Lewis. S06 E03. Fearful Symmetry.

deaddogsdam

First broadcast 30th May 2012.  After a pretty graduate student moonlighting as a baby sitter is found bound on a bed and smothered, it is found that she posed for provocative bondage photos.  Abigail Hardingham - Jessica Lake Georgia Taylor - Honey Addams Ciarán McMenamin - Nick Addams Lucy Cohu - Marion Hammond Gregor Truter - Dr. Joshua Ezrin Con O'Neill - Dr. Bob Massey Katrine De Candole - Davina Garland Gary Kemp - Tom Garland Laurence Fox - DS James Hathaway Kevin Whately - DI Robert Lewis Clare Holman - Dr. Laura Hobson Leila Mimmack - Yasmin Randall Pierro Niel-Mee - Gideon Massey Merv Lukeba - Kyle Hutchinson (as Merveille Lukeba) Bronson Webb - Silas Whittaker Kit Sinclair - Midge Davies (as Kirsty Osmon) Rebecca Front - Ch. Supt. Innocent Georgina Strawson - Lucy Bond Anna Wilson-Jones - Stanza Massey Chloe Rose - Zoe Colin Dexter - Visitor at Ashmolean Marc Hockley - Tutor Kissing Student Shaun Lucas - Paramedic Glen Stanway - Fingerprint Officer Chris Wilson - Police Officer

Transcript

00:00:23Now, where's Nunu?

00:00:25Where's Nunu?

00:00:27Where's Nunu?

00:00:28Hon?

00:00:29Where's Nunu?

00:00:30He's not.

00:00:31Where is he?

00:00:33There's Nunu!

00:00:34Oh, you clever boy.

00:00:36Have you seen my racket?

00:00:38Yes, he is.

00:00:39Honey?

00:00:40No.

00:00:44No.

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00:03:48I don't know.

00:04:44I don't know.

00:04:45I don't know.

00:04:51What have we got?

00:04:52Babysitter Jessica Lake, 18.

00:04:54Found by Mr. and Mrs. Adams.

00:04:55Parents of the toddler she was minding.

00:04:57The child's unharmed.

00:04:59Anyone see anything?

00:05:01Door-to-door's underway, but...

00:05:03There was a party next door last night.

00:05:05Loud music, lots of coming and going.

00:05:07Uniformer compiling a guest list.

00:05:09Point of entry is a conservatory door,

00:05:10forced, according to Socko.

00:05:12Back of the property gives out onto the Arcadia Park golf course.

00:05:25Smothered.

00:05:26Somewhere between midnight and four this morning.

00:05:29It's a Bunton & Hitch, a.k.a. four-in-hand knot.

00:05:31Popular with yachties.

00:05:34Boaty types.

00:05:37This was planned.

00:05:40Symmetry.

00:05:42Each wrist tied with rope six times.

00:05:46Neatness of it.

00:05:49He thought about this a lot.

00:06:08Our usual girl was booked to babysit,

00:06:10but something came up last minute.

00:06:12So she recommended Jessica, didn't she?

00:06:15Hey.

00:06:15Yeah, er, Yasmin Randall.

00:06:17She's a student at Southey College.

00:06:19I mean, we get her through an agency,

00:06:20but so late in the day.

00:06:22They looked after Joe for us once or twice before together,

00:06:25so we thought it'd be all right.

00:06:28Obviously, we need to trace Jessica's parents as soon as possible.

00:06:31Can you help with that, though?

00:06:34Don't really know her very well.

00:06:38You were where last night?

00:06:39Let's sleep.

00:06:41My boss's place.

00:06:43And a few drinks ended up staying over.

00:06:44That piece.

00:06:45You were meant to come back.

00:06:48Yeah.

00:06:49Yeah, we were.

00:06:51Bye.

00:06:55We phone through around ten to ask Jessica

00:06:58if she'd mind stopping over.

00:07:00Might not be the intended victim, then,

00:07:01if the Addams should have been here.

00:07:03Else the other girl,

00:07:04she'd stepped in for a Yasmin Randall.

00:07:08I want to see her first.

00:07:10Anything from Jessica's parents?

00:07:11Turkey's a ripping list of contacts off her mobile now.

00:07:15You all right with this?

00:07:17You sure?

00:07:18Yeah.

00:07:19All right.

00:07:22How long have you lived in Arcadia Park, Miss Stredams?

00:07:25Lived in a couple of years back.

00:07:27Just before Joe was born.

00:07:28Nice part of the world.

00:07:31It was a bit of a stretch.

00:07:34Location, location, and all that.

00:07:35Good night.

00:07:49Hi, Robbie.

00:08:07The house isn't alarmed.

00:08:09It is.

00:08:10We just don't tend to leave it on when somebody's home.

00:08:13This is all here, as far as I can tell.

00:08:15I don't keep any cash in the house.

00:08:20Is that what you think this is all about, then?

00:08:23Robbery.

00:08:55The house isn't alarmed.

00:09:27I thought I'd be finished, but one of the Dons wants some work doing.

00:09:32Where was this?

00:09:34The Ethology Research Lab.

00:09:36I help out there unofficially.

00:09:38And who was it that asked you to work late?

00:09:40Dr. Ezrin, who's my tutor.

00:09:44I don't suppose you could say no to that.

00:09:46Not really.

00:09:48So I called Jess.

00:09:50She was meant to see Gid that night, but she needed the money, so...

00:09:54Gid is?

00:09:55Her boyfriend.

00:09:57Giddy and Massey.

00:09:59How long have they been together?

00:10:01Six months, maybe.

00:10:04How is it that you know Jess?

00:10:06We waitress together for a while.

00:10:08Coffee place on the high.

00:10:09I'm gonna...

00:10:37I was going to...

00:10:39meet up with Jess. She blew me out last minute. Her friend asked her to do some debt babysitting.

00:10:47Yeah, we spoke to her. So you stayed with your mum last night? You didn't go out or?

00:10:54No, I had a couple of beers. I couldn't be bothered to get the bus back to college so

00:11:00she crashed there. But all was wild between you. No arguments, no fallings out.

00:11:12Yasmin told us that Jessica was living in a squat. Yeah, Box Grove. It used to be a kid's

00:11:18home. She'd been in care there. She talk about that? Not really. I didn't go there much. The guys

00:11:26she was living with, Kyle and Silas, they always saw me as this posho. So...

00:11:35This is a delicate question, Mr. Massey, but it's one I have to ask. In your private lives,

00:11:44you and Jessica, did you use ties, uh, restraints? Did they play a part in that?

00:11:56No. No, we, we were normal.

00:12:09Oh, that's... Oh, God.

00:12:19So this knot of yours is popular with the boaty types, is it?

00:12:23Hmm. I'm gonna call Socko and Forensics and have them check the polyprop boat

00:12:27that they've got in stock here for a match.

00:12:28Yeah, and get a call in the social.

00:12:32If she was in care, there'd be a case file.

00:12:34Tech boys have pulled something off Jessica's phone.

00:12:37Couple of voicemails from a woman called Marion, and, um.

00:13:12And they'll be able to get a call.

00:13:12And it's just a little bit.

00:13:15I'm sorry.

00:13:20I'm sorry.

00:13:21I'm sorry.

00:13:23I'm sorry.

00:13:39Here you go.

00:13:40Cheers.

00:13:41Ciao.

00:13:53Do you not?

00:13:54No.

00:13:54Only three mugs.

00:13:56Guests.

00:13:58You'll be all right.

00:14:00You're just raw.

00:14:03We wondered what had happened if Jess didn't come back.

00:14:07Silas was worried on account she hadn't rung.

00:14:10I assume she was with our bloke.

00:14:13Gideon.

00:14:15What did you make of him, Carl?

00:14:20What about Jessica?

00:14:21What was she like?

00:14:24One of us.

00:14:26Wanted to be a vet, you know?

00:14:28And you all knew each other from care, is that right?

00:14:31From here, yeah.

00:14:33Me and Silas drifted back a couple of years since.

00:14:37This spring, Jess turned up.

00:14:40She was just passing through, you know?

00:14:41Came to see if it was still here.

00:14:43Stayed on.

00:14:45Peaceful.

00:14:47It is now.

00:14:51We're keen to trace any family just by the heart.

00:14:55Anything you can tell us that might help with her?

00:14:58Not around.

00:15:00His mum never liked her.

00:15:03Gideon's mum never liked her.

00:15:06Why do you say that, Silas?

00:15:34Why do you say that, Silas?

00:15:40Oh, this is here.

00:15:43The Ashmolean presents Marian Hammond.

00:15:46Fallen, question mark.

00:15:49A meditation on post-lapsarian female gender identity.

00:15:52Opens this week.

00:15:54I've got tickets.

00:15:58The same Marian who left messages on her answer phone?

00:16:01Professional iconoclast, social photo anthropologist,

00:16:05come cultural pundit.

00:16:07Oxford type, that.

00:16:08Oh, yeah.

00:16:20Must be a good few bob in this iconoclasm lark.

00:16:24These conversions don't come cheap.

00:16:28D.I. Lewis, D.S. Hathaway.

00:16:30I'm Midge Davies, Marian's assistant.

00:16:33Come on up.

00:16:35You worked for Miss Hammond long?

00:16:36About four years.

00:16:37How do you know her?

00:16:38From around?

00:16:39Through her work?

00:16:40How's that, Miss Davies?

00:16:43How is that a place for kids who fell through the cracks?

00:16:46M came and did a bunch of pictures there.

00:16:48Studies, you know?

00:16:52Where was this?

00:16:53A place called Boxgrove.

00:16:55Do you know a Jessica Lake there?

00:16:59Jess?

00:17:00Why?

00:17:01What's this all about?

00:17:02It's a line of inquiry we're pursuing.

00:17:06Have you been back recently?

00:17:08To Boxgrove.

00:17:09To Boxgrove.

00:17:09Not a chance.

00:17:10I couldn't wait to get out.

00:17:12Why would I go back?

00:17:36It's all the weirdy bits and bobs.

00:17:39Min Condi.

00:17:41Tribal nail fetishes.

00:17:43Mine will be with you shortly.

00:17:45Do you want something to drink?

00:17:46Wine?

00:17:47Coffee?

00:17:47Tea?

00:17:48No, thank you.

00:17:49An anonymous object invested with supernatural powers, the entity is invoked by driving nails

00:17:53into wood.

00:17:54Very house and garden.

00:17:57You're more a green lady type of guy, I'd imagine.

00:18:01More dogs playing pool actually.

00:18:03The way they get them to hold the cue in their little paws.

00:18:06Brilliant.

00:18:08What could I do for you?

00:18:10You know a young woman named Jessica Lake, Miss Hammond?

00:18:14Jess?

00:18:15Sure.

00:18:15I've used her as a model a couple of times.

00:18:16You left some voicemails for her last night.

00:18:18I'm trying to get her in for another shoot.

00:18:21Is everything okay?

00:18:23I'm afraid not.

00:18:24She was found dead this morning.

00:18:26Murdered.

00:18:31Is this yours?

00:18:36Yes.

00:18:39It's from the first session.

00:18:40We did together.

00:18:44Unaspletliko taten.

00:18:46Unspeakable act.

00:18:50Bet that went down well in some circles.

00:18:52If ain't I offend thee.

00:18:54I'm not convinced that's the spirit of Mark's gospel.

00:19:11And what about outside your professional association?

00:19:14Were you close?

00:19:16No.

00:19:17We didn't hang out.

00:19:28Who's idea was that?

00:19:30Their old business.

00:19:33Hers.

00:19:34Why?

00:19:49Portent that the body of a young woman has been found in what police are describing as suspicious circumstances.

00:19:56At a property on the exclusive Arcadia Park estate.

00:19:59Justin Moore reports.

00:20:01A body believed to be that of a young woman was discovered this morning at a property on Oxford's exclusive

00:20:07Arcadia Park estate.

00:20:09Police are treating the death as suspicious and it is believed, though this has not yet been officially confirmed, that

00:20:16a murder inquiry has begun.

00:20:18The house where the body was found has been sealed off while scene of crimes officers conduct a detailed forensic

00:20:24examination of the property.

00:20:26You okay?

00:20:27The name of the deceased, believed to have been a babysitter minding a child at the property, has not yet

00:20:32been released.

00:20:33But it is understood the child that she was looking after has not been harmed.

00:20:38Mr and Mrs Adams were driven away from Arcadia Park this morning for an undisclosed destination.

00:20:45I spoke to Adams's boss, Tom Garland, and he confirmed that they stayed with him and his wife last night.

00:20:50What about the Randall girl?

00:20:52Student mom helping out the university's ethology research lab.

00:20:56Ethology?

00:20:57Teaching monkeys how to talk.

00:21:00And they wonder where the funding goes.

00:21:03All right then, crack on.

00:21:10Bridge.

00:21:14Peanut.

00:21:18Pavement.

00:21:22Car.

00:21:22Haven't you got home to go to?

00:21:26Oh, sorry.

00:21:28Triangle.

00:21:28You off?

00:21:29How are things with Lottie?

00:21:31Still not talking?

00:21:33No, she's talking.

00:21:35Just not to me.

00:21:37Ah.

00:21:37Women.

00:21:38Star.

00:22:02Hi, love.

00:22:03It's your dad.

00:22:06I know.

00:22:07Just like to hear meself say it sometimes.

00:22:09One.

00:22:10One.

00:22:11One.

00:22:27A tiny hellraiser, and perhaps most terrifyingly, almost as the greatest half of this generation.

00:22:40There's a line between good and evil, no wider than a razor's edge.

00:22:50I hold the line, I am the line.

00:22:57While the good citizens of New Providence slumber, I keep the line.

00:23:29You're back late, son.

00:23:31You kept yourself a warm, though it might be a bit dry.

00:23:35Good?

00:23:38The police came to see me.

00:23:40The police?

00:23:41Is it drugs?

00:23:44It's Jess.

00:23:48She's been killed.

00:23:51Someone killed Jess.

00:23:59Oh, my son.

00:24:01Oh, my son.

00:24:04Oh, my son.

00:24:16Hey.

00:24:17Hey.

00:24:18I thought you'd gone.

00:24:20Just finishing up.

00:24:24Jessica.

00:24:26Who'd do a thing like that, Mitch?

00:24:33I think that someone's been in the flat.

00:24:39When?

00:24:41On and off, for a while.

00:24:45They were here last night.

00:24:47You sure?

00:24:49I went out.

00:24:50The board was set to Spassky Fisher, 72.

00:24:52Black to play.

00:24:55Got in this morning.

00:24:57They'd made their move.

00:25:00It's just now, with all this stuff with Jess.

00:25:08Do you want me to stay?

00:25:11No.

00:25:12No, no, I'm fine.

00:25:13You go home.

00:25:14You sure?

00:25:15Yes.

00:25:16Really?

00:25:16Yes.

00:25:17Go home.

00:25:18Home.

00:25:19Okay.

00:25:35Raisin.

00:25:37Orange.

00:25:39Now.

00:25:42Peanut.

00:25:49Dr. Ezrin.

00:25:52Josh Ezrin.

00:25:54You have an undergrad, a Yasmin Randall, who helps out here?

00:25:59Yeah.

00:25:59I understand you asked her to work late on Saturday.

00:26:02I needed some data collecting.

00:26:04Can you remember what time she finished?

00:26:06Uh, she was still here about six when I clocked out.

00:26:10And all well in her world, so far as you know?

00:26:13No one she'd had a falling out with a boyfriend or a...

00:26:15Not that I'm aware of.

00:26:17What do you actually study here, Dr. Ezrin?

00:26:21The parts of the brain relating to learning.

00:26:24How data is imprinted and stored in the memory.

00:26:28Anything you've ever felt is done to a microscopic variation

00:26:31and the electrochemical balance in here.

00:26:35Everything we are.

00:26:37Love.

00:26:37Hate.

00:26:38Anger.

00:26:39Jealousy.

00:26:40Desire.

00:26:41Desire.

00:26:41Ah, the need for a mate.

00:26:44Whereby we can propagate our mitochondrial DNA.

00:26:47It's about as basic an instinct as you can get.

00:26:50And the soul?

00:26:52Sorry, there is no ghost in the machine.

00:26:54When the machine stops, we stop.

00:27:02Why do I ask what this is about?

00:27:04A friend of Yasmin's was found murdered yesterday morning.

00:27:08A young woman called Jessica Lake.

00:27:11Jessica?

00:27:12Don't you know her?

00:27:14New.

00:27:16Briefly.

00:27:17She worked here on placement one summer.

00:27:20We were always short-staffed at that time of year.

00:27:23She wasn't an undergrad, though.

00:27:25Er...

00:27:26No.

00:27:26No, indeed not.

00:27:27So how did she end up working here?

00:27:30Er...

00:27:31A colleague recommended her, I believe.

00:27:34Bob...

00:27:35Bob Massey?

00:27:36Gideon's father?

00:27:39That's right.

00:27:40It's a coincidence, isn't it, that both Jessica and Yasmin worked here.

00:27:45I was hoping to get over to Tom Garland's house this morning

00:27:48and double-check that Adam's alibi.

00:27:51You better take Mrs. Massey, I'll do the dad.

00:27:57Gide asked me if I could find anything for her.

00:28:00She wanted to work with animals, and being under 18 at the time,

00:28:03she couldn't get insurance to work at any of the vets or the kennels.

00:28:08So...

00:28:09How well did you know?

00:28:10Hello?

00:28:12How are you?

00:28:13The odd late-night lift home.

00:28:16There's so many of Gide's friends through here,

00:28:18I don't know the half of them.

00:28:20What about Yasmin Randall?

00:28:25Jack the rather fetching blonde.

00:28:28Is one allowed to say fetching nowadays?

00:28:30Probably not, but, yeah, that sounds about right.

00:28:34She helps out at your research lab?

00:28:36Yes, that's right.

00:28:38I believe she does.

00:28:39Part-time.

00:28:40It's not my section though, it's Josh Ezrin's.

00:28:43Can you account for your movements Saturday evening?

00:28:46We're asking everybody that knew Jessica, just as a matter of course.

00:28:49Yeah, erm, I worked till nine, then, er, got something to eat from the supermarket.

00:28:58Home, cooked, ate, comped out in front of the box.

00:29:04Anyone confirm that?

00:29:06Home? Er, no. Just me.

00:29:10And probably too much scotch.

00:29:14So as far as you're aware, Gideon didn't go out again on Saturday night?

00:29:18I didn't stay up and watch him.

00:29:20He's him himself?

00:29:21Whatever that means.

00:29:24He comes round once or twice a week.

00:29:26I don't know why.

00:29:27It's perfectly decent rooms in college.

00:29:29Are you close?

00:29:31He's my son.

00:29:43How's he bearing up?

00:29:46Oh.

00:29:48I thought I'd take the day off.

00:29:51Keeping company.

00:29:53Breakfast, something normal.

00:29:55One minute you hold them in the crook of your arm,

00:29:58and the next thing you know it's the reek of bad grass and nitrate till all hours.

00:30:05Sorry.

00:30:06Can we rewind on the grass bit?

00:30:09It's what the eye doesn't see.

00:30:12How did your wife get on with Jessica?

00:30:15We haven't kept in touch, to be honest.

00:30:17That's tough.

00:30:19For the children especially.

00:30:22Yeah.

00:30:23Good missus are terribly.

00:30:25Well, we both do.

00:30:57You taking your tablets?

00:31:01Silas?

00:31:03I'm fine.

00:31:05Don't worry.

00:31:09Did Jessica ever mention a Marion Hammond?

00:31:13Yeah.

00:31:14Yeah, she said she was nice.

00:31:16A bit weird.

00:31:17Weird in what way?

00:31:19Just generally weird.

00:31:21A little arty, I suppose.

00:31:23A bit full on.

00:31:26How do you mean?

00:31:27Well, like the calls and texts.

00:31:30Jess thought it was all...

00:31:32A bit, I don't know, too much.

00:31:36So, she just backed right off.

00:31:39Did you ever see any of the pictures she took?

00:31:44Yeah.

00:31:45Yeah, she kept a couple of test shots.

00:31:48Did you show them to anyone?

00:31:50No.

00:31:51No, they're not really the kind of things you hand round your mates.

00:31:54Say, that's my girlfriend.

00:31:57Right.

00:31:59Excuse me.

00:32:00Do you mind if I just...

00:32:01A little cake on, otherwise.

00:32:04Right.

00:32:05Okay.

00:32:06You alright?

00:32:07If you need anything, just call me, yes?

00:32:10Will you be home later, just so I know what to get in for each?

00:32:13I don't know, I've got an essay, maybe.

00:32:15Okay.

00:32:16Right.

00:32:16Oh, I got the lime shampoo that you like.

00:32:19I've left you by your door.

00:32:21She is dead.

00:32:24Sorry.

00:32:24Thanks for your help.

00:32:26Bye.

00:32:29He fusses.

00:32:33That's what dads do.

00:32:35Yeah, I wish he wouldn't.

00:32:37Not as much, anyway.

00:32:40How did Jessica get on with your mates?

00:32:45And what about Yasmin?

00:32:47Were they close?

00:32:48Well, yeah, I met Jess through Yasmin, so...

00:32:53And your mum?

00:32:57My mother, she, um...

00:32:59She never really liked any of the girls I got with.

00:33:06Do you know why she left?

00:33:08To find herself.

00:33:14Me time.

00:33:17When's she ever had anything but?

00:33:22I have my suspicions, but the PM confirms it.

00:33:25Her wrists were bound to the bedstead post-mortem.

00:33:29Oh, the pose was staged, then.

00:33:32But for whose benefit?

00:33:33His or ours?

00:33:34Well, both, possibly.

00:33:36Maybe the idea of discovering her as she was lent some kind of frisson.

00:33:40Assuming it was a man.

00:33:42Wouldn't you think?

00:33:43Of an equal opportunities pathologist.

00:33:46Jessica was attacked while she slept.

00:33:48Would have taken no particular strength to smother her.

00:33:51There was no obvious funny business, was there?

00:33:54Afraid that's not a medico-legal term with which I'm familiar.

00:33:58But no, no obvious funny business.

00:34:03See your other half.

00:34:05Gotta go.

00:34:08Something I said?

00:34:10Perish the thought.

00:34:11No, she's up before Mr. Justice Crowder this morning.

00:34:15How'd you get on with Mrs. Massey?

00:34:16Maternal instincts just this side of Madea.

00:34:19She's the one that did her kids in, right?

00:34:21Well done, you.

00:34:23Well, I never know when you're gonna spring a test.

00:34:26Shall you stand Gideon's story up?

00:34:28Just about. I'll tell you on the way.

00:34:30What is it you do, Mr. Garland?

00:34:33Venture capital.

00:34:33How long's Nick been with you?

00:34:36A year, just over.

00:34:38Dreadful thing for them.

00:34:40Awful shock, I'd imagine, coming home to find that.

00:34:43Who was she, this girl?

00:34:45Nick said it was a babysitter.

00:34:47Jessica Lake.

00:34:49Did you ever meet her?

00:34:51No.

00:34:52Mr. Adams never mentioned her.

00:34:54Nick's childcare arrangements are rarely on the agenda, I'm afraid.

00:35:00Nice boat.

00:35:02Yeah.

00:35:03We were gonna run her down to Banton on Saturday, but it looked like rain, so we settled on tennis.

00:35:09Who won?

00:35:10The tennis.

00:35:12Nick's wife and me.

00:35:14Nick's doubles.

00:35:15Tom?

00:35:16Phone.

00:35:19Excuse me a minute.

00:35:20He's a great big kid for the night.

00:35:23I've run out before the night.

00:35:36It's a long day.

00:35:37To the night is done.

00:35:37To the night is still home, he's been in his house for the night.

00:35:38To the night is still home.

00:35:44To the night was just a day to have a night.

00:36:07I think you're meant to have a warrant, aren't you?

00:36:10If you want to go poking through people's private things.

00:36:14I must have taken a wrong turn.

00:36:17Easily done.

00:36:33Dovina heard their car go off about 8.39ish.

00:36:36Well, she didn't see them.

00:36:38Dovina likes a lion.

00:36:39It's all very informal, Shea Garland.

00:36:42Look who I found wandering around.

00:36:45And yourself, sir, where were you?

00:36:47I was out on the golf course first thing.

00:36:50It's the nearest thing I have to a religion.

00:36:52Where was that?

00:36:54Arcadia Park.

00:36:56Yeah, it's weird to think.

00:36:59I could have been going by around the time they got back and found this girl.

00:37:02Who were you playing?

00:37:04A couple of guys wanting me to take a look at an alternative energy concern.

00:37:07I can get you their names and numbers if you like.

00:37:10Did you back them?

00:37:12No, the margins weren't good enough.

00:37:14I'm a greedy dragon.

00:37:17But they'll get into bed with me in the end.

00:37:19My husband gets what he wants, Inspector.

00:37:32What did you find in your mooch around?

00:37:35There's a photograph of his wife in one of the bedrooms.

00:37:37Looks like Marion Hammond's work.

00:37:38You?

00:37:39That launch of his was tethered with a length of polypropylene rope.

00:37:44Moored.

00:37:45Horses are tethered boats on board.

00:37:47Whatever.

00:37:48Get on the phone for a warrant.

00:37:49Let Sockos take a look.

00:37:52Any results from that stuff up at Gideon's Chaliery?

00:37:55Yeah, it's a match.

00:37:56But it's also sold in nearly every sailing shop in England.

00:38:08How you doing?

00:38:12I don't know.

00:38:14I can't believe she's gone.

00:38:17Yeah.

00:38:18You want to talk or anything?

00:38:21You know I'm here.

00:38:21I'm always here.

00:39:01You all right, Bob?

00:39:05Sorry.

00:39:07It's just this thing with Gideon, eh?

00:39:12Any news?

00:39:16No. No, there's a... No.

00:39:30I'm on to you, Gibbon.

00:39:32What do you mean?

00:39:33You know what I mean. I'm on to you, both of you.

00:39:38And I'll be a reckoning.

00:39:40So you'd better sleep with one eye open, cos I'm coming.

00:39:51Do you think there's any chance Nick Adams went back to a Kenya park?

00:39:56He wouldn't be the first man to lose his head over a babysitter.

00:40:00Well, he thinks there's something on offer that isn't.

00:40:02Things get out of hand, she threatens to go to Honey or us.

00:40:06Maybe.

00:40:12What do you got there then?

00:40:14I spoke to social services about Jessica and the Boxgrove lot.

00:40:19There you go.

00:40:19Foster home care, foster home care since she was two years old.

00:40:23That's the same age as the Adamses little lad.

00:40:26Mother with a class A drug problem overdose for the last time the same year that was taken.

00:40:30What did they say about the housemates?

00:40:33Failure across the board.

00:40:34Societal, educational, parental.

00:40:37Silas Whittaker's been labelled hyperactive and schizophrenic.

00:40:40Turns out he's bipolar.

00:40:41Only diagnosed last year.

00:40:43String of petty, non-violent form, possession, class B mainly.

00:40:47What about the other one, Kyle Hutchison?

00:40:49Burn down the school hall.

00:40:50Burn down the school hall.

00:41:04Get him.

00:41:19I'll see you then.

00:41:36Lady Pawn 666 has played Pawn 2 E5.

00:41:43Your move.

00:41:59Nick's at work.

00:42:00Actually, Mrs Adams, it was you we wanted to see, if you don't mind.

00:42:04I would quite like your whip.

00:42:06I was just about to get Joe down, so...

00:42:08Well, it's all right. Sergeant Hathaway will keep an eye.

00:42:11He's good with kids. He used to be one himself.

00:42:29The police are like doctors, you know, Mrs Adams?

00:42:33We hear all sorts.

00:42:36If it has no bearing on the case, then it won't go any further.

00:42:42But I do need the truth for Jessica's sake.

00:42:49A couple of months ago, Nick and I went for dinner with Tom and Davina.

00:42:53Merrily, merrily, merrily, merrily, life is such a dream.

00:43:01Roll, roll, roll about, gently down the stream.

00:43:08Merrily, merrily, merrily, merrily, life is somewhat repetitive.

00:43:16Anyway, end of the meal, Nick was getting the bill and Davina was somewhere.

00:43:22It was just Tom and I at the table.

00:43:26He leant across and said,

00:43:29perhaps the four of us should...

00:43:36What did you say?

00:43:37I was shocked.

00:43:40I think I tried to laugh it off and turn it into a joke.

00:43:45Did you tell your husband?

00:43:49I thought he'd be angry.

00:43:52Defend my honour, something.

00:43:57He said, maybe I should think about it.

00:44:03Anyway, they kept asking for us to go over and...

00:44:06In the end, I thought maybe it is me.

00:44:10Maybe I'm being stuffy.

00:44:13So we went.

00:44:15Saturday night.

00:44:23It turned into a kind of...

00:44:29Too much booze, you know.

00:44:34It was out of control.

00:44:40Eventually, Davina and Nick disappeared.

00:44:46Tom had had a lot to drink and he passed out.

00:44:51I just wanted to go home to get back to Joe.

00:44:56I knew that the car keys were in Nick's bag, so...

00:45:00I went down to the hall and it wasn't there.

00:45:03I went outside, the car was gone.

00:45:06They'd driven off somewhere.

00:45:08What time was this?

00:45:11Gone midnight.

00:45:14So I went down to the boat and I fell asleep.

00:45:18Next thing I know, it's gone eight.

00:45:22I came up to the house and the car was back.

00:45:27Nick was just sitting there.

00:45:40I'm on my way to a meeting.

00:45:43I'm worried.

00:45:45What's new, Bob?

00:45:46Yes. No.

00:45:49It's about Gid.

00:45:51About Gideon.

00:45:53Aren't you worried?

00:45:56The police came to the house.

00:45:58They came to see me too.

00:46:00Look.

00:46:01We have an opening tomorrow and I haven't got time to...

00:46:02Have you spoken to him?

00:46:04Will you please, will you...

00:46:05Just this once, just can you...

00:46:06What do you want me to do? What?

00:46:08Something.

00:46:09Anything.

00:46:10Act like his mother.

00:46:12Would it kill you to just act like it?

00:46:16For him.

00:46:18Not for me.

00:46:20For Gideon.

00:46:21I have already...

00:46:23I won't do any more.

00:46:26I won't.

00:46:27What did we...

00:46:29What did we do to make you hate us so much?

00:46:36Not the waterworks.

00:46:38They don't work anymore.

00:46:41I'm...

00:46:43Sorry.

00:46:44And the sorry.

00:46:45The tears, the sorry.

00:46:47It's just white noise, Bob.

00:46:50White noise.

00:46:53I've filtered you out.

00:47:05I can drop you outside.

00:47:07No, the water will do me good.

00:47:09Well, you're on your own, I'm afraid.

00:47:10I've got to go to Adams' house and look for Nunu.

00:47:13Cuddly toy.

00:47:14Honey Adams says the kid won't see it without it.

00:47:16No, I'm sorry.

00:47:17I'm sorry.

00:47:30I've got to go.

00:47:31I've got to go out.

00:47:31I'm sorry.

00:47:32I'm sorry.

00:47:33I'm sorry.

00:47:35I could have to go out.

00:47:35Yeah, that's your friend.

00:47:35No, I'm sorry.

00:47:37I'm sorry.

00:47:45I'm just gonna...

00:47:49It's money on the kitchen table.

00:47:51I left it out for something.

00:47:54I can't remember what the window cleaner may be.

00:47:56Take it.

00:47:56Go on.

00:47:57Go on.

00:47:57No, Dad.

00:48:00Will you be back later?

00:48:03I'll text.

00:48:04Well, mind how you go.

00:48:08Good.

00:48:13I love you.

00:48:24Do you ever do any work for Tom Garland?

00:48:28I took some photographs of his wife last year, Davina.

00:48:33Present for her birthday.

00:48:35His birthday.

00:48:37Anniversary.

00:48:37Something.

00:48:39He had it made into a coffee table book.

00:48:42Very limited run, but he's money to burn.

00:48:45How do you know him?

00:48:47Oh, he's been an admirer of my work for years.

00:48:49My friends, kind of.

00:48:51He's sponsoring my exhibition at the Ashmolean.

00:48:54It was a good session.

00:48:55We had a lot of fun.

00:49:04Beautiful body.

00:49:08I suppose body means something entirely different to you.

00:49:12What's that like being surrounded by dead people all the time?

00:49:17It's a living.

00:49:31What does it look like?

00:49:34Well, there's quite a few to choose from.

00:49:39She'll give you a description.

00:49:46Sort of giraffe.

00:49:47All right.

00:49:48Leave it with me.

00:49:48I'll see what I can do.

00:50:21The front door was open.

00:50:23I saw the light.

00:50:28This way, did it?

00:50:31As it may be, Silas, but you can't be here.

00:50:52So, what about this rope business?

00:50:55Did you get an impression that was something in a private line?

00:50:59She just offered it up as an image and we explored it.

00:51:02Do you find that troubling?

00:51:05I did three years in vice in Newcastle before I came down here.

00:51:09Pretends to knock the choir boy out of a soul.

00:51:13Well, this boy used to arrest people for taking pics like this.

00:51:17Thankfully, nowadays, we're all a little more enlightened.

00:51:19But we're not, though, are we?

00:51:21Not all.

00:51:22That's the problem.

00:51:23A bloke in a grubby Mac snaps that.

00:51:26It's obscene.

00:51:27You do it.

00:51:27It's art.

00:51:28Same picture.

00:51:29Same young woman.

00:51:31Exposed.

00:51:31Vulnerable.

00:51:32Did it ever cross your mind that she might have found the experience stimulating?

00:51:36Emotionally as well as intellectually?

00:51:39As you say, playing at it within a safe environment.

00:51:43She wasn't looking any too safe last time I saw her.

00:51:47Give me a taste of an amaze.

00:51:49My body's earned.

00:51:51My body's earned.

00:51:52My body's earned.

00:51:54Yeah.

00:51:59My body's earned.

00:52:01I'm trying to make it better.

00:52:04No, I'm not mistaken.

00:52:10There we go.

00:52:12It's a good man.

00:52:19It's true.

00:52:21Sure.

00:52:24No, no.

00:52:25Epic face-off with mirror face, isn't it?

00:52:29When Nightkeeper has to defeat his own reflection.

00:52:32Nightkeeper's the best.

00:52:34He's just this regular guy people will look at twice.

00:52:39But he's out there, you know, making a difference.

00:53:05It's work.

00:53:28Can I drop you anywhere?

00:53:30No, I'm good.

00:53:32See you later.

00:53:37Silas.

00:53:43What you were saying about the Nightkeeper and making a difference.

00:53:49Is that what you were doing at Arcadia Park?

00:53:53I just wanted to see what happened.

00:53:55You've got to leave it to us.

00:53:56I know she's your friend and I know you cared about her.

00:53:58And I know you want to help, but you've got to let us do our job, all right?

00:54:33Gideon.

00:54:34Who are you?

00:54:35You said I could wait.

00:54:37You're doing?

00:54:38No!

00:54:39Oh!

00:54:40Oh!

00:54:42Oh!

00:54:44Don't call the police!

00:54:45Oh, my God.

00:55:24Good morning, darling.

00:55:27What do you think of this?

00:55:35I like it.

00:55:37Well, on the wall over there.

00:55:40I just like the composition.

00:55:41Beautiful shading as well.

00:55:43I don't know if it's beautiful.

00:55:44I don't know.

00:56:34I saw him last night at the Addamses.

00:56:37What the hell was he doing there?

00:56:40He's got this idea in his head that he was going to find Jessica's killer.

00:56:44What's with the poles?

00:56:45They're mooring spikes.

00:56:47Another homage to Marian Hammond's work, her take on Saint Sebastian, tied to a post and shot through with arrows.

00:56:53Spikes were post-mortem, as was tying him up.

00:56:57But it's the throat wound that did for him.

00:57:00He would have been unconscious within 30 seconds and bled out soon after.

00:57:05There's less blood than you'd expect because he wasn't killed here.

00:57:10Put a label on it for me, would you?

00:57:12Yes.

00:57:12Thanks.

00:57:16You've been black as pitch under here last night.

00:57:20Could pass within a hand's breath of someone and not know it.

00:57:25The underwater team down here dredged this for a weapon.

00:57:29Under clothes.

00:57:30Under clothes.

00:57:31What the hell was he doing here?

00:57:34More of a question of where he was going, wouldn't you say?

00:57:49You know where I was last night.

00:57:51I was here with you.

00:57:53And nobody came by?

00:57:54Nope.

00:57:55Why?

00:57:56Another body was found this morning, not 300 yards from here.

00:58:01A lad called Silas Whittaker, friend of Jessica's.

00:58:05And you think he'd come round here?

00:58:07Why would he?

00:58:08I don't know him.

00:58:09Look, I've got two young people murdered.

00:58:11Their bodies arranged in such a way as to reference your work.

00:58:14So it's a fan.

00:58:15I do have them, you know.

00:58:16Fanatics.

00:58:17It's not a joke, Miss Hammond.

00:58:19I'm not laughing.

00:58:20But come on, you can't seriously think it has anything to do with me.

00:58:27So sad.

00:58:29Silas was such a sweet guy at Boxgrove.

00:58:33Didn't say much.

00:58:35That's because he had this speech thing.

00:58:37Couldn't sound his arms properly.

00:58:38They came out like Ws.

00:58:40A therapist came in and wants a fortnight to help him with it.

00:58:42Worked, plainly.

00:58:44Yeah, she was good.

00:58:46Miss Connie.

00:58:47Come on.

00:59:03I don't like to point the finger.

00:59:04But somebody is clearly going out of their way to drag me into this.

00:59:10I just can't believe it.

00:59:13Can't believe what, Miss Hammond?

00:59:17I play chess.

00:59:19Most of the types I meet are woodpushers.

00:59:21I'm lucky if they can think one move ahead.

00:59:23Then, a couple of months ago, I met someone.

00:59:29We were together for a while.

00:59:33So, what happened?

00:59:36Well, he started making these, I want to stick around signals.

00:59:42And that's a bad thing?

00:59:43For me, yes.

00:59:44I'm not good with tomorrow.

00:59:47So, how did he take it?

00:59:49Okay, I thought.

00:59:53Then, things started to go weird.

00:59:55Calls in the middle of the night.

00:59:56No one there when you pick up.

00:59:58I called him out on it, but he denied it point blank.

01:00:01He's been here too though, hasn't he?

01:00:03The night Jess was killed.

01:00:06The chess board.

01:00:09The pieces keep being moved.

01:00:12I didn't think it was anything sinister.

01:00:15Just game playing, challenge, like a friendly ghost.

01:00:20But...

01:00:23I don't know.

01:00:26So, who is this guy?

01:00:29His name is Josh.

01:00:32Josh Ezrin.

01:00:40You're aware, Dr Ezrin, that stalking's an offence?

01:00:44I'm not a stalker.

01:00:47Look, I went to her place once or twice, just as a...

01:00:52I don't know.

01:00:54I was...

01:00:55jealous.

01:00:57Those electrochemical impulses can be a nuisance.

01:01:01I thought she was seeing someone else.

01:01:04She kept banging on about her new model just before she gave me the heave-ho in a breathless kind

01:01:09of way.

01:01:10And then when I saw the...

01:01:12flyer for the new exhibition...

01:01:13Jessica Lake.

01:01:15I'd brought Marion to a drinks thing at work.

01:01:18And about the time that Jessica was working in the...

01:01:21laboratory, I can't remember if they met or not.

01:01:23And then when I saw the picture...

01:01:25You thought Jessica Lake might be this new model that Marion had been talking about?

01:01:30I don't know what I thought.

01:01:31I was just...

01:01:33checking up on her, I suppose.

01:01:35Checking her answer phone messages.

01:01:37Moving chess pieces.

01:01:38What?

01:01:40No.

01:01:43That would be creepy.

01:01:44Is that where you were on Saturday night?

01:01:46Marion Hammond's flat?

01:01:48Can someone vouch for you?

01:01:50Yes.

01:01:51I'd rather not say who.

01:01:52I'd rather not arrest you on suspicion of murder.

01:01:58It's not something we really want broadcasting.

01:02:01But yeah, Josh, Dr. Ezrin stayed at mine.

01:02:05Saturday and last night.

01:02:06And he was with you the whole night?

01:02:10Both nights?

01:02:12Miss Bond?

01:02:14Pretty much.

01:02:15What does that mean?

01:02:18He was gone when I woke up.

01:02:20It's a bloke thing, isn't it?

01:02:22I can't be sure what time he left.

01:02:25But look, I really don't think it's Josh you need to be worrying about.

01:02:31Jessica confided to colleagues that she had issues with you.

01:02:37Your over-familiarity made her uncomfortable.

01:02:41Well, that's the world we live in now.

01:02:43You lean over someone's shoulder to help them with the work and suddenly you're this lecherous...

01:02:51I knew they wanted me out, but this is really low.

01:02:54Who's they, Dr. Massey?

01:02:55Lucy Bond's little canteen cabal.

01:02:59The lad at two lunch.

01:03:00I assume that's where this has come from.

01:03:02Well, hasn't it?

01:03:03I mean, how am I meant to defend myself against innuendo like that?

01:03:09You deny it then?

01:03:11Yes.

01:03:13Of course I deny it.

01:03:16Why would Jessica say it, do you?

01:03:18It knows it occurred to you that she didn't say anything at all.

01:03:22Someone is lying to you.

01:03:26Have you got any idea what it's like here?

01:03:29Other than Josh Ezrin, I'm the only man in this entire department.

01:03:32Does that bother you?

01:03:34Yes. Actually, yes, it does.

01:03:37If that was a bunch of lads sat there talking smut,

01:03:40something would be said quite rightly.

01:03:43But I'm expected to put up with it.

01:03:47I complain to human resources,

01:03:50and as a consequence of this,

01:03:52they spread this kind of malicious tittle-tattle.

01:03:56At least I know where I am with this lot.

01:04:00Here we are, Lottie.

01:04:02Apples.

01:04:03Come, come, come, come.

01:04:10Good girl.

01:04:13Good girl.

01:04:34What was he up to, Kyle?

01:04:36Was Jess involved?

01:04:40They were part of something in your tied up, innit?

01:04:45I don't think you want to tell me.

01:04:49Kyle.

01:05:10I was trying to get to the bottom of who'd killed Jess.

01:05:13A drop list of suspects.

01:05:16Who?

01:05:17They never said.

01:05:18They never said no.

01:05:20I can't remember.

01:05:36I'm not sure if they're dead.

01:05:38Good.

01:05:40Good.

01:05:41Good.

01:05:42Good.

01:05:43Good.

01:05:44Good.

01:05:48You heard.

01:05:50Silas, yeah.

01:05:55What's going on, kid?

01:06:07Yaz, you've got to stay away from me.

01:06:24Yaz, please, whatever it is, I'm on your side.

01:06:28Yaz, just please, for both our sake, stay away.

01:06:31Okay, stay away.

01:06:41Hey, Tom.

01:06:44Hello.

01:06:45Come over here.

01:06:48Mr. Adams.

01:06:49I wonder if I could have a word.

01:06:52Super.

01:06:56Great.

01:06:56Nice smile.

01:06:57Lovely.

01:07:07Where did you go to Saturday night after you left the garlands here?

01:07:12I've spoken to your wife, Mr. Adams, at length.

01:07:22I didn't want to be there, in the house while...

01:07:28I mean, the idea was, I don't know, exciting?

01:07:34But when it started, I...

01:07:36The fantasy was one thing, was it?

01:07:39So, where did you go?

01:07:42Not very far.

01:07:44I was madly over the limit.

01:07:46I...

01:07:47Went down the driveway about a mile.

01:07:50And then I parked.

01:07:52And then I was sick.

01:07:55I just kept seeing Tom.

01:07:59And honey.

01:08:02And that look on her face.

01:08:07See, I don't know whether she was...

01:08:09Playing along for my benefit or...

01:08:13I've never seen her like that before.

01:08:16I just wanted to grab her hand and run away.

01:08:19And why didn't you?

01:08:21Well, do you think I wouldn't turn the clock back if I could?

01:08:25What was I to say?

01:08:28Tom's my boss.

01:08:30He's a legend.

01:08:32And then Davina...

01:08:34She's dragging me into the spare room.

01:08:38I'm thinking, I can't do this.

01:08:40I mean, I really can't do this.

01:08:43So what did you do?

01:08:46I had this stumping headache and I...

01:08:49I said I was going to go to the bathroom, I think.

01:08:51I mean, anything, just to get away and...

01:08:55I never went back.

01:08:58What about last night?

01:09:02I was in the hotel with honey.

01:09:03I've spoken to reception, Mr. Adams.

01:09:07The night man said you went out late, came back around two.

01:09:12I went back to Tom Garland's place.

01:09:14With some paperwork that he said he wanted me to look over.

01:09:18So, with everything else that's been going on, I'm afraid I left it behind.

01:09:23No sign of getting in at college.

01:09:25Spoke to his father.

01:09:26He hasn't seen him since last night.

01:09:28Went out around eight to meet somebody.

01:09:30Dr. Massey doesn't know who.

01:09:50Police came to see me.

01:09:55You told them.

01:09:57About Saturday.

01:09:59Not all of it.

01:10:07Where did you go when you took the car?

01:10:14Just up the driveway.

01:10:16I walked up the drive.

01:10:20The car wasn't there, Nick.

01:10:25Hon.

01:10:30I'm really sorry.

01:10:53I'm really sorry.

01:10:55Is it, Mr. Garland?

01:10:56Yeah, we've got a house in St. Vincent.

01:10:58We usually go around this time of year.

01:11:00We're right in the middle of packing, so perhaps we can keep this brief.

01:11:03All right.

01:11:04Why did you fail to tell me the true nature of your relationship with Nick Adams and his wife?

01:11:10I didn't see it as being any of your business.

01:11:12You provided him with a false alibi.

01:11:14That makes it very much my business.

01:11:16Look.

01:11:17What's the big deal?

01:11:18You think just because we like to party, that makes us some sort of what?

01:11:22Monsters?

01:11:23I don't care what you get up to in your private life.

01:11:26But it might have been useful to know that Nick Adams' alibi was unsound.

01:11:30All right.

01:11:32When he got out of bed, I was worried.

01:11:34I went to look for him.

01:11:35Yeah, he's already told me this.

01:11:37He parked up and spent the night about a mile down your drive.

01:11:41That's not true.

01:11:42I went down as far as the gate.

01:11:45Nick's car wasn't there.

01:11:49Those are nothing illegal, Inspector.

01:11:51You want to come at me with a serious proposition, evidence of wrongdoing, then by all means bring it on.

01:11:56You get legaled, I'll get legaled, and we'll get down to it.

01:12:00Otherwise, we're done.

01:12:08I've tried calling, but he's not picking up.

01:12:12If he contacts you, you can get him to ring me, please.

01:12:17Why would he call me?

01:12:19I'm sure you'll tell me it's not my place, but whatever's going on between you and his dad has nothing

01:12:23to do with Gid.

01:12:26He loves you, Mrs. Massey, but frankly, God knows why.

01:12:38You talking about Boxgrove got me thinking.

01:12:41I wondered if maybe I had been there with Jessica.

01:12:43So I had a look through the old roles that Marion took of us, and she's there.

01:12:53Who's she?

01:12:54That's who I wanted to meet.

01:12:56It's the speech therapist I told you about.

01:12:58The one that helped Silas, Miss Connie.

01:13:01But I've seen her again recently.

01:13:02Yes, so have I at the Ashmolean.

01:13:04She's helping Mount Marion's exhibition.

01:13:06Yeah.

01:13:08Thing is, Mr. Adams, we've only got your word for any of it.

01:13:12In light of the repeated lies you've told about pretty much everything, I'm gonna have to take you in for

01:13:16further questioning.

01:13:19Hey.

01:13:20Hey.

01:13:20It'll be okay.

01:13:42Why have you brought me here?

01:14:04Do you remember a boy called Silas Whittaker?

01:14:08Mrs. Massey.

01:14:11After all these years.

01:14:21Yes, articulation disorder, W's for Rs, quite straight forward.

01:14:28He was Scotting here, with Jessie.

01:14:32How was it that you came to be working at Boxgrove?

01:14:34It was my field before I married, speech therapy.

01:14:40I came to Boxgrove as an act of contrition, atonement.

01:14:45I thought if I couldn't love my own child, the way nature meant me to, perhaps I could

01:14:51love someone else's.

01:15:10Gideon was a difficult birth.

01:15:13I remember the morning Bob went to work for the first time after we came home.

01:15:19Being alone with this creature, for whom I was totally responsible.

01:15:30The fear was overwhelming.

01:15:36I knew I could never be a natural mother.

01:15:40But I swore to myself that day that I would be a dutiful one.

01:15:43I knew I could never be a natural mother.

01:16:38I knew I could never be a natural mother.

01:16:43I knew I could never be a natural mother.

01:16:55James is having a trawl through his phone records and computer now.

01:16:59You really think he's involved in Jessica's death?

01:17:02Well, if he's not, he's doing a damn good impression of someone who is.

01:17:29No, no, remember?

01:17:30You dragged me away from my prime suspect to show me a picture of a cuddly toy.

01:17:34The toy that Honey Adams has been asking for.

01:17:36Yeah, very sweet.

01:17:38But you've already turned the house inside out, haven't you?

01:17:40It's not there, but I know where I've seen it.

01:18:00Don't look them in the eye.

01:18:02Great.

01:18:25This is Bob's last session with Lottie the day before yesterday.

01:18:33Good girl, Lottie.

01:18:37There.

01:18:38Go back.

01:18:43Look what I have here for you.

01:18:47Yes.

01:18:48Yes.

01:18:48New friend.

01:18:50What shall we call her?

01:18:53Hm?

01:18:55How about...

01:18:58Jessica?

01:19:00Hm?

01:19:02Jessica.

01:19:04Why do we call her Jess, huh?

01:19:08Do you like that?

01:19:10Do you like that?

01:19:34Dr. Massey!

01:19:38Sir?

01:19:42Sir?

01:19:49Sir?

01:20:05He's got a pulse.

01:20:48He's got a pulse.

01:20:57Hello?

01:21:13Word's gone out to all units, approach with extreme caution.

01:21:15Secure the premises.

01:21:16No one in or out until Socko get here.

01:21:18Yes, sir.

01:21:46He's got a pulse.

01:21:51Jessica's.

01:21:52The thing she left, Mustafi pinched.

01:22:05Miss Hammond, this is DI Lewis.

01:22:07Can you call me as soon as you get this message?

01:22:09It's urgent.

01:22:11My number's 07700929286.

01:22:22It's Bob, isn't it?

01:22:25You're a friend of Josh Ezrin's?

01:22:27You took something from me.

01:22:30I did?

01:22:35I've been forgetting things.

01:22:39Losing time. Don't quite understand it.

01:22:43Haven't been sleeping very well.

01:22:46Bad.

01:22:48I had these dreams.

01:22:54I keep going back to where I found those pictures.

01:23:07What pictures, Bob?

01:23:08I mean, that wasn't her.

01:23:13I know that wasn't Jessica.

01:23:17So why wouldn't anyone take pictures like that, Marion?

01:23:20They're just pictures, Bob.

01:23:23It's just pretend.

01:23:25But that wasn't who she was.

01:23:28She wasn't like that.

01:23:34You know what I think?

01:23:37I think maybe you like those pictures.

01:23:42I did?

01:23:45You think?

01:23:49I think...

01:23:51Maybe you like those pictures so much that you wanted to make them real.

01:23:55How does that sound?

01:23:59How does that sound?

01:24:25You've ruined her!

01:24:28You...

01:24:30You've ruined her!

01:24:33So this is your fault!

01:24:35This...

01:24:35It's...

01:24:36Your fault!

01:24:39Put it down!

01:24:40Put it down, Bob!

01:24:44Dr. Massey!

01:24:45No!

01:24:57All right.

01:24:59No!

01:25:13Evening, Mum. Cross the road.

01:25:21Sorry, could you loosen these cuffs?

01:25:24I don't understand.

01:25:26Why am I in cuffs?

01:25:28Why am I in cuffs?

01:25:31Mum?

01:25:31My hands!

01:25:33What are we looking at, do you think?

01:25:35Some sort of split personality disorder?

01:25:38Could he be faking?

01:25:39One minute we're talking to him.

01:25:41He's answering questions.

01:25:44Bragging, almost.

01:25:45Next minute, he doesn't know why he's here.

01:25:48No memory of anything.

01:25:49He put his hand up, though.

01:25:51To both crimes.

01:25:52He overheard Yasmin phoning Jessica from the lab that night.

01:25:56About babysitting for the Adamses?

01:25:58Psychiatric team's on its way.

01:26:01Why pick on Jessica?

01:26:02His son's girlfriend.

01:26:04Could be something as insignificant as a smile.

01:26:08Kind word.

01:26:11He sets her on a pedestal and discovers these pictures.

01:26:13What are you doing, son?

01:26:14Instead of being revolted by them, he's obsessed with them.

01:26:17His son will be home soon.

01:26:19Gideon.

01:26:23Gideon.

01:26:28Gid.

01:26:30Come on, Sue.

01:26:31Will you stand up?

01:26:35Gideon.

01:26:40Gideon.

01:26:40So it was a toy giraffe put you onto him in the end.

01:26:43Mum.

01:26:45Perhaps in his mind it stood for innocence.

01:26:50Gideon.

01:27:14My boy.

01:27:18My baby.

01:27:25He's going to be okay.

01:27:45Go home.

01:27:46Get your head down.

01:27:49A bit early for a pint, I suppose.

01:27:51Just a bit.

01:27:54What's up?

01:27:56Silas.

01:27:58I keep thinking I've let him down, somehow.

01:28:00Like you said.

01:28:02You wanted to make a difference.

01:28:04He held the line.

01:28:06All any of us could hope for.

01:28:10Come on, buy one.

01:28:12I'll buy you coffee.

01:28:13I'll buy you coffee.

01:28:20I'll buy it.

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