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In this unfiltered conversation, Agnihotri dives into adolescence and sex education in India, opens up about his Files Trilogy, and shares his candid thoughts on World cinema, Nepotism, Bollywood, society, and controversy.

Watch the full chat now on Table for Two. Link: https://youtu.be/Rk4ZYYPUuZc?si=BzzVhXXwoBUg67PR

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Transcript
00:00A lot of South Indian films have also sort of done very good business.
00:04No, that's not true.
00:05Some of them.
00:06Some of them, they always used to do.
00:07Like Kantara was a very good film, so it did very well.
00:10In North India, there's RRR and then KGF.
00:13KGF too.
00:14They've seen that South Indian films work, so maybe that's why they're trying to do more action films here in Bollywood.
00:19No, and Kashmir Files worked in Kerala and Tamil Nadu and all these places.
00:23So when I go to South, they say, see, now Hindi films are working here very well.
00:27In Kerala, our film ran.
00:29I mean, it was taken away from the theatre and then people started to do it.
00:32So it's not that good films go anywhere.
00:35Everybody sees it.
00:36How do you see films like Parasite?
00:38How do you see all these international cinema, the world cinema?
00:41Why do you like Korean cinema?
00:43Why do you like Iranian cinema?
00:45If you like them, a good film has no borders.
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