- 12 ore fa
Time to Remember (1963) is a heartfelt drama that follows the story of individuals reconnecting with their past and rediscovering meaningful relationships. Set against a backdrop of poignant moments and personal reflection, the film explores how memories shape our present and influence our future.
Through engaging performances and a thoughtful narrative, Time to Remember captures themes of love, family bonds, and the importance of cherishing connections. Its gentle storytelling and emotional depth make it a touching experience for audiences who appreciate character-driven cinema and reflective journeys.
Ideal for fans of classic dramas and emotionally resonant stories, this 1963 film offers a timeless exploration of relationships, nostalgia, and personal growth.
Through engaging performances and a thoughtful narrative, Time to Remember captures themes of love, family bonds, and the importance of cherishing connections. Its gentle storytelling and emotional depth make it a touching experience for audiences who appreciate character-driven cinema and reflective journeys.
Ideal for fans of classic dramas and emotionally resonant stories, this 1963 film offers a timeless exploration of relationships, nostalgia, and personal growth.
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00:00Grazie a tutti.
00:30Grazie a tutti.
01:00Grazie a tutti.
01:30Grazie a tutti.
02:00Grazie a tutti.
02:30Grazie a tutti.
02:59Grazie a tutti.
03:59Grazie a tutti.
04:01Grazie a tutti.
04:31Grazie a tutti.
04:33Grazie a tutti.
04:35Grazie a tutti.
04:37Grazie a tutti.
04:39Grazie a tutti.
05:09Grazie a tutti.
05:39Grazie a tutti.
06:09Grazie a tutti.
06:11Grazie a tutti.
06:41Grazie a tutti.
06:43Grazie a tutti.
06:45Grazie a tutti.
06:47Grazie a tutti.
06:49Grazie a tutti.
07:19Grazie a tutti.
07:21Grazie a tutti.
07:51Grazie a tutti.
08:21Grazie a tutti.
08:51Grazie a tutti.
09:21?
09:51a tutti.
09:53, grazie a tutti.
09:55a tutti.
09:57a tutti.
09:59a tutti.
10:01a tutti.
10:03a tutti.
10:05tutti.
10:07?
10:37a tutti.
10:39?
10:41?
10:43a tutti.
10:45a tutti.
10:47a tutti.
10:49?
10:51a tutti.
10:53a tutti.
10:55che.
10:57che.
10:59a tutti.
11:01a tutti.
11:03a tutti.
11:04a tutti.
11:05a tutti.
11:06a tutti.
11:07a tutti.
11:08a tutti.
11:09a tutti.
11:10a tutti.
11:11a tutti.
11:12a tutti.
11:13a tutti.
11:14a tutti.
11:15a tutti.
11:16a tutti.
11:17a tutti.
11:18a tutti.
11:19a tutti.
11:21a tutti.
11:22a tutti.
11:23a tutti.
11:24a tutti.
11:25a tutti.
11:26a tutti.
11:28a tutti.
11:29Chi è?
11:46Susanne, cosa è sui?
11:48Quando sei fu fuori l'anima,
11:50hai detto che sei che sei fuori per qualche stanza.
11:52C'è perfetto.
11:54Hai fatto che scegliere per le stanza?
11:56No, perché?
11:57You didn't come home all night.
12:00I, uh, I had to go rather a long way for that.
12:03Post office is just around the corner.
12:06For these stamps, I had to go to London.
12:09Victor, as a lover, you have no equal.
12:12But as a liar, you are loath.
12:16I didn't come here to read newspapers.
12:18Read. It will improve your temper, if not your mind.
12:20Oh!
12:27Now, what is it I am to read that would be so improving?
12:34The news from London might prove education.
12:38200,000 pounds safe robbery in London.
12:41What about it?
12:43Listen.
12:45The London home of the late Lady Cumberland,
12:47the rich recluse who died last week,
12:48was raided by a gang last night.
12:50Lady Cumberland's jewellery, worth an estimated 100,000 pounds,
12:53was stolen from the safe,
12:55as well as the late Lord Cumberland's famous stamp collection.
12:57Both the jewellery and the stamps
12:59were to be auctioned next month by order of the trustees.
13:01A Western stamp dealer said today
13:03dealers from all over the world were to attend the sale,
13:05and I estimate that the stamp collection
13:07would have realized at least as much as the jewellery.
13:11So, that is what you meant
13:13by popping out to get a few stamps.
13:15Yes, Cherie, that is exactly what I meant.
13:18Victor, we are rich!
13:19No, Cherie, we are not rich.
13:22I am rich.
13:23We are through, remember?
13:25Victor.
13:25Hey, darling!
13:35There, you look a million dollars.
13:38In fact, according to this, you are a million dollars.
13:41Yes, that newspaper's got the wrong end of the stick.
13:44It was only the stamps I took was my car.
13:46Ernest Edward Johnson,
13:48known to the London underworld as Jumbo,
13:50died in hospital after falling from the roof of the house.
13:53Another man, Patrick Garrity, is in custody.
13:56A third member of the gang
13:57is believed to have escaped to the continent
14:00with the bulk of the proceeds of the robbery.
14:03Somebody must have informed on you.
14:04Yes, and that means I must make myself scarce.
14:07But what puzzles me is what's happened to the rest of the stuff,
14:10the jewellery.
14:11The last time I saw Jumbo, he had it in a dispatch case.
14:14You can't trust anybody these days.
14:15Not even you, Suzanne?
14:18What do you think?
14:20I think that I love you very much.
14:24Victor, forgive me for doubting you.
14:27I love you so much, I can't think straight.
14:30I would kill anyone who came between us.
14:32Oh, nobody ever will, my darling.
14:35Did you know,
14:37Jumbo must have known that he was going to be caught.
14:39So he must have put the jewellery somewhere on the spur of the moment,
14:43hoping to collect it again when he'd finished his time.
14:47Yes, but I mustn't miss my time.
14:49I know, the gendarme in Paris must be looking for me.
14:52Come, let's go.
15:09Burgess and company.
15:20Oh, hello, Mary.
15:23Hmm?
15:24Oh, no, I'm all right.
15:25A bit fed up, that's all.
15:27Listen, what happened when you left the club last night?
15:33Yes.
15:35Yes.
15:36Oh, I'll call you back, Mary.
15:40Can I help you, madam?
15:42Yes, I want to buy a house.
15:44A house?
15:45This is an estate agent's, isn't it?
15:46Oh, of course.
15:48I'll just ask Mr Burgess what we've got on the books.
15:50Oh, that's all right.
15:51I know the house I want.
15:53Oh, well, I'll inquire if Mr Burgess is free to see you.
15:58What's your name, madam?
15:59Jackson.
16:00Mrs Jackson.
16:06Jack.
16:09Jack.
16:10Vera.
16:10What do you think's going to end the 3.30 race?
16:13Hotspot or Annie Laurie?
16:15I fancy Annie Laurie myself.
16:16Keep your mind off horses.
16:16Listen, there's a woman out there who says she wants to buy a house.
16:19What?
16:20That's what we're waiting for.
16:21Show her in.
16:22Don't you ever say please?
16:24Will you come in, Mrs Jackson?
16:32Good day, madam.
16:33Come, won't you sit down?
16:34Thank you.
16:41So, you're interested in purchasing a house, Mrs Jackson.
16:44What type of property had you in mind?
16:4711 Eaton Street West.
16:49Very nice.
16:50Expensive, of course.
16:51Part of the Cumberland estate, handled by Parker Stott and Cracknell.
16:55We do a lot of business together.
16:58Vera, will you please ring Parker Stott and Cracknell
17:01and tell them we have a client interested in purchasing 11 Eaton Street West?
17:06Just a minute.
17:07When would you like to view the property, Mrs Jackson?
17:09Today?
17:11No, definitely not today.
17:12I'm too busy.
17:13Tomorrow?
17:14Will you please ask them, may our client view the property sometime tomorrow?
17:19And thank you.
17:21Well, I was wondering if perhaps you could pick up the keys for me sometime today,
17:26as I'd like to see the place first thing tomorrow morning, around about nine o'clock.
17:30You know what some of these West End firms are.
17:32They don't open until around about 9.30 or even 10.
17:35Well, that might be just a little difficult, Mrs Jackson.
17:38You see, the acting agents in this case, Parker Stott and Cracknell,
17:43usually like to be present when a prospective client views property in the interests of the purchaser,
17:48just as much as in the honours of the property.
17:50However, we'll see what can be done.
17:53Do you often deal in property, Mrs Jackson?
17:56I dabble in it from time to time.
18:04Yes?
18:05Tell the lady that nobody can view 11 Eaton Street West just yet as the police are in possession.
18:11Don't you read the papers?
18:12That's a pity.
18:21What's a pity?
18:22Some delay about getting a permit to view.
18:25However, not to worry, I'll ring the senior partner myself later today.
18:29If you'll just give me your telephone number.
18:30I'll phone you.
18:32As you wish.
18:33I can't understand some of these firms.
18:35Always putting obstacles in the way of people who want to do business.
18:39It's these old established firms, Mrs Jackson.
18:42They just will not adopt up-to-date net.
18:45Now, not to worry, Mrs Jackson.
18:47I won't let the matter drop.
18:48I hope not.
18:48Leave it to me.
18:49I'll stir these old fogies up.
18:50Good day.
18:55Now, what's all this about the police being in possession,
18:57and don't I read the newspapers?
19:00Well, what do you know?
19:04I would have thought the question is, what don't you know?
19:07What do you mean?
19:07About Mrs Jackson.
19:08Well, she's just a prospective client.
19:10What would she want with a house like that?
19:12I don't give a damn.
19:13So long as she's got the money, she pays me my commission.
19:16Now, look, this just might be the chance I've been looking for.
19:19Get me Parker, stop and crackle.
19:21Yes, my lord.
19:30Mrs Johnson.
19:35What are you doing here?
19:36Well, I had to come and see you.
19:37So you found your own way in?
19:38Couldn't very well hang around outside, could I?
19:41Sorry about Jumbo.
19:44It wasn't your fault, Sammy.
19:47Did I get you a drink?
19:48Yes, I need one.
19:50Whiskey.
19:50Did you manage to get there before...
19:57Yes.
20:08I can't very well say cheers.
20:10Yeah, I know.
20:11It's tough.
20:12It's going to be tougher.
20:14I shall have to sell this place.
20:17Bad as that, is it?
20:18Bad as that.
20:19Jumbo never saved a penny.
20:22Always dreaming of the big job.
20:25When he finds the big job, he has to go and fall off a roof.
20:27And a Frenchie gets away with a lot.
20:30He didn't, you know.
20:32Hey?
20:33What do you mean?
20:34There's some villainy going on somewhere and I don't get it.
20:37All this scream in the papers about the stuff being sold on the continent isn't true.
20:39I drove the Frenchman to his plane.
20:41And all he had was the stamps.
20:42That was the arrangement.
20:43The rest is still in this country.
20:45So what can we do about it?
20:47Find it.
20:49Easier said than done.
20:50That jewellery can't be far away from that house on Eaton Street West.
20:54How'd you figure that out?
20:55When Jumbo came running out of the house, he had the stuff under his arm.
20:57Then he turned and ran back in the house, didn't he?
20:59Right?
21:00I don't know.
21:00I wasn't there.
21:01All I know is he's dead.
21:04Look, I know it's tough on you, Mrs. Johnson, but you've got to be practical.
21:06See, I mean, that's the way Jumbo would want it.
21:07That stuff is stashed away somewhere, probably in some obvious place where no one would dream
21:11of, and you're entitled to your share.
21:12Look, the job came unstuck, and that's that.
21:15No good crying over spilt diamonds.
21:17Yeah, I know, but you could...
21:18If you find them, Sammy, good luck to you.
21:20Just remember me, will you?
21:22Now, if you don't mind, I'd like to rest.
21:23Let me get you another drink.
21:24No, Sammy, drink's no answer.
21:26I just have to sort it out the best way I can.
21:29I'll see you out.
21:38Goodbye, Sammy.
21:39Mrs. Johnson, um, was Jumbo conscious when you saw him?
21:45Only just, why?
21:47Did he say anything?
21:49Sammy, he was a dying man.
21:51He was too weak to talk.
21:54Not a word.
21:55Not a word.
21:58I'd better be going, I suppose.
22:02Sorry if I upset you.
22:24Good evening, madame.
22:30Would madame object if I join her table?
22:36Would madame allow me to buy her a drink?
22:38I do not allow policemen to buy me drinks.
22:41You have England on your mind, madame.
22:43No, inspector.
22:45I have not England in my mind.
22:47What's on yours?
22:48Victor.
22:48You are welcome to him, the rat.
22:52Is that why you wait for him all evening?
22:54I am not waiting for Victor.
22:56I am not interested in him anymore.
22:59We have quarreled.
23:00Madame, now you really do insult me.
23:02You insult my intelligence.
23:04A beautiful woman does not quarrel with a lover when he is in the big money.
23:07Is really Victor in the big money?
23:11Very big money, madame.
23:13So, now I understand why he makes a quarrel.
23:16He has taken somebody else to send...
23:18Send where, madame?
23:21Send Moritz?
23:22Send Marco?
23:23Saint Sebastien?
23:23No.
23:27Send nowhere.
23:30Good night.
23:35Good night, madame.
23:36Good night.
24:06Good night.
24:22Yes.
24:23Who are you?
24:25Friend of Victor's.
24:26Oh, do I know that?
24:27The name's Sammy.
24:28I drove him to the airport.
24:29Victor did mention something about a driver.
24:32We can't stand talking here.
24:35You'd better come up.
25:02Very nice.
25:06Now, what is it you want?
25:08I want to see Victor, urgent.
25:09Victor's not here.
25:11That's awkward. I want to see him.
25:12What can I do about it?
25:14How did you find me?
25:16Never mind about that.
25:17Better in Soho said I could contact him through you.
25:20Victor is not in Paris.
25:21Look, I know Victor's in Paris.
25:25Victor was in Paris this morning,
25:27but he had to, how do you say, make himself scarce.
25:32Hello? Who is it?
25:3916th, out of this mall. Police.
25:42All right, come up.
25:46Police. Now you'd better make yourself scarce.
25:53You wait here.
26:02Good evening again, madame.
26:06It was nice of you to see me home.
26:08Did you wish to come in and satisfy yourself that Victor is not here?
26:11No, madame, no.
26:13I would not embarrass you.
26:16Or myself.
26:18It just occurred to me that you might also like to be in the big money.
26:21How big?
26:21A London insurance company is offering £20,000
26:25for information leading to the recovery of the property.
26:29Which you have reason to believe Victor stole.
26:32I couldn't be an informant because I have no information.
26:35You know, madame,
26:37you did not fool me with that deliberate slip of the tongue you made
26:39about Victor being in Seine,
26:42wherever it was.
26:43Maybe it was San Francisco, I forget.
26:46All I can tell you is that Victor is not in France.
26:50Once again, good night, madame.
26:52Is that all you called to see me about?
26:55I nearly forgot.
26:57My memory is getting as bad as yours.
26:59You dropped this, I believe.
27:01Oh, thank you a million times.
27:03Once is enough.
27:04An expensive shoe and so new.
27:07Most kind of you.
27:08I'll drop it to written property to the rightful owners.
27:11Good night, madame.
27:12Night.
27:13All right, he's gone.
27:22What was all that about?
27:23The detective brought my shoe back.
27:25Wasn't that sweet of him?
27:27Yes, your police are wonderful.
27:29I bet he checks up with the shop tomorrow morning
27:31to find out how many purse I bought.
27:35After that, I need a drink.
27:36Me too.
27:37Wait till you asked.
27:38Ask me then.
27:39Okay, you are asked.
27:44What will it be?
27:54Whiskey?
27:55Fine, yeah.
27:57A drink for the road, as you say.
27:59Because you are leaving immediately afterwards.
28:02Well, I'd better make it a long one, then, hadn't I?
28:11Sante.
28:11It's nice.
28:24It's nice.
28:24Five minutes.
28:26Now, what's all this about?
28:29A little matter of a hundred thousand, Nicker.
28:30Hmm?
28:31Pounds.
28:32Everybody talks telephone numbers tonight.
28:33Who's everybody?
28:34Never mind.
28:35The papers are doing a big scream
28:37about selling the Cumberland Jewels on the continent.
28:39That is not true.
28:40Oh, I know it's not true.
28:41Did Victor tell you that?
28:42Never mind, you told me.
28:44What's all this got to do with Victor?
28:45Well, I did him a favor.
28:46I reckon he owes me one.
28:47What are you doing?
28:49Putting on the black?
28:50I'm not trying to blackmail anybody.
28:52I just need Victor's help.
28:53That's all.
28:53He was so grateful.
28:54He even invited me to come with him.
28:56Then why did you not do so?
28:58Simple.
28:59Because I didn't know then what I know now.
29:00And what is that?
29:03That the Cumberland Jewels
29:04is still somewhere in that house.
29:08Marvelous.
29:09Then why do you not go in
29:11and help yourself to them?
29:12Because I need Victor's help.
29:14No, my friend.
29:15No, it's impossible.
29:16Victor never worked
29:17for the same organization twice.
29:20He's a lone wolf.
29:21He says thieves
29:23always fall out eventually.
29:24And then...
29:25Look, Victor did very nicely
29:26out of that.
29:27Me, nothing.
29:27Not even a top on his stamp.
29:28Not a light.
29:29You can't blame Victor
29:30for the fact that you got nothing.
29:32But Victor can thank me
29:33for his getaway.
29:35You want a few pounds?
29:37All right, it could be arranged.
29:39You drove him to the airfield.
29:41How much a mile do you charge?
29:44Don't you upset me.
29:46You'd better go.
29:49All right.
29:52I'll go.
29:54Right round to the nearest police station,
29:56wherever that is.
29:57The nearest is in the Passy district.
29:59Any taxi will take you.
30:01Shall I ring for one?
30:02Yes, do that.
30:02Get me a cab.
30:03Because if I can't get the stuff myself,
30:05I may as well have the 20,000 pounds
30:06from the insurance company
30:07for information received.
30:08And then where will Victor be?
30:09All right, Sammy.
30:11All right, Sammy.
30:13I'll get you a taxi.
30:16But I'll get you another drink first.
30:19Take your coat off.
30:21Relax.
30:22You are being a very silly boy, Sammy.
30:38Burgess and Company.
30:49This is Mrs. Jackson.
30:51Will you please ask Mr. Burgess
30:52just what he's doing about that house
30:54in Eaton Street West?
30:55I want to buy it.
30:57Do you understand?
30:57Buy it.
30:58And if he's not interested,
30:59I'll approach another agent.
31:00Mr. Burgess is doing his best, madam,
31:03but the agents will not issue any permits to view
31:05until the repairs have been carried out in the basement.
31:07Is this just an excuse?
31:09No, Mrs. Jackson.
31:10It is not an excuse.
31:13How's my lovely?
31:15Happy birthday.
31:17You've gone out to lunch already?
31:18Is that a disinterested question or a reprimand?
31:21Wow.
31:21I've just come in, if you want to know.
31:23I've been collecting the rents from Burton Street.
31:26The whole ten pounds of them.
31:29If I'm time conscious,
31:30you can only blame your own beautiful birthday present.
31:33Thank you, darling.
31:34That's not a birthday present, Jack.
31:35It's a going-away present.
31:37I'm not going away.
31:38No, but I am.
31:40I'm leaving, Jack.
31:41I can't stand this place anymore.
31:43Honey, all I need is just one big break.
31:45I'm tired of your big talk, Jack.
31:47Look, your small-time trying to be big-time.
31:50You'll never make it.
31:51I don't understand you.
31:52You buy me a watch.
31:53It must have cost you all of a month's salary.
31:55A month's salary I haven't had.
31:56Be patient, Vera.
31:57I've been patient for the last ten years.
31:59Be patient a bit longer.
32:00Oh, your friend Mrs. Jackson phoned again.
32:03She's threatening to approach another agent.
32:06Beats me why she doesn't approach Parker Stott and Cracknell herself.
32:09Oh, she's got to think about old established firms.
32:11Don't you see?
32:12She's the chance I've been waiting for.
32:14If I can get my hands on the Eaton Street property,
32:16the sky's the limit.
32:17They buried a man today
32:18who thought he'd made a fortune out of that house.
32:21What's it?
32:21Detectives mingled with gangsters
32:24and other underworld characters
32:26in a London cemetery today
32:27at the funeral of Ernest Edward Johnson.
32:29Johnson fell to his death
32:31from the roof of a house in Eaton Street West
32:33on the morning after the 200,000-pound robbery.
32:37Burgess and Company.
32:38Burgess and Company.
32:39Yes.
32:41Oh, certainly.
32:42For you, Parker Stott and Cracknell.
32:45Burgess speaking.
32:47Good.
32:47I'll be right over.
32:48Thank you for calling.
32:50We're in business, love.
32:51We're in business.
32:52I'm going to collect the permits of you
32:53and the keys this afternoon.
32:55Please ring Mrs. Jackson.
32:57Please ring.
32:58Look at that photograph of the funeral.
33:00What about it?
33:01That woman.
33:01Don't you recognize her?
33:03That's your Mrs. Jackson.
33:05A newspaper photograph can be very deceiving.
33:06Not nearly as deceiving as Mrs. Jackson.
33:08The caption describes her as Mrs. Johnson.
33:18This is something new.
33:20Thieves trying to buy the house they've robbed.
33:23And with the proceeds of the robbery, no doubt.
33:26Well, it can't be for sentimental reasons.
33:28You'd better watch your step, Jack.
33:31Yeah.
33:31See you later.
33:45Good afternoon.
33:46Parker Stott and Cracknell.
33:48Oh, yes, madam.
33:49Oh, yes, I have it here.
33:51I want to keep you a moment, sir.
33:53Yes, here it is, madam.
33:54The premium is £5,000.
33:58That's including the curtains.
34:01Oh, yes, I see, madam.
34:03Yes, very well.
34:04I'll tell Mr. Cracknell.
34:05Thank you.
34:06Good afternoon.
34:08Yes, sir?
34:08Good afternoon.
34:09My name's Burgess.
34:10Oh, yes.
34:11Oh, yes, I have some keys and a permit to view.
34:13Thank you.
34:14Oh, I'd, um, let's just see if Mr. Cracknell would like to see you.
34:17Oh, don't bother him.
34:18Oh, uh, Mr. Cracknell, uh, this is Mr. Burgess.
34:22How do you do, sir?
34:24You have a client interested in Eaton Street West?
34:26More than interested, Mr. Cracknell.
34:27She's determined to buy the property.
34:29Ah, a lady, is it?
34:31Well, when a lady sets her heart on something, she usually gets it.
34:34I must apologize for the delay in getting the keys for you.
34:36We've had the builders in.
34:37That wretched burglar, you know.
34:38Yes, yes, I read about that.
34:40Yes, it was very distressing.
34:41We did tell the trustees that there should have been a caretaker on the premises,
34:45but they thought that the burglar alarm was sufficient protection.
34:47One cannot take sufficient precautions nowadays, Mr. Cracknell.
34:51But with these ruthless gangs, I doubt whether a caretaker would have deterred them.
34:54All right you are.
34:55Indeed.
34:56Indeed.
34:58Yes.
34:59Well, you will let us have those keys back as soon as possible.
35:01We've only three sets, and we've had a number of inquiries.
35:03Of course.
35:05Good day, dear.
35:07Good day.
35:17Good day.
35:47Good day.
36:17Good day.
36:47Good day.
37:17Good day.
37:47Grazie a tutti.
38:17Grazie a tutti.
38:47Grazie a tutti.
39:17Grazie a tutti.
39:47Grazie a tutti.
39:49Grazie a tutti.
39:51Grazie a tutti.
40:23Grazie a tutti.
41:25Grazie a tutti.
44:25Grazie a tutti.
44:27Grazie a tutti.
44:29Grazie a tutti.
44:31Grazie a tutti.
44:33Grazie a tutti.
44:35Grazie a tutti.
44:37Grazie a tutti.
44:39Grazie a tutti.
45:39Grazie a tutti.
45:41Grazie a tutti.
45:43Grazie a tutti.
45:45Grazie a tutti.
45:47Grazie a tutti.
45:49Grazie a tutti.
45:51Grazie a tutti.
45:53Grazie a tutti.
45:55Grazie a tutti.
45:57Grazie a tutti.
45:59Grazie a tutti.
46:01Grazie a tutti.
46:03Grazie a tutti.
46:05Grazie a tutti.
46:07Grazie a tutti.
46:09Grazie a tutti.
46:11Grazie a tutti.
46:13Grazie a tutti.
46:15Grazie a tutti.
46:17Grazie a tutti.
46:25Grazie a tutti.
46:26Vandermere here.
46:27Vandermere?
46:28You want to speak to me?
46:29I thought you'd forgotten me.
46:30I've only just got back.
46:32It's been three hours.
46:33I'm very busy, ma.
46:34Yeah, I realise that.
46:36A matter like this needs very careful consideration.
46:39What's your offer?
46:41I'm prepared to give you 25,000 pounds.
46:44Cash.
46:4525,000.
46:47You can't take it, don't leave it.
46:50Yeah, yeah, that's okay.
46:51They'll be fine.
46:53Only one condition, though.
46:54What's that?
46:55We'll close the deal tomorrow.
46:56All right.
46:57Yeah, well, I'll come along to your office.
46:59No, we'll meet you at Poulban Station.
47:01Where?
47:02Poulban Underground.
47:03Why?
47:04You'd better not be seen at this office.
47:07Silly of me.
47:10All right, then.
47:11I'll meet you there,
47:1311 a.m., tomorrow.
47:16All right.
47:17Good-bye.
47:33So there you are.
47:35What do you want?
47:36Oh, thank you.
47:38I can tell when I'm not wanted.
47:40No, wait, Vera.
47:42No, please.
47:43I'm sorry.
47:44It's just that I didn't expect to see you.
47:46When I got back, the office was locked up
47:48and I thought you'd gone home.
47:49You're right.
47:50I did go home.
47:51I set my hair, had a bath,
47:53dressed with loving care,
47:55and waited.
47:56Waited?
47:57For you.
47:58If I remember rightly,
47:59your exact words were,
48:00tonight I'll give you an evening
48:01you'll never forget.
48:02my birthday party.
48:05My birthday party.
48:07He remembers.
48:10Happy birthday.
48:12I was on my way to the club to look for you
48:13when I saw the lights on.
48:15I couldn't believe you'd still be here.
48:18I'm sorry.
48:18Something happened to delay me.
48:21Mrs. Jackson?
48:22What?
48:22She called again just when I was leaving,
48:24demanded to speak to you.
48:26I said you'd be back later
48:27and to keep on ringing.
48:28Did she get you?
48:29No.
48:30I mean, yes.
48:32Forget her.
48:33Forget her.
48:37Jack, is anything wrong?
48:40I don't know how to tell you.
48:43I can't find that watch anyway.
48:45Wasn't it at the club?
48:46Club?
48:47Oh, no.
48:48Oh, don't worry.
48:49It'll turn up.
48:53Vera,
48:54I'm just as sick of this office as you are.
48:56Let's go out for a holiday.
48:57A long holiday.
48:58A holiday?
48:58Yeah, let's go around the world.
48:59What do you say, honey?
49:00Oh, it's a wonderful idea.
49:01There's nothing I'd like more,
49:02but we can't afford it.
49:03Money?
49:03Oh, forget it.
49:04I'm going to get a ton of it.
49:05Jack, how?
49:06One doesn't get rich overnight.
49:07Yeah, it happens every few weeks
49:08in the city nowadays.
49:10See, some time ago,
49:10I took a gamble in some shares.
49:12Now it's skyrocketing.
49:13All I've got to do tomorrow
49:13is sell them
49:14and we'll be rolling in money.
49:19Jack,
49:20is everything all right?
49:22Of course.
49:25No.
49:26Don't ask.
49:26Probably Mrs. Jackson
49:29again.
49:48Oh, hello, Vivian.
49:48What brings you in?
49:49Come on in.
49:50Hello, Kitty.
49:51Look, I know you've got
49:55troubles of your own, love,
49:57but I'm worried about Sammy.
49:59I haven't seen him for days.
50:00No phone call, no nothing.
50:01I've been wondering what's happened.
50:03I didn't see him at the funeral.
50:04I don't see as I can go
50:05at the police either.
50:07Silly asking them to find him.
50:09He spent half his life
50:10on the run from them.
50:11Well, I haven't seen him
50:12since the day after
50:12that job came unstuck.
50:14Have you tried Harry's?
50:15No.
50:16He's probably there.
50:17Give him a ring.
50:18Oh, thanks, love.
50:19I never thought of Harry's.
50:21I'll get you a drink.
50:22And don't worry,
50:23he's been adrift before,
50:24hasn't he?
50:25Yeah, I know,
50:25but he's always phoned
50:26or something.
50:27Thank you.
50:38Hello, Harry?
50:40Is Sammy there?
50:41It's Vivian.
50:46Are you sure?
50:48No.
50:50No, all right, thanks.
50:56Sammy.
51:11It's all ours, darling.
51:30I'd love to see
51:31the look on old Cracknell's face.
51:33How did you put it off?
51:34Well, after I sold the shares,
51:36I went straight over Cracknell's head,
51:37see?
51:38I got onto the board of trustees
51:39and I told them
51:40that as the man
51:40who'd paid the deposit
51:41hadn't been seen since,
51:42he'd failed to complete.
51:44Consequently,
51:44the property was automatically
51:45in the market again.
51:46I was waiting with an open check,
51:48so they forced Cracknell
51:49to reopen negotiations.
51:50What are you going to do with it?
51:51Are you going to convert it into flats?
51:53This is our town residence, darling.
51:56Town residence?
51:58Oh, it's a bit gloomy, isn't it?
52:01Well, we'll have fun replanning it.
52:04Well, the first thing to do
52:05is to get this fireplace on brick
52:06and get a fire going.
52:07Oh, it's so cold in here.
52:10No.
52:10Hmm?
52:11I said no.
52:15Central eating, darling.
52:16That's the thing.
52:19We'll leave the fireplaces
52:20just as they are.
52:22You're the boss.
52:24Isn't it a bit large
52:25for the two of us?
52:26Not at all.
52:26You'll get used to it.
52:27I wouldn't bank on it.
52:28I'm sure it's wise
52:29that it converted into flats.
52:31I bought this place delivered
52:32and that's just what I'm going to do.
52:33All right, all right.
52:35there's a whole crowd of people
52:38coming in here.
52:40That looks like Cracknell.
52:42And Mrs. Jackson.
52:44She's a real trier, that one.
52:46I mean, she's too late, though.
52:48Who are those men
52:49getting out of the other car?
52:52What does he think
52:53he's doing showing a party around?
52:55He knows the place is sold.
52:59Good morning, Mr. Burgess.
53:00I'm Mr. Pollard.
53:01Well, look here, Cracknell.
53:02This is my house
53:02and I don't recall
53:03issuing invitations
53:04to a housewarming.
53:05Well, Mr. Burgess, it's...
53:05Who are these people?
53:06So, you bought the place, did you?
53:08All right, Mrs. Johnson.
53:10Mr. Burgess,
53:11I'm Detective Inspector Boland.
53:13Did he?
53:15I see.
53:17Well, perhaps you can
53:18explain this invasion.
53:19I was about to do so.
53:21A robbery occurred here recently.
53:23The stolen property
53:24hasn't yet been recovered.
53:25A reward has been offered
53:26to anyone giving information
53:27leading to the recovery
53:28of that property.
53:30Mrs. Johnson is claiming
53:31the reward,
53:32alleging that the stolen jewellery
53:33is hidden somewhere behind
53:35one of these bricked-up fireplaces.
53:37Now, I'll bear your permission
53:39for my men to unbrick them.
53:41No, sir.
53:41You have not.
53:42I've spent a lot of money
53:43on this house
53:44and I'm not going to stand by
53:44and see it damaged.
53:45Don't be difficult, Jack.
53:46They won't do anything.
53:47Shut up, Vera.
53:48They'll make good any damage
53:49we do, sir.
53:50Come on in, boys.
53:55I'm going to see my solicitor.
53:56I'd prefer you stay here, sir.
53:58You can consult your solicitor later.
54:00You're taking a liberty, Inspector.
54:01Turning my ass into a circus.
54:03Hardly that, monsieur.
54:05Who are you?
54:06This gentleman has
54:06a professional interest
54:07in the case.
54:09He's an inspector
54:09from the Surretais.
54:11Fine, fine.
54:13Why don't you invite
54:13the old United Nations?
54:15What's the matter with you, Jack?
54:28and I'm in the country.
54:33I'm in the country.
54:35Victor!
54:38Madame!
54:38Let me go!
54:39Let me go!
54:40Madame!
54:40He's dead!
54:41Who's this?
54:42That's the woman
54:43I've been looking for.
54:44I knew if I found Victor,
54:45I'd find her.
54:46That's the man
54:47who paid me
54:47Il mio lavoro è stato un'altra cosa.
54:50Il mio lavoro è stato un'altra persona qui ha detto quando il ha detto.
54:52È un lie!
54:53Non ho mai visto il mio!
54:54Non ho mai visto il mio!
54:55Non ho mai visto il mio!
54:56Vecchia a fare un'altra cosa e fare un'altra cosa.
54:58Non ho mai visto il mio!
55:00Non lo so, non lo so!
55:01Non lo so, credo!
55:02Non ho mai visto il mio!
55:03Non ho mai visto il mio!
55:04Il ha un'altra cosa in mano.
55:05Ci sembra un'escrizione.
55:09To Jack, happy birthday, love Vera.
55:14Oh, Jack!
55:17What's your hurry, Mr Burgess?
55:20You can phone your lawyer from the station.
55:22I think you're going to need him.
55:23Come on!
55:27If you are ready, madame,
55:29there is a little matter in Paris that awaits your explanation.
55:32How it is that an Englishman found dead in your apartment
55:36should prove to have been given an overdose of sleeping tablets.
55:40I came to England to find my lover.
55:43I have found him soon.
55:45I have nothing more to live for.
55:48Poor Victor.
55:49He was right.
55:51When thieves fall out...
55:53...
56:03...
56:05...
56:07Grazie a tutti.
56:37Grazie a tutti.
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