- 20 hours ago
Category
📺
TVTranscript
00:00:17Trudy
00:00:58Trudy
00:01:28Trudy
00:01:44Trudy
00:01:46Trudy
00:01:48Trudy
00:01:48Trudy
00:01:49Trudy
00:01:49Trudy
00:01:49Trudy
00:01:51Trudy
00:01:52Trudy
00:01:58Trudy
00:02:03I don't know.
00:02:39Hi, Sam.
00:02:40Don't tell me they now got you working in your lunch hour.
00:02:50I mean it, Sam.
00:02:51Show me a guy who starts skipping his meals,
00:02:53and I'll show you a man who's heading straight for the cemetery.
00:02:56You think I'm kidding?
00:02:58You just wait till those ulcers start getting hungry, boy.
00:03:01Come here.
00:03:07You know, Sam,
00:03:08this is the one hour of the day that is sacred to me.
00:03:12If your boss has so many accounts,
00:03:14he can't handle them during normal working hours,
00:03:16he ought to employ more staff.
00:03:19And, Sam, the years you've been coming to see me,
00:03:21you ought to know better
00:03:23than to worry me about the firm's books
00:03:26when my secretary isn't here.
00:03:29Well, I see what I can do.
00:03:39Sir!
00:03:42Sir!
00:03:42Sir!
00:03:43Sir!
00:03:43Sir!
00:03:53Sir!
00:03:54Sir!
00:03:55Sir!
00:03:57Sir!
00:03:58Sir!
00:04:18Sir!
00:04:19Sir!
00:04:24Sir!
00:04:43Oh, my God.
00:04:55Oh, we brought the lunch money before we got married.
00:04:57Hi, Sam.
00:05:07Mr. Stern?
00:05:14Hey, how about that?
00:05:23Sam, what's better with you? Crazy or something?
00:05:25Hey, Sam.
00:05:29Hey, Sam.
00:05:36Hey, Sam.
00:05:40Hey, Sam.
00:05:43Hey, Sam.
00:05:44Hey, Sam.
00:05:44Hey, Sam.
00:05:45Hey, Sam.
00:05:46Hey, Sam.
00:05:46Hey, Sam.
00:05:46Hey, Sam.
00:06:05Hi, Marge.
00:06:06Well, Mr. Frank.
00:06:08Glad to see you here.
00:06:10Nice to be here.
00:06:15Get any sleep?
00:06:16No, I couldn't.
00:06:18Kept asking myself why would a big outfit like Mid-Eastern Shorts have bought little me all the way from
00:06:22Dallas?
00:06:23We happen to think you're the right man for the chop.
00:06:25We know you can get close to your man without showing your hand.
00:06:27You could find the invisible man.
00:06:28Don't blatter me. Makes me nervous.
00:06:29Come on, Gibb. What job you talking about?
00:06:31A diamond called the Tirana Blue was stolen from the House of Stones four days ago.
00:06:35Quite a rock.
00:06:35700,000 bucks worth.
00:06:37Now, we know it was stolen by a man.
00:06:39An amateur named Sam Carter, Englishman, been in the country 15 years.
00:06:42The police are afraid of the professionals, including a German named Loma.
00:06:46Scars on the forehead catching up with them before they will.
00:06:48Yeah, I read about it.
00:06:50Too bad I got in the newspaper.
00:06:51Yeah, too bad.
00:06:52Looks like Carter's going to be everybody's target.
00:06:54So am I.
00:06:56You're offering a big reward.
00:06:58You can be rich, be a hero.
00:07:00I'd rather be a coward back in Dallas.
00:07:0125 grand.
00:07:03Funny what some guys will do for money.
00:07:05Yeah.
00:07:09That's all we have in the way of photographs.
00:07:11Loan up from a passport issued two months ago.
00:07:14So at least we know he's traveling under his own name.
00:07:16For how long?
00:07:17That's your problem.
00:07:18This guy could look like anybody.
00:07:20The original Mr. Common Man.
00:07:22The more I hear about this case, the smaller that reward looks.
00:07:28Yes.
00:07:29I'll start at the house of stone.
00:07:30That's my boy.
00:07:36Then suddenly, without any warning at all, the door closed.
00:07:40I shouted and finally, you say you've known him for a long time.
00:07:43Yes, he's been doing our books for 15 years at least.
00:07:47The quietest, nicest fellow you could meet.
00:07:49He came here about once in two weeks.
00:07:51Carter and I used to look at the stone together.
00:07:54We used to stand here, just looking.
00:07:57Hand in hand?
00:07:58Mr. March, do you know anything about diamonds?
00:08:02Yeah, I know I can't afford them.
00:08:03Then let me ask you.
00:08:05Have you ever seen something that became an obsession?
00:08:08Something you simply had to possess?
00:08:10Uh-huh.
00:08:11But she ran away with the Texas oil man.
00:08:14Well, Carter, in a sense, eloped with a diamond.
00:08:17I don't condone him stealing it, mind you.
00:08:19But I can understand why he did it.
00:08:22He took it because he fell in love with it.
00:08:24It's like stealing another man's wife.
00:08:26Oh, come on now.
00:08:28Well, what can a diamond do for you on a cold night?
00:08:31If you're lucky enough to find the Tirana Blue, you'll know what I mean.
00:08:35You see, Mr. March, every man is actually two men.
00:08:38The one the world sees.
00:08:40The other the man inside.
00:08:43You think that I'll steal it?
00:08:45No, of course not, Mr. March.
00:08:47But the idea may cross your mind.
00:08:49A diamond like the Tirana Blue is like a beautiful woman.
00:08:54Irresistible.
00:08:55A fire with passion.
00:08:57That won't apply to Mr. March.
00:08:58Under that rough exterior beats a heart of pure asbestos.
00:09:02Good morning, gentlemen.
00:09:05Wow.
00:09:06That rock's got more sex than a dame.
00:09:09You know, Carter was planning to steal this for a long time.
00:09:11Just an impulse.
00:09:12Look how close he got to bullying.
00:09:13He got away.
00:09:14He got away because he looks like what you said.
00:09:16Anybody.
00:09:17Mr. Common Man.
00:09:18So far, we got two different pictures of him.
00:09:19You see him as a jerk who's wondering what to do with the loot.
00:09:22The stone sees him as a man who...
00:09:25Wouldn't do anything nasty to girls.
00:09:26Still makes him a jerk.
00:09:27Next.
00:09:28I want to see his apartment.
00:09:29I'll need a car.
00:09:31Be my guest.
00:10:06Good morning.
00:10:07Good morning.
00:10:09I'd like to see one of your rooms.
00:10:11Oh, not again.
00:10:13Now, wait a minute.
00:10:16I already rented Mr. Carter's room to somebody else.
00:10:19So, what do you know good snooping around?
00:10:21What do you do with his personal things?
00:10:23They're upstairs in his room where he left them.
00:10:25So, when he comes back, you'll find everything in place.
00:10:27Oh, you think he's going to come back, huh?
00:10:28You're telling me.
00:10:30Listen, you cops have got that man all wrong.
00:10:32I ought to know.
00:10:33He's lived here for 12 years.
00:10:35A perfect gentleman.
00:10:36Always pays his rent on the first of the month.
00:10:38Yeah, but so did Jack the Ripper.
00:10:39Oh, no, you don't Jack the Ripper.
00:10:42Every kid in this block loves Sam Carter.
00:10:45On Saturday afternoons, he used to stand out in front of the house
00:10:48doing his magic tricks for him.
00:10:50He was an amateur magician, you know.
00:10:52Yeah, but not so amateur.
00:10:53You know, he pulled one dealy of a disappearing act the other day.
00:10:56Now, if I could just get into this room.
00:11:00I occupy Mr. Carter's room.
00:11:06Indeed you do, ma'am.
00:11:07I'm telling you, mister, you're wasting your time.
00:11:11Impossible.
00:11:13I suppose you're from the police.
00:11:17Oh, don't take them down.
00:11:19They add a note of gaiety to this black hole.
00:11:23Not to me.
00:11:24What do you can do without this?
00:11:25It soothes my nerves.
00:11:27It's on mine.
00:11:28Why did you come here?
00:11:30It's a place to live.
00:11:32With ease?
00:11:34What's your name?
00:11:35Trudy Hall.
00:11:36Miss?
00:11:37Miss.
00:11:38Milo March.
00:11:39Can I get you a drink?
00:11:41I'm on duty.
00:11:42Scotch.
00:11:44Straight out of television.
00:11:46I make mistakes once in a while.
00:11:48I can imagine.
00:12:04Your car's blocking a man that wants to get out.
00:12:07Well, why don't you be a good girl and tell him to move it?
00:12:09And while you cops are wasting your time chasing after poor Mr. Carter, the real thiever and murderer is getting
00:12:16away.
00:12:16Free as a bird.
00:12:21Do you really think to ever find this Sam Carter?
00:12:24Oh, when I'm drinking, I'm off duty.
00:12:25Say when.
00:12:26And when I'm off duty, I just hate to talk shop.
00:12:30All right, then.
00:12:31Small talk.
00:12:32Your health.
00:12:33I'll drink to that.
00:12:41Don Quixote de la Mancha.
00:12:45Do you read Spanish?
00:12:47No.
00:12:48It was Lefty.
00:12:51You'd like to find him, wouldn't you?
00:12:53Why do you say that?
00:12:55Say, do you think he's going to come back?
00:12:58You think like a policeman.
00:13:00Oh, that's funny.
00:13:01Somebody just told me that I might think like a crook.
00:13:04What did you do?
00:13:05Kick his teeth in?
00:13:06Oh, no.
00:13:07No, you see, to a certain extent, he's right.
00:13:10We're all crooks.
00:13:12Are we?
00:13:12Yes.
00:13:13There's a little man inside.
00:13:17Come here.
00:13:19You see that little man?
00:13:25Oh, don't tell me that he's a crook, too.
00:13:28No, but he's got the keys to my car.
00:13:31And the idea of stealing could easily occur to him.
00:13:37Why don't you custom know that this is a respectful neighbor?
00:13:43All right, all right.
00:13:4340 years of peace and quiet, then a horrible thing like this has to happen.
00:13:49All on the county, you cops, how they caught Mr. Carter.
00:13:53And I'd like to know whether the man besides Mr. Carter would worry about some poor convict up in Sing
00:14:01Sing on Christmas Eve.
00:14:02Why, I beg to keep my cell phone.
00:14:05Why, I beg to keep my cell phone.
00:14:07All right.
00:14:08All right.
00:14:08Didn't waste much time.
00:14:11You all right?
00:14:12Yeah, I'm all right.
00:14:18Thanks.
00:14:18Thanks.
00:14:19What do you do?
00:14:50Did you see her leave?
00:14:52Oh, I suppose you think she's still a diamond, too.
00:14:56Oh, that's what's the matter with this town.
00:14:59You cops think everybody stole something.
00:15:02Makes me sick.
00:15:04Well, with television and movies and those poor kids out there...
00:15:07Who was that convict you were telling me about?
00:15:09Well, I don't know his name, but there's a picture he painted.
00:15:13He'd give it to Mr. Carter.
00:15:15He liked that picture a lot.
00:15:17Masco Lopez.
00:15:18What did you say?
00:15:19Nothing.
00:15:21Masco Lopez. Address Sing Sing.
00:15:24Lopez.
00:15:26Yeah. Killed his wife and two kids. Serving 99 years.
00:15:29I want to see him. Thank you.
00:15:32Watch your hurry. He's only done five.
00:15:34I don't know what you're thanking me for.
00:15:36Are these cops coming around stirring up money?
00:15:44Carter came to see you on Christmas Eve.
00:15:46I got a hunch he gave you more than fruitcake. Some money, maybe.
00:15:52Maybe.
00:15:53Much?
00:15:54Enough to buy some pens.
00:15:59Among other things, you were convicted of entering the country on a passport forged in Lisbon. Am I right?
00:16:04Among other things.
00:16:07Carter paid you for the name of the man who forged it, didn't he?
00:16:09I don't even like fruitcake.
00:16:14You know, that's a nice way to pass the time.
00:16:18There's a lot of time to pass.
00:16:19It'd be too bad if you lost the privilege.
00:16:24No paint?
00:16:25No paint.
00:16:26No paint.
00:16:29Manuel Tristau.
00:16:30Lua Fragoso, number 21.
00:16:34The Arab Alphama court.
00:16:36That's Lisbon.
00:16:39That's Lisbon.
00:16:57Well...
00:16:58Well...
00:16:59Yes.
00:16:59Al Capo, Diego!
00:17:01Al Capo, Diego!
00:17:10Al Capo, Diego, Quente!
00:17:22No, no, no, no, no!
00:17:23Oh, I'm safe and easy.
00:17:24I have a problem.
00:17:39Thank you very much, sir.
00:17:41Thank you very much.
00:17:43Thank you, sir.
00:17:45Thank you very much.
00:17:50Senor Tristal, I am sorry I am so early.
00:17:52Senor, this is a pleasure.
00:17:54You are a little bit early, but...
00:17:56I couldn't wait.
00:17:56Is it ready?
00:18:10Now.
00:18:17Wonderful.
00:18:19It's a work of art.
00:18:20This is quite good.
00:18:22Do you know this is a real passport?
00:18:24Real?
00:18:25Oh, yes.
00:18:26It's a blank.
00:18:27Discreetly extracted from the minister.
00:18:32May I?
00:18:33Please.
00:18:36Height five foot eleven and a half.
00:18:38Eyes blue.
00:18:39Hair gray.
00:18:41Distinguishing marks, no.
00:18:43Valid for all countries in Europe and Latin America.
00:18:48Perfect.
00:18:49Here.
00:18:52A toast.
00:18:54To the man I was, to the man I am.
00:19:05Ah, time to pay.
00:19:09Senor, I am admiring you.
00:19:12You are a man who has an aim in life.
00:19:15You know, I too am trying to get what I want.
00:19:20And what is that, my friend?
00:19:24The Tirana Blue.
00:19:26Mr. Carter.
00:19:35Just like that.
00:19:37Until a few days ago, you never even knew of its existence.
00:19:42For fifteen years, I dreamed and planned and schemed to get that diamond.
00:19:47And I want to keep it.
00:19:51Without this,
00:19:54you'll be as dead as the man you killed.
00:20:00I see.
00:20:09I don't know what's the matter with these children today.
00:20:11They are so noisy.
00:20:13Ha!
00:20:15They're happy.
00:20:18Oh, no.
00:20:22I don't know.
00:20:24It's only I...
00:20:26Here, you take it.
00:20:27You must...
00:20:28You must...
00:20:29Oh, no.
00:20:33Oh!
00:20:34Oh, no.
00:20:36Oh, no.
00:20:51You're forever.
00:20:57You make enough noise to wake the dead, my friend.
00:21:00I am doing my best, senor.
00:21:02Play softer.
00:21:28Will Mr. Marge, the passenger from New York, kindly come to the reception desk?
00:21:39Senor Marge?
00:21:42Senor Marge?
00:21:42Yes?
00:21:44Oh, I am from the police. I have a car waiting for you outside.
00:21:48Oh, we will take care of everything to customs for you.
00:21:52The street is called the Rua Fragoso.
00:21:55The man's name is Manuel Tristeo. I want to talk to him.
00:21:58That will be difficult, senor.
00:22:01Difficult?
00:22:02Very difficult.
00:22:21Thanks. Wait here.
00:22:40Senor Tristeo?
00:22:42My poor friend, Manuel.
00:22:48Who would have thought at this time on Tuesday that his funeral would be at this time today?
00:22:55You never can tell.
00:22:58Excuse me, senor. The procession is about to start.
00:23:05Do you mind if I walk along?
00:23:07Relatives and friends only, senor.
00:23:11For...
00:23:13Manuel's wife, perhaps?
00:23:16For Manuel's poor wife.
00:23:29Does anybody know who shot him?
00:23:31Please, senor.
00:23:33I am much too grieved to talk about it.
00:23:39It could...
00:23:41It could have been one of two men, senor.
00:23:44How do you know?
00:23:45My brother has a wine shop next door.
00:23:47Sometimes I play my organ in the street.
00:23:50When I am thirsty, I sit in my brother's shop.
00:23:53The walls are very thin.
00:23:55Okay.
00:23:56Both came many times during the week to see Manuel.
00:24:00First the German.
00:24:02What German?
00:24:02He did not mention his name.
00:24:04Once I saw him leaving...
00:24:06He had a...
00:24:06Yes. Yes, a... a scar.
00:24:10And the other man?
00:24:11Carter.
00:24:13And when he left?
00:24:15I do not know.
00:24:19Where did he go?
00:24:20He was at the Hotel Aviz.
00:24:24But he left there.
00:24:26Where he went to.
00:24:27Believe me, senor.
00:24:29I am sorry.
00:24:45Morning.
00:24:47Si.
00:24:51Say, I understand you had a gentleman named Sam Carter staying here.
00:24:54Arthurs?
00:24:55Oh, yes, senor.
00:24:56But he's gone away for a few days.
00:24:58You mean he's still keeping his room?
00:25:00Yes, senor.
00:25:03I'd like to see it, please.
00:25:04That is impossible, senor.
00:25:08Policia Internacional.
00:25:11Your name?
00:25:12Milo March.
00:25:13A key, please.
00:25:23Policia.
00:25:54Is it funny the way we always meet up in the same old place?
00:25:58Sam Carter's bedroom?
00:26:00Oh.
00:26:01Did you quarrel?
00:26:03What did you find out at the funeral?
00:26:06Where there's an old saying.
00:26:09That dead man don't talk.
00:26:11That's why they're dead.
00:26:14Take off your jacket.
00:26:18Well, all right.
00:26:21Anything else?
00:26:24Let me go!
00:26:25What's your name?
00:26:26To the old man.
00:26:27To the old man.
00:26:28To the old man.
00:26:29To the old man.
00:26:30Astrid.
00:26:30Who are you working with?
00:26:31Astrid.
00:26:32No one.
00:26:33No one.
00:26:33No one.
00:26:33No one.
00:26:33No one.
00:26:34No one.
00:26:36No one.
00:26:37Let me go.
00:26:39Gilead.
00:26:40Now, how much is Lomer paying?
00:26:42I don't know what you're talking about.
00:26:44How much?
00:26:44I know nothing.
00:26:45Come on, you're not here.
00:26:46Come on, you're old.
00:26:48Policia Internacional, huh?
00:26:49What is the senorita doing here?
00:26:51Are you all right, senorita?
00:26:52Just about.
00:26:54Yes, she's all right.
00:26:58Americans.
00:26:59Come with me, senor.
00:27:09You ought to make people with teeth as sharp as yours.
00:27:16Carry a license for concealed weapons.
00:27:24Oh, Lucretia Borgia playing Florence Nightingale.
00:27:30If you're not working for Lomer, how'd you know where to find Carter?
00:27:35Perhaps because I have concealed weapons.
00:27:40Say, how much longer are you going to keep us here like this?
00:27:43There is a telephone call for you, senor.
00:27:45In here.
00:27:53Excuse me.
00:28:00Hello?
00:28:04The future looks bright for poor Manuel's wife, senor.
00:28:12If you'll meet me on the corner of the Lua Fragoso in one hour's time,
00:28:17I will have some news for you.
00:28:19Oh, well, I'll be there as soon as I...
00:28:22Say, how did you know I was here?
00:28:24Not later than one hour, senor!
00:28:27Come on!
00:28:38Hey, uh...
00:28:40Can you imagine?
00:28:45My mother calling me all the way from Dallas just to tell me I forgot to pack my toothbrush.
00:28:49I want that diamond.
00:28:50Oh, which diamond is that, ma'am?
00:28:52The Turana Blue.
00:28:53It belongs to me legally.
00:28:55Legally?
00:28:56It belonged to my father.
00:28:58In Austria, when the Nazis came, they killed my father and kept a diamond.
00:29:03Book.
00:29:06Can you prove that?
00:29:08No.
00:29:09There's too much to prove and too few who will listen.
00:29:11I see.
00:29:12So you decided to go about getting it back the hard way.
00:29:15That's the only way left for me.
00:29:18Won't you help me, please?
00:29:21I've spoken with our headquarters senor.
00:29:24You're free to go.
00:29:28And the senorita?
00:29:31I'm sorry.
00:29:32Not yet.
00:29:34I'm sorry.
00:29:41Why don't you stop this chasing around and go back to New York, where a couple of million guys will
00:29:46chase after you.
00:29:47You're really concerned about me.
00:29:51That's sweet.
00:29:51I'm just trying to give you some good advice.
00:29:54Because even if you manage to get that piece of glass away from Carter, you'd have to give it back.
00:29:58Do you honestly believe that I will give it back?
00:30:01Well, if you didn't give it back, somebody take it away from you.
00:30:04Nobody's ever been able to get away with it, and you're not going to either.
00:30:07Carter's going to fail.
00:30:08Yes.
00:30:09He will fail.
00:30:13So why don't you go back?
00:30:15The bright lights and the gigolos.
00:30:18Can't be much fun for a beautiful gal like you to go running around the world alone.
00:30:22It's not absolutely necessary for me to be alone.
00:30:36I'm sorry.
00:31:05Let me go.
00:31:07Let me go.
00:31:35Look out, senor!
00:32:00Madrid, don't give water.
00:32:19For my poor wife,
00:32:26senora.
00:32:44Tessie, mister. Nice and clean.
00:32:46Take it to the best hotel, huh?
00:32:47Make it a good one.
00:32:47The best, mister.
00:33:07Is this your first visit to Madrid, mister?
00:33:09Yeah, our first visit.
00:33:13Allow me to introduce myself. I'm Ernesto García.
00:33:16Very good guy. Day and night service all the time.
00:33:19Thanks.
00:33:29I'm Ernesto Alessandro Gómez. I was godfather to his first child.
00:33:35Here you are.
00:33:37Oh.
00:33:44Mister, we are approaching the statue of Don Quixote.
00:33:47And behind him you will see the great Cervantes,
00:33:49who immortalized his adventures for posterity.
00:33:52You're doing fine.
00:33:54As a matter of particular interest, mister,
00:33:56the news was first brought to Don Quixote by Don Sanson Carrasco.
00:34:00He was a bachelor at the University of Salamanca.
00:34:03Hey, pull over here, will you?
00:34:04See me, mister.
00:34:05I want to get a picture of this.
00:34:07Okay.
00:34:10See you, son.
00:34:14I can't see you.
00:34:35I'm just a liar.
00:34:36I'm just a liar, boy.
00:34:37The only one, mister.
00:34:44Is that a hotel?
00:34:45Ah, si. It's the Plaza Hotel.
00:34:48I don't want to stay there.
00:34:50Ah, no, this is not the hotel I take you to, mister.
00:34:52This hotel, no good for Americanos.
00:34:54No, ah, you know.
00:34:56Good enough for me.
00:34:57Ah, si.
00:35:15Mi resto.
00:35:21Ah!
00:35:22Ah!
00:35:38¿Cuántas coronas?
00:35:39Una.
00:35:41Dos.
00:35:43Seis.
00:35:46Cuatro.
00:35:48Cinco.
00:35:50Oi.
00:36:02Cuidado, cuidado.
00:36:03¿Qué pasa?
00:36:03Oiga, ¿qué te crees de usted?
00:36:04¿Qué va para ligar?
00:36:23¡Señor!
00:36:25¡Señor!
00:36:29¡Señor!
00:36:48¡Señor!
00:36:49¡Señor!
00:36:54Te lo va a dar.
00:36:55Ey, Chico.
00:36:56Aquí, aquí.
00:37:00¡VNice!
00:37:02¿Of qué el musí?
00:37:05Papá, TV Houston.
00:37:16États.
00:37:25Let's go, sir.
00:37:31Let's go, sir.
00:37:34Send my bags up.
00:37:36Yes, sir.
00:37:41Scotch on the rocks.
00:37:43Yes, sir.
00:37:47Good morning.
00:37:49Please, sir.
00:37:50I'm very tired.
00:37:52Sir, I've seen you this morning running behind some children.
00:37:55Yes.
00:37:55Is it fun?
00:37:56I'm playing a little bit with my golf balls.
00:37:59Are you golf balls, sir Carrasco?
00:38:01An old game.
00:38:02An old game?
00:38:03Yes, yes.
00:38:04You have to be careful with the children in Madrid.
00:38:07They're very bad.
00:38:08Yes, yes.
00:38:09Will it be a new game, sir Carrasco?
00:38:11No, an old game.
00:38:12An old game.
00:38:14Well, it's not bad.
00:38:15But they take advantage of the foreigners.
00:38:17Yes, of course.
00:38:19I remember a few years ago, when I lived in the camp,
00:38:21that at the farm of my parents we had 40 children.
00:38:24Every day we were playing.
00:38:25It was wonderful.
00:38:43What was the name of that guy you were telling me about?
00:38:45Guy, mister?
00:38:46The guy who brought the message to Don Quixote.
00:38:49Ah, the message was brought by Don Sanson Carrasco.
00:39:09You see that guy at the ball?
00:39:12Yes, mister.
00:39:13He tries to leave you stolen.
00:39:15If you can't do that, call 618.
00:39:17You got that?
00:39:18Si.
00:39:20Mister, are you with the Politea?
00:39:24Why?
00:39:24Well, when you are working for someone,
00:39:26it is nice to know which side you are on.
00:39:29You watch.
00:39:40What do you think, senor Abbott?
00:39:43You see him move before me, you tell me.
00:39:46I'll give you a big carrot.
00:39:55Thank you very much.
00:39:56Mister Golfo.
00:39:57Si acuerda da mia, Ernesto Garcia.
00:39:59Ah, si.
00:40:01Señor, es el suyo?
00:40:03Ah, muchas gracias.
00:40:04Mmm.
00:40:04Mmm.
00:40:36Many, ten mils.
00:40:38Am I?
00:40:46Oh, Am I?
00:40:58Eh, un cosmo, pari.
00:41:04Si.
00:41:04I got that.
00:41:09Now I've seen everything.
00:41:17Degas?
00:41:20Hey, where's the top hat?
00:41:25May I ask what you're doing in my room?
00:41:27What I'm doing in your room?
00:41:31I thought it was mine.
00:41:34See, wasn't I sitting next to you in the bar just a few minutes ago?
00:41:39Well, it's possible.
00:41:41I must have picked up your key.
00:41:51Well, it's possible.
00:41:55Well, I came in here in a while.
00:42:03Well...
00:42:04Well, it's unlikely that you'll hit yourself.
00:42:06Yeah, it's unlikely.
00:42:10Aren't you gonna look around to see if anything's missing?
00:42:14Well, I can't think what anyone would want to find here.
00:42:17Apart from my clothes.
00:42:20Well, I guess everybody's looking.
00:42:25Everybody's looking for something.
00:42:28And what are you looking for?
00:42:31Just...
00:42:32Just my camera.
00:42:34Say, you know, they must have thought I was you.
00:42:37I think the police ought to cope with this.
00:42:39I'd better call.
00:42:39Yeah, I'd rather you didn't.
00:42:43Why not?
00:42:44Well, it might lead to complications.
00:42:47The police here are...
00:42:49Well, endless questions, many delays...
00:42:51And nothing really achieved in the end.
00:42:57Except inconvenience to both of us.
00:42:59You're just gonna let it ride?
00:43:01This is your first visit to Madrid?
00:43:03Yeah.
00:43:04Well, when you've been here a little longer, you'll understand.
00:43:07I'll just inform the hotel management they'll take care of the things.
00:43:10It's unlikely they'll return for a second bite of the cherry.
00:43:17Look, I just gotta go to my room and lie down for a while.
00:43:22Then I'm gonna go down to the bar and get a drink.
00:43:25Say, maybe you'd care to join me?
00:43:27I'd like to.
00:43:29Oh, fine.
00:43:30Well, let's...
00:43:31Let's make it about eight o'clock in the bar.
00:43:35Let's say the bistro, huh?
00:43:37Oh, all right.
00:43:39Bistro.
00:43:58Bistro.
00:43:59Bistro.
00:44:01Bistro.
00:44:02Bistro.
00:44:04Bistro.
00:44:05Bistro.
00:44:06Bistro.
00:44:08Bistro.
00:44:09Bistro.
00:44:10Hey, you.
00:44:12Speak English?
00:44:14American English only, mister.
00:44:16Ever seen these before?
00:44:19Ah, dollar, sir.
00:44:21They're yours if you want to work.
00:44:24Well, I'm listening, mister, with my ears wide open.
00:44:27You're looking after a man called March, right?
00:44:30Yes, mister.
00:44:31Well, I want to know how he uses his time,
00:44:33who he meets up with, and if he leaves town.
00:44:35Rizzio, Hotel Castana. Got it?
00:44:39Si.
00:44:39There's $200 in this roll.
00:44:42Si.
00:45:02There were $200.
00:45:03Wake up, Paco.
00:45:04Aquí lo tengo.
00:45:07Talk of me algo.
00:45:15Has Mr. March come down yet?
00:45:17I think you'll find him in the bistro, senorito.
00:45:27Uh, Mr. March's table, please.
00:45:29Mr. March?
00:45:30Ah, yes, this way, please.
00:45:41Mr. March?
00:45:49I'm afraid not.
00:45:50Ah, unfortunately.
00:45:51I'm sorry.
00:45:52Happily for me, Mr. March was called to the telephone.
00:45:55Do you have the right table?
00:45:58I'm merely the wrong man.
00:46:00Perhaps not.
00:46:02Won't you join me while Mr. March finishes talking to his wife?
00:46:08His wife?
00:46:09You didn't know that he was married?
00:46:11Un autre vaso, please.
00:46:12Si, senor.
00:46:13I must say I can't exactly blame him.
00:46:16I haven't met Mr. March.
00:46:18A mutual friend of ours asked me to look him up in Madrid.
00:46:21Oh.
00:46:22Thank you, senor, uh...
00:46:24Carrasco.
00:46:25Sanson Carrasco.
00:46:29Yes, yes.
00:46:30I think I've found him.
00:46:32Now wait a minute.
00:46:33Don't get excited.
00:46:33I haven't found the diamond yet.
00:46:34I'm gonna have to go easy with this character in spite of the competition.
00:46:38Listen.
00:46:38Did you check on the girl?
00:46:41Oh.
00:46:42All right.
00:46:43Look.
00:46:43Try once more.
00:46:44Try Trudy Hallman this time.
00:46:48No, I think I lost her in Lisbon, but...
00:46:51Well, just in case.
00:46:53Now, Franklin, one more thing.
00:46:56Let me do all the contacting.
00:46:58You know, one of those...
00:46:59Don't call me, I'll call you sort of things.
00:47:02Yeah, okay.
00:47:04All right, I'll be talking to you.
00:47:15Oh, here is Mr. March.
00:47:17This is Miss Trudy Hall.
00:47:19I understand she's rather anxious to meet you.
00:47:21My pleasure.
00:47:23How is your wife?
00:47:24Who?
00:47:25Your wife.
00:47:26Oh.
00:47:27Oh, she's fine.
00:47:28Yes, she's just fine.
00:47:30Strange that Alice didn't mention you were married, Mr. March.
00:47:33Alice?
00:47:34The girl I met in Paris would tell me to get in touch with you and Madrid.
00:47:38Oh, yes.
00:47:38Alice.
00:47:39Alice, uh...
00:47:40Well, how is old Alice?
00:47:42Not so old.
00:47:45Would you care to dance, Miss...
00:47:48Miss Hall?
00:47:51Would you excuse us?
00:47:52Of course.
00:47:59How'd you find me?
00:48:01Love will always find a way.
00:48:03You're the only man who ever walked out of me after a kiss.
00:48:06I must say, it intrigues me.
00:48:09Maybe I'm the only one who was smart enough.
00:48:11Or scared.
00:48:12Of you?
00:48:13Of yourself.
00:48:14The way you ran out of the police station in Lisbon,
00:48:18I would think my proposition interested you a little too much.
00:48:21Still does interest me.
00:48:23A man could live for a thousand years and never be propositioned by a girl like you.
00:48:27My only trouble is that I'm not in the jewel robin business.
00:48:32Neither am I.
00:48:34I'm just trying to take what rightfully belongs to me.
00:48:38Over my dead body.
00:48:40If necessary.
00:48:43May I come?
00:48:44Of course.
00:48:45Of course.
00:48:45I must warn you, I'm not very good.
00:48:47That's the kind of man I like.
00:48:56That's the kind of man I like.
00:48:58It's just a little room back.
00:49:00So is it.
00:49:12I did warn you, didn't I?
00:49:18Relax.
00:49:19Enjoy yourself.
00:49:25One, two, one, two, three.
00:49:27One, two, one, two, three.
00:49:29One, two, one, two, three.
00:49:29Like this, see?
00:49:31Eh, hence.
00:49:41What a pity you're leaving Madrid tomorrow, senor.
00:49:47What a pity we can't get rid of Mr. Marge tonight.
00:49:50Let's try.
00:49:56I'll meet you in a while.
00:49:58Where?
00:50:01Leave it to me.
00:50:10Bravo, senorita, bravo.
00:50:12Grazie, senorita.
00:50:13Do you all excuse me?
00:50:15You're not leaving?
00:50:16Well, I, too, have a telephone call to me.
00:50:19But not to my wife.
00:50:25You must want that diamond awful bad.
00:50:28Yes, I do.
00:50:29He's almost old enough to be your father.
00:50:32I would say that's more his worry than mine.
00:50:36Look.
00:50:38This is no silly little game we're playing.
00:50:40We're dealing cards with a man who's committed two murders.
00:50:43I want to see he doesn't commit another one.
00:50:45Why don't you turn him over to the police?
00:50:48I'd like to, but I've got to finish my job first.
00:50:53Besides, there's only one diamond we can't both end up with.
00:50:56No?
00:50:57No.
00:50:58It might be amusing to try, though.
00:51:01I'd better put you straight, honey.
00:51:04I'm going to see that you don't get a chance to use your...
00:51:08concealed weapons.
00:51:09I'd tell you I would do anything to get that stone.
00:51:13Anything.
00:51:14Excuse me, senorita.
00:51:17Yes?
00:51:18A gentleman asked me to give you this note.
00:51:26Where does he want you to meet him?
00:51:29You are a pretty good detective, aren't you?
00:51:32Uh-huh.
00:51:34Do you mind if I get my coat?
00:51:36No, not at all.
00:51:43Waiter.
00:51:44Momentum.
00:52:15Waiter.
00:52:16Where did you leave, Carthus?
00:52:19Where's your boyfriend?
00:52:23She doesn't know.
00:52:29Did you think you could find him without us?
00:52:31I think I could.
00:52:33But you didn't.
00:52:39I told you in Lisbon.
00:52:41In Lisbon, you told me many things.
00:52:44Where is he?
00:52:46I don't know.
00:52:48In that case, you won't need this anymore.
00:52:56Or this.
00:53:43What happened?
00:53:46Get me a cigarette.
00:53:50Looks like he caught up with you.
00:53:54Look.
00:53:58Why don't you get away from Madrid before something really bad happens to you?
00:54:08That's always your advice, for me to go wherever I am.
00:54:14It's very bad for my ego.
00:54:16Look, I'll tell you what I'll do.
00:54:18When I find the diamond, I'll help you stake your claim to it.
00:54:23I don't trust you, Milo.
00:54:25Gentlemen's agreement.
00:54:33All right.
00:54:36But I will be holding the diamond while you stake my claim.
00:54:40Oh.
00:54:43You're no gentleman.
00:54:45I'm glad somebody is.
00:54:50I don't think you're going to feel like me and caught them.
00:54:53Maybe I'd better do it for you.
00:54:58I thought you were going to stay with me and hold my hand.
00:55:04I'd like to, honey, but...
00:55:12You see, I'm paid to hold Carter's hand.
00:55:25Good morning.
00:55:26Oh.
00:55:27Good morning.
00:55:28I'm going to read my papers and I'm all for the Prado.
00:55:31Are you coming along?
00:55:32Well, I'd like to, but I'm afraid I shall have to disappoint you.
00:55:35Si, senorita.
00:55:35Si, senorita.
00:55:36Well, I'll be around for a while just in case.
00:55:49Mr. Mr. Politea at the desk.
00:55:52I think they are looking for someone.
00:55:59How do you know?
00:56:00In Madrid, everyone knows damn all about nothing.
00:56:02Especially when it is secret.
00:56:04Also, the attractive one is my cousin.
00:56:06Wait outside in your cab if a girl comes out.
00:56:09Through the hall, huh?
00:56:10Yeah.
00:56:11Drive her down to the Quixote statue.
00:56:18Ah, you're still here.
00:56:20Would you do me a favor, please?
00:56:22Well, if I can.
00:56:24Policia.
00:56:25Could be they're looking for me.
00:56:28But why should they be looking for you?
00:56:29Oh, it's nothing serious.
00:56:30Just a little, little customs problem.
00:56:37Hold that.
00:56:41Or may I?
00:56:42We have no time, I'm afraid.
00:56:46After you.
00:56:48Why, are you coming with us?
00:56:50Oh, aren't you going to take us to see the Prado?
00:57:05How are you going to feel in the rest of your day, Mr. Marge?
00:57:09Well, that depends on how you're going to feel in yours.
00:57:13See, I'm not intruding, am I?
00:57:16Not at all.
00:57:25What is it, Ernesto?
00:57:27That car, Mr.
00:57:29Has been following us since we left the Platha.
00:57:38Come on, Ernesto. Try to do something.
00:57:40See.
00:57:57Come on, let's go, Ernesto. Try to shake them.
00:58:28You want me to eat your face, come on.
00:58:28Hey, Ernesto, let's go all the way.
00:58:29We're going all the way.
00:58:51Just go all the way.
00:59:03Oh, my God.
00:59:22Oh, my God.
00:59:54Oh, my God.
01:00:03I went back.
01:00:05Thanks.
01:00:06Mister, they have gone.
01:00:08Gone?
01:00:09Mister Golfball and Senorita Hall.
01:00:11They tell me they are going to Rome, but I do not believe them.
01:00:14So I go with them to the office and I book for Paris.
01:00:19Tell the clerk to get my bill ready.
01:00:20I'm going to change my shirt and pack.
01:00:22Mister, I come with you, huh?
01:00:23No, here.
01:00:24I drive you, mister.
01:00:25No, Ernesto.
01:00:25I want to get to Paris today, not next year.
01:00:27You are angry with me.
01:00:28No, Ernesto.
01:00:29I'm just mad at a guy who just bought the state of Texas.
01:00:32Come on.
01:00:37What will he do with Texas?
01:00:40Imposible.
01:00:49Where?
01:00:52Oh, mister.
01:00:55Where have they gone?
01:00:57Oh, senor.
01:00:59Oh, dolaris, huh?
01:01:06Gracias.
01:01:09Rome, mister.
01:01:11Rome.
01:01:21Madrid was becoming very unhealthy, mister.
01:01:23Too many bad men.
01:01:24Too many crooks for Ernesto.
01:01:25Besides, what would you do without me, mister?
01:01:32To Paris, son.
01:01:36To Paris.
01:01:58Then you're sure that there's no senor Carrasco there?
01:02:02All right, all right.
01:02:03Merci.
01:02:11You're very quiet.
01:02:13I'm still wondering.
01:02:16One day in Madrid, next day in Paris.
01:02:19With a man I've only known for two days.
01:02:22Oh, true.
01:02:22It takes a lifetime to know people.
01:02:24But only one moment to know the one you love.
01:02:27Love?
01:02:30I know men.
01:02:31But not me.
01:02:32Till I met you, love was only a word.
01:02:36Oh, yes.
01:02:38I found the substitute.
01:02:44Beautiful, isn't it?
01:02:47It's perfect.
01:02:53But it's not alive.
01:02:54I told you it was only a substitute.
01:02:57It's funny.
01:02:58Here I am with two of the most lovely things in the world.
01:03:02This.
01:03:04And you.
01:03:05They should come together.
01:03:08And they will.
01:03:10When we're married.
01:03:20We have no senor Carrasco here.
01:03:24A hotel palace.
01:03:26Muchas gracias.
01:03:27Gracias.
01:03:33I'll find them, mister.
01:03:36Where are they?
01:03:36Without me, you could not breathe, huh?
01:03:39Well, I'll find it a little difficult to breathe.
01:03:40Let's get out of here.
01:03:42It was easy, mister.
01:03:43All I did was talk to taxi drivers.
01:03:45Taxi drivers, they're my friends.
01:03:46In every country in the world, we always have to...
01:03:48Where are they?
01:03:48Well, I have to talk to many of them before I find the one that actually bought them.
01:03:51Ernesto, where are they?
01:03:52Hotel palace, mister.
01:03:54Oh, dear.
01:03:54Thanks.
01:04:20Helena?
01:04:22Hello.
01:04:32Who was that?
01:04:34Nobody.
01:04:38We'll leave tonight. Pack your things.
01:04:40Now, please do as I say.
01:04:42But where are we going?
01:04:44There's a small cargo boat leaving London docks on Saturday morning for South America.
01:04:47I've already made our reservations. Please hurry.
01:04:50Let me take care of the diamonds, Samson.
01:04:54Why?
01:04:58As a hostage for our future?
01:05:00I was thinking of the phone call.
01:05:04It could be the two men from Madrid.
01:05:07The diamond would be safer with me, don't you think so?
01:05:11Some 30 years ago, that diamond was found in a riverbed in Africa.
01:05:16It took a man 10 years polishing and cutting to make it beautiful.
01:05:20It took me 15 years planning and scheming to make it mine.
01:05:25I stole it.
01:05:27Yes.
01:05:28And I killed in order to keep it.
01:05:31And I'm not frightened of too little many Madrid or big tall detectives or anyone for that matter.
01:05:37No, I'll take care of it.
01:05:43As I will of you.
01:05:45Please hurry.
01:05:47I'll arrange what the train tickets.
01:06:02Wait in the lobby.
01:06:03I may want you.
01:06:14Oh, yeah.
01:06:16If it isn't the little lady with the concealed weapons.
01:06:19Where's your boyfriend, honey?
01:06:20If you mean Carter.
01:06:22He's in there getting ready to leave.
01:06:23Ah, no more leaving.
01:06:25And no more double crossing.
01:06:27I didn't double cross you.
01:06:28I told you the diamond belongs to me.
01:06:30Oh, I thought we made a deal.
01:06:32Oh, yeah.
01:06:33It seems to me we even kissed on it.
01:06:34We can still make it here.
01:06:36Oh, I've seen the diamond.
01:06:37Milo, it's so beautiful.
01:06:39We could be happy for the rest of our lives.
01:06:41Get your hands off me.
01:06:42I know.
01:07:10You said Carter was getting ready to leave.
01:07:13Where was he going to take you?
01:07:14He's leaving for London.
01:07:15By train.
01:07:16What time?
01:07:17I don't know.
01:07:25There's a boy called Ernesto in the lobby.
01:07:27Would you call out to him, please?
01:07:30I got you.
01:07:32Hello?
01:07:34Ernesto?
01:07:35Did Senor Golfball come through yet?
01:07:38Oh, no, mister.
01:07:39Senor Golfball has not left by the front.
01:07:41Perhaps he left by the back way,
01:07:42but my eyes are in the wrong position
01:07:44to see out front and back at the same time.
01:07:46Ernesto, all right.
01:07:48Look, have a taxi standing by.
01:07:50I'll be right down.
01:07:51Si pronto.
01:07:57Oh, hello, honey.
01:08:00Milo, take me with you.
01:08:02You're out of your head, baby.
01:08:04Just once is enough.
01:08:05Please take me.
01:08:06I know where he keeps the diamond.
01:08:08Where?
01:08:09He carries it with him in a golf ball.
01:08:13Is there another door out?
01:08:15Through my bedroom.
01:08:19I think I'm the one who's out of his hand.
01:08:21Come on.
01:08:23I think I'm the one who's out of his hand.
01:08:37Yes, sir.
01:08:40What's the one who is out of his hand?
01:08:40Oh, is that correct?
01:08:41Maybe.
01:08:46Maybe lugarなんです.
01:08:48Give me a moment.
01:08:48How did he leave him?
01:08:49Oh, dear.
01:08:53It's too open here.
01:08:55You wait here and see if March shows.
01:08:58He's got five minutes.
01:09:25What's going on?
01:09:26Excuse me.
01:09:28What's going on?
01:09:30What's going on?
01:09:40What's going on?
01:09:51Hello.
01:09:53Hello.
01:10:02Hello.
01:10:05Hello.
01:10:18Get away from me.
01:10:19Get away from me.
01:10:20Get away from me.
01:10:21Get away from me.
01:10:22We'll make it!
01:10:45Give him the tickets.
01:10:47Merci.
01:10:49They made it.
01:10:49I'll take it.
01:10:52Next car is down.
01:10:54Keep them there.
01:11:25Next car.
01:11:39Come over here.
01:11:50Mr, he's in compartment 54, and the German. I've seen him also.
01:11:55Wish me luck.
01:11:56Mr, there's something I do not understand.
01:11:58What is it that Senor golf ball has that we want?
01:12:00A golf ball?
01:12:01Oh, cool. Sit down.
01:12:13Roman.
01:12:23Blinds. Not you.
01:12:28Blinds.
01:12:55Little Jack Horner sat in the corner eating his Christmas pie.
01:13:01He put his thumb in.
01:13:03Pulled out a plum.
01:13:06And said, what a good-bye am I?
01:13:08Hello, Little Jack Horner.
01:13:14Well, you are in a corner.
01:13:19Well, you are in a corner.
01:13:35We don't get to London tomorrow morning?
01:13:38No.
01:13:39Oh.
01:13:41You know, I don't get something to eat by then.
01:13:44I'll die.
01:13:47Not of starvation.
01:13:54Oh, Jollywood. I do feel rather picky.
01:13:56I always feel hungry when I travel, don't you?
01:13:59Come along, Charlie. Leave your comics. You don't want those.
01:14:02That's good.
01:14:03That's good.
01:14:03I don't find it.
01:14:15Who is it?
01:14:16Ticket collector.
01:14:19Let him in.
01:14:24Ticket.
01:14:25Oh, pardon, Monsieur. Ticket.
01:14:26Sorry. No tickets.
01:14:28No?
01:14:28No.
01:14:29How did you get on the train, Monsieur?
01:14:31Well, we just got on. Nobody said anything.
01:14:33But that's impossible, Monsieur.
01:14:35Look.
01:14:36What are you going to do about it?
01:14:38Do?
01:14:39Well, first you will have to pay your fare.
01:14:41Ticket, mademoiselle.
01:14:42No ticket.
01:14:42Well, he doesn't have any ticket either. And once more, we don't have any money to pay for the fare.
01:14:54You know what I think you ought to do?
01:14:56Take us down to the guard room and lock us up until we get to London.
01:15:00And then?
01:15:01Well, then we won't be able to get away without paying our fare.
01:15:06That is a very good idea, Monsieur. But first, I must speak to the train master.
01:15:11I will bring you in here, Monsieur.
01:15:19You're pretty smart, aren't you?
01:15:20Yeah.
01:15:21It's your move, Alphonse.
01:15:33Don't run, darling. There's heaps of time.
01:15:35No, no, it isn't. Stop.
01:15:43Do you mind if I join you?
01:15:45Not at all. Delighted.
01:15:50He's asking if you want a drink.
01:15:52What would you like?
01:15:53A sherry?
01:15:55Very good, Monsieur.
01:15:58Very good, Monsieur.
01:16:02Our name is Pritchard.
01:16:03It's my wife and my daughter Pamela.
01:16:06Hello.
01:16:07What's your name?
01:16:09Pamela.
01:16:10Oh, it's perfectly all right.
01:16:13Carrasco.
01:16:14That's a funny name.
01:16:16Pamela, really?
01:16:18I'm so sorry.
01:16:19No, it doesn't matter.
01:16:22Are you on holidays?
01:16:24Well, not exactly.
01:16:26Where are you going?
01:16:28To London.
01:16:29What for?
01:16:30On business.
01:16:31That's quite enough now, dear.
01:16:33I'm so sorry.
01:16:34But she's only seven.
01:16:36It's been such a long trip.
01:16:37You know how it is with children.
01:16:39Are you married yourself, Mr. Carrasco?
01:16:42No.
01:16:44I still think you have a funny name.
01:16:47Save for the bell.
01:16:51Cigarette?
01:16:54Well, that doesn't work, dear.
01:16:55No.
01:17:05The situation has been explained.
01:17:07If you'd like to come with us now, please.
01:17:09Yes, thank you.
01:17:10I'll pay for first.
01:17:11Come on, monsieur.
01:17:12I wouldn't want to see my friends locked in the guard room.
01:17:16How much is the fare in dollars?
01:17:17In dollars, monsieur.
01:17:18In dollars, monsieur.
01:17:19That's very nice, sir.
01:17:20My pleasure.
01:17:23Eh...
01:17:23Thank you for changing.
01:17:27Oh, merci, monsieur.
01:17:28I'd be very glad if you take this lady and this gentleman to the dining car.
01:17:32Oh, parfait, parfait, par ici.
01:17:34It's all right. I'll join later.
01:17:37It's all right, monsieur.
01:17:43Thank you, monsieur.
01:17:49Thank you, monsieur.
01:17:51Thank you, monsieur.
01:17:55Thank you, monsieur.
01:18:05He'd look up my husband's ancestors.
01:18:07Relations, Johnny.
01:18:09Oh.
01:18:10By the way, did you hear from the White Laws?
01:18:13I did.
01:18:13What did she say?
01:18:15What did she always say?
01:18:16Do you play golf?
01:18:20Why, yes.
01:18:22So does Daddy.
01:18:24Does he?
01:18:26Hold him what?
01:18:27No. I carry this for luck.
01:18:30Hold him what?
01:18:31Really? Congratulations.
01:18:36What's your handicap?
01:18:39Handicap.
01:18:51Here you are.
01:18:52Is there anything you want?
01:18:53Excuse me.
01:18:55That's a funny man.
01:18:59Follow the monesta.
01:19:10Go to your compartment.
01:19:13Go to your compartment.
01:19:18Go to your compartment.
01:19:22What?
01:19:24To your compartment.
01:19:31Honey, that's really too bad of you.
01:19:33You don't have to find out the number of his compartment.
01:19:35I'll get the conductor.
01:19:37Waiter.
01:19:37What's come over you, Pamela?
01:19:39I don't know who you take after.
01:19:45Is that right?
01:19:55Shut the door.
01:20:00We won't bother with the preliminaries.
01:20:02Where is it?
01:20:03What do you mean?
01:20:03I mean, you know I haven't got it.
01:20:06Please, would you mind?
01:20:11The Tarana Blue.
01:20:15Who are you? My name is unimportant.
01:20:19No? This would be much quicker than that.
01:20:24Please, sit down.
01:20:28Mr. Carter, I, as a professional, would like to congratulate you...
01:20:32as an amateur, on the ingenious way in which you have carried out this project.
01:20:36Also, we have seen quite a lot of the world together.
01:20:40But it is over now.
01:20:42The diamond.
01:20:45You imagine I carry such a valuable stone about with me?
01:20:50Yes, I do.
01:21:01Are you looking for something?
01:21:15Oh!
01:21:17Oh, pardon.
01:21:23I have some in my coat.
01:21:26I'll get it.
01:21:36Come at me.
01:21:40Let me get him.
01:21:44I'll get him.
01:21:46Come here, of course.
01:21:47Oh, okay.
01:21:47Yes, sir.
01:21:50You're welcome.
01:21:52Mr.
01:21:53Mister! Mister, come quick! I've found it! I've found the golf ball!
01:21:57Ernesto! Wait a minute!
01:22:00Take it easy!
01:22:01I told you you could not do without it, Mister! I told you! I told you!
01:22:04Ernesto, wait!
01:22:06I haven't got it.
01:22:07If you don't believe me, search me.
01:22:10Here. Have a look.
01:22:13I will take that.
01:22:38Come in, Mr. March. All the way, please. Otherwise, I'll let him have it in the back.
01:22:44I'm sorry, Mister.
01:22:49Your gun, please. By the handle.
01:22:58Closet door, please.
01:23:01Excuse me.
01:23:04Mummy says I have to give this back.
01:23:06I'll take it, honey. It belongs to me.
01:23:08No, you don't. It belongs to the man with the funny name.
01:23:15Aren't you even going to say thank you?
01:23:20That's better.
01:23:23It has a lovely piece of glass in it.
01:23:34Give it to me, Carter.
01:23:37Sam, get it here.
01:23:47Get away, I'll drop it.
01:23:49Don't be a fool, Carter. Get away. Get away. Get away.
01:23:51I can't throw it away. Can I?
01:23:53No.
01:23:55Lots of people throw themselves out of the windows, but nobody throws what's more important than himself away.
01:24:01Sit down, March.
01:24:02It's like a beautiful woman, Sam, huh?
01:24:06It's like all the beautiful women in the world.
01:24:09Listen to him.
01:24:10Durrana blue, Sam.
01:24:12It's the Durrana blue, Sam.
01:24:14Now!
01:24:21Look out!
01:24:28Look out!
01:24:29It's too late now.
01:24:33Look out!
01:24:34You'll be back on him.
01:24:40The name is Carrasco.
01:25:19I learned that in Madrid.
01:25:22I'll do it again for you.
01:25:23Yeah, that's very nice, that's very nice, but watch this one.
01:25:26Watch it.
01:25:32Scotland Yard is meeting us in London in the morning.
01:25:34Did you send that telegraph?
01:25:36Just be safe.
01:25:40So you're giving it back after all this trouble?
01:25:42Listen, honey.
01:25:45The trouble is what Carter had and Lomer and who knows how many others,
01:25:48because the diamond didn't belong to them.
01:25:51It doesn't bring any happiness to anybody.
01:25:53Goodbye, Milo.
01:25:58It's got to be me and the diamond, huh?
01:26:01By myself, it's not enough.
01:26:03I wouldn't want to wake up in the morning a year from now and look across the breakfast table at
01:26:08you
01:26:08and hate you for tossing away the one thing that could make us happy for the rest of our lives.
01:26:12Oh.
01:26:14It never did belong to your family, did it?
01:26:17Never.
01:26:17Why the fairy tale?
01:26:20It was something I dreamed.
01:26:22Goodbye, Milo.
01:26:24You forgot your bag.
01:26:28Bye.
01:26:43You need help me.
01:26:46I'll be late.
01:26:46You're late.
01:26:46You're late.
01:26:46You're late.
01:27:02When we get to the hotel, are you going to call the White Laws at home?
01:27:04If the White Laws don't like it, they can leave.
01:27:06I need to be home.
01:27:10Surprised?
01:27:11All the time.
01:27:13I was on my way to Madrid.
01:27:14Scott and Yard showed me your telegraph.
01:27:16Couldn't you trust me?
01:27:17Sure.
01:27:18My new assistant.
01:27:19Where's the rock?
01:27:20What's this?
01:27:21Open it.
01:27:23Is this a choke?
01:27:27Yeah.
01:27:29Here we go again.
01:27:51Is this what you're looking for?
01:27:57Miss Hull, Mr. Franklin.
01:27:59Another assistant?
01:28:03$700,000 worth of misery.
01:28:05Be careful.
01:28:07You too.
01:28:11You could have gotten away with it.
01:28:13I know.
01:28:16I know.
01:28:16Made you change your mind.
01:28:18If you don't know what changed my mind yet, London is the best place in the world for you to
01:28:23find out.
01:28:24Watch.
01:28:25Uno.
01:28:27Dos.
01:28:28How many?
01:28:29How many is that?
01:28:30Three.
01:28:36Now, see this now.
01:28:38Watch this now.
01:28:39Watch this.
01:28:39Watch it.
01:28:40Now I go.
01:28:40Move this.
01:28:41Hey.
01:28:42Hey.
01:28:44Hey.
01:28:45Hey.
01:28:47Hey.
01:28:48Hey.
01:28:48Hey.
01:28:48Hey.
01:28:49Hey.
01:28:50Hey, boy.
01:28:51Hey, boy.
01:28:51Come back here.
01:28:52Hey.
01:28:53Hey.
01:28:53Hey.
01:29:00Hey.
Comments