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00:00O que é isso?
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03:31O que é isso?
03:31O que é isso?
03:32O que é isso?
03:51O que é isso?
03:53Tudo bem?
03:54O que é isso?
03:56O que é isso?
03:58Eles deixam me preocupar com coisas.
04:00Concordo.
04:01Vou ser honesto.
04:02Eu quero dizer algo.
04:03Eu tenho uma revelação.
04:04O que você tem que revelar?
04:07Téu.
04:10É bom, eu vi isso, eu vi isso antes.
04:12Sim, mas eles não têm, então eles estão expulsando o dinheiro.
04:37Não, não, não, não.
05:08Sim, mas eles estão expulsando o dinheiro.
05:38Oh, meu Deus, você é tão bonita.
05:40Oh, meu Deus.
05:49Todos quer ser tão mal.
05:51Eu sou um muito feliz.
05:53Sim, eu sei, eles estão muito loucados.
06:03Eu tenho tantos amigos.
06:14Bom dia.
06:40All right, I'm going to change.
06:41This skirt looks cheap, and it wasn't.
06:44You look fine, Ma.
06:47I love you.
06:55Holy fucking shit.
07:01Look at this, what ugly thing.
07:04Looks like a lady.
07:07Carl, come in here.
07:08I'm just getting started out here.
07:10No, I mean it. You really want to see this.
07:12Okay, I will.
07:22Can I help you?
07:25Licka's not dead.
07:28I'm a freelance reporter.
07:30I'm working on a story about Oliver St. Ledger and the context of his extended family.
07:35Yeah, so what was the angle here?
07:36Killer rich kid, pays his way out of justice, where is he now, sort of thing?
07:40Something like that, yes.
07:42In 16 years, Oliver's never spoken to the press.
07:45He's giving him a chance to speak for himself.
07:47Yeah.
07:48Now, I saw your car in the garage, so I'm going to assume that interview didn't go too well.
07:54He's a psychopath.
07:57Still waiting for a windshield, so, no, I never got my interview.
08:00Why did you think that the best way to get the interview was to drop off an anonymous letter?
08:06I dropped two anonymous letters, actually.
08:09Oh, even better.
08:10There was no way he'd say yes to an interview, but if he felt like the grace period of his
08:15anonymity was coming to an end,
08:16he might be more susceptible to my suggestion that he control the narrative himself.
08:20See, I call that poking the bear.
08:23Pretty unorthodox.
08:24Did you go to journalism school, Miss Miller?
08:26I don't know which one of you I find more offensive.
08:28Yes.
08:29Yes, I got my master's at BU.
08:31Is that where you learned to employ paranoia as a professional strategist?
08:34Not paranoia.
08:35It's allowing the subject to speak their truth.
08:37And how'd that work out for you and that fiat?
08:39Better my windshield than my face.
08:41Oh, yeah, but you do have a point.
08:43You ever meet his girlfriend?
08:44Yeah, a couple times.
08:47Her name was Ciara.
08:49Ciara.
08:50I don't know.
08:51She didn't say.
08:53She's very pretty.
08:56Dark hair.
08:58Strangest eyes.
08:59It's like she sees through you.
09:01Which is ironic, considering their whole relationship was a lie.
09:06She's a con artist.
09:09Why would you say that?
09:10She was after him for his money.
09:13I don't blame her.
09:14Why else would you date him?
09:15I don't know.
09:16Maybe she found him attractive.
09:21Intelligent, funny, good sex.
09:22I don't know why people date each other.
09:24Regardless, she knew who he was, and she stayed with him.
09:30But he didn't know she knew.
09:33It's like they were living in this warped, double lie.
09:38A fugitive.
09:40A con artist.
09:42Obsessed with each other.
09:45I'm not sure which one of them was more demented.
09:49I don't know.
09:50I gotta take this.
09:52Hold that thought, please.
09:56Connelly.
09:57See the news?
09:58Yeah, I'm sitting at home on my ass watching TV like you told me to.
10:01They are really out to get us today.
10:03I don't want to waste your time, but Linus Finch?
10:06Get a chance to talk to Lee?
10:08Yeah, yeah, yeah.
10:09She explained it all to me.
10:11Remember that case a couple months back?
10:14Albanian kid?
10:1650-gallon drum and a shitty alibi?
10:18I remember the shitty alibi.
10:20Well, it turns out Finch was a witness.
10:24He agreed to talk, but he didn't want to come in, so...
10:27I should have met him at the zoo.
10:30That's all you got from her?
10:31What else you want?
10:33Thought it'd be a better story.
10:35But if that's it, I'll take it.
10:36By the way, this ought to make you happy.
10:39That claptrap who got her hands on your weapon
10:41has 36 unpaid parking tickets and skipped jury duty.
10:44So we put out a warrant.
10:51Did I lose you?
10:53Uh, no, Sarge.
10:56I'm still here.
10:59Do you think there's a world where Oliver found out
11:02Ciara knew his secret?
11:04And he killed her for it?
11:05Mm-hmm.
11:06Yeah.
11:07I do.
11:08He's clearly invested in his lies.
11:12And you know about his boss's wife.
11:15Um, Allison Meadows.
11:18I know she died a few weeks ago.
11:19The Emmy ruled it an accident.
11:21It wasn't an accident.
11:23Pretty sure he killed her, too.
11:34Is this where we're going?
11:36Oh, yeah.
11:37Yeah, it could be.
11:37Uh, you want a drink?
11:38I can use a drink.
11:40I don't know if, like, a crowded bar full of fucking leprechauns
12:13because this is where I want to trip my balls off.
12:14No, uh, sorry, no.
12:16Uh, this is, uh, Ciara.
12:17You know Ciara.
12:18Ciara was.
12:18Hi, Elliot.
12:18I love your little hat.
12:20Mm, thank you.
12:22Hey, you want to grab a drink?
12:23No, no, no, no.
12:25I think, I think it's too crowded for me.
12:26Oh, no, no.
12:26Come on, come on.
12:27Just one.
12:27We've got a table.
12:28Huh?
12:29You can be a wallflower later.
12:33I think it's starting to kick in a little bit too hard.
12:41Yeah, for me, too.
12:42If it makes you feel any better, I think your boss is definitely ahead of you.
12:45Hey, honey, look how I ran into.
12:47Hmm?
12:50Hi.
12:52Hi, Allison.
12:53Hi.
12:53This is our friend Jane, and, uh, this is Ciara.
12:59Hi.
13:00It's so nice to meet you both.
13:01You, too.
13:02Uh, Elliot's told me so much about you.
13:05Ciara, did you say?
13:07Yeah, exactly.
13:09You look familiar.
13:10That's so funny, because I was just about to say that you look familiar.
13:13I think I've seen you where I'm staying.
13:16At the crossings.
13:18You're staying at the crossings?
13:20Yeah, just temporarily.
13:21I'm here for work, and Elliot was kind enough to let me squat in one of the unit scenes.
13:26Oliver's in the other one.
13:28So, uh, how do you guys all know each other?
13:31We met after this big forgery scandal at the museum a few years ago.
13:36She saved our acquisition staff from buying a fake Basquiat.
13:40Ah, that's good.
13:43So, you, uh, you work at the museum?
13:46She's a reporter.
13:50Hey, uh, Ollie, uh, go get us another picture, would you?
13:54Elliot, honey, they're not the boss here.
13:56Go help him.
13:58No, that's okay.
13:58That's okay.
13:59I think, uh, I think we're gonna go, right?
14:01Okay, let's take a one drink.
14:04Uh, Wyatt, will you just grab me whatever you think?
14:08Yeah.
14:10Thank you.
14:21Are you okay?
14:24Yeah.
14:26What do you ask?
14:26Your boyfriend isn't who you think he is.
14:29Oliver Kennedy isn't his real name.
14:31He's dangerous.
14:32And I know this isn't the time or place to talk about it, but...
14:39He killed someone.
14:42I know.
14:45What?
14:46I...
14:46How can you be with him?
14:48I don't understand.
14:50No one's asking you to.
14:51No one's asking you to.
14:53No one's asking you to.
14:55No one's asking you to.
14:56All I was told was Jane needed a place to stay.
15:00She's, uh, researching stories.
15:02The story's me.
15:03Elliot, I'm the fucking story.
15:05Come on.
15:05No, she's stalking me?
15:07In my home, on the street?
15:09At the gym?
15:14Right now she's talking to Ciara and she's probably fucking talking about me.
15:18Fuck.
15:21Ollie.
15:23If you want to build a real relationship, you're going to have to tell her sometime.
15:29Yeah, well, I did that last time and it didn't go so well.
15:34When Allison told me that he was here in Boston working for Elliot, I came to tell the story about
15:38the murder he committed in Narragansett.
15:40And the massive cover-up.
15:42His family is just as fucked up as he is.
15:46He's been evading responsibility for years.
15:48I'm trying to give him the chance to change that by telling his story in his own words, but he's
15:54not interested.
15:57Maybe you could tell him to talk to me.
15:59Are you trying to get her killed?
16:02You know, you're not the first girl to get caught up in this.
16:05No.
16:05He had a serious girlfriend in London, Lucy Hargrove.
16:09They dated for almost a year.
16:11I found her in Wales.
16:13Tried to get her to talk.
16:14She completely shut me down.
16:16Yeah, because she's terrified.
16:18Oliver told Elliot he was planning to propose, but he wanted her to know the truth.
16:23So he told her everything.
16:26And she freaked out.
16:28She ran for her life and he was devastated, but what did he expect?
16:34He told her everything.
16:36About the murder.
16:37He killed his classmate at Bridgefield Prep.
16:42Paul Sparling.
16:44Why?
16:45What did he tell you?
16:59Stop looking over there.
17:01You look like you're losing now.
17:08Hey, come on.
17:09Listen to me.
17:11Really.
17:12I didn't know what was happening here.
17:14And I know Allison has treated you unfairly in the past, but I agree this costs a lot.
17:20I will talk to Jane myself and tell her to back off.
17:25And if she doesn't like it, she can leave.
17:29You know, the reason I asked you to come here to Boston is because I promised your father before he
17:35died that I'd always keep an eye on him, protect you.
17:41So when I tell you, I got your back, I mean it.
17:50I just want you to be happy.
17:56I'm sorry.
17:57I'm sorry.
17:57It's okay.
17:59It's okay.
18:00It's okay.
18:00It's okay.
18:00Hey, it's all right.
18:01Elliot.
18:04Elliot.
18:18What the fuck is this?
18:20What's it look like?
18:22A hundred grand just can't be right, Meg.
18:24But it is.
18:25I promise.
18:26This is insane.
18:27The Narrow River Memorial Fund?
18:29Wait, you really think the St. Ledger's are just, you know what, consider it a contribution or something?
18:34This is like a drop in the bucket to him, Shiloh.
18:36He has so much money, he's not going to care.
18:38He's not even going to notice.
18:39He's been in hiding for so long.
18:41He goes by Oliver Kennedy now.
18:43And he has no life.
18:44What are you talking about?
18:45How do you even know that?
18:48Because I know him now.
18:50What do you mean, you know him?
18:52Because I met him.
18:54Because I know him now.
18:56Okay?
18:57And by the way, he's not what you think.
19:00He's exactly what I think he is.
19:06I'm going to puke.
19:07Mom's going to die.
19:08Don't tell Mom, dude.
19:10I'm going to tell Mom, because I'm the one who got this money.
19:12You stole it.
19:14No.
19:15I earned it.
19:15Oh, yeah?
19:16By doing what, Meg?
19:18Are you fucking a killer?
19:20Yeah.
19:21I am.
19:22And I'm also living in the city.
19:24And I'm day drinking with people who went to college.
19:27Instead of working my ass off, but at fucking Denny's.
19:30Or whatever it is you're doing now.
19:31I'm on my way to fucking church to pray that you go to hell.
19:50I should have known.
19:52I should have known.
19:53The money.
19:55It all makes so much sense.
20:05I want you to get what you want.
20:08But I want me to get what I want to.
20:11I need a reputable source.
20:13On the record, Oliver himself would have been my preference.
20:18And that's not going to happen.
20:20But I'm more than willing to settle for you.
20:24I fell in love with a narrow river killer.
20:28I had no idea who he was.
20:30And when I found out, it was too late.
20:34He'll be famous.
20:36First my story, then the book.
20:39The podcast, then the movie.
20:42Everyone will love you.
20:46She's so beautiful.
20:47She's so strong.
20:49For sharing her trauma.
20:52This is an opportunity for you to reinvent your life.
20:55On your own terms.
20:57It's the best one you're ever going to get.
21:00But if that doesn't appeal to you, I will call the police.
21:04And you will go to prison for embezzling from the richest, most psychotic family in America.
21:14You're bad at your job.
21:18Okay.
21:20But your skin is nice.
21:24I try.
21:29Off the record.
21:32I fell in love with the narrow river killer.
21:37But he didn't tell me anything.
21:40Because I knew so much already.
21:43I knew every city.
21:45I knew every alias.
21:46I knew his social security number.
21:48I knew his mother's maiden name.
21:50And today, he's going to tell me what happened that day that Paul Sparling died.
21:58And what he does, I promise.
22:02I am never going to tell you.
22:08Who are you?
22:30Hey, I think it's time to call it.
22:32Now?
22:34Baby, I'm on a roll.
22:35We have to go.
22:36Please.
22:39What's wrong?
22:40Stop, stop, stop.
22:42You told Jane.
22:44Oliver was here.
22:45Didn't you?
22:47You made this whole mess.
22:48She said she was in a career slope.
22:50She needed a story.
22:53Are you kidding me?
22:55How could you do this?
22:56The world deserves to know.
22:58And I don't care that he's your godson or how much you fucking loved his fucking father.
23:08Okay, this was not your path to make.
23:10It wasn't yours either.
23:12Okay, I've told you and told you over and over how uncomfortable I am with this entitled asshole in our
23:23lives.
23:24And you never listened.
23:27You just dismiss my concern like I'm a child.
23:32You're not a child.
23:34Which is why I expect you to find some nuance, some compassion here.
23:39He made a mistake.
23:39Oh, it wasn't a mistake, Elliot.
23:42I've ate plenty of those.
23:44Okay, I cheated on my driver's test.
23:46I fucked my roommate's brother.
23:48But I have never killed anyone.
23:51And if I did, I wouldn't expect the pathetic BFF of my billionaire daddy to help me cover my tracks.
24:03You really are an ugly drunk.
24:38What did that woman say to you?
24:43I think you know.
24:47I don't know, sir.
24:49Please, you have to tell me.
24:54You want to go outside?
24:54I don't know.
24:54Não, não, não, não, não, não.
25:03Ah, shit, shit, shit, shit.
25:19He was staring at Alison the whole time, making her so uncomfortable, like he was on drugs.
25:24I think they both were.
25:26You know, he was fucked up when he killed that kid in high school, too.
25:29Yeah.
25:32Where's your partner?
25:34He's still on a call.
25:35Um, listen, I don't discount your concern over your friend's death, but my job is to investigate the incident that
25:42occurred here.
25:43Inspector Rarity, I need to speak to you for a minute.
25:45Wait right here.
26:00Is that Russo on the phone?
26:01Yeah, yeah, it's all good. Check this out.
26:03What the hell? She's some kind of bank robber?
26:07Did she pull the alarm?
26:10She's the Bobby Goblin.
26:12I was like, look.
26:17This is the coat.
26:19Oh, hey, did you see the stalker girl?
26:21Oh, I saw it. Look at this.
26:26This is the crime scene.
26:27Yeah.
26:28She took a picture of a dead body. What the fuck kind of shit is that?
26:32Explains why she didn't return my calls.
26:35She is telling a very morbid story here.
26:37Yes, she is.
26:38And people like that shit for some reason.
26:41Okay, we've got the false alarm, Miss Prison of Felony.
26:45Really?
26:46I'm calling it burglary.
26:47Burglary.
26:48I like burglary.
26:50Okay, this is big. I'm gonna tell CSR.
26:55You're right. People do like morbid stories.
26:57Yeah, I know. And it's like, it's my job, but I do not like that shit.
27:00Oh, yeah? Well, we can't all be porn addicts like you.
27:03Have you ever taken a picture of your titties and sent them to somebody?
27:07Once.
27:09On a...
27:10On a Xerox machine.
27:12This was before or after 9-11?
27:15On the day of. That's how I remember it.
27:19I don't know. I don't know. I don't know.
27:21I don't know. I don't know.
27:22Hey, um...
27:25What did you say to Russo?
27:27Oh, I just told her that Linus Finch was one of our witnesses on that Albanian case last year.
27:33Okay.
27:37Thanks, I really didn't...
27:38Da-da-da-da.
27:42Right?
27:44God, I forgot all about the Albanian. That was a blip.
27:47Yeah. Pass me how I remember.
27:51Does it involve a copier?
27:54I don't wanna know.
27:55Hm?
28:01The ground is moving. Can you feel... Can you feel it?
28:04Don't look at the ground. Why don't you look at me?
28:06I can't... I can't look... I can't look at you. I can't talk to you. I can't tell you. I
28:10can't tell you...
28:11Yes, you can. Yes, you can. You know why? Because we need to get past this, okay? So, if... If
28:17you don't wanna go, maybe I go. I can go first.
28:19No. No. I don't want... I don't want... Because if you say something... I don't... Because if I tell you...
28:24If I tell you... Then...
28:28Then what? What'll happen if you tell me? What'll happen? Hey!
28:31You'll hate... You'll hate me. I'm not gonna hate you. You're gonna hate me.
28:34Oliver. Oliver. I'm not gonna hate you.
28:37I'm not gonna hate you.
28:41Yes, you will.
28:43You'll hate me and then you will leave.
28:45And I... I don't want that. And I... Whatever you have to say to me, don't say to me. Just...
28:49Just don't say it and then we can just keep it the same as it is. I can't...
29:06Okay. Come here. Come here. Come here. Hey. Look at me, okay? Breathe. Let's breathe, okay?
29:21Okay. It's okay. Stay with me.
29:49Can you hear me?
29:51Can you hear me?
29:57Okay.
30:07My name is not Ciara.
30:10My name is Megan.
30:13And we did not meet on accident.
30:20I came here.
30:22To find you on purpose.
30:25To take what you owe me.
30:29And my family.
30:33Because I thought I knew what happened in that river.
30:36But I don't know. Maybe I don't.
30:40And...
30:41I grew up believing that you were a monster and...
30:45Now I don't know that either. Maybe you're not.
30:47I don't know.
30:49I don't know.
30:50I can't tell.
30:56But if you could've...
30:59If you could've just been honest with me.
31:03If we could've...
31:06Talked about it.
31:07And...
31:09I really...
31:11I really think that I would've found a way to understand you.
31:16I really do.
31:20Because somewhere...
31:22This became really real for me.
31:25This was real for me.
31:34And I...
31:35I think I wanted to believe.
31:37I think...
31:39I wanted us...
31:41I wanted us...
31:43To work.
31:45Somehow.
31:46Now...
31:47I don't know.
31:48I thought we could work.
31:51But now...
31:52I see.
31:53I know.
31:54We can't.
31:55I know we can't.
32:01And that's really sad.
32:04But...
32:10Because...
32:14I...
32:15I really...
32:18Could've loved you.
32:23I really wanted to love you.
32:34And...
32:51How can I...
32:52How can I be...
32:58I know...
32:59How can I be...
32:59I mean, I can tell you...
33:00But there's...
33:00O que é isso?
33:31O que é isso?
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