00:00Welcome to Vibugadam
00:30Welcome to Vibugadam
01:00Welcome to Vibugadam
01:30Welcome to Vibugadam
01:32Welcome to Vibugadam
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01:36Welcome to Vibugadam
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01:44Welcome to Vibugadam
01:46Welcome to Vibugadam
01:48Welcome to Vibugadam
01:50Welcome to Vibugadam
01:52Welcome to Vibugadam
01:54Welcome to Vibugadam
01:56Vibugadam
01:58Welcome to Vibugadam
02:00Welcome to Vibugadam
02:02Vibugadam
02:04Welcome to Vibugadam
02:06Welcome to Vibugadam
02:08Welcome to Vibugadam
02:10Welcome to Vibugadam
02:16Welcome to Vibugadam
02:18Welcome to Vibugadam
02:20Welcome to Vibugadam
02:22Welcome to Vibugadam
02:24Welcome to Vibugadam
02:26Welcome to Vibugadam
02:28Welcome to Vibugadam
02:30Welcome to Vibugadam
02:32Welcome to Vibugadam
02:34Welcome to Vibugadam
02:36Welcome to Vibugadam
02:38Welcome to Vibugadam
02:40Welcome to Vibugadam
02:42Welcome to Vibugadam
02:44Welcome to Vibugadam
02:46Welcome to Vibugadam
02:48Cholathandukal ududu maruch scha mui nunju pwouvu gaiyim chheyiindu.
02:51Eindhaaanu saambhavikindad ennenda Priekshaginu manasilaakana kaaliyatthatra beegatthil aana.
02:56Yethartha tila nil nilil ullad a vayilil aana nana vishvahasa.
03:00Trakku cholam chedikilal agaashatheek kiparathikkoonnda
03:04Droneinne kuududdel vegatthil pindudr impol sangiidam ucchathilum theevra vomo agudhu.
03:09Cooperinne pole thanne, Priekshaginu pindudririndu dindne vegatthil moudukhi irikkiyimpol
03:14The track is set in a cliff.
03:16The track is on the side of the track and the track is on the head.
03:21It's been a drone.
03:22The car is a seat and it's not a cab.
03:26It's not a cab, but it's not a cab.
03:30This track is on the side of the two minutes.
03:33The track is on a side of the road.
03:36The man who believes that the man who believes in the industry.
03:42There is a lot of love with it, and in this film, it will be a great time to show you how you are doing it.
03:50I am grateful for the drama in the film that was in the film.
03:57In the film's film, the film is a part of the film.
04:02I will have to wait for the film to do it.
04:06I have to wait for the film to get to the film.
04:11Drone Legacy, Transformers 3, is the one who has a signature signature.
04:16Simmer has a signature signature.
04:18There is a signature signature in the world.
04:22The texture, layered and layered,
04:25is the same color of Hans Simmer.
04:29Classical orchestration,
04:31electronic textures,
04:33This film is brought to you by Hans Simmer.
05:03This film is brought to you by Hans Simmer.
05:33This film is brought to you by Hans Simmer.
06:03This film is brought to you by Hans Simmer.
06:33This film is brought to you by Hans Simmer.
07:03This film is brought to you by Hans Simmer.
07:33This film is brought to you by Hans Simmer.
08:03This film is brought to you by Hans Simmer.
08:33This film is brought to you by Hans Simmer.
09:03This film is brought to you by Hans Simmer.
09:33This film is brought to you by Hans Simmer.
10:03This film is brought to you by Hans Simmer.
10:33This film is brought to you by Hans Simmer.
11:03This film is brought to you by Hans Simmer.
11:32This film is brought to you by Hans Simmer.
12:02This film is brought to you by Hans Simmer.
12:32This film is brought to you by Hans Simmer.
13:02This film is brought to you by Hans Simmer.
13:32This film is brought to you by Hans Simmer,
14:02I think it's a team, a community.
14:08But I don't think I've ever seen anything.
14:13So, there are issues like this.
14:16If you release this cinema,
14:19if you have any issues like this,
14:21you have any tension?
14:24No, no. I don't think there are any tension.
14:26I think that's why I have a relationship with a character that I have no questions.
14:33At the end, I feel happy that I have a relationship with a character.
14:37But in a movie, if you have seen me in a movie,
14:41you have seen me in a movie,
14:45and I struggle with that movie.
14:49It's not that much of a relationship with me in a movie.
14:54Maybe they can have a view of the movie.
15:00I've seen one of them.
15:02I've seen one of these characters.
15:06I'm very lucky.
15:08You're a man who's not a man.
15:11You're not a man who's a man.
15:13You're a man who's a man who's a man who's a man.
15:17You're a man who's a man who's a man who's a man who's a man.
15:23That's the one I see.
15:25They have sicked movies.
15:26I know people who don't have any problems but I don't know anything about the film.
15:29So I haven't really done nothing.
15:31So I can't trust them all.
15:32For the Jumay-Ley, Jain-Dey,
15:35Tell me about it's a man who has hit a very high gravity.
15:40A man who believes that he had a very high gravity.
15:45Jain-Dey is a man who's a man of a body.
15:52I was like, I don't want to be a good person.
15:58It's a good person to be a bad person.
16:03Even in the cinema are not done in a full body.
16:08That is a good person.
16:10You'll see VIF activities.
16:14You'll see a lot of work, it's good.
16:17For the course of this festival,
16:19we will have to talk to you about this,
16:25in a while, you'll see in a way.
16:30The idea of Jays is that it's sensible.
16:36If you know,
16:38and he said,
16:42so do you have to create a new sense of sense?
16:50I was telling the politics of Mother,
16:53that we didn't have to be able to do things here.
16:56As I said,
16:58I had to say,
17:01that I have done a lot of things like this,
17:03that I have to take care of,
17:05that I have to take care of,
17:07These two things are important for me.
17:10It's not most people in the world.
17:14I think like the sensor board is a big thing.
17:18I think it's a big sensor board.
17:22But I think that is a small thing.
17:26I think that's a big thing.
17:28I think it's a big sensor board.
17:29Thank you so much.
17:31Okay, thank you.
17:32Thank you so much for watching.
18:02Thank you so much for watching.
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