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00:11İzlediğiniz için teşekkür ederim.
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03:17abone olmalı.
03:19İzlediğiniz için teşekkür ederim.
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03:48İzlediğiniz için teşekkür ederim.
03:50İzlediğiniz için teşekkür ederim.
03:50So for mariqueli iyi topluma ama iyi reversin.
03:58İzlediğiniz için bir trip.
03:59İzlediğiniz için teşekkür ederim.
04:01İzlediğiniz için teşekkür ederim.
04:03sonuçun ülkelerine giniyor.
04:06Vad econer трав Hetlo uh OPTÇultarı derselition?興
04:13booامd otras. Ne.
04:15İzlediğiniz
04:16için teşekkür ederim.
04:17ve ekipmeni bu kadar.
04:19Bu ne?
04:21Bu ne?
04:25Okay.
04:27Ah.
04:28Sibyl Featherstone
04:30is the world's greatest gem thief.
04:32Oh, gem on screen.
04:34Can see the colors won't pop.
04:36Elizabeth.
04:41Thank you. Thank you.
04:42For your creativity.
04:43Mm-hmm.
04:44But we need a story with romance
04:47and passion and adventure.
04:49All with a bubbling core
04:51of humanity's most primal need.
04:54The search for meaning.
04:56Oh, and some swashbuckling too, perhaps.
04:58Oh, I have one with a pirate
04:59and a bear.
05:02Mm-mm. Budget.
05:04And no bears.
05:06Talking dog,
05:08on the other hand. That sells.
05:09What happened to humanity's most primal need?
05:11Commercial success is also right there
05:13at the top of the list.
05:14And make it funny.
05:15Not that funny, Lee.
05:16No, no, no. Not that funny.
05:17We're not making snaps.
05:18Elizabeth.
05:19Remember.
05:20Write what you know.
05:22Mm.
05:22Pour your soul into it.
05:25And we're gonna need you to turn it in by tomorrow.
05:28Tomorrow?
05:28It's a tight schedule.
05:30Time is money.
05:31We believe in you.
05:32Now off you go.
05:37Then we will.
05:40Then we will.
05:58Then we will.
06:11İzlediğiniz için teşekkür ederim.
06:31So, are you able to tell me what this is about yet?
06:35Well, until I'm told otherwise, it is about a dashing Mountie and his bell, the schoolteacher.
06:41That would never happen.
06:43They told me to write what I know.
06:46What's the plot?
06:47Well, Millie, the schoolteacher, gets kidnapped by a notorious bandit, and Apollo, the Mountie...
06:55Apollo?
06:55Yes, Apollo. He's very handsome.
06:57He risks it all to save his true love before it's too late.
07:01And does Apollo get the bad guy and save the girl?
07:04Well, I'm not gonna spoil the ending.
07:08But do you think you could help me with the Mountie investigation part?
07:12I need insight into your incredible investigative prowess.
07:16I don't know if I'm really the right man for the job.
07:18What?
07:19Real-life investigations are painstaking and complicated.
07:24Really, they rely more on luck than prowess.
07:28Well, maybe you could help me with the painstaking and complicated parts.
07:33I'll come by in the morning.
07:34We can read the script together over a fresh bottle of coffee.
07:37They need it by tomorrow.
07:39Well, then, I'd better leave you to it.
07:42Happy writing, beautiful.
07:45Thanks for stopping by, handsome.
07:51And with that added complicated layer, Apollo went from being just handsome to also brilliant and courageous.
08:10I checked all the hotels at Cape Fullerton, and yet there's still no sign of it.
08:14What about his fiancée and her parents?
08:16Could Christopher be with them?
08:17No.
08:18I've spoken with Rachel almost every day, and she's just as worried as I am.
08:23Well, it's been a week since we called that alert.
08:25He could be anywhere by now.
08:26That's why I'm concerned for his safety.
08:29Well, we're doing our best to find him, Henry.
08:32That's a promise.
08:33I'll let you know if I hear anything.
08:36Thanks, Henry.
08:41You know, I feel for him.
08:43They were just starting to get on solid ground with each other.
08:46Then there's our case.
08:47No star witness, no evidence.
08:49Just slipped right through our fingers.
08:52I was thinking of asking Georgie to look through our files with us.
08:56And that Pioneer Electric Trials right around the corner.
08:59Fresh set of eyes might catch something we missed.
09:02Do it.
09:03I'm going to call it an alert.
09:05Highest priority.
09:06We've got to find Christopher.
09:13This is going to be a hit, Elizabeth.
09:17You really like it?
09:18Oh, the way Apollo comes out of nowhere and springs that trap that we'd all forgotten about.
09:24Oh, I love it.
09:25Nathan gave me so many expert details.
09:27Wonderful.
09:28Now, I have a few suggestions.
09:30We'll get into that later.
09:30But, clearly, you must play Millie, the schoolteacher.
09:34Oh, no.
09:35No, no.
09:36I am not an actress.
09:37Who better?
09:38You practically wrote yourself.
09:40And Constable Grant has to play the Mountie.
09:42Mm, yes.
09:43Apollo, our daring hero.
09:46Think about the built-in chemistry.
09:47I definitely don't think Nathan will be interested.
09:50His uniform won't fit anyone else.
09:53He's doing it.
09:56I'll go see Allie Boat casting Scout as Terry the Talking Carrier.
10:00Has she been intimidating in class?
10:02I don't think it's that noticeable when she's in a herd.
10:06Anyway, can I get back to you about playing Millie?
10:09Yes.
10:10Of course you can.
10:13But I won't take no for an answer.
10:15I would play the role myself, naturally.
10:18But I have to focus all of my powers on the director's chair.
10:22Well...
10:23And my days of kissing co-stars are long gone.
10:27Well, I mean, not that long, but gone, nonetheless.
10:31Right.
10:32The kiss.
10:33Mm.
10:33The most important plot point in a romance.
10:36I don't want to kiss a random co-star.
10:39Thus I leave casting Nathan to you.
10:43Now, about these story changes...
10:45Uh-uh.
10:46You said suggestions.
10:48Of course.
10:49All changes start with suggestions.
10:51No.
10:53A dog wouldn't say that.
10:58You know, part of me wants to just file a class-action lawsuit
11:01and get all the claimants paid out that way.
11:03Well, I get it.
11:04But you'd only be letting national insurance off the hook
11:06if they claim bankruptcy.
11:08Well, now you sound like the other part of me.
11:10But it's all just so frustrating.
11:12Yes.
11:13And not surprising.
11:14It is a nascent industry rife with greed.
11:16Mm-hmm.
11:17Let's sell as many policies as possible
11:19without any thought of how we might pay them out in the future.
11:22I like your fire, counsellor.
11:23You are going places.
11:24In fact...
11:27What's this?
11:28When all of this hubbub is over, you should give them a call.
11:31I already put in a word.
11:33The Franklin and Sons Foundation.
11:35The big philanthropic organization in Union City.
11:38Nestor Franklin, an old pal, one of the Sons,
11:40would like to talk to you about their work with legal aid societies.
11:44Wow.
11:45Um, thank you, Georgie.
11:48But I'm happy with my life in Hope Valley.
11:51With the work I already have.
11:53Suit yourself.
11:54I admire a woman who goes it alone.
12:04Well, how'd they like it?
12:06They loved it.
12:07I think.
12:09Rosemary had some strongly worded suggestions.
12:12Oh.
12:13But most importantly,
12:16they want you to play Apollo.
12:19What?
12:20Rosemary convinced me to play Millie,
12:22and there's a certain plot point that I'd rather you were a part of.
12:25Well, I'm curious about that,
12:27but you know I'm in the middle of a pretty important investigation right now.
12:30I know. I know.
12:31It's only if you have time.
12:32But maybe a break would do you good.
12:35And it's like you said,
12:36sometimes the best ideas come from doing something else.
12:40I don't know if I'm an actor.
12:43Danny DeMarco would like a word.
12:46Come on.
12:47It'll be fun.
12:48Let's do it together,
12:50so I don't have to kiss anyone else.
12:55Well, why didn't you lead with that?
12:58Yes, of course I'll do it.
13:00Who knows, maybe I'll give Buster Keaton a run for his money.
13:02Oh.
13:03I like your confidence, Apollo.
13:05How hard can this acting thing be?
13:18I appreciate your persistence on this, Constable.
13:21Thank you.
13:23A bartender in Union City
13:24said that he is certain he saw Christopher
13:26at the Highland Pub last night.
13:28It's almost like he wants you to find him.
13:30Well, if it was Christopher,
13:32and even if it was him,
13:33there's no guarantee we can catch up to him before the trial.
13:36Well, without him,
13:37all we have is a bunch of burnt concrete
13:39and this map from Pioneer Electric,
13:41which we know is fraudulent,
13:42but good luck proving that in court.
13:44There's no cartouche.
13:47Why is that unusual?
13:48Well, most mapmakers like to take credit for their work.
13:51Pride of craft.
13:53It's a fraudulent map.
13:54Probably didn't want to put a signature on it.
13:56And yet, I know who made this map.
14:00Amy Martell and I have been poring over coverage maps
14:03from National Insurance
14:07Look at the compass roses.
14:08They are identical.
14:10The same man made both of these maps.
14:12Clement Scoggins.
14:15I told you she was good.
14:18So, National Insurance and Pioneer Electric
14:22use the same mapmaker.
14:23Coincidence? Sure.
14:24But suspect? Really?
14:26Well, there are plenty of mapmakers
14:28that Pioneer Electric could have hired.
14:30But it's not just that.
14:32If the cause of the fire turns out to be arson
14:35instead of corporate negligence,
14:37National Insurance doesn't have to pay out
14:38nearly as much to its clients.
14:42That's why they've been slow rolling the claims.
14:46National Insurance wanted Toby and Cooper
14:48to take the fall.
14:50And then for us to make it official.
14:52Because then Pioneer Electric
14:53gets off the hook.
14:54And National Insurance saves a bundle.
14:56If these two companies are colluding,
14:58then our investigation goes
15:00from a simple corporate cover-up
15:01to a conspiracy
15:03to defraud thousands of people.
15:05The mapmaker.
15:07The mapmaker's the key.
15:08We've got to find this map.
15:09I think we should get
15:10some tangible evidence in first.
15:12Bank records?
15:13Yeah, but that could take a while
15:14to get a warrant.
15:15Well, leave it to me.
15:16I'm a forensic investigator.
15:18I have friends who owe me.
15:20And some who might even be
15:21a little bit afraid of me.
15:28How hard can it be
15:29to find some decent costumes around here?
15:32We didn't have much time
15:34to prepare other options.
15:36Rosemary, are you sure
15:37that Ned's character
15:37needs to be such a character?
15:40I have a vision, Faith.
15:43And Ned is not just any character.
15:46He is Neil Fearnley.
15:49He is the heart
15:50of this entire story.
15:51I found some more
15:52from last year's Halloween party.
15:54Oh, yes.
15:55Yes.
15:56This is perfect.
15:58I need to try this on Ned
16:00right now.
16:00Let's go.
16:04Edie, I'm so sorry.
16:05We're interrupting.
16:06You're obviously busy.
16:07Actually,
16:09I could use some...
16:11More tea?
16:12A biscuit, perhaps?
16:13Those both sound lovely,
16:14but I was thinking more
16:17wise counsel.
16:19Ooh.
16:21Lucas has been
16:23all out of sorts
16:24ever since Fernando showed up.
16:26Oh, speaking of the devil.
16:29Hello!
16:31Hello!
16:32Hello!
16:33Buenos dias, señoritas.
16:34Good morning.
16:36Good morning.
16:38Mrs. Sue Hickam.
16:40Thank you.
16:42Doctora Carter.
16:43Thank you.
16:44Only in town a week,
16:46and already he knows
16:47everybody's name.
16:48Yeah.
16:52So, Fernando,
16:54will you be working
16:54on the film?
16:55Ah, yes.
16:57May I?
16:57Please.
16:59Mr. Coulter and an angry
17:01little señorita
17:02put me in charge
17:03of the lighting.
17:04Moving pictures
17:05are but
17:07flickers of light.
17:08Dancing on a screen.
17:10I will be the maestro
17:11leading this dance.
17:14Wow.
17:14I've never heard it
17:16put quite that way.
17:17Hmm.
17:19And you, Edith?
17:20Will you join the dance?
17:22Oh, no.
17:23I'm not really
17:24one for make-believe.
17:26Hmm.
17:27But fun.
17:29Now, that's
17:29a different story.
17:31Ooh.
17:32Ooh.
17:34Ooh.
17:35Ooh.
17:38Oh.
17:43Bravo, Fernando.
17:45Very good.
17:48Ha-ha.
17:48You must all
17:49visit me on set.
17:56Ladies?
18:01Are you sure
18:02Lucas has nothing
18:03to worry about?
18:04That's just Fernando.
18:06He isn't happy
18:07until he's cast
18:08his little spell
18:09on everyone.
18:10It doesn't work
18:11on me anymore.
18:13Huh?
18:14Does Fernando
18:15know that?
18:16Hmm.
18:23Oh, I was just
18:25about to read you
18:28third letter
18:29this month.
18:30Very observant
18:31of you.
18:32And hopefully
18:32not the last.
18:33No stamp.
18:34No return address.
18:37Very clandestine.
18:39It's just a letter.
18:40Behold!
18:40You are looking
18:41at the newest addition
18:42to The Scarlet Heart.
18:45Oh.
18:46Rosemary's movie.
18:47She cast me.
18:48I heard.
18:50Congratulations.
18:50Thank you.
18:53I-I-I thought
18:55you'd be more excited.
18:56Oh, I am.
18:57Of course, dear.
18:58You'll be marvelous.
19:00It's Molly.
19:01Hmm?
19:01She's keeping
19:02something from me.
19:03I-I-I...
19:04We've never had secrets.
19:06Oh, we-we don't get
19:07to know everything,
19:08my love.
19:09Hmm.
19:10Now then,
19:11which part is it?
19:13It is the main villain.
19:15Oh!
19:16Yes.
19:16Oh!
19:19Ask and ye shall receive
19:22the bank statement
19:23of Clement P. Scuggins.
19:26Quick work, Inspector.
19:28You more feared
19:29than you even knew.
19:29You'll note Scuggins
19:31received a $500 payment
19:33from Pioneer Electric.
19:34That's a lot of money
19:35for a map.
19:36About 20 times
19:37the going rate.
19:38Well, it certainly
19:38looks like he's
19:39been paid off,
19:40but not enough
19:42to bring him in.
19:43Huh.
19:43Maybe,
19:44if somebody might
19:46need his services.
19:52Intrigue and espionage.
19:54My favorites.
19:56My favorites.
20:14Mr. Scuggins.
20:16The same.
20:17Miss Wagonmeister,
20:18I presume.
20:19Indeed.
20:20Thank you
20:20for coming on
20:21such short notice.
20:22Please.
20:24No need to thank me.
20:26Short notice
20:27is just another way
20:28of saying
20:28I get paid faster.
20:30Well,
20:31then let's get
20:31right to it.
20:32I need some maps
20:34made for a financial client.
20:35They are willing
20:36to pay handsomely.
20:38My normal rate
20:39is more than adequate.
20:40And what might that be?
20:42A $25
20:42for the initial design
20:44and $5
20:45for each duplication.
20:47Well then,
20:48somebody better tell
20:49Pioneer Electric
20:50they got a bug deal.
20:51What's this?
20:53Because they paid you
20:54$500 for the same service.
20:56Did they not?
20:58Um,
20:59where did you get this?
21:01I,
21:01let me tell you
21:02what this looks like,
21:03Clement.
21:04Looks like you were
21:05paid handsomely
21:05to create a fraudulent map.
21:07A map that you
21:08backdated to help
21:09Pioneer Electric
21:10hide the location
21:10of a burnt out
21:11transformer that caused
21:12a fire and burnt
21:13down a town.
21:14Which means that
21:15you can be charged
21:16with participating
21:17in a conspiracy
21:18to obstruct justice.
21:19And do you want
21:20to add lying
21:20to an RCMP officer
21:21to that charge?
21:22I,
21:22I'm just an artist.
21:24A draftsman.
21:26I,
21:26I,
21:26I help people
21:27find their way.
21:28Well then,
21:29help yourself.
21:30If you cooperate,
21:31this will go much
21:32easier for you.
21:35Am I under arrest?
21:37Not yet,
21:38no.
21:39then we're done,
21:40John.
21:47That could have
21:48gone better.
21:50Maybe.
21:51He seems spooked
21:52enough.
21:53Enough to make
21:54a call?
21:56I will see.
21:57If anything comes
21:58through,
21:59you know where
21:59to find me.
22:01Oh,
22:02break a leg,
22:02Apollo.
22:06Thank you.
22:17Looking good,
22:18Ned.
22:19Oh,
22:19that's Neil
22:19Fernley to you,
22:20Apollo.
22:21You'll never
22:21take me alive.
22:23May?
22:23This looks
22:24wonderful.
22:25And yes,
22:26the jacket,
22:27very good.
22:28Now,
22:28Ned,
22:29listen,
22:30Neil Fernley
22:30is the linchpin.
22:32Without his quiet
22:33acts of self-sacrifice,
22:35Apollo would never
22:35have his chance
22:36to shine.
22:37Mwah!
22:38Go!
22:40There they are.
22:42My stars.
22:46Such
22:47chemistry,
22:48such charisma.
22:49Oh.
22:52There you are.
22:53What is this?
22:55They're new story pages.
22:56I fixed a few things.
22:57I wasn't aware
22:58anything was broken.
22:59Well,
23:00they're still
23:00mostly your words.
23:01I just
23:02helped it
23:03sing a little.
23:04Wait a minute.
23:05Where is Millie?
23:06Who is Octavia?
23:08You are,
23:08my dear.
23:10You are.
23:13Oh!
23:15Lee!
23:16Yes?
23:16What is this traffic light
23:18still doing here?
23:18I asked for it to be
23:19removed hours ago.
23:20Who's in charge here?
23:22Well,
23:23clearly I am.
23:23Yes,
23:23you are.
23:24Which is why
23:24I asked for it
23:25to be removed.
23:33Showbiz.
23:42He may not
23:43make the call
23:44for a while.
23:45If he calls.
23:46Oh,
23:47he'll make the call.
23:50Do you miss it?
23:51The thrill of the hunt.
23:53You set him up,
23:54I take him down.
23:55Oh,
23:56is that how it worked?
23:57I thought I was
23:58the one who took him down.
24:00They never really
24:01see you coming,
24:02do they?
24:04Operator,
24:05how may I direct
24:06your call?
24:07Pioneer Electric,
24:08Mr. Shelby Whitaker.
24:09Please hold.
24:11Whitaker speaking.
24:13They're all to us,
24:14and I'm not
24:14taking the fall for this.
24:16Pipe down,
24:16who is this?
24:17It's me,
24:18Scoggins.
24:18Some sneaky prod
24:19said she needed a map
24:20and then the coppers
24:21were all over me.
24:22Keep your mouth shut.
24:23Someone could be listening.
24:27Is that enough
24:28to work with?
24:31There's nothing
24:32about collusion
24:33or bribery
24:34or starting a fire,
24:36but yeah,
24:36it's something.
24:37Whitaker seems to know
24:38what he's doing.
24:39Maybe.
24:40But that mapmaker's
24:42a chump.
24:43And who's he calling
24:44a sneaky broad?
24:46He's not wrong.
24:47I wear it with pride.
24:51I realize how much
24:53I've missed this.
24:55What?
24:56The thrill of the hunt?
24:57Hmm?
24:58Now I've...
25:00I've hunted enough
25:01for one life.
25:05You know I didn't ask
25:06you're here just to help
25:07Edie settle insurance claims.
25:09And you know
25:10that's not why I came.
25:22It's a magical town.
25:24I can see why you're here.
25:27What are you doing here?
25:30I'm in charge of the lighting,
25:31remember?
25:32No, I know.
25:33I mean here.
25:34In Hope Valley.
25:37Well, I'm a builder.
25:39I have business.
25:40Ah, so you just
25:41happened to show up
25:43where I am living and...
25:44I can't speak for fate,
25:45Edith.
25:47It brought us together once.
25:48Maybe it has a gang.
25:50No.
25:52Not this time.
25:54Fernando, I...
25:56I'm sorry that I left.
25:59But I...
25:59I know now
26:00that it wasn't
26:01how it was supposed to be.
26:02It wasn't a true
26:04marriage of minds
26:05where both people grow
26:07because they inspire
26:08each other.
26:08Uh-huh.
26:10Well.
26:12The governor's
26:13a lucky man.
26:14I don't know about that.
26:15I do.
26:16And he should too.
26:20Good luck, Nando.
26:22Thank you.
26:24Thank you.
26:26Thank you.
26:33Snacks are for the crew.
26:37Okay.
26:44Oh.
26:45Uh, Mae?
26:46Are we almost ready?
26:48Nearly.
26:49Okay.
26:50Times, money, people.
26:51Places, places.
26:57All right.
26:59All right.
26:59Take one.
27:01Roll camera.
27:03Rolling.
27:05And...
27:06action.
27:39Oh!
27:40Cut!
27:42I'm so sorry, Rosemary.
27:44No, no, no.
27:44I think I came in a little hot.
27:46It's all right.
27:48It's all right.
27:48It's your first-time jitters.
27:50Let's just shake it off
27:51and we'll try again.
27:52All right?
27:54Uh, places, everyone.
27:56Take two.
27:57Roll camera.
27:59We're rolling.
28:01And action.
28:08Oh.
28:09Cut!
28:14It's wonderful.
28:16Oh.
28:17I love it.
28:18Yeah.
28:18Uh, just let's try to forget
28:21that the camera is even here at all.
28:23Uh-huh.
28:24It's just Octavia and Apollo
28:27against the world.
28:29You got it.
28:30Uh-huh.
28:31You are a cunning
28:33and heroic Mountie,
28:35animated by justice.
28:37Whoa.
28:38Just channel you.
28:39Rosemary.
28:40Uh-huh.
28:43How am I doing?
28:45Marvelous.
28:46Just, uh...
28:46Find your center.
28:50Find my center?
28:51Right-o!
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:58And action!
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to...
29:09Okay, shh!
29:09Pretend we're not here.
29:11Uh, just, let's go in for the kiss.
29:16Woo-hoo-hoo-hoo!
29:19Okay, let's cut.
29:20I thought it was...
29:22Uh, let's take ten.
29:25I thought...
29:26On that side.
29:28There's something, uh,
29:30wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something
29:35very wrong with the camera.
29:37Oh.
29:39Rosemary.
29:40Uh-huh.
29:41I know we got off to a rocky start,
29:43but I actually think
29:44we're getting the hang of things now.
29:46Absolutely.
29:47Uh, but, you know,
29:48one thing I-I didn't foresee
29:49when I cast both of you
29:51is, uh,
29:52you two are actually
29:54too real.
29:56You know, all of this
29:57is kind of nonsense
29:58compared to what you two actually...
30:00Rosemary?
30:01Mm-hmm?
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this!
30:08Hold on a minute.
30:09I only agreed to this
30:10because of Elizabeth.
30:12I-I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17Absurd.
30:18Hey, hey, hey, hey, hey!
30:20Did you just fire our two leads?
30:21But now!
30:22We have a schedule!
30:23This is not a crisis.
30:24Mm-hmm.
30:25It's an opportunity.
30:27We just...
30:28need to find someone...
30:32undeniable.
30:33You know,
30:34I could offer my services...
30:36May I have assistance
30:36with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:42Now, gently.
30:43Easy.
30:45Tilt her down.
30:48Yes.
30:50It'sischen.
30:52It's nice.
30:53Now, it'll give her it to me.
30:55Bye.
31:01All right.
31:02equation
31:02You
31:02And then,
31:11Ann.
31:20İzlediğiniz için teşekkür ederim.
32:05İzlediğiniz için teşekkür ederim.
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32:15İzlediğiniz için teşekkür ederim.
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32:19Hoşçakalın.
32:24İzlediğiniz için teşekkür ederim.
33:30İzlediğiniz için teşekkür ederim.
34:36İzlediğiniz için teşekkür ederim.
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36:31İzlediğiniz için teşekkür ederim.
36:34İzlediğiniz için teşekkür ederim.
36:36abone olun.
36:36abone olun.
36:36abone olun.
36:37abone olun.
36:39abone olun.
36:44abone olun.
36:58abone olun.
37:00abone olun.
37:01abone olun.
37:02abone olun.
37:03abone olun.
37:04abone olun.
37:08abone olun.
37:11abone olun.
37:18İzlediğiniz için teşekkür ederim.
37:48İzlediğiniz için teşekkür ederim.
38:13İzlediğiniz için teşekkür ederim.
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40:24İzlediğiniz için teşekkür ederim.
40:29İzlediğiniz için teşekkür ederim.
41:07İzlediğiniz için teşekkür ederim.
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41:20İzlediğiniz için teşekkür ederim.
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41:59İzlediğiniz için teşekkür ederim.
42:00İzlediğiniz için teşekkür ederim.
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