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Transcript
00:00Hello Tarakar. Hello Nauru.
00:02Super. Sorry, I didn't reply to all the messages.
00:07I want to reply to all the messages.
00:08Yes.
00:09Yeah.
00:11Now, if you have any relationship with this film...
00:14Sir, the first teaser is very good, sir.
00:17Sir, the last teaser is very good.
00:19If you start with me, I have positive energy.
00:21Sir, I have a flow. I have a flow.
00:22I have a flow.
00:24If you don't have any teaser,
00:25I will tell you the last day.
00:27Thank you, thank you, sir.
00:28Now, I'm happy. Sorry, sir.
00:30Sir, continue.
00:31I'm sorry, sir.
00:32I have a glimpse here.
00:33After that, you released this content.
00:36After that, you went to the office,
00:39steps, etc.
00:41They did it.
00:42They did it.
00:43But, after that,
00:45this build-up,
00:45it was a little bit later.
00:48What are you planning on that 3D?
00:51No, no.
00:54Now, I'm going to tell you.
00:56I'm going to tell you.
00:58I'm going to tell you.
00:59All three.
01:01All three.
01:02All three.
01:04All three.
01:26I'm going to tell you about the host.
01:27You are the host.
01:29I'm going to tell you about the host.
01:32If we want to tell you about the host.
01:38I'm going to tell you about the host.
01:50So, if we select the cast, we all know that we can produce a strong film.
01:55Let it be Z-Studio's Anudeep, Anwar, Sangeet, Srinu, Mansa, everyone.
02:01So, that's my team.
02:05Sangeet, sir.
02:07Basically, there are a lot of Lady Directors who have done it.
02:10There are hits, blockbusters.
02:13But, still, Lady Director, Lady Director,
02:16and I have a little tag here.
02:18So, if you work as a human being,
02:20it's all about you.
02:22Sir, I'm not a director, sir.
02:25I'm not a lady director, sir.
02:28I'm a director.
02:30I'm a director.
02:32I'm a director.
02:33Sir, if you're helping me,
02:35I'm a male or female.
02:38So, the question is better, sir.
02:41If you're a journalist, sir.
02:42You're not a female, sir.
02:43You're a journalist.
02:44He's got a very own, sir.
02:45That's that's why.
02:47The host of the General, sir.
02:48I am a female,
02:49and I am a female,
02:50and I am a female,
02:50and I am a female.
02:53He is a female.
02:55So, you're a female,
02:56and then you've reached the right path.
02:56So, you have a female.
02:57This question is not often.
02:59My first,
03:02my full faith was on her.
03:05And then when she told me Niharika Garu is on board, both of them was the main reason
03:10I am doing it. I know she can direct and I know how she can take the film into the
03:15audience.
03:15I know how she can position a film. I would already chase her.
03:18But I can already do Oxygen Family Store, but she doesn't want to do a web series pre-release.
03:24I don't know, sir. She doesn't want to do it anymore.
03:27So she was always ahead of time.
03:30So I was like, I don't want to do it. I don't want to do it anymore.
03:35Yes. I think recently, my brother is also a hit.
03:38So I don't want to do it anymore.
03:42So I wish you all the best to the entire team.
03:47Thank you. Thank you so much.
03:48Thank you so much.
03:49Niharika.
03:52Congratulations.
03:53Thank you so much.
03:54Thank you so much.
03:56It's a limited budget for three months or six months.
04:00How does this film come from?
04:01What are the mistakes of mine?
04:04I want to do the strike.
04:06I thought, sir, have to do a lot of medical stuff.
04:10I mean, you should plein out of committee.
04:14I want to do something.
04:15And this is the first time that I am experiencing visual effects also.
04:24We were very stressed because I didn't know what to do with the first thing, but no one had an
04:37idea.
04:37Either of them were fighting for the problem.
04:45VFX, we had to sit more on the pre-production of the VFX and we sat and that is why
04:57I don't think it's late.
04:59Especially ETSR's background score.
05:01Thank you from Anudeep.
05:04So, let me know that you can't get a song.
05:07You can't get a song, sir.
05:08That song was in cinema, but it was released after all the people.
05:14You can't get a song, sir.
05:20Let us write a song.
05:23Before we get a song, we will get into the cinema.
05:23To pronounce, we will get a song, right?
05:28So, want to learn this cinema.
05:33My hero, sir.
05:36Yeah, he is my biggest asset.
05:39It is in my key mander key and I go check markler thanu pre-release low, but
05:44Is in my key standout I adi akkada palakondu mandi kalipi and the standout
05:49Iroh ikkada okkado sang it show but you will take thank it sang it
05:54Barbara
05:55Yeah, what's up?
05:59Sangit
06:01Meiru here in here out me much, but I'm falling bogus a bunch. Come on. Oh, sir
06:09Thank you, thank you.
06:10Packers got it?
06:12Sir, they are very sweet, sir.
06:13Since day one mad day one in which somehow...
06:17What?
06:19What?
06:20I don't know.
06:22So, if you're doing a hero in the film,
06:24there are two blackbushes.
06:26I'm going to do a promo.
06:28I'm going to do a new hero as an author.
06:32I'm going to do a new hero.
06:32I'm going to do a new hero.
06:35I'm going to do a new hero.
06:35Last year, sir.
06:37That's why I'm telling you...
06:38that you're a hero,
06:40and I think you're going to do a new superhero.
06:44Actually, you weren't kidding, sir.
06:46I'm not heading to the previous videos.
06:49But very sweet of you, sir. Thank you so much, sir.
06:51If you did push it,
06:53if you were a good video,
06:54maybe don't do it, sir?
06:56I don't know.
06:58If you want success...
07:00your friends are doing success.
07:01If you want success...
07:02your friends are doing success.
07:03So, if you have any success in this video, you can comment on this video.
07:12I am very jealous of this video, sir.
07:14I don't care about that video.
07:18I will finish that video, sir.
07:20And you also have a promotion of this video?
07:25I am very happy, sir.
07:33Sir, I am very emotional.
07:37Exactly.
07:38I am very happy to be here.
07:40So, I am very happy to be here.
07:45That's it.
07:47I am very happy, sir.
07:48But I am very happy, sir.
07:51I am very happy to be here, sir.
07:53I am very happy to be here in the silent hall.
07:55I am very happy to be here, sir.
07:57I am in silent hall and ask it for the twitter to open.
08:00After two hours of the show started,
08:02once two or three hours, just a silent, sir.
08:04It is not a mistake.
08:05One positive tweet later,
08:20And I don't think anybody will ever say Santo Chopin is a bad actor. He's one of the best we
08:25have.
08:25But I don't think anybody will ever say anything about it.
08:32The first time when you talk about a couple friendly hit, the audience will give it a personal win.
08:37I'm very happy.
08:38If you want to make a person who gets hit, I was very happy.
08:45I don't think anybody will ever say anything about it.
08:48It's a hit.
08:50I'm very happy.
08:52I'm going to say something about it.
08:57Hi.
09:01Here.
09:03Actually, your sister is Sushmita.
09:06You can do a lot of blockbuster.
09:08You and your family always play the film.
09:13You can do a lot of blockbuster.
09:14I will call you fans on social media.
09:25foreign
09:31foreign
09:47I will try, I will try, but now I am already here, and I will release the film, so I
09:55am going to show you what I am going to do.
09:59Ustadh, Ustadh, I am going to show you a date, but I am going to show you a date.
10:06But obviously, I want him to promote his film, I am going to show you a promotion, but still,
10:12I am going to show you a pre-release event, then if he is free, then definitely.
10:20I am always, I want a family to promote the camera,
10:24I am going to show you how confident I am, I am going to show you a date.
10:36I am going to show you a date, then I am going to show you a date.
11:11happy very happy
11:28sangeet garu hello andy here sangeet garu oh sorry hi hi
11:33hi andy teaser looks very promising thank you and all the best andy i think
11:38mirip do a next door boy lock can pass to un taru and edi conchum na kenu ko
11:43konchum mirmi zonra daati ochre moan anna pichin di bat mali teaser tushin thar vata mali
11:48same alaga anpichin di so konchum mewain hai gandhi duri keshi naan kunar gada
11:52aa durikpootar bih
11:54leh leh du anta mali konchum edo different da kanpinch bohthun diyan anu kuna time lo mali
11:59teaser loo adhi hilarious comedy kanpichin di midi so if you want to
12:02try other any other different zonra edena chayali and kundi en trai chashtar
12:08aa
12:10jaja definitely abon romcom ande romcom experiment arnigada romcoms are
12:15it's a daily staple food and mata abhi lekpoote baraki ammo manna youth agaru
12:20they we need to have a lot of romantic comedies we need to have love stories be
12:23told uh nene alaga six pack ah tamadu mano double masala chicken berri ni family pack tamadu
12:30nene alaga maradana ah but leh then yeah i don't have anything it like a list pet kune i have
12:35to do
12:35each genre san kadu but ah nah kada bini na chashti ne chashtahan
12:38ah definitely i will i want to change my genre as i put next time doing a project with
12:43dheeraj so that is a completely you know complete genre shift but but not um it's it's not a serious
12:48film that i'm going to do every film i do it will have entertainment because uh that's what they
12:53expect from me and uh it is also a little bit of my duty in indefinite kawal kiwala de but
12:57different
12:58different way over and digest and all the best andy all the best andy all the best andy
13:01andy hi andy niranga chala anti it's like a goosebumps okay time low me music background
13:08winter day chala bagan pichindi and four songs are three songs i need the media confusion
13:13loneru and three song idhi four songs low one of the most difficult song either namir compose
13:19shayas daru anante a song chaptar uh book okay song i mean three or four and confusion chanade
13:32a song andy a song here here here hello ma'am uh me ranchkun de concept chala bound
13:42time last in magani is in magura chala promising again so miru kota director
13:47lane choose yes god and karnamate ma karnamate ma karnamate sir
13:52na dhikir ki uh already cinema jason director luchin enni to cinema jason never aadakled kawati
13:59and also uh new directors yavrete ochcharo yadvamsi kawachyo mansa gawachyo maheshgar gawachyo
14:06content nachchindi dini in back channel and pitch chandhi chaisans okay
14:10meri recent film fair award chindi congratulations andy ma director ke mahiro kachyo
14:16ahi event loo meek one minute one minute martla dan chai chahi wadam disapointe
14:24uh anthi sir neenu akshil ga event ka alol edho endukande ikkade rakasa post production work loo
14:31kundhe uh neenu chala excited ga naa kishthans sir neen eppi du jepta unta neenu endukku
14:36debu tans toti work chesa anante ipad varku naakku wala loo an innocence toti a hard work
14:42chai aali aukka chans osthe hard work in in into proof jesku nta nane di chala inspiring
14:48anupisth di naakku annte alanti wala to matla adin tharvata wala loo ennt kashtupade ochcharo manam
14:55vinin appidu manu nijanga endukundna aun cinema industry loo ye what is our the reason that we are stuck to
15:01cinema ne di mana kardam avuthun di sinema medha prem inka perutun di ah adi naen actually wait chesa an
15:07sir ah tamil debu tans ka avacchu kanada debu tans ka avacchu telugu debu tans ka avacchu malayalam
15:13debu tans maatla da daru ah i don't know why but ah mana wala ki tamil wala ki inka kanada
15:20wala ki
15:20chans raa lehudu and i was disappointed indhukande a one minute sir mano ki oscars level nappidu
15:26timer has taru time that is in data el pomantar it's okay time constraints prati dantlon unta yenta
15:33pedi managoda event ki time constraints definite ga unta hai kani aa okka nimisha edha ite vallu laakku naro tises
15:38kun naro adhi debu directors ninchi debu actor tis kokunna unu untae better ga undedan pich
15:43okay director thank you sir ponni chivetjes na adagutar ever leidani ma'am ma'am first cinema uh oppi
15:57first cinema jada mannedi oka evar kanaka dream so aa cinema ni reo ka producer tani oppi inchada niki o
16:06confidence evadani ki mir jesna prahet nai venti elan ti challenge spes chai sarhi ee sima jani lo
16:19nihaar ka gar to it is a little easy for me indhukona naan te aladi okka china family
16:35naniharka gari kakani naniharka gari kakani naniharka gari kakani nihaar ka gari kakani
16:49So, honestly, I don't have to do one thing, but I don't have to do one thing, so the rest
16:58is history.
16:59What motivated you in this conversation?
17:04I am already a director, and I have been doing a series of Bench Life.
17:08Of course, that is the first motivation, the director of the film director of the film director of the film.
17:14I am a very old soul.
17:15We are not making a film, but I am a favorite director.
17:20So, I won't say I am not reaching out to me, but you can see every glimpse of that story.
17:25For this reason, the stories of the film are making a high inspiration.
17:29For example, Thanos and Marvel.
17:33I am not making a film, but we are so good.
17:37We are making folklore, and our stories.
17:40We are making a range-making piece.
17:52So, I wanted to keep that alive. So, I wanted to keep that alive. So, I wanted to keep that
18:10alive.
18:16She was always our in-house director as of now.
18:28Why only Sangeet?
18:48Sangeet! Sangeet! Sangeet!
18:53Sangeet to honestly, I mean I'm a family story.
18:59We are like family.
19:01So, I'm going to say that Sangeet.
19:04So, I'm going to reject that.
19:07So, it's easy to do that.
19:09Sangeet Garu, why would you reject that?
19:14What is the reason?
19:17Why would you say that?
19:20Just asking.
19:22What?
19:23I'm going to reject that.
19:27I'm going to reject that.
19:27No. Sorry?
19:29I'm going to reject that.
19:34No.
19:38No.
19:39No.
19:46No.
19:50No.
19:52No.
19:53No.
19:53I would have very ee katha just ala petkuni uur kedha idea ondu babu anu cept tha anu ceptte
19:58mar ee katha nadekar jappukun daa eevao jepta reintan jeppi nenei reakta haiye naa ki kadhi chse nangei paddikthi ngeenu
20:03So ande meiree forceful ga involve iyer aran maattu
20:05Ayan andi. Okay. Ayan andi.
20:08Decision correct andi. Chala chala baas itte.
20:10Thank you. Thank you.
20:11Get up Shreeni Garu. Get up Shreeni Garu.
20:12Niharika Garu. So...
20:14Get up Shreeni Garu.
20:15Niharika Garu.
20:18Niharika Garu.
20:18Huuu.
20:21Huuu.
20:21Chaih.
20:22Anna nirul ala aloan nao bovth undi. Situma alo.
20:24Aoun andi. Naa game inipi chata lan.
20:28Thanks.
20:32Udduhuddu malli akkonlo dubblu padda pan rao.
20:34Kadhi saangkiithi karu panse kenna get up Shreeni karu panse ekkho mandhan ahttoonna aru.
20:39Daal ekkho as naidu lupi tte arang.
20:42Okay now. Thank you.
20:44Okay. Okay.
21:15Yeah.
21:18Amazing.
21:19Maybe the family started from that time.
21:21No, you didn't have a family.
21:23What?
21:23I didn't have to get the world.
21:25Wow.
21:27No.
21:27It's not like that.
21:29It's like, you must have seen a film about the first movie.
21:33Of course, the first movie.
21:34Who is it?
21:35That doesn't matter.
21:38You know how to come?
21:42Hey.
21:44The first movie is at the International Film Festival.
21:48There are a lot of hype and a lot of hype.
21:51What is this movie?
21:53Is it a horror comedy?
21:57It's not a horror comedy.
21:59It's a fantasy-adventure comedy.
22:03I don't know if it's a horror movie.
22:07You will experience a little bit of horror,
22:10but it's not a horror film.
22:11I'm not a horror film festival.
22:17It's a horror movie.
22:18We have a lot of drama.
22:20It's a horror movie.
22:26It's a horror movie.
22:27It's a horror movie.
22:32It's a horror movie.
22:36It's a horror movie.
22:39It's two movies.
22:40It's a horror movie.
22:44It has a horror movie.
22:46It's a horror movie.
22:51That really drove pretty good.
23:06That's how we went. Organic.
23:08All I put work in Raleo.
23:10That's it.
23:23I will take pink elephant pictures very far.
23:27Mansogaru.
23:28Mansogaru.
23:29Thank you, sir.
23:30Sir.
23:31There were some plaids.
23:37There's a bunch of talent.
23:42But it won't let the opportunity to visit .
23:45Okay.
23:45There are four few products called industry-lobany.
23:49Here profit JEREMY everything?
23:52I think it's a great satisfaction.
23:59I'm going to talk to a college festival at Khamam,
24:03and I'm going to talk to a lot about what I'm going to do with my debutants.
24:08I'm very privileged.
24:10I've been in a family,
24:12and I've been in a family.
24:13I've been in a family with all of them.
24:25It's very easy to come into Pink Elephant.
24:28You have perseverance, hard work, talent.
24:32I want to show you how much luck.
24:34Superbend.
24:35Manasa Garu.
24:36Nihari Ka Garu.
24:37Manasa Garu.
24:38Director Manasa Garu.
24:40Teacher to choose Sangeet Show and one-man show.
24:43Cinema is not available.
24:44Hero and Kentha Scope is available.
24:48It's a very balanced story.
24:50Every character you see, you have a lot of scope.
24:55Of course, always Sangeet has a one-man show.
24:59But in the first scene, it's a teaser.
25:01But in the first scene, there's a backstory, meaning.
25:08Character graph.
25:09Hero is good.
25:10I think it's a very good story.
25:11You have to show a story about three years.
25:13You have to show a story about three years.
25:16I'm not.
25:19I'm not.
25:20I'm not.
25:21I'm not.
25:23I'm not.
25:24I'm not.
25:30I'm not.
25:37I'm not.
25:40It's quite clear.
25:41Okay.
25:41Yes sir..
25:42Sorry sir..
25:44Sangeet Show and one-man show told me..
25:45Manasa Sharma is the one-woman show possible, 3.25 5.3.
25:50In 638.
25:51Button.
25:53It looks like Mr. 잡 on the ring.
25:55Definite.
25:56In 738.
25:58Manasa..
25:58Like you told me, you are from Srikakollam. So, you are from Srikakollam. So, what kind of stories do you
26:15present in Srikakollam?
26:21Personal, I have a little bit of a big scale. But, it is always a core point of emotion. Always
26:31it is human emotion.
26:33You also have a rakaasa. But, every time I have a story…
26:38Rakaasa, but the core point is a human emotion.
26:41Comedy plus emotion is my way of writing. So, this is a cinema.
26:46Get up, singer. Sangeet, get up, singer.
26:51Don't worry about it.
26:53I don't know.
26:54So, what is your character in this film?
27:00I am a hero to travel character.
27:03Ballu.
27:04So, my name is Ballu.
27:07My name is Ballu.
27:07My name is Ballu.
27:09So, it is a lot of fun.
27:11It is a lot of fun.
27:18I am a hero.
27:19My name is Ballu.
27:20There is a lot of fun.
27:21When I am in a movie, I am a hero.
27:23You are a character.
27:26You are a villain.
27:26You are a villain.
27:28I am a villain.
27:29I am a man from that.
27:31I am a computer.
27:33So, everyone is happy to be like that.
27:35I would like to be a family.
27:38He is a bad thing, too.
27:38Happy to be a cinema.
27:39They are all happy to be a film.
27:40I am happy to be a film.
27:51So, when you accept this one thing, you will connect to it.
28:03So, lucky.
28:05And in 2026, you will be here.
28:12Sir, sorry, sir, la, la, la.
28:16Sir, sorry, question is Sir, I have a question.
28:21The connecting point, first of all.
28:23Sir, if you have any connection, it's hard to say.
28:27But, sir, if you have any connection,
28:31the audience's entertainment,
28:34maybe a little bit,
28:35a good experience.
28:38I have a feeling that they've cut tickets
28:39and they've got any entertainment in this cinema.
28:41I've got a feeling, sir.
28:42I've got a mad one, I've got a mad two.
28:45I've got a feeling, sir.
28:47I've got a feeling, sir.
28:48If you don't know the film,
28:49you've got a question, sir.
28:51You have a question, sir.
28:57So, there are a lot of concepts in the film.
29:02G-Studio is produced.
29:05How does OTT write Netflix?
29:08Sir, G-Studio is only film production.
29:12So, whatever is best for the film, we'll do it.
29:14So, whatever is best for the film, we'll do it.
29:14If you're in a studio,
29:16there's no compulsory film,
29:21so whatever is best for the film, we'll do it.
29:24Ok. Business point,
29:25I can't disclose numbers.
29:32I can't disclose.
29:34Anadip Garu.
29:35Ok. Ok. Anadip Garu.
29:36Niharika Garu.
29:39Niharika Garu.
29:39Niharika Garu.
29:41Niharika Garu.
30:05Niharika Garu.
30:16Turkey Gururen.
30:19Nothing.
30:25Theits of Love.
30:34So you are a big family.
30:39Doctor said that...
30:41I don't think they have said anything about me, but I can't speak.
30:45Good, good.
30:47My family has a lot of actors and doctors.
30:51They are like,
30:52it's a lot of people.
30:53So, they are both good and bad.
30:57That's what they do and they have no need.
31:00I chose the doctor.
31:03But it's the same.
31:04acting in the industry. They said,
31:08you know what you think about the cinema
31:11but this is how it is.
31:13The goods are there, the bads are there.
31:15There are many careers in my career.
31:18I thought, doctor,
31:21I don't have to worry about the cinema industry.
31:24I thought, I don't have to worry about it.
31:27So, Manishankara Varapras
31:28had talked about the success meet in cinema.
31:32I thought, Shushmita Kooda
31:34would be able to produce and produce.
31:37I don't have to support it.
31:40So, if you want to support it,
31:42you don't have to support it.
31:44So, if you want to support it,
31:45you will be able to produce and produce.
31:48Oh, double support?
31:51Yeah, yeah.
31:52Finance. Basically, the cinema will finance.
31:54I thought, D Junior's dance show
31:57started when I was 20.
32:01I think, in 2015.
32:03I thought, I don't have to give my mom a double.
32:05Wow, great.
32:06But I can give my mom a pocket money.
32:09Because I feel like,
32:11you know, I don't have to give my mom a little.
32:15So, I can give my pocket money a little.
32:18I can give my pocket money a little.
32:20And then, that's how a man is in a movie.
32:22So, I don't have to give a lot of money.
32:22Obviously, cinema produced,
32:24you can give money.
32:25But I can give a lot of other relationship with your father
32:26and daughter.
32:28He sends me pocket money, but that's it. That's the last.
32:33Sangeet Garu.
32:35Hi.
32:39Hi.
32:45Hi.
32:50Hi.
32:51Hi.
32:52Hi.
32:52Hi.
32:52Hi.
32:53Hi.
32:55Hi.
33:05Hi.
33:06Hi.
33:07Hi.
33:07Hi.
33:07Hi.
33:07Hi.
33:08Hi.
33:09Hi.
33:12Hi.
33:17Hi.
33:18I mean, I am doing the post-annunciations and saying those songs are in the cinema.
33:25But, the reason is that there is a song for you, is a breakup song.
33:30The song from the one month called songs was delayed, but it was also a first single.
33:38After having a teaser release, she said songs released.
33:43So, that's why.
33:46So, what do you think?
33:46Tell me.
33:48If you want to choose a title,
33:50you can't say anything about the genre.
33:52I'm confused.
33:54If you have a fun song for me,
33:57you'll be shocked.
33:58After you release a teaser,
34:00you'll have an idea for cinema.
34:04But after that,
34:06you'll be able to release a song.
34:08You'll be able to release a song.
34:11Whatever.
34:13All the best.
34:14Nehra.
34:15I'm a mega brother.
34:20I'm a super nirmata.
34:21So, I'm a super nirmata.
34:25So, I'm an a nirmata.
34:26I'm a nirmata.
34:27As a producer,
34:28please.
34:31Uh
34:35I'm a producer,
34:39that
34:39that
34:51Yeah.
34:54Yeah.
34:56So, actually, your choice of decision according to films is very, very good.
35:21I'm sorry, I'm sorry, I'm sorry.
35:47The word casting couch has a very vast meaning.
35:51Judicial, it has a lot of different meaning, but if we talk colloquially, there is a meaning, forcefully, whatever.
36:03But I would say, in a wider perspective, there are three or four sections of what is called as an
36:18abuse.
36:19I would say, in a wider perspective, it is obvious that on a stage, I don't think it's disturbing, but
36:33it does create some sort of confusion.
36:36So, I think, in that perspective, I don't know what it means.
36:40I don't know what it means.
36:44Last question, please.
36:45Thanks.
36:45Thanks.
36:46When I was released, there was almost three weeks of space.
36:51There was a lot of interest in the film.
36:54So, if you were in one-week gap, Mr. Bhagat Singh, you would be confident that you would be able
37:01to postpone April 3.
37:02How did you do?
37:03Definitely.
37:04I was in my face.
37:06I was in my face.
37:06Okay, sir.
37:07You're in the face.
37:08Sir?
37:09You're in the face, isn't it?
37:10I'm in March 26th.
37:11I was in my face.
37:12I was in my face.
37:13I'm in my face, I'm in April 3rd.
37:15That's right.
37:40Thank you so much to all the media friends.
37:47Thank you so much everybody for joining this teaser launch and making it so successful.
37:56So thank you everybody on stage for this wonderful teaser.
38:00So see you all again, bye-bye.
38:13And I'll see you next time.
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