ππ₯π₯ FULL MOVIES ENGLISH SUB (2025) - FULL | Reelshort
#drama #cdrama #romantic #love #movie #shortdrama
#drama #cdrama #romantic #love #movie #shortdrama
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Short filmTranscript
00:00Congratulations to Dorothy for winning the best original screenplay at the Rising Star
00:17Media Awards.
00:19You did it.
00:20Three years ago, I was the most sought after screenwriter.
00:26Three years later, I fell in love with Drake.
00:30Keeping my identity a secret for the sake of his pride.
00:33I thought we were happy until...
00:39Hi.
00:46Where the hell have you been?
00:48I told you that Stephanie was coming to help set up for my brother's birthday, and instead
00:52of helping us, he just disappeared.
00:54What, did you bail so you could go and laze around or something?
00:57You know, people say that the only reason you're allowed to stay by Drake's side is because
01:01you're nothing more than a free maid.
01:04Otherwise, why would someone like you be allowed to marry my brother?
01:08What?
01:09A maid?
01:10I just hid my identity for the sake of this marriage.
01:14Well, I think Drake's idea is great, and it could be really good for us.
01:18But the risk is way too high.
01:23Dad.
01:24Please.
01:27Okay.
01:28And I'm sure you don't want him to know the real reason why I'm a person.
01:32Think about it, Dorothy.
01:38So if you got married, have he ever even touched you?
01:40How often does he actually come home?
01:43He doesn't even want to look at you.
01:45Let her sleep with you.
01:47That's enough, Ellie.
01:49We're all here to celebrate Drake's birthday.
01:51I'm sure he wouldn't be happy to see us like this.
01:53Everybody knows that if it weren't for her, you would be married to Drake instead of being my late brother's widow.
01:59Ellie!
02:00Whatever happened between me and Drake is all in the past.
02:03Besides, I'm carrying Nick's baby.
02:09It's the perfect time.
02:13Oh my God!
02:15Dorothy just pushed Stephanie into the pool!
02:17What?
02:23She's carrying Nick's baby!
02:30Quick, get in there!
02:44He chose Stephanie over me.
02:50My baby!
02:51My baby is gone!
02:53Why would you do this to me?
02:57How dare you!
02:58You pushed Stephanie into the pool to try and kill her and her unborn baby.
03:02Are you happy now that Stephanie's baby's gone?
03:04I didn't do it!
03:06I know you don't want me here!
03:07I told you whatever happened between me and Drake is in the past.
03:11You can hate me however you want to, but how could you be so cruel as to kill my unborn child?
03:15I didn't do it.
03:16You know me, I would never do that to Stephanie.
03:20Apologize to Stephanie.
03:21I'm not going to apologize for something I didn't do.
03:24Apologize to Stephanie right now or I will divorce you.
03:34Divorce?
03:34If you apologize right now, then I'm willing to give you another chance.
03:40It's been three years, Drake.
03:46I gave up everything to be your wife.
03:49I've always kept to the shadows, Dorothy.
03:52I already have a life, and right now I just want to focus on being on my marriage or Drake.
04:00I thought you would always be by my side, but I was wrong.
04:04The only reason you're allowed to stay by Drake's side is because you're nothing more than a free maid.
04:09And since you got married, has he ever even touched you?
04:12He doesn't even want to look at you.
04:14Fine.
04:17Let's get a divorce.
04:27There's nothing left in my heart.
04:30Drake's nothing without me.
04:31My ring!
04:36My ring is gone!
04:38Well, you must have taken it.
04:40Why would I take her ring?
04:41Well, look how quickly you packed your suitcase.
04:43You're probably seeing someone else.
04:45Dorothy.
04:46We were married for three years.
04:50Were you seeing someone else?
04:52Of course she was.
04:53She'd probably been cheating on you for a really long time.
04:55Couldn't wait for the divorce.
04:58So what if I was, huh?
05:00And what about you?
05:01Still hung up on your so-called sister-in-law?
05:04What gives you the right to talk about me?
05:06I only look after Stephanie because she's my brother's widow.
05:10But you actually seeing someone else?
05:12Who is he?
05:13Big talk!
05:13Don't bring me down to your level.
05:17I'm not like you.
05:19Since your sister-in-law lost her ring,
05:24why don't you take...
05:27this one?
05:34You've been waiting for this for a long time, haven't you?
05:41Bye.
05:43And so I left.
05:52This is ridiculous!
05:55We, the Bennett family, are one of the four major production companies in the world.
05:59I let him marry my daughter and even invest it in his business.
06:03How dare that Drake do this to my daughter!
06:05Look, it's actually good from dad.
06:11Now we know who he really is and he has no idea who I am.
06:15Still, you're my daughter.
06:17I can't let him do this to you.
06:19If it weren't for you, I would not have considered investing in his company.
06:22We're going to pull our investment immediately.
06:24Yes, it's time to cut him off.
06:27He doesn't deserve you.
06:28I'm over Drake.
06:30If we withdraw the plans now, it's going to hurt the family business.
06:35Isn't it worth it?
06:38Honey, why didn't you just take a vacation?
06:43Or just put all this aside and take some time out for yourself?
06:47Yeah.
06:47I've wasted too much time with Drake over the three years.
06:58You know, now I want to focus on something that actually matters.
07:03You know, Christopher has been saying that many people want to buy the movie rights to Liar's Game.
07:08Universal, Paramount, every major studio wants this.
07:15Liar's Game.
07:16Your story on the big screen.
07:19If you're in, I'd be happy to be the one headlining it.
07:21Oh, so that's why they're making it.
07:24Because of you.
07:25I'm sorry, Christopher Santoro.
07:27See, they're not funding the film.
07:30They're funding you.
07:31Wrong.
07:33They're funding the story.
07:34It's more than good.
07:36It's phenomenal.
07:38Christopher is right.
07:40I'm taking my life back.
07:46I'm going to adopt it myself.
07:49You are?
07:50Yes.
07:51I will.
07:53Good for you.
07:55I won't tell anyone I'm asking you.
07:57Congratulations to Aria Wong for winning the best director.
08:10This is my close friend from college.
08:18Aria, I need your help.
08:20I want to adopt the Liar's Game myself.
08:22And I want you to direct it.
08:24Of course.
08:27All right.
08:27Okay.
08:29There's just one thing.
08:30I want to keep my identity as the writer a secret.
08:34I don't want anyone to know.
08:37Especially not the team.
08:38SQ.
08:39Are you sure?
08:40But why keep it a secret?
08:41I just want people to focus on the story itself.
08:45Got it.
08:46Your secret's safe with me.
08:47Hey.
08:49Why not?
08:50Dave, it's a bit weird.
08:57Ever since news got out about our movie, my phone has not stopped ringing.
09:01Really?
09:08It's Stephanie.
09:13Yeah, just take it.
09:18Hello?
09:19Hello, Miss Wong.
09:20I've heard Liar's Game is being made into a movie.
09:22I'm interested in playing the lead.
09:24Can we arrange an audition?
09:28I'll speak to the writer and I'll let you know.
09:31Thank you, Miss Wong.
09:34What do you think?
09:37Anyone can audition, right?
09:39As long as they're right for the role.
09:42What happened between me and Stephanie is not important here, so...
09:47Okay.
09:47I'll call her back and let her know.
09:50Mm-hmm.
10:00What about me?
10:03Can I be your hero?
10:04Oh, you mean, uh, a film, right?
10:13I...
10:13I've never considered anyone else.
10:19I have to take this.
10:21Hi.
10:21You know, I'm not just talking about the film, Dorothy.
10:31It's okay.
10:33I can wait.
10:35Waited this long.
10:36Well, well, well, well, look who it is.
10:47Why are you here?
10:49Oh, I see.
10:50You're the production assistant.
10:52Well, do your job.
10:55Get me a water.
10:55I'm not your P.A.
10:57I'm not your P.A.
10:58Stephanie.
11:00Get you on water.
11:01I'm not your P.A.
11:03Look.
11:04It's my first day on set, and I want to buy coffee for the crew.
11:08Why don't you be a doll and mark down everyone's order?
11:11Are you deaf?
11:13I'm not a P.A.
11:16Here's your tip.
11:17Go on.
11:19Show some respect, Stephanie.
11:20Do you know who she is?
11:25What were you doing?
11:27Oh, no.
11:28She can't know I'm asking you.
11:32I want to keep my identity as the writer in a secret.
11:35I don't want anyone to know, especially not the team.
11:42What do you mean?
11:44Who is she?
11:47No one but a lower P.A., I'm sure.
11:50Isn't that right?
11:54Well, actually, she's...
11:56She's just a P.A.
12:01You're right.
12:03So why don't you show me a lower P.A., your acting skills?
12:08Maybe I'll be impressed even by who the coffee's myself.
12:11Watch this.
12:17I loved you once.
12:19Or so I thought.
12:23But now I see that it was all just a lie.
12:26A beautiful...
12:29Painful lie.
12:31You took everything from me.
12:38My dreams.
12:40I hate you.
12:45See?
12:46There's no soul.
12:47That's not acting.
12:49It's just...
12:49reciting lines.
12:52Why don't you show her how it's done?
12:54What?
12:55Go on.
12:56I loved you once.
13:22So I thought.
13:28But now I can see...
13:29It was all a lie.
13:32A beautiful, painful lie.
13:36You took everything from me.
13:39My heart.
13:43My dreams.
13:46My future.
13:48And for what?
13:51For your own personal gains.
13:54How is that possible?
14:06Dorothy, that was perfect.
14:09The role is yours if you want it.
14:12No!
14:13This role is mine!
14:16I forgot with the investment.
14:18Without me, there's no funding for this movie.
14:20Your investment?
14:21Do you even know who she is?
14:24Who is she?
14:30Who is she?
14:31As you know, no one but a PA.
14:35Dorothy, this movie is important to Stephanie.
14:38I mean, why are you here?
14:39You're not a real actress.
14:41What are you doing?
14:41You're trying to ruin her career.
14:42You're trying to get back at me by ruining her career.
14:44I'm not ruining anything.
14:46If she can't handle the role, that's on her, not me.
14:50You can't blame this on anyone else.
14:52You embarrassed her in front of everyone.
14:55I mean, I know what you're doing.
14:56You're the one pulling all the strings here.
14:58You're trying to make her fail so you can take her place.
15:00She's using this whole thing to get to you, Drake.
15:03She's been jealous from the start.
15:04Trying to ruin my chances to get back to you.
15:07Okay, no.
15:08I don't want to fight anymore.
15:09Well, let's just take a look at this script and maybe we can work something out.
15:13And you were just so damn selfish!
15:17You already care about yourself.
15:19Just give Stephanie her role back.
15:21You know what?
15:23I don't want to do this.
15:25But I will.
15:27I'll take the role.
15:28I'll play the lead.
15:30I'll play the lead.
15:34No way!
15:35You can't be serious!
15:36She's not even a real actress!
15:41Dorothy's performance was far stronger than yours.
15:43Everyone in the room can see it.
15:47I'm so glad you've agreed to do the role.
15:52Right, it's settled then.
15:53The lead roles go to Christopher and Dorothy.
15:57I will double my investment if you give Stephanie a role.
16:03I never thought I'd see the day my ex-husband would go this far for his sister-in-law.
16:12I can always count on you, right?
16:14I will double my investment if you give a role to Stephanie.
16:22You two are just such-
16:24You two are just such-
16:27Okay, look.
16:29If the money's on the table, there's no reason to turn it down.
16:32Let's just give her a part.
16:34We have nothing to lose.
16:35I guess that'll be fine.
16:39I'll talk to SQ.
16:45Your father's production company is already the biggest investor in your movie.
16:49So why take Drake's money?
16:50You don't still have feelings for Drake.
16:53No!
16:54He's an asshole!
16:55Come on.
16:56I've got an idea.
16:57Why don't we just give her a character?
16:58That'll make her miserable.
16:59Wow, Mr. Sontaro.
17:00I feel bad now.
17:01I only wish you didn't have feelings for Drake anymore.
17:02How did she land us in the room?
17:03No!
17:04No!
17:05No!
17:06No!
17:07No!
17:08No!
17:09No!
17:10No!
17:11No!
17:12No!
17:13No!
17:14No!
17:15No!
17:16No!
17:17No!
17:18No!
17:19No!
17:20No!
17:21No!
17:22No!
17:23No, so yeah!
17:24You earn yourself the role.
17:25She's practically a nobody, more fanbase and a real experience!
17:28That's one good scene!
17:30That makes sense.
17:33Find out everything you can about Dorothy.
17:36I want all the dirt!
17:44Director!
17:45There must be a mistake.
17:46I'm only a side character and not even in the main scene!
17:50You wanted a role, we gave you a role.
17:52a role i came in with an investment you're more than welcome to take it back and leave the set
18:02even a small role in sq's film is going to do great things for your career now is not
18:06the time for you to be messing around fine
18:17two take one action
18:19lily you are my best friend how could you do this to me i'm sorry but this is
18:26what the hell are you doing it's part of the scene
18:34okay take it again from the slap action
18:42cut stephanie why aren't you saying your lines you have to keep going in the scene
18:49i think you've had enough for today we'll just try again tomorrow
18:59did you see her face
19:01absolute gold i mean she got what she wanted she asked for a role and that's what we gave her so
19:08seriously her performance is all over the place maybe we should just
19:13cut down on her screen time we all know the film's better without her slowing us down
19:19you're right i'm not gonna let anyone ruin your story
19:23what's going on with my scenes why have so many of them been cut it's a collective decision
19:45that let me talk to the writer the writer is sq and as you know they never show their face so their
19:53decision is final
19:54i'll see you on set in five
20:11now it all makes sense
20:12that's the head of the production company
20:23no wonder she got the role let's see how john's wife feels about that
20:28everyone i have an announcement to make today will be stephanie's last day on set
20:47you really think i don't see through your little gaze somebody will be walking out that door today
20:53but it won't be me you really think you can get away with this sleeping your way up
21:03john's wife is on her way let's see how you talk your way out of this one slut
21:12that's enough
21:17so were you the one who was stalking and secretly taking photos what scared the truth is going to
21:22come out someone had to expose her for who she really is
21:26so you admitted you did it damn right i did and i'd do it again if i had to
21:34you don't know who you just cross oh i know just some rich old bastard throwing a tantrum
21:41i sent those photos to your wife too and now your mistress is about to be exposed
21:45yeah security stephanie is banned from the studio make sure she never sets foot here again
21:53you can't just do that oh this is insane what i have right i was only telling you the truth she is a
22:00mistress a loose woman a lady of the night
22:03is it true that dorothy is john sugar baby otherwise why would he come onto the set and
22:15get me banned from the movie that's unbelievable and he humiliated me he had me dragged off the
22:21set like a criminal you should have seen it i'm not gonna let her just ruin her reputation like this
22:28i mean this whole message is making us look like fools
22:33dorothy's always been trouble i mean first she goes off with a married man and now this
22:39i don't know how you put up with her for three years you should have got a divorce earlier
22:45stephanie are you 100 sure that dorothy is john's sugar baby it's the only explanation she's
22:52clearly nothing but a slut oh drake stephanie is your sister-in-law now you need to take care of
23:01her and forget about dorothy can't you see she's the one behind all of this she was sleeping her way
23:08to the top killing stephanie's unborn child and john dragging her off the set you should be sticking up
23:15for stephanie i'm not gonna let her do this to you
23:36do you think you can just walk away from what you did like nothing happened
23:39i didn't walk away from anything you did you chose stephanie over me remember this one
23:44oh she's my sister-in-law she's so sick of hearing this you have feelings for her and i'm just tired
23:52of it you're out of your mind if you think i'm gonna let you get away with this
23:56you do what you want to do for now get out why
24:01we were married for three years
24:08we'll never
24:21no wonder you want me to go
24:24just look at yourself you're not half the man christopher is
24:29guys get out or i won't call the cops just go
24:44are you okay
24:50dorothy remember safety first the lifeguard's right there if you need him
24:57okay anything you need to let the ad know okay got it got it
25:12here's a coffee for you thank you it's still early before the shoot take your time
25:27so
25:34so
25:40so
25:48Something's wrong.
26:13That's not acting.
26:15She's in trouble.
26:18Where's the left guard?
26:27Where's the left guard?
26:28Where's the left guard?
26:28Where the fuck is the left guard?
26:50Come on, Dorothy.
27:00Why did you do that?
27:24I'll do anything for you, Dorothy.
27:31Christopher risked everything without hesitation.
27:35How could I have been so blind?
27:54I wasn't expecting that.
28:09Where were you?
28:10Dorothy could have drowned.
28:11I'm sorry.
28:12I had a stomachache.
28:13I had to look at her back.
28:14Make sure it doesn't happen again.
28:15Do you think that I should call Dorothy just to make sure she's okay?
28:24Are you still hung up on her?
28:27No.
28:29It's not like that.
28:30I'm just trying to be helpful.
28:31Don't you remember, Drake?
28:32She's the one who had me kicked out of the movie.
28:37She's the one who killed my baby.
28:39Not just my baby, but Nick's baby.
28:41I know I'm just my sister-in-law.
28:44Whatever happened between us in the past, but I have no one now.
28:49No husband.
28:50No baby.
28:53I have left just you.
28:56You've seen through Dorothy yet.
28:59She's nothing but a slut sleeping away from the top.
29:01You don't know that.
29:04You know I'm right.
29:06Why else would John come onto the set and stand up for her?
29:09Not just John, but Christopher too.
29:10She's sleeping around with anyone she can find.
29:13She's a whore.
29:13Shut up!
29:23You want war?
29:26I'll give you war.
29:31Do it.
29:33And make sure Dorothy feels every bit of it.
29:40Breaking news.
29:41Unknown actress seduces Hollywood heartthrob.
29:44Rising star or opportunist.
29:47Actress Dorothy's shocking affair with Christopher.
29:50Christopher's new flame for a heartless gold digger.
29:52Dorothy!
29:54Liar!
29:54Hey, Ben!
29:58This is getting out of hand.
30:00Maybe we should just reveal her real identity.
30:03Let everyone know she's not just some random actress.
30:10Christopher, no.
30:11Dorothy, once we tell them who you are, there's no reason for them to attack you.
30:14There's someone behind us.
30:16And whoever they are, I'll make them here.
30:26Fuck off.
30:33This just can't be right.
30:34I die in the second scene.
30:41This must be Dorothy and John forcing S.Q. to cut me out.
30:45They won't get away with this.
30:52Drake, can you believe this?
30:54They've completely written me out of the script.
30:56Do you remember when Nick was lying in that hospital bed?
30:59You promised him you'd look after me.
31:01I've already lost my husband and my baby.
31:04I can't lose my career, too.
31:06Don't worry.
31:07I'll get you your character back.
31:26There's a tape of a documentary that apparently S.Q. has always wanted.
31:29So, if we win this bid and we gift it to them,
31:33we should be able to get you your role back.
31:38Up next, a rare gem.
31:41The original film documentary chronicling the creative journey of none other than herself,
31:46legendary screenwriter Margaret Lane.
31:4950,000.
31:52What's she doing here?
31:53I don't know.
31:57I'm not going to let her win this.
31:5960,000.
32:0470,000.
32:07100,000.
32:08This is my grandmother's documentary.
32:13It's her legacy.
32:15She's the one who inspired me to become a screenwriter.
32:18I can't let it fall into the wrong hands.
32:22500,000.
32:23500,000.
32:27500,000.
32:28500,000.
32:30500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:32500,000.
32:38500,000.
32:59500,000.
33:00Do you want to get you your role back?
33:02Don't worry.
33:04I've got it covered.
33:05Ladies and gentlemen, we are down to the final bid, standing at a whopping $500,000.
33:13$500,000 going once, $500,000 going twice.
33:19Sold to the lady in the blue dress.
33:29I can't believe this.
33:31You have no right to take that film reel with you.
33:39You have no right to take that film reel with you.
33:44What's going on?
33:51Ladies and gentlemen, I've just been informed that Miss Dorothy is in fact not an invited guest.
33:58Therefore, as per our rules, this documentary reel will not be released to Miss Dorothy.
34:05This is ridiculous.
34:06I was invited.
34:07Well, in that case, may I see your invitation?
34:16I did have it, I swear.
34:18I'm sorry, Miss Dorothy.
34:19If you do not have the invitation at hand, the documentary reel has to go to the second highest bidder.
34:24This is the protocol.
34:25Oh, you don't understand, do you?
34:27I'm sorry.
34:27I'm sorry, these are the rules.
34:48The documentary reel will go to the honourable couple.
35:10Stephanie, wait.
35:12Just sell it to me.
35:14Name your price.
35:15I'll pay you anything you want.
35:17It's really important to me, please.
35:18Why are you doing this?
35:21Are you just trying to get my attention by going after something that Stephanie wants?
35:25No, you don't understand.
35:27Just let me buy this.
35:30Whatever it takes.
35:32Dorothy.
35:33You think this is about money?
35:36Please.
35:36This isn't something you can just buy.
35:39Dorothy, what the hell are you doing?
35:42Why do you always have to go against her like that?
35:44This reel is important to Stephanie.
35:46She can use this to help her career.
35:47Is this about your role being cut right there?
35:54Is that why you're doing this?
35:58I'm the writer.
35:59Can you fix this?
36:01Can you write the story and bring your character back?
36:03Just let me have the real things.
36:07You're the writer.
36:08Are you telling me that you're SQ?
36:15You.
36:15The writer SQ.
36:17Can you give us a break?
36:18Look.
36:19This reel is important to Stephanie.
36:22End it.
36:23Don't make this harder than it has to be.
36:26You've been with Dorothy for so long.
36:28And you don't even know her.
36:29Oh, and you do.
36:31A hell of a lot more than you.
36:32What the fuck do you think you are?
36:33Both of you, come down.
36:36Scratched all over.
36:50It's ruined.
36:51Not even fit to be a gift anymore.
36:52I can fix this.
36:55Stephanie, I know someone who can restore it.
36:56Just sell it to me, please.
36:57Just name your price.
37:01Even if I had no use for it,
37:03I'd never give it to you.
37:04I want to be a writer like you, Grandma.
37:34I want to make movies like you do.
37:38This reel has more than pictures and sound on it.
37:43Really?
37:43An entire world I've captured.
37:46But it's just one way of seeing things.
37:49The magic is creating it yourself.
37:53Someday you will.
37:54Dorothy, I need you to go apologize to Stephanie
38:09and give her her role back.
38:12Apologize?
38:12To her?
38:14She destroyed the reel.
38:15And she wouldn't have done that
38:16if you hadn't pushed her.
38:17So go apologize or I'm pulling my funding.
38:25Look, Dorothy, let's be real here.
38:29Without Stephanie,
38:31where is going to be best?
38:33Even the production company will pull out
38:34if they hear that she's not involved anymore.
38:36Her name carries weight.
38:38Let's not pretend that your reputation
38:39is exactly stellar right now.
38:41Christopher's fans hate you.
38:43Stephanie's fans hate you.
38:45Even if you actually make this film,
38:47no one's going to support you.
38:49You will be buried.
38:52But if you apologize to Stephanie now,
38:56I can help you.
38:58I can control the press.
39:00I can control the narrative.
39:02I can actually give you a chance.
39:03What's so funny?
39:10What's so funny?
39:12Pull your funding.
39:13Do it.
39:15You'll see it does nothing for the movie.
39:17Okay.
39:18So what if I tell the production head
39:19to pull his funding too?
39:22Didn't I tell you that I know Mr. Bennett?
39:24Oh.
39:25Go ahead.
39:27Quiet.
39:27You want me to call?
39:29Mm-hmm.
39:30Fine.
39:33Hi, Mr. Bennett.
39:36It's Drake.
39:37Drake Moss Butcher.
39:39Yeah, I'm pulling my funding from Liars Game
39:40and I suggest that you do the same thing.
39:42I've seen it and it's a sinking ship.
39:46You're pulling out?
39:47Great.
39:48I'll take full control of the investment.
39:50Not a problem.
39:57So you sat with him.
40:01That's why he's supporting you, isn't it?
40:02Is this how you see me?
40:07The type of woman who would use her body
40:08to get what she wants?
40:09What other explanation do you have?
40:12You know nothing about Dorothy.
40:18Apologize to Stephanie.
40:19Cut ties with Mr. Bennett and end this.
40:21Dorothy, come back to me.
40:22Whatever he's offering you, I'll match it.
40:24I'll double it.
40:25You must be out of your fucking mind.
40:28What makes you think
40:29I would ever go back
40:31to that living hell?
40:32Living hell?
40:33You heard me.
40:34Being married to you
40:35was a fucking nightmare.
40:38You made me believe
40:39you loved me.
40:41And then you had me waiting in vain
40:43for three years, Drake.
40:45You said you'd always protect me
40:47but then when I needed you the most
40:48you just turned your back on me.
40:52You chose your sister-in-law
40:53over your wife.
40:57I've had enough, Drake.
40:59You were my prison.
41:01So just go back
41:02to your precious Stephanie.
41:08Let's just go.
41:18Why are you hurt?
41:19Are you okay?
41:20Okay.
41:23What are you, Steph?
41:28What are you doing?
41:28Well, you want me, don't you?
41:30Just kiss me.
41:31I'm all yours.
41:32Steph!
41:33You're Nick's wife.
41:34I've always thought of you
41:34like a sister.
41:36Sister?
41:38Funny.
41:39Don't you remember
41:40when you came to me
41:41the night Nick and I got married?
41:42Don't you remember
41:43what you said?
41:45Remember this?
41:46Yeah.
41:47Why not marry Stephanie?
41:49God.
41:50You were practically
41:51begging me not to marry Nick.
41:52No, I shouldn't have heard that.
41:53I shouldn't have heard that.
41:54I don't see it.
41:57What's that?
41:59Oh, it's nothing.
42:00No, what is that?
42:01No, Drake, no.
42:02Please.
42:04You lied about this.
42:09You lied about this.
42:13You said that Dorothy
42:14pushed you into the water,
42:16but this shows you
42:16shoving her in.
42:17It's a glitch.
42:20A glitch.
42:21So, do you actually
42:22expect me to believe that?
42:24What's this?
42:27Find pills
42:27off the black market?
42:30Tell them I hit your pregnancy.
42:33It's me.
42:33First time
42:34when you blamed Dorothy
42:35like some sort of scapegoat
42:36and she was innocent
42:37the whole time.
42:38Please, no,
42:39you have to believe me.
42:40I didn't...
42:41Do you know what?
42:41I've always thought
42:41of you like a sister.
42:43I've always taken care of you.
42:45I even thought
42:45that I loved you once,
42:46but that was before
42:46you were Nick's wife.
42:50You changed.
42:54You changed.
42:57You're not the person
42:57I thought you were.
42:58I only looked after you
43:02because I thought
43:02it was my duty
43:03as Nick's brother
43:03to look after his widow.
43:06I guess there's no need
43:08to look after you anymore.
43:09But what does that mean?
43:11You're just going to
43:12throw me away?
43:13I'm going to throw you away?
43:15But this is my house.
43:19I'm going to back.
43:19I hope you'll be gone.
43:21But you can't just
43:22walk away from me like that.
43:23I've said everything
43:24that I need to say.
43:25Now I'm going to go find
43:26the person that I actually
43:27care about.
43:28Dorothy, please.
43:58No.
44:00I was wrong.
44:03I misunderstood
44:04everything about you
44:05and about us.
44:09Can you please
44:10just hear me out?
44:12You think you can
44:13just come here
44:13and apologise?
44:15After everything?
44:17I didn't mean to hurt you.
44:20Look, I understand
44:20what I did,
44:21but it was just because
44:21it was definitely
44:22an alien.
44:23could you please
44:24just forgive me?
44:26I don't need
44:27your apology, Drake.
44:28You let me down.
44:30You abandoned me
44:31when I needed you
44:33the most.
44:35You used me,
44:37manipulated me,
44:38and now you beg
44:39for my forgiveness?
44:41Oh, God, please,
44:41just don't show me out.
44:42I can fix this.
44:44I can fix it.
44:45I can do anything,
44:46Dorothy, please.
44:47Just...
44:48No.
44:50You were never
44:51the person
44:52I thought you were.
44:53And I'm not either.
44:55I've moved on.
44:58I don't need you.
45:03Not like I used to.
45:04Just stay back.
45:07After everything.
45:08Yeah, that's it.
45:21I deserve
45:22my sadness.
45:34Before you all
45:50celebrate this movie,
45:51there's something
45:52you should know.
45:54Dorothy is nothing
45:55but a homewrecker.
45:56What's going on?
45:58A glorified mistress
45:59who's been playing
46:00the part of a wonderful
46:01actress when all
46:03she's really done
46:03is ruin lives.
46:07This is Trudorathy.
46:08Are you involved
46:08with a married man?
46:10What's your response
46:10to Stephanie's claim?
46:15This is ridiculous.
46:17Let's talk about
46:18how she got here.
46:19Shall we?
46:20She didn't get here
46:21off her talent.
46:22Oh, no.
46:23She got here
46:24by clinging
46:25to powerful men.
46:27No real experience.
46:29No skill.
46:30Just a man's name
46:31and a man's money.
46:33Security!
46:33Get her out of here.
46:34Wait.
46:35If she has something
46:36to say,
46:37let's hear it.
46:39Dorothy,
46:39it's a trap.
46:40I'm not afraid
46:41of the truth.
46:43Let's see what she's got.
46:48What's going on?
46:49So tell us, Dorothy.
46:51How did you get here?
46:53Did you use
46:54your relationship
46:54with John Bennett
46:55to land the part?
46:56You're the one who sent me
47:19this photo, right?
47:20How about you take
47:21another one?
47:22This time
47:23of my lovely family
47:24of three.
47:25Dorothy, Dorothy.
47:26Dorothy.
47:27Are you really
47:27John Bennett's daughter?
47:28Yes.
47:29I bet you never
47:30ask my last name.
47:31It's Bennett,
47:32by the way.
47:34So, Dorothy
47:35is the producer's
47:36daughter.
47:38Dorothy,
47:39so,
47:40did you use
47:40your father
47:40to get the part?
47:41So it's just
47:43nepotism,
47:44then?
47:49Well, even if she
47:50didn't fuck
47:50her way to the top,
47:51she still only got here
47:52through her connections.
47:53Whether you like it
47:54or not,
47:55my performance
47:55speaks for itself.
47:56And everyone here
47:57saw it.
47:58She was actually
47:59really good.
47:59Yeah, she handled
48:00the movies.
48:02Oh, are you saying
48:02that everyone here
48:03is wrong?
48:04You think you're
48:04so clever,
48:06don't you?
48:07Fine.
48:08You can act
48:08a little bit,
48:10but let's be real.
48:11You didn't land
48:12this role on your own.
48:13You just snapped
48:14your bony little fingers
48:15and let daddy
48:15give you a role.
48:16How else
48:17would a nobody
48:18like you
48:18have landed yourself
48:19the lead otherwise?
48:21Dorothy isn't
48:22just a nobody.
48:25She wrote
48:26Liar's Game.
48:28She is SQ.
48:33Dorothy is SQ.
48:35How can that
48:36be possible?
48:38Liar's Game
48:38is a masterpiece.
48:39There's no way
48:39you could have written it.
48:40You don't have to
48:41believe me.
48:42Just let the credit
48:43speak for itself.
48:48How can this be true?
48:55Dorothy Bennett,
48:56you're the daughter
48:56of the producer
48:57and the famous writer
48:58SQ.
48:59Why did you keep
48:59your identity
49:00a secret so long?
49:01Why did you keep
49:05your identity
49:05a secret so long?
49:06Stephanie Marsbecker,
49:07Linda Marsbecker
49:08and Ellie Marsbecker,
49:10I'm arresting you
49:10on suspicion of defamation.
49:12No, no, no,
49:12I didn't do anything wrong.
49:14This was all
49:14Stephanie's idea.
49:14I didn't do anything.
49:15I didn't do anything.
49:15this whole time
49:24she was actually
49:25telling the truth.
49:26Dorothy's SQ.
49:29She's genius.
49:30That's why she always
49:33had a book in her hand.
49:36Always writing
49:36something on her laptop,
49:38always lost
49:38in her thoughts.
49:41Didn't even see her.
49:45Guess I was blind
49:46all along.
49:48I don't deserve her.
49:49I've missed this place.
50:11Don't you remember?
50:13Of course I do.
50:14We saw so many films here.
50:17We would just
50:18stay in our seats
50:19and talk
50:20about life
50:22and everything.
50:24But you just
50:25made me feel
50:25like I could face
50:26more anything, really.
50:31God, I used to be
50:32so nervous back then
50:33about everything
50:35of the future.
50:39But you just
50:39made me feel
50:40like I could face
50:40more anything, really.
50:43No.
50:45Someone had to be there
50:46to make sure
50:46you didn't have
50:47to think everything.
50:47I remember you used
50:49to unpick
50:50every little detail
50:51like it was
50:51a life or death
50:52situation.
50:57You know, Dorothy,
50:59life's not been
51:01the same without you.
51:02even when we parted ways,
51:07I always knew
51:10that we would find
51:10each other again.
51:14I don't care
51:14what we've been through.
51:17I don't care
51:17what's happened.
51:18All I know
51:19is that I need you now
51:22more than ever.
51:25And the award
51:40for Best Adapted Screenplay
51:42goes to
51:43Dorothy Bennett
51:45with Liar's Game.
51:46Wow.
51:51Best Screenplay.
51:53What, shall I start
51:54calling you
51:54Your Majesty?
51:55I think that's
51:56the greatest idea.
51:57Why don't I start now?
52:00You deserve this.
52:02Your Majesty.
52:04Every bit of it.
52:06Now,
52:07since you've won,
52:09I think this calls
52:10for a reward.
52:10Oh, yeah?
52:15And what would that be?
52:18Me.
52:18Me.
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