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00:00English
00:02Tamil
00:04English
00:06English
00:08English
00:10Tamil
00:12French
00:14French
00:16French
00:18French
00:20French
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00:52French
00:53I don't think I'm going to eat it.
00:55I'm going to eat it.
00:57Are you going to eat it?
00:59No, I'm not going to eat it.
01:01I'm going to eat it.
01:23It's ready to go에.
01:29I go to bed to bed like this.
01:33We need to eat it.
01:35How are you going to eat it?
01:37I want to come to bed.
01:39Gonna have my heart.
01:41I want you to go on my back in that kleine citadel.
01:45I respectively you,
01:48The name of the film is Srinivasan, the producer of the film and the producer of the film.
01:55The film is the name of the film.
02:01The film is the name of the film.
02:05We are the name of the film.
02:10Hello, everyone. Thank you for joining us in Kerala.
02:13We have come to Kerala, we are joining Kerala.
02:16I want to thank Kerala for all the good news and an amazing conference.
02:22We are joining the live-off conference in Kerala,
02:26and they have been working on Twitter and they have been doing viral.
02:29That's why I'm telling you,
02:31I want to thank them for joining in the UK,
02:33and I want to thank you for joining us in Kerala.
02:39I think if what I understood Mr. Satish said, it was the first visit of mine to Kerala and I only have connection with Kerala, with Mohr Lasser who worked with me in company a long time back.
03:02And after that the second Malayali artist I worked with is Aradhyan and I didn't have time to explore Kerala to see this is what I am hoping to do next time.
03:17Now coming to the film, Sari is basically a psychological thriller. In the times of social media, when love becomes an obsession, relationships happen very fast without anybody knowing about anybody.
03:36It is a very dark thriller set against that kind of a background.
03:43Yeah, this is briefly what I wanted to say about and if you want to show them.
03:57Hi, Radhya. Malayali. Hi, Radhya.
04:01Hi. Hi. Hi. Hi. Hi. Hi.
04:06So, this is my debut movie, first movie.
04:09What are you talking about? You are talking about it. I am talking about it.
04:14What are you talking about?
04:16You are talking about it.
04:18You are talking about it.
04:19I am talking about it.
04:20I will answer some questions.
04:22Satya will answer a few words about his character.
04:27Hi.
04:28How are you?
04:29Hi.
04:30So, everyone saw the trailer?
04:31No.
04:32Yes or no?
04:33Yes.
04:34Okay.
04:35That's it.
04:36I also have a debut movie.
04:37I am from North, New Delhi.
04:38That's it.
04:39Rivi, sir.
04:40He is the producer of the movie.
04:41Rivi, Sanger.
04:42Rivi, you want to speak?
04:43Okay.
04:44After that, we all started the movie.
04:49The classic movie.
04:50The classic movie was translated into the language and the microphone was translated into the movie.
04:55Now, you can see a mic.
04:57Can you tell him?
04:59Which means?
05:00Yes.
05:01Do you mind?
05:02I want to hear the mic.
05:03Yes.
05:04I'm going to hear the mic.
05:05Don't you tell him?
05:06Yes.
05:07I want to hear the mic.
05:08Take the mic.
05:09I am given one.
05:10I need to hear the microphone.
05:11Yes.
05:12Sibu?
05:14Sibu?
05:16Sibu?
05:18Sibu?
05:20Sibu?
05:22Sibu?
05:24Sibu?
05:26Sibu?
05:28Sibu?
05:30Sibu?
05:32Sir, this is a big picture.
05:34This is a big picture.
05:36You can see it in the poster.
05:40It's a sexy feeling.
05:44You can see it in the picture.
05:46You can see it in the picture.
05:48It's a very sexy feeling.
05:50What's your name?
05:52What's your name?
05:54What's your name?
05:56See, there are two parts to it, with sari as a title I wanted because lot of times when
06:18some kind of a violence or atrocities against women happened, we keep hearing political
06:24guys and various people, they are saying because of the kind of clothes she wore and all that.
06:32So there is a kind of a negative connotation. But someone wearing a sari also is being subjected
06:37to the same, is one point I wanted to make. Now coming to the glamour aspect, that is because
06:44she is playing actually a very girl next door, a middle class girl, anybody can identify with.
06:51But Satya's character basically looks at her because he is possessive and he kind of thinks
06:57he owns her and she should only belong to him. That is his fantasy, what you are showing
07:02in the film. So that is where the difference between the glamour and the realistic character comes in.
07:10What is the reason to give a tagline like for him no means yes?
07:16See, the reason mainly actually I kind of reverse copied that from Pink film because in Pink Amitabha
07:23Bachchan's film, they always say if no means no, you know. So that is when you respect a woman.
07:31So she says no, that is the final. But here going by the character of the antagonist, for him no sounds like yes.
07:39Yeah. So that is the whole point of the story. Yeah.
07:42So that is the whole point of the story. Yeah.
07:44So that is why I am in the last-minute interview. That is when I'm going to be姿
07:47and I'm trying to make the contact with her, she is so nervous.
07:50She is the only one who is the one who is very serious in the movie.
07:56But in the trailer, you don't have any feelings like this in the trailer.
08:03That's why Yam Gopal is the director of the film.
08:09Why do you think this character is a glamorous character?
08:16I've already done it.
08:19See, when I say that I regret that time,
08:25because it reflected my feelings back then. See, at that point, the circumstances and everything was so different.
08:34See, I don't want to do glamour roles and all. But now I believe, being an actress,
08:43it only that diversity only going to fuel your craft. And this character is a very girl next door.
08:52And so she is actually, sorry, in the trailer, I don't know,
08:58she's a very girl next door writer. So completely, that's a very de-glamorized writer.
09:05But, I'm going to show the story script and the director, that's what I'm going to do.
09:12See, the thing is that, in our stock and imagination,
09:17she's a very sexy girl. She's like this, that. So, that's what we can compensate.
09:26That's what we can do. We can do a certain kind of glamour in this movie.
09:31And, yeah, so, I don't regret the situation. But, I think it's a very rigorous statement.
09:41For me, now, glamour has a lot of definition. It is not about glots. It is actually kind of an emotion.
09:49Glamour. It depends from. It depends from. It depends from person to person.
09:54It depends from person to person. If there are a lot of emotions, there are feelings.
09:58So, in my opinion, glamour, it has a lot of definition.
10:02So, I think it's a very rigorous statement. I think it's a very rigorous statement.
10:05I think it's a lot of trolls.
10:08I think it's not about it. I think it's not about it.
10:11I think it's not about it.
10:13So, it's not about it. I think it's about it.
10:17And, in my opinion, I'm open to all kinds of roles.
10:21Yeah.
10:22And, just to clarify, one, as far as our glamour question in Sari is concerned, it's not my mistake or Aradhyas mistake. It's his mistake.
10:35Because, if he imagine like that, what can we do?
10:43Yeah.
10:44I mean, I think it's not about new faces or established faces. It's about every film will have a certain...
11:06I wanted it to be a very relatable story. It can happen to any girl anywhere, this kind of a story.
11:13So, I thought the audience watching can immediately relate to this can happen to me, this can happen to the girl next door.
11:21So, new girl, I thought, will be more realistic.
11:25And, as far as that is concerned.
11:27And, then, even Sathya's character also, like this, they both met randomly without knowing each other.
11:33So, they grow in the audience's mind as the story progresses.
11:48I want to show you something.
11:52Sir, I was wondering,
11:55What went on,
11:56Because he loved one of three characters,
11:57That was sort of attractive.
11:59I was trying to keep on my mind,
12:00Because I thought he was telling you,
12:01Some of the people who are having a story like Aradhyas.
12:02Because the author tells you,
12:03Some of these characters,
12:04Some of these characters,
12:05Some are which one is,
12:06Some of these characters,
12:07Some of them tell you,
12:08Some of them.
12:09That's why,
12:10You never come to this.
12:11So,
12:12I was asking,
12:13I was just wondering,
12:14You never go on that.
12:15I wanted to look at him one of them.
12:16I like that.
12:17So,
12:19I think I love it.
12:20Actually,
12:21I love it.
12:23you see the two points like you know because when I when I was a teenager in
12:41college I felt I was very very influenced by you see me and I have a tendency to
12:47look for something resembling in every heroine in every one at least who I connect to depending
12:54on of course the film and the role so when I initially when I saw the reel of
13:01Aradhyaya when I posted that even the comments lot of people commented on the
13:06Twitter that she reminds you of Sridharia you know so like it reminds you of
13:13like them I'm talking about who put the comments so I think that thing got stuck
13:16there yeah but I would like to see it's not I mean I don't think it's fair to
13:22compare any two actresses for that matter especially a legend like Siddharo because
13:28she's been I mean for more than 30 years she's been a superstar you know but having
13:34said that I felt I mean without any experience of a film institute or doing
13:39even short films Aradhyaya has done a remarkable performance in the film in
13:45terms of everything yeah
13:48yeah okay
13:55yeah okay
14:03Yes, okay.
14:05Your name is Shreelakshmi, I am sure you have a name.
14:10Your name is Shreelakshmi.
14:14Yes, my name is Shreelakshmi.
14:19See, I have Shreelakshmi's name is Shreelakshmi.
14:23I am a little bit of a dog, but when I go to class,
14:28I have a Shreelakshmi's name.
14:30I always wanted to be a unique name for my tax road.
14:38I thought, why not?
14:44Because I think Sri Lakshmi is a very traditional and conventional name.
14:48At that time, my parents and Ram suggested me some names.
14:54Among that, I liked Aradhyah.
14:57My name is Aradhyah.
15:02So I picked it.
15:04Now I am Aradhyah.
15:06Hello sir.
15:07Only thing I feel like our Sri Lakshmi is,
15:12but me and my producer, Aviv Varma,
15:16we are expecting a lot of Lakshmi to come from Sari.
15:20Sir?
15:22Yeah.
15:23So, when you write horror movies, how do you narrate them?
15:30That's a very unusual question.
15:33But I have a tendency to narrate it in shots.
15:37Yeah.
15:38And I will also, I mean, most of the camera movements also I start narrating.
15:43Yeah.
15:44And also, I have watched a lot of movies,
15:47so you mostly have new faces.
15:51That courage you have.
15:53So, that means, from where did you get that?
15:57No, I won't say courage.
15:58I would say that it's like, you know, for example,
16:01I feel new actors bring a lot of believability.
16:05Because established actors are always under baggage.
16:08They develop images and you expect something from them,
16:14based on their previous films.
16:16But in the new actors there is no baggage.
16:18That creates a very heightened sense of reality.
16:22Yeah.
16:23What do you actually attract?
16:26Of course, Sari will be yellow Sari.
16:28Right?
16:29Yeah.
16:30But I think she in the yellow Sari.
16:32But if the same yellow Sari is worn by somebody else,
16:35obviously I won't be attracted.
16:36Yeah.
16:37The point is the person, eventually.
16:39Yeah.
16:40I felt that there was a strong screen presence,
16:42you know, when I first saw her reel.
16:44And obviously, as a filmmaker of the experience,
16:47I will have the eye to see something,
16:50which can be of a certain value on the screen.
16:55And then I also could see the subtlety of her performance.
16:58I mean, having that ease even in front of a camera,
17:01shooting a reel also,
17:03it requires a lot of ease in the actors.
17:06Like, what is it?
17:08Camera friendly personality.
17:10Yeah.
17:11That's what it was.
17:12Yeah.
17:13Okay.
17:14Now the second project is Malayali.
17:16So what's about your next project?
17:18No, no.
17:19That details I'll tell later.
17:20Okay.
17:21Okay.
17:22How do you have heard about Rajni Gata?
17:23First time Rajni Gata,
17:24one time Rajni Gata,
17:25one time Rajni Gata,
17:26one time Rajni Gata,
17:27one time Rajni Gata,
17:28one time Rajni Gata,
17:29one time Rajni Gata,
17:30one time Rajni Gata.
17:31See, I think that this being misconstrued,
17:32I was talking about the technology,
17:34how technology defines startups.
17:35So I gave two extreme examples.
17:36I said,
17:37Rajni Gata is an actor,
17:38he's a superstar.
17:39Now the superstar element,
17:41I think it's because of the slow motion camera.
17:44See,
17:45no actor I ever saw in my entire life,
17:48who looks better than Rajni Gata,
17:50when he's walking in slow motion.
17:52You know,
17:53see,
17:54if you look at any kind of film,
17:55that's what works.
17:57So I said,
17:58in slow motion camera is not there,
18:00I'm not very sure how big a superstar is to be there.
18:02But that's actually a compliment,
18:03what I meant.
18:04Similarly,
18:05I said,
18:06Charlie Chaplin would have never worked,
18:08if he came after the 24K camera was invented,
18:11if he came as an actor,
18:13he probably would never become a star.
18:15So that was just giving a few examples of how,
18:18a specific kind of technology can make something work.
18:22Okay.
18:23Okay.
18:24Aradhyaya,
18:25how did you get the entire experience with Sir?
18:27All right,
18:28Aashir,
18:29it's a great experience.
18:30It's a lot.
18:31It's a lot.
18:32It's a lot.
18:33It's a lot.
18:34It's a lot.
18:35It's a lot.
18:36It's a lot.
18:37It's a lot.
18:38So that's you,
18:39it's a job that we developed at tomorrow.
18:42We improved question each day and,
18:45so that's our чтоб.
18:48It's a lot.
18:49Are you a model and modeling?
18:51You did not look that low.
18:53I knew we could look on everything.
18:54Because that was a magical experience
18:57perfectly random thing.
18:59We did also have the material out there.
19:03Now this is a dream作ed I really thought,
19:06so this is Rawangandu,
19:07there is a dream for me.
19:09I have been able to show my acting,
19:11I've been able to show my drama in the beginning,
19:15but I don't think,
19:18who is the dream and a dream?
19:22So it's a dream and that's all that life.
19:24It's hard to think of it,
19:25it's hard to think of it and it's hard to think of it.
19:27I don't think it's hard being a dream,
19:29because I have been surprised.
19:31So, what do you feel now?
19:34I am not to be very honest, I don't feel and I don't expect anything.
19:38Because this is a dream.
19:41I am not a hit or a blockbuster.
19:47But for me, this is the moments and everything that I had, I will cherish.
19:54And that's it.
19:56Hi.
20:01How are you?
20:03How are you?
20:04Yes, this is my first time.
20:06So, do you want to come?
20:08Of course, I am going to project.
20:10This is your first movie, right?
20:12Yes, this is my first movie.
20:14Yes, some cameos in TV serials and theatre.
20:17Now, how did you cast?
20:19How did you cast?
20:21Actually, I gave a normal audition.
20:24So, I saw a requirement on Instagram, then I applied for it.
20:29After three months, RGB production called me and they told me,
20:34RGVs have wanted to speak with me.
20:36So, that's the process.
20:37So, how was the experience actually?
20:39It was an amazing experience.
20:42You are a good actor actually.
20:45Thank you so much.
20:48All the rest.
20:49You are very handsome.
20:50Oh, really?
20:52You are very handsome.
20:53Really?
20:55You are very handsome and really psycho.
20:56I am a psycho.
20:57I think you are psycho.
20:58It looks like psycho.
20:59Oh, psycho looks like you all the way.
21:00Oh, psycho looks like you all the way.
21:01Actually, I believe as an actor to challenge yourself.
21:02According to me, playing romantic hero character is very easy.
21:04But, dark and terrifying villain character is difficult according to me.
21:26I think you are,
21:27Yeah, I think you are...
21:28I'm sorry.
21:29I am not by my teacher.
21:30Sorry.
21:31Wait for me.
21:32Why I'm going to say that,
21:34Love?
21:35Love is a good relationship.
21:36Love is your wish.
21:37ึvely love.
21:38You don't know the hope here.
21:39But, at the point in time,
21:40Like putting everyone out there,
21:41Three years ago,
21:42Pramad
21:43It's not love.
21:45What is your...
21:48Come on.
21:49To love?
21:50Love is something.
21:51Love.
21:52Love.
21:53What is love?
21:56It depends on you.
22:01What is love?
22:08What is love?
22:11You saw in the trailer, it is not love.
22:14My character is very upset for Aradya.
22:18It is not love.
22:21Whatever you have seen in the trailer, it is my point of view.
22:25Because my character name is Kitto in the movie.
22:28So he is very obsessed for Aradya in the movie.
22:31So that is not love.
22:34In real, what can you say about love?
22:39Love is good, but now I am small.
22:45You are so small.
22:47Now I have to focus on the work.
22:49I have no idea.
22:51Aradya, Aradya.
22:53Aradya, Aradya, Aradya, Aradya, Aradya, Aradya, Aradya, Aradya, Aradya, Aradya, Aradya.
22:57Then the film is raised with Agosh, and I am working with Agoshap, and on you.
23:00And I am making progress on it.
23:01In my interest, I Douglas a forgiven.
23:03Yes.
23:04In my interest, Kiotop, the sunyest.
23:06Please, ask the question to the producer, do you?
23:09What do you say?
23:10Yes.
23:11See, initially it was that but he had some previous commitments and at the point of time
23:19we wanted to start the thing, he was not available so we were in a certain time bound.
23:27So we are going to do some other project after this.
23:30And one more thing I want to tell in continuation to what Satya was saying.
23:36Satya, I don't know if you like what I said, say just now, I feel in spite of him being a very handsome guy,
23:43I don't think we will ever get any girl after they see Sari.
23:48Because he is so good in the film as an actor, so they will think that is the real him.
23:54When everyone is not like that, I am just joking.
24:00The story about Vivek Obroi, you cast Vivek Obroi in the company movie.
24:07You already, that story we told in the movie, best actor Mahouti movie.
24:14Is that story too, can you tell people?
24:18See, I mean, there is half truth in that.
24:21The half truth is, you see, when I first saw him, I was in little two minds about whether he can play this rough gangster
24:29who is in some kind of, who comes from a gully or a mohala.
24:34And then when he did his get-up, the make-up and all that, he came.
24:39I was very concerned, absolutely.
24:41But the fact that he lived with the gangsters and lived with that, you know, that I think is a little exaggerated.
24:47Yeah, yeah.
24:48Yeah, yeah.
24:49That's the real story, right?
24:51We already mentioned that movie.
24:52Yeah, that's the story.
24:54Yeah, have you told that movie?
24:55No, I can see it.
24:56No, no.
24:57No, no, no, no.
24:58No, no, no.
24:59No, no, no.
25:00No, no.
25:01Do you see it?
25:03No.
25:04No, no.
25:05Do you see it in India?
25:07All you know about India.
25:09You see Hindi films, all you see.
25:11You see the films from India.
25:13Sometimes, yes, in your films,
25:16I didn't understand anything.
25:23Why is this film doing four languages?
25:30See the point, any kind of a film when you do it in different languages
25:35because we feel that the basic subject matter is very relatable to no matter
25:41because it doesn't have a cultural backdrop, it doesn't have a nativity.
25:45It is just about a man-woman emotion.
25:48In that sense, both me and the producer, we felt that it can be connected to any audience, anywhere in any language.
25:57That's the reason we are thinking.
25:59Earlier your movies were like TV.
26:02Why do you want to take it in different languages?
26:07On the earlier movies, what's the idea of television?
26:10The same thing we are doing actually.
26:13Even earlier times also, a brief film used to be dubbed depending on the timings and all that.
26:19Now I think in the latest trend, the intention is to even at the starting time itself,
26:26we decide in how many languages to release and trying to do it at the same time,
26:30which is what is called the so-called parallel or whatever.
26:34I think it is more organized now.
26:36At that time, it was just happened just by default.
26:40It's more relevant to my curly legs, right?
26:41Sure, I think it's also been a bit difficult to do it at the same time,
26:46It's exactly what we wanted to do.
26:50Why don't you tell people who are you?
26:52Okay.
26:53I think I was happy to smile.
26:55See, around the first time, can someone tell me who she is?
27:01That is my birthday.
27:02So, we are going to celebrate all the shooting.
27:07So, yeah.
27:08So, I have never had a birthday party.
27:12Never, never had a birthday party.
27:13So, he gave me a birthday party.
27:15Yeah.
27:17Yeah.
27:18Well, see, she was the star of the film we are doing.
27:21And the entire unit wanted to celebrate her birthday because of that.
27:26Yeah.
27:27Sir, your two assistants are working as a filmmaker in New Kerva.
27:32Sameer Plyer and Amandida.
27:34Amandida, yeah.
27:35And still you are connected with them?
27:38I just spoke to Amandida just now.
27:40Really?
27:41Yeah, yeah.
27:42You are planning any for you to move in and do it with Amandida?
27:47Not really.
27:48Because I don't think I make a film unless I know the language.
27:53Working is the main thing, yeah.
27:55Because they are trying to become a cinematographer.
28:01And what will they become a filmmaker?
28:03Why unfortunately?
28:04They are doing so well.
28:05Yeah.
28:06They are doing so well, yeah.
28:07Yeah.
28:08You have to do it and don't understand the character of everyone and your friends would
28:09be healthy.
28:10It is not.
28:11Not done.
28:12I was told them.
28:13You cannot be a dancer oruire.
28:14We can't tell them that they are doing it.
28:15Not this anymore.
28:16It is not done.
28:17It's not done yet.
28:18It is not done yet.
28:19It is not done yet, right.
28:20Sir.
28:21The start-up of a question.
28:22So how he can help me to get to wash the film?
28:25See, I mean, it happens. See, there are two elements to a film being watched. One is who is there in it, which means like someone you already know, you have seen, you have established actor and everybody knows.
28:43The second is, what is it about? For example, it looks like they are very two people because it looks so realistic what is happening. So I think, is that the difference in terms of what I was explaining just a couple of minutes back, the believability factor and his expression and because both of them are such fine actors, when you see the trailer, they don't look like new actors.
29:12They seem like professionals, you know. So that is going to bring in a reality which established actors sometimes might not. That is my belief.
29:21Sir, do you know about Mahmoodi? Because I never worked with Mahmoodi Ji, you know. Obviously, I know him as an actor, as a fantastic actor, but I spoke about Mr. Mollal because I worked with him.
29:40No, no I never met him.
29:54I definitely have a tendency to be attracted to the dark side of drama in terms of extreme
30:15people. But I also made Rangila. So that is not at all this time.
30:23Sir, Yambura is the biggest movie from Kerala. So you are one of the person who visited the
30:30sets and we also met Preeti and Dalza together. How was the experience?
30:34Yeah. See, actually I wanted to meet Preeti Raj for some thing. And at that time you were
30:40watching this film, Palakkar. So I just went to see that and I also didn't see Mr. Mohla for
30:46a very long time. So I just thought it would be nice and it was a very good experience.
30:51Yeah.
30:52And wrap it up.
30:55What are you getting? What?
30:57What are you talking about?
30:59Sir.
31:00Sir.
31:01Sir.
31:02You have a company.
31:04You have a film.
31:07Yes.
31:08Yeah.
31:09Sir.
31:10Yes.
31:11Sir.
31:12So you want another gangster film.
31:13Yes.
31:14Yeah.
31:15Soon.
31:16Yeah.
31:17I can't tell it the time but yes, yeah.
31:19Soon, yeah, I can't tell you the time, but yes, yeah.
31:49Hello, good evening. I came to Kerala, it's the fourth time, I think.
32:02It's a very good location for the vacation. First time I came here for the business store.
32:09We are going to have a discussion with Sanma, please.
32:18That's a distributor.
32:20Yeah.
32:22Where are you?
32:24That's right.
32:26Yes, that's right.
32:28I don't know what to answer.
32:44Actually, I don't know what to answer. Ask one more time.
32:49I don't know what to answer. I don't know what to answer.
33:05Actually, this was actually inspired from an incident which happened in Raas Mandri.
33:12So, yeah.
33:15Saree happened to be a part of it because I wore saree.
33:19If I was wearing Shridhar, I don't know.
33:23I think there's no way I would have made a film called Shridhar.
33:27Saree has a classiness to it and elegance and something which is really looked up to.
33:33I don't think, I mean, you are getting with Shridhar, but it don't mean any offense.
33:38I'm just saying it in the context.
33:40I just told the answer three times. Maybe you were sleeping at that time.
34:08Because for your sake, I can't pour them here.
34:12Thank you very much.
34:14Hello and welcome.
34:16Nani, April and March.
34:18Second, we've got to go eat at our cinema and theatre.
34:22Sir, can I have a picnic?
34:24Yes, sir.
34:26Yes, sir.
34:28Yes, sir.
34:30It's very nice.
34:42I think we've got to go eat at the trailer.
34:46It's very nice.
34:48It's very nice.
34:50I like it.
34:52I like it.
34:54I like it.
34:56It's very nice.
35:14It's very nice.
35:16I love you, love you, love you
35:46Well
36:01what
36:08and
36:11oh
36:42Oh my baby, oh my city, oh my city
37:12Oh my city, oh my city, oh my city
37:22Oh, there you go, there you go
37:30Oh my city, oh my city
37:34Oh, my city
37:38What?
37:53What are you doing?
37:55What are you doing?
37:57I'm not doing it.
38:08A academia, a world that regulates and cuts
38:12And dyes are like, oh, I am thinking
38:16I am thinking I am thinking of
38:19I am thinking I am thinking of
38:23it's hard, it's hard
38:28Nice job
38:30Nice job
38:31I'm not sure how to do this.
38:36I'm here to take care of it.
38:41I want to take care of it.
38:45I want to take care of it.
38:50I want to take care of it.
38:55It's a photojourn.
38:57No, no, no, no.
38:59Photojourn.
39:10Pretty close, eh, go.
39:25Okay, thank you.
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