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00:00You
00:30You
01:00You
01:30You
01:44Livraison
01:57J'ai une livraison pour Alice Monroe
02:00Je
02:20Je
02:21Okay.
02:51Help!
02:53Help!
03:05Help!
03:07Help!
03:21Help!
03:23A fleur entre les lĂšvres
03:25Un sourire au coin des yeux
03:27Un regard rempli de rĂȘves
03:30Et de l'or dans les cheveux
03:32Il Ă©teint sa cigarette
03:35Et me dit venez danser
03:38Enlevant un peu la tĂȘte
03:40Je vois qu'il a les yeux bleus
03:43Le coeur au bout des doigts
03:46Hey hey hey hey
03:48Le coeur au bout des doigts
03:50Le coeur au bout des doigts
03:59Hello you
04:00Stranger
04:05So, tell me
04:07How is Tarana in springtime?
04:09Oh, to be a woman in Albania
04:20Et qui déteste la guerre
04:23Oh, to be a mystique too
04:26Je quitte une voix mort
04:28Et le lendemain matin
04:31Et je ferme la fenĂȘtre
04:34Et ils tirent les rideaux
04:36Le coeur au bout des doigts
04:39Hey hey hey
04:41Le coeur au bout des doigts
04:44Le coeur au bout des nuits
04:45Hey
04:50Hi.
04:51Hi.
04:52When did you get this?
05:06Oh, I just stumbled across the Byzantine Caves out of the barrette, and the entrance
05:14was a bit dicey and I slipped.
05:16You just stumbled upon a Byzantine Caves.
05:20Yes, I did.
05:21Just casually.
05:22Just another day in the office.
05:23Uh-huh, yeah.
05:24It is what I do.
05:29Can you show me?
05:31Yes, I would love to.
05:33Okay, look.
05:35Look.
05:37Look at this.
05:38Oh, wow.
05:39Yeah.
05:42I think it's one of the earliest examples of Christian worship.
05:46That's incredible.
05:48Hey.
05:50What were you going to tell me about that?
05:54I was wondering when you'd notice.
05:55Uh-uh.
05:57Um, it's a Sinai Rosefinch.
06:00Hmm.
06:01It was a loud one outside my bedroom every morning.
06:04Oh.
06:05So you just thought you'd have it with you forever?
06:07Mm-hmm.
06:09Reminds me of you.
06:11A bird just chirping away.
06:13Loudly.
06:14Chirping.
06:15Loudly.
06:16So come on, you holding out or something?
06:28How is Jordan?
06:30Um, well, you know, dysentery, malnutrition, backhanders to cops and politicians.
06:38Just the usual.
06:40Five stars on Yelp.
06:42Highly recommend.
06:43Mm-hmm.
06:44Mm-hmm.
06:48Well, I have some news.
06:51I got offered a teaching position.
06:54What?
06:55Associate Professor of Archeology.
07:00Princeton.
07:02Oh, my God.
07:03Alice.
07:05That's amazing.
07:06Yeah.
07:08That's exactly what you wanted.
07:09I'm so proud of you.
07:11So.
07:14So?
07:16I'm going to have an apartment.
07:17You know, a place on campus from which you and I could live together.
07:23I know it's going to be hard to leave all the dysentery. I totally understand.
07:32No, no, um, no, no, no, no, that, that, that is, uh, big, um.
07:41Big?
07:42No, um.
07:43Well, for a man with an English literature degree, you really have a way with words.
07:47No, I know. It's, it's, it's a skill.
07:50We've talked about this before.
07:51We have.
07:52Listen, I love that we get to meet up in hotels all over the world.
07:55And that we actually want to have sex with each other all the time.
08:00But, I want this job.
08:05You know, I want to build a life that's mine.
08:09Not just uncovering other people's.
08:13We have to make a decision.
08:15You and me, like, Tom, I, I love you so much.
08:19And I want to keep loving you.
08:21And I'd like to do it while I'm actually looking at you.
08:25And I love you, Alice Munro.
08:32And I want to be with you.
08:40Even in New Jersey?
08:42Especially in New Jersey.
08:43Oh.
08:44Mm.
08:45Yeah, what time is it?
08:49Tom?
08:50Tom?
08:51Tom?
08:52Hey.
08:53Hold on.
08:54I hear what time is it?
09:11Tom?
09:16Tom?
09:19Hey.
09:22Hey.
09:23Hey.
09:23Uncle Brian. He's in London.
09:25Why don't you go downstairs, order some breakfast?
09:28Okay.
09:29Trains at 10.30.
09:52Merci.
09:52Wow.
10:06Hi.
10:08Sorry.
10:09Brian talks like it's an Olympic sport.
10:11Oh, that's okay.
10:13So, you know that hotel you wanted to go to in Arles that was so expensive it would have left us destitute for the rest of our lives?
10:21Yes.
10:22Well, it turns out that Brian and the owner are on the same board for this wildlife project and Brian has called in a favor.
10:30Oh, my God.
10:31Oh, my God. Are you kidding?
10:32Mm-hmm.
10:32Oh, can we get massages and lay by the pool?
10:35Yes.
10:36Yes.
10:36Can we have oysters and champagne?
10:37We can do whatever you want.
10:38Oh, I love you.
10:40Oh, it feels very conditional right now.
10:44Oh, no, it is.
10:44Oh, it is?
10:45It's completely, yes.
10:46Yes.
10:47I don't.
10:59Stay there.
11:00Almost over.
11:11That's a bingo.
11:13Okay, maybe we don't do impressions of fictional SS officers as we're traveling through previously occupied France.
11:20What do you think?
11:22Okay.
11:23Okay.
11:24True income?
11:25Oh, my God, no.
11:26Nine?
11:27For you all?
11:28Oh, my God.
11:58Yeah.
11:59All right, one second.
12:03You're on vacation with your husband?
12:05Yeah.
12:07New cello, Arl.
12:09Oh, yeah.
12:10And he's not my husband, he's my boyfriend.
12:13All right, he's my husband.
12:21He's my boyfriend.
12:39I don't know.
13:09Mesdames et Messieurs, bonjour, notre train TGV Ă destination de Marseille-Saint-Charles
13:13va arriver en gare d'Avignon dans quelques minutes.
13:16Avignon, 5 minutes tard.
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20:16I'm HĂ©lĂšne.
20:18Alice, thanks.
20:25So, good luck, Alice.
20:28And don't worry, it's going to be okay.
20:33Bye.
20:34Bye.
20:46I'm sorry.
21:02I'm sorry.
21:06I'm sorry.
21:11Excuse me.
21:16Can someone help me?
21:17My boyfriend's gone missing.
21:19Please?
21:21Do you know how many people are reported missing each day in France?
21:29600 on a good day.
21:32Okay.
21:33Well, that cannot be an excuse to not help me, please.
21:36It is 48 hours before a person can be described officially as missing.
21:40He has only been gone for two hours.
21:43He left his bag, you say.
21:45What about his passport?
21:46Yes, I have it.
21:47I have it right here.
21:50Just one second.
22:03I don't...
22:05I don't understand.
22:07Mlle Monho.
22:09How long have you known your boyfriend?
22:14Uh, well...
22:16We've been dating for four years.
22:19We met in Jordan.
22:20That's where he heads the region for SOS Global.
22:23It's a...
22:24It's a charity that helps Syrian refugees.
22:27I'm currently working in Albania, so we meet up when we can and...
22:30Oh, glamorous couple, huh?
22:33And you work in Albania?
22:35Yes.
22:36I'm an archaeologist.
22:37I'm a...
22:38Do you two or you fight?
22:39What?
22:40Fights.
22:41Disagreements.
22:42Have you had any lately?
22:44No.
22:47Anything else?
22:48Any changes of circumstance?
22:51I mean, I got offered a position at a university, a job.
22:56It would mean relocating to America for both of us.
23:00And you agreed?
23:02Yes.
23:03Are you sure?
23:04Yes, I'm sure.
23:06Because there are three major reasons people disappear.
23:09Work, money, and relationships.
23:14So?
23:19Or perhaps your boyfriend wanted to escape the relationships,
23:25or you got off the train at Avignon without telling you, eh, voilĂ ?
23:28No.
23:29He would never do that.
23:30You don't know Tom.
23:31I am no man.
23:37Okay, Inspector Drax.
23:39I really need to find him.
23:45Please, help me.
23:53Forty-eight hours, Miss Monroe.
23:55Forty-eight hours.
24:09Miami D Davies.
24:11Oh no.
24:24I'm not sure.
24:25Yeah, it's too much years.
24:27Oh, Dollarx.
24:28Oh!
24:30Oh no.
24:33Oh, yeah, it's a regular!
25:05I'm sorry. Thank you.
25:35Hey. Are you okay?
25:40Yeah, not really.
25:43The spare's got a puncture, too.
25:46Oh, I don't have a spare spare, I'm afraid. Sorry.
25:50Right.
25:52What's in there?
25:53Uh, vaccines.
25:56Yeah, without refrigeration, they'll be useless within a couple of hours.
25:59So you're screwed?
26:03Basically.
26:05Okay, where are you headed?
26:07To a camp in Fainan.
26:09It's, um...
26:11That way.
26:13Okay, so if I don't help you, children might die, and that'll be on my conscience for the rest of my life?
26:23It's possible.
26:24Well, then, I guess you better hop in.
26:30Thank you. Thank you.
26:35All right.
26:46Hi.
26:48Tom Parker.
26:49Alice Munro.
26:50Nice to meet you, Alice Munro.
26:51You too.
26:52Thank you so much.
26:53You're welcome.
26:54It's beautiful, isn't it?
26:57Yes, it is.
27:12Shoes off at your house, then, is it?
27:15What?
27:16Want to know what gives you away?
27:18Oh, it's shirt.
27:20The AC unit.
27:22No dust.
27:22It means you must clean it every day.
27:25God, don't tell me you're one of those people who sees hygiene as some bourgeois construct.
27:30No.
27:31No, I like it.
27:32I like hygiene.
27:33Mm, good.
27:33It's just that sometimes, I mean, not everything in life is neat and tidy, right?
27:40Okay, well, my car is not a metaphor for my life.
27:44I'm actually an archaeologist.
27:46Trust me.
27:47I know how to get dirty.
27:52You should do.
28:01I know how to get dirty.
28:03I know how to get that you Horn.
28:03No.
28:04It's not yet.
28:05No.
28:14Bye Bye.
28:14Bye.
28:14Bye.
28:15Bye.
28:15Bye.
28:15Bye.
28:16Bye.
28:16Bye.
28:17Bye.
28:21Bye.
28:22Okay, can you stop already up here?
28:44Okay.
28:44Let's see if we play.
28:52Let's see if we play.
29:22Let's see if we play.
29:52Let's see if we play.
30:22Let's see.
30:52Let's see if we play.
30:54Let's see if we play.
30:56Let's see if we play.
30:58Oh, shit.
31:02Let's see if we play.
31:08Let's see if we play.
31:14Let's see if we play.
31:20Oh, my God.
31:26Oh, my God.
31:43It's Tom.
31:45Oh, my God.
31:54Oh, my God.
31:55Oh, my God.
31:57Oh
32:27Oh
32:57Oh
33:22Hi hello mademoiselle monroe what a pleasant surprise
33:27So has the prodigal son returned? No, but um, well, then we can report him missing tomorrow
33:34Can I please have a moment of your time, please?
33:36Walk with me. I'm late to the cinema for an Alain Delon double bill and Madame Drax will not take it kindly if I'm late
33:43I know where Tom got off the train
33:45Bravo madame Cruso. I followed the line back from Avignon where the train stopped and I found this
33:50Probably gone
33:55Well, yeah, it's Tom's favorite. He offered me a piece before he disappeared
33:59Hmm, and the ejected seat on the train where was that found should really be a stand-up comedian. You know that my wife doesn't think so
34:07So there was a door in the conductor's office
34:09Oh, the conductor is in the compass now. This is all getting quite dramatic
34:13His name is Maurice Giroux. He was hiding something. I could tell you have to bring him in for questioning
34:17I have to go to the cinema. Samoa awaits. You know, I'm not making this up and I'm late
34:24Nice car
34:29My wife makes the money in our house. I chose well better than I knew it seems
34:36Tread carefully miss Monroe
34:47And she will never judge me
34:49Although with my wife, there'll be none other news
34:53s that we're working with
34:54No problem
34:55No problem
34:56Great
35:09You know, do you have to follow yourself on stage?
35:10No e za
35:12Yeah, I'm sorry
35:12have a question
35:14We would love you
35:15I'm sorry
35:15Hope to come
36:16Mr. Tom!
36:27Mr. Tom, I'm not here!
36:30All right.
36:31Salma, Salma, one sec.
36:33Can you take these in there?
36:34Yeah.
36:35Just tell me they need to be in the fridge right away.
36:37Let's go.
36:38Okay.
36:39Okay.
36:4036-2.
36:42Hi.
36:43Who are you?
36:44I just gave Tom a lift.
36:45You broke down?
36:46Yes, he did.
36:47It's the second time this week.
36:48The men couldn't change a tire.
36:49His life depended on it.
36:50He said these need to be refrigerated.
36:51I know.
36:52Wait, what's happening?
36:53Stay back.
36:55The men couldn't change a tire.
36:56His life depended on it.
36:57He said these need to be refrigerated.
36:59I know.
37:00Wait, what's happening?
37:02Stay back.
37:04What's he doing?
37:12What's he...?
37:16What's he doing?
37:21Hey, hey, hey!
37:23You're not taking him.
37:24You're not taking him yet!
37:25You're not taking him!
37:26Ooh, Dad.
37:29I need him.
37:34I don't know where you take me.
37:38You'll have to go through me.
37:51Who are they?
37:53Local bandits.
37:55I think no one will notice missing refugees from Syria.
37:58Take them down to Tripoli.
38:00Sell them to traffickers for a king's ransom.
38:04He stopped them before?
38:07Yep.
38:08He may be useless with cars, but he could talk a dog off a meat truck.
38:28I don't know.
38:29I don't know.
38:30I don't know.
38:31I don't know.
38:32You look like you need a drink.
38:34Something must have happened to Tom before Avignon.
38:36I just feel like the conductor had something to do with it.
38:38I mean, you saw him yourself, the way he was acting all shifty.
38:39What do you think happened?
38:40What do you think happened?
38:41Okay, this is gonna sound insane, but I think Tom was kidnapped.
38:46Is he rich?
38:47No.
38:48Are you rich?
38:49No.
38:50Are you rich?
38:51No.
38:52So why would someone kidnap him?
38:53Maybe it's not about money.
38:54No.
38:55It's always about money.
38:56No.
38:57It's always about money.
38:58No.
38:59No.
39:00No.
39:01No.
39:02So why would someone kidnap him?
39:03Maybe it's not about money.
39:04No.
39:05It's always about money.
39:06What is?
39:22Diabetes.
39:24Wow.
39:25Oh. Diabetes.
39:33Wow.
39:36Okay, so what do I do?
39:38The police are either useless or correct.
39:42And if you're really lucky, they're both.
39:45Great. What then?
39:48What am I?
39:50I'm an investigative journalist.
39:52Who are you?
39:54An archaeologist.
39:55Yes. You're like me.
39:58You look for clues in the past to tell you about the future.
40:03You know Tom better than anyone,
40:06so you probably know more than you realize.
40:12Did he mention anyone or anything?
40:17Who has he been in touch with lately?
40:19Has he said anything strange?
40:30Find something more than a piece of Twingo man.
40:37Maybe I can help.
40:39You're a spectator.
40:41And he's like, you're a spectator.
40:43And what do I try to do?
40:44And he's like a baby.
40:46I won't do that.
40:47Why don't you think he's walking away?
40:48He's a man who is a woman who is moving away.
40:50He's a boy.
40:50He's a boy.
41:21It's Uncle Brian, he's in London, he's in London, he's in London, he's in London.
41:51It's Uncle Brian, he's in London.
42:21It's the same I rose, Finch.
42:23Reminds me of you.
42:25Reminds me of you.
42:26Reminds me of you.
42:30Reminds me of you.
42:31Reminds me of you.
42:33It's Uncle Brian.
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