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Short filmTranscript
00:00Are your parents terrorists?
00:17Because, baby, you're the bomb.
00:19Jump, jump.
00:20Ask if it hurt when she fell.
00:21Oh, excuse me?
00:22If it fell from heaven, it hurt.
00:24I know an angel when I see you.
00:26I'm no angel.
00:30I'm a witch.
00:31But don't tell my sisters I told you.
00:35Oh, I'm so glad you guys are still here.
00:39What are you showing up?
00:40They have been going at it for almost an hour.
00:43Hello.
00:46I can't even look.
00:50I know, I hate being single.
00:51Waitress coming through.
00:53Special delivery.
00:54Hey, Skye.
00:57Hey, Skye.
00:57Hi.
01:00Um, I think there's been some kind of a mistake.
01:02I didn't order this.
01:03I know.
01:04You have a secret admirer.
01:06He ordered it for you.
01:10Who was that?
01:11I have no idea.
01:12I'm just following the bartender's orders.
01:15And apparently, he's been eyeing crew all night.
01:19Skye, can you do me a favor?
01:21Um, tell him thank you, and I'm very flattered, but kind of seeing someone else.
01:25Sure.
01:25Thanks.
01:27This was a nice change of attitude.
01:29I'll say.
01:30Does this mean you're thinking of getting serious with Andy?
01:33Lately, I've been thinking about a lot of things.
01:35She didn't want to drink?
01:41I'm sorry, no.
01:42She's flattered.
01:42She's just seeing someone else.
01:44Yeah, sure she is.
01:46How about you?
01:48Maybe you'd like to have a drink with me sometime.
01:51Oh, um, well, that's really sweet of you, but, uh, I'm not allowed to date the customers.
01:59Skye!
01:59Um, an order's up, so I've got to run.
02:29Hello, Skye.
02:38What the?
02:39Shh!
02:41You're in my world now, Skye.
02:51You're beautiful in that dress.
02:54I knew you would.
02:56I don't understand.
02:57It's your dream, but it's my fantasy.
03:02Where am I?
03:05You're dreaming.
03:07I'm visiting.
03:09You're in my dream.
03:10Yes.
03:12But I can make it mine.
03:16You can walk.
03:18In dreams, I can do anything.
03:21I can dance in your dreams.
03:34I can alter your dreams.
03:37I can kill you in your dreams.
03:55I can kill you in your dreams.
03:58No.
03:59Please.
04:04Did you know that if you die in your dreams, you die in real life?
04:10Please don't hurt me.
04:12No, Skye, you rejected me, and now you've got to pay.
04:20Please, I'll do anything.
04:24Sweet dreams.
04:25I am the sun and the air.
04:47I am human and I need to be loved, just like everybody else does.
05:02See, I'm already waiting to know.
05:07And all my hope is good.
05:22Sadness comes surge in my room.
05:26And I ache by the light of the moon.
05:32You know the way to save me.
05:38You take me high.
05:41Up above my lonely life.
05:46And when you hold me high, I give into the blue.
05:52It's not going to do it till I miss you again.
06:04What do we got here?
06:06Her name is Skye Russell, early 20s, waitress of Quake.
06:10Every bone in her body's been crushed.
06:13The coroner said it as if she had fallen off a 20-story building.
06:18But we're inside an apartment, on the ground floor,
06:22and her body hasn't been moved.
06:32Keep going.
06:33And press.
06:34And press.
06:35And press.
06:37Keep working it through.
06:39And press.
06:40I give up.
06:41Two weeks and nothing strengthened but my temper.
06:44Piper, here's the problem.
06:46You didn't read the fine print.
06:48See, it says right here, $19.95 for the video
06:50and $20,000 for the plastic surgeon.
06:52Yeah, well, it's work.
06:54She's the most desired female in America,
06:56what every man wants.
06:57That woman, of course men want her.
06:59Men are no different from women.
07:00We all want what we can't have,
07:01which is why we need to stop thinking about what men want
07:03and start thinking about what we want in a man.
07:06Tons of fun, lots of heat, no strings attached.
07:08That's what I want.
07:08I know this may not sound very PC,
07:12but I want romance.
07:14Long, slow kisses, late night talks, candlelight.
07:17I love love.
07:19I'd take what Prue has in a flat second.
07:21But then you would have to deal with family secret,
07:23which isn't exactly normal now, is it?
07:25Did you see the coroner's report?
07:35Mm-hmm.
07:36Sky Russell died of massive internal hemorrhaging.
07:39Her body literally imploded upon itself.
07:41Ever seen anything like it before?
07:42Mm-hmm.
07:44On jumpers.
07:45Their bodies were usually found on sidewalks.
07:48There aren't any signs of external damage
07:50consistent with any type of fall.
07:52In fact, there's not a scratch on her.
07:53Yeah, well, maybe we were wrong.
07:55Maybe her body was moved.
07:57From where?
07:58How?
07:59Front door was locked and bolted.
08:01Each window had bars on it,
08:02none of which had been tampered with in any way.
08:04Nobody but she was in that apartment last night.
08:09It's not a suicide, Morris.
08:11And it's sure not death by natural causes,
08:12which leaves only one thing.
08:15Murder.
08:16I hate it when we say that.
08:23There you go, Mr. Manford.
08:28Chicken with rice and vegetables,
08:29just the way you like it.
08:30Chicken well done.
08:31Light oil on the vegetables and rice steam dry.
08:34Thanks.
08:35Bon appetit.
08:38Hey.
08:39Why are you doing that?
08:40Sky didn't show up for a shift today,
08:42so we're short-handed.
08:43Ooh.
08:44Nice.
08:46Another saute?
08:47So, what's up?
08:49I, uh...
08:51I found a spell.
08:52How to attract a lover.
08:54No, Phoebe.
08:55Forget it.
08:56We're not casting any spells.
08:57Come on.
08:58There must be more to our powers than warlock wasting.
09:00I'm ready to have some fun with our magic.
09:02No.
09:03No personal gain, remember?
09:04How is a personal gain if we're using our powers
09:06to bring happiness to another person?
09:08And in my case, lots and lots of happiness.
09:12Could you pass me that calendar, please?
09:14Yeah.
09:14Look, I'm not talking about marriage here.
09:16We have our 30s to freak out about that.
09:19This...
09:19This spell is about having a good time.
09:22Hang on.
09:23I admit, it's tempting.
09:25The dating scene can be a little frustrating.
09:28But bringing a man into our life through a spell...
09:31Correct me if I'm wrong, but isn't that a little bit desperate?
09:33No.
09:33I was asking for what you want being desperate.
09:36I say it's not.
09:36I say it's empowering.
09:39Besides, the Book of Shadows says we can reverse the spell at any time.
09:46The Book of Shadows
09:47The Book of Shadows
09:49The Book of Shadows
09:50Piper?
09:51Phoebe?
09:52Drew, you're home.
09:53I thought you had a date with Andy.
09:56No, he had to cancel.
09:57What are you doing?
09:58Piper, I was wrong.
09:59The spell calls for cayenne pepper, not black pepper.
10:04Did I say spell?
10:07I meant recipe.
10:08We are so busted, aren't we?
10:12I would say yes.
10:14What spell are you casting?
10:15I realized today that Phoebe may have stumbled onto something.
10:18Something that actually makes sense.
10:20Now I'm worried.
10:22All the spells are in this book for a reason, right?
10:24And I think this spell could be a harmless opportunity for us to test our powers.
10:28You know, really get a handle on them.
10:29I mean, why else would it say we can reverse it at any time?
10:32All I want is someone special in my life.
10:34And this spell provides that exactly.
10:37I can translate.
10:39You've got to be kidding.
10:40We were hoping you would join us.
10:43No, I've got enough complications in my life.
10:45You two are on your own.
10:46You know where to find us.
10:48Careful what you wish for.
10:53Okay, you want to go first?
10:54No, you go first.
10:55Okay.
10:57Hey, that's not fair.
10:59You want a man who is single, smart, endowed.
11:04Employed.
11:04Oh, sorry, employed.
11:06A man who loves sleeping in on Sundays, sunset bike rides.
11:11Cuddling by a roaring fire and late-night talks.
11:17A man who loves love as much as you do.
11:22Wow, you're a romantic.
11:24Yep.
11:25Your turn.
11:25You want the sexy, silent type that finds you driving through town on the back of a Harley at three o'clock in the morning.
11:33A man who appreciates scented candles, body oils, and Italian sheets.
11:38He's about hunger and lust and danger.
11:42And even though you know all this, even though you know he'll never meet your friends or share a holiday meal with your family, you still can't stay away.
11:52And he recycles.
11:54He recycles.
11:55Yeah.
11:55And I think it goes without saying that we both want a man who is well and plain.
12:02You're seriously twisted.
12:05This is the spell we have to say?
12:07Yeah.
12:08We're lucky.
12:09If we were men looking for women, the spell requires putting a piece of honey cake in a sweaty armpit for days.
12:15Ew.
12:15Okay.
12:16I think we can say this.
12:17Okay.
12:18I conjure thee, I conjure thee, I am the queen, you're the bee, as I desire, so shall it be.
12:28I conjure thee, I conjure thee, I am the queen, you're the bee, as I desire, so shall it be.
12:40You think it worked?
12:41I don't know.
12:42The big spells usually require all three of us.
12:44Oh.
12:46Okay.
12:50Is it for me?
12:51Is it for me?
12:52Who's this?
12:53Um, I'm sorry, do I know you?
12:56Yeah, we met at Quake.
12:59Well, we didn't actually meet.
13:01I, uh, sent you a glass of Chardonnay and you sent it back.
13:06Still, you know, I was wondering, uh, maybe you'd like to go out sometime.
13:11Um, look, as I told the waitress, I'm just not available.
13:15How did you get my number?
13:16My name is...
13:17Hello?
13:20Who is it?
13:22Uh, that guy from Quake who sent me a drink.
13:24What did he want?
13:25He asked me out.
13:28Um, hello?
13:29Missy May, where are you going?
13:30I'm going to Quake to see if my spell worked.
13:33Want to join me?
13:34Pass.
13:35No thanks.
13:36I'm going to take a bath.
13:37All right.
13:38I'm going to take a bath.
14:08Hello, Prue.
14:22Who did...
14:23Who am I and how did I get in?
14:25I don't care, just get...
14:27Out of the bathroom?
14:29Help!
14:29Help!
14:31Scream all you want.
14:33No one can help you.
14:35How did you...
14:36Know what you're thinking?
14:37Know what you're going to say?
14:39Yes, sir.
14:43I'm in your unconscious.
14:45I know your every thought and desire.
14:49Who are you?
14:52I'm the man of your dreams.
14:54You are not real.
14:59You don't exist.
15:00That's what your mother used to say, isn't it?
15:03Every night before you went to sleep.
15:07You are not real.
15:08You don't exist.
15:08Tucked you in.
15:11She'd say...
15:12You are not real.
15:12You don't exist.
15:13If you saw any monsters...
15:15You are not real.
15:15You don't exist.
15:16To tell yourself they were real.
15:20You are not real.
15:21You don't exist.
15:22They...
15:22didn't exist.
15:25I can't move.
15:28Why can't I move?
15:31Because I'm going to love you...
15:34to death.
15:34You don't exist.
16:04Any bad thing.
16:06A thing?
16:07Yeah, I'm...
16:08I'm okay now.
16:12I promise.
16:13Just go back to bed.
16:23Ow.
16:28My God.
16:34Do you remember what Mom used to say about nightmares?
16:43She said if we saw any monsters, to tell them to go away, that they didn't exist.
16:47Always worked, too.
16:49Yeah, well, not this time.
16:52He knew about Mom.
16:54He knew what she told us.
16:56And how did he know that?
16:58And what about the marks on my back?
17:01Piper, they were there, and now they've disappeared.
17:04I don't know how, and I don't know why, but they were definitely there.
17:07How many hours did you work this week?
17:0960, 70?
17:10And what are you doing today?
17:12On a Saturday, no less.
17:13Yeah, well, the auction starts on Monday, and the shipment arrived three days late.
17:16And you're changing the subject.
17:20You don't believe me.
17:22No, I believe you think you saw marks on your back.
17:25But I'm watching you down your third cup of coffee, and we're talking about a nightmare
17:29you had while asleep in the tub.
17:31So isn't it possible that exhaustion made you see those marks and not some dream guy?
17:36No.
17:37He was in my dream.
17:38It was real.
17:40So why didn't you use your power to help you out?
17:42You know, move him away.
17:43I don't know.
17:44Morning.
17:44Morning.
17:46Um, excuse me, but who are you?
17:54Who cares?
17:55Hans, I found your tea.
17:58Shirt.
18:00Was it in the hammock, or?
18:02It doesn't matter.
18:03Thanks.
18:04Sure.
18:07Oh, I gotta run.
18:09Okay.
18:09I'll meet you later for lunch.
18:11Okay.
18:12Oof, I almost forgot.
18:13Don't worry.
18:27We had safe sex.
18:29A lot of safe sex.
18:32Ew.
18:32It's all here in their FBI files.
18:40How do you do this to me?
18:41Three young women, completely unrelated, except for the fact that they all died the exact same
18:45way as the waitress.
18:46Medical examiner listed them all as jumpers.
18:49Case closed.
18:50Look at the crime photos.
18:52All the Vicks were found locked in their rooms.
18:54I got the M.O. of a serial killer in Morris.
19:03I'm telling you, Piper, the spell works.
19:05Shh.
19:05What a louder, Thieves.
19:06I don't think Oakland heard.
19:07Well, I did.
19:08Get this.
19:09Hans doesn't go to bars.
19:11He's never been to Quake.
19:12But last night, he's on his way back from his acting class when, bam, flat tire on his motorcycle
19:19right across the street from Quake.
19:21So he comes in to use the payphone, and who should he bump into but me, exiting the ladies'
19:27room.
19:28Phoebe, you threw his clothes all over the house.
19:30That's not a spell working.
19:31That's hormones.
19:32No, it's not like that.
19:34I really like Hans.
19:36He's really cool.
19:38And he likes me, too.
19:39Oh, man!
19:42Mr. Manford, here you go.
19:54Chicken, rice, veggies, just the way you like it.
19:56And please call me Jax.
20:00Has anybody ever told you how truly beautiful you are?
20:04Have you been drinking?
20:06A sense of humor.
20:08I love that.
20:11Wait, Piper, don't go.
20:12I don't know why, but I've got to get to know you.
20:16Have dinner with me.
20:17Can you hang on a second?
20:32Through Hallowell Place, it's her sister Piper.
20:34You know, you shouldn't have dinner with that guy.
20:36Why not?
20:40Because you should fly to Paris with me.
20:44Tell her it's an emergency.
20:49So you're not actually thinking of going out with this jack guy, are you?
20:52Can we finish the Cromwell miniatures yet?
20:55Rex, hang on a second.
20:57No, I'm still cataloging the Rembrandt sketches.
21:00Oh, well, uh, set them aside.
21:01The, uh, letters of Ernest Hemingway are now first on the block.
21:06Thanks, boys.
21:08There you go.
21:09I don't believe it.
21:09I'm going to be here all night.
21:11Piper, let me call you back.
21:12Jack stayed through the entire lunch shift, talked my ear off, had me laughing at all
21:21his stories, and somehow convinced me to have coffee with him.
21:26Hans and I are going dancing at rave.
21:28You and Jack should come join us.
21:29Well, if our dinner date lasts as long as our coffee break, we wouldn't make it there
21:32till closing.
21:33Maybe we could all meet back at the house later.
21:38This has worked out so great, hasn't it?
21:40Yeah.
21:41Great.
21:48So this is a dream lab?
21:50They actually pay people to sleep?
21:52If you wait here, I'll tell Mr. Berman that you'd like to stay with him.
21:59Look, just because Berman dated the first victim...
22:02Julie Derrickson?
22:03Doesn't make him a killer.
22:04Yeah, but it's a great place to start.
22:07Oh, it's our only place to start.
22:09What do you know about this place anyway?
22:12It's a privately funded research facility.
22:14And Julie Derrickson worked here too.
22:16She and Berman team together on some kind of experimental project.
22:20Hello, inspectors.
22:25How may I help you?
22:35You're Whitaker Berman?
22:37Yes.
22:39What's this about?
22:41We're conducting an investigation.
22:42We'd like to ask you a few questions.
22:44Oh, regarding?
22:47You know this woman?
22:54That's Julie Derrickson.
22:56She was my girlfriend.
22:57I was heartbroken when she...
23:02Forgive me.
23:04It's just very hard.
23:07I...
23:08I still miss her.
23:11Another woman died just like her the other night.
23:14A waitress.
23:15Crushed to death in her sleep.
23:16Oh, you're kidding.
23:18No.
23:19That's...
23:20That's awful.
23:21Mr. Berman, could you tell us your whereabouts the night before last?
23:26I...
23:26I was here in the lab, asleep.
23:30I left in the morning.
23:32Any witnesses who can confirm that?
23:34A night's worth of data, two scientists, and a lab technician.
23:39Shall I have them paged?
23:41No, that's okay, Mr. Berman.
23:43Sorry we disturbed you.
23:45Thank you for your time.
23:51What else can I tell you?
23:59Um...
24:00When I get stressed, I get hives.
24:02In very strange places.
24:04Which is nothing compared to what happens when I panic, believe me.
24:07Your honesty is so refreshing.
24:10Ah, well, it helps keep my ulcer under control.
24:13It's the 90s.
24:14Is there anyone who doesn't have one?
24:17Would you like to see my tattoo?
24:19Would you like to see mine?
24:20Uh, is there nothing I can say to turn you off?
24:23There really isn't.
24:24It's just kind of strange, actually.
24:26Not really.
24:28Jack, you're under, uh...
24:34...spell.
24:47Hey there.
24:50Give me 30 cc's of Andravine.
25:0630 cc's?
25:07That's twice the results.
25:08I'll be in REM sleep quicker and longer.
25:11Set the dream inducement system to level 12.
25:14You haven't got the results back from level 8.
25:15This is my grant.
25:19My experiment.
25:21Set the machine and give me the shot.
25:23Hello, Prue.
25:38We meet again.
25:41All that work.
25:43All those hours.
25:44You fell asleep at your desk.
25:47Someone help!
25:48What do you hide from that work?
25:50Is it the pain of your past?
25:52Or the uncertainty of your future?
25:56I don't hide from anything.
25:57You can't move out of the chair, can you?
25:59Don't you worry, don't you, I?
26:04Because I don't want you to.
26:06You're powerless, Prue.
26:07Go to hell.
26:07I, on the other hand, am all powerful.
26:10You want to talk to me?
26:12That's fine.
26:13There's always Piper, Phoebe, or any number of young single women out there.
26:18It's an endless pool for the dream sorcerer.
26:20No, wait.
26:21I'll stay.
26:21It's too late.
26:23You're falling asleep.
26:24No, I'm fine.
26:24I'm awake.
26:26Shall I sing you a lullaby?
26:28I don't think so.
26:33Good night, Prue.
26:43Hello?
26:44Ah, you're still at the office.
26:47Yeah, um, can I call you back?
26:50Sure.
26:51I'm at the station house.
26:52Everything okay?
26:54It is now.
26:56Thanks, Annie.
26:57Thanks for calling.
26:59I just wanted to hear your voice.
27:02Okay, bye.
27:05What the hell?
27:06The man is in a wheelchair.
27:24He's got no motive and he's got an alibi.
27:27So tell me again why you think Berman is our suspect.
27:30Dream leaping.
27:32Dream leaping.
27:34That's what Berman's researching at the lab.
27:36Dream leaping.
27:37The ability to project himself into someone else's dreams.
27:40Into women's dreams and killing them?
27:43Now who's dreaming?
27:44Not just any women.
27:47Women who reject him.
27:49Just like Julie Derrickson did.
27:51She broke up with him while they were driving somewhere.
27:53They got into an accident.
27:55That's why he's paralyzed.
27:56That's all they're in the police report.
28:00The day after he went back to work at the lab, Julie Derrickson died suspiciously.
28:05Six months later, two more women died in their sleep.
28:08Crushed to death.
28:10Coincidence?
28:11You tell me.
28:13Love to.
28:14Can't.
28:15Let's go.
28:22I'm home!
28:38You're home early.
28:40Yeah, so are you.
28:41What's with all the flowers?
28:42You and Jack fighting already?
28:44I wish.
28:45The flowers were all waiting on the doorstep when I returned.
28:48They're from men I barely know and men I've never met.
28:51All the flowers in here are for you.
28:53Oh.
28:54Well.
28:55No, they're not from Hans.
28:57What happened?
28:58He wouldn't leave me alone all night.
29:01He kept touching me.
29:02And practically every guy in the bar was hitting on me.
29:05Finally, I couldn't take it anymore.
29:06I ditched Hans and left him at the club.
29:09So how was your date?
29:11Perfect.
29:12Everything was perfect.
29:13Even my faults were perfect.
29:15And this is a bad thing?
29:18It wasn't real.
29:19Everything he said, everything he felt, it was because of the spell, not because of me.
29:24Piper, you don't know that.
29:25Maybe he meant every word.
29:27Maybe if it wasn't for the spell, he would have never had the chance to feel those things, let alone say them.
29:32No, Phoebe.
29:34Love is a magic between two people that cannot be explained and cannot be conjured.
29:39What we did, it's just, it's not right.
29:41Even our poor cat's in hell.
29:46Go away, horny tomcats.
29:51Let's reverse the spell.
29:52Hello?
29:59Hello?
30:00True?
30:01Where are you?
30:01I'm, uh, still at the office.
30:03Look, I fell asleep and that man from my dream, he tried to kill me again.
30:06What?
30:07Yeah, I don't understand why.
30:08All I know is I'm only safe if I stay awake.
30:10If I fall asleep, I'm dead.
30:11Well, stay where you are.
30:12Phoebe and I will come pick you up.
30:13No, I don't want to stay here another minute.
30:15Look, I want you to look in the book of shadows and see if you can find anything on this guy.
30:18He calls himself a dream sorcerer, okay?
30:25Nothing?
30:26Nada.
30:27There's got to be something.
30:28I'm telling you, there's no dream sorcerer stuff anywhere.
30:31That's impossible.
30:32The book of shadows has never let us down.
30:33Well, maybe he's not a demon.
30:35Maybe he's a mortal.
30:36Then he's got one hell of a power.
30:37You're not kidding.
30:39Demon, mortal.
30:40There's got to be some way to stop him.
30:43That's got to be Prue.
30:45Wait.
30:46What are we going to tell her?
30:47That we can't help her?
30:48That she can never go to sleep?
30:50Mm-hmm.
30:51Yeah.
30:55Come on, answer the phone.
31:00Hello?
31:00Hey, did you find anything?
31:02No, we didn't.
31:03But don't worry.
31:04You're not in this alone, Phoebe, and I will help you.
31:06How can you help when we don't even know what he is?
31:08The most important thing right now is for you to get home safely.
31:11Yeah, okay.
31:11Um, look.
31:12Just keep talking.
31:13Don't let me fall asleep.
31:15She sounds exhausted.
31:16Okay, Prue, blast the air conditioning.
31:18Crank the stereo and roll down the windows.
31:21Wait, don't crank the stereo.
31:22What's that song we always used to sing when we were little?
31:24The road trip song?
31:25Yeah, let's sing that.
31:25Did you hear that, Prue?
31:26Yeah, okay.
31:28Okay, don't worry.
31:28Everything's going to be fine.
31:29Nothing is going to happen.
31:31Phoebe!
31:32What the?
31:33Hans?
31:34Let me in.
31:34I have to see you.
31:36Go away!
31:37Are you crazy?
31:40What are you doing?
31:40Piper?
31:41Phoebe?
31:42You left me.
31:43How could you leave me?
31:45Pums, please.
31:46Ever since I met you, I can't do anything.
31:48Eat, drink, sleep.
31:50All I can do is think about you.
31:52Piper?
31:54Phoebe?
31:56Time is now, Prue.
31:58We're almost there.
32:02Piper, Phoebe, where are you?
32:03What have you done to me?
32:07Are you okay?
32:10I'm fine.
32:12Prue.
32:20Prue?
32:21Prue?
32:23She's not there.
32:25Say goodnight, Prue.
32:26I can't fall asleep.
32:54I can't fall asleep.
32:56I can't fall asleep.
33:03Watch the line.
33:04It's open.
33:051, 2, 1.
33:06What do you got?
33:07I got a 27-year-old female, one-on-one car versus utility pole.
33:11BP, 80, 40, pulse, 110, semi-conscious at the scene.
33:15Eight units packed.
33:16Students are responsive.
33:17Ms. Halliwell, hang in there.
33:18Stay awake.
33:20Stay awake.
33:23Where's X-ray?
33:24I want to cease by now and have CT prep course.
33:26I want to see if you see an MLP.
33:30Yes.
33:32Give me a clean ticket.
33:34Ready?
33:341, 2, 3.
33:38Okay, got it.
33:42The rest are down to 35.
33:43Pulse ox is falling.
33:44That's me.
33:45Give me 500 mice to dopey and get ready to intubate.
33:48Stay with us, Ms. Halliwell.
33:50Damn, she's unconscious.
33:54How did I get here?
33:55I'm not asleep.
33:58Actually, you're unconscious.
33:59You fell asleep at the wheel, hit a pole.
34:03Terrible, terrible thing.
34:05Hey, speaking of pain, you really hurt me last night.
34:10Tonight.
34:11And not just my feelings.
34:14Suffer.
34:16We're definitely out of range.
34:19You want a little wine with your death?
34:31Mr. Berman insists that he's not to be disturbed during his experiment.
34:34I don't care.
34:34We want to talk to him.
34:35Just wake him up.
34:36It's not going to be easy.
34:38He's heavily sedated.
34:38Just get to work.
34:41I hope you're right about this.
34:42I know I am.
34:43The question now isn't if Berman's going to kill again, but who.
34:54Do you like the dress?
34:56I've worn better.
34:59Yeah.
35:01I'm sorry.
35:13Excuse me.
35:16Can I help you?
35:17You called us a little while ago.
35:18Our sister is here from Hallowell.
35:24Are your sister still in trauma, what?
35:25Is she okay?
35:27Well, if you get out of the waiting room, a doctor will be right with you.
35:29Okay.
35:37Mr. Berman!
35:39Mr. Berman, wake up!
35:41I don't care what it takes.
35:42You wake him up.
35:43Now!
35:48Berman, wake up!
35:51Come on, Berman!
35:56Wake up, Berman!
35:58Andy.
36:02We're here, Pru.
36:03Right beside you.
36:05Can you hear us?
36:08Hello?
36:10Piper.
36:12Baby.
36:13Pru?
36:13They can't help you.
36:15You're mine now.
36:24I'm scared.
36:27I know, me too.
36:28What do we do?
36:32We don't let her give up.
36:35Pru, listen to me.
36:37You have got to fight this guy.
36:39Don't leave us.
36:40You can do it.
36:42We need you.
36:43Use your power, Pru.
36:45Come back to us.
36:48Use your power.
36:49You can do it, Pru.
36:50You can do it.
36:57You can do it.
36:57Use your power against him.
37:00Use your power against him.
37:01Don't leave us.
37:02Pru.
37:03You can do it.
37:06Shall I say good night?
37:18No, let me.
37:20Good night.
37:21I can't believe it.
37:36He's dead.
37:38I'll never doubt you again.
37:43Pru?
37:45Are you okay?
37:48Yeah, okay.
37:51What about the...
37:54He's gone.
38:15Knock, knock.
38:17Please tell me you guys are here to pick me up.
38:18Hi.
38:19No, Dr. Black said one more day, just to be sure.
38:22Yeah, and you know, it wouldn't kill you to get some rest.
38:26Phoebe, it's okay.
38:27Thanks for the flowers.
38:29Yeah.
38:31What's going on?
38:33Oh, long story, not very interesting.
38:35Does this have anything to do with your lust spell?
38:37Mm-hmm.
38:38But don't worry.
38:39We reversed the spell last night.
38:41Piper called Jack, the guy that you had dinner with.
38:43And he didn't remember anything.
38:45And Phoebe called Hans.
38:47And he didn't remember anything.
38:49So don't worry.
38:50Everything is back to normal.
38:52Afternoon, ladies.
38:54Surprise.
38:56Yes, it is.
38:58What are you looking at me for?
38:59I didn't tell him.
39:00Guilty.
39:01Come on, let's go.
39:02Okay.
39:03Bye.
39:03Um, we'll see you later tonight.
39:05After we raid your closet.
39:08Ha-ha.
39:09Brought your favorite.
39:11Ooh, cheeseburgers and fries.
39:13Ha-ha.
39:14Glad to see every bone in your body's not broken.
39:17What?
39:18The car accident.
39:19Never mind.
39:22Hmm.
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