"انتظرونا في حلقة استثنائية من برنامج (بحر النجوم)، حيث نبحر في أعماق عقل واحد من أعمدة الدراما العربية، الكاتب الكبير محمد جلال عبد القوي.
صاحب 'المال والبنون'، 'سوق العصر'، و'الضوء الشارد' يفتح قلبه ليتحدث عن كواليس أهم أعماله، ورأيه في حال الفن اليوم، وحكايات تُحكى لأول مرة عن النجوم الذين جسدوا كلماته على الشاشة.
#محمد_جلال_عبد_القوي #بحر_النجوم #دراما_مصرية #كتاب_الدراما #سيناريو #لقاء_خاص
أعمال الكاتب (لجذب الجمهور المهتم): #المال_والبنون #الضوء_الشارد #سوق_العصر #الليل_وآخره #حكاية_بلا_بداية_ولا_نهاية
كلمات بحث عامة: #مسلسلات_مصرية #زمن_الفن_الجميل #أسرار_النجوم #برامج_فنية #مقابلات_حصرية
⏳ موعدنا قريباً.. كونوا على الموعد!"
ونزداد إحتراما بالتعليق و كذلك المشاركة .....
برنامج "بحر النجوم" هو برنامج تلفزيوني متنوع يُعرض على قناة القاهرة، ويُعد من البرامج المميزة في الفضائيات المصرية. يتميز البرنامج بتسليط الضوء على السيرة الفنية للفنانين الذين تركوا بصمة واضحة في الثقافة العربية والمصرية، مقدمًا للمشاهدين نظرة عميقة على مسيرتهم الفنية وإسهاماتهم التي أثرت في حياة الكثيرين. منذ انطلاقته الأولى في عام 2014، استطاع البرنامج أن يجذب جمهورًا واسعًا بفضل المحتوى الغني والتقديم الجذاب الذي يحتفي بالفن الرفيع ويحيي الذكريات الجميلة التي تعيش في الوجدان. يُبث البرنامج عبر القمر الصناعي نايل سات على التردد 11178/V، مما يسهل الوصول إليه لمشاهدين من مختلف أنحاء العالم العربي، مما يعكس الدور الهام الذي تلعبه الفضائيات في توحيد الثقافة وتعزيز التواصل بين الشعوب. يُعد "بحر النجوم" مثالًا رائعًا على كيفية استخدام الإعلام للاحتفاء بالإنجازات الفنية وتقدير الفنانين الذين أغنوا الساحة الفنية بأعمالهم الخالدة.
صاحب 'المال والبنون'، 'سوق العصر'، و'الضوء الشارد' يفتح قلبه ليتحدث عن كواليس أهم أعماله، ورأيه في حال الفن اليوم، وحكايات تُحكى لأول مرة عن النجوم الذين جسدوا كلماته على الشاشة.
#محمد_جلال_عبد_القوي #بحر_النجوم #دراما_مصرية #كتاب_الدراما #سيناريو #لقاء_خاص
أعمال الكاتب (لجذب الجمهور المهتم): #المال_والبنون #الضوء_الشارد #سوق_العصر #الليل_وآخره #حكاية_بلا_بداية_ولا_نهاية
كلمات بحث عامة: #مسلسلات_مصرية #زمن_الفن_الجميل #أسرار_النجوم #برامج_فنية #مقابلات_حصرية
⏳ موعدنا قريباً.. كونوا على الموعد!"
ونزداد إحتراما بالتعليق و كذلك المشاركة .....
برنامج "بحر النجوم" هو برنامج تلفزيوني متنوع يُعرض على قناة القاهرة، ويُعد من البرامج المميزة في الفضائيات المصرية. يتميز البرنامج بتسليط الضوء على السيرة الفنية للفنانين الذين تركوا بصمة واضحة في الثقافة العربية والمصرية، مقدمًا للمشاهدين نظرة عميقة على مسيرتهم الفنية وإسهاماتهم التي أثرت في حياة الكثيرين. منذ انطلاقته الأولى في عام 2014، استطاع البرنامج أن يجذب جمهورًا واسعًا بفضل المحتوى الغني والتقديم الجذاب الذي يحتفي بالفن الرفيع ويحيي الذكريات الجميلة التي تعيش في الوجدان. يُبث البرنامج عبر القمر الصناعي نايل سات على التردد 11178/V، مما يسهل الوصول إليه لمشاهدين من مختلف أنحاء العالم العربي، مما يعكس الدور الهام الذي تلعبه الفضائيات في توحيد الثقافة وتعزيز التواصل بين الشعوب. يُعد "بحر النجوم" مثالًا رائعًا على كيفية استخدام الإعلام للاحتفاء بالإنجازات الفنية وتقدير الفنانين الذين أغنوا الساحة الفنية بأعمالهم الخالدة.
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FunTranscript
00:00music
00:30I understand now
00:32Let me hear it again
00:34And that is the limit of his atheism
00:36And whoever wants to make us mistaken without being wrong
00:38Well, why don't you finish, Salama?
00:40Complete
00:42My wasted years have been avenged
00:44Whose?
00:46I may say now that they are fighting against us
00:48And we will triumph because there is no Egypt that fought
00:50And we will never be defeated by those who are exclusive.
01:00music
01:04But
01:06It was him, but I
01:08She fled immediately and joined the armed forces.
01:10And I worked as a school permit holder
01:12And authorized
01:14military
01:16It was a story and eighteen meetings on television
01:18And I'm still like that
01:20And I didn't continue in the wire
01:22academic
01:24No, no, no, I can
01:26No need, no job
01:28It means she sat there, stuck.
01:30thirty
01:32three
01:33three
01:34Three in the institute
01:35Three in the institute, four
01:36What I'm telling them is no
01:37What is God?
01:38And I discovered that I'm not above
01:41Hello
01:43Welcome to the vein
01:45Stay fast, Doctor
01:47Happy New Year!
01:49And you're doing well
01:50This year you're preparing for your Master's degree.
01:52I'm competing with you now, God willing.
01:54By God's will and your will
01:56I told everyone that you were his father
01:58The day you get your doctorate
02:00I'll hand you the keys to the library and the apartment, and then I'll relax.
02:03Why is he surprised?
02:05I learned it from my teacher, may God have mercy on him.
02:09Send the text you see here
02:11And as for the one who was appointed, the minister also handed it over after that.
02:14And as for the one who was appointed, the minister also handed it over after that.
02:19This is now a matter of theorizing.
02:21That is, those who wrote the story before, or the myths, or the epics, or the story after.
02:26They didn't know that was the case.
02:29The division is as you say.
02:31But is this how it's taught in English literature, for example?
02:34He then studies it as a science of criticism, or a science of what they looked at or took everything that was written, for example, and started to codify it, to make codifications for it.
02:45I believe that a good drama must begin and end with a climax, a middle, and then a resolution.
02:51And then the event must be escalating, I don't know.
02:53And then the dialogue must be about someone who doesn't know how to push the event forward.
02:56This is all theoretical talk; no one learns this, studies that, and then goes and writes a novel.
03:01Nobody learns this and then goes and writes drama? No, first we write.
03:05And then it decomposes
03:07And then they analyze the theorists and critics and all that, they analyze this
03:11Oh God, oh God, may he forget like that, on the road
03:14The continuity of generations, Youssef, is the only guarantee for preserving the species.
03:20We will only preserve our species through these
03:23These are hereditary factors
03:26All our genetic makeup as Arab Muslims and Christians is here
03:32Yungul Din, here we are, our whole existence is here
03:37There is only one way to preserve the species: for us to disappear from the countries.
03:44This is the job of scientists, Youssef, understand?
03:48I understand, Doctor
03:50There is only one book that God Almighty has promised to preserve.
03:55Koran
03:57Indeed, We have sent down the Reminder, and indeed, We will be its Guardian.
04:01God Almighty has spoken the truth.
04:03I don't know, Aref
04:06I don't know what's coming
04:08No, no, no, no, no, no, no, no, no, no
04:10And finally, I confessed, "May God bless those who have mercy on me, because I have seen a lot."
04:13So what should we do?
04:14My sisters even asked me, "So what should we do?"
04:16Firstly, when I grew up, the same crowds
04:19He asked him, "So what should we do?"
04:20That's how your brother Turki is.
04:23Yes?
04:24And whoever knows me, what does Al-Aqqad say about him?
04:29I have a lot of Al-Aqqad in it
04:32Who has it?
04:33From Al-Aqqad's brain
04:35From Al-Aqqad's insistence
04:36From Al-Aqqad's stubbornness
04:38From Al-Aqqad's pride in himself
04:40He told him, "You're not normal."
04:41You had a meeting with His Majesty the King
04:438 o'clock
04:44Lum said, "Ah."
04:45I filled what was in it
04:46Lum said, "I'm sitting here waiting."
04:48He stayed in his house
04:49Waiting for the royal
04:50Lum said, "I'm sitting here waiting."
04:52For example, Al-Aqqad's brain means
04:54music
05:07music
05:11music
05:17We are no longer the worst generation in Egypt's history, Doctor.
05:23For your information
05:27I came straight here from the war
05:33I didn't even think to stop by the house
05:36Or I'll visit my family
05:38In the middle of the battle
05:43I wasn't listening to the "Gharsan" line of Yusuf
05:46When he told me
05:48O God
05:50Oh God, we didn't fight
05:53And your sentence too
05:57When you told me
05:59If you don't win
06:02You will be the worst generation in the history of Egypt
06:05The one I'm most inclined towards, actually
06:08I don't know if you'll be surprised if I tell you about Abdullah Ghais
06:12Abdullah Ghais
06:13You'll be surprised, of course.
06:14Abdullah Ghayth worked with you
06:16Money and children
06:18Abdullah Ghais
06:19Why are you being so violent?
06:20Because it's like I saw it
06:22Like me and you, what you and you
06:24The problem is with me.
06:25But the light
06:27I need to see my reflection on the screen
06:29And people know that up to this point, this is my problem.
06:31I am just as I was singing
06:32One of them tells me it won't happen
06:33By God, Yenour, this is what he told me: it won't happen.
06:36Yahya Al-Alami told me it won't happen
06:37You will never see my shadow among you
06:39I'll make you cry, I mean
06:40No, you saw
06:46This money is forbidden, Salama Strawberry
06:49What is forbidden?
06:58Well, God has provided for them so you can raise them.
07:00Okay, get off
07:02Go down and tell everyone and the government that this is a blessing and a gift for you.
07:06Thank you, Salama
07:08The government took him, Abbas.
07:10And we will say it
07:11As long as he is afraid and hiding
07:14Look, Salama
07:17Listen to me
07:18God will not bless
07:20Listen to me, Abbas, my brother
07:22We've always relied on God.
07:25We eat energy and we use it to educate our children well.
07:30And God gave us children
07:32We've always dreamed of having money so we can raise them well.
07:36And money is a gateway to the widest gates
07:39And after God has granted me a dream, I won't say no.
07:42I will not deprive my children of their livelihood.
07:44Don't let the devil fool you, Salama.
07:48What's wrong with the devil, brother?
07:50If we don't take it
07:52They'll go down and throw anyone in the street
07:54We are calling for help.
07:56No one bears the burden of another.
08:00Listen to what he says, Salama Froil
08:03Is this all you've memorized from the Quran?
08:06Why don't you say that wealth and children are the adornment of this worldly life?
08:11And God gave us children
08:13Now give us the money so the decorations can be completed.
08:15Well, why don't you finish, Salama?
08:18Complete
08:19Wealth and children are the adornment of this worldly life.
08:24Yes, continue first.
08:27And the enduring good deeds are better in the sight of your Lord in reward and better in hope.
08:34God Almighty has spoken the truth.
08:37Adib's story is a improvement
08:39Is it a book?
08:40It's a story because it is a story.
08:44That's the life of one of his colleagues.
08:46His name is Jalal Shuaib, his friend
08:48His friend was at university
08:51And after them, he went to France.
08:53And Press
08:55Adib's outfit was the outfit of the character we observed.
08:59It was different
09:00After he died, his production was found to be nonexistent.
09:03Literature and poetry
09:05They wrote it in Adib
09:07Mardash, who goes by the name Jalal Shuaib Malminia,
09:09He said his name was Abedib
09:11May God have mercy on the living world
09:13I want to do it
09:14Yes
09:15There isn't a single colleague
09:19From our colleagues who were older than us, I mean
09:21As producers and screenwriters
09:24Yes, he is happy to work
09:25What disease?
09:26And you understand what I mean, mayor?
09:27Up until that point, I was taking pictures.
09:30In this head, Jay
09:31In pictures
09:3279 remained
09:3480
09:34First 80
09:35Between text 80
09:36In pictures, I mean
09:37We are doing rehearsals
09:40Mahdi, we have to sweat for him
09:42We know how Adib got there
09:44We're rehearsing with Ahmed Zaki now.
09:46And they did
09:46And he accompanied me
09:47Whoever comes, let them go
09:50Talwa Ta'ala
09:51Jack
09:52We'll go to a hotel, the biggest hotel
09:54Together money
09:55Together, money from the days
09:56I have no money
09:57Yes
09:58Talwa
09:59Talwa
10:00Tala Taghdeem Ice A
10:02Arwa with the mixture
10:03Do
10:04For Othman
10:05Malou Othman
10:07Meaning
10:09His approach to life
10:10O Muhammad
10:11Oh Muhammad, what does she want to do to marry Othman?
10:13Oh, listen
10:14I was just complaining to you that you didn't use force on me.
10:17I'm ready to bring her with you.
10:19If you don't go, I'll take you by force and marry you.
10:22God wants us both to climb the Aqaba of Muhammad
10:25And besides, I know how much you love her.
10:29any
10:31I haven't found anyone yet
10:33I saw one guy once on the TV steps
10:37Yes
10:39I brought the genius with me, yes
10:41He tells Yahya the world
10:43Long live the world
10:45This is the first time you've seen Professor Yahya.
10:47I recognized him, but he didn't say a word. I saw him once on the stairs.
10:49He said to him, "Yes."
10:51Hey, man, who's Ahmed Zaki?
10:53I see the alienation of the head coming
10:55He said to him, "There's a boy in it."
10:57Not in my genius
10:59He said to him, "Show me."
11:01Take me, pierce me
11:03To introduce you to the people of Alam
11:05Yehi, the commenter is still there
11:07What does he say to me?
11:09What do you think, Fadip?
11:11This hateful talk has been going on for twenty years.
11:13For example, I'm in love now
11:15I told him, "Hey, I remember the conversation now."
11:17In words, it means
11:19He asked me what was wrong with her
11:21I told him the three atmospheres
11:23Then Cairo the Consoler
11:25Then Paris
11:27He told me to do it
11:29I told him I saw it first
11:31I took half a page from it.
11:33One paragraph
11:35Our parents had agreed to marry us to each other.
11:38That's it
11:39This is the boy Adib telling his friend
11:42Adib is telling a story to a woman named Sin.
11:44In response
11:45It was agreed that they would marry us to each other.
11:47Fahima refused, but Hamida welcomed the idea.
11:49What is this whole story of Adib?
11:51My cousin rejected him
11:53exploited
11:54This is the drama story
11:55I wrote 80 pages for him
11:57Oh yes
11:58Floscap
11:59Treatment
12:00scenario
12:01He told me, but
12:02Oh yes
12:03This is the scenario
12:04There's a French band, and tonight it's at Dar Al-Ibra.
12:07When are you going, Ibrahim Effendi?
12:10If the band is performing during the day
12:12We were going now
12:13Oh, and I'll go with you too.
12:15Don't go to me, Mr. Passion
12:17Nothing happened that would make me upset with you
12:19On the contrary, I'm the one who's sorry I caused you embarrassment.
12:22Honestly, Ibrahim Effendi, I'm embarrassed in front of you.
12:24I haven't known what to tell you since that night.
12:26Honestly, I wanted to invite you to Sheikh Salam Hijazi's place to fix you.
12:31This is a band from France, Mr. Passion, from Paris, the land of genies and angels.
12:36The group is made up of jinn, not angels.
12:38And where are the angels now, Mr. Basion?
12:41These countries aren't mine, Mr. Ibrahim.
12:43And then, by God, you're going to do a turban too?
12:46Listen
12:47We'll take Sheikh Mohammed with us so he can wake up and tell the story.
12:51May God punish you, Ibrahim Effendi, you're the one who will pay for this!
12:55Oh, I don't want to say that there was a lot of truth in it.
13:00And that meant a good start for me.
13:05But I believe that if being away from home is the beginning of a popular career and a popular birth, then
13:10But Adib was a true artistic birth, right?
13:15It was an experience that might surprise a person for the first time when placed between Taha Hussein and the global figure.
13:22And next to them, and next to them, was Nour El-Sherif.
13:26Can you imagine Nour El-Sherif, back in the eighties?
13:29In the year 1981
13:31When I find myself still a true beginner
13:34Al-Jawarih Al-Alami, Nour El-Sherif, and before us Taha Hussein, the dean of Arabic literature
13:40It's surprising that it succeeded, especially after everyone insisted it wasn't suitable for a dramatic work.
13:48Honestly, he responded to many of my colleagues, and it's too much for them to do to him. It's not a dramatic work.
13:53Success in this comes from God Almighty.
13:55To meet a writer who resonates with your emotions or your personal life
14:02You won't be surprised if I tell you that the poetry I wrote about Adib
14:05They say, for example, Ibrahim Abdullah or Nour El-Sherif, the kind Noura
14:09It's the love letter I wrote to my wife.
14:11This is my current wife, and I were engaged in the past and we are suffering as we did
14:16Some might be surprised by what I say, but I was on the verge of recovery from an experience I'd had with a writer.
14:22Oh God, oh God, Uncle Hafez, what's going on? What's up, Uncle Hafez? Good, good, good, Uncle Hafez
14:29God is great, Fandy, God is great.
14:32Who breaks down the door?
14:36Where is Muhammad Al-Najjar, Abdul Rahman?
14:40Sayyid Abdul Rahman Al-Fadl
14:42Mr. Abdul Rahman, please, in Al-Muhammad Al-Najjar
14:44O Azhari and open-minded one
14:46O Azhari
14:48Good, Ibrahim
14:50Okay, get dressed quickly.
14:52Why? So I can tell you
14:53I don't understand.
14:54You won't understand if you're wearing a headscarf, you Azhari!
14:56O Azharite
14:57O Azharite
14:58What's wrong, Ibrahim?
14:59Get dressed and I'll tell you
15:00Okay, get dressed, you other one.
15:01So you understand
15:02Our Prophet, O Abraham, O Vandi
15:04I'm going to get dressed
15:05The sword is more truthful than books.
15:08At its limit, the line between seriousness and play.
15:11Hey you son of a bitch, you builder
15:13What's wrong with them?
15:14O Muhammad al-Rajar, grant us victory!
15:16seriously?
15:17What?
15:18I fear for you from happiness
15:19Don't worry, my brother
15:20What should I say right away?
15:24What should I do, Muhammad, you rascal?
15:26any?
15:28Ibrahim, O Abdullah
15:31Muhammad Ya Rajar
15:33What happened, Mr. Saleh?
15:35Are they embracing, Mr. Abdul Rahman?
15:37Why are they hugging?
15:39Is that the question?
15:41You know the first question
15:42What will they do to him?
15:43How many times have you been to Paris?
15:45Yes
15:46Tell me, Vandy
15:47He told me
15:48No, no, no, monitored places
15:49Exactly the same cafes
15:51The same thing, the same thing
15:52How many times have you been?
15:53I told him it was expensive once
15:54And indeed, Paris is one hundred
15:56Didn't you say you went?
15:57Yes
15:58We're next to the two rooftops, as you understand.
16:00You went to Paris, the country
16:03Yes, it is Paris, the country.
16:05Yes, simplify.
16:06Oh, Paris, the city!
16:07Yes
16:08Yes
16:09And it was...
16:10writer
16:11Nour El-Sherif
16:12Oh
16:13Yes
16:14May God have mercy on him
16:15May God have mercy on him
16:16If we were behind
16:18Maybe I wouldn't have gone to the camp
16:20Paris
16:22The land of genies and angels
16:25Your eyes are Paris
16:30In your right eye I see angels
16:34And in your left eye
16:36I see the jinn
16:38no
16:40In your left eye
16:43I see angels too
16:46We will go to Paris
16:48And half of it will be angels
16:52You are half angels
16:57We are from Kafr El-Sharif.
17:00Or print some
17:01Yes
17:02Yes
17:03If there is
17:04But he threw himself at Alexandria
17:05Yes
17:06He threw himself at Alexandria
17:07And you threw at the conqueror
17:08Oh, I mean
17:09No, he's from Cairo.
17:10Accommodation and family
17:11Or Nafain
17:12But he likes to write in Alexandria
17:13Oh, she's from Alexandria.
17:14Yes
17:15Yes
17:16If there is
17:17A possible relationship called
17:19Or it has a name that means "we and some"
17:21It is a competitive relationship
17:23Right
17:24competitive
17:25Ah, let's compete
17:26With honor
17:27Yes
17:28And what
17:29Thanks to Osama
17:31And I came to look, so I'm sorry, Shabeel.
17:32correct
17:33The credit goes to Osama
17:34In that He created
17:35If you're buying and selling, that's a different matter.
17:38Creating an atmosphere of entertainment
17:40Yes
17:41A climate for spectacle
17:42When you find two or three people writing it
17:44It's a good drama and it draws people in
17:47So you're opening Samer
17:48Samer is doing something and people are watching.
17:50Oh, of course, of course
17:51But when you're left alone, no
17:52It's possible to watch the series on my computer all year round.
17:54In fifteen, twenty, thirty series
17:57They sign the case
17:59They sign the case
18:00I'm coming, but I don't have an audience.
18:01Hala, I won't come and parse.
18:02But Osama deserved the credit.
18:04He is one of the pioneers of television drama
18:07He was credited with creating a climate for entertainment.
18:09TRUE
18:10TRUE
18:11There is no word that has a meaning at its beginning
18:13Please pray for me that God grants me success in my baccalaureate exam.
18:15May God be with you, O Almighty, O Generous One
18:17Yes, Jay
18:18Hello
18:19Are you going to live abroad with them?
18:20You're going to approach them with a word from your mouth that's like chains of gold.
18:25And they tell you, "Dogri, on the land of Bar."
18:28It's not all about being good, my friend.
18:31You need to study
18:33And you have a mediator
18:34May God be with you, may God help you through an intermediary.
18:37May God be with you, man.
18:38via Al-Faqrani
18:40Al-Faqrani at night and at the end
18:42And in the other half of the quarter, what
18:44Something that didn't happen, at least not for us.
18:47Which of the female stars is an artist?
18:49Elham Shine
18:50Look how quickly Radhi was satisfied
18:52And the one who
18:53inspiration
18:54Elham Shine, what is this?
18:55What's this about the agent?
18:57The ops and the contrites are now in yesterday's story, and vice versa.
19:02What we see in the clips, especially
19:04She was in the second place then.
19:07So you're telling me, "Look, then..."
19:09I don't know how to get out of Nahidi Al-Wakil's place.
19:11I worked on thirty TV series and everyone
19:13Don't tell me that Nahidi is the agent.
19:14Get me out!
19:15millimeter
19:16You told me you'd do it for me
19:17The opposite
19:18You are the deceived wife
19:19He is my husband, my soul.
19:33It means you'll stop for a long time.
19:46After more than twenty years
19:50How can we bring this man back in his old age?
19:54I know these claims are extremely complex.
19:59But I hope for justice from the court.
20:05The essence of the law
20:07And his spirit, which is from the spirit of God
20:10And His name is Justice
20:13Justice
20:15I was perfumed in the other half of spring
20:19On the condition that he comes
20:21On the doctor
20:23And on inspiration and on his name, this is it
20:25Our sister Fadi Abghan
20:27The three
20:27Al-Aqqad's topic sometimes
20:29So, the scholar said to him
20:31You said no, uncle
20:32for him
20:34And I said, Naib Farid Shawi, who told me the story.
20:36It means she's the producer in the first place.
20:36That's a different topic.
20:37I said no, no, no
20:39This is a man who is supposed to be smart.
20:41Spring of this
20:43The girl who achieved it
20:43Mohamed Galal Abdelkawy
20:45I told him, "Okay, Elham Shaheen."
20:48Uncle, he needs to have some experience.
20:50life experience
20:52So that you can be the agent at the end of this.
20:53This is her little one
20:54I said, "Fadi Abdel-Qan, the one who came out of 'Money and Sons,' I'm the one saying..."
20:57Her children hated her
20:58And Madam, his
20:59And very unpleasant to the public
21:02How will they manage the rise of the supporters?
21:03With the first sweet
21:07Third exhausting, I forgot
21:08This is a poor solution
21:09And this is my son from the sky, and by God, I forgot.
21:13And that's it, I forgot
21:14I apologized to the world
21:15From the garment of honorable men
21:17They sought nothing but the good of the nation.
21:19They demanded justice from the court.
21:22Cold eye is the subject of the dispute
21:25Owned by Mr. Salem Abu Al-Futuh
21:27Adding this crime
21:30Regarding the crimes of the accused Ashraf Alwani
21:34Thanks
21:38Fathi
21:46Fathi
21:48I resigned
21:49If any creature in the world asks about me, I'm not here.
21:53Even if
21:53Not even Dr. Rabie
21:55Yes, Vandy
21:56I think my wife is finished.
22:04You have to come, Rabie
22:07Half of the other quarter
22:08And the night and its end
22:09And finally, he didn't know how to open the door.
22:11But he is a man who is talented to the core.
22:14I'm telling you
22:15Mafroub Bash, so talented
22:16It means Ahmed Zaki's family
22:18Did you notice?
22:20Fred Shaw's genus
22:21It means there are very talented people
22:22In stands
22:24You're just watching them like that, sitting cross-legged. I'm sorry, I mean...
22:27And that's it
22:28The president of the republic, Ahmed Zaki, means
22:30I found a look, yes.
22:31And in a president, perhaps
22:33Prime Minister of Representation
22:35I'm sorry, Doctor.
22:36he
22:36Bey's genius
22:39Not genius, then.
22:40A very satisfying artistic meal
22:42and satisfactory
22:43Fff commander
22:43In all cases
22:43Because you are seen
22:44He worked with
22:45I mean, I'll work
22:45I worked halfway through the meeting.
22:47Cheap collection
22:48Yes
22:49Okay
22:49And he worked, ah ah
22:51Al-Saidi
22:52The night and its end
22:53The ignorant Saidi
22:54In terrible
22:55Grilled need
22:56Something else
22:57It means that 세상
22:59This is an honor
23:00Madiha Abdel Zaher Mohamed Abdullah, 12 years old, from the governorate of Mafrouha
23:19A lawyer at the Egyptian company that was established
23:23I kidnapped Taddy
23:25Man, Sarah
23:26Mom, something must have happened to her.
23:27I seek refuge in God, for God is the only one who would say such a thing.
23:29What's wrong with everyone responding like that, Grandma?
23:31What's up, Tami's bell?
23:33She doesn't reply
23:34I don't know what's going on.
23:35Okay, put on headphones so if you call us, the phone won't be busy.
23:38I don't know what kind of nonsense she was reading last night.
23:40My name is Hattan Al-Samaa
23:42Hello
23:43Hello, the house of Al-Sitzamah, this is Abdul Zahir
23:45yeah
23:46Who are you
23:47Who warned you?
23:48I am Captain Adel from the Matrouh police station.
23:50Why is it called that?
23:51What's wrong, Dad?
23:52What's her name?
23:53What?
23:54I'll ask now.
23:55Yes
23:56Why did Rajih, the character, tell me what he knows about
24:00You said you wanted to know the story, how you transform
24:04From half of Rabail, the doctor, as you said
24:07For the Upper Egyptian who lives without knowing how the thing works
24:11You said his personality has three more features
24:14realistic character
24:16realistic psychological personality
24:18You can use the psychological dimension of the personality to overshadow all other aspects.
24:23Yes?
24:24The psychological aspect then takes over all other aspects.
24:37Oh
24:38I am anonymous
24:42Oh God, I'm on the left so we don't get late when you come back again.
24:45By Abdul Rahman
24:47for him?
24:48So he can come with us, we won't go alone, or I'll call Uncle Sharaf.
24:51Don't ask anyone, your uncle Sharaf isn't well-off and his son won't come with you.
24:55Why? Because Dad and I wanted to marry Mom, so I'll talk to them and let them relax.
24:59Hello
25:01Hey, Saad, can I talk to Abdul Rahman?
25:05Why do you want Abdul Rahman?
25:06Want to come with us to Burj Al Arab?
25:07Abdul Rahman is not here; he went out with his brother.
25:09Why do you want him to go with you to Burj Al Arab?
25:11Why do you want him to go with you to Burj Al Arab?
25:13Mom had an accident
25:14How did the incident happen?
25:15Okay, Mersit, you're welcome, bye bye
25:17When he gets angry, let him reach you.
25:19pleasant
25:21Oh Sarah
25:22Professor Suleiman Al-Qadr, the company president or manager, and Professor Muhammad Shaker, the director, insisted that I work as a processor, and I was actually doing it well, but I had cut corners as a writer.
25:36As a writer, that's it, I don't want to anymore.
25:38Okay, and then number two, this role is similar to Hamam's.
25:42It means Upper Egyptian, oh yes
25:44That's it, I have to withdraw and become a writer because I found myself a writer who has become a household name.
25:49After Herz Jay, but yes, I'm Herz Jay. I established myself as a writer, but no, no, no, he introduced me to the real intellectuals, and they acknowledged that he was a writer, yes.
26:00Listen, son, yes, go now and catch my inspiration before it slips your mind. Why? What's wrong, Dad? God willing, it's nothing serious. Catch it before it's gone one way or another.
26:09I want you two to have a good time before you leave. Come on, let's go to the annex. I'll bring Fawzi, and you bring Elhami.
26:16inside
26:21inside
26:23Inside the sweets shop in Giza Square, they sell cakes and pastries. I wanted to buy a pastry for my son Mohamed to celebrate his second birthday.
26:35The second one, yes
26:38I found two doors to the shop, one door like this, yes, the wide one like this, and another door like this, and between them was a small kiosk, a shop one meter by two meters.
26:48And the man is sitting there, facing the direction of the water jug, making honey or something for the baby's first week celebration.
26:55So I asked the girl, "Do you have anything against me?"
26:58And you didn't buy the metric shop in Fentan
27:00Qayt La Fan Benhal Siflah
27:01We offered him fifty thousand pounds.
27:04Her soul is burning with anger or she's furious with this man.
27:08I don't go to the small shop
27:10Why did you call for it?
27:11for him?
27:12If the hypothetical "if" remained
27:14The Pasha's original dish was from back then.
27:17In the past, the Pasha brought a box with something planted in it when he returned from abroad
27:21When the revolution took place
27:23He put him in the shop and he's guarding the building.
27:26Are these the children of Adam?
27:28Is this a discovery of the sons of Adam?
27:31Jalal Ghoneim, may God have mercy on him, used to take the episodes for him, why?
27:34I am the greatest of directors, Jalal Ghoneim
27:36The sons of Adam worked for me, and Moses worked for me, the sons of Nunzain.
27:38He was the greatest of people
27:39He takes the episodes and tells me, Muhammad
27:43Every time he took a ring, he stripped it.
27:46I see the opening, and it is Egypt.
27:48Why, uncle? What's wrong?
27:49But the next episode will be just like it.
27:51Finished episodes
27:54And put her in the car that put us in the car
27:56And then
27:57I came to sleep, but I said no.
27:58Someone will break the car
28:00I wrote it in her own handwriting, not a copy.
28:02And he breaks and takes the smooth
28:04I will give up
28:05I will give up
28:06Jaibi Al-Halqas
28:07She placed it in the living room on the yellow traps
28:09there
28:10no
28:12no
28:25Silence
28:26Silence
28:27Silence
28:28I'm here
28:30Welcome, my inspiration.
28:31Please go ahead
28:32Please go ahead
28:38Look out, O Aman
28:39Look out, O Aman
28:52Oh, Dad!
28:54Ebtisam, we were just about to put on our lunch and eat lunch
28:57Please go ahead
28:59Thank God
29:00Come on, Ibtisam
29:01Yes, Fawzi
29:02Throwing clothes
29:04No, Dad
29:06Ibtisam, please let's make a rabbit pot from a week old and put it in the cooler, and every day she pulls it.
29:11Everything is fine, Fawzi
29:13Satisfaction, my son
29:14Hello
29:15Thank God, there's nothing to say.
29:17What's wrong, Ebtisam?
29:19Oh, how our Lord, the Almighty, will honor this man at the end of his life!
29:23Honoring
29:24The Great Year of the Series
29:25Glory be to God, this is it
29:27And by the way
29:28I monitored my father's translation after I wrote
29:32In this character
29:33I discovered that we wrote "My father, may God have mercy on him, Husseini" for me
29:35When the sons of Adam finished writing
29:37episodes
29:38And I discovered that we had spotted my father
29:40With the same words, even
29:41He treated us the same way.
29:43In the same
29:45I say to you, rich people of the world
29:47Or didn't I tell you, like Adam?
29:49But now Adam is contemplating this
29:51And I hope for the story of my father, may God have mercy on him
29:53He insisted that he was teaching his children well
29:55And he is the one who brings forth wisdom
29:56And at his expense
29:57cattle
29:58My father was an enlightened man.
30:00or
30:02Uncle Adam was the same
30:04cattle
30:06All the Egyptians said it's not a bad thing
30:09If he sensed that my eyes were on her
30:11He will strike them
30:13I don't like you, Sanasir
30:16Ha
30:17Not later
30:19Helghin is far, far away
30:20They're leaving, my dear
30:22I'm going to leave
30:23Didn't I tell you not to share the one next to him?
30:26Nor the one behind it when you hold it tightly
30:28I didn't hear anything
30:29What does that mean?
30:30We sit with the money
30:31Eat it, so-and-so
30:32And the fire does not spread in it.
30:34We saw another place
30:35no
30:36This is the strange thing
30:37And then there's something precious
30:39Against Eid, from everyone who knew us
30:41God
30:42What we have received
30:43And what will he say? Where did he get the money from?
30:46What if I don't smoke?
30:48What are you going to do?
30:49He will sell
30:50Even if Tom wore it
30:52And I let him turn
30:53He's looking for money
30:55To describe the courts
30:56I won't let him go
30:57What do you want?
30:58The dish is highlighted because it has salt added to it.
31:01Among his most prominent works that marked milestones
31:05In the history of Egyptian and Arab drama
31:08The man and the horse
31:09Starring the esteemed artist Mahmoud Morsi
31:12And the artist Huda Sultan
31:14And the children of Adam
31:15Which presented a profound human conflict between good and evil, and between what is permissible and what is forbidden.
31:20Help us in this matter by getting him released.
31:24We'll let him go, that means
31:26On bail
31:28Difficult
31:30Difficult
31:32The truth is, if he gets out, he'll be able to think clearly and reassess his situation.
31:38And we too will be able to think with him properly
31:41The foundation also needs to know that I also want to help him.
31:44I'm sure he's innocent.
31:47But Abu Boot stood in front of me
31:49He stood in front of him too
31:54This is my father, respect him
31:55Disrespectful son
31:57Let's leave the story about him being a disrespectful son for now.
32:00I'll talk to you about it later.
32:01The novelist is supposed to consider himself a novelist in the first place.
32:06It means no one could do that
32:08And as one of the elders said, meaning, if this man were writing his works, these would be novels.
32:13Nobel had been gone for a long time.
32:15Yes
32:16But not in the convincing
32:18In your mind, you are
32:20You do what you love
32:22but
32:23And honestly, I don't really like it that much either.
32:26She took me
32:28TV drama captivated me
32:30Firstly, because of its fame
32:31Two, for its comprehensiveness and generality
32:34Three for its financial return
32:37Because I will give another good sermon
32:39I mean, I could have been a good and decent person, and my work was in his office.
32:52Oh Real Madrid
32:53Do you need anything, Syria?
32:59May I ask why you are here?
33:03I wanted to talk to you about something important, Ferial.
33:06Firstly, my name is Professor Ferial
33:09Don't forget that I'm studying at university.
33:12And the people I teach include girls your age.
33:15I have a master's degree and I'm working on my doctorate.
33:17Yes, just as you remember, that's all, Ms. Ferial.
33:21You have to remember that Farid who came back is your brother.
33:24And Joseph, who is sleeping inside, is his son.
33:27And if I didn't do anything for you
33:29So you could be upset with me all these years
33:31I don't have time to be upset with anyone.
33:34Your brother has endured a lot, Ferial
33:36We don't have to worry about them
33:39Farid is my brother.
33:41Not you, my brother, you, Syria Hanem
33:44And do you think that after Farid became one of us
33:46We can live together like this
33:48And who told you that we're going to live together?
33:50Reassure me
33:51I'll leave it to you and the professor so you can relax.
33:54Close the door behind you because I have work to do.
33:57It could have been a good omen for me first
34:07And the good word is for my colleague, Professor Ahmed Badir
34:10I don't know whether to tell you the story of Harras Jay or this exile.
34:15I wrote to him, "Harras Jay or this exile, no," just to entertain myself.
34:19It means I'm just passing the time or doing nothing after I've been through it.
34:23I'm at work and I don't know what to do, so some friends gave me some advice.
34:28They asked me what to write, so I wrote "television" because it might be a bit of a visual medium.
34:33So, the alienation became Harras Jay's first work, and it was said that I was born a giant.
34:38He said that we are now considering the limit, and he believes I didn't say the distance.
34:43I know the nanny who spoke to you
34:45And he knows how
34:47Our determination to use the air button
34:49Be careful not to miss the meat, you Janawi
34:53Even if he knew
34:55We'll find out how to shut him up
34:57They are their tormentors
34:59They are their tormentors
35:00You didn't see me on your day
35:02It's so we can be very clear.
35:05Screenwriting is a craft
35:07It means learning to study at institutes, for example, teaching arts.
35:12If you go to the film institute here, you'll find a screenwriting department.
35:16Meaning the scenario teaches and studies
35:19But writing a story, or a storyteller, or a writer
35:24He cannot learn how to write a story
35:27There cannot be a science called the science of teaching narration.
35:31Good people
35:32And you are well, Umm Azazi
35:34What time is it? Where are you, Ammar?
35:36He's going to bring me and Shmandi breakfast from home.
35:39He replies, "He and Shamandi, let's go!"
35:41No, I'll have breakfast with them here.
35:43With breakfast from you too
35:45It won't be the first day of Ramadan
35:48Hajj, I made this phone especially for you
35:50So I don't forget to take you in my arms
35:52And whoever wants to, let them not eat breakfast, and let us eat breakfast too.
35:54Let's go
35:55By God, I was defeated by your father, Haj.
35:58I don't know how I'll ever repay the kindness of a lifetime.
36:02Beautiful, Umm Azazi
36:04Come have breakfast with us, and enjoy the quality we offer!
36:07Generosity is not measured by money or fine clothes.
36:12Okay, go on.
36:15Did Ibn Arus preserve this or not?
36:17Generosity is not measured by money or fine clothes.
36:22This is the nature of a person who is easily swayed by money and nothing else.
36:28That's right, Uncle Azazi.
36:31Yes, yes, my son
36:35I have given up on cinema
36:37Because of the film "The Birth"
36:39Do you remember the movie "Al-Mawlid"?
36:41Remember the movie "The Birth"
36:42for him?
36:43Because I'm not a supplier, no, you're the one saying that.
36:45It's not possible, no
36:46Unified, other than us, they didn't exclude anyone else.
36:48Ha, I'm the one who changed my ways.
36:50for him?
36:51Do you still have the liquor stores there?
36:52These contracts involved money that was paid and photographed
36:56And the man and the one who's been with me is my friend.
36:58The story, the novel, and so on.
37:00Halghaya asked him why he said to her, "Oh Jalal."
37:03No, and the Imam doesn't follow up on that.
37:05No, sir, the Imam has returned.
37:06correct
37:07I am aiming
37:08correct
37:09I want to make a film with the top star.
37:11Yes, of course
37:12So I wrote him a story
37:13No, and the birth is an epic work.
37:14Or very beautiful
37:15To the end
37:16But it was a business
37:18I know he wants to bring in the fans
37:20Aref
37:21Nawi
37:22It means he's not infected, Nunu Sin
37:23So, you changed the ending of the film "Al-Mawlid"?
37:25Despite
37:26With my hands
37:27Or against your convictions
37:29Or completely
37:30And that's why I retired from cinema.
37:31I was impressed by the film "Al-Mawlid"
37:33His father is gone
37:34Above Tabtah
37:35Not yet, time
37:36How can someone be killed for causing his father's death?
37:39And then someone speeds up, even though he doesn't have the money.
37:41And the man dies in it
37:42And then he makes a papaya for people, prefers something, and walks on the vehicle with his girlfriend.
37:45The one who was supposed to be his sister
37:46What's up, man?
37:57Oh chastity
37:59Why don't you cover yourself up now?
38:01Huh?
38:03Oh God, take me, Hashton
38:06No, keep speeding
38:07Don't you have anything to eat?
38:16We have nothing to eat
38:18Money exchange?
38:19We don't have money
38:20So they made us tea.
38:23Huh?
38:25Jad'a Afaf
38:26strong guy
38:27Listen to what I'm saying
38:29Okay, please bring it here, Douba?
38:31No, not until we see first who's going to make our tea.
38:34And who's going to do the laundry?
38:35And who will publish them?
38:36And who will publish them?
38:37Huh?
38:39And find me something for the basbousa
38:41I'll take off that thing and give you money
38:59Did six of His Excellencies the Sugar?
39:01yeah
39:02Jad
39:04My brother, my chastity
39:09Did they receive it?
39:10They didn't study Mandi
39:11What time is there for me?
39:12Those who scared my eyes
39:13Are you being criticized?
39:15You are truly suffering
39:17Oh, throw
39:19I'll send you a guide
39:21Okay, that's enough work so you can enjoy yourselves.
39:22Dear viewers, we hope you enjoyed what we presented.
39:26Regards from the program team
39:29music
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39:58Translator for the channel
40:28Translator for the channel
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