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00:00:37Somewhere on the other side of this wide night and the distance between us, I am thinking
00:00:43of you.
00:00:49The room is slowly turning away from the moon.
00:00:57This is pleasurable, or shall I cross that out and see, it is sad, in one of the tenses
00:01:09I am singing.
00:01:11An impossible song of desire that you cannot hear.
00:01:30Any valuables in here, please?
00:01:52Take these, follow me.
00:02:01You'll stay here while the Home Office decides your case.
00:02:05If denied, you'll have three chances to appeal.
00:02:09When denied for the third time, you'll be sent back to your home country.
00:02:13If you choose not to appeal, you'll be sent back.
00:02:16Any questions?
00:02:19Credit for your phone, minimum £5.
00:02:21By law, you earn 79 pence a day in here.
00:02:23It's a bit useless if you ask me.
00:02:25You'll have internet access, but not to social media.
00:02:29Your room and roommate, Farrah, ICO, are out, you two.
00:02:35Come on.
00:02:36Let us settle in.
00:02:44If you're a problem with anyone or anything, you let me know, alright?
00:02:47We're here to help.
00:03:11She's not here to help.
00:03:14Don't let her niceness fool you.
00:03:16Helping is how they gather information.
00:03:22The first couple of nights are the hardest.
00:03:24They get used to it.
00:03:26And if you don't, nowhere else for you to go.
00:03:31I'm getting out of here.
00:03:32Of course you will.
00:03:34They either send you back or let you stay in the country.
00:03:40I'm just trying to help you understand how it works.
00:03:47There's no one else.
00:03:54There's no one.
00:04:01It's not alone.
00:04:04There's no one else.
00:04:07Look, I have no one.
00:04:11I have no friends away.
00:04:14I know, Chef.
00:04:15You can walk around.
00:04:16I don't know.
00:04:16He's my staff.
00:04:24Oh, my God.
00:05:03Oh, my dear, are you a man or a woman?
00:05:10Oh, my dear, are you a man or a woman?
00:05:15Oh, my dear.
00:05:17Oh, my dear.
00:05:18Oh, my dear.
00:05:24Oh, my dear.
00:05:35Oh, my dear.
00:05:38Oh, my dear.
00:05:46Oh, my dear.
00:05:53Oh, my dear.
00:06:01Is this what it's going to be like with you?
00:06:06You're just going to lay there and wait for what?
00:06:08Life to happen to you?
00:06:11You don't know me or my situation.
00:06:14Let me tell you something.
00:06:16Your situation, my situation, it doesn't matter.
00:06:18What matters is us getting out.
00:06:23What is that?
00:06:25Someone is being deported.
00:06:26Oh, my gosh.
00:06:28Oh, my gosh.
00:06:45What do you need?
00:06:46Fuck.
00:06:50Hey.
00:06:51Hey, I am with you.
00:06:55Here.
00:06:58What?
00:07:00It's a few, seven-year-old.
00:07:02Seven-year-old.
00:07:03Ah!
00:07:04I believe you're so quiet.
00:07:06No, because of this.
00:07:07Yes!
00:07:08Move!
00:07:09You're in our space.
00:07:11Move.
00:07:12Sorry.
00:07:13I didn't know.
00:07:14Wait!
00:07:16You get money.
00:07:19You don't understand English.
00:07:21I do.
00:07:23Later.
00:07:24You'll buy me some things.
00:07:26I don't think it's that much.
00:07:28Mm-hmm.
00:07:32I'll buy it for you.
00:07:35Okay.
00:07:36Go on.
00:07:48Senseless.
00:07:48You're welcome.
00:07:50All right, girls.
00:07:52Come on.
00:07:52You're welcome.
00:07:53I'm sorry, too.
00:07:55I'm sorry.
00:07:56I'm sorry.
00:07:57I'm sorry.
00:07:59I'm sorry.
00:07:59I'm sorry.
00:08:11I'm sorry.
00:08:13I'm sorry.
00:08:16Here we are.
00:08:16Come on, mom.
00:08:17You're welcome.
00:08:19Shh.
00:08:21I can't.
00:08:22Come on.
00:08:41Their team is to bully the newbies,
00:08:45the three unwise women, Raffia's gang.
00:08:51Don't let those women get to you.
00:08:55In here, you have to be tough.
00:09:00I don't want any problems.
00:09:02And I have my caseworker interview coming up soon, so...
00:09:06Then you should apply for asylum.
00:09:09Tell the home official a real story.
00:09:11I thought you said I shouldn't trust them.
00:09:14No.
00:09:16I said the guards are not helpful.
00:09:19I'm glad to know you're listening to me.
00:09:29I'm David, and I'm the caseworker that will be deciding on your status.
00:09:34You've been exposed as working illegally in the UK,
00:09:37and you've applied for asylum.
00:09:40This interview will determine if we grant you asylum.
00:09:44As of today, I haven't received a copy of your file or your passport.
00:09:50If you're denied asylum at this stage,
00:09:52you can appeal in front of a judge.
00:09:56I request that you answer all questions verbally.
00:09:59Why are you claiming asylum?
00:10:04I'm...
00:10:09I'm a lesbian, and my mother found out.
00:10:12Why can't you be gay in Nigeria?
00:10:18It's illegal.
00:10:19I can't.
00:10:24Have you ever kissed a man or had sexual intercourse with one?
00:10:31Yes.
00:10:37How can I be sure that you're gay?
00:10:46I...
00:10:53No.
00:10:56No.
00:10:57No.
00:10:57No.
00:10:58No.
00:10:59Well I want to be seen.
00:11:01Huh!?
00:11:02Are you okay.
00:11:06I'm fine.
00:11:07Are you sure?
00:11:09Yes.
00:11:39How are you feeling?
00:11:40I'm fine.
00:11:45Thanks for asking.
00:11:52You missed breakfast.
00:11:54I snuck something out for you.
00:13:32Beautiful as ever, Farrah.
00:13:35Thank you, Lisa.
00:13:36Your brush stroke has, it's really improved.
00:13:39I remember what you said last week about how I should hold the brush.
00:13:43Very good.
00:13:45Oh, this is nice.
00:13:47Is this somewhere in your home country?
00:13:50Wait, see.
00:13:52It's London Bridge.
00:13:53Oh.
00:13:54Ah.
00:13:55Ah, yes.
00:13:57It's very nice.
00:14:00All that woman sees us as poor, hopeless immigrants.
00:14:04She just wants to help.
00:14:06I beg.
00:14:07I'm nobody's pathway to heaven.
00:14:09I have a degree in political science.
00:14:12What did you study?
00:14:14What did you study?
00:14:14Philosophy.
00:14:14Oh.
00:14:17Ah.
00:14:18What's so funny?
00:14:22Please.
00:14:24Philosophy.
00:14:25What is that?
00:14:26Which job can you get with that one?
00:14:28Ah.
00:14:28So you're one of those Nigerians who doesn't see the value in understanding human nature.
00:14:33Can you change person?
00:14:35So why are you learning about them?
00:14:37And the political science that you studied.
00:14:39At least with that one I can organize government.
00:14:43This is your Karl Marx and Spencer.
00:14:45Ah.
00:14:45The poor man will be rolling in his grave.
00:14:47Then let him roll.
00:14:48Over and over and over again.
00:14:54Monsieur.
00:14:55Nana Atifa.
00:14:57Nice to properly meet you.
00:15:02Nana doesn't like people.
00:15:03I can't talk for myself.
00:15:05You have to learn to be friends.
00:15:08Ati.
00:15:10I told you so you could try and get her a job in the cafeteria.
00:15:14Give her something to do.
00:15:16Sure.
00:15:17I will try.
00:15:30You want to go?
00:15:33Uh, you know.
00:15:35What did they have?
00:15:36He doesn't even go.
00:15:37No, no, no.
00:15:39Yeah, he didn't go away.
00:15:41No, no, no, no.
00:15:43You're not going to go there.
00:15:45You're not going to go there.
00:15:46You're not going to go there.
00:15:47Why does Nana like me?
00:15:51That's all right.
00:15:55Hey.
00:15:55You're not going to go there.
00:15:56like you. She doesn't know you. That's it. In here, people, they come, they go. It's
00:16:07not easy to know anyone. Where are you from? Angelia. You? Iraq.
00:16:34You have family back home?
00:16:47May I have a son? He's six years old. His name is Mustafa.
00:16:56Look, I have a picture.
00:17:03Happy.
00:17:10Ooh. He's beautiful. Where is he? Germany. The authorities, they took him. Alhamdulillah, I have family there. They make sure
00:17:25he's okay.
00:17:33When I leave here, I will get him.
00:17:37You sound so confident about leaving. I have to. I have no choice.
00:18:16I have no choice.
00:18:21No.
00:18:30Good morning, ladies.
00:18:35Is that how you fold?
00:18:38What's wrong with how I'm folding?
00:18:40Oh.
00:18:42You make a terrible housewife.
00:18:46Who told you I wanted to be a housewife?
00:18:48Me, I want to be a CEO.
00:18:50CEO of what?
00:18:51People who can't fold?
00:18:54Then you fold for me.
00:18:59Anything else, madam?
00:19:02And I'd make an excellent housewife.
00:19:06My food is very, very tantalizing.
00:19:14I guess I have to find out.
00:19:24How does it happen that our lives can drift far from ourselves?
00:19:30While we stay trapped in time, queuing for death.
00:19:37It doesn't matter why we're here.
00:19:40Just how we live.
00:19:44It seems nothing will shift the patter for our days.
00:19:50Alter the rhyme we make with loss to assonance with bliss.
00:20:09This is for you.
00:20:12Read it.
00:20:14Why?
00:20:16It's your decision, letter.
00:20:25We crazy.
00:20:26Stop.
00:20:27This is your life.
00:20:28Yes, my life.
00:20:45Isio, we can't fight this.
00:20:47The first thing we need to do.
00:20:49It's not a problem!
00:21:00Yes!
00:21:00Ace!
00:21:03Follow me to the shop.
00:21:04Let's go, please.
00:21:05I need something.
00:21:08Are you deaf?
00:21:09I need something.
00:21:13Stop.
00:21:14I need something.
00:21:18Get her down.
00:21:18Get out! Get out! Get out!
00:22:21How are you feeling?
00:22:24I feel like I'm losing myself in this place.
00:22:35I know they're going to send me back.
00:22:38I know. I know.
00:22:41I know they're going to send me back.
00:22:43Look at me.
00:22:43I can't. I can't.
00:22:44Look at me.
00:22:46I can't. I can't go back.
00:22:49Josh, try to breathe.
00:22:54Breathe in and out.
00:23:03In and out.
00:23:13Just breathe.
00:23:15Keep your eyes on me.
00:23:16Just breathe.
00:23:24That's good.
00:23:26That's good.
00:23:42Just need to understand this place.
00:23:44I'll be better.
00:23:49Can I show you something?
00:23:52What do you see?
00:23:56Guards.
00:23:57Women.
00:23:59Look closer at Avia's gang.
00:24:06We do what we can to survive.
00:24:08We do what we can to survive.
00:24:11And we look out for each other.
00:24:17I'll help you up here.
00:24:20There are some rules.
00:24:21There are some rules you need to follow.
00:24:23First, you need to keep your head down and mind your business.
00:24:26And let the guards think that we have no power.
00:24:30All the guards wear the same uniform that subconsciously makes us believe that they are stronger than us.
00:24:35But they can't watch everyone.
00:24:38Look around you.
00:24:40There are more of us than them.
00:24:46When did you enter the country?
00:24:54When did you enter the country?
00:24:54Isio.
00:24:55Hmm?
00:24:57When did you enter the country?
00:25:00How many times have you done this?
00:25:03Enough.
00:25:07I'm on my last appeal.
00:25:10I'm running out of time.
00:25:12What would you do if they say no?
00:25:16Run away.
00:25:21You know.
00:25:24Don't expect to win.
00:25:28Keep fighting.
00:25:36Isio.
00:25:39Isio.
00:25:46What were you dreaming about?
00:25:57I'm here.
00:25:58If you need me.
00:26:00Oh.
00:26:28I keep having the same dream.
00:26:32Again and again and again.
00:26:45Oh.
00:26:59When I first came here.
00:27:03I kept dreaming about my father.
00:27:09Sometimes I would see him in my old house.
00:27:13What happened to him?
00:27:23He was looking into Boko Haram.
00:27:32He was looking into Boko Haram.
00:27:33One day he did not come home.
00:27:36They had taken him.
00:27:38They had taken him.
00:27:57Then they came from my family.
00:28:04But I was looking into Boko Haram.
00:28:11I knew they would come for me if I didn't get out.
00:28:25I knew they would come for me if I didn't get out.
00:28:31They said you just moved to a different part of the country where they can't find you.
00:28:41I have taken my destiny into my own house.
00:28:45I have taken my destiny into my own house.
00:29:02But I know they were going to come.
00:29:03She would think of me.
00:29:03I was looking into Boko Haram.
00:29:03And I was looking into Boko Haram.
00:29:04I'm looking into Boko Haram.
00:29:07I was looking into Boko Haram.
00:29:09I'm looking into Boko Haram.
00:29:16Whatever you are scared of, it doesn't have to own you.
00:29:24In the case, it sounds so simple.
00:29:27Sometimes it is that simple.
00:29:34Freedom begins in the mind.
00:30:07I'm sorry, I... I thought...
00:30:14I'm sorry, I'm sorry.
00:30:21Oh, no.
00:30:42So, you and Farah.
00:30:47I see how you look at each other.
00:30:51I think it's beautiful.
00:30:54It's not that simple.
00:30:56Why not?
00:30:59I need to get out of here, not fall in love.
00:31:02Why can't you have both?
00:31:06Look at the way you're smiling.
00:31:09Listen.
00:31:13Of course, we have to think about the future and have hope.
00:31:17But we could be deported at any moment.
00:31:22Look at us.
00:31:26We've already lost so much in life.
00:31:30How much more do you want to lose before you realize you deserve to be happy?
00:31:50Let's go.
00:31:51I'm not going to lose.
00:31:58We've been here for a while.
00:31:59I'm not going to lose.
00:32:00I'm not going to lose.
00:32:02I'm not going to lose.
00:32:04I'm not going to lose.
00:32:09I'm not going to lose.
00:32:11Um, I wasn't expecting this.
00:32:21Me neither.
00:32:26We...
00:32:27for you.
00:32:29Uh, you know, um...
00:32:57Can we take it slow?
00:32:57No.
00:33:07Can we take it slow?
00:33:11No.
00:33:36Ah!
00:33:44What?
00:33:47If there was another way out of here,
00:33:51would you take it?
00:33:56If it meant going back to the life I was living in, then no.
00:34:02I've lost too much of myself already.
00:34:07There's only one way to get out of here.
00:34:11MMA fighter.
00:34:12Kiss you.
00:34:14Wallahi nana, the only way you know how to fight is with your mouth.
00:34:17Hmm.
00:34:18I beg, let's go to art class.
00:34:20Do you guys really find that art class helpful?
00:34:23I find it can be helpful.
00:34:25You should come.
00:34:26No, I'm okay.
00:34:40How was your art teacher?
00:34:42She was nice.
00:34:44She asked about you.
00:34:45Asked about me, Ke.
00:34:47Are you sure not about your brushstrokes?
00:34:50You need to stop with this, Sojourner.
00:34:52Who is jealous of the two of you?
00:34:54Who is jealous of her?
00:34:56Who is jealous of you?
00:34:59I have a smile.
00:35:00Ha, ha, ha.
00:35:59Why is it?
00:36:02My appeal did.
00:36:07You'll be fine.
00:36:09Just tell the judge the truth.
00:36:16I got my first job right after I graduated.
00:36:22It was in a bank.
00:36:24Nothing special.
00:36:27But my mother was so proud.
00:36:33It was there that I met Abie.
00:36:39We flirted.
00:36:42At first it was just playful joking.
00:36:46We used to call each other wife.
00:36:50One day, she kissed me.
00:36:56This was, it was then that I knew that I liked women.
00:37:01I had kissed men before, but nothing felt like this.
00:37:08With men, it felt obligatory.
00:37:18One weekend, my mother was away, so I called Abie to come over.
00:37:26This was my first time sleeping with a woman.
00:37:30They felt natural.
00:37:36Nothing wrong with this.
00:37:44My, my neighbor called my mother, who came home with two men from the church.
00:37:58They dragged Abie out of the room and locked me inside.
00:38:13I, uh, I, uh, I was locked in that room for, for three days, while four different men raped me.
00:38:34My mother said, I just needed a man that would fix me.
00:38:42I managed to escape and I ran.
00:38:45I just ran.
00:38:47I took all the money I saved up and I bought my way here.
00:38:51I can't go back.
00:38:52I can't.
00:38:53I can't.
00:38:54I can't.
00:38:55I can't.
00:38:56I can't.
00:39:02How did it go?
00:39:04I don't know.
00:39:11We planned something that will cheer you up.
00:39:14Please, Zui.
00:39:16Abie, are you enjoying my cooking?
00:39:18I think in my country, we do it better.
00:39:20What do you mean, in your country?
00:39:21Are you guys?
00:39:23Actually, this was Nana's idea.
00:39:25The first appeal is always the hardest.
00:39:28Besides, I wanted some Ghanaian jollof and chicken.
00:39:31Thank you, Nana.
00:39:32Yeah.
00:39:33I just want you to know, Nigerian jollof is the best.
00:39:35Chale, you Nigerian, you should have come and start to.
00:39:38See, for today, you're a Ghanaian, so you better support me.
00:39:41I only support you.
00:39:44I only support you.
00:39:44I don't know if you're a Ghanaian, so I can't stop there.
00:39:51I don't know if you're a Ghanaian.
00:39:59Bring it in, bring it in.
00:40:01Bring it in.
00:40:01I'm just kidding.
00:40:03She's kidding me.
00:40:04I'm just kidding.
00:40:04See?
00:40:06What a rush on our mission.
00:40:08That would be good.
00:40:45Nana's J-Rice, it was okay.
00:40:56It wasn't just me.
00:41:04I know.
00:41:26Why are you sure?
00:42:05I don't know.
00:42:30I don't know.
00:43:00Are we being naive?
00:43:03What if this is all it can be?
00:43:06They send us back.
00:43:08What if that didn't happen?
00:43:11If we had a chance of life on the outside?
00:43:17I need to tell you something.
00:43:31What's going on?
00:43:33You didn't tell her?
00:43:35I thought we could do it together.
00:43:37Tell me what.
00:43:38We're escaping.
00:43:53Your la nana?
00:44:02I want you to come with us.
00:44:10Say something.
00:44:15This way we can be together.
00:44:17You were just saying about us getting out.
00:44:19I meant legally.
00:44:20I know people who can help us on the outside.
00:44:24Passports.
00:44:24We can get real jobs.
00:44:27It's you.
00:44:29What about us?
00:44:33I could get my appeal.
00:44:57What about us?
00:45:04I want to come with you.
00:45:20Oh, my God.
00:45:48Oh, my God.
00:46:16Oh, my God.
00:46:18Oh, my God.
00:46:23Oh, my God.
00:46:27Oh, my God.
00:46:43Oh, my God.
00:46:57Oh, my God.
00:47:09Oh, my God.
00:47:13Oh, my God.
00:47:17Oh, my God.
00:47:21Oh, my God.
00:47:22Oh, my God.
00:47:37Oh, my God.
00:47:39Oh, my God.
00:47:42Oh, my God.
00:48:05I don't want us to end.
00:48:10Me or you could be taken at any moment.
00:48:20I still have to go through with my appeal process.
00:48:23I have to try and do things the right way.
00:48:29But I want you.
00:48:33Even though it doesn't make sense, I want you.
00:49:05Shelly, you're loving her again.
00:49:10Just listen to us.
00:49:12I read a book about a man in Australia who escaped by pretending to be a translator.
00:49:18And the guards, they helped him.
00:49:20As soon as we have James' card, we can get out.
00:49:22And you just want to walk out of the front door.
00:49:24And why are you here if you're not coming with us?
00:49:26There are still some things to sort out which I think Isio can help us with.
00:49:30We need to know who else is walking that night.
00:49:33We're already working on Lisa.
00:49:34See if she can help us.
00:49:35That is why you're always going to that useless ad class.
00:49:38Why would she even help?
00:49:39She's always talking about banning the system now.
00:49:42And it doesn't work.
00:49:43It's a chance to prove that.
00:49:45And Farah is her favourite.
00:49:47So she will convince her to hide us in her car.
00:49:50And then we get out of here.
00:49:57Let's say you're successful and you do get out of here.
00:50:01What's the first thing you'll do?
00:50:03Hmm.
00:50:08When we are both out, I will take you on a proper date.
00:50:15What if it is I that wants to take you out?
00:50:18Hmm.
00:50:20Where?
00:50:21Well, first it will have to be daytime so that I can see your beautiful face.
00:50:30Oh, I know this nice Vietnamese restaurant in Deptford.
00:50:34Mm-hmm.
00:50:34They also do karaoke.
00:50:36I like karaoke.
00:50:38Same.
00:50:39Hmm.
00:50:40Then I will make you something very special.
00:50:45At home.
00:50:50What will our home be like?
00:50:55No white walls.
00:50:57I hate white walls.
00:51:05We will make it ours.
00:51:15And we wouldn't have to hide our love.
00:51:18We will make it ours.
00:51:44Farah.
00:51:46today is my birthday what we could have done something no i don't want to make you
00:51:54thought about it oh thank you happy birthday
00:51:59you have a letter
00:52:11it's okay open it
00:52:38i can't do this anymore don't give up is what they want you have another chance to appeal
00:53:11you did what you thought was right no no you're being sentimental shut up
00:53:17i'm surprised you haven't said i told you soon why would we we've all been where you are now
00:53:24you get through it
00:53:28it's you wait i don't know if i have the strength to appeal again so come with us
00:53:34where we can't try again where will i fire they've denied your final appeal you're being
00:53:38deported amelia i'm afraid what no please please i don't have to falsely remove you so please
00:53:43cooperate with me yeah no james you step out my way don't have to step out my way yes you
00:53:47can
00:53:53stop
00:53:54stop
00:53:55Watch out!
00:53:59Hey! Hey! Hey!
00:54:01No, no, no, no.
00:54:02Stay with me down!
00:54:35Oh, my God.
00:55:11Oh, my God.
00:55:25Oh.
00:55:30Oh.
00:55:35Oh.
00:55:38Oh.
00:55:39Oh.
00:55:42Oh.
00:55:56Oh.
00:55:58Oh.
00:56:05Oh.
00:56:08Oh.
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00:56:26Oh.
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00:56:34Oh.
00:56:43Oh.
00:56:56Oh.
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00:57:02Oh.
00:57:05Oh.
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00:57:06Oh.
00:57:07Oh.
00:57:07Oh.
00:57:26Oh.
00:57:33Oh.
00:57:41Oh.
00:57:43Oh.
00:57:52Oh.
00:57:58Oh.
00:58:00Oh.
00:58:00Oh.
00:58:05Oh.
00:58:06Oh.
00:58:06Oh.
00:58:07Oh.
00:58:10Oh.
00:58:15Oh.
00:58:25Oh.
00:58:27Oh.
00:58:29Oh.
00:58:38Oh.
00:58:42Oh.
00:58:54Oh.
00:59:10Oh.
00:59:11Oh.
00:59:12Oh.
00:59:13Oh.
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00:59:15Oh.
00:59:18Oh.
00:59:19Oh.
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00:59:26Oh.
00:59:30Oh.
00:59:33Oh.
00:59:34Oh.
00:59:35Oh.
00:59:41When we are both out,
00:59:46I will take you on a proper date.
01:00:05If there was another way out of here, would you take it?
01:00:18Whatever you are scared of, it does not have to own you.
01:00:30Freedom begins in the night.
01:00:44It's your room, and roommate, ICO, Nesma, keep to yourself, don't cause no trouble, and
01:00:49if you've got a problem with anyone or anything, let me know, we're here to help.
01:01:03She's not here to help, by the way, helping is how they gather information.
01:01:14The first two days are the hardest, it's okay, you'll get used to it.
01:01:23I didn't think I would end up here.
01:01:26Who does?
01:01:38Can I ask you something?
01:01:46Just ask, why are you sleeping with James?
01:02:07I thought he could help.
01:02:11He said he could ensure my stay in the country.
01:02:17By the time I realized he couldn't, he pressured me.
01:02:25If I didn't give him what he wanted, he would make sure I got sent home for seducing a god.
01:02:36I don't know if it's true, but I don't want to find out.
01:02:47I know you want to play by the rules and wait for your final appeal.
01:02:54But what will you do if you don't succeed?
01:03:19Oh, sorry.
01:03:19I'm sorry.
01:03:20I'm sorry.
01:03:24I'm sorry.
01:03:31I'm sorry.
01:03:32What was that?
01:03:35It's the chicken dish.
01:03:38Yeah.
01:03:45I can get her out.
01:03:46That's it.
01:03:49Come.
01:04:09What do you mean?
01:04:17Listen, I sat in that room and watched as a new girl came in and took Farah's place.
01:04:24And all I could think of was how naive I was when they first brought me here.
01:04:28You're not the only one.
01:04:30No.
01:04:31But I should have listened to the both of you before.
01:04:34I need to know that Farah is okay.
01:04:42Okay?
01:04:45What do you have in mind?
01:04:49So...
01:04:50It might sound a little crazy, but let me land.
01:04:56We need the electrician to be called out.
01:04:58Go to the door.
01:05:00So that we can get his wire cutters.
01:05:09Cheers.
01:05:12When he gets here...
01:05:13This place is falling apart.
01:05:15I will distract him.
01:05:16If it's not the light, it's something else.
01:05:18Honestly.
01:05:20Oh my God, I'm so sorry.
01:05:23Are you okay?
01:05:25It will give you a chance to hide them.
01:05:27Oh, thank you.
01:05:30Ativa, help her.
01:05:32We need to move the camera to create a blind spot in the garden.
01:05:37We will use Afia's gang and their dealings as our cloak.
01:05:42At some point, they will create a diversion to distract the guards.
01:05:46As soon as the diversion begins, we start cutting the fence.
01:05:50I'm not sure about this plan.
01:05:52Cutting wires, cameras...
01:05:55And you thought the other plan was any better?
01:05:59You really thought Lisa was just going to walk all of us out of here?
01:06:03This fence is not easy to cut. The wires are thick.
01:06:06I know.
01:06:08It will take us some time, but...
01:06:10What do we have to lose?
01:06:13Hmm?
01:06:15I'm willing to try it.
01:06:17Yes.
01:06:17No, no.
01:06:19No.
01:06:24Think about Mustafa.
01:06:36Okay.
01:06:39I will try.
01:06:47Making sure we move the cameras.
01:06:51And the guards don't see us.
01:06:53We cut what we can each day.
01:07:07Wake it up with Elwood.
01:07:10Can you imagine?
01:07:12Take it up!
01:07:27Leave it on, y'all.
01:07:32Even if you escape and look for Farah,
01:07:35when you get deported, it's hard in your home country.
01:07:38Some people end up in prison.
01:07:41Some destitute.
01:07:44Some die.
01:07:46I know.
01:07:48But Farah is different.
01:07:52I feel it's taking too long.
01:07:54Maybe they will catch us.
01:07:56Don't worry, guys.
01:07:58We just have to finish this.
01:08:02Come, let's go.
01:08:07Why doesn't Nana like me?
01:08:10Nana doesn't like anybody.
01:08:29It's your jollof. It's better.
01:08:32Atifa, I thought you were my friend.
01:08:34Mm-mm-mm.
01:08:41To Farah.
01:08:43I will find you.
01:08:46Tara.
01:08:47Ah.
01:08:48Mm-mm.
01:08:54Mm.
01:08:58That's great.
01:09:01I'm learning to let go to let in.
01:09:15What do I do now?
01:09:20You fight.
01:09:21I don't know if I can.
01:09:24I can.
01:09:25I can.
01:09:25You can.
01:09:28Whatever happens, you cannot lose yourself in here.
01:09:42Have you guys packed?
01:09:43It needs to be light.
01:09:44Why are you directing that at me?
01:09:46I like to look good.
01:09:47We don't have time to look good.
01:09:48We need to be quick.
01:09:48Don't worry.
01:09:49I've packed lights.
01:09:51Ish.
01:09:54Who will make the diversion?
01:09:55Leave that to me.
01:09:57Are you sure?
01:09:58I just need to make a few people think that things were stolen.
01:10:23Kres, Kres?
01:10:25Kelley, get a steal from me.
01:10:27Get out of my face.
01:10:31Not to Georgie!
01:10:32No, no, no, no, no, no.
01:11:07No, no, no, no, no, no.
01:11:33No, no, no, no, no, no.
01:12:01No, no, no, no, no, no.
01:12:38No, no, no, no, no.
01:12:43In one of the tenses I am singing an impossible song with desire you cannot hear.
01:13:20La la la...
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