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03:17abone olmalı.
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03:50bir hala.
03:53On budget
03:54Mm-hmm
03:55What a wonderful opportunity, Opal
03:57Did I miss anything?
03:59No, you haven't missed anything
04:01Come, come, Elizabeth was just getting to the good stuff
04:03Yes
04:03Proceed
04:05Ahem, um
04:06Well, when the great Tony McAllister
04:10Mountain climber extraordinaire
04:12Ascends his highest
04:13No mountains
04:14What?
04:15Too expensive to get the crew and equipment that far
04:19And that, uh
04:21That's my girl
04:24Okay
04:27Ah
04:28Sybil Featherstone is the world's greatest gem thief
04:32Ooh, gems on screen
04:34Can't see, the colors won't pop
04:35Mm-hmm
04:36Elizabeth
04:41Thank you
04:42Thank you
04:42For your creativity
04:43Mm-hmm
04:44But we need a story with romance and passion and adventure
04:49All with a bubbling core of humanity's most primal need
04:53The search for meaning
04:55Ooh, and some swashbuckling too, perhaps
04:58Oh, I have one with a pirate and a bear
05:01Mm-mm
05:03Budget
05:04And no bears
05:06Talking dog on the other hand
05:08That sells
05:09What happened to humanity's most primal need?
05:11Commercial success is also right there at the top of the list
05:14And make it funny
05:15Not that funny, Lee
05:16No, no, no, not that funny
05:17We're not gonna make snaps
05:18Elizabeth
05:19Remember
05:20Write what you know
05:22Mm-hmm
05:22Pour your soul into it
05:25And we're gonna need you to turn it in by tomorrow
05:27Tomorrow?
05:28It's a tight schedule
05:29Time is money
05:30We believe in you
05:32Now off you go
05:38That went well
06:06Come in
06:11Hey
06:12You're up late
06:12I thought you might have been Rosemary here to breathe down my neck
06:16Directors, right?
06:17You have no idea
06:18But I think I actually may have stumbled upon a story
06:22That meets all of the requirements
06:25Hey, how's your wound healing?
06:27Good
06:27Yeah, Faye said there's no infection
06:29Oh, thank goodness
06:31So
06:32Are you able to tell me what this is about yet?
06:35Well, until I'm told otherwise
06:36It is about a dashing Mountie
06:38And his bell, the schoolteacher
06:41That would never happen
06:43They've told me to write what I know
06:46What's the plot?
06:47Well
06:50Millie, the schoolteacher, gets kidnapped by a notorious bandit
06:53And Apollo, the Mountie
06:55Apollo?
06:56Yes, Apollo
06:56He's very handsome
06:57He risks it all to save his true love before it's too late
07:01And does Apollo get the bad guy and save the girl?
07:04Well, I'm not going to spoil the ending
07:08But do you think you could help me with the Mountie investigation part?
07:12I need insight into your incredible investigative prowess
07:16I don't know if I'm really the right man for the job
07:18What?
07:19Real-life investigations are painstaking and complicated
07:24Really, they rely more on luck than prowess
07:28Well, maybe you could help me with the painstaking and complicated parts
07:33I'll come by in the morning
07:34We can read the script together over a fresh bottle of coffee
07:37They need it by tomorrow
07:40Well, then I'd better leave you to it
07:42Happy writing, beautiful
07:45Thanks for stopping by, handsome
07:51And with that added, complicated layer
07:54Apollo went from being just handsome
07:56To also brilliant and courageous
08:09I checked all the hotels at Cape Fuller
08:12If anything, you have a still beside it
08:13What about his fiancée and her parents?
08:16Could Christopher be with them?
08:17No, I've spoken with Rachel most every day
08:20And she's just as worried as I am
08:22Well, it's been a week since we called that alert
08:25He could be anywhere by now
08:26That's why I'm concerned for his safety
08:30Well, we're doing our best to find him, Henry
08:32That's a promise
08:33I'll let you know if I hear anything
08:36Thanks, Henry
08:41You know, I feel for him
08:42They were just starting to get on solid ground with each other
08:45Then there's our case
08:47No star witness, no evidence
08:49It just slipped right through our fingers
08:52I was thinking of asking Georgie to look through our files with us
08:56And that Pioneer Electric trial's right around the corner
08:58Fresh set of eyes might catch something we missed
09:01Do it?
09:03I'm going to call it an alert
09:05Highest priority
09:06We've got to find Christopher
09:13This is going to be a hit, Elizabeth
09:16You really like it?
09:18The way Apollo comes out of nowhere and springs that trap
09:22That we'd all forgotten about
09:23I love it
09:25Nathan gave me so many expert details
09:27Wonderful
09:28Now, I have a few suggestions
09:29We'll get into that later
09:30But, clearly, you must play Millie, the schoolteacher
09:34Oh, no, no, no
09:36I am not an actress
09:37Who better?
09:38You practically wrote yourself
09:40And Constable Grant has to play the Mountie
09:42Yes, Apollo, our daring hero
09:45Think about the built-in chemistry
09:47I definitely don't think Nathan will be interested
09:50His uniform won't fit anyone else
09:53He's doing it
09:56I'll go see Allie Boat casting Scout as Terry the Talking Terrier
10:00She's been intimidating in class
10:02I don't think it's that noticeable when she's in a herd
10:06Anyway, can I get back to you about playing Millie?
10:09Yes, of course you can
10:13But I won't take no for an answer
10:15I would play the role myself, naturally
10:18But I have to focus all of my powers on the director's chair
10:22Well
10:23And my days of kissing co-stars are long gone
10:27Well, I mean, not that long, but gone, nonetheless
10:31Right, the kiss
10:33The most important plot point in a romance
10:36I don't want to kiss a random co-star
10:39Thus I leave casting Nathan to you
10:42Now, about these story changes
10:45Uh-uh
10:46You said suggestions
10:47Of course
10:49All changes start with suggestions
10:53A dog wouldn't say that
10:58You know, part of me wants to just file a class action lawsuit
11:01And get all the claimants paid out that way
11:03Well, I get it
11:04But you'd only be letting national insurance off the hook
11:06If they claim bankruptcy
11:08Well, now you sound like the other part of me
11:09But it's all just so frustrating
11:12Yes, and not surprising
11:14It is a nascent industry rife with greed
11:16Mm-hmm
11:17Let's sell as many policies as possible
11:19Without any thought of how we might pay them out in the future
11:21I like your fire, counselor
11:23You are going places
11:24In fact
11:27What's this?
11:28When all of this hubbub is over, you should give them a call
11:31I already put in a word
11:33The Franklin and Sons Foundation
11:35The big philanthropic organization in Union City
11:38Nestor Franklin, an old pal, and one of the Sons
11:40Would like to talk to you about their work with legal aid societies
11:44Wow
11:44Um, thank you, Georgie
11:47But I'm happy with my life in Hope Valley
11:51With the work I already have
11:52Suit yourself
11:53I admire a woman who goes it alone
12:04Well, how'd they like it?
12:06They loved it
12:07I think
12:09Rosemary had some strongly worded suggestions
12:12Oh
12:13But most importantly
12:15They want you to play Apollo
12:19What?
12:20Rosemary convinced me to play Millie
12:22And there's a certain plot point that I'd rather you were a part of
12:25Well, I'm curious about that
12:27But you know I'm in the middle of a pretty important investigation right now
12:30I know, I know
12:30It's only if you have time
12:32But maybe a break would do you good
12:35And it's like you said
12:36Sometimes the best ideas come from doing something else
12:41I don't know if I'm an actor
12:43Danny DeMarco would like a word
12:46Come on
12:47It'll be fun
12:49Let's do it together
12:50So I don't have to
12:52Kiss anyone else
12:55Well, why didn't you lead with that?
12:58Yes
12:58Of course I'll do it
13:00Who knows
13:00Maybe I'll give Buster Keaton a run for his money
13:02Oh
13:03I like your confidence, Apollo
13:05How hard can this acting thing be?
13:18I appreciate your persistence on this, Constable
13:20Thank you
13:23A bartender in Union City said that he is certain he saw Christopher at the Highland Pub last night
13:27It's almost like he wants you to find him
13:29Well, if it was Christopher
13:32And even if it was him, there's no guarantee we can catch up to him before the trial
13:36Well, without him, all we have is a bunch of burnt concrete
13:39And this map from Pioneer Electric
13:41Which we know is fraudulent
13:42But good luck proving that in court
13:44There's no cartouche
13:46And why is that unusual?
13:48Well, most mapmakers like to take credit for their work
13:51Pride of craft
13:53It's a fraudulent map
13:54Probably didn't want to put a signature on it
13:55And yet, I know who made this map
13:59Amy Martell and I have been poring over coverage maps from National Insurance
14:07Look at the compass roses
14:08They are identical
14:09The same man made both of these maps
14:12Clement Scoggins
14:15I told you she was good
14:18So, National Insurance and Pioneer Electric use the same mapmaker
14:23Coincidence? Sure
14:24But suspect? Really?
14:26Well, there are plenty of mapmakers that Pioneer Electric could have hired
14:30But it's not just that
14:32If the cause of the fire turns out to be arson instead of corporate negligence
14:36National Insurance doesn't have to pay out nearly as much to its clients
14:42That's why they've been slow rolling the claims
14:46National Insurance wanted Toby and Cooper to take the fall
14:50And then for us to make it official
14:51Because then Pioneer Electric gets off the hook
14:54And National Insurance saves a bundle
14:56If these two companies are colluding
14:58Then our investigation goes from a simple corporate cover-up
15:01To a conspiracy to defraud thousands of people
15:05The mapmaker
15:06The mapmaker's the key
15:08We've got to find this map
15:09I think we should get some tangible evidence in first
15:12Bank records?
15:13Yeah, but that could take a while to get a warrant
15:15Well, leave it to me
15:16I'm a forensic investigator
15:18I have friends who owe me
15:19And some who might even be a little bit afraid of me
15:28How hard can it be to find some decent costumes around here?
15:32We didn't have much time to prepare other options
15:35Rosemary, are you sure that Ned's character needs to be such a character?
15:40I have a vision, Faith
15:43And Ned is not just any character
15:45He is Neil Fearnley
15:49He is the heart of this entire story
15:51I found some more from last year's Halloween party
15:53Oh, yes
15:55Yes
15:56Yes
15:56This is perfect
15:58I need to try this on Ned
16:00Right now
16:00Let's go
16:04Edie, I'm so sorry
16:05We're interrupting
16:06You're obviously busy
16:07Actually
16:09I could use some
16:11More tea?
16:12A biscuit, perhaps
16:13Well, those both sound lovely
16:14But I was thinking more, um
16:16Wise counsel
16:21Lucas has been all out of sorts
16:24Ever since Fernando showed up
16:26Speaking of the devil
16:28Hello
16:31Hello
16:32Good morning
16:36Good morning
16:38Mrs. Sue Hickam
16:39Thank you
16:42Doctora Carter
16:43Thank you
16:44Only in town a week
16:46And already he knows everybody's name
16:48Yeah
16:52So, Fernando, will you be working on the film?
16:55Ah, yes
16:56May I?
16:57Please
16:59Mr. Coulter and an angry little señorita
17:02Put me in charge of the lighting
17:04Moving pictures are but
17:06Flickers of light
17:08Dancing on a screen
17:09I will be the maestro
17:11Leading this dance
17:13Wow
17:14I've never heard it
17:16But quite that way
17:17Hmm
17:18And you, Edith?
17:20Will you join the dance?
17:22Oh, no
17:23I'm
17:23I'm not really one for make-believe
17:26Hmm
17:26But fun
17:28Now that's a different story
17:30Ooh
17:32Oh
17:33Oh
17:43Bravo, Fernando
17:45Very good
17:48You must all visit me on set
17:57Ladies
18:01Are you sure Lucas has nothing to worry about?
18:04That's just Fernando
18:06He isn't happy until he's cast his little spell on everyone
18:10It doesn't work on me anymore
18:14Does Fernando know that?
18:23Oh
18:24I was just about to read you
18:28Third letter this month
18:30Very observant of you
18:32And hopefully not the last
18:33No stamp
18:34No return address
18:37Very clandestine
18:38It's just a letter
18:39Behold
18:40You were looking at the newest addition to
18:43The Scarlet Heart
18:45Oh
18:46Rosemary's movie
18:47She cast me
18:48I heard
18:49Congratulations
18:50Thank you
18:53I
18:54I
18:54I thought you'd be more excited
18:56Oh
18:56I am
18:57Of course, dear
18:58You'll be marvelous
19:00It's Molly
19:00Hmm
19:01She's keeping something from me
19:03I
19:04We've never had secrets
19:06Oh
19:06We
19:06We don't get to know everything, my love
19:09Hmm
19:10Now then
19:11Which part is it?
19:14It is the main villain
19:15Oh
19:16Yes
19:16Oh
19:19Ask and ye shall receive
19:22The bank statement of Clement P. Scoggins
19:26Quick work, Inspector
19:28You more feared than you even knew
19:29You'll note Scoggins received a $500 payment from Pioneer Electric
19:34That's a lot of money for a map
19:36About 20 times the going rate
19:38Well, it certainly looks like he's been paid off
19:40But
19:41Not enough to bring him in
19:43Huh
19:43Well, maybe if
19:45Somebody might need his services
19:52Intrigue and espionage
19:54My favorites
20:14Mr. Scoggins
20:16The same
20:16Miss Wagonmeister
20:18I presume
20:18Indeed
20:19Thank you for coming on such short notice
20:21Please
20:24No need to thank me
20:26Short notice is just another way of saying I get paid faster
20:30Well, then let's get right to it
20:32I need some maps made for a financial client
20:35They are willing to pay handsomely
20:38My normal rate is more than adequate
20:40And what might that be?
20:41A $25 for the initial design
20:44And $5 for each duplication
20:47Well, then
20:48Somebody better tell Pioneer Electric
20:50They got a bum deal
20:51What's this?
20:53Because they paid you $500 for the same service
20:56Did they not?
20:58Um
20:59Where did you get this?
21:01I
21:01Let me tell you what this looks like, Clement
21:04Looks like you were paid handsomely
21:05To create a fraudulent map
21:07A map that you backdated to help Pioneer Electric
21:10Hide the location of a burnt out transformer
21:12That caused a fire and burnt down a town
21:14Which means that you can be charged
21:16With participating in a conspiracy to obstruct justice
21:19And do you want to add lying to an RCMP officer to that charge?
21:22I'm just an artist
21:24A draftsman
21:25I help people find their way
21:28Well, then help yourself
21:30If you cooperate, this will go much easier for you
21:35Am I under arrest?
21:37Not yet, no
21:39Then we're done here
21:47That could have gone better
21:50Maybe
21:51He seems spooked enough
21:53Enough to make a call?
21:56I will see
21:56If anything comes through
21:58You know where to find me
22:00Oh, uh
22:01Breck-a-League Apollo
22:06Thank you
22:17Looking good, Ned
22:18Oh, that's Neil Fernley to you, Apollo
22:21You'll never take me alive
22:22May?
22:23This looks wonderful
22:25And yes, the jacket, very good
22:27Now, Ned, listen
22:29Neil Fernley is the linchpin
22:32Without his quiet acts of self-sacrifice
22:35Apollo would never have his chance to shine
22:37Mwah!
22:38Go!
22:40There they are
22:41My stars
22:46Such chemistry
22:47Such charisma
22:49Oh
22:52There you are
22:53What is this?
22:55They're new story pages
22:56I fixed a few things
22:57I wasn't aware anything was broken
22:59Well, they're still mostly your words
23:01I just helped it sing a little
23:03Wait a minute
23:04Where is Millie?
23:06Who is Octavia?
23:07You are, my dear
23:10You are
23:15Lee!
23:15Yes
23:16What is this traffic light still doing here?
23:19I asked for it to be removed hours ago
23:20Who's in charge here?
23:22Well, clearly I am
23:23Yes, you are
23:24Which is why I asked for it to be removed
23:33Showbiz
23:42He may not make the call for a while
23:45If he calls
23:46Oh, he'll make the call
23:50Do you miss it?
23:51The thrill of the hunt
23:53You set him up
23:54I take him down
23:55Oh, is that how it worked?
23:57I thought I was the one who took him down
24:00They never really see you coming, do they?
24:04Operator
24:04How may I direct your call?
24:07Pioneer Electric
24:08Mr. Shelby Whittaker
24:09Please hold
24:11Whittaker speaking
24:13They're all to us
24:14And I'm not taking the fall for this
24:15Pipe down
24:16Who is this?
24:17It's me, Scoggins
24:18Some sneaky prod said she needed a map
24:20And then the coppers were all over me
24:22Keep your mouth shut
24:23Someone could be listening
24:28Is that enough to work with?
24:31There's nothing about collusion
24:33Or bribery
24:34Or starting a fire
24:36But yeah, it's something
24:37Whittaker seems to know what he's doing
24:39Maybe
24:40But that mapmaker's a chump
24:42And who's he calling a sneaky broad?
24:46He's not wrong
24:47I wear it with pride
24:51I realize how much I've missed this
24:55What?
24:56The thrill of the hunt?
24:58Now I've
25:00I've hunted enough for one life
25:05You know I didn't ask you here
25:06Just to help Edie settle insurance claims
25:08And you know that's not why I came
25:22It's a magical town
25:24I can see why you're here
25:27What are you doing here?
25:30I'm in charge of the lighting, remember?
25:32No, I know
25:32I mean here
25:34In Hope Valley
25:37Well, I'm a builder
25:39I have business
25:40Ah, so
25:41You just happened to show up
25:43Where I am living
25:43I can't speak for fate, Edith
25:47It brought us together once
25:48Maybe it has a gang
25:50No
25:52Not this time
25:54Fernando, I
25:56I'm sorry that I left
25:59But I
25:59I know now
26:00That it wasn't how it was supposed to be
26:02It wasn't a true marriage of minds
26:05Where both people grow
26:07Because they inspire each other
26:08Uh-huh
26:11Well
26:12The governor's a lucky man
26:14I don't know about that
26:15I do
26:16And he should too
26:20Good luck, Nando
26:33Snacks are for the crew
26:37Okay
26:44Oh
26:45Uh, Mae
26:46Are we almost ready?
26:48Nearly
26:48Okay
26:50Times, money, people
26:51Places, places
26:52Okay, Mae
26:56All right
26:58Take one
27:01Roll camera
27:02Rolling
27:03And
27:06Action
27:36Amen
27:39İzlediğiniz için teşekkür ederim.
27:39Ohohoho!
27:40Kut!
27:42I'm so sorry, Rosemary.
27:44No, no, no.
27:44I think I came in a little hot.
27:46It's alright, it's alright.
27:48It's your first time jitters.
27:50Let's just shake it off and we'll try again.
27:52Alright?
27:54Places, everyone.
27:56Take two.
27:57Roll camera.
28:00Rolling.
28:01And action.
28:08Oh, uh, cut!
28:14It's wonderful.
28:16Oh, okay.
28:17I love it.
28:18Yeah.
28:18Uh, just let's try to forget that the camera is even here at all.
28:24Uh-huh.
28:24It's just Octavia and Apollo against the world.
28:29You got it.
28:31Uh-huh.
28:31You are a cunning and heroic Mountie, animated by Justice.
28:37Whoa, just channel you.
28:39Rosemary.
28:40Uh-huh.
28:43How am I doing?
28:45Marvelous.
28:46Just, uh, find your center.
28:50Find my center?
28:51Right-o!
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:57And action!
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to really-
29:09Yeah, okay, shh!
29:09Pretend we're not here.
29:11Uh, just, let's go in for the kiss.
29:16Woo-hoo-hoo-hoo!
29:19Okay, let's cut!
29:20I thought-
29:21Uh, let's take ten.
29:24I thought-
29:25I thought-
29:26Wait, on that side.
29:27Oh, yeah, there's something, uh, wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something very wrong with the camera.
29:37Oh.
29:40Rosemary, I know we got off to a rocky start, but I actually think we're getting the hang of things
29:45now.
29:45Oh, absolutely.
29:47Uh, but, you know, one thing I-I didn't foresee when I cast both of you is, uh, you two
29:53are actually too real.
29:56And, you know, all of this is kind of nonsense compared to what you two actually-
30:00Rosemary?
30:01Mm-hmm.
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this!
30:08Hold on a minute.
30:09I only agreed to this because of Elizabeth.
30:12I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17Absurd.
30:18Hey, hey, hey, hey, hey!
30:20Did you just fire our two leads?
30:21What now?
30:22We have a schedule.
30:23This is not a crisis.
30:24Mm-hmm.
30:25It's an opportunity.
30:27We just need to find someone undeniable.
30:33You know, I could offer my services-
30:36May I have assistance with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:42Now, gently.
30:43Easy.
30:45Tilt her down.
30:47Yes.
30:48Yes!
31:13LysAND-
31:47İzlediğiniz için teşekkür ederim.
32:07İzlediğiniz için teşekkür ederim.
32:18Absolutely brilliant.
32:20Feels good to be back.
32:22Moving on.
32:24I would like to formally rescind my offer.
32:27Obviously.
32:28Si se hace, senor.
32:29Oh.
32:31Let's get you two ready for your next seat.
32:35Elizabeth.
32:37Thank you for taking this all in stride.
32:41It's as I always say, limitations breed creativity.
32:46About that.
32:47Yes?
32:48We need some rewrites.
32:49A location fell through.
32:50Oh.
32:51And Scout's part went to Gwen in a bear suit.
32:53I thought you said no bears.
32:55I got a deal in the suit.
32:57Well.
32:58Next setup.
33:01Fine.
33:01I will make the changes.
33:03Is there a chair for me?
33:06Can we get an apple box for the writer?
33:08I'm still Mrs. Thornton to you.
33:14There you are.
33:15I came by earlier, but you were out.
33:19I had some business.
33:20Well, I was hoping that I could lure you away for some gin.
33:25The card game, of course.
33:29I saw you and Fernando.
33:31I thought I made clear.
33:33You don't owe me any explanations, Edie.
33:35Clearly I do.
33:37There is nothing between Fernando and me,
33:40and if that wasn't clear to him before,
33:43well, it certainly is now.
33:46I see.
33:49So...
33:50What do you say?
33:57It is not that I don't believe you.
34:01But I've been here before.
34:04And people don't always know their hearts.
34:09You may have been here before, Lucas,
34:12but we haven't.
34:16Yes, I just...
34:18I don't want to be questioning
34:20and wondering, doubting you.
34:24It's not what you deserve.
34:27Okay, well...
34:29What can I do?
34:36I think I just need time.
34:39How much time?
34:43I don't know.
34:46I don't want to make you a promise
34:47that I cannot honor.
34:51I'm very sorry.
34:56I understand.
35:15The detachment clerk recorded the transcript,
35:18so it'll be admissible in court.
35:20How much do you think this is really going to help our case?
35:22Innocent people don't say they're wrong to us,
35:25so trust me.
35:26That will get the jury's attention.
35:28Yeah, I just...
35:28I wish that we had...
35:29I know.
35:30But short of finding Christopher in that blown transformer,
35:33we just have to keep digging in every lead we've got.
35:43What?
35:48Florence Dorothy Oost?
35:50How could you betray Ned with this...
35:53This...
35:54Molly?
35:55This...
35:55What on...
35:58Do I have something on my face?
36:00No, there's something on your head, dear.
36:02Need I remind you?
36:02Right, right, right.
36:03What do you think, Molly?
36:04I could get used to this.
36:05I thought Florence was messing about with some floppy-haired nitwit.
36:12I would never do such a thing.
36:14Is it floppy?
36:15Oh, and to think you thought I was traipsing around in secret
36:19when it's you who've been holding out on me.
36:21What are you implying?
36:23Those letters.
36:25I had to learn from Elizabeth
36:27that you've been taking a nursing correspondence course.
36:31Why didn't you tell me?
36:33Your opinion means so much to me.
36:34I just couldn't bear to tell you and then fail.
36:38Oh, Molly.
36:39I'm so sorry.
36:41for that and for thinking you were being unfaithful.
36:45How could you think you couldn't tell me?
36:47I know you're not going to fail.
36:50Well, it seems you're right.
36:52I passed.
36:53I'm officially a nurse.
36:56You see, it was all I could do not to be.
36:59Get them.
36:59Not that I ever have.
37:00No, it's a federal crime.
37:01I hated not telling you.
37:03You know you can always be yourself with me.
37:07And that goes for you too, Ned.
37:10I am begging you.
37:12What are you doing?
37:16Fine.
37:18Fine.
37:22Thank you, dear.
37:24Of course.
37:48Evening, Governor.
37:49Oh, Mike, I didn't order a drink.
37:53You look like you could use one.
37:55Uh-huh.
37:57Thank you.
37:59I recognize that watch.
38:01It was a gift?
38:03From Elizabeth.
38:04Yes.
38:06Our time has come.
38:10And yet it never came.
38:13That's in the past.
38:15Elizabeth changed her mind.
38:17She followed her heart.
38:19I don't resent her for that.
38:22But it changed something in me.
38:26You know, it wasn't so long ago
38:28I was standing at this bar
38:30hesitating to ask May on a date
38:32because of some past heartbreak.
38:35I was scared it was going to happen again.
38:38But then someone
38:40told me not to miss my chance
38:42when the right person came along.
38:44That sounds like good advice.
38:46Given by a good friend.
38:49It was you.
38:50You were the one who said that.
38:52Yeah, I got that.
38:52Thank you.
38:54Don't let your past
38:56steal your future.
39:04Have you seen Ms. Martell?
39:16I have to give it to them.
39:18The way Faith and Fernando
39:19stepped in
39:20was impressive.
39:22And their chemistry.
39:23By convincing.
39:24Sorry I missed it.
39:28You don't think...
39:29No, I don't.
39:31Do you?
39:31Not at all.
39:34We're talking about the same thing here, right?
39:35Of course.
39:37That we have chemistry.
39:39Oh, tons.
39:40And the real kind, too.
39:41Mm-hmm.
39:42Who cares if we can't fake it?
39:43Yeah.
39:44What does that matter anyhow?
39:47Hmm.
39:50Hmm.
39:51There's something still nagging at you.
39:56Well, this story that you wrote
39:59on a Mountie who returns a hero.
40:03No wonder I couldn't pull it off.
40:06What do you mean?
40:09I had him.
40:11Christopher.
40:12The evidence.
40:13Everything...
40:14Everything we needed.
40:16And...
40:16I just let it...
40:19slip through my fingers.
40:23I mean, that's why I feel like
40:24such a fraud in front of the camera.
40:27I feel like I'm failing.
40:28I feel like I'm failing you.
40:29I feel like I'm failing Benson Hills.
40:32I've seen firsthand
40:33how relentless you've been.
40:36You can't compare yourself
40:38to a fairytale story
40:41or a fictional character.
40:43One who can't even talk.
40:47The story isn't over.
40:50Maybe it is for our acting careers.
40:53But not for this investigation.
40:56And...
40:56And certainly not for us.
41:00I, for one, can't wait to see
41:01what the next act has in store.
41:04You know...
41:05I might have frozen
41:06in front of all those people.
41:09But out here...
41:11where it matters...
41:15I think the Mountie gets the girl.
41:19definitely.
41:26Definitely.
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