- 2 days ago
Letter From An Unknown Woman
Category
🎥
Short filmTranscript
00:00:00Meow
00:00:30Meow
00:01:00Meow
00:01:02Meow
00:01:04Meow
00:01:06Meow
00:01:08Meow
00:01:10Meow
00:01:12Then you've made up your mind.
00:01:37You're going through with it.
00:01:39Why not?
00:01:40Well, for one thing, he's an excellent shot.
00:01:43So I've heard...
00:01:44At least try to get some sleep.
00:01:46And if I were you, no more cognac.
00:01:48We'll come for you at five.
00:01:50That gives you three hours.
00:01:51You'll be here.
00:01:52I don't mind so much being killed.
00:01:55But you know how hard it is for me to get up in the morning?
00:02:00Good night.
00:02:01Good night.
00:02:01Good night.
00:02:07I'm afraid this time Stefan has picked the wife of a wrong man.
00:02:11I wonder if you'll be here when we come back.
00:02:16Who is it?
00:02:17Brian.
00:02:18Good morning, Mr. Brian.
00:02:19Dear Anton.
00:02:27Good morning, sir.
00:02:35Let's go.
00:02:36Cheer up, John.
00:02:38This is one engagement I have no intention of keeping.
00:02:42Honor is a luxury only gentlemen can afford.
00:02:45Oh, pack my things.
00:02:47Whatever you think I'll need for an indefinite stay.
00:02:52I'll have a cab downstairs in about an hour.
00:02:56I'll go out the back way.
00:02:59I'm sorry I won't be here to see their faces.
00:03:05Oh.
00:03:07Did this come during the night?
00:03:13Would you bring me some coffee with cognac?
00:03:15I'll be back.
00:04:20By the time you read this letter, I may be dead.
00:04:25I have so much to tell you, and perhaps very little time.
00:04:30Will I ever send it? I don't know.
00:04:33I must find the strength to write now before it's too late.
00:04:40And as I write, it may become clear that what happened to us had its own reason beyond our poor understanding.
00:04:49If this reaches you, you will know how I became yours when you didn't know who I was, or even that I existed.
00:04:58I think everyone has two birthdays, the day of his physical birth and the beginning of his conscious life.
00:05:06Nothing is vivid or real in my memory.
00:05:10Before that day in spring, when I came home from school and found a moving van in front of our building.
00:05:16I wondered about our new neighbor, who owns such beautiful things.
00:05:40Lisa! Come in, Lisa!
00:05:44Come in this minute, you hear?
00:05:48Lisa!
00:05:49Yes, Mother.
00:05:50Who is going to clean that up?
00:05:56Who is going to clean that up?
00:05:56Who is going to clean that up?
00:05:56Who is going to clean that up?
00:05:56Me, I suppose.
00:05:57Yeah.
00:05:58I haven't enough to do.
00:06:00I'm going to be sure to try it at the right point.
00:06:02You better get another rope.
00:06:04What?
00:06:04You better get another rope.
00:06:06All right.
00:06:07Run!
00:06:08Get another rope for the wagon.
00:06:10This is the last time I move a musician.
00:06:12Why does he have to play the piano while not the piccolo?
00:06:22Where do these go?
00:06:25What?
00:06:31Aha.
00:06:32In the study.
00:06:34Hey, pal, where is that rope?
00:06:36We are waiting.
00:06:37I'm coming.
00:06:40Lisa, what are you doing out there?
00:06:43Come inside.
00:06:59I didn't see you that day,
00:07:02or for many days thereafter,
00:07:04but I could listen to your playing.
00:07:10I wish he'd stop that noise.
00:07:37It's not noise.
00:07:38Don't bite my head off.
00:07:41It's Mr. Brown playing.
00:07:44We call that flank.
00:07:45Shh.
00:07:56Oh, does he?
00:07:58Who?
00:08:00Him.
00:08:02Oh, I don't know.
00:08:03Quite old, I guess.
00:08:04You know the boy I was talking to outside of school?
00:08:10The bony one with the yellow hair and the long nose.
00:08:14The one who lives next to the grocery.
00:08:16I'm going to have to do something about him
00:08:17if he doesn't keep his hands to himself.
00:08:21He thinks he does.
00:08:23He's right out in the street.
00:08:24He's right out there.
00:08:25I'll talk about him
00:08:26soon.
00:08:26You ready?
00:08:27You ready?
00:08:28He did.
00:08:28What?
00:08:29I'm going to have to do something.
00:08:29I'll talk about him.
00:08:31Put it on your feet right.
00:08:32That I'm going to have to...
00:08:33What?
00:08:33Oh, my God.
00:09:04Thank you, John. I'll be home late. You need to wake up for me.
00:09:22Good morning.
00:09:33Why, Lisa.
00:09:38All red in the face.
00:09:40You're blushing.
00:09:43Yes, I was blushing.
00:09:47And hard as it may be for you to realize, from that moment on, I was in love with you.
00:09:55Quite consciously, I began to prepare myself for you.
00:09:58I kept my clothes neater, so you wouldn't be ashamed of me.
00:10:02And bow, two, three.
00:10:05I went to dancing school.
00:10:06One, two, three.
00:10:07I wanted to become more graceful and learn good manners for you.
00:10:13And bow, two, three.
00:10:15And one, two, three.
00:10:17And one, two, three.
00:10:20And one, two, three.
00:10:22And so I would know more about you and your world.
00:10:26I went to the library and studied the lives of the great musicians of the past.
00:10:38Though I was not able to go to your concerts, I found ways of sharing in your success.
00:11:02And as the months went by, I began to know your friends.
00:11:07Many of them were women.
00:11:08Most of them.
00:11:13Lisa!
00:11:19Lisa!
00:11:20Where are you, Lisa?
00:11:27Aren't you going to finish your dinner?
00:11:33I'm sorry, Mother.
00:11:38What I really lived for were those evenings when you were alone.
00:11:45And I pretended you were playing just for me.
00:11:48And though you didn't know it, you were giving me some of the happiest hours of my life.
00:12:10Or Dan's life.
00:12:11I didn't know it.
00:12:11I mean, you were going to come to your— Are you just going to be me?
00:12:14Are you nervous?
00:12:16I think it's gonna be the holiday.
00:12:18And when I meant you, the holiday I had to go to your house, raised my tail, which was儼ited to my life.
00:12:20I decided that you were saving agree with those evenings.
00:12:22And you didn't know it.
00:12:24I didn't even say it were going to myашri choirs…
00:13:58Remember what you promised.
00:13:59I will.
00:14:06Beautiful rug.
00:14:07It's a beautiful rug, isn't it?
00:14:10Oh, it's just a rug.
00:14:11Oh, you wouldn't know.
00:14:16Say, what are we doing this for?
00:14:18Shh.
00:14:18I can't hear you.
00:14:19Oh, he can't talk.
00:14:21Well, he can hear, can't he?
00:14:23Come on.
00:14:24You're welcome.
00:14:35Come on, Lisa.
00:14:36I'll be right down.
00:14:38What are you going to do?
00:14:39Go away.
00:14:40I'll be right down.
00:14:40What are you going to do?
00:14:42Go away.
00:14:42I'll throw you downstairs.
00:14:45Are you crazy?
00:14:46I'll be right down.
00:16:48Lisa!
00:16:52What are you doing up there?
00:16:59Come, dear.
00:17:00I have something to tell you.
00:17:02It's really good news.
00:17:04Well, I'm sure if you think about it sensibly, you'll be very, very happy.
00:17:13Sit down.
00:17:13Well, I can understand you must have been startled when you saw her customer and me in the hall.
00:17:32Perhaps it was my fault for not telling you something about it before.
00:17:36You see, dear, your mother is not really old.
00:17:39She can have admirers, too.
00:17:42She can even, well, be in love with a man.
00:17:47Someday you'll understand better what that means.
00:17:49Besides, you know how hard it is for us to get along on my small pension.
00:17:56Her customer has a comfortable business in Linz, a military tailor, and he has, he has done me the honor of asking me to marry him.
00:18:06Besides, he's a kind man, and he likes you very much, I'm sure with his help, I'm sure with his help, I'm sure with his help, it'll be much easier for you to make the kind of, what is it?
00:18:18Would we have to go to Linz?
00:18:19Would we have to live there?
00:18:21But why not?
00:18:23What is there to keep us here?
00:18:24I won't go.
00:18:25I won't go.
00:18:26Lisa!
00:18:28What's the matter?
00:18:29But what is it?
00:18:31Lisa!
00:18:35Now, Lisa, do be reasonable and tell your mother.
00:18:39Lisa!
00:18:45But that will go with us in our compartment.
00:18:47Let's see, we had 11 all together.
00:18:491, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11.
00:18:54And the trunks, dear, the trunks, dear.
00:18:55Now, don't worry, dear, I'll take care of everything.
00:18:56The expressman promised the trunks that, uh...
00:19:00Oh, either I've lost half a minute or the station clock's ahead.
00:19:03How much will that be, please?
00:19:05That's up to you, sir.
00:19:06Up to me.
00:19:06Good heavens.
00:19:08One croissant should be enough, doesn't it?
00:19:10Now, let me...
00:19:10I promise you the trunks will be here on time.
00:19:12About the boxes.
00:19:131, 2, 3, 4, 5, 6...
00:19:16Ah, how long will it take if we send them to Linz third class?
00:19:21Two weeks, maybe.
00:19:22Two weeks.
00:19:23Very good.
00:19:23Mark each of these second class.
00:19:26Third class.
00:19:26Each of these second class.
00:19:27Each of these third class.
00:19:29Third class.
00:19:29Yes, one.
00:19:30Ah, what did I tell you?
00:19:32When you're going to do a thing, do it on time.
00:19:35That's always been nice, sister.
00:19:36Hello, Margie.
00:19:37You can unload those right here.
00:19:38Our train doesn't leave until 12.
00:19:40Yes, 12.
00:19:40Oh, does it leave 12?
00:19:41For sharp, sharp.
00:19:4212?
00:19:43Oh, yes, of course.
00:19:44I'd almost done.
00:19:44Well, now, let me see.
00:19:46I'll have to look for the...
00:19:47Please don't get excited, dear, please.
00:19:49I take hand.
00:19:50Suddenly I knew I couldn't live without you.
00:19:59I didn't know what I had in mind or what my parents would do when they found me missing.
00:20:04All I wanted was to see you once more, to be near you again, to throw myself at your feet and pain to you and never leave you.
00:20:13Nothing else.
00:20:14Nothing else mattered.
00:20:15All right, all right, Lisa.
00:20:25Oh, it's you, Lisa.
00:20:28I thought by now you were already halfway to Linz.
00:20:31This is your train, Lisa Carter.
00:20:33I've found something.
00:20:34I thought by now you were already halfway.
00:21:04You're asleep.
00:21:06You're asleep.
00:21:06I said as to my son.
00:21:25You're asleep.
00:21:28What?
00:21:29You're asleep.
00:21:30These rooms where I had lived
00:22:00had been filled with your music.
00:22:02Now they were empty.
00:22:05Would they ever come to life again?
00:22:07Would I?
00:22:09Only you could answer.
00:22:11So I waited.
00:22:14Waited.
00:22:17For what seemed endless hours, I sat outside your door,
00:22:20trying to keep myself awake, afraid I might fall asleep and miss you.
00:22:25Then...
00:22:30Who is it?
00:22:33Right.
00:22:34Good morning, Mr. Brandt.
00:22:35Oh.
00:22:36Oh.
00:22:37Oh.
00:22:38Oh.
00:22:39Oh.
00:22:40Oh.
00:22:41Oh.
00:22:42Oh.
00:22:43Oh.
00:22:44Oh.
00:22:45Oh.
00:22:46Oh.
00:22:47Oh.
00:22:48Oh.
00:22:49Oh.
00:22:50Oh.
00:22:51Oh.
00:22:52Oh.
00:22:53Oh.
00:22:54Oh.
00:22:55Oh.
00:22:56Oh.
00:22:57Oh.
00:23:04Oh.
00:23:06Oh.
00:23:08Oh.
00:23:09Oh.
00:23:15Oh.
00:23:16Oh.
00:23:21I went to Lintz.
00:23:31You who have always lived so freely,
00:23:33have you any idea of what life is like in a little garrison town?
00:23:39I was 18 now, and was expected to take my place in society.
00:23:45Come now, Lisa, don't look down at your feet.
00:23:48Please be tactful and let him do the talking, but not all the talking.
00:23:52Do you hear me, Lisa?
00:23:54Good morning, Colonel.
00:23:56Good morning, Colonel.
00:23:58Good morning.
00:24:03Frau Kessner, Frau Lund Kessner, Herr Kessner,
00:24:06I have the honor to present my nephew, Lieutenant Leopold from Katzenegg.
00:24:10I have the honor to kiss your hand.
00:24:12I'm very pleased to make your acquaintance.
00:24:14Thank you, Philip.
00:24:15Herr Kessner, I have the honor, sir,
00:24:17I have the honor, sir.
00:24:18I'm very pleased to make your acquaintance.
00:24:19Thank you, Lieutenant.
00:24:21Allow me to present our daughter, Lisa.
00:24:23Lieutenant Leopold von Katzenegg.
00:24:25I've been meaning to tell you for some time, Colonel Chris Staglatt with your parade,
00:24:37the morning of the Emperor's birthday.
00:24:39Oh!
00:24:40Excuse me.
00:24:41Do you like it here in Linz?
00:24:47Quite well.
00:24:48It must seem very restful after living in Vienna.
00:24:53I like Vienna.
00:24:55Indeed.
00:24:56What did you like about it?
00:24:58Perhaps you were fond of the music.
00:24:59Yes.
00:25:00We also have good music here.
00:25:01Every other Saturday afternoon they give a concert on the Corso.
00:25:02Oh, really?
00:25:03Perhaps someday you'll allow me the honor to score to you.
00:25:04Very nice of you.
00:25:05When I was a cadet, I took part myself.
00:25:07I played second trumpet.
00:25:08Oh, how nice.
00:25:09I must say I'm not very glad we both liked music.
00:25:25You see, there's nothing wrong with a child if he only meets the right people.
00:25:35Yes!
00:25:36Okay.
00:25:37The lieutenant was right.
00:25:50Linz was a musical town.
00:25:52So twice a month that summer, we listened, the lieutenant and I.
00:26:07Before the afternoon is over, I'm sure we'll have an announcement.
00:26:30Nothing could please us more, Colonel.
00:26:31Never, my dear.
00:26:38Miss Lisa, this is a subject which I wish to bring up for some time.
00:26:43I trust you'll forgive me if I presume the lieutenant hope I've allowed myself.
00:26:47It may be unnecessary for me to mention that ever since you first came to my attention, I've been most favorably impressed.
00:26:53And I have every reason to believe that your parents are not opposed to my keeping company.
00:26:57That is, steady company with you.
00:26:59But, Lieutenant, I...
00:27:00Oh, please allow me to finish.
00:27:01As far as my prospects are concerned, you must be aware by now that it's generally believed by my uncle and others that I have the qualifications for an outstanding military career.
00:27:11Well, there's no doubt of that.
00:27:12Naturally, it's too soon to discuss any definite steps.
00:27:14We should know each other for a reasonable time.
00:27:16But, Lieutenant, I'm sorry, it's impossible.
00:27:18Impossible?
00:27:20Uh, please don't ask me to explain, but...
00:27:22But I certainly must insist.
00:27:23Is there someone else?
00:27:25Yes.
00:27:26I'm engaged to be married.
00:27:28Engaged to be married?
00:27:29I should have told you before, but I didn't realize how...
00:27:31The whole time you've been in Lince, I haven't seen you in anyone's company.
00:27:34He doesn't live in Lince.
00:27:35He lives in Vienna.
00:27:36In Vienna?
00:27:37He, uh, writes music.
00:27:38He's a musician.
00:27:39But how can that be?
00:27:40Your mother and father, they've given my uncle every encouragement.
00:27:44You mean you're engaged to a man and your parents don't even know him?
00:27:48Oh.
00:27:49I'm sorry, I...
00:27:52Oh.
00:27:53Then, please.
00:27:54It won't be long now.
00:27:57The wine.
00:27:58The wine.
00:27:58Waiter.
00:27:59The wine.
00:27:59The wine.
00:27:59The wine.
00:28:12Up.
00:28:13Up.
00:28:24But I don't understand.
00:28:40Lisa, what happened?
00:28:42Answer me.
00:28:42What happened?
00:28:43Nothing.
00:28:44But after all...
00:28:44But you must have said something.
00:28:46What did you say to him?
00:28:47Well, I only told him the truth.
00:28:49The truth.
00:28:49What do you mean, the truth?
00:28:51What did you say to him?
00:28:52I told him I wasn't free.
00:28:56What?
00:28:56My poor parents.
00:28:58For them, this was the end.
00:29:00For me, it was a new beginning.
00:29:06Vienna, when I saw it again, seemed to have taken on a new splendor.
00:29:11All the time I'd been away, I thought of it longingly as your city.
00:29:16Now, it was our city.
00:29:19Madam Spitzer's where I found work was the kind of establishment where one learns many things.
00:29:26Miss Lisa, please.
00:29:27Coming.
00:29:28Coming.
00:29:35Now, hold your breath.
00:29:40Miss Lisa, we are waiting.
00:29:43Miss Lisa, please.
00:29:55Very pretty.
00:29:57Yes.
00:29:59Very.
00:30:13Very charming.
00:30:25Very charming indeed.
00:30:28Do you think that...
00:30:29She's not like the others.
00:30:31I don't understand that girl, but every evening, as soon as the shutters are closed, off she goes straight home.
00:30:37Really?
00:30:37Really?
00:30:43Madame Spitzer spoke the truth.
00:30:45I was not like the others.
00:30:48Nobody waited for me.
00:30:51Off I went.
00:30:53Not home, but to the only place that had ever seemed home to me.
00:30:59Night after night, I returned to the same spot.
00:31:04But you never noticed me.
00:31:06Until one evening.
00:31:07To the women, to the women, to the women, to the great men, to the great men, to the keen on thee.
00:31:18On my tears.
00:31:50I've seen you before.
00:32:20A few nights ago.
00:32:24Right here.
00:32:26Or you live near here.
00:32:28No.
00:32:30You like to listen to street singers?
00:32:34Yes.
00:32:35Neither do I.
00:32:35I should introduce myself.
00:32:42No.
00:32:43I know who you are.
00:32:44I suppose sooner or later we'll have to decide where we're walking to.
00:32:58I have something I should call off.
00:33:00Well, I almost never get to the place I start out for anyway.
00:33:04I can't.
00:33:05I can't.
00:33:06I can't.
00:33:08I can't.
00:33:09I can't.
00:33:10I can't.
00:33:11I can't.
00:33:12This is just a screen.
00:33:15But I don't know.
00:33:20Oh, well, I know.
00:33:22I can't.
00:33:34Thank you very much.
00:33:45Pardon me.
00:33:46Excuse me.
00:33:49Very charming.
00:33:51Anything else I can do for you, Mr. Brand?
00:33:53Will you please tell Balish I won't be at rehearsal this evening.
00:33:56Oh, congratulations.
00:33:59Fritz, is the journal free now?
00:34:01Just a moment, sir.
00:34:02Don't you see I'm busy with Mr. Brand?
00:34:04Now, how about Lily?
00:34:07Yes, there is Lily.
00:34:07Yeah, there is Lily.
00:34:08I mean, if she comes, what am I going to tell her?
00:34:10Well, tell her.
00:34:11Well, I'll tell her it was most important, and you had to work tonight.
00:34:16Yes, that's it.
00:34:16That's fine.
00:34:16I'm sure she will understand.
00:34:18I'm sure.
00:34:19Bye, Mr. Brand.
00:34:20Oh, Miss Stephan.
00:34:21Yes?
00:34:22I missed you yesterday.
00:34:23I have to talk with you.
00:34:24Well, later.
00:34:25I saw the manuscript of a concerto.
00:34:27It's a young man I met.
00:34:28Well?
00:34:28His father owns half of the car in Tichonbrook.
00:34:31I thought, perhaps, it was something for one of your concerts.
00:34:35If you just glance at it...
00:34:36Well, I'll talk to you tomorrow, huh?
00:34:37Tomorrow.
00:34:38Now, don't be frightened.
00:34:57Even if it's not becoming, the lobster will pay no attention.
00:35:01I was wrong.
00:35:02Well, it is becoming.
00:35:03Now, let's see.
00:35:05When did they have lobster again?
00:35:07Friday.
00:35:08How about Friday?
00:35:08Oh, week is a long time.
00:35:10How about Wednesday evening?
00:35:11That's venison.
00:35:13Oh, his pheasant on Monday.
00:35:14Could you possibly make it on Monday?
00:35:16I've no engaged once at all.
00:35:19I don't either.
00:35:20We'll have dinner tomorrow night.
00:35:22Wiener Schnitzel.
00:35:23Excuse me, Herr Brand, but the lady in the next room, if I'm not mistaken, it's the Countess
00:35:28Rudensky, wonders if you would do her the favor of signing her program of this afternoon's
00:35:32concert?
00:35:33Certainly.
00:35:34She said Mozart himself could not have done better.
00:35:37How nice am I?
00:35:39There you are.
00:35:40Thank the Countess for the compliment.
00:35:41Thank you, Herr Brand.
00:35:42Even though it's starting the least deserved.
00:35:44Four years ago when you played the D minor.
00:35:46You remember that?
00:35:48The morning review also compared you to a young Mozart.
00:35:51I was very young.
00:35:52There was that much resemblance.
00:35:57Do you like it?
00:36:00Val Policelli, it's called.
00:36:02The first vineyard you see when you come down the other side of the Alps.
00:36:06And the Italians say it's such a good wine because the grapes have their roots in the valley
00:36:10and their eyes on the mountains.
00:36:14Please.
00:36:14Please what?
00:36:17Please talk about yourself.
00:36:18I believe you really want to hear about me.
00:36:22Why?
00:36:23I'll never mind why.
00:36:36Sometimes it's easier to please others than oneself.
00:36:39What are you going to say?
00:36:42You know you don't talk very much.
00:36:44Well, I can't say it very well, but...
00:36:47Yes.
00:36:48Sometimes I felt when you were playing that...
00:36:51Go on.
00:36:53That you haven't quite found...
00:36:55I don't know what it is.
00:36:57What you're looking for.
00:36:58Now, how long have you been hiding in my piano?
00:37:03Now, never mind explaining.
00:37:06I just assume you're a sorceress.
00:37:08And that you can make yourself very tiny.
00:37:12It might be a good thing to have a sorceress for a friend.
00:37:15Who knows?
00:37:18You may be able to help me someday.
00:37:20How could I help you?
00:37:32So that's what you've been thinking about.
00:37:35You're a very strange girl.
00:37:38Whoever you are and wherever you came from...
00:37:41Don't you have any problems?
00:37:43Not important ones.
00:37:44It's a long while since anyone did that for me.
00:37:56Stop here, please.
00:37:57Oh, wow.
00:38:04Good evening, Mr. Brown.
00:38:05Good evening.
00:38:07Rose?
00:38:07Yes, please.
00:38:09Red rose?
00:38:09No, red is the wrong color.
00:38:11A single white rose.
00:38:12Perfect.
00:38:14This is a special occasion.
00:38:19There you are.
00:38:19Good night.
00:38:20Good night, Mr. Brown.
00:38:21Enjoy yourself.
00:38:25Did I guess right?
00:38:27Is it your flower?
00:38:28From now on, it will be.
00:38:31Would you like me to close it?
00:38:33No.
00:38:34And now to the park.
00:38:37Yep.
00:38:44Do you think it will all be close?
00:38:57I hope not.
00:39:01I never come here in the season.
00:39:03It's more pleasant in the winter.
00:39:04I don't know why.
00:39:05It's perhaps because you prefer to imagine how it will be in the spring.
00:39:09Because if it is spring, then there's nothing to imagine, nothing to wish for.
00:39:13Is there anything about me you don't know?
00:39:15A few things.
00:39:16For instance, I don't know if one day they'll make a wax figure of you and put you in there
00:39:21because you'll be so famous.
00:39:22Well, if they do, will you pay your penny to come in and see me?
00:39:27If you'll come alive.
00:39:40Now I see you as a little girl.
00:39:43You too?
00:39:43When my father was alive, we traveled a lot.
00:39:50We went nearly everywhere.
00:39:51We had wonderful times.
00:39:52I didn't know you traveled so much.
00:39:54Yes.
00:39:55Perhaps we've been to some of the same places.
00:39:58No, I don't think so.
00:40:00Where did you go?
00:40:01Well, it was a long time, but, for instance, there was Rio de Janeiro.
00:40:05Beautiful, exotic Rio with its botanical gardens, its Avenue of Palms, Sugarloaf Mountain,
00:40:11and the harbor where you could look down and see me find the bushes.
00:40:15We're in Venice.
00:40:16Yes, we've arrived.
00:40:17Now, where would you like to go next?
00:40:18France, England, Russia?
00:40:21Switzerland.
00:40:21Switzerland.
00:40:22Excuse me a moment while I talk with the engineer.
00:40:30You and the lady, are you enjoying the trip?
00:40:32Very much.
00:40:32We've decided on Switzerland.
00:40:35There you are.
00:40:36Oh, thank you.
00:40:37Switzerland.
00:40:42Switzerland.
00:40:43Switzerland.
00:41:05So you were looking down at the flying fish.
00:41:07Then what?
00:41:09Aren't you going to finish the trip?
00:41:12Well, there weren't any trips.
00:41:13Do you mind?
00:41:14You see, my father had a friend in a travel bureau.
00:41:17My father worked across the street.
00:41:18He was an assistant superintendent of the municipal waterworks.
00:41:21And he used to bring folders home with him with pictures in them.
00:41:24We have stacks of them.
00:41:25And in the evening, he would put on his traveling coat.
00:41:28That's what he called it.
00:41:29Of course, I was very young.
00:41:30And he would say, where shall we go this evening?
00:41:32And I would say, Vera Cruz, because it's a beautiful name.
00:41:35And then he would say, it's summer there.
00:41:38You don't want to roast like a coffee bean, do you?
00:41:40So you never did get there?
00:41:42No, it was just like our trip to the land of the midnight sun.
00:41:45Oh, it stopped you this time.
00:41:46The weather.
00:41:47I thought of India, but then father remembered that it was the rainy season.
00:41:51Your father was an expert on climbers.
00:41:52My mother used to say that he knew what the weather was everywhere except home.
00:41:55What mountain is that?
00:41:58That's the Meadowhoid.
00:42:00Have you climbed it?
00:42:02Mm-hmm.
00:42:03Tell me, when you climb up a mountain, what then?
00:42:06When you come down again.
00:42:16Tell me more about your father.
00:42:19Well, then he finally did go away.
00:42:23He had the nicest eyes.
00:42:25Yes, I can see them.
00:42:28Why do you like to climb mountains?
00:42:31I suppose because no matter how high you climb, there's always a higher one.
00:42:36And you like to imagine that the other one's even more wonderful, like the spring, the park?
00:42:39Now, you know far too much about me already, and I know almost nothing about you, huh?
00:42:44Except that you traveled a great deal.
00:42:49End of the line.
00:42:50All change.
00:42:53All change.
00:42:55What now?
00:43:07Where haven't we been?
00:43:08Oh, we have no more countries left.
00:43:10Then we'll begin all over again.
00:43:12Oh.
00:43:12There you are.
00:43:14Oh, thank you.
00:43:17We'll revisit the scenes of our youth.
00:43:18We'll see you later.
00:43:36I don't know about them, but I'm going home right after this number.
00:43:51Me too.
00:43:52Even if they're paying me 50 kroner.
00:43:54I like to play for married people.
00:43:56They've got homes.
00:44:06You are a sorceress.
00:44:13Now I'm sure.
00:44:16How else could we dance this way?
00:44:18Unless we've danced together before.
00:44:21And yet if we had,
00:44:24I should have remembered.
00:44:33Please.
00:45:06I don't know where you live.
00:45:16Promise me you won't vanish.
00:45:18I won't be the one to vanish.
00:45:20We are here.
00:45:34We are here.
00:46:02Who is it?
00:46:14Brent.
00:46:15Good morning, Mr. Brent.
00:46:16Good morning, Mr. Brent.
00:46:18Hello, Mr. Brent.
00:46:49Please be seated. It will just be a moment.
00:47:05Lisa?
00:47:06Leave it on. Someone wants to see it.
00:47:08Oh, a new costumer.
00:47:10Looks like a good one.
00:47:15Don't take one moment.
00:47:20You'll like this one, I'm sure.
00:47:22I'm sure.
00:47:28I like it very much.
00:47:32Very much.
00:47:33How did you find me?
00:47:35I'm a good detective. Don't you think?
00:47:37You are.
00:47:38I'm afraid we'll have to put off our plans for tonight.
00:47:50I couldn't go away without seeing you.
00:47:53Where are you going?
00:47:54Milano.
00:47:56The whole orchestra is going.
00:47:57We're going to play at Lascala.
00:47:59It's wonderful.
00:48:00I've forgotten all about it.
00:48:05It won't be long.
00:48:06Just two weeks.
00:48:08The train leaves at 5.30.
00:48:10Do you suppose you could see me off?
00:48:13I'll try.
00:48:14I'll look for you then.
00:48:16Goodbye. Thank you.
00:48:22Goodbye.
00:48:24You'll be there.
00:48:24How did it go?
00:48:30He wasn't interested in the suit, but, Madame Spitzer, could I leave a little earlier today?
00:48:35How early?
00:48:37About five.
00:48:38Yes, sure.
00:48:43Congratulations, my dear.
00:48:44Stefan, the train is leaving.
00:49:08Just a minute.
00:49:11How long have you been standing?
00:49:14I don't want to go.
00:49:17Do you believe that?
00:49:19I'll be here when you get back.
00:49:22Yes.
00:49:22Stefan, hurry, please.
00:49:25I still know so little about you.
00:49:28You like mystery.
00:49:32That a woman like you exists, and I found you, that's mystery enough.
00:49:38Say, Stefan, the way you said it last night.
00:49:43Stefan.
00:49:44It says, no, you've said it all your life.
00:49:47Got to hurry, sir.
00:49:48Yes.
00:49:50Bye.
00:49:50Stefan.
00:49:51Yes.
00:49:52Bye.
00:49:55Won't be long.
00:49:56I'll be back in two weeks.
00:50:02Goodbye.
00:50:03Goodbye.
00:50:03Two weeks.
00:50:04Stefan, how little you knew yourself.
00:50:25That train was taking you out of my life.
00:50:29And then the wrong way.
00:50:50.
00:50:51he was a married man does he live here in Vienna if we knew who he was he might be
00:51:17willing to accept his responsibility you won't tell us his name
00:51:25but you haven't the means to take care of the child we'll get along
00:51:37it's your duty to tell us when a man does the sort of thing if I'm feeling tired would you go
00:51:47you may wonder why I never came to you for help I wanted to be one woman you had known
00:51:56who asked you for nothing my deep regret is that you never saw your son
00:52:03there were times during those years I prefer not to remember but this I can assure you
00:52:11whatever the cost he repaid me a thousand times you would have been proud of him too
00:52:18when he was almost nine as much for his sake as mine I married you know who my husband is
00:52:27Johann Starfer married me knowing the truth about us and about our child oh how lovely thank you
00:52:34Johann what a nice birthday this and Stefan home you know I'm not good at saying such things but
00:52:44Lisa I want you to be as happy as you've made me if I were really a deserving wife I'd be ready on time
00:52:50you are happy
00:52:55you are why shouldn't I be
00:53:04let's say good night
00:53:08hello still another talent
00:53:16he has a lot of talents but not for finishing his note
00:53:20may I see it
00:53:22or for brushing his teeth
00:53:27made in Switzerland
00:53:29Switzerland must be a very nice place don't you think
00:53:32who gave it to you darling
00:53:34Herr Frank
00:53:34who is Herr Frank
00:53:35his music teacher
00:53:36he said he thinks I was a natural talent
00:53:39for the harmonica
00:53:40no for music
00:53:42oh
00:53:43good night Stefan
00:53:46good night sir
00:53:48good night darling
00:53:51good night mother
00:53:52mother
00:53:58I'll be right down
00:54:00yes
00:54:04you remember the last time
00:54:06first night I was home from school
00:54:07mm-hmm what about it
00:54:08when you went out
00:54:10you let me sleep in your room
00:54:11well all right
00:54:12it's a special concession
00:54:13because it's your first night home
00:54:14but hurry
00:54:15I'm late
00:54:16in just a minute
00:54:22there is no hurry
00:54:24good night sir
00:54:25good night
00:54:26you know Stefan
00:54:34it might be nice if you could say
00:54:35good night father
00:54:37instead of good night sir
00:54:38but I've always said it that way
00:54:40I think you'd like it
00:54:41I think you'd like it if you could manage a change
00:54:42supposing you said to me
00:54:43good night madam
00:54:44it would sound pretty silly wouldn't it
00:54:46now promise me that she'll go to sleep
00:54:49and not wait up for me
00:54:50I promise
00:54:51will you bring me a program of the opera
00:54:53I promise
00:54:54good night madam
00:54:58good night sir
00:55:00after all
00:55:01when a person treats you so much like his son
00:55:04he is in a sense
00:55:05your father
00:55:06all right mother
00:55:07if you say so
00:55:08good night
00:55:09the course of our lives
00:55:20can be changed by such little things
00:55:23so many passing by
00:55:25each intent on his own problems
00:55:28so many faces
00:55:29that one might easily have been lost
00:55:32I know now
00:55:35nothing happens by chance
00:55:38every moment is measured
00:55:40every step is counted
00:55:42curtain
00:55:46curtain going up
00:55:47second back
00:55:48curtain going up
00:55:49second back
00:55:49curtain going up
00:55:51second back
00:55:51second back
00:55:52look
00:55:54isn't that Stefan Bryant
00:55:56he returned last week
00:55:57a concert tour
00:55:58pleasure trip
00:55:59pleasure trip
00:55:59most likely
00:56:00the way he's burning himself up
00:56:02it's a wonder he's still alive
00:56:03ten years ago
00:56:08he showed great promise
00:56:09too bad
00:56:11with that talent
00:56:12he could have been a great pianist
00:56:14perhaps talent is not enough
00:56:16perhaps he has too many talents
00:56:18second back
00:56:20curtain going up
00:56:21you know the colonel and his kodiak
00:56:37general herzendorf was asking for you
00:56:40you made a conquest
00:56:41my dear you should have joined us
00:56:43suddenly in that one moment
00:57:09everything was in danger
00:57:11everything I thought was safe
00:57:14somewhere out there were your eyes
00:57:17and I knew I couldn't escape them
00:57:18it was like the first time I saw you
00:57:23the years between were melting away
00:57:26I have a headache
00:57:30I'll be coming
00:57:31no please don't
00:57:32I'll be alright if I lie down
00:57:33please stay here
00:57:34would you be kind enough to give my husband a message
00:57:52he's in 17
00:57:53not now but after this act
00:57:54tell him I have decided to go home and not to worry
00:57:57thank you
00:57:57could you call my carriage please
00:58:11yes madam
00:58:11side entrance
00:58:14yes ma'am
00:58:15go home
00:58:17ona
00:58:17they're
00:58:20there
00:58:21some
00:58:23he's going to there
00:58:25oh my
00:58:27he's weary dear
00:58:28oh
00:58:31oh
00:58:33oh
00:58:34Andrea
00:58:35me
00:58:36yeah
00:58:37Excuse me, you must realize where there is a pursuit, there must also be a pursuer.
00:58:52I've seen you somewhere, I know.
00:58:55I followed you upstairs and watched you in your box, but I couldn't place you.
00:59:01And I had to speak with you.
00:59:04I know how this sounds.
00:59:06I assure you, in this case, it's true.
00:59:09You believe that, don't you?
00:59:12Yes, sir.
00:59:14Now, please, just a moment.
00:59:15Is there any place we could have met that I might have seen you at one of my concerts?
00:59:21It must have been some time ago.
00:59:24I haven't given any concerts in Vienna lately, or anywhere else, for that matter.
00:59:29You don't play anymore?
00:59:32It's not quite as final as that.
00:59:34I always tell myself, I'll begin again next week.
00:59:37And then when next week comes, it's this week.
00:59:40So I wait for next week again.
00:59:41What are you waiting for?
00:59:44That's a very disturbing question.
00:59:46My carriage.
00:59:47You can't ask such a question and just walk away.
00:59:49And I have a feeling.
00:59:52Please don't think I'm mad.
00:59:53I know it sounds strange, and I can't explain it.
00:59:57But I feel that you understand what I can't even say.
01:00:02And that you can help me.
01:00:04Have you, have you ever shuffled faces like cards, hoping to find the one that lies somewhere just over the edge of your memory?
01:00:17The one you've been waiting for?
01:00:21Well, tonight, when I first saw you, and later when I watched you in the darkness,
01:00:25it was as though I'd found that one face, among all others.
01:00:31Who are you?
01:00:35Promise I'll see you again.
01:00:36I must see you.
01:00:38I don't know.
01:00:38I don't know.
01:00:43Ah!
01:00:43Johan, you don't think I wanted this to happen?
01:01:06No.
01:01:09What are you going to do?
01:01:11I don't know.
01:01:13Lisa, we have a marriage.
01:01:18Perhaps it's not all you once hoped for, but we have a home and your son and people who care for you.
01:01:26I know that, Johan.
01:01:28I'd do anything to avoid hurting you, but I can't help it.
01:01:33And your son?
01:01:36Do you think you can't avoid hurting him?
01:01:38He won't be harmed, I'll see to that.
01:01:43There are such things as honor and decency.
01:01:48I've told myself that a hundred times this one evening.
01:01:51You talk as though it were out of your hands.
01:01:54It's not, Lisa.
01:01:55You have a will.
01:01:57You can do what's right, what's best for you.
01:02:00Or you can throw away your life.
01:02:02I've had no will but his, ever.
01:02:05That's romantic nonsense.
01:02:08Is it?
01:02:09Johan, I can't help it.
01:02:11I can't.
01:02:12Please, please.
01:02:13What about him?
01:02:15Can't he help himself either?
01:02:17I know now that he needs me as much as I've always needed him.
01:02:23Isn't it a little late for him to find that out?
01:02:27We're home, sir.
01:02:40Good night.
01:02:42Good night, sir.
01:02:42Good night, sir.
01:02:42Good night, sir.
01:02:47Lisa, if you do this, you can never turn back.
01:03:04You know that, don't you?
01:03:05Yes.
01:03:12I warn you.
01:03:14I shall do everything in my power.
01:03:17To prevent it.
01:03:47I know, darling.
01:03:49Wake up.
01:03:50It's time to go in your own room.
01:03:57Did you have a nice time?
01:04:00Yes, darling.
01:04:03Good night, father.
01:04:05Good night.
01:04:07Did you hear?
01:04:08I just said it.
01:04:09Yes, darling.
01:04:10Tell me about the opera.
01:04:13Was it exciting?
01:04:23How's that?
01:04:24You're wonderful.
01:04:27You're wonderful.
01:04:31Always been a wonderful boy.
01:04:32You don't know how much that's meant to me.
01:04:37To be so proud of you always.
01:04:40I know it.
01:04:41I know it.
01:05:06Don't worry, mother.
01:05:11You'll see.
01:05:12Two weeks will go like an express train.
01:05:14You're sure you're coming?
01:05:16Of course, I promise.
01:05:17You won't even get my room in the village for me.
01:05:19I'll get you the same one you had last time,
01:05:21the one with the balcony.
01:05:23Didn't I tell you that compartment was quarantined?
01:05:29I'm sorry, ma'am,
01:05:30but this compartment has to be closed up.
01:05:33I'll take you to the next car, Fort.
01:05:35That's good. I'll be near the locomotive.
01:05:38I'll take the car.
01:05:40Do we have two locomotives on our train?
01:05:45We usually get along with one,
01:05:46but I'll talk to the engineer.
01:05:49How about that one over there?
01:05:50You can have two seats in there.
01:05:51He's traveling alone, just being led.
01:05:54Don't worry, ma'am.
01:05:55I'll take good care of him.
01:05:56We'll leave in about a minute.
01:05:58Better hurry and get your seat.
01:06:00Sure.
01:06:00You'll see better if you sit over here.
01:06:03And if you get chill, you can put up the window.
01:06:05Yes, ma'am.
01:06:08Step on.
01:06:08You know how I've longed, Sophie, your being home.
01:06:13And now I can't even explain,
01:06:14but maybe someday, very soon,
01:06:17I'll be able to give you a reason.
01:06:19But now,
01:06:20I just have to believe that it's me around the corner.
01:06:23I don't mind going back so much,
01:06:25especially when you're coming so soon.
01:06:27It'll be like two vacations.
01:06:29No, I don't.
01:06:30Then I'll show you the new walk we found
01:06:31since you were there last time, yeah?
01:06:33Better get out, ladies.
01:06:41You're right, Nick.
01:06:42Off and watch out.
01:06:43Yes, mother.
01:06:44But I can't write very often.
01:06:46Not in two weeks.
01:06:49Goodbye, mother.
01:06:51Two weeks.
01:06:52No, I don't.
01:06:54Believe it.
01:06:54No, I don't.
01:06:56Don't do anything.
01:06:56It's not right.
01:06:56It's not.
01:06:57Never alone.
01:06:59Yeah.
01:07:00Yeah.
01:07:00No, I don't.
01:07:02There's anything.
01:07:03Vor Wyatt and Jonãe,
01:07:05let's go to the پ具 behaviour.
01:07:05No, no.
01:07:06All in trouble.
01:07:06Why can't I do this?
01:07:07Me.
01:07:07Aye.
01:07:08There's anything.
01:07:08Hard experience.
01:07:10Shit asking messages.
01:07:10No, no.
01:07:11It's a bar.
01:07:12��amp pole.
01:07:13I can't wait longer.
01:07:13What is it? What happened?
01:07:35Someone hurt?
01:07:37No reason to get alarmed.
01:07:39They say it's a case of typhus.
01:07:40Typhus?
01:07:41Yes. Typhus.
01:07:43Typhus. On the train.
01:07:43Typhus.
01:07:59Yes, ma'am.
01:08:01Here's Mr. Brand. Here's Stefan Brand.
01:08:03Brand?
01:08:06One moment, please.
01:08:08Fritz.
01:08:08Could you tell me, has Mr. Brand been here this evening?
01:08:19Oh, Mr. Brand is no longer a customer of ours, not for some time.
01:08:24Mr. Brand these days is more likely to be found at the Blitz.
01:08:52good evening ma'am i still have nice flowers left i'm closing up and i'll sell you a nice bouquet
01:09:05very cheap
01:09:06i'll take those the white ones don't bother to wrap them up as men
01:09:22and i'll take those the white ones don't bother to wrap them up as men
01:09:52now you can drive on
01:10:07stephan brine is he
01:10:34thank you
01:10:46thank you
01:10:47so
01:10:49so
01:10:51so
01:10:53so
01:10:55so
01:10:57so
01:10:59so
01:11:01so
01:11:11so
01:11:13so
01:11:15so
01:11:17so
01:11:19so
01:11:21so
01:11:23so
01:11:25so
01:11:27so
01:11:35so
01:11:37so
01:11:39so
01:11:41so
01:12:15so
01:12:17so
01:12:23so
01:12:25so
01:12:27so
01:12:31so
01:12:33so
01:12:41so
01:12:43so
01:12:47so
01:12:49so
01:12:53so
01:12:55so
01:12:57so
01:13:01so
01:13:03so
01:13:05so
01:13:09so
01:13:17so
01:13:19so
01:13:21so
01:13:23so
01:13:25so
01:13:27so
01:13:29so
01:13:31so
01:13:33so
01:13:35so
01:13:39so
01:13:41so
01:13:43so
01:13:45so
01:13:47so
01:13:49so
01:13:51so
01:14:03so
01:14:05so
01:14:07so
01:14:09so
01:14:23so
01:14:25so
01:14:27so
01:14:39so
01:14:41so
01:14:43so
01:14:47so
01:14:49so
01:14:51so
01:14:53so
01:14:55so
01:14:57so
01:14:59so
01:15:01so
01:15:03so
01:15:05so
01:15:07so
01:15:09so
01:15:19so
01:15:21so
01:15:23so
01:15:25so
01:15:27so
01:15:29so
01:15:31so
01:15:33so
01:15:35so
01:15:37so
01:15:39so
01:15:41are you getting lonely out there?
01:15:43very lonely
01:15:51I'd come to tell you about us
01:15:53to offer you my whole life
01:15:55but you didn't even remember me
01:16:09I
01:16:11I
01:16:13I
01:16:15I
01:16:17I
01:16:19I
01:16:21I
01:16:23I
01:16:25I
01:16:27I
01:16:29I
01:16:31I
01:16:33I
01:16:35I
01:16:37I
01:16:39I
01:16:41I
01:16:43I
01:16:45I
01:16:47I
01:16:49I
01:16:51I
01:16:53I
01:16:55I
01:16:57I
01:16:59I
01:17:01I
01:17:03I
01:17:05I
01:17:07I
01:17:09I
01:17:11I
01:17:13I
01:17:15I
01:17:17I
01:17:19I
01:17:21I
01:17:23I
01:17:25I
01:17:27I
01:17:29I
01:17:31I
01:17:33I
01:17:35I
01:17:37I
01:17:39I
01:17:41I
01:17:43I
01:17:45I
01:17:47I
01:17:49I
01:17:51I
01:17:53I
01:17:55I
01:17:57I
01:17:59I
01:18:01I
01:18:03I
01:18:05I
01:18:07I
01:18:09I
01:18:11I
01:18:13I
01:18:15I
01:18:17I
01:18:19I
01:18:21I
01:18:23I
01:18:25I
01:18:27I
01:18:29I
01:18:31I
01:18:33I
01:18:35I
01:18:37I
01:18:39I
01:18:41I
01:18:43I
01:18:45I
01:18:47I
01:18:49I
01:18:51I
01:18:53I
01:18:55I
01:18:57I
01:18:59I
01:19:01I
01:19:03I
01:19:05I
01:19:07I
01:19:09I
01:19:11I
01:19:13I
01:19:15I
01:19:17I
01:19:19I
01:19:21I
01:19:23I
01:19:25I
01:19:27I
01:19:29I
01:19:31I
01:19:33I
01:19:35I
01:19:37I
01:19:39I
01:19:41I
01:19:43I
01:19:45I
01:19:47I
01:19:49I
01:19:51I
01:19:53I
01:19:55I
01:19:57I
01:19:59I
01:20:01I
01:20:15I
01:20:17I
01:20:19I
01:20:21I
01:20:23I
01:20:25I
01:20:27I
01:20:29I
01:20:31I
01:20:33I
01:20:35I
01:20:37I
01:20:39I
01:20:41I
01:20:43I
01:20:45I
01:20:47I
01:20:49I
01:20:57I
01:20:59I
01:21:01I
01:21:03I
01:21:05I
01:21:07I
01:21:09I
01:21:11I
01:21:13I
01:21:15I
01:21:17I
01:21:25I
01:21:27I
01:21:29I
01:21:31I
01:21:33I
01:21:35I
01:21:37I
01:21:39I
01:21:41I
01:21:43I
01:21:45I
01:21:47I
01:21:49I
01:21:51I
01:21:53I
01:21:55I
01:21:57I
01:21:59I
01:22:01I
01:22:03I
01:22:05I
01:22:07I
01:22:09I
01:22:11I
01:22:13I
01:22:15I
01:22:17I
01:22:19I
01:22:21I
01:22:23I
01:22:25I
01:22:27I
01:22:29I
01:22:31I
01:22:33I
01:22:35I
01:22:37I
01:22:39I
01:22:41I
01:22:43I
01:22:45I
01:22:47I
01:22:49I
01:22:51I
01:22:53I
01:22:55I
01:22:57I
01:22:59I
01:23:01I
01:23:03I
01:23:05I
01:23:07I
01:23:09I
01:23:11I
01:23:13I
01:23:15I
01:23:17I
01:23:19I
01:23:21I
01:23:23I
01:23:25I
01:23:27I
01:23:29I
01:23:31I
01:23:33I
Comments