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00:01Previously on When Calls the Heart.
00:03Nathan needs me to show him where I buried the Transformer.
00:06Oh, look out!
00:09What happened?
00:10He hit his head on a rock.
00:12Did you know when that car was coming towards us,
00:14the only thing I could think about was you three?
00:17Thank you to both of you.
00:19Horses can't resist him.
00:21We should use the money from the jam to buy up Bill's half the cafe.
00:25It's Minnie's cafe.
00:27It's from my theater days back in New York.
00:29Do you ever miss it?
00:31I suppose I do.
00:32But life wouldn't be an adventure without change.
00:35Christopher's gone.
00:36Well, without him, we don't have a case.
00:42Inspiration is a funny thing.
00:45It can show up when you least expect,
00:47when you didn't even know you needed it.
00:52After losing her playhouse in the fire,
00:55Rosemary needed a new challenge.
01:00The Mark of Zorro.
01:01Oh, great choice, Mike.
01:03I loved that one when it came out.
01:04Bound to be a classic.
01:06Is there anything the pictures can't do?
01:10Touché!
01:12Moving pictures.
01:14They're the way of the future.
01:21The way of the future.
01:25Oh!
01:28The weapons you use pierce deep, senorita.
01:32It's from the movie.
01:34It's very good.
01:39You want to be a sword fighter.
01:42No, Lee.
01:44I want to burn with passion.
01:49I want to be seized with an idea that won't let me go.
01:51I want to scrape together every person, prop,
01:55and piece of equipment in this little town
01:57and make something out of nothing
01:58that no one will ever forget.
02:02You sure this doesn't have something to do
02:04with that missed opportunity you had
02:05with that film producer a few years ago?
02:07What was his name again?
02:08This has nothing to do with the past.
02:09This is about now, Lee.
02:13I want to feel alive.
02:16You.
02:17You have your construction company
02:19building with bricks and mortar.
02:22I also want to build something.
02:25A dream.
02:28Oh, Lee.
02:30The silver screen calls.
02:32And I am helpless to resist.
02:36Hmm.
02:38There she is.
02:40There's my Rosie.
02:43Welcome back, sweetheart.
02:47In typical Rosemary fashion,
02:50she's enlisting the entire town to help.
02:53But first, she needs a story.
02:56And that's where I come in.
03:00But inspiration has a fickle twin.
03:10Oh, my goodness, Mary says.
03:13Third time this week,
03:14all the morning's baking has disappeared.
03:18A pie caper?
03:20When pies fly,
03:22secrets crumble.
03:24I'm just not hearing
03:25a lot of daring do
03:27in stolen pastries.
03:29Yeah.
03:30Yeah.
03:30What else you got?
03:33Well, um...
03:33Sorry I'm late.
03:35Oh, hi, Opal.
03:36You know I can come find you later.
03:37Took me forever
03:38to find my dad's comptometer.
03:40Hmm.
03:40What on earth do you need that for?
03:41We have brought Opal here on
03:43as a fellow producer
03:43because we've all heard horror stories
03:45about moving pictures
03:46blowing through their coffers.
03:47Well, you do have impressive math scores.
03:50So, she is here to keep us on time,
03:52but more importantly...
03:53on budget.
03:54Mm-hmm.
03:56What a wonderful opportunity, Opal.
03:58Did I miss anything?
03:59No, you haven't missed anything.
04:01Come, come.
04:01Elizabeth was just getting to the good stuff.
04:03Yes.
04:04Proceed.
04:06Um...
04:07Well, when the great Tony McAllister
04:10mountain climber extraordinaire
04:12ascends his highest...
04:13No mountains.
04:14What?
04:15Too expensive to get the crew
04:17and equipment that far.
04:19And that...
04:21That's my girl.
04:24Okay.
04:26Mm-hmm.
04:32Oh, gems on screen.
04:34Can't see, the colors won't pop.
04:35Mm-hmm.
04:36Elizabeth.
04:42For your creativity.
04:43Mm-hmm.
04:44But we need a story
04:46with romance and passion
04:48and adventure,
04:49all with a bubbling core
04:51of humanity's
04:52most primal need,
04:54the search for meaning.
04:56Ooh, and some swashbuckling, too, perhaps.
04:58Oh, I have one
04:59with a pirate and a bear.
05:01Mm-mm.
05:03Budget.
05:04And no bears.
05:06Talking dog, on the other hand.
05:08That sells.
05:09What happened to humanity's
05:10most primal need?
05:11Commercial success is also
05:13right there at the top of the list.
05:14And make it funny.
05:15Not that funny, Lee.
05:16No, no, no, not that funny.
05:17We're not getting snaps.
05:18Elizabeth.
05:19Remember.
05:20Write what you know.
05:22Mm-hmm.
05:22Pour your soul into it.
05:25And we're gonna need you
05:26to turn it in by tomorrow.
05:28Tomorrow?
05:28It's a tight schedule.
05:29Time is money.
05:30We believe in you.
05:32Now off you go.
05:38That went well.
06:06Come in.
06:08Come in.
06:10Hey.
06:12You're up late.
06:13I thought you might have been
06:14Rosemary here to breathe down my neck.
06:16Directors, right?
06:17You have no idea.
06:19But I think I actually may have
06:20stumbled upon a story
06:22that meets all of the requirements.
06:25Hey, how's your wound healing?
06:27Good.
06:28Yeah, Faye said there's no infection.
06:29Oh, thank goodness.
06:31So, are you able to tell me what this is about yet?
06:35Well, until I'm told otherwise,
06:36it is about a dashing Mountie
06:38and his bell, the schoolteacher.
06:41That would never happen.
06:43They told me to write what I know.
06:46What's the plot?
06:47Well,
06:50Millie, the schoolteacher,
06:51gets kidnapped by a notorious bandit,
06:53and Apollo, the Mountie...
06:55Apollo?
06:55Yes, Apollo.
06:56He's very handsome.
06:57He risks it all to save his true love
06:59before it's too late.
07:01And does Apollo get the bad guy
07:03and save the girl?
07:04I'm not going to spoil the ending.
07:08But do you think you could help me
07:09with the Mountie investigation part?
07:12I need insight into your
07:13incredible investigative prowess.
07:16I don't know if I'm really
07:17the right man for the job.
07:18What?
07:19Real-life investigations are
07:22painstaking and complicated.
07:24Really, they rely more on luck
07:26than prowess.
07:28Well, maybe you could help me
07:30with the painstaking and complicated parts.
07:32I'll come by in the morning.
07:34We can read the script together
07:35over a fresh bottle of coffee.
07:37They need it by tomorrow.
07:40Well, then I'd better leave you to it.
07:42Happy writing, beautiful.
07:45Thank you for stopping by, handsome.
07:51And with that added complicated layer,
07:55Apollo went from being just handsome
07:56to also brilliant and courageous.
08:10I checked all the hotels
08:11at Cape Fullerton,
08:12and you have a still full sign of it.
08:14What about his fiancée and her parents?
08:16Could Christopher be with them?
08:17No.
08:18I've spoken with Rachel most every day,
08:20and she's just as worried as I am.
08:23Well, it's been a week
08:23since we called that alert.
08:25He could be anywhere by now.
08:26That's why I'm concerned for his safety.
08:30Well, we're doing our best to find him, Henry.
08:32That's a promise.
08:33I'll let you know if I hear anything.
08:36Thanks, Henry.
08:41You know, I feel for him.
08:43You ever just started to get on solid ground
08:45with each other?
08:46Then there's our case.
08:47No star witness.
08:48No evidence.
08:49Just slipped right through our fingers.
08:52I was thinking of asking Georgie
08:54to look through our files with us.
08:56And that Pioneer Electric trial
08:58is right around the corner.
08:59Fresh set of eyes
09:00might catch something we missed.
09:02Do it.
09:03I'm going to call it a new alert.
09:05Highest priority.
09:06We've got to find Christopher.
09:13This is going to be a hit, Elizabeth.
09:17You really like it?
09:18Oh, the way Apollo comes out of nowhere
09:21and springs that trap
09:22that we'd all forgotten about.
09:23Oh, I love it.
09:25Nathan gave me so many expert details.
09:27Wonderful.
09:28Now, I have a few suggestions.
09:30We'll get into that later.
09:31But, clearly,
09:32you must play Millie, the school teacher.
09:34Oh, no.
09:35No, no.
09:36I am not an actress.
09:37Who better?
09:38You practically wrote yourself.
09:40And Constable Grant
09:41has to play the Mountie.
09:42Mm, yes.
09:43Apollo, our daring hero.
09:46Think about the built-in chemistry.
09:47I definitely don't think
09:49Nathan will be interested.
09:50His uniform won't fit anyone else.
09:53He's doing it.
09:56I'll go see Allie Boat
09:57casting the scout
09:57as Terry the Talking Terrier.
10:00Is she not intimidating in class?
10:02I don't think it's that noticeable
10:03when she's in a herd.
10:06Anyway, can I get back to you
10:07about playing Millie?
10:09Yes.
10:10Of course you can.
10:13But I won't take no for an answer.
10:14I would play the role myself,
10:17naturally,
10:18but
10:18I have to focus
10:20all of my powers
10:21on the director's chair.
10:23Well...
10:23And
10:24my days of kissing co-stars
10:26are long gone.
10:27Well, I mean,
10:28not that long,
10:29but
10:29gone,
10:30nonetheless.
10:31Right.
10:32The kiss.
10:33Mm.
10:33The most important
10:35plot point in a romance.
10:36I don't want to kiss
10:38a random co-star.
10:39Thus I leave
10:40casting Nathan
10:41to you.
10:43Now,
10:43about these story changes...
10:45Uh-uh.
10:46You said suggestions.
10:48Of course.
10:49All changes
10:50start with suggestions.
10:53A dog wouldn't say that.
10:58You know,
10:59part of me
10:59wants to just file
11:00a class action lawsuit
11:01and get all the claimants
11:02paid out that way.
11:03Well, I get it.
11:04But you'd only be
11:05letting national insurance
11:06off the hook
11:06if they claim bankruptcy.
11:08Now you sound like
11:08the other part of me.
11:10But it's all
11:10just so frustrating.
11:12Yes.
11:13And not surprising.
11:14It is a nascent industry
11:15rife with greed.
11:17Let's sell as many
11:18policies as possible
11:19without any thought
11:19of how we might
11:20pay them out
11:21in the future.
11:21I like your fire,
11:23counsellor.
11:23You are going places.
11:24In fact...
11:27What's this?
11:28When all of this hubbub
11:29is over,
11:30you should give them a call.
11:31I already put in a word.
11:33The Franklin and Sons Foundation.
11:35The big philanthropic
11:36organization
11:36in Union City.
11:38Nestor Franklin,
11:39an old pal
11:39and one of the Sons,
11:40would like to talk to you
11:41about their work
11:42with legal aid societies.
11:44Wow.
11:45Um,
11:46thank you, Georgie.
11:48But I'm happy
11:49with my life
11:50in Hope Valley
11:51with the work
11:52I already have.
11:53Suit yourself.
11:54I admire a woman
11:55who goes it alone.
12:04Well, how'd they like it?
12:06They loved it.
12:07I think.
12:09Rosemary had some
12:10strongly worded
12:11suggestions.
12:12Oh.
12:13But most importantly,
12:15they want you
12:16to play Apollo.
12:19What?
12:20Rosemary convinced me
12:21to play Millie
12:22and there's a certain
12:23plot point that I'd rather
12:24you were a part of.
12:25Well, I'm curious about that,
12:27but you know I'm in the middle
12:28of a pretty important
12:29investigation right now.
12:30I know.
12:30I know.
12:30It's only if you have time.
12:32But maybe a break
12:33would do you good.
12:35And it's like you said,
12:36sometimes the best ideas
12:37come from doing something else.
12:41I don't know if I'm an actor.
12:43Danny DeMarco
12:44would like a word.
12:46Come on.
12:47It'll be fun.
12:48And let's do it together
12:50so I don't have to
12:52kiss anyone else.
12:55Well, why didn't you
12:56lead with that?
12:58Yes, of course I'll do it.
13:00Who knows, maybe I'll give
13:01Buster Keaton a run
13:02for his money.
13:02Oh.
13:03I like your confidence, Apollo.
13:05How hard can this acting thing be?
13:18I appreciate your persistence
13:19on this, Constable.
13:23A bartender in Union City
13:24said that he is certain
13:25he saw Christopher
13:26at the Highland Pub last night.
13:28It's almost like
13:28he wants you to find him.
13:30Well, if it was Christopher,
13:32and even if it was him,
13:33there's no guarantee
13:34we can catch up to him
13:35before the trial.
13:36Well, without him,
13:37all we have
13:37is a bunch of burnt concrete
13:39and this map
13:40from Pioneer Electric,
13:41which we know is fraudulent,
13:42but good luck
13:43proving that in court.
13:44There's no cartouche.
13:47Oh, is that unusual?
13:48Well, most mapmakers
13:49like to take credit
13:50for their work,
13:51pride of craft.
13:53It's a fraudulent map.
13:54Probably didn't want
13:54to put a signature on it.
13:56And yet,
13:57I know who made this map.
14:00Amy Martell and I
14:01have been poring
14:02over coverage maps
14:03from national insurance.
14:07Look at the compass roses.
14:09They are identical.
14:10The same man
14:10made both of these maps.
14:12Clement Scoggins.
14:15I told you she was good.
14:18So,
14:20national insurance
14:21and Pioneer Electric
14:22use the same mapmaker.
14:23Coincidence?
14:24Sure.
14:24But suspect?
14:25Really?
14:26Well, there are plenty
14:27of mapmakers
14:28that Pioneer Electric
14:29could have hired.
14:30But it's not just that.
14:32If the cause of the fire
14:33turns out to be arson
14:35instead of corporate negligence,
14:36national insurance
14:37doesn't have to pay out
14:38nearly as much
14:39to its clients.
14:42That's why they've been
14:43slow rolling the claims.
14:46National insurance
14:47wanted Toby and Cooper
14:48to take the fall.
14:50And then for us
14:50to make it official.
14:51Because then Pioneer Electric
14:53gets off the hook.
14:54And national insurance
14:55saves a bundle.
14:56If these two companies
14:57are colluding,
14:58then our investigation
14:59goes from a simple
15:00corporate cover-up
15:01to a conspiracy
15:03to defraud
15:03thousands of people.
15:05The mapmaker.
15:06The mapmaker's the key.
15:08We've got to find this map.
15:09I think we should get
15:10some tangible evidence
15:11in first.
15:12Bank records?
15:13Yeah, but that could
15:14take a while
15:14to get a warrant.
15:15Well, leave it to me.
15:16I'm a forensic investigator.
15:18I have friends who owe me.
15:20And some who might even
15:21be a little bit afraid of me.
15:27How hard can it be
15:29to find some decent
15:30costumes around here?
15:32We didn't have much time
15:33to prepare other options.
15:35Rosemary, are you sure
15:37that Ned's character
15:37needs to be such a character?
15:40I have a vision, Faith.
15:43And Ned is not just
15:44any character.
15:46He is Neil Fearnley.
15:49He is the heart
15:50of this entire story.
15:51I found some more
15:52from last year's
15:53Halloween party.
15:53Oh, yes.
15:55Yes, this is perfect.
15:58I need to try this on Ned
15:59right now.
16:00Let's go.
16:04Edie, I'm so sorry.
16:05We're interrupting.
16:06You're obviously busy.
16:07Actually, I could use some...
16:11More tea?
16:12A biscuit, perhaps?
16:13Those both sound lovely,
16:14but I was thinking more
16:17wise counsel.
16:19Ooh.
16:21Lucas has been
16:23all out of sorts
16:24ever since Fernando
16:25showed up.
16:26Ooh, ooh, ooh.
16:26Speaking of the devil...
16:29Hello!
16:30Ah.
16:31Hello.
16:32Oh, buenos dias, señoritas.
16:35Good morning.
16:36Good morning.
16:38Mrs. Sue Hickam.
16:42Doctora Carter.
16:44Only in town a week
16:46and already he knows
16:47everybody's name.
16:48Yeah.
16:52So, Fernando,
16:54will you be working
16:54on the film?
16:55Ah, yes.
16:57May I?
16:57Please.
16:59Mr. Coulter
17:00and an angry little señorita
17:02put me in charge
17:03of the lighting.
17:04Moving pictures
17:05are but flickers of light.
17:08Dancing on a screen.
17:10I will be the maestro
17:11leading this dance.
17:13Wow.
17:14I've never heard it
17:16but quite that way.
17:17Hmm.
17:19And you, Edith?
17:20Will you join the dance?
17:22Oh, no.
17:23I'm not really one
17:25for make-believe.
17:26Hmm.
17:27But fun.
17:29Now that's
17:29a different story.
17:31Ooh.
17:31Cool.
17:32Ooh.
17:33Ooh.
17:35Oh.
17:43Bravo, Fernando.
17:44Very good.
17:48You must all
17:49visit me on set.
17:56Ladies?
18:01Are you sure
18:02Lucas has nothing
18:03to worry about?
18:04That's just Fernando.
18:06He isn't happy
18:07until he's cast
18:08his little spell
18:09on everyone.
18:10It doesn't work
18:11on me anymore.
18:13Huh?
18:14Does Fernando
18:15know that?
18:23Oh.
18:24I was just
18:25about to ring you.
18:28Third letter
18:29this month.
18:30Very observant
18:31of you.
18:32And hopefully
18:32not the last.
18:33No stamp.
18:34No return address.
18:37Very clandestine.
18:38It's just a letter.
18:39Behold.
18:40You are looking
18:41at the newest
18:42edition to
18:43The Scarlet Heart.
18:45Oh.
18:46Rosemary's movie.
18:47She cast me.
18:48I heard.
18:49Congratulations.
18:53I, I, I thought
18:55you'd be more excited.
18:56Oh, I am.
18:57Of course, dear.
18:58You'll be marvelous.
19:00It's Molly.
19:01Hmm?
19:01She's keeping
19:02something from me.
19:03I, I, we've never
19:05had secrets.
19:06Oh, we, we don't
19:07get to know
19:08everything, my love.
19:09Hmm.
19:10Now then, which part
19:13is it?
19:13It is the main
19:15villain.
19:15Oh!
19:16Yes.
19:16Oh.
19:19Ask and ye shall
19:21receive the bank
19:23statement of Clement P.
19:25Scoggins.
19:26Quick work, Inspector.
19:28You're more feared
19:29than you even knew.
19:30You'll note Scoggins
19:31received a $500 payment
19:33from Pioneer Electric.
19:34That's a lot of money
19:35for a map.
19:36About 20 times
19:37the going rate.
19:38Well, it certainly
19:38looks like he's been
19:39paid off, but
19:41not enough to bring him in.
19:43Oh.
19:43Well, maybe if
19:45somebody might
19:46need his services.
19:52Intrigue and espionage.
19:54My favorites.
20:13Mr. Scoggins.
20:16Same.
20:17Miss Wagonmeister,
20:18I presume.
20:19Indeed.
20:19Thank you for coming
20:21on such short notice.
20:22Please.
20:24No need to thank me.
20:26Short notice is just
20:28another way of saying
20:28I get paid faster.
20:30Well, then let's
20:31get right to it.
20:32I need some maps
20:34made for a financial
20:35client.
20:35They are willing
20:36to pay handsomely.
20:38My normal rate
20:39is more than adequate.
20:40And what might
20:41that be?
20:41A $25 for the
20:43initial design
20:44and $5 for each
20:45duplication.
20:47Well, then.
20:48Somebody better tell
20:49Pioneer Electric
20:50they got a bum deal.
20:51What's this?
20:53Because they paid you
20:54$500 for the same
20:55service.
20:56Did they not?
20:58Um, where did you
21:00get this?
21:01I, let me tell you
21:02what this looks like,
21:03Clement.
21:04Looks like you were
21:05paid handsomely to create
21:06a fraudulent map.
21:07A map that you
21:08backdated to help
21:09Pioneer Electric
21:10hide the location
21:10of a burnt-out
21:11transformer that
21:12caused a fire
21:12and burned down
21:13a town.
21:14Which means that
21:15you can be charged
21:16with participating
21:17in a conspiracy
21:18to obstruct justice.
21:19And do you want
21:20to add lying to an
21:21RCMP officer to that
21:21charge?
21:22I'm just an artist.
21:24A draftsman.
21:26I, I, I help
21:27people find their way.
21:28Well, then
21:29help yourself.
21:30If you cooperate,
21:31this will go much
21:32easier for you.
21:35Am I under arrest?
21:37Not yet, no.
21:39Then we're done here.
21:47That could have
21:48gone better.
21:49Maybe.
21:51I don't know.
21:51He seems spooked
21:52enough.
21:53Enough to make
21:54a call?
21:56I will see.
21:57If anything comes
21:58through, you know
21:59where to find me.
22:01Oh, uh,
22:02Breckling Apollo.
22:17Lookin' good, Ned.
22:19Oh, that's Neil
22:19Fernley to you, Apollo.
22:21He'll never take me alive.
22:23May?
22:23This looks wonderful.
22:25And yes, the jacket,
22:27very good.
22:28Now, Ned,
22:29listen.
22:29Neil Fernley is
22:31the linchpin.
22:32Without his quiet
22:33acts of self-sacrifice,
22:35Apollo would never
22:35have his chance
22:36to shine.
22:37Mwah!
22:38Go!
22:39Oh!
22:40There they are.
22:41My stars.
22:46Such chemistry.
22:48Such charisma.
22:49Oh.
22:52There you are.
22:53What is this?
22:55They're new story pages.
22:56I fixed a few things.
22:57I wasn't aware
22:58anything was broken.
22:59Well, they're still
23:00mostly your words.
23:01I just helped it
23:03sing a little.
23:04Wait a minute.
23:05Where is Millie?
23:06Who is Octavia?
23:07You are, my dear.
23:10You are.
23:13No!
23:15Lee!
23:16Yes?
23:16What is this traffic
23:17light still doing here?
23:18I asked for it to be
23:19removed hours ago.
23:20Who's into it, Jim?
23:22Well, clearly I am.
23:23Yes, you are.
23:24Which is why
23:24I asked for it to be
23:25removed.
23:33Showbiz.
23:42He may not make
23:43the call for a while.
23:45If he calls.
23:46Oh, he'll make
23:47the call.
23:50Do you miss it?
23:51The thrill of the hunt.
23:53You set him up.
23:54I take him down.
23:55Oh, is that how it worked?
23:57I thought I was
23:58the one who took him down.
24:00They never really
24:01see you coming,
24:02do they?
24:04Operator,
24:05how may I direct
24:06your call?
24:07Pioneer Electric,
24:08Mr. Shelby Whittaker.
24:10Please hold.
24:11Whittaker speaking.
24:13They're ought to us,
24:14and I'm not taking
24:15the fall for this.
24:15Pipe down.
24:16Who is this?
24:17It's me, Scoggins.
24:19Some sneaky broad said
24:20she needed a map,
24:20and then the coppers
24:21were all over me.
24:22Keep your mouth shut.
24:23Someone could be listening.
24:27Is that enough to work with?
24:31There's nothing about
24:32collusion or bribery
24:34or starting a fire,
24:36but yeah, it's something.
24:37Whittaker seems to know
24:38what he's doing.
24:39Maybe.
24:40But that mapmaker's
24:42a chump.
24:43And who's he calling
24:44a sneaky broad?
24:45He's not wrong.
24:47I wear it with pride.
24:51I realize how much
24:53I've missed this.
24:55What?
24:56The thrill of the hunt?
24:57Hmm?
24:58Now I've...
25:00I've hunted enough
25:01for one life.
25:05You know I didn't ask
25:06you here just to help
25:07Edie settle insurance claims.
25:08And you know
25:09that's not why I came.
25:22It's a magical town.
25:24I can see why you're here.
25:27What are you doing here?
25:30I'm in charge of the lighting,
25:31remember?
25:32No, I know.
25:33I mean here,
25:34in Hope Valley.
25:37Well, I'm a builder.
25:39I have business.
25:40Ah, so you just
25:41happened to show up
25:42where I am living and...
25:44I can't speak for fate, Edith.
25:47It brought us together once.
25:48Maybe it has a gang.
25:50No.
25:51Not this time.
25:54Fernando, I...
25:56I'm sorry that I left.
25:58But I know now
26:00that it wasn't
26:01how it was supposed to be.
26:02It wasn't a true marriage
26:04of minds where
26:05both people grow
26:06because they inspire each other.
26:08Uh-huh.
26:10Well,
26:12the governor's a lucky man.
26:14I don't know about that.
26:15I do.
26:16And he should too.
26:20Good luck, Nando.
26:33Snacks are for the crew.
26:37Okay.
26:44Oh.
26:45Uh, Mae?
26:46Are we almost ready?
26:48Nearly.
26:49Okay.
26:50Times, money, people.
26:51Places, places.
26:57All right.
26:59All right.
27:00Take one.
27:01Roll camera.
27:03Rolling.
27:05And...
27:06action.
27:08Action.
27:13On our way,
27:15all right.
27:16See you next week.
27:17All right.
27:21Bye.
27:22Bye.
27:23Bye.
27:27Bye.
27:39Oh!
27:40Cut!
27:42I'm so sorry, Rosemary.
27:44I think I came in a little hot.
27:46It's all right.
27:47It's all right.
27:48It's your first-time jitters.
27:50Let's just shake it off, and we'll try again.
27:52All right?
27:54Places, everyone, take two.
27:57Roll camera.
27:59Rolling.
28:00And action!
28:08Oh, cut!
28:14It's wonderful.
28:16Oh, okay.
28:17I love it.
28:18Yeah.
28:18Just let's try to forget that the camera is even here at all.
28:23Uh-huh.
28:24It's just Octavia and Apollo against the world.
28:29You got it.
28:30Uh-huh.
28:31You are a cunning and heroic Mountie, animated by justice.
28:37Whoa.
28:38Just channel you.
28:39Rosemary.
28:40Uh-huh.
28:43How am I doing?
28:45Marvelous.
28:46Just, uh, find your center.
28:50Find my center?
28:51Right-o!
28:52Take three.
28:54Roll camera.
28:56Rolling.
28:58And action!
29:01Why is she walking like that?
29:05Why does he look like a mummy?
29:07I can hear you.
29:08Am I supposed to be at least...
29:09Okay, shh!
29:09Pretend we're not here.
29:11Uh, just, let's go in for the kiss.
29:16Woo-hoo-hoo-hoo!
29:18Okay, let's cut.
29:20I thought...
29:21Uh, let's take ten.
29:25I thought...
29:26On that side.
29:27Oh, yeah, there's something, uh, wrong with the camera.
29:31There's nothing wrong with the camera.
29:33I mean, there's something very wrong with the camera.
29:37Oh.
29:39Rosemary.
29:40Uh-huh.
29:41I know we got off to a rocky start, but I actually think we're getting the hang of things now.
29:46Absolutely.
29:47Uh, but, you know, one thing I-I didn't foresee when I cast both of you is, uh, you two
29:53are actually too real.
29:56You know, all of this is kind of nonsense compared to what you two actually...
30:00Rosemary.
30:01Mm-hmm.
30:02Are you firing me?
30:04You're still the writer.
30:06I didn't even want to do this!
30:08Hold on a minute.
30:09I only agreed to this because of Elizabeth.
30:12I'm not kissing anyone else.
30:13No, of course not.
30:14I think that's for the best.
30:17I'm certain.
30:18Hey, hey, hey, hey, hey!
30:19Did you just fire on two leads?
30:21What now?
30:22We have a schedule.
30:23This is not a crisis.
30:24Mm-hmm.
30:25It's an opportunity.
30:26We just need to find someone undeniable.
30:33You know, I could offer my services...
30:36May I have assistance with my light, por favor?
30:39Thank you, caballero.
30:40Beautiful.
30:42Now, gently.
30:43Easy.
30:45Tilt her down.
30:48Yes.
30:53I'll see you next time.
32:04Cut! Brilliant!
32:07Brilliant!
32:11I suppose that's what you call chemistry.
32:15Sweetheart?
32:16Yes.
32:17Brilliant. Absolutely brilliant.
32:19Feels good to be back. Moving on!
32:24I would like to formally rescind my offer.
32:27Obviously.
32:28Si se hace, senor!
32:31Let's get you two ready for your next...
32:35Elizabeth?
32:37Thank you for taking this all in stride.
32:41It's as I always say, limitations breed creativity.
32:46About that.
32:47Yes?
32:48We need some rewrites.
32:49A location fell through, and Scout's part went to Gwen in a bear suit.
32:53I thought you said no bears.
32:55I got a deal in the suit.
32:56Will?
32:58Next setup!
33:01Fine, I will make the changes.
33:03Is there a chair for me?
33:06Can we get an apple box for the writer?
33:08I'm still Mrs. Thornton to you.
33:14There you are.
33:15I came by earlier, but you were out.
33:19I had some business.
33:20Well, I was hoping that I could lure you away for some gin.
33:25The card game, of course.
33:29I saw you and Fernando.
33:31I thought I made clear...
33:33You don't owe me any explanations, Edie.
33:35Clearly I do.
33:37There is nothing between Fernando and me,
33:40and if that wasn't clear to him before,
33:43well, it certainly is now.
33:46I see.
33:49So, what do you say?
33:57It is not that I don't believe you.
34:01But I've been here before.
34:04And people don't always know their hearts.
34:10You may have been here before, Lucas,
34:12but we haven't.
34:16Yes, I just...
34:18I don't want to be questioning
34:21and wondering, doubting you.
34:24It's not what you deserve.
34:27Okay, well...
34:30What can I do?
34:36I think I just need time.
34:39How much time?
34:43I don't know.
34:45I don't want to make you a promise
34:47that I cannot honor.
34:51I'm very sorry.
34:56I understand.
35:15The detachment clerk recorded the transcript,
35:18so it'll be admissible in court.
35:20How much do you think
35:21this is really going to help our case?
35:22Innocent people don't say,
35:24they're on to us,
35:25so trust me.
35:26That will get the jury's attention.
35:28Yeah, I just...
35:28I wish that we had...
35:29I know.
35:30But short of finding Christopher
35:32in that blown transformer,
35:33we just have to keep digging in
35:35every lead we've got.
35:42What?
35:43Well...
35:43Oh, me.
35:48Florence Dorothy Oost?
35:50How could you betray Ned
35:51with this...
35:53this...
35:54Molly?
35:55This...
35:55one on...
35:56or this...
35:58Do I have something on my face?
36:00No, there's something on your head, dear.
36:02Need I remind you?
36:02Right, right, right.
36:03What do you think, Molly?
36:04I could get used to this.
36:07I thought Florence was messing about
36:10with some floppy-haired nitwit.
36:12I would never do such a thing.
36:13Is it floppy?
36:15Oh.
36:16And to think you thought
36:17I was traipsing around in secret
36:19when it's you
36:20who've been holding out on me.
36:21What are you implying?
36:23Those letters.
36:25I had to learn from Elizabeth
36:27that you've been taking
36:28a nursing correspondence course.
36:31Why didn't you tell me?
36:33Your opinion means so much to me.
36:34I just couldn't bear to tell you
36:36and then fail.
36:38Well, Molly...
36:39I'm so sorry
36:40for that
36:41and for
36:43thinking you were being unfaithful.
36:45How could you think
36:46you couldn't tell me
36:47I know you're not going to fail?
36:49Well,
36:50it seems you're right.
36:52I passed.
36:53I'm officially a nurse.
36:56You see,
36:56it was all I could do
36:58not to peek at them.
36:59Not that I ever have.
37:00No, it's a federal crime.
37:01I hate not telling you.
37:03You know,
37:04you can always be yourself with me.
37:07And that goes for you too, Ned.
37:10I am begging you.
37:12Wait,
37:16fine.
37:18Fine.
37:22Thank you, dear.
37:24Of course.
37:48Evening, Governor.
37:49Oh, Mike,
37:50I didn't order a drink.
37:53You look like
37:54you could use one.
37:59I recognize that watch.
38:01It was a gift?
38:02From Elizabeth.
38:04Elizabeth, yes.
38:06Our time has come.
38:10And yet it never came.
38:13That's in the past.
38:15Elizabeth changed her mind.
38:17She followed her heart.
38:19I don't resent her for that.
38:22But it changed something in me.
38:26You know,
38:27it wasn't so long ago
38:28I was standing at this bar
38:30hesitating to ask May on a date
38:32because of some past heartbreak.
38:35I was scared it was going to happen again.
38:38But then someone
38:40told me not to miss my chance
38:42when the right person came along.
38:44That sounds like good advice.
38:46Given by a good friend.
38:49It was you.
38:50You were the one who said that.
38:51Yeah, I got that one.
38:54Don't let your past
38:56steal your future.
39:04Have you seen Ms. Martell?
39:16I have to give it to them.
39:18The way Faith and Fernando
39:19stepped in
39:20was impressive.
39:21And their chemistry.
39:23Quite convincing.
39:24Sorry I missed it.
39:28You don't think...
39:29No, I don't.
39:30Do you?
39:31Not at all.
39:34We're talking about
39:34the same thing here, right?
39:35Of course.
39:37That we have chemistry.
39:39Oh, tons.
39:40And the real kind, too.
39:41Mm-hmm.
39:42Who cares if we can't fake it?
39:43Yeah.
39:44What does that matter anyhow?
39:50There's something still nagging at you.
39:56Well, this story that you wrote.
39:59And a Mountie who returns a hero.
40:03No wonder I couldn't pull it off.
40:06What do you mean?
40:09I had him.
40:12Christopher.
40:12The evidence.
40:13Everything we needed.
40:15And I just let it slip through my fingers.
40:23I mean, that's why I feel like such a fraud in front of the camera.
40:27I feel like I'm failing.
40:28I feel like I'm failing you.
40:29I feel like I'm failing Benson Hills.
40:31Nathan, I've seen firsthand how relentless you've been.
40:36You can't compare yourself to a fairytale story or a fictional character.
40:43One who can't even talk.
40:47The story isn't over.
40:50Maybe it is for our acting careers.
40:53But not for this investigation.
40:56And certainly not for us.
41:00I, for one, can't wait to see what the next act has in store.
41:04You know, I might have frozen in front of all those people.
41:09But out here, where it matters,
41:14I think the Mountie gets the girl.
41:20Definitely.
41:32Been here.
41:55Been here.
41:59Was it all right?
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