- 11 hours ago
Category
📺
TVTranscript
00:06Previously on Cross...
00:07I finally got a real name for two fingers.
00:09Lincoln Esteban.
00:10What does it say about Esteban that he created his own personal female deity?
00:14I'm the daughter of Dr. Gariela Alejandra Porras.
00:17And I'm here to come to death.
00:20I'm trying to figure out why Nana would lie about my mother being dead.
00:23Maybe she thought it was better.
00:24You're not knowing.
00:25Did you know?
00:26Since we were kids.
00:28Now it's my absolute pleasure to introduce you to Paul Hartsfield,
00:31the former assistant deputy secretary at the Department of Labor.
00:35Margaret, no! No!
00:37Mastermind is looking to clean the slate and I can't do this alone.
00:39You're in Nebraska on this one.
00:40There's no cavalry.
00:41What can I do?
00:42Let me be there for you.
00:43There's someone else who I think can help with this.
00:45What's got you so rattled that you ready to release?
00:50Don't crack in.
00:51Does it matter?
00:52Nope.
00:53The FBI lab is processing the burned documents.
00:55The scan showed a list of dates and numbers.
00:58These 10-digit numbers, they have to be coordinates.
01:00College and Texas.
01:01We gotta get to Texas.
01:16Go, baby.
01:26Alex, this is John.
01:30John, meet Alex.
02:03Let's go.
02:03Let's go.
02:36Let's go.
02:38Let's go.
02:39Let's go.
02:48Let's go.
02:58Let's go.
03:07Let's go.
03:12Let's go.
03:18Let's go.
03:35Let's go.
03:50Let's go.
03:54Let's go.
03:59Let's go.
04:05Let's go.
04:08I could barely take it.
04:09And the longer I didn't tell you, the harder it got.
04:12But would you have told me, John, even if you knew it would break me?
04:20I would.
04:22I would.
04:22Because I'd be right there to pick up the pieces and put you back together.
04:29Well, fuck it.
04:30Let's go to Texas.
04:31Jesus.
04:32Let's go.
04:39Let's go.
04:41Let's go.
04:44Let's go.
05:02And to those who fear leads them to hate
05:05What a pity to be locked in that place
05:09I know you'll see me down
05:17Some of us, some of us are brave
05:35It's been six hours
05:37Maybe blowing up Esteban's hideout spooked him
05:40So he decided to abort
05:42He'll show
05:43He wrote everything in code
05:44There's no reason for him to believe we cracked it
05:46Yeah
05:52Another text to L?
05:54Is that a thing again?
05:56Uh, I thought it was for a second
06:00I was wrong
06:02She's at your house, right?
06:05Just watching your kids
06:08It's a temporary situation
06:12I'm trying to keep a straight face, I'm sorry
06:15Don't stop
06:16I'm sorry
06:17Say it, nah, come on
06:18You're the one who was making fun of my dating life for years
06:20Well, if the avoidant personality disorder fits
06:23Oh, come on
06:24If I was a man, no one would say shit about me putting my career first
06:28Oh, you can't have both?
06:30Work and love?
06:31Yeah
06:31Uh-huh
06:32Until the next guy stumbles up on, you know, a stack of crime scene photos
06:36Or, oh, I don't know, it throws a hissy fit
06:38Because I'm not texting him back fast enough when I'm on a stakeout
06:40There are people who understand
06:42Yeah, there was one
06:43Oh
06:44You married her
06:50I did
06:50Yeah
06:53And I would have made a move on that
06:56I just like dick too much
06:59Wow
07:00You are a terrible person
07:02Just
07:03I know, I know
07:07Shit
07:14All right
07:15Okay
07:16Nature calls
07:17Hmm
07:19They're nature
07:20Or dick
07:23Don't run
07:27Yo, too, John, you still awake over there?
07:29Yeah, I just found out that Sheriff Teddy grew up in Arkansas
07:32He over here trying to tell me that Nolan Richardson ranks as a better college coach than John Thompson
07:36I'm sorry, what?
07:39What?
07:39Yo, Ewing?
07:40Iverson, Borning, Mutombo
07:42Coach Thompson all day
07:44You gotta come stronger than that, fam
07:46You ever heard the term 40 minutes of hell?
07:48Oh, there he goes
07:48Case closed
07:50Hey, man, they had a run
07:51Georgetown had a dynasty, all right?
07:55Case closed
07:56Yo, John
07:57Check in with DHS?
07:58Larson's posted up behind the mini-mart
08:00Hasn't seen anything
08:02Teddy, I'm thinking this day is a bust
08:04What say we call it?
08:06What's Larson's problem?
08:08DHS always looking to punch out early
08:11FBI's dime, FBI's called
08:21Madeline, you got hands like Mary from the Bible
08:26Treatment like this definitely makes her brother want to raise the dead
08:35I'm here
08:36Did you find Ibrahim?
08:39I know you're feeling some pressure
08:40But you's gonna want to have to mind your tone
08:45Good afternoon, Bobby Trey
08:47I hope you're having a wonderful day
08:48Now could you please answer the fucking question
08:51Did you find Ibrahim?
08:53I'm close
08:54How close are you?
08:56Not the fucking asshole
08:58They're all assholes, honey
09:39You all saying this?
09:41A guy that just happened to the produce truck isn't the original driver
09:46Drivers switch out on long hauls all the time.
09:49Without talking to each other, something's off.
09:53I see you if something's off and raise you a possible suspect.
09:55Orange hoodie and camouflage pants.
09:57Southwest corner of the lot.
09:58Does that look like Esteban?
10:00Yeah, that's him.
10:03What's he holding?
10:04I got him.
10:05Hey, stand down.
10:07Don't want to spook.
10:09I'm headed his way.
10:36Hold your fire!
10:38Stand down, Larson.
10:39The camera, shut the camera.
10:41Stand down.
10:44What does that look like to you?
10:45It's like a fucking Glock.
10:46It's a fucking camera.
10:47Why does it get your shit together?
10:48I don't need to help them!
10:49Help who?
10:50Go!
10:52Go!
10:54Shit!
10:58Where are they shooting at?
11:00Someone's messing with the truck!
11:01Get him away from the carload!
11:03John, you see anything?
11:04No.
11:05Not yet.
11:06But we'll be there in a minute, hang tight.
11:20We'll be there in a minute!
11:21Who's in the truck?
11:22There's kids in there!
11:26Let's go!
11:27Get him away from the carload!
11:28Let's go!
11:30Come on!
11:32Move it!
11:33Move it!
11:33Let's go!
11:37Hey Phil, don't move!
11:38Head down!
11:38Don't move!
11:39Don't move!
11:39Come on!
11:41Move it!
11:43Come on, get up!
11:44We have to go!
11:46Oh, shit!
11:48Alex, you good?
11:49There's people on the truck.
11:50You have to help them!
11:54Tunjian, what's your situation?
11:55Pulling up quick, heading your way.
12:01We gotta get to the produce truck.
12:03There's kids in there.
12:07All units in the vicinity of Buck Speed
12:09at mile marker 52.
12:11Officer requires immediate backup.
12:14Westbound.
12:15Request an air and emergency medical support.
12:18If fired upon, do not return fire.
12:20I repeat, do not return fire.
12:23Truck is carrying human cargo.
12:41You may need to destroy this.
12:44Five.
12:52Wait a minute!
12:53Oh, shit!
12:55Fire!
12:56Fire!
13:00Fire!
13:01Fire!
13:03Fire!
13:06Fire!
13:19Come on, come on, come on, come on, come on.
13:23Are you okay?
13:24Everybody okay?
13:25You okay?
13:26There you go.
13:26There you go.
13:27You all right?
13:28Good.
13:28There you go.
13:30Shut up!
13:31Whoa, whoa, whoa, whoa!
13:32You're dying with me today if you don't let me go!
13:35No problem.
13:35If you have anything you want, just give me the boy.
13:42John, you good?
13:43Yes, sir.
13:44I'm good.
13:45Everybody's good.
13:47Everybody's gonna live today.
13:48I want a car and some money!
13:50Okay, we can make that happen.
13:52All right, we're gonna talk this through.
13:53I just need your name first.
13:55I'm Alex.
13:57What's your name?
14:00Come on, hey, hey.
14:02What the hell?
14:03Come on.
14:04Come on.
14:08What did you do?
14:09You had this.
14:11What do you want to do?
14:40I guess this isn't much of a tourist town.
14:43It's good. Makes it easier to find people.
14:46Señora, we're looking for a man named Francisco Herrera. Do you know him?
14:50No, I don't know Francisco.
14:53We should be going after Paul Hartsfield right now.
14:56Not off on some side quest in Mexico.
14:59Hartsfield runs in Morgan Park every day between 5.12 and 6.02.
15:03When we're ready to take him out, he'll be easy to find.
15:08Señor, one, please.
15:12No, oh no.
15:13Ah, oh no.
15:16Estamos buscando a nombre que se llama Francisco Herrera.
15:19Lo conoces.
15:20Lo siento, señorita, pero no puedo ayudarte.
15:26Pagamos por la información, mira.
15:28No.
15:29Pagamos.
15:29Ah, that way.
15:31We really don't even know if this Frankie guy's alive, let alone remember the names of the kids who died.
15:35He lived with them.
15:36Hey, he's going to remember their names.
15:39Señora, una pregunta, por favor.
15:41You've already asked her.
15:43Also asked the butcher, the baker, the kid that sells fireworks on the corner.
15:49Either Frankie ain't here or, and I sympathize with this entirely, he doesn't want to see us.
16:01That guy's been off the grid almost 20 years.
16:04You've done your best.
16:05It's not enough.
16:06Those kids' families are out there somewhere, probably not even knowing what happened to them.
16:10So if we're not going to find them, who the fuck will?
16:40I think we found Frankie.
17:10Francisco?
17:11¿Quién los mandó?
17:14¿Quién los mandó?
17:16La doctora Gaby.
17:23Tiene sus ojos.
17:27Tu mamá me salvó la vida.
17:30¿Y mi mamá Juana?
17:32Quiero terminar lo que ella empezó.
17:35No puedo rectificar lo que les hicieron, pero tal vez puedo ayudar.
17:39A mejorar las cosas.
17:41Darle algo a las familias de los niños asesinados por los monstruos de Crestbrook.
17:48¿Sabes sus nombres?
17:50¿De dónde venían?
17:53De aquí.
17:55Todos somos de aquí.
18:00¿Qué pasa con el mal?
18:01La totalidad de la oficina de refugiados es de 152 días.
18:09¿Qué pasa con el mal?
18:18¿Qué pasa con el mal?
18:35¿Qué pasa con el mal?
18:38¿Qué pasa con el mal?
18:54Empezó con el mal?
19:02backyard than you do, Pam.
19:05Explain that.
19:12All right, come.
19:15I'm good.
19:17Yeah.
19:19You getting with your cane, fool, Madeline?
19:21Yeah.
19:23Yeah, I need to hear the magic words.
19:26Madeline!
19:27Bobby traded my church,
19:28and I am a mother-fucking-deacon.
19:33I am a mother-fucking-deacon.
19:36I am a mother-fucking-deacon.
19:36I am a mother-fucking-deacon.
19:39Sé que no puede devolverte a tu niña,
19:41pero ojalá te ayude a aliviar un poco el dolor.
19:44Gracias.
19:48Riberka, esta es Lupe y su nieta Adriana.
19:51Gracias por venir.
19:52Cuando éramos niños trabajando en la planta,
19:54el hijo de Lupe Hernán,
19:55él dejó la línea para llevarme a la clínica
19:57después del accidente.
19:58¿Puedo preguntar qué ha pasado?
20:00Yo estaba enfermo ese día.
20:01Por eso andaba lento.
20:04Lalo se enojó.
20:05Me empujó y caí en una máquina
20:08para cortar carne, hueso.
20:10Tu mamá me coció de nuevo y me escondió.
20:13Pero mis amigos y Hernán...
20:16Los mataron para que no lo contaran.
20:23Trajimos una foto de Hernán.
20:28Lo que estas personas han hecho
20:30no solo roban a los padres de sus hijos,
20:34roban a los niños su herencia,
20:36a las comunidades su futuro.
20:40Por eso significa tanto
20:43que hayas vuelto a alogarte a tu madre.
20:47Mi madre, ella venía de aquí.
20:50No lo sabías.
20:51Eso significa que eres parte de la familia.
20:53Tienes que ir a mis quince.
20:56Ah...
20:56Lo siento.
20:57No puedo.
20:58Tengo que regresar a mi trabajo.
21:14No tienes que revisar ahora mismo...
21:16Es el autor distribuycial.
21:19No tus mis hechos.
21:21¿Vale quieres a un buen cop?
21:31I'm Detective Alex Cross.
21:33This is Agent Kayla Craig.
21:36How you doing, Lincoln?
21:37I have a right to counsel in my own language.
21:39Would you believe I'm a certified translator?
21:44I speak Nahuatl.
21:46Your ignorance is expected, Federale.
21:48OK. It's OK. It's coming.
21:49In the meantime, while we wait,
21:51you want to tell us why you're here?
21:52I'm here for justice.
21:54What are you here for?
21:55What's the connection between Richard Helvig and Lance Durant?
22:02They both deserve to die.
22:04Sounds like a confession to me.
22:07How did you know there'd be children in the back of that truck?
22:10They trained you well, didn't they?
22:13A slave to the law.
22:14If you were interested in what's right,
22:16you'd be helping me not standing in my way.
22:18Helping you what?
22:19Take pictures of illegal kids?
22:21Those undocumented children are victims of your depravity,
22:24separated from their families,
22:27ferried from factory to factory like animals working in dangerous conditions.
22:31They feed this country, but who feeds them?
22:34Not you.
22:35Not any of you.
22:37Helvig was missing three fingers.
22:39Is that what this is, Lincoln?
22:40Eye for an eye, finger for a finger.
22:42Machines eat the fingers of children and spit out the food you eat.
22:47Eladio Molino Zavalas, Irma Galinda Barrio, still missing.
22:51You want to disappear me, silence me, but it doesn't matter
22:56because I'm more than ready to die.
22:59Why?
23:00Why are you ready to die, Lincoln?
23:02I don't matter.
23:03Not anymore.
23:06The light will avenge us all.
23:14Light, the light, La Luz.
23:20What is the light, Lincoln?
23:22What does it say about Aceban that he created his own personal female deity?
23:25Women are the first protectors, givers of life.
23:28His fingers are a sacrifice.
23:30Loyalty to his goddess.
23:32La Luz means the light, the goddess of light.
23:34Just stay on your own side of the wall.
23:37Hey, hey!
23:40You need to leave.
23:43Damn East Coast bullshit.
23:46Don't wanna enforce the law.
23:49You don't deserve to wear the badge.
23:51You wanna try and take it from me?
23:56And that's what I thought.
24:05Lincoln?
24:09Who's the light?
24:15Fuck you, Federale.
24:18Bring me a lawyer who speaks my language.
24:30Not one of those families got their child's body back.
24:33You think Crestbrook has a burial ground somewhere?
24:37What?
24:37What, we're really not going to talk about it?
24:44Come have a drink and tell me about your mom.
24:50Okay, you win.
24:53My mother, she talked about growing up in Mexico.
24:58She told me the story of Sochi, and she said one day when I was older she would teach me
25:03how to make arroz con pollo.
25:05By the time I was older, she was gone.
25:18We would walk in the fields together.
25:21The sound of her voice caressed me like leaves of corn.
25:25She would tell me stories about Sochi and her courage.
25:30I always wondered if I could be that brave, if I would sacrifice myself for my people the way she
25:37did.
25:37She escaped with only a cotton in her leg.
25:40If I had grown up somewhere like here, surrounded by her people, her community, I could have kept some part
25:46of her alive.
25:47That's what we're doing.
25:48We're helping the people that she came from.
25:51We're punishing the guilty, the high and the low.
25:54This could have been my home, and instead I'm a stranger here.
25:56Because those monsters stole your culture, your history, just like they stole it from those little kids.
26:02But the difference is, you're still alive, and you have a chance to get some of it back.
26:08What are you saying?
26:09I'm saying go to the quinceañera.
26:12I got Paul.
26:18Do you have any idea how rare it is to be offered a piece of your soul back?
26:22Take it.
26:27I have been into, uh, community development since Little League.
26:32When I saw the baseball diamond on the white side of town and realized we could do more.
26:38I own my own home.
26:40I got a 401K.
26:43A kickball rec league.
26:44What I don't have is my Michelle Obama.
26:49That is a tall order, sir.
26:51Yeah, I thought so too.
26:53Until I met you.
26:56Look.
26:59I know we've only been going out for a minute.
27:03But I think this could be something.
27:10Sorry, just the school.
27:11I need a son of permission sent for Jannie.
27:14Jannie?
27:15Your ex's daughter?
27:18Yeah, I got real close with the kids when Alex and I were together.
27:21Oh.
27:22And I won't drop out of their lives just because we broke up.
27:26I'm only staying there until Alex gets back from Texas.
27:30You're staying at his house?
27:32It's easier.
27:35For the kids.
27:36No man.
27:39Not to go.
27:41You can always, you can always.
27:44You can always.
28:06It's got to come out now.
28:09You okay?
28:14I've been better.
28:18Those kids.
28:22Yeah.
28:26Sugar, I'm gonna need a favor.
28:31It's a big one.
28:36All right.
29:02Berto, this man wants to talk to you.
29:05Hi, Berto.
29:08I'm Alex Cross.
29:09My friend John asked me to come and check in on you.
29:12Hello, Berto.
29:13My name is Alex Cross.
29:15My friend John asked me to come to see you.
29:17I saw you with the police.
29:20I saw you with the police.
29:22Yes, I am a police detective, yes.
29:24But more importantly, I'm a father.
29:28I'm a detective of the police.
29:30But more importantly, I'm a father.
29:34Yes.
29:37This is my son.
29:39His name is Damon.
29:40He loves video games.
29:42I mean, he loves them a little bit too much.
29:44It's my son, Damon.
29:46I like video games.
29:49And this is my daughter, Jannie.
29:51Now, she's about your age.
29:52She is the smartest person I have ever met.
29:55It's almost a little bit scary.
29:58It's my son, Jannie.
29:59Tiene más o menos tu edad.
30:01Es la persona más inteligente que he conocido.
30:04Ambos parecen agradables.
30:06They both look very nice.
30:08Oh, uh, gracias.
30:12Gracias.
30:16So, I love my children more than anything on this earth.
30:19And if, God forbid, they were ever stuck in a foreign country all alone,
30:23I wouldn't want them to be locked in a place like this.
30:26I'd want somebody to look out for them.
30:43So, Berto, if I can get approved, would you like to come and stay with me and my family for
30:50a while?
31:00Yeah?
31:01Oh, uh, how do you, um, how do you say I'm so happy?
31:06Estoy muy feliz.
31:07That's what she said.
31:09All right.
31:13Principal Brock asked me to go last for the debate.
31:15For real?
31:16For real, for real.
31:18Elle said that must mean they think I'm the best.
31:21I-I bet she's right.
31:23So what you did today?
31:25Great work, Agent Gray.
31:26We get a confession?
31:27Not yet, but we'll have another run at him tomorrow.
31:30I'm telling you, keep this up, and the sky's the limit for you.
31:33We're talking SAC territory, you hear me?
31:36From your lips.
31:38But not if this other thing catches up to you.
31:40I know, I'm, I'm, I'm working on it.
31:56Who the fuck are you?
32:02A guest in your mama house, Ibrahim.
32:08Is that how you talk to her friends?
32:10Hmm.
32:11She doesn't have friends like you.
32:12You know, someone more sensitive than me could take that the wrong way, son.
32:17Mom?
32:17Hey!
32:18I'm gonna have to ask you to keep your voice down,
32:23cause that kind of sleep, it don't come easy.
32:28Now listen, we's having breakfast for dinner.
32:32Hmm?
32:32You want eggs?
32:33I don't want eggs.
32:34I want you out of my house.
32:42So this your house now?
32:45You pay the mortgage?
32:52I ain't think so.
33:02You work in data management for Green Vault Storage,
33:05pulling a hundred care a year, and you still living in your mama house.
33:10We need to discuss your future, Ibrahim, cause I's got some plans for you.
33:15But first, I need you to tell me where I can find these files.
33:27Uh...
33:27I can't.
33:29These belong to dangerous people, okay?
33:31Don't kill me.
33:33I get you.
33:34You don't want to piss people off, but man to man, it's better to be pissed off than pissed on.
33:39So I'll make it a trouble-free decision for you.
33:43Put me under them files.
33:45And I'm gone.
33:47You don't, you dead.
33:49You understand?
33:51Yeah, yeah, yeah, yeah.
33:53Yeah, yeah, yeah, yeah, yeah.
33:54Now take your ass on those stairs, wash up, boy.
33:56Go.
33:57Let's go.
33:57Hurry up, huh?
34:00Old light-skinned ass nigga.
34:09Cheers, cheers, cheers!
34:12Yeah!
34:12Good job.
34:25Good job.
34:30Alyssa Huebler.
34:31You were wearing a dress?
34:32Why?
34:34Oh, God.
34:35Why?
34:36No, no, no, no, no.
34:38Oh, you should have known.
34:39I stress shop, all right?
34:40Really?
34:41Sue me, yes.
34:41That's what this is?
34:42You must have been real stressed.
34:43Yeah, it was a fucking hell of a day, OK?
34:45It was.
34:46Well, it's good to see you.
34:48Good to be seen.
34:49Mm-hmm.
34:52Ooh, man.
34:55It's nice.
34:56I'm gonna need about four more of these, though.
34:57You game?
34:59I mean, if that's all you can handle, I...
35:00Don't have me, Alex Cross.
35:02Let's go.
35:03Uh, yeah.
35:03Good morning. Thank you.
35:04All right.
35:06Is there any news that you think?
35:07Yeah.
35:10The Uncle Sam special.
35:12I'm trying not to think about that right now.
35:13Got you.
35:14OK?
35:14Mm-hmm.
35:16Have you heard from Mel?
35:17I'm not trying to think about that, either.
35:20Yeah.
35:21I'm learning to accept the new normal.
35:25Cheers.
35:29You know what?
35:30From this moment, we're gonna be drinking.
35:34We're gonna be partying.
35:35Mm-hmm.
35:36Or we're not gonna be thinking about all the fucking bullshit that's outside that door.
35:39I'm with it.
35:40Sweet.
35:41Yep.
35:41All right.
35:43Time to dance, detective.
35:46Ma'am.
35:47Do I look country or you?
35:48Beyonce can do it.
35:49You can do it.
35:50Beyonce?
35:51Come on.
35:51Get out of the chair.
35:53How many of me do you see?
35:55Come on.
35:55Yeah?
35:56Come on.
35:56This is her favorite song.
35:58You know, right?
35:59I ain't even...
36:00I ain't even confidence.
36:01I didn't even got my shoes.
36:05Oh, she's pretty good now.
36:07Here she comes.
36:08Here she comes.
36:09Here she comes.
36:11Left.
36:13Left.
36:15Woo!
36:18Hustlers shooting eight ball.
36:20Throwing hard.
36:21That's going all.
36:22Feeling down there ten feet tall.
36:24Here she comes.
36:25Lord help us all.
36:26Old T.W.'s girl friend.
36:28I'm slapped him out of his chair.
36:30Oh, boy.
36:31I ain't even thought it's so hard.
36:33I just stare at that honky-ton.
36:36But honky-ton.
36:39Keepin' pervy rhythm.
36:40Make you roll and swing along.
36:42Got it going on.
36:45Like donkey-ton.
36:47And oooh.
36:48Shut my mouth.
36:49Slap your grandma.
36:51They're all of me alone.
36:53Get the sheriff on the phone.
36:55Lord have mercy.
36:57How she even gets the benches on.
36:59Like a honky-ton.
37:01Ba-donk-a-donk.
37:04Keepin' pervy rhythm.
37:05Make you roll and swing along.
37:07I should've been a cowboy.
37:10I should've learned to road the ride.
37:14Find my pony on the bed drive.
37:19See you in the young girl's heart.
37:22Blimey in the drink.
37:24Just like jean boy.
37:25I want a little drink.
37:26Let's sing it.
37:29Mm-mm.
37:30We're getting...
37:33Eh.
37:35What?
37:38Thanks for having my bag today.
37:40Yeah.
37:41Yeah.
37:42Of course.
37:44I mean, you and I have known each other for...
37:47We've known each other for a long time.
37:49Yeah.
37:50Yeah.
37:57Can we work on those dance moves, please?
37:58And we've known each other for a long time.
38:00Yeah.
38:03Yeah.
38:04Yeah.
38:23And we've known each other for a long time.
38:28We hung out together, same little crowd, little bar, little town, round this old dance floor.
38:37My boys are laughing, tap me on the shoulder, making a motion like a jogging any closer.
38:44They want to know what's up, why I'm still holding you, even when the song is over.
38:50There's a rumor going round, about me and you, stirring up our little town, last week or two.
39:04So tell me why we even trying to deny this feeling, I feel it, don't you feel it too?
39:10There's a rumor going round and round and round, what you say would make it true, would make it true.
39:24And I can shut them down, tell them all the crazy, I can do whatever you want me to do,
39:31baby.
39:32Or you could lay one on me right now, we could really have something like that.
39:58This is me.
40:02Night, partner.
40:04Night.
40:05Night.
40:21Night.
40:22Night.
40:23Take my heart.
40:26It used to be so supple and sweet, and now it's withered on the vine.
40:38There's before, and then there's after.
40:44You were mine
40:52Take my faith
40:55So strong and full of fire
40:59Now it's bruised
41:02Broken down
41:04And blind
41:08There's before
41:13And then there's after
41:16You were mine
41:24You were mine
41:26You were mine
41:27You were mine
41:35Extra shot, extra sugar
41:37Which you can give me too
41:40After a shower
41:42You're smelling
41:44Manly
41:46Sure
41:48You found anything?
41:50Nah, it's a waste of my damn time
41:53Witnesses said they saw LaDonna drive away
41:55After they heard shots
41:57Forensics found traces of the victim's blood
41:59In her car
42:00Her prints are all over the gun
42:02I don't know why she's still playing
42:03Maybe she's not playing
42:08I asked around about her
42:09Look, I know what you said
42:11But there's a lot of folks out there
42:12Talking about she's innocent
42:13A lot of folks think Tupac's alive and chilling in Cuba
42:16Something's not right about this, John
42:18Malika
42:18You know it's not right
42:19Or you wouldn't spend the night with this file
42:21You need to talk to her
42:23I need...
42:24Oh, so you a cop now
42:26All right, you must have got your badge
42:28While I was in Texas
42:28Oh, okay
42:31The evidence says she did it
42:32So that's why you're so angry?
42:34Because your mother killed somebody?
42:36I told you, she's not my mother
42:37Look, I don't give a shit what that woman did
42:39You don't?
42:40Well, something pulled you out of that chair just now
42:42And I know it's not about me asking around
42:45I got work to do
42:46Thanks for the cause
42:49Don't
42:50I got shit to do
42:52You have every right to be angry
42:55But how are you going to feel
42:56If your mother winds up in prison on a bad rap
42:58Because you were too scared to talk to her
43:00Malika, please
43:02I need you out that door right now
43:04I'm not going anywhere
43:05I said leave
43:07I said no
43:20Just because she left you easy
43:22Does not mean I will
43:25No matter how mad you get
43:53Oh shit
44:02Hey
44:05Hey
44:11Are we okay?
44:13Yeah, of course
44:16I mean, I know we were both pretty drunk last night
44:22But you and me
44:23You and me were bound to happen
44:26We just, uh
44:28Got it out of our systems
44:35Did we?
44:45Why don't we go get a coffee?
44:47I'll see you outside
44:52Yep
45:13Thank you for coming to see me, John
45:18Look, I know we got to talk about this case
45:21But I want to tell you
45:22Would you like an attorney present?
45:25With my son?
45:26I'm here in the capacity of a detective
45:28Investigating a homicide
45:29But that don't change what you are to me
45:31Just tell me what happened
45:35I walked out on my child
45:40That's what happened
45:43I wasn't ready for you
45:45That's no excuse
45:46But I wasn't
45:48If I could have understood
45:50That somebody like me
45:55Could have made somebody like you
46:02I'd have made a different choice
46:08I know it looked like I only asked for you
46:10Because I'm in a situation
46:14But after these years of me
46:16Not being able to just
46:19Force myself to pick up a phone
46:23John
46:29John
46:33I had to drag myself over broken glass
46:38To give that detective your name
46:52Where were you the night of the murder?
47:26So what's the latest on that missing truck in Texas?
47:28Sir, we have a situation
47:29The workers are in federal custody
47:32Plant managers have been advised
47:34And assets are being redistributed
47:36We'll keep you up to date
47:37You do that
47:38Hey, Paul
47:39Hey, Paul
48:14Conocí a tu madre
48:16Todos aquí la conocían
48:17¿Quieres venir?
48:18A sentarte un ratito con nosotras?
48:31Menudo estaba dando un concierto en el DF
48:33Y era el último, ¿eh?
48:34Que se iban de gira por todo un año, ¿eh?
48:37Ninguno de nuestros padres nos llevaría
48:39Pero Gaby tenía un plan
48:44Tu madre era la persona más inteligente del pueblo
48:47Y también la más valiente
48:49Y mírate
48:50Aquí estás dando la cara a la comunidad
48:53Igual que ella
48:59Disculpa
49:07Ac Анд
49:08Todo a gr recommend
49:09¡Aha esta huyad zrobiaderamente!
49:16¡Qué?
49:20Vamos anąel
49:21A ver
49:24C View de la
49:24Segunda
49:25Co-adre
49:25Cifra
49:29Una
49:36I have an update agent Larson signed Esteban out said he was taking him to the DHS field
49:42office for questioning and the sheriff's letter gets worse motorist saw the vehicle through the
49:49trees thought they were stuck and stopped to render aid we'll authorize transport we have
49:54determined that yet how far are we from your field office agent Larson took the long road
50:00that's what you're asking god damn right that's what we're asking your agent took our prisoner and
50:04drove out in the middle of nowhere has Lawson been in communication at all not as such where
50:11the hell is he I'm getting to that your dirty agent killed our suspect actually your suspect killed our
50:58fucking Adam
50:59everything around Mexico no we weren't around Mexico we were in Huizache yeah I found out it's the place
51:06you and my mother grew up she was your sister and you never talk about her all I have are
51:11scraps of
51:12memories you have all the information and you're hoarding it do you remember what it was like when
51:19I talked about her if I said her name you would cry for days if I showed you a picture
51:25or cooked a dish
51:26from home it was like I ripped open a wound I couldn't bear to see you like that I am
51:31not a child
51:31anymore and yet you keep going back to the botanica looking for comfort or absolution that is some big talk
51:38for the one person who never has any blood on her hands I'll get it no no no
51:46okay
51:47is
52:12loose
52:17I found you.
52:46No me dejes sola, quiero más agua, y saca la pena de mi memoria, del cielo cae agua, lluvia poderosa,
53:13del cielo cae agua.
53:16Del cielo cae agua, lluvia poderosa, del cielo cae agua, lluvia poderosa, del cielo cae agua.
53:46Luvia poderosa, del cielo cae agua, lluvia poderosa.
54:16Luvia poderosa, del cielo cae agua, lluvia poderosa, del cielo cae agua, lluvia poderosa.
54:45Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:15Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:20Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:26Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:30Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:34Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:41Luvia poderosa, del cielo cae agua, lluvia poderosa.
55:52You
Comments