00:00And action.
00:02Hi, by the way.
00:03Hey!
00:04I'm not crazy.
00:05What should we say first?
00:06Yeah.
00:07I like the new cyber clap.
00:11Good luck. Have fun.
00:12Don't die.
00:14Hey, I'm Sam Rockwell.
00:16The revolution begins tonight.
00:19And I'm here to tell you things in the future are completely fucked.
00:24What happens in the future is so bad.
00:27This story is an amazing dance between kind of comedy and tragedy.
00:33The world is completely messed up and the future is not looking bright.
00:37Can you put away your phones, please?
00:39So much happens in this movie.
00:42Gore's been describing the movie as a psychotic opera,
00:46which I feel like is really accurate.
00:48This story is about a man from the future.
00:54I play the man from the future.
00:58He claims that he is the sort of keeper of saving the world.
01:04The man of the future is trying to stop the creation of AI.
01:07He has to find the right combination of people in this particular diner called Norm's in Los Angeles to save the world and conquer AI.
01:18It's an interesting character.
01:24There's so many influences with the man from the future.
01:27Everything from Beetlejuice.
01:28Don't say his name.
01:29You know, Chris Lloyd and Back to the Future.
01:31Real great, Scott.
01:32He's that prototype of the kooky professor, you know.
01:36Let me ask you something.
01:38Where did all the bookstores go, huh?
01:40He talks a lot.
01:41It all started with morning phone time.
01:44At first, people stopped getting out of bed entirely.
01:46Are any of you even listening to me?
01:48Ingrid, she grows up as the most outcast of all outcasts because she can't really connect or be around anyone or anything in life.
02:00Just let me see it.
02:01Here!
02:02What the hell?
02:03I'm allergic to cell phones and Wi-Fi.
02:05Hi, my name is Asim Chowdhury and I play Scott.
02:08You weirdo.
02:09Scott is a kind of velour-wearing...
02:12So unnecessary!
02:13...fake gangster, phony soprano.
02:16He's just one of those guys who kind of is the loudest person in the room.
02:20Woo!
02:21Read the fucking room, Scott.
02:23Susan, she is a mother who has just lost her child and has then been given the opportunity to clone her boy.
02:30So when we first meet her at Norm's, she volunteers to go on this journey with the man from the future.
02:36You two, let's go!
02:38Janet and Mark, they're not gonna like me.
02:41It's probably true.
02:42I feel like they at one point had like a really good chemistry and they were very interested in each other, but they just stopped creating on it and making the marriage a marriage.
02:51Janet is married and is a teacher and hasn't really followed the path that she had anticipated for herself.
03:01Her arc ends up being finding love again and allowing herself to kind of see the truth.
03:10Oh, the sets are amazing. Norm's Diner was kind of incredible. You know, it really felt like we were in Los Angeles.
03:16The Norm's looks super real and it's such a huge set. And we were all taking pictures of it, you know?
03:22They're shooting the shit out of this thing, too. You know, James is kicking ass.
03:26Thusfall, these sets have been incredible.
03:29It looks really good.
03:31And Sam's costume, I mean, it's unbelievable.
03:35This is my detonator. The detonator is actually not a detonator for a bomb. It's a trigger for what seems to be a time machine.
03:47Pretty personal setup here.
03:52Gore Verbinski.
03:53Gore?
03:54Gore Verbinski.
03:55I am loving working with Gore.
03:57Gore, he's a son of a bitch. Yeah, put that in.
04:01Action!
04:02He's like a grown adult man, but there's like a really excited, like, little boy inside of him that's so impassioned and excited and, like, giddy to be making movies.
04:15Gore is, he's a master storyteller and he really knows how to, obviously, move the camera.
04:22He's such a shooter, right? He's brilliant with the camera.
04:26He's comedically and dramatically significant as a director.
04:30Let's go, shit bird.
04:31Oh, okay, okay.
04:33Gore's a fun guy. He's got a lot of energy, especially on the night shoots. He brings out the cigar.
04:38I think, undeniably, as an actor, when you have a director that seems excited and happy when they're shooting things, you feel excited and happy, too.
04:47It's like Godzilla.
04:53We've put our trust in this man and he's taken us home.
04:56Let's do one more.
04:59And cut!
05:00Good luck! Have fun! Don't die!
05:03Good luck!
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