00:02I'm here!
00:04Viswak Sengaru!
00:11Sir, hello!
00:13Sir!
00:15Hello!
00:17Hello!
00:18Hi-ya!
00:21Hi!
00:22Hello!
00:24Hi!
00:24Hi!
00:27I'm here!
00:31sir
00:32sir
00:33sir
00:33sir
00:33sir
00:33sir
00:34sir
00:37thank you thank you so much sir
00:39no doubt
00:40you're a cameo
00:41you're a cameo
00:44you're a cameo
00:46you're a cameo
00:48you're a cameo
00:49you're a cameo
00:52you're a cameo
00:53that's not that
00:57ok
00:58done
00:58done
00:59question in pistol
01:05please
01:10oh no
01:22that's my responsibility
01:24sir
01:30i made it for families
01:34and
01:39family cinema
01:40family vibe
02:11it was a vibrant vibe
02:11so
02:17definitely i got inspired from project
02:35that's
02:49and when it is
02:49that's
03:00that's
03:02that's
03:02that's
03:05that's
03:14that's
03:17that's
03:18that's
03:21that's
03:49that's
03:52all the best sir
03:52children
03:53that's
03:54that's
03:58that's
04:12that's
04:13that's
04:24that's
04:50that's
04:51that's
04:52that's
05:13that's
05:15that's
05:18that's
05:27that's
05:28that's
05:30that's
05:41that's
06:12that's
06:12that's
06:12that's
06:12that's
06:13that's
06:13that's
06:15that's
06:17that's
06:22that's
06:43that's
06:46that's
06:48that's
06:49that's
06:53that's
07:12that's
07:39that's
07:41that's
07:43that's
07:43Yeah
07:43nice
07:44cinema
07:44cinema
07:47cinema
07:50cinema
07:50cinema
07:51cinema
07:54rather
07:54rather
07:55La
08:05actually
08:09actually
08:09Actually, you are talking about a bunch of factors that you have introduced in this film.
08:13You are talking about a bunch of factors that you have introduced in this film.
08:17So, your character is the extended camera.
08:20It's a full length of the film.
08:22So, basically, it's a world and I am seeing it as a bigger franchise.
08:27I am seeing it as a bigger franchise.
08:28So, if you are seeing a franchise, I will see 45 minutes.
08:32So, in 45 minutes, you are seeing it in this format.
08:36So, if you are seeing it in this format, you will see my landing.
08:41But then, if you are seeing a story, you will see it in this format.
08:46And the shooting update, what happened?
08:50The last 15-20 days, there was a last schedule.
08:54There was an action piece and there was an outdoor schedule.
08:58And then, the film is ready to release.
09:00Almost the background score, sir.
09:02I am seeing it in the cinema.
09:04So, think of those recordings and you will see it in the cinema.
09:06Definitely, sir.
09:07All the best.
09:08I don't see your dazzle.
09:10All the best, sir.
09:11All the best, sir.
09:11Can you speak on Ravi?
09:13Sir, guess that Ravi?
09:15Yes, sir.
09:16In your music, it's not good, sir.
09:18Please, do you set your display today?
09:19How about your music?
09:21How about your music is your display today?
09:25It's a two angles, sir.
09:27Working style.
09:28Yes, sir.
09:31I don't know what I'm going to go to the island and I'm going to go to the island
09:39and then to none toxic different different concept different concept turn
10:13so don't know it's not a matter of money between us
10:16it's we are family and they're growing together okay it'll always be there
10:20if you don't name teach in a thumb and teach in a new gooch on like a less
10:23come okay me me direction low and I work chaseru viswaggaru viswaggaru cut to
10:30action get the me feeling in DC malo extremely proud extremely proud and I
10:35know Kajepton apparel I feel like he's a part of my family other he's growing so
10:39hundred percent I'll be proud okay uh he walk up at Anna X up chase over la
10:45sing Justin Timiru ok Patana X up chase over la satayin chivalu
10:48see yes then up to do ok ok is a walla lagup at the moment Kosta satayin
10:53children I think of all I think of all I think of all I like a deal I mean is
10:56you know the dialogue rush to acting jailer
10:58ah the only dialogue yes so pre-production la jury okay I definitely
11:03chana chana collaboration jargon the cany
11:07I always think that wavelength is the same. So, it's always a pleasure.
11:11Vishwakar.
11:13Sir.
11:16Action movies and thriller movies.
11:18You have a benchmark.
11:21You have a cult.
11:23You have a hit in the A range.
11:26Your expectations are in the box office.
11:28That's what I'm saying.
11:29I'm like Babaji.
11:31You come.
11:32You come.
11:33I don't know.
11:36I don't know.
11:36I'm going to do it every film.
11:41I'm going to do it every film.
11:42One day at a time.
11:44Every film every day.
11:45Every time.
11:46I'm going to do it every time.
11:48So,
11:52Processor.
11:53We're going to do it every time.
11:55Okay.
11:57Okay.
11:57Half of an or no two.
12:00If you do it every time.
12:02You are horc自由.
12:04He is being able to turn the team up all between these movies and some of them.
12:11Your host.
12:11Surely they are waiting for the film and that the film is keeping up
12:15I don't have a script.
12:16Yes?
12:18What are those deadlines?
12:18Because there's going to be the waippy, sir?
12:20I'm not?
12:20I'm doing the with�� Mikita.
12:22Three years ago then...
12:25I'm in the film.
12:26any black languages are fight cinema runtime might be two or ten minutes okay any black
12:32one day fights fight lesser fight alone day fight to rock rock all day beginning beginning
12:41Monday not to know sir okay okay okay okay okay okay all the western thank you sir wish
12:53for sugar you've got a Jason away area director in the phone Jason abduo amiru hero guy in the
12:59director Jason abduo cinema lenni kundu plop out and jerry in the gada you put me a director
13:03me a hero guard gay and talk about who hit the author of the name again I don't question
13:08the Lula Malad you're my room God definitely sir baby definitely John are breaking film if
13:15you come and post look at little mark YouTube library action mark Adam ever the definitely
13:20Definitely, it's a first Indian slasher. And I think Gen Z, the younger, the crowd gets, the crazier they go
13:31for this film.
13:32It's definitely, it's a whole intention to deliver a new age cinema.
13:50For this film, Sir, one of the first two, I will do his event, sir.
13:56Even? Sir?
13:58Sir, the first one is.
13:59If I don't have an opinion, you know that's a world of women.
14:06It's a film, so, the prosthetics can be used as a CGI?
14:1250-50, Sir. 50-50.
14:15But prosthetics in India is there available to anyone?
14:19Yeah.
14:23Yes.
14:26Yes.
14:26Yes, bro.
14:27So, sorry.
14:28He kind of films ki like there are no references inside the India gada.
14:32So, even you got most time on Hollywood films, so, then Korean films to choose no more.
14:36So, are references sent work with is corner way.
14:37At the same time, new kind of reference me to create shade and can't work with scope
14:40Undy.
14:45But what are the new kind of references you might have created with this film?
14:49Real life party's reference.
14:52Yeah.
14:53Tarun.
14:56So, it is more of…
14:57And there is more of dialogue because more of action.
15:01So, what is your part in this?
15:03No, there were a lot of dialogues.
15:05There were a lot of dialogues and it was very creative.
15:07Our collaboration was very interesting and it was a nice banter between Vishwag.
15:12I think it's going to be pretty entertaining.
15:14For sure.
15:16Tarunbaskargaru.
15:17Vishwaggaru.
15:17Sir, Tarunbaskargaru.
15:18Vishwaggaru.
15:21Vishwaggaru.
15:22Vishwaggaru.
15:23Vishwaggaru.
15:24Done.
15:24Vishwaggaru.
15:24Vishwaggaru.
15:24Vishwaggaru.
15:25Vishwaggaru.
15:26Vishwaggaru.
15:27Vishwaggaru.
15:27Vishwaggaru.
15:28Vishwaggaru.
15:28Vishwaggaru.
15:29Vishwaggaru.
15:29Vishwaggaru.
15:30Vishwaggaru.
15:31Vishwaggaru.
15:32Vishwaggaru.
15:36Vishwaggaru.
15:37Vishwaggaru.
15:38Vishwaggaru.
15:40Vishwaggaru.
15:47Vishwaggaru.
15:49Vishwaggaru.
15:50guy in mind a bitch and the guy three bar was going to cast shade and he'll start with hero
16:00slowly take you turn to Iran what made you choose guy three bar was garu in cult hashtag cult I
16:16and I saw and I saw her film with the Raviteja garu so that look a lot she have south
16:24face and pitch
16:25in the so I wanted to portray her simple very interesting character is the first Indian slasher
16:31film on the other so if you work a John are not actually led man India alone so chalara
16:36call we put up in there are a super star Krishna garu yalaita kotha John arsene touches tharo ala
16:41first time Veshwakshen touches nedu so chaladhani kidi kawal gatskawal and in the heavy budget
16:47malla atunan so intima anti-sensor problems may be what you chance to take about anti-arrated
16:52evidently nagu is cinema okkadekar judele denun utti telukula hi polo no hindu la salen petko
16:58leather I am very big Deadpool fan may under girls who so upon up deadpool action sequences
17:04of any jushna put up people who are enjoying like basically ok manam we are not thinking
17:09wrong and pitch ninka I could confidence when I saw deadpool me riproo deadpool to the title
17:14sequence faster jushira and a matter of the room so I wanted to create something like that
17:19and I'm looking in Spanish Japanese and bitna it is too over the other one of the other
17:24and last last question title one kathla konny okulu tarawathla tablets yenni pitter gada so
17:33adhi dhenik indication and then well elant message audience ke obatna it's not a message basically
17:40cinema is an art basically I am trying to say something and it's a very trippy film and chala trippy
17:51trippy
17:51people under cinema love but cinema nundi message maathran definitely like do not do drugs on the strong convey
17:58and last previous girl release in cinema lo result elagunna audience maathran chale eagerly
18:05wait chas naru nono vishwaksen hit kodute bonnu anee so he cinema to nyan jashto
18:10yabba day man kuna fangki nak hitte tarunmaskar karenda i made a great film adhi yenta durambodom
18:16anandarang halsi udham tarak sir tarunmaskar sir tarunmaskar sir sir sir and a family emotions
18:23gaani ileda comedies in elanti dialogue saith kohin different rasko general gauntum but elant action
18:28film ki dattu kalta ne petti in the high-end action film lo dialogue ski elant importance create
18:34yes sir elante oka cinema is an art form da nikki malli manam ok box betto do action
18:39comedy ani as a film maker anni jonas jayali as an artist anni jayalane say desire untadigada
18:45so i enjoyed it completely tapakuna next in an action film di ochu crime di ochu i want
18:51to change different jonas iti naa first step so i was very happy tarak sir here ante miru
18:58last question karir starting nun chukuda eccentric characters se kuchas ante aadi borderline
19:03psychopath john lon toni so i a transformation elant indian nd i y�te calitlo elant botton
19:11me karik to uh actually which i think of the video be kuchama uh... sykeone su utadi characters lho ee
19:20Basically, he is the bad guy who is into drugs and everything.
19:27So, he is the bad guy who is into drugs and everything.
19:31So, this was a very new thing.
19:35Substances use, snorting, smoking, drinking, that's what they do in the party.
19:42So, I did a little research on this character, like how these people behave, and a psycho-ness
19:52and a psycho-ness, it was a great experience.
20:04My opportunity, Vishwak Garu.
20:07Ravi Basmur Garu, one last question.
20:11Sir, first of all, thank you for Salar.
20:14So, Salar backgrounds are both life-flow boosted.
20:18So, now, you are a personal region sharing a personal thing.
20:24So, that's all that you inspire.
20:28So, Salar, but your music is a lot of inspiration.
20:31So, how does your music translate into a big screen?
20:38Actually, normally I am collaborating with so many companies.
20:47So, I will take the samples from their company or else I will tell them something unique I need.
20:55Like, in this trailer, I have used violin, but different kind of.
21:01So, it has to be registered.
21:04The register is available.
21:05So, Alanti is my team.
21:07So, in this movie, you can expect every completion.
21:13So, I will tell you.
23:08I felt very emotional.
23:10Thank you, sir.
23:10Waiting for this.
23:11Thank you, Shindra.
23:12Thank you, Shindra.
23:13Oh, last, Anjali.
23:15Vishwagar.
23:15Yeah.
23:16So, teaser chootndang...
23:18Cult actors are there.
23:20Hello.
23:21Yeah.
23:21Teaser chootndanghati chala boldga ondi.
23:24So, Marco cinema choosna apidu yala iti kallu moha adubit kun choosanu, teaser ala choosanu.
23:29But, one thing ain't ya nanti, hivi chala sensitive point me ir tees kundi.
23:33Yen nanti, ee kallan loo youth, ipadunna youth encehes narante, official or unofficial they are using anu koochu.
23:39But, ee kind of movies choosna apidu.
23:42Meeeru youth ke eem chepal anu koochu nar.
23:44Of course, iti vada kodudhu, dhinni valla vada te eem avut undu effects chubis tharu.
23:49But, kotta kotta vi eemayana vallu necchkovo chepo.
23:52So, what is the message?
23:52Definitely chase the nashna mai potra na aradamaita, cinema dhusthu.
23:56Adhe intengshantho dhishnu unde.
23:58And, miru Marco to compare eeshirru.
24:00Thanks for asking the question.
24:01Marco has a violence of...
24:05Dandlo miru judo ochu koncham.
24:06Chinna pillal ni, ladies ni.
24:08So, aa side asal illa na illadi cinema.
24:10Aa direction lo illadhu.
24:12Aa rakamaina...
24:13See, that film also ran very well.
24:15And, literally, daan backgrounds ko runne appide.
24:17Na kinka baaga nachinundu ravisar can do this film.
24:21But, definitely, this film don't go in that direction.
24:23Disturbing direction lo illadhu.
24:25It will be gore but very stylish and very mazav sa jussundu.
24:28Okay, all the best.
24:29Thank you so much.
24:35Thank you one and all.
24:38Thank you one and all.
24:38And, all my cult actors.
24:40Arrey, koncham jagartha ga choo shi only cult actors ni midhig bilho ra.
24:43Ya, okk sari wall lu, okk photo koosam.
24:45Okay.
24:46Yeah, arandi.
24:47Stage clear.
24:48Ayipa in taravata, kult lo chesna actors maatram, okk picture.
24:51Chair is clear.
24:52Chair is clear.
24:53Ches and di stage midhan unchi.
24:58Ya, Pa, this picture, Sandeepkaar ni kode joaya nawas in ka kor kund.
25:02Producer Sandeepkaar, pls join the stage.
25:07Yes, sir.
25:07Yes, sir.
25:07To Be K.
25:08Thank you so much for joining us.
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