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00:00:11The following report to the Royal Geological Society by the undersigned Alexander Saxton
00:00:19is a true and faithful account of events that befell the Society's expedition in Manchuria.
00:00:28As the leader of the expedition, I must accept responsibility for its ending in disaster,
00:00:36but I will leave to the judgment of the honorable members the decision as to where the blame
00:00:43for the catastrophe lies.
00:01:25The following report to the Royal Geological Society,
00:01:48I will leave you alone.
00:01:57The following report to the Royal Geological Society,
00:02:05BIRDS CHIRP
00:03:03I'm sorry, there is deceit left.
00:03:06My name is Saxton.
00:03:07Alexander Saxton, if you will check, you will find the telegram I sent you three weeks ago
00:03:12instructing you to reserve accommodation for me.
00:03:15There's nothing I can do.
00:03:19Hello?
00:03:20Yes.
00:03:21I cut the bag of soil and that anyway.
00:03:23Yes.
00:03:24Well, well, look who's here.
00:03:27Professor Saxton, I just do.
00:03:29Dr. Wells.
00:03:30And what are you doing in Shanghai?
00:03:32I've asked you the same thing.
00:03:34Oh, I'm just collecting a few specimens.
00:03:36Miss Jones, let me introduce Professor Alexander Saxton.
00:03:39He dabbles in fossils and bones.
00:03:42Glad to meet you, Professor.
00:03:43How do you do, sir?
00:03:44Miss Jones has been assisting me.
00:03:46Bacteriology, excellent technician.
00:03:48For a woman, he means.
00:03:50Oh my God.
00:04:05How's your mother?
00:04:06What are you doing here?
00:04:07Well, she fell.
00:04:08I suppose I have been, when she matters.
00:04:09Oh, she said she can be.
00:04:14The only time is here on the myle qué, she will not.
00:04:19The only time has already been ۧÙro Bringing woman to Sarah, is she wants an asked woman.
00:04:31Excuse me.
00:04:34Two private compartments, two Moscow, if you please.
00:04:37Two, you say?
00:04:38Will that be all?
00:04:39And three crates of animals.
00:04:42Impossible.
00:04:42I know I'm asking you to perform miracles, Professor.
00:04:45Can I have some help?
00:05:16It's called squeezing, China.
00:05:18The American people know how.
00:05:20And in Britain, we call it bribery and corruption.
00:05:24Now, sir.
00:05:25Excuse me.
00:05:37You...
00:05:37Get out!
00:05:39Huh?
00:05:40Sir Alexander Saxton.
00:05:44Yes?
00:05:45Captain O'Higgins, sir.
00:05:47General Wang told me to find you.
00:05:48And to make myself useful.
00:05:53Now I remember.
00:05:54I do have your excellency's ticket.
00:06:14And the Lord has mercy on his soul.
00:06:18Not that he deserves it, the dirty thief.
00:06:21You have his things.
00:06:22You knew him.
00:06:25Krasinski, the locksmith.
00:06:27He could open any trunk with a hairpin.
00:06:36A thief?
00:06:38But he was blind.
00:06:40Blind?
00:06:41He could spot a policeman a mile away.
00:06:48I'll be damned.
00:06:54The work of the devil.
00:06:56The work of the devil.
00:07:07Can I be of any assistance, father?
00:07:12This is yours.
00:07:13It is, but I demand an explanation.
00:07:17Whatever you have here is unholy.
00:07:20And must be destroyed.
00:07:32Inspector Mirov.
00:07:34What is in there, excellency?
00:07:36Fossils.
00:07:38What is a fossil?
00:07:40A stone.
00:07:44Storms.
00:07:45There wouldn't be something valuable in there, like gold.
00:07:48Gold?
00:07:49It's a laboratory specimen.
00:07:52No value to a thief.
00:07:54Where there is God,
00:07:57there is always a place for the cross.
00:08:00Even on this stone floor, just so.
00:08:07But Satan is evil.
00:08:10And where evil is,
00:08:12there is no place for the cross.
00:08:30Rubbish.
00:08:31A conjurer's trick.
00:08:34Captain?
00:08:34Yes, sir.
00:08:35You get your men to put the crate on the train.
00:08:43Ready.
00:08:49Lift it up.
00:08:51Off you go.
00:08:53There's no place for the cross.
00:09:15Let's go.
00:09:15Go.
00:09:17Go.
00:09:18Go.
00:09:19Go.
00:09:20Go.
00:09:21Go.
00:09:42Follow me.
00:09:51Follow me.
00:10:28Follow me.
00:10:56Follow me.
00:11:24Follow me.
00:11:24What are you going to astound the scientific world with this time?
00:11:27You'll read about it in the Society's annual report.
00:11:30It's a remarkable fossil.
00:11:32A fossil?
00:11:33But you've got something live in there.
00:11:35I heard it.
00:11:35You're mistaken.
00:11:37You won't need to feed it, then.
00:11:39The occupant hasn't eaten in two million years.
00:11:43That's one way to economize on two bills.
00:11:49Baggage man.
00:11:54A linker, what's the matter with you?
00:11:56Yes, countess?
00:11:57You have a safe for valuables?
00:11:59Yes, countess.
00:12:00I shall make out a receipt.
00:12:07Excuse me.
00:12:12A linker's freed of something.
00:12:15What do you have in that crate?
00:12:16Oh, nothing that would interest a linker, madame.
00:12:23Normally she likes Englishmen.
00:12:25All we Poles do.
00:12:28I'm honored, madame.
00:12:29Oh, yes, England.
00:12:32Queen Victoria.
00:12:33Crumpets.
00:12:34Shakespeare.
00:12:36I admire Poland, madame.
00:12:38I believe that there is a bond between our countries.
00:12:42My husband, the count Petrovsky,
00:12:45says that in the 15th century,
00:12:47your King Henry betrayed us to the Russians.
00:12:51Hmm.
00:12:53I hope that you and your husband, madame,
00:12:55will accept my profoundest apologies.
00:12:57She's really afraid.
00:13:02I wonder what it is.
00:13:05May I escort you back to your carriage, madame?
00:13:36Yes.
00:13:40Oh, thank you.
00:13:42Excuse me.
00:13:44Yes?
00:13:45I was on the platform before when that mad monk was carrying on yes I'm an engineer a scientist
00:13:57this is ordinary chalk
00:14:01how do you explain it's not writing on that crate
00:14:05hypnosis yoga these mystics can be very convincing they can even hypnotize themselves
00:14:24the fresh food we will pick up who'll pay for it sir hmm oh just keep an account of how
00:14:29much you
00:14:29spend if someone were to drill a little hole in this crate during the night and take a look at
00:14:39what's inside I'd be very grateful
00:15:01let's you know though
00:15:07help me
00:15:11in what way madam
00:15:18is this number eight that's next door world's confinement
00:15:24there there don't cry
00:15:28everything will be all right
00:15:32excuse me
00:15:35sorry dear fellow I'm afraid you're in the wrong pew
00:15:37here number eight you see
00:15:42eight a lower birth
00:15:45eight b upper birth
00:15:48don't worry look here I was supposed to have this compartment to myself
00:15:52don't mind
00:15:53I'm sorry if I'm in your way
00:15:55excuse me I have no ticket and I have to get out to Shanghai
00:15:59I'm sure I can make it worth your while
00:16:01the young lady's in trouble
00:16:03well what do you suggest we do about it
00:16:06couldn't you couldn't you double up with somebody else
00:16:09Miss Jones
00:16:10steady
00:16:10I'm sure we can all get along very well together
00:16:37as I said
00:16:43I'm sure it looks out much better
00:16:44to go for more place
00:16:44that's okay
00:16:51I don't know.
00:17:19Let's go.
00:17:44Let's go.
00:18:14Let's go.
00:18:46Let's go.
00:19:36There's the stink of hell on this train.
00:19:39Even the dog knows it.
00:19:45When the Englishman comes to call, what should I wear?
00:19:49Sure of yourself, aren't you?
00:19:52The blue one with the decollete.
00:19:56Or perhaps the red one.
00:20:00You're not jesting with her immortal soul.
00:20:04That's why we keep you, Pujardov.
00:20:07Our immortal souls are your concern.
00:20:15She's afraid of something.
00:20:18Tell me, Pujardov.
00:20:21Yes?
00:20:22Which do you think I should wear for the Englishman?
00:20:25The red?
00:20:26Or the blue?
00:20:27Enough.
00:20:30I forbid you to talk this way.
00:20:33You forbid.
00:20:36Forgive me, Your Excellency.
00:20:39I'm concerned for the spiritual welfare of the Countess.
00:20:43I forgot myself.
00:20:46I will pray for humility.
00:20:50Pray hard, Pujardov.
00:20:53Or you'll find yourself praying for a job, too.
00:20:55May the Father listen to the ghost.
00:21:14Oh, it's the piece I was playing.
00:21:18I wonder who it is.
00:21:44I wonder who it is.
00:22:02You wish to see us?
00:22:04I thought one of you might know what happened to the baggage man.
00:22:07I haven't the remotest idea.
00:22:09What about you?
00:22:13Perhaps it had something to do with what's inside that crate.
00:22:15I agree with you.
00:22:17He was trying to open it when something happened.
00:22:20What?
00:22:27Fortunately, he was interrupted.
00:22:29Yes.
00:22:30By whom?
00:22:33Why are you so worried about it being opened?
00:22:36It may be my fault.
00:22:37I asked the baggage man to take a look.
00:22:39I was curious.
00:22:41There was no concern of yours.
00:22:44Or of yours.
00:22:48Good night.
00:22:51One man dead.
00:22:53Another missing.
00:22:54It's time we open this box.
00:22:55You'll do no such thing.
00:22:58Give me the key.
00:23:17Konev.
00:23:18See if you can open the crate with that.
00:23:21Go ahead.
00:24:05Oh, my God.
00:24:08It's the baggage man.
00:24:10What was in there?
00:24:11I told you.
00:24:12A fossil.
00:24:13Part ape, part man.
00:24:14It lived two million years ago.
00:24:15Are you telling me that an ape that lived two million years ago got out of that crate, killed the
00:24:21baggage man and put him in there, then locked everything up neat and tidy and got away?
00:24:26Yes, I am.
00:24:27It's alive.
00:24:27It must be.
00:24:28Lock him up.
00:24:30We'll search the train and find it, whatever it is, and destroy it.
00:24:34But if it's alive...
00:24:34I want this kept quiet.
00:24:37I don't want to panic the passengers.
00:24:55I don't want to panic the passengers.
00:25:23Let's go.
00:25:45Let's go.
00:26:24Let's go.
00:26:48Let's go.
00:27:15Let's go.
00:28:07Let's go.
00:28:34Let's go.
00:28:36Let's go.
00:28:39Let's go.
00:28:40Let's go.
00:29:03Let's go.
00:29:31Let's go.
00:29:43Let's go.
00:29:54Let's go.
00:30:01Let's go.
00:30:24Let's go.
00:30:39Let's go.
00:30:43Let's go.
00:30:54Let's go.
00:30:55Let's go.
00:31:16Let's go.
00:31:47Let's go.
00:31:47Let's go.
00:31:47Let's go.
00:31:54Let's go.
00:31:57Let's go.
00:32:08Let's go.
00:32:14Let's go.
00:32:24Let's go.
00:32:28Let's go.
00:32:38Let's go.
00:32:45Let's go.
00:32:47Let's go.
00:32:52Let's go.
00:33:02Let's go.
00:33:04Let's go.
00:33:08Let's go.
00:33:12Let's go.
00:33:18Let's go.
00:33:21Let's go.
00:33:23Let's go.
00:33:30Let's go.
00:33:33Let's go.
00:33:44Let's go.
00:33:48Let's go.
00:34:10Let's go.
00:34:13Come in.
00:34:17It's all yours.
00:34:20I won't be long.
00:34:41I won't be long.
00:34:52I won't be long.
00:34:54Let's go.
00:34:58I won't be long.
00:35:00Let's go.
00:35:05Let's go.
00:35:06Let's go.
00:35:08Let's go.
00:35:10Let's go.
00:35:17Oh, my God.
00:35:42Oh, my God.
00:36:16Oh, my God.
00:36:40Oh, my God.
00:37:01It's Dr. Wells.
00:37:06Miss, are you all right?
00:37:47Miss, are you there?
00:37:48Miss, are you there?
00:38:29Miss, are you there?
00:38:49Miss, are you there?
00:38:53Miss, are you there?
00:39:06Miss, are you there?
00:39:45Miss, are you there?
00:39:48Miss, are you there?
00:39:50Miss, are you there?
00:39:51Yes. Anything wrong?
00:39:56That woman who was killed. The engineer, you know, the chess player.
00:40:01He told me that she was an international spy.
00:40:04Yes, I know.
00:40:06Oh, you do? Well, could that fact have had anything to do with her death?
00:40:11What do you think?
00:40:14Dr. Wells and I performed an autopsy on her.
00:40:17Her brain was completely smooth, just like the baggage man's. Everything had been erased.
00:40:23Now, I have a theory about this.
00:40:24I'm only a policeman, Professor. I don't have much education.
00:40:30Well, I'd make it simple.
00:40:33Supposing that creature, the one you killed,
00:40:36was capable of taking ideas directly from other people's brains and transferring them to its own.
00:40:42You mean it sucked other people's brains?
00:40:45Absorbed through the eyes.
00:40:51That was our first clue. The eyes going white.
00:40:55Then, if the beast had absorbed your brains,
00:40:59all of your education would have gone into its brain.
00:41:03It would have been as clever as you.
00:41:06Much more so, because what it had taken from me
00:41:09would have been added to the learning that it already had.
00:41:12Professor, spy, baggage man, thief.
00:41:18What was the creature looking for?
00:41:21Well, that we'll never know, now that it's dead.
00:41:24And yet...
00:41:25What?
00:41:27A creature like that.
00:41:31How would it ever die?
00:41:35Inspector?
00:41:36What is it?
00:41:37I found this. The animal had it.
00:41:39The animal had it?
00:41:40Give it to me.
00:41:43It belonged to Count Petrovsky.
00:41:45How do you know?
00:41:47I saw him put it in the safe.
00:41:54You're not.
00:41:56Oh, my gosh.
00:41:58I'm sorry.
00:42:00Steel. Harder than a diamond.
00:42:03That's why the spies are after it.
00:42:06French, German, English.
00:42:08But they're wasting their time.
00:42:11What really matters is the formula and that gentleman is safe up here
00:42:23What happened to the girl the spy
00:42:26She's dead the fossil or whatever it was killed her, but there's no more danger countess. Beast is not dead
00:42:33I put four bullets into him
00:42:38Do you think evil can be killed with bullets Satan leaves the unholy one
00:43:31What do you expect to find in the eye fluid don't know
00:43:43I
00:44:04Why, this is incredible.
00:44:06What?
00:44:12Why, it's the last thing, Lucrezia, saw.
00:44:17Police, Inspector, the image has been retained in the fluid.
00:44:21Exactly.
00:44:23The creature's visual memory is located not in its brain, but in the eye itself.
00:45:12It's a brontosaurus.
00:45:14It's a brontosaurus.
00:45:14The pterodactyl.
00:45:17The pterodactyl.
00:45:21The pterodactyl.
00:45:23The pterodactyl.
00:45:28The pterodactyl.
00:45:31The pterodactyl.
00:45:34The pterodactyl.
00:45:35The pterodactyl.
00:45:40The pterodactyl.
00:45:59The pterodactyl.
00:46:03People on the train are becoming afraid, Professor.
00:46:06People on long journeys become bored, Madame.
00:46:10They crave excitement.
00:46:12Then there's no more danger.
00:46:15It's all finished.
00:46:17and what about your science the evolution you were talking about look for yourself
00:46:39come here pujado there's something i want to show you
00:46:49look
00:47:06it is the holy reed
00:47:12on the second day he created the earth
00:47:20where did you get it there from the creature's eye
00:47:31the eye of satan nonsense there's a scientific explanation
00:47:36you know it
00:47:42no not yet
00:47:48for the fall
00:47:49for satan was banished from the throne of god
00:47:54the evil one looked down from heaven and did see
00:47:59rubbish
00:48:10bujardov
00:48:24bujardov where is he
00:48:27i don't know he's gone mad
00:48:36i'll look in the baggage car
00:48:37right
00:48:38and
00:48:40Let's go.
00:49:21Let's go.
00:49:43Looking for the thief, Miss Jones?
00:49:46You know about it.
00:49:49What's all the fuss?
00:49:55You get back that eye and there's a thousand rubles in it for you.
00:50:00A thousand rubles for an eye?
00:50:04There's something in it.
00:50:08Pictures.
00:50:09Pictures of what?
00:50:12Pictures of the earth in prehistoric times.
00:50:16Pictures of the earth seen from space.
00:50:19Who else has seen such pictures?
00:50:23Dr. Wells, Professor Saxton, and that pretty countess.
00:50:28I see.
00:50:38Oh, my God.
00:50:42tuo foot not me.
00:50:44Oh, my God.
00:50:48Oh, my God.
00:50:51Oh.
00:50:56Wow.
00:50:57To be here.
00:51:30Have pity! Have pity!
00:51:43Are you going to kill me?
00:51:48Fool, there's nothing in your head of any use.
00:51:58Another killing.
00:52:08Stop the train!
00:52:09I have no right!
00:52:10I want to get off!
00:52:11There's no law!
00:52:12Quiet!
00:52:14There's been talk about getting off the train.
00:52:16Well, you can forget it.
00:52:18I'll complain to the authorities!
00:52:20I'm not one of your musics!
00:52:21If necessary, I'll shoot anyone who tries to stop the train.
00:52:24Shoot! Shoot, you stupid Russian!
00:52:43Who else has seen such pictures?
00:52:45Dr. Wells.
00:52:48Professor Saxton.
00:52:51And that pretty Candace.
00:52:54Wells.
00:52:54Saxton.
00:52:55Candace.
00:52:55Wells.
00:52:56Saxton.
00:52:57Candace.
00:52:58Wells.
00:53:08Is this creature dead or not?
00:53:12If it is, who killed Miss Jones?
00:53:19Do you have any idea?
00:53:22No, Inspector, I haven't.
00:53:23But I've asked the conductor to wire ahead to stop the train at the next station.
00:53:39What's the idea?
00:53:41What's the idea?
00:54:07Tell me who you are.
00:54:16Tell me.
00:54:17I will serve you.
00:54:32I want to help you.
00:54:35It's like some contagious disease.
00:54:38Well, if there's a disease, there must be symptoms.
00:54:42Fever?
00:54:43You could take everyone's temperature.
00:54:46The eyes.
00:54:47Why do their eyes go white?
00:55:09Do you think it's true what they say about those horrible white eyes?
00:55:13Oh, that part is true enough.
00:55:19Oh, Inspector.
00:55:20It's only you now.
00:55:22What about me?
00:55:23Your eyes.
00:55:25We must examine your eyes, too.
00:55:29Certainly.
00:55:38Perhaps you should test for radiation or other invisible rays.
00:55:42X-rays?
00:55:44Well, it's a thought, but on this train, how would we go about it?
00:55:48Are you a scientist?
00:55:50An engineer, but I try to keep up with things.
00:55:53That's to be admired.
00:55:56Inspector, I suggest you tell all these people to stay together in groups or in pairs,
00:56:02so that if anything does happen to anybody, then somebody can raise the alarm.
00:56:06On no account must anybody be left alone.
00:56:08You should go before.
00:56:09Come on.
00:56:10Come on.
00:56:11Come on.
00:56:22Come on.
00:56:32Who's got distracted?
00:56:34I'll say, come on.
00:56:34All right.
00:56:35Let's go.
00:56:36All right.
00:56:38I'll say, come on.
00:57:09Use of the train.
00:57:27The train will be here in exactly 14 minutes.
00:57:3614 minutes.
00:57:39Yes, Your Honor.
00:57:40That's what it says here.
00:57:48Doesn't say it in words, Your Honor, but in code.
00:57:50It's like another language.
00:57:52I know about telegraphs, little papa.
00:57:56I know about trains.
00:57:57I know about electrical currents.
00:58:01On your feet, everybody.
00:58:04Outside, full pack.
00:58:08Even though I still believe in God, I don't like to be made a fool of.
00:58:12No, Your Honor.
00:58:16I wouldn't do that.
00:58:21Tell me, little father.
00:58:25You believe in the devil?
00:58:29Yes, Your Honor.
00:58:33Oh, good.
00:58:34Send a telegram.
00:58:37Tell him that Captain Kazan, he knows that a horse has four legs.
00:58:41He knows that a murderer has two arms.
00:58:45But still, the devil must be afraid of one honest Cossack.
00:59:16Earth gravity.
00:59:18You know how to measure it?
00:59:20How to measure gravity?
00:59:22What I would like to know is, can gravity be overcome?
00:59:28If you mean, can man get beyond the gravitational field of the Earth into space?
00:59:33Not yet, but any day now.
00:59:36Someday?
00:59:38There is a mathematics professor.
00:59:40His name is Tchaikovsky.
00:59:41He has ideas about rockets.
00:59:43Machines that can fly free of the Earth's gravity.
00:59:47You know him?
00:59:53Tchaikovsky was one of my teachers.
00:59:55He was like a father to me.
00:59:58But why would a man like you be interested?
01:00:33What do you think is behind all this, Excellency?
01:00:37Look at this.
01:00:39That's what we saw under the microscope.
01:00:41It shows the Earth as it might look from space.
01:00:44What does it mean?
01:00:46It means that millions of years ago, something, some form of intelligence, came to the Earth from another planet.
01:00:54The atmosphere of the Earth was new to it, different.
01:00:57But it learned how to survive.
01:00:59How?
01:01:01By entering into the body and brain of an Earth creature.
01:01:06The fossil that I found and brought with me.
01:01:09And this thing from another planet survived the fossil, then came to life again?
01:01:14Exactly.
01:01:15Go on, Professor.
01:01:18The animal that you shot was only the host.
01:01:22And when that animal died, the alien intelligence transferred, somehow, to another host.
01:01:33It's alive.
01:01:35In someone on this train.
01:01:38You're a very good detective.
01:01:40You've discovered everything except who is now the host.
01:01:44That's our next step.
01:01:47Thought this might come in handy.
01:01:48Oh, good idea.
01:01:49Two of you together.
01:01:50That's fine.
01:01:51But what if one of you is the monster?
01:01:55Monster?
01:01:56They're British, you know.
01:02:07But you must have seen something.
01:02:10I told you I was asleep.
01:02:14He knew about the white eyes.
01:02:16He told me.
01:02:18When you fell asleep, the lights were on.
01:02:21And when you woke up?
01:02:22They were off.
01:02:23Are you sure?
01:02:25Positive.
01:02:25It was dark.
01:02:27I put the lights on.
01:02:28And that's when I found him beside me.
01:02:33When we did the test, the lights were on.
01:02:39Master.
01:03:13Inspector.
01:03:18This steel at high temperatures, what happens to it?
01:03:25It gets stronger.
01:03:27What temperatures, for example?
01:03:2910 or 12,000 degrees.
01:03:32Where on earth would you get such temperatures?
01:03:35Nowhere on earth.
01:03:39Đ”ĐœĐŽing.
01:03:41This is a steel and soft flick.
01:03:4324,000 degrees.
01:03:44What if it goes down?
01:03:53How did you do?
01:03:53Any more.
01:03:53What if it goes down?
01:04:16The Tsar will hear of this. I'll have you sent to Siberia.
01:04:22I am in Siberia.
01:04:24This is Countess Irina Petrovska. And I am Count Marian Petrovski.
01:04:28Oh, Your Excellencies, I'm sorry.
01:04:32Of course, the Count and Countess are exempt from our orders.
01:04:37Please, escort them to their car.
01:04:50Peasants.
01:04:52Peasants!
01:05:03Are you a Countess?
01:05:04I'm an American and I'm not accustomed to being bullied by foreigners.
01:05:09That man, he's the one who wouldn't let us get off the train. He's responsible.
01:05:19Your Excellency, I'm a police inspector.
01:05:23Everybody's under arrest.
01:05:29Including you.
01:05:32Who are the killers? Who? Who are the troublemakers?
01:05:43Who are the foreign influences, eh?
01:05:48Who?
01:05:52Don't worry. I'll smoke them out.
01:05:55What's he raving about?
01:06:08You English believe in free speech, don't you, huh?
01:06:12Certainly.
01:06:12If instead of babbling nonsense, you'd investigate this property.
01:06:16This is outrageous!
01:06:20So.
01:06:23You are a police inspector, huh?
01:06:26Yes, Captain. Mirov is my name.
01:06:29Mirov. Oh, Mirov.
01:06:33That's a good Russian name, Mirov.
01:06:37Tell me, Mirov.
01:06:40What do you know about all the filth that's going on here, huh?
01:06:43Filth?
01:06:44Oh, come on, Inspector. Certainly you know what I'm doing here, don't you?
01:06:48You just point out the suspects and I promise you I'll get the truth out of them.
01:06:53You're mistaken, sir.
01:06:56Mistaken fool!
01:07:07Get back! Get back!
01:07:10Back!
01:07:11Or I will put the curse on your heads.
01:07:18He has the evil eye.
01:07:20Huh?
01:07:28Beware the wrath of Satan.
01:07:32Beware the wrath of Satan.
01:07:49Paula?
01:07:53On your knees, monk.
01:08:05On your knees, monk.
01:08:13We must try and stop this.
01:08:14No!
01:08:18No!
01:08:20No!
01:08:20No!
01:08:21No!
01:08:35He was trying to protect you.
01:08:38Why?
01:08:39He's mad.
01:08:44Who are you?
01:08:46I told you, a policeman.
01:09:09Who are you?
01:09:10I told you, a policeman.
01:09:12No!
01:09:20No!
01:09:22No!
01:09:25No!
01:09:27No!
01:09:30You saw his eyes.
01:09:31One look at them and you're dead.
01:09:33No!
01:09:35Yes!
01:09:47Come into me, Satan.
01:09:51Thine is the kingdom and the power and the glory.
01:09:57Thine is the kingdom and the power and the glory.
01:10:04now anything anything that moves near that door kill it
01:10:10but what if the monkeys innocent yeah we got lots of innocent monks
01:10:15all right let's move these peasants out of here quickly
01:10:35oh
01:10:41oh
01:10:42oh
01:10:44oh
01:10:44oh
01:10:47oh
01:10:57oh
01:10:58oh
01:10:58oh
01:11:00oh
01:11:00oh
01:11:01oh
01:11:01oh
01:11:03Oh, my God.
01:11:33Oh, my God.
01:12:12Oh, my God.
01:12:33Oh, my God.
01:12:49Oh, my God.
01:12:58Oh, my God.
01:13:01Oh, my God.
01:13:31Oh, my God.
01:13:35Oh, my God.
01:13:37Oh, my God.
01:13:37Oh, my God.
01:13:39Oh, my God.
01:13:45Oh, my God.
01:14:16Oh, my God.
01:14:49Oh, my God.
01:14:52Oh, my God.
01:15:26Oh, my God.
01:16:19Oh, my God.
01:16:26Oh, my God.
01:16:50Oh, my God.
01:17:25Oh, my God.
01:17:31Oh, my God.
01:17:56Oh, my God.
01:18:44Oh, my God.
01:18:47Oh, my God.
01:18:54Oh, my God.
01:19:17Oh, my God.
01:19:31Oh, my God.
01:19:34Oh, my God.
01:19:38Oh, my God.
01:19:56Oh, my God.
01:20:01Oh, my God.
01:20:46Oh, my God.
01:21:01Oh, my God.
01:21:10Oh, my God.
01:21:40Oh, my God.
01:22:18Oh, my God.
01:22:44Oh, my God.
01:23:10Oh, my God.
01:23:40Oh, my God.
01:24:37Oh, my God.
01:24:40Oh, my God.
01:25:36Oh, my God.
01:25:43Oh, my God.
01:26:10Oh, my God.
01:26:22Oh, my God.
01:26:55Oh, my God.
01:27:35Oh, my God.
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