it.

22:57I will try it.

22:59You will try Saiyal in the moment.

22:59Saiyal is not going to be done.

23:00Saiyal is not going to be done.

23:02That's right.

23:03The circumstances,

23:05brought up.

23:08What is it?

23:09What is it?

23:10Vegetarian pie.

23:11Vegetarian pie.

23:12Yes, you will be able to do it at the end of the day.

23:14You will be able to do it at the end of the day.

23:16There is no way to do it at the end of the day.

23:18That's it.

23:19It's not a matter of time.

23:20If you don't like Elon Musk, it's not a matter of time.

23:23What did you say?

23:24Yes, sir.

23:26Sir, I wish you a great success.

23:28Hello, man.

23:30I wish you a great success.

23:31It's a request for Alexlo.

23:33From Laya.

23:35Sir, I want to ask you,

23:37if you want to come to a new actor,

23:38you will be a space grader.

23:39Sir, the photographer,

23:42is your perspective.

23:44Thank you so much, sir.

23:46I'm afraid I'm afraid.

23:49I'm afraid that you'll be afraid.

23:51I'm afraid you'll be afraid.

23:53No, it's not.

23:57No, it's not.

23:58First, please comment, sir.

23:59If you have the first interview,

24:01I'm afraid you're going to be the first interview.

24:02You?

24:03I'm going to have a conversation for 20 minutes.

24:05I'm too late.

24:09He's got a camera.

24:13He's got a camera.

24:15He's got a camera.

24:18He's got a BTS boy.

24:27So, he's got a look.

24:31I'm not going to look at him.

24:33Next time, I'm going to try.

24:35I'm going to try.

24:38He's got a question.

24:41Thank you, ma'am.

24:42Thank you so much.

24:44I'm not a ma'am.

24:46Okay, sir.

24:47I wish you a great success.

24:51Thank you, sir.

24:51I wish you a great success.

24:52I think, if you're on the screen,

24:54you're going to be a strong character.

24:56You're going to be a promising character.

24:59You're going to be a producer.

25:00You're going to be an actor.

25:01You're going to be a nice hashtag.

25:03You're going to be a beautiful name.

25:04You're going to become a good family.

25:05You're going to be able to go to our family.

25:09Thank you so much.

25:10Guys, you're going to be on March 6.

25:12You're going to be happy.

25:13You're going to be a good friend.

25:14Get happy in the midst of your family.

25:16Enjoy your choice.

25:17Thank you so much.

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