00:00Welcome to Vibapadam
00:30Welcome to Vibapadam
01:00Welcome to Vibapadam
01:02This is my종 획.
01:03This work is done by 15-00 people in the pill待ant.
01:05It is a lot of time after a few weeks.
01:06That is the moment they are going to be able to learn.
01:09Still not only other people who are going to learn it.
01:13George Guttia is a good news.
01:15He is still a man who has entered the book.
01:20My son has been a long time and he is going to play his house.
01:24The Montessor Monmouth tells me that he is spending a lot of time.
01:28George Guttia is a good news.
01:29I am proud of you, and I am proud that you are in this world.
01:33I am proud of you, and I am proud of you, and I am proud of you.
01:37I am proud of you, and I am proud of you.
01:40I am proud of you, and I am proud of you.
01:44United Kingdom of Kerala, Thecha, Adriga, Police Day, and the police day are the only one.
01:52Ranjit Sajeev Naayyagana, Arunvayageta Samvithanathana, United Kingdom of Kerala.
01:56Family Feel Good Entertainer.
01:58Family, and I am proud of you, and I am proud of you.
02:02Kerala Thin Nia, the university, Drumsha Wings, has been a long time for me.
02:07Every time I am for being here, I have an affront of you.
02:11I haven't found the father of the year, even if you were ever a man.
02:20The U who in the film is a theater.
02:23People are the Teeam and the specials of Kerala.
02:57The film is brought to you by the Prince and Family C5, Stannarth Shrikotan, Saina Play, Kaliyugam, Simli South, Imran Hashmi Nayakanaay Ground Zero Amazon Prime Video streaming.
03:09Final Destination Series is brought to you by the Prime Video.
03:14Kerala Crime File Season 2, Jio Hotstar streaming.
03:18The film is brought to you by the Suresh Gobi, Jainagi vs. State of Kerala.
03:27The film is brought to you by the Pravin Narayanan Samhithanam.
03:31The film is brought to you by the Malyalath.
03:37Jaiski Team is brought to you by the Asia News Online.
03:43Welcome.
03:45Do you want to make the characters chews into Malayal?
03:50How many people choose to make the choose from Malayalam?
03:55One of the things that you think is about the negative questions through Malayalam different topics.
04:00Basically, these films are the role of the film.
04:01It's not suitable for me for the TV and not suitable for the film to see when we perform the script.
04:06Especially in Malayalam industry, the industry tends to be a bit tired of us.
04:11In the industry, there would be a lot of body criticism in the past.
04:16So, at least that's what I'm doing.
04:19Okay, she's doing something.
04:22So, we were responsible.
04:24We get conscious.
04:27We get conscious.
04:30We get conscious.
04:33So, other than that, I wanted to do a good subject.
04:36I really think that's what I wanted to do.
04:39We told you.
04:40I heard the story in 2020.
04:41It's one of the first films that I accepted after lockdown.
04:45But it took time for it to happen.
04:47So, now, I'm listening to the end of that.
04:50Now, I'm getting good scripts.
04:54So, I'm getting good scripts.
04:56That's all.
04:57It's a massive change.
05:07I'm very thankful for that.
05:10And it was a very short film.
05:14And that changed my career again.
05:16If Premam has changed my life,
05:18that's changed the track of my, the trajectory of my career also.
05:22So, it's nice.
05:23It's refreshing.
05:25We just wanted to make something nice happen in that way.
05:30And it definitely did change my trajectory.
05:35People trust me more with rules that are heavy.
05:40Telung cinema is active.
05:42We have a little bit more than Telungi cinema.
05:46So, when it comes to the release of Dragon in Tamil Nadu, Kerala,
05:51I don't want to know anything about that.
05:54What do you think about it?
05:57Sneha, I think it's a great feeling.
06:02Like, it's always...
06:04It's always hard for us to do what we do.
06:08You know, Sneha, I think it's a good feeling.
06:13That's what just make you do better stuff later on.
06:16So, that's a great feeling.
06:17I hope that actually helps this film.
06:20Because it's just like this,
06:23it's a good film.
06:25There's something we are really actually trying to communicate.
06:28Whatever my previous film has created,
06:32if it is impacting it and if it is giving a good vibe to this film,
06:35why not?
06:36Glad. Great.
06:37Now, Telungi industry is active.
06:39Now, it's a lot of active.
06:41I think it's very important.
06:42I've been working on a career span for 10 years.
06:45I've been working on the audience for a long time.
06:48I think it's very important to me because it's a lot of important things.
06:52I mean, it's a lot of family business,
06:55but it's a lot of interesting things.
06:57I think it's a lot of hard work.
06:59I think it's a lot of hard work.
07:01It's like, I don't know what I mean.
07:05Like all this, I don't want to go.
07:08See, end of the day, talent matters.
07:11End of what happens, even if you are a Nippo kid,
07:16only if you are talented, people accept.
07:18There is no denial about that.
07:20It's about sustaining the career.
07:24So I don't believe in that.
07:26Actually, success is long lasting, effective.
07:29So obviously, talent only can do that.
07:32First thing was, end of my life.
07:36I don't know how to do it.
07:38I don't know how to do it.
07:40I don't know how to do it.
07:42I don't know how to do it.
07:44What I did was, I went and did a Telugu film.
07:48I learned the language by myself.
07:50I dubbed for my first film.
07:52That was the change.
07:54Since then, I have been dubbing for all my Telugu films.
07:57When I studied the language, there was a fire.
08:03Fire.
08:04Yeah.
08:05That's because everything has to be convenient.
08:08I have to do something good.
08:10And then, automatically, the third film, luckily, it worked.
08:15I was there for like five to ten minutes.
08:18Five minutes or six minutes.
08:19But still, innum ended the people who talk about that dialogue.
08:23I don't know how to do dialogue.
08:24So, end of the day, they spotted that five minutes of mine,
08:27and then gave me the rest of the films.
08:29So, it's about talent.
08:30I think.
08:31If they think that you are capable of doing something,
08:32then they will identify it.
08:33So, and then I was lucky.
08:34End of the day, things have to fall in place.
08:35I'm lucky.
08:36I think.
08:37I'm blessed.
08:38So, that's why I have a journey for 10 years.
08:39So, that's why I have a journey for 10 years.
08:43I have a journey for 10 years.
08:44So, that's why I have a journey for 10 years.
08:46So, and then I was lucky.
08:47End of the day, things have to fall in place.
08:50And luckily, I think.
08:51I'm blessed.
08:52So, that's why I have a journey for 10 years.
08:56So, that's why I have a journey with that.
08:57The audience is the same way that people are treated.
09:00And people are treated like that.
09:02Some people are treated like that.
09:03That's why they have become the same.
09:05Because, they are also the same way that they are stupid.
09:10And that's why they get excited and accept it.
09:15That's why they don't do that.
09:17If they're stupid, they'll recite it.
09:20They're stupid.
09:22So, they accept it.
09:25So, it's all about the Fridays.
09:28If you're doing this Friday, you're an idiot.
09:32If you're doing this Friday, you're an idiot.
09:34So, I accept that fact.
09:36And I don't take it personally anymore.
09:38That is the change that happened to me.
09:39Okay, thank you so much.
10:53It's a ghostly feeling.
10:56But I like to be different on every side.
11:01How many square feet are you?
11:03Yes, it's close to 42,000 square feet.
11:06Is it an inspiration?
11:07It's not an inspiration. It's a design.
11:09It's a design.
11:10It's a design.
11:11It's a design.
11:12It's not a design.
11:13It's not a design.
11:14How do you do this project?
11:16Do you have any reference?
11:18No reference.
11:19If you have an assistant or the direction department,
11:21you don't have any idea.
11:23So, they mainly have the idea.
11:25If you have a movie reference or images,
11:28then we try to design.
11:31We try not to use any of those things.
11:34And try to be different.
11:36How much is it?
11:38How much is it?
11:40How much is it?
11:42How much is it?
11:43How much is it?
11:44How much is it?
11:45It's constricted around two and a half months.
11:46Including the floor, including the shed.
11:48I expected the shed.
11:49I told that the maximum or the give house is 1,200 people.
11:54That was the highest.
11:55How much is it?
11:56How much is it?
11:57How much is it?
11:58How much is it?
11:59How many were the design part?
12:00How much is it?
12:01How much did you create a design part?
12:02How many were the design part in the vedere room?
12:03Was it actually?
12:04How many were the design events?
12:05I went to design.
12:06It was about three months.
12:07It was about eleven designs.
12:10It was around eleven designs.
12:12The exterior of the palace crowded room is quite a few days.
12:17um i think a design i know 56 designs here is prabass in the response and then after watching
12:23me very excited this set is built in the 35 000 square feet floor and it pretty much occupies
12:30the entire floor when we looked at the set requirements there's no floor available of this
12:38size in the wall like rfc has a 28 000 square feet floor we have another studio where we are
12:4430 000 so you have to build this based on the availability of the floor space i can say this
12:50is the largest indoor set in the world as of today there's a outdoor element of the set which is built
12:57in a different place where there's a forest environment with the exterior built and the
13:03interior is here again 70 80 of the interior is done within this floor 20 is built outside but
13:11there's movie outside the palace too outside the palace again there are various streets various
13:17church and various other environments that we have been so horror no mani idini cheeto
13:25is matron one set type is a class or a library or a library or bedroom
13:31is
13:37i don't know
13:37i don't know
13:38i don't know
13:43the
13:44It was removed from the floor.
13:53What is the name of the Kashmari?
13:55Yes.
13:56What do you think about Kashmari?
13:58No, I don't want to do anything.
14:01You can't do anything about the cinematic situation.
14:05I don't want to be a producer.
14:07I'm going to tell you about the city.
14:08I'm going to tell you about the challenges.
14:10It's challenging because of the material.
14:14It's a lot of material.
14:16It's a lot of material.
14:18Every day, it's a lot of material.
14:20Even the flooring tiles,
14:22I need to get around 40,000 square feet.
14:26So, I don't want to tell you about this.
14:28I just asked your designer,
14:32what will be the future of this set after completing the project?
14:36We don't know.
14:37As long as we can preserve, we keep it.
14:39Rajasab 2 is not likely going to be an exchange into the story.
14:43It will be a different concept.
14:45So, we may not use Rajasab 2.
14:47Or if we come across another utilization, we keep it.
14:49Others will preserve Rajasab 2.
14:51We will preserve Rajasab 2.
14:53Rajasab 2.
14:54Rajasab 2.
14:55Rajasab 2.
14:56Rajasab 2.
14:57Rajasab 2.
14:59Jayasab 2.
15:00Jayasab 3.
15:01Tomorrow will be a professional film.
15:03Then, on May 15th,
15:04he doesn't have the first few times
15:06at the end of May 15th,
15:07which is the first full film that will give accrued.
15:08This film is brought to you by Rijesh Panathur Samvithan.
15:38This film is brought to you by Rijesh Panathur Samvithan.
16:08This film is brought to you by Rijesh Panathur Samvithan.
16:38This film is brought to you by Rijesh Panathur Samvithan.
17:08This film is brought to you by Rijesh Panathur Samvithan.
17:38This film is brought to you by Rijesh Panathur Samvithan.
17:40This film is brought to you by Rijesh Panathur Samvithan.
17:42This film is brought to you by Rijesh Panathur Samvithan.
17:44This film is brought to you by Rijesh Panathur Samvithan.
17:46This film is brought to you by Rijesh Panathur Samvithan.
17:48This film is brought to you by Rijesh Panathur Samvithan.
17:50This film is brought to you by Rijesh Panathur Samvithan.
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