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Television has delivered some incredible stories in this new decade! Join us as we count down our picks for the best shows that have premiered since 2020. From mind-bending workplace thrillers to epic fantasy prequels, compelling dramas to innovative comedies, these series represent the very pinnacle of modern TV storytelling.
Transcript
00:00Welcome to WatchMojo, and today we're counting down our picks for the best shows to come out
00:11of the 2020s. For this list, we're focusing on TV shows that started after the year 2020,
00:23meaning we'll be leaving off shows like The Boys.
00:30Number 20, Arcane.
00:46We'd say that Arcane is the show that longtime League of Legends fans have been dreaming of,
00:50but this prequel series may surpass your wildest expectations. Even if you're not familiar with
00:56the League of Legends lore, Arcane will suck in any newcomer with its rich world-building,
01:00emotional voice acting, and stunning artistry.
01:15Blending traditional and CG animation, Arcane encompasses the innovation of Into the Spider-Verse,
01:21while still remaining faithful to its video game roots. Visuals don't matter without a worthwhile
01:25story, however. The relationship between sisters Vi and Powder is one of the most compelling and
01:30gut-wrenching we've seen in any medium, be it film, TV, or games. Arcane might not be the first video
01:37game adaptation to deliver, but it is certainly the new gold standard.
01:41We've all had bad days, but we learn, and we stick together.
01:48Number 19, The Underground Railroad.
01:51When you first heard about the Underground Railroad in school, you might have naively assumed it was an
02:04actual railroad. While the name was figurative, director Barry Jenkins interprets the railroad
02:09in a literal sense. Although his miniseries goes to some fantastical places, its portrayal of
02:23slavery is all too authentic. In a strange way, the fantasy elements perfectly complement the
02:29historical elements. Slavery is such an inhumane practice that it's hard for some to fathom how
02:35widespread it once was in the US. If an unspeakable atrocity like slavery could exist,
02:41the idea of an underground train doesn't sound that far-fetched either. After a while,
02:45we begin to forget that we're watching a work of historical fiction,
02:49camouflaging the magic in magic realism.
03:05Number 18, The Rehearsal.
03:07I found that talking to people who were going through the same thing as you helped me realize
03:12that it wasn't so weird what I was doing.
03:15Life is full of milestones that you can't always prepare for. Or can you? Nathan Fielder seeks the
03:21answer in this HBO series, where he stages elaborate rehearsals that sometimes get off track.
03:26The show's first season remained relatively grounded by Fielder's typical standards,
03:30simulating the difficulties of raising a child.
03:32What are you going to go to the cops and tell them?
03:36No, that's why I'm talking to you about it now. I'm not a snitch.
03:39You're a f***ing disaster, my guy.
03:42In the second season, Fielder uses role-playing to figure out if a lack of communication between
03:46pilots and co-pilots is the cause of so many crashes.
03:49If other captains could have the instincts of Sully, his personality,
03:56it's possible the entire aviation issue I've been obsessed with would vanish overnight.
04:01Somehow, this also leads to Fielder creating a fake singing competition,
04:06questioning if fascists run Paramount, and becoming Sully Sullenberger as a baby.
04:12It sounds ridiculous, which it is, yet Fielder brings a one-of-a-kind worldview that'll not
04:17only leave you seeing important issues in a different light, but comedy as well.
04:21Fielder may even speak to you in ways you couldn't articulate until seeing this show.
04:26This show seemed to be embraced by a specific group that I didn't know anything about.
04:32But most interestingly, this group appeared to take me seriously.
04:36Number 17. House of the Dragon
04:38It's good to be back in the Seven Kingdoms.
04:41I bring word from His Grace Viserys Targaryen.
04:44First of his name, King of the Andals, the Rhoynar, and the First Men.
04:48Lord of the Seven Kingdoms and Protector of the Realm.
04:50Set 172 years before Daenerys, this prequel is cut from the same cloth as Game of Thrones,
04:56but House of the Dragons soars on its own by taking risks that pay off.
05:00Many characters are introduced, only to be recast a few episodes later.
05:05Thankfully, the excellent ensemble makes every growth spurt feel natural.
05:09Princess Rhaenyra.
05:12I'm Queen Rhaenyra now.
05:15And you all are traitors to the realm.
05:17While some are more sympathetic than others,
05:19several central figures lie in a morally grey, or green and black area.
05:24You may be on Team Alicent one minute, only decide with Team Rhaenyra the next.
05:28Exhausting, wasn't it?
05:30Hiding beneath the cloak of your unrighteousness.
05:34But now they see you as you are.
05:37Picking sides is almost trivial,
05:39as the beginning of this civil war is bound to end badly for everyone.
05:44Still, we can't help but get attached.
05:46Number 16.
05:47The Studio.
05:48As I very eloquently said in my interview with Variety,
05:52you know, prestige films and box office hits,
05:55those are not mutually exclusive.
05:57We can do both and we will do both.
05:59And that is why I am excited to announce
06:01that we are fast-tracking a Kool-Aid movie.
06:05If you want an honest yet gut-busting glimpse into modern Hollywood,
06:09look no further than The Studio.
06:11Seth Rogen plays Matt Remick,
06:12a movie executive who is forced to navigate things like endless franchise expansion,
06:17demanding stars and directors, and diversity casting.
06:20Is it weird that all of the live-action characters are white,
06:25and all of the non-white actors are CG?
06:28And so then the only actual human faces we see on camera are white faces?
06:33It's an enormously funny and refreshingly candid examination of the movie industry,
06:37coming from a star and producer who is deeply embedded within it.
06:41The cameos are both fun and endless,
06:43and the show is a technical masterclass,
06:45taking its cues from Birdman
06:47and adopting its use of complex long takes and chaotic sound design.
06:51Heck, the second episode is a one-er about doing a one-er.
06:54Who does that?
06:55That tick was perfect. What happened?
06:56Greta says she's hearing people whispering, and it threw her off.
06:59Oh, come on!
07:00I bet if you just picked it up from exactly where you cut,
07:03you could stitch it together.
07:04We're not doing stitches.
07:05I mean, even like 1917 would use whip pans to connect scenes.
07:08We're not doing whip pans.
07:09It's a true wonder. There's no tricks. We're just gonna do it.
07:11Number 15, WandaVision.
07:13Guess who?
07:15Wanda!
07:17Vision?
07:17For anyone who says that Marvel never takes any chances,
07:24WandaVision was one of the studio's biggest creative gambles to date.
07:28After being somewhat underutilized in the films,
07:31could Wanda Maximoff carry off a miniseries?
07:33Could the series balance sitcom tropes and an ongoing mystery
07:36while still fitting into the MCU?
07:38Wanda!
07:40Who's doing this scene, Wanda?
07:42Wanda!
07:44Wanda!
07:44WandaVision not only gave Elizabeth Olsen the showcase she deserved,
07:49it also pushed the superhero genre to bold territory,
07:52both stylistically and thematically.
07:54I've never experienced loss because I've never had a loved one to lose.
08:02But what is grief?
08:04If not love, persevering.
08:08Even if not every theory panned out,
08:11watching week after week became a pop culture experience,
08:15it defines 2021 while also covering the past 70 years of television.
08:20Twins!
08:22What a twist.
08:24I'm...
08:25But I'm invested.
08:28Number 14.
08:29Midnight Mass.
08:31In the right hands,
08:32religion can inspire people to be more compassionate
08:35and help them to get through the day.
08:38In the wrong hands,
08:39it can be like something out of a horror story.
08:41In director Mike Flanagan's hands,
08:44Midnight Mass is another masterstroke of terror.
08:47Oh.
08:54As is the case with any Flanagan production,
08:57our investment in the characters is what drives that terror.
09:01While there's an underlying sense of dread from the beginning,
09:04it's a slow burn to the legitimate scares.
09:06Even when you're not jumping out of your seat,
09:20the chilling atmosphere,
09:22stimulating dialogue,
09:23and layered performances will leave you captivated.
09:26That's not why I came here today.
09:30I came here today.
09:36I came here today.
09:41I forgive you.
09:43Although this miniseries possesses echoes of Stephen King,
09:46Flanagan's distinctive style and voice are on full display.
09:51Number 13.
09:53Pluribus.
09:53And to say it again,
09:55you are in no danger.
09:56You are perfectly safe.
09:59Okay.
09:59Your life is your own.
10:02Please know that.
10:02Part of what makes Vince Gilligan's latest show so absorbing
10:05is that you can interpret its commentary in a few different ways.
10:09Of course,
10:09many will draw parallels to AI,
10:12as Ray Sehorne's Carol finds herself among the last remaining humans
10:15with independent thoughts.
10:16Whereas the others are mostly content with letting the hive mind take over,
10:20Carol fights for her individuality.
10:22Are you reading my mind?
10:23No,
10:24absolutely not.
10:26We couldn't do that if we wanted to.
10:27Who is we?
10:28That's easier said than done when this seemingly all-knowing entity
10:31is around every corner,
10:33sometimes making Carol's life more convenient.
10:36The flaws in the system only become more apparent
10:38as Carol continues to resist,
10:40however.
10:40Humanity will never be perfect,
10:42but Pluribus reminds us that it's better to live with
10:45and even embrace some of those imperfections
10:47than surrender to the machine.
10:48Tell me.
10:50Please, Carol.
10:52Tell me.
10:53Please, Carol.
10:54What is it?
10:56Number 12.
10:57Invincible.
10:58Hey, you're early.
11:00Ant, you shaved your mustache.
11:02Stay away from my planet.
11:06Although a live-action Invincible film is reportedly in the works,
11:11this animated series seems destined to go down
11:13as the definitive adaptation of the beloved comic series.
11:16While adult animation is nothing new,
11:19Invincible catches newcomers off-guard with its mature edge.
11:23The first episode mostly plays out like an MCU show,
11:27appealing to younger and older audiences.
11:29It isn't long, however,
11:30until the show goes to places that would even make Frank Miller say,
11:34Oh, damn!
11:35The series shifts between coming-of-age comedy and brutal action,
11:50but it never comes off as tonally inconsistent.
11:54The jokes all land,
11:55the drama hits home,
11:57and the animation ranges from old-school fun
12:00to shockingly grounded.
12:01Guess you missed my try-out.
12:08Still think I'm adorable.
12:11Number 11.
12:12Beef.
12:13Who hasn't got such bad road rage
12:15that they literally plotted to ruin the other person's entire life?
12:19Right?
12:19Well, regardless,
12:23that's the hook that thrusts us into the Netflix original Beef,
12:26starring powerhouse performers Ali Wong and Steven Yeun.
12:30Thank you for meeting me.
12:32So what?
12:33Waving the white flag, huh?
12:35The whole concept is undoubtedly fresh and daring,
12:37taking the extremely human experience of suppressed emotion
12:40and using it as a vehicle to investigate the lives of its two lead characters
12:44and their mutual hatred for one another.
12:47I don't want anything from you, okay?
12:49I don't want anything to do with you.
12:51You are sick.
12:52You're a disease.
12:53Okay, so you think you're better than me now, huh?
12:56Is that it?
12:56Plus, all the artful symbolism used throughout the series
12:59makes it a perfect rewatch contender.
13:02Not that we didn't get it the first time.
13:03We totally got it.
13:05Number 10.
13:06The Last of Us.
13:07This post-apocalyptic series was adapted from the mega-popular video game
13:12and has been a hit with existing fans and new audiences alike.
13:16Do you trust me?
13:17We wonder why pandemic-centric content might appeal to so many people.
13:21Sorry, too real?
13:22Anyway, the story of infection survivor Joel and immune teenager Ellie
13:26is as thrilling as it is emotionally taxing.
13:29Look, that's me.
13:31That's me.
13:32Seriously, this is not a series you can watch without the tissues at arm's length.
13:36But it's these intricately crafted, heart-wrenching moments
13:39that are what make The Last of Us so impactful.
13:41Instead of becoming just another gory outbreak show.
13:44I'm old.
13:48I'm satisfied.
13:53And you were my purpose.
13:55Number 9.
13:56Abbott Elementary.
13:58It's a mockumentary, but any public school teacher can identify
14:01with the struggles Abbott Elementary touches upon.
14:03Namely, the lack of funding and respect.
14:05Okay, so if the store has 10 potatoes, right?
14:09And you take away two of them.
14:10How many potatoes would the store have left?
14:13I don't like potatoes.
14:15We don't know if this sitcom will convince the powers that be to pay teachers what they deserve.
14:19However, it may leave students, both current and former, with a newfound admiration for teachers.
14:24You know, when I woke up this morning, I did not expect my day to include patting down the students for candy.
14:28Growing up, we often take the adults in our lives for granted, not recognizing what they had to put up with.
14:34We may give our parents credit down the line, but the teachers who helped shape us are usually forgotten.
14:40Abbott Elementary is Quinta Brunson's thank you to teachers.
14:43It might even inspire you to reach out to an educator who had a bigger impact than you realized.
14:48I, for one, love the program.
14:50I feel like a blend of Robin Williams and Dead Poets Society and, well, Robin Williams and Patch Adams.
14:55Number eight, The Bear.
14:57We're just gonna say it.
14:58Running a restaurant is the most stressful job in the world.
15:01It's just not fun for me.
15:03Whether it's a high-end establishment or a hole in the wall.
15:06You want a, uh, star?
15:08I think it'd be nice, yeah.
15:09Godspeed.
15:10Anybody who spent a day working in the food industry knows this,
15:14and The Bear realistically captures the anxiety that comes with the territory.
15:18While that sounds daunting, a secret ingredient gets viewers through the show's uncomfortable moments,
15:23the camaraderie between the cast.
15:25Where am I?
15:26Uh, you're out front.
15:28You nuts?
15:29It's sco-carry out there.
15:30No, no, no, you're nice.
15:31So just be nice.
15:33You know, pour water, pour wine.
15:34A restaurant staff operates like a family, which sometimes only adds to the pressure.
15:39Yet the bonds formed between the characters keep them coming back to work.
15:43That and an unquestionable passion to cook,
15:46the underrated Jeremy Allen White heads this compelling kitchen staff,
15:49while Iowa Debery delivers a star-making turn.
15:52Chef Terry.
15:54Yeah.
15:56Phone?
15:57That's a Bernese, um, I don't fucking know.
16:00No, it's, it's cool.
16:02It's like 2014 or something.
16:04Number 7.
16:05X-Men 97.
16:07I'll stay back and try blowing this place up with my blasts.
16:11Scott, you'll die.
16:12It's what you would do.
16:14It's what you've done.
16:16Gambit 2.
16:17Remy died so we could live.
16:19All of us.
16:20We don't think it's a hot take to say that the animated X-Men series from the 90s
16:24was better than several of the live-action movies that followed.
16:27This sequel series evolves the story even further,
16:30targeting an older crowd.
16:32Not because major characters can die now.
16:34Not because the heroes we grew up with have clearly done it.
16:37What makes X-Men 97 so adult is its audacity to ask difficult questions.
16:42Namely, was Magneto right all along?
16:44We have gotten here by walking this man's path.
16:49We are left with but two choices.
16:52Cling to this dying world.
16:55Arise to your future and look down upon this fallen pigsty planet.
16:59More than ever, unity between humans and mutants feels like a pipe dream.
17:04Humanity just keeps making the same mistakes.
17:06Do mutants keep working toward peace, potentially letting history repeat?
17:10Or are Magneto's extreme methods the only way to end the cycle for good?
17:15Magnus, for all your talk of ruling the world,
17:18it is the world that rules you that has made the bitter man before me.
17:23Oh, how I've waited to say these two words to you, old friend.
17:31Shut up!
17:33Number 6. Shogun
17:34This isn't the end for me.
17:38I won't die in this wretched land.
17:42This wretched land.
17:44Becoming one of the most streamed programs during its initial run
17:47and going on to dominate the primetime Emmys,
17:50it's hard to think of a show that captivated a wider range of viewers in 2024 than Shogun did.
17:56Seeing a mass audience gravitate toward a show heavy in subtitles is especially encouraging.
18:01To quote Peng Joon-ho,
18:02once you overcome the one-inch-tall barrier of subtitles,
18:06you will be introduced to so many more amazing films, or TV shows in this case.
18:10With sweeping historical set pieces and arresting performances,
18:31Shogun is the definitive adaptation of James Clavell's epic novel.
18:35Wherever the series goes from here,
18:37season one is bound to go down as a milestone in Peak TV.
18:40Also, Anna Sawai is a star.
18:43Number 5. The Pit
19:04There are about a gazillion medical shows out there, but none quite like The Pit.
19:16HBO Max's modern masterpiece has revitalized the medical drama,
19:20transforming it from network procedural to prestige TV
19:22through the use of innovative storytelling
19:24and a critical portrayal of systemic issues in healthcare.
19:28The series has been noted for its unflinching realism,
19:30depicting hospital staff and emergency medical procedures with unprecedented accuracy.
19:35A lot more of none than expected.
19:37Um, he's probably anti-coagulated for AFib.
19:40Check his medical records, see if he's on a DOAC,
19:42standby with four-factor PCC if there's a brain bleed.
19:44But of course, most of the praise, and rightfully so,
19:47has gone to the show's storytelling technique.
19:50Each episode unfolds in real time,
19:52immersing viewers in the relentless pace and pressures of emergency medicine
19:56and creating an unbearable sense of anxiety.
19:58This is no-frills combat zone medicine.
20:02No ultrasound, no x-rays, no CT, no labs.
20:05Assessed based on mental status and pulse strength.
20:09Number 4. The White Lotus
20:11Do you want to know me?
20:19Maybe.
20:21Do you?
20:23I don't know.
20:24After three seasons,
20:27The White Lotus has become a cultural phenomenon.
20:30Each season of Mike White's anthology show
20:32sees a different cast of affluent vacationers
20:34descending upon an international White Lotus resort,
20:36bringing chaos and maybe a mysterious death or two during their stays.
20:40The show takes cues from classic whodunits,
20:43while bringing satirical themes,
20:44hilarious dialogue,
20:46and some of the most memorable characters on TV,
20:48bringing viewers back for more with each season.
20:51Piper, you don't know how lucky you have it to have a father
20:54who's an actual boy scout,
20:56who isn't out chasing girls half his age in a foreign country,
21:00hiding from who knows what.
21:05Yeah, I am lucky.
21:07The beautiful locales don't hurt either.
21:08Number 3. Adolescence
21:22Sarge, this is Jamie Miller.
21:23She's 13 years old.
21:25She's been arrested on suspicion of murder.
21:27Okay, Jamie.
21:28Can I have your full name, please, son?
21:33I didn't do it.
21:34That's not to do with me, Jamie.
21:36Just try and answer my questions, please, son.
21:382025 was the year of two things.
21:41Long, real-time takes and Jack Thorne,
21:43who also did Toxic Town.
21:45For adolescence,
21:46he and Stephen Graham team up
21:47to explore themes of parental responsibility,
21:50school harassment,
21:51online radicalization,
21:52and, well, adolescence.
21:54You must have found that quite cruel.
21:58I suppose.
22:00Did she do this to anyone else?
22:02No.
22:03Why did she do it to you?
22:04Much has been written of the show's format,
22:06with each hour-long episode
22:08being filmed in one take.
22:09It's truly unbelievable,
22:11with the camera work,
22:12acting, and staging
22:13attracting widespread acclaim.
22:15But the technical wizardry
22:16never overshadows the story
22:18at the show's core,
22:19with its themes resonating strongly
22:20across different generations.
22:22It's one of those universal tales
22:24that has something for everyone,
22:25whether it's the teenagers
22:26going through a transitional time
22:28in their lives
22:28or the parents grappling to control it.
22:30I'm sorry, son.
22:36I should have known about that.
22:43Number 2.
22:44Andor.
22:45You think they're listening?
22:47You think they care enough
22:49to make an effort?
22:50Like you would know.
22:52I know this.
22:53They don't need to care.
22:55All they need to do
22:56is turn this floor on twice a day
22:57and keep their numbers rolling.
22:59Since 1977,
23:01Star Wars has aimed
23:02to appease kids and adults.
23:04While a child can watch Andor,
23:06this Tony Gilroy-Helm show
23:07is more for the mature crowd.
23:09We're not just talking
23:10about adult Star Wars fans.
23:12Even those who never
23:13fully immerse themselves
23:14in a galaxy far, far away
23:15will find this to be
23:16a tense and timely
23:17political thriller.
23:18When truth leaves us,
23:21when we let it slip away,
23:23when it is ripped
23:24from our hands,
23:27we become vulnerable
23:28to the appetite
23:29of whatever monster
23:30screams the loudest.
23:31Although Andor fills a gap
23:33in the Star Wars mythos,
23:34it works as a standalone story
23:36that doesn't over-rely
23:37on callbacks and fan service.
23:39It might not be as grand
23:40as some other stories
23:41in this universe,
23:42but this two-season show
23:43possesses more gravitas
23:44than anything else
23:46from the Disney era
23:46of Star Wars
23:47and even parts
23:49of the George Lucas era.
23:50So I'm choosing
23:51for the both of us.
23:54I'm choosing the rebellion.
23:56Before we unveil
23:57our top pick,
23:58here are some
23:58honorable mentions.
24:00Ted Lasso.
24:01Jason Sudeikis
24:02brings a lot of heart
24:03to this football dramedy.
24:04Why is this the first time
24:06I'm hearing about this?
24:07Well, I think it has
24:07a lot to do with
24:08a grown man being embarrassed
24:09to admit that he,
24:10believe it or not,
24:11is who do voodoo
24:12do do business.
24:13Hey, I don't believe it.
24:14Okay, good.
24:15Me and you,
24:15we're gonna go look
24:15in that room.
24:16No.
24:17Why not?
24:18Because, no.
24:21Reservation Dogs,
24:22a criminally underrated
24:24indigenous comedy
24:25from the minds
24:25of Sterling Harjo
24:26and Taika Waititi.
24:27You know what he looks like, right?
24:29No.
24:30You don't know what he looks like?
24:30No, not even.
24:32What do you mean
24:32you don't know
24:33what he looks like?
24:34He does not Facebook
24:34look like FBI.
24:36Some Indian guy, I suppose.
24:38Only murders in the building.
24:40Just try to find a show
24:41with a more star-studded cast.
24:42People all dressed up
24:44in costumes
24:45no real person
24:46would ever wear,
24:47acting like nobody's
24:48sitting out there
24:49watching them say things
24:50no real person
24:51would ever say.
24:54But at least
24:55this piece of theater
24:56is a murder mystery.
24:57That,
24:58I can get my head around.
24:59Peacemaker.
25:00DC Studios
25:01might just be in good hands
25:02with James Gunn
25:03at the helm.
25:04Hey, man.
25:04What's up?
25:06Freddy there?
25:07Freddy who?
25:08Freddy...
25:08No, there's...
25:10No, you guys are doing
25:11Chardonnay and Charcuterie, right?
25:12I started with the E-Bite.
25:14You guys sent me a
25:14ponder, flender,
25:16tender, grinder.
25:17The Penguin.
25:18The perfect expansion
25:19on Matt Reeves'
25:20gritty Batman universe.
25:21All right.
25:22How do I look?
25:27Yeah.
25:28Yeah.
25:28Yeah, you look...
25:29It's good.
25:30No blood.
25:31So, yeah, good.
25:32All right.
25:32We'll look at the parts
25:33when we have to take, you know?
25:34Mm.
25:35All right.
25:35Before we continue,
25:36be sure to subscribe
25:37to our channel
25:38and ring the bell
25:39to get notified
25:39about our latest videos.
25:41You have the option
25:42to be notified
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25:44or all of them.
25:45If you're on your phone,
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25:47into your settings
25:47and switch on notifications.
25:51Number one.
25:52Severance.
25:53Severance has been described
25:54as lost
25:55if it were set in the office.
25:57That's a catchy pitch,
25:58but it doesn't even
25:59scratch the surface
26:00of what makes this
26:01mindbender so involving.
26:02Thank you for taking
26:03the welcome survey.
26:04I can sense that the questions
26:06made you feel afraid
26:07or disoriented.
26:08While the show
26:09is equal parts sci-fi
26:10and psychological thriller,
26:11it can eerily feel
26:12like an all-too-accurate
26:13reflection of white-collar life.
26:16They say,
26:17keep your work
26:17and personal lives separate.
26:19In doing so,
26:20how much of yourself
26:21do you give up
26:22upon clocking in?
26:22By reaching 75%
26:24refinement on Sienna,
26:26you have earned
26:27for you
26:27and your fellow
26:28refiners
26:29a five-minute
26:30music dance experience.
26:32For the lower-level
26:33employees at Lumen Industries,
26:35life is literally
26:36split in half.
26:37This sounds tempting
26:38to those looking
26:39to avoid the challenges
26:40on the other side
26:41of the cubicle.
26:41Unless someone's
26:42innie and outie
26:43find a way
26:44to coexist, though,
26:45they'll never be complete.
26:46So what happens
26:48once I've
26:50been in all the rooms?
26:56You will see
26:57the world again
26:58and the world
27:00will see you.
27:02What show
27:03are you currently
27:04obsessed with?
27:05Let us know
27:05in the comments.
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