Fated to My Cruel CEO
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
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Short filmTranscript
00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:29I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass when you were knee deep in debt?
00:00:54Me!
00:00:59And how are we doing with the search?
00:01:01Not good, boss. Still going.
00:01:03Find her. I don't care what it takes.
00:01:10I found the perfect woman for you. It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:16Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:21Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:25So now all of a sudden you give a shit about me? You never care when you drove Mom away?
00:01:29Or when you sent me to that orphanage all by myself?
00:01:31Silence! How dare you? It's for the Arduin family business. You're marrying Carla Jennings. End of discussion.
00:01:39Dad. Dad.
00:01:45I paid your 500 grand debt. And I gave you a job.
00:01:49Now if you want to quit so bad, pay me back and get the fuck out of my club.
00:01:54Please, you know I don't have $500,000. Just give me another chance!
00:01:58Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:11Is there a problem here?
00:02:13No sir. Everything's fine.
00:02:17She looks just like her.
00:02:26Will you marry me?
00:02:28No, let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:02:57This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right. Sign this agreement, and we'll be contractually married for a year. After that, you can file for divorce. Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so? Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:53Hey, where am I staying, by the way? In the guest room.
00:04:08Wow. I'm a total jerk. This isn't bad.
00:04:17It's been over ten years. I miss you so much.
00:04:30Oh my God.
00:04:32I miss you.
00:04:33I miss you.
00:04:35Oh my God.
00:04:37All right.
00:04:39Nas, I need you to find out everything you can about the woman I just married.
00:05:03See if she grew up in the same orphanage.
00:05:06Sorry, I didn't mean to.
00:05:22This is my bathroom.
00:05:23What do you think you're doing?
00:05:26Nice try, trying to use your little tricks to get my attention.
00:05:29It's not going to work though, sorry.
00:05:32I wasn't trying to get your attention.
00:05:36Ugh!
00:05:37You mind turning that off?
00:05:43I just thought the carpet needed some cleaning.
00:05:46You're here to be my wife, not a maid.
00:05:50Who are you?
00:05:55Wait, you're that stripper.
00:05:58What are you doing in Edward's house?
00:06:01I am.
00:06:02Who are you?
00:06:03I am Edward's fiance.
00:06:08Edward, you're marrying a stripper?
00:06:10I thought I was your fiance.
00:06:13My father arranged for us to get married only for the sake of our families.
00:06:17We wouldn't be happy even if we did get married.
00:06:19But I would be happy, Edward.
00:06:21Carla, you know I have someone that I love.
00:06:24She's the one I'm waiting for.
00:06:26I don't know who the fuck you are, but if you think you have a chance against me, you're
00:06:33dumbed than I thought.
00:06:35Miss, get it straight.
00:06:37I'm not competing with you.
00:06:39Stop it.
00:06:41Edward!
00:06:42Are you defending her now?
00:06:45You're not dumb, bitch.
00:06:46Just wait.
00:06:47Wow, you got a lot of admirers, huh?
00:06:52Need more that I need to watch out for?
00:06:55Look, if you see me in the living room, don't show your face.
00:07:00Same will go for me.
00:07:01Your house, your rules, big deal!
00:07:06Hi, I'm Velma.
00:07:13I've worked a lot of odd jobs in the city.
00:07:19Waitressing and working in nightclubs.
00:07:24All for a chance to act.
00:07:32I'm also looking for someone.
00:07:35And I hope that one day he sees me on screen.
00:07:46That way he knows that I'm still here.
00:07:51Okay.
00:07:52I hope you see me.
00:08:06That's okay, Sarah.
00:08:21Thelma doesn't need to dine with me.
00:08:24Bring my food to my room and I'll eat there.
00:08:26Yes.
00:08:27It's fine.
00:08:28I usually don't eat with people anyway.
00:08:32By the way, I'm going out for a bit today.
00:08:35Where you go is none of my concern.
00:08:38Fine!
00:08:40Is he always this big of a jerk?
00:08:45Excuse him, ma'am.
00:08:46He's just used to living alone.
00:08:48I'm sorry, Sarah.
00:08:49It must be difficult dealing with him every day.
00:08:50It's okay.
00:08:51Yeah, I'll be right there.
00:09:05Okay.
00:09:06Sit.
00:09:07So, I heard a funny little rumor that you married the famous billionaire Edward Arduin.
00:09:22Is it true?
00:09:23I didn't know that he was a billionaire until after we were married.
00:09:27You're joking!
00:09:28How did you manage that?
00:09:29Shh!
00:09:30I just signed a contract.
00:09:32It's fake.
00:09:33What?
00:09:34Well, who cares?
00:09:35What are you waiting for?
00:09:36Seal the deal.
00:09:37I know that I can't think about anyone but Algar.
00:09:41T, it's been ten years since you two escaped the orphanage.
00:09:44I mean, Algar could be anywhere.
00:09:46He could be dead.
00:09:47He's not dead!
00:09:48Okay.
00:09:49Um.
00:09:50It's okay.
00:09:51I'm sorry.
00:09:52So, what's your plan?
00:09:55Keep things the way they are, I guess.
00:09:58Except, now I can focus more on acting and not dancing in strip clubs.
00:10:03Hey!
00:10:04That's exciting, right?
00:10:05That's something you've always wanted to do since you were a kid.
00:10:07Is that audition today?
00:10:09Yeah.
00:10:17Hi.
00:10:18I'm here for the audition.
00:10:20You think you could just show up like that, you slut?
00:10:27You slut!
00:10:28Are you stalking me?
00:10:30Oh, don't flatter yourself.
00:10:31I'm the lead of this production.
00:10:33She's not auditioning.
00:10:35Sorry.
00:10:36You can't do this!
00:10:38I worked so hard for this opportunity!
00:10:40Oh, like stripping for men and fucking them in strip clubs?
00:10:44Got it!
00:10:45I was dancing, that's it!
00:10:47What's the fucking difference?
00:10:49I eat girls like you for breakfast.
00:10:52Let's go, Derek.
00:10:53No!
00:10:54Please!
00:10:55Wait!
00:10:56Be quiet!
00:10:57No!
00:10:58Please!
00:10:59Wait!
00:11:06Be quiet!
00:11:07Go!
00:11:08Back tonight!
00:11:09Run!
00:11:10Go ahead.
00:11:11Yup, it's stop.
00:11:32You're lucky!
00:11:33There is no art!
00:11:34In other moments, habtareans, collectibles and pattes and loot.
00:11:37Boss, get the details, Thelma, she went to high school not far from here, dropped out,
00:11:51the husband auditioned for films, she worked at nightclubs to make a living, bad relationship
00:11:57with her parents, but not an orphan, no name changes and definitely never been to an orphanage.
00:12:20I wanted it to be her so bad, of course it can't be Helen.
00:12:25You've been looking for this girl for 10 years, who is she?
00:12:30Someone more important to me than life itself.
00:12:43Oh my god.
00:12:45It is her.
00:12:50Find me the location where this photo was sent.
00:12:52Got it.
00:12:53The photo's been sent.
00:12:54Good.
00:12:55Where is she?
00:12:56Oh.
00:12:57Out like a lame.
00:12:59I guess marrying Edward won't solve everything.
00:13:03How about I said it?
00:13:05Do whatever you want with her, and clean it after you're done.
00:13:09I've been searching for you for so long, and you were right here.
00:13:28Boss, he's gone.
00:13:29Find him.
00:13:30And keep this between us.
00:13:31Got it.
00:13:32Oh god, save me.
00:13:33Come on.
00:13:34I got you.
00:13:35Come on.
00:13:36I got you.
00:13:42Oh god, save me.
00:13:47Oh god, save me.
00:14:00Come on.
00:14:01I'm sorry, I can't tell you who I am.
00:14:17Not yet.
00:14:31We'll need your names once we're out of here, right?
00:14:38Yeah, we're starting a new life.
00:14:41I'll be Telma.
00:14:43What about you?
00:14:44Algar!
00:14:46Helen!
00:14:47Where are you?
00:14:49You have to run quick.
00:14:51Trying to escape again?
00:14:53I warned you, it's not gonna work.
00:14:55Looks like I gotta give you some real punishment.
00:14:58You go first.
00:14:59At least one of us needs to escape.
00:15:01No, you go.
00:15:03She's gonna kill you.
00:15:04I won't let her catch me.
00:15:06Just go, I'll find you.
00:15:08Let's send me to the amusement park.
00:15:13I'll wait for you, Algar.
00:15:20Oh, you're not going anywhere!
00:15:22I'll bring her back, rest assured.
00:15:25After I'm done with you...
00:15:29I'll wait for you, Algar.
00:15:42What happened?
00:15:44Nothing to worry about.
00:15:45Just some issues with the film crewman.
00:15:47Why are you being so nice to me?
00:15:50No reason.
00:15:52Here, take this card.
00:15:54It's unlimited.
00:15:56Spend it however you want.
00:15:57Why are you doing this?
00:15:58I don't want your money.
00:16:02Well, if you need money, just let me know.
00:16:04And you can stop looking for odd jobs.
00:16:11Odd jobs?
00:16:13Acting is my dream.
00:16:15I danced in strip clubs for a living, but...
00:16:19People like you, born from a silver spoon, wouldn't understand that.
00:16:23Then stop doing it.
00:16:24We're in a contract marriage, right?
00:16:28I won't interfere with your life and you can't meddle in mine.
00:16:33Acting is something that I've always wanted.
00:16:36And besides, I'm not going to take your money besides the number that we agreed on.
00:16:43You need to rest now.
00:16:47Do you mind?
00:16:49Look at this mess.
00:17:10Clean it up if you even think about going to bed.
00:17:19Eat up, you must be starving.
00:17:32Nah, you probably worked hard for this.
00:17:35Come on, take it.
00:17:41I can't believe she locked you out for three days and made you do all this.
00:17:45Did she even feed you at all?
00:17:47You made it easier for me.
00:17:49No, get back before she sees you here.
00:18:10Excuse me, I'm calling to ask about my audition.
00:18:14I'm sorry, your name has been blacklisted from reproduction.
00:18:17What?
00:18:23This is the dude who took them out and sent you those pictures.
00:18:25How about a drink?
00:18:26There are two glasses of scotch there.
00:18:27Pick one.
00:18:28I'm sorry, Mr. Edward.
00:18:29Please.
00:18:30Just a friendly gesture from the boss.
00:18:32One more thing.
00:18:34Only one of those glasses is poison fruit.
00:18:35You should have known better.
00:18:36That would happen when you kidnapped them.
00:18:37Here.
00:18:38I'll do it for you.
00:18:39Hold it.
00:18:40Go!
00:18:41Go!
00:18:42Go!
00:18:43Go!
00:18:45Go!
00:18:47Take him away.
00:18:48Take him away.
00:18:49Go!
00:18:50Go!
00:18:51Go!
00:18:52Go!
00:18:53Go!
00:18:54Go!
00:18:58Go!
00:19:00Go!
00:19:01all myелda
00:19:03Go!
00:19:06Go!
00:19:14Take him away.
00:19:21This is what I've become, Thelma.
00:19:25I hope you never see me like this.
00:19:28Ruthless.
00:19:29Merciless.
00:19:32Both glasses would have silenced the man.
00:19:36I simply can't forgive him for what he did.
00:19:41Thelma, will you forgive me?
00:19:49What?
00:19:51What the fuck happened to you?
00:19:52How did he find you?
00:19:53What happened?
00:19:55Oh, you can't even talk now?
00:19:58God, you fucking useless!
00:20:03Inform every production you can reach.
00:20:05Thelma will never be an actress.
00:20:09Make sure of it.
00:20:12Go!
00:20:13Go!
00:20:24Are you okay?
00:20:28I've been blacklisted by every production company.
00:20:31Even the Actors Guild.
00:20:33What am I going to do?
00:20:34Hey, don't lose heart, okay?
00:20:35I happen to know of an audition going on today if you're interested.
00:20:39Since when did...
00:20:40Good friend of mine tipped me off.
00:20:41Now come on.
00:20:42Let's go.
00:20:43Alright?
00:20:44It's better than moping around here.
00:20:45Come on.
00:20:49Here it is.
00:20:51So I can just go in there?
00:20:52Just like this?
00:20:53Yes.
00:20:54I got everything set up, okay?
00:20:55Just go ahead.
00:20:56Go in.
00:20:57And do your thing.
00:20:58You got this!
00:21:00Break a leg!
00:21:01What is she doing to you?
00:21:19Who is she?
00:21:21Nobody.
00:21:22She's not here for the audition too, is she?
00:21:24Well in that case, we're in for a treat.
00:21:30Karla Ginny, you're up next.
00:21:51I can't believe it!
00:21:52It was you all along!
00:21:57That's right.
00:21:58I never thought you'd find me.
00:22:00But it must come to an end.
00:22:04Oh no!
00:22:17Cut!
00:22:18I'm sorry, were you shot or did someone just step on your toe?
00:22:25Can I just try again? I was just a bit nervous.
00:22:29Miss Jennings, we are making a thriller with a tragic ending.
00:22:33What you just did was borderline comedy.
00:22:36Excuse me?
00:22:37Yeah.
00:22:38Do you know how close I am with your investor?
00:22:40Sir, she was indeed recommended for the role.
00:22:46May we give her another chance?
00:22:53No!
00:22:55No, no, no, no, no.
00:22:56We are creating art that appeals to our audience and she is clearly not right for the role.
00:23:01Next!
00:23:03I'm sorry, Miss Jennings.
00:23:04That was great.
00:23:06Maybe another project or another...
00:23:08What were you still doing here?
00:23:12I thought you were blacklisted.
00:23:14So it was you.
00:23:15You know, if that's the best you got, then I'm not that worried.
00:23:17Do you think you could do better than me?
00:23:21Then you're nothing.
00:23:24Yeah!
00:23:26Show us what you got!
00:23:28Thelma?
00:23:31Hi.
00:23:32So it was you.
00:23:46All this time!
00:23:48That's right.
00:23:50I never thought you would find me.
00:23:54But now it must come to an end.
00:23:58No!
00:24:00This can't be it for us!
00:24:02No!
00:24:07Cut!
00:24:11Well, that was amazing!
00:24:14Oh, you fully captured that role!
00:24:17Congratulations!
00:24:18You get the part!
00:24:20What?
00:24:25What about me?
00:24:26You promised me!
00:24:28Oh, come on.
00:24:29You have to admit, she was exceptional.
00:24:30She is perfect for the part!
00:24:32Girl!
00:24:33You killed it!
00:24:35You were great.
00:24:37I'm Alex.
00:24:38Looks like we're gonna be team partners.
00:24:39Thelma!
00:24:40Hey, do you want to go somewhere more private?
00:24:42We can talk about the script.
00:24:43Yeah, sure!
00:24:44What the fuck?
00:24:45I'm hitting on the wrong girl, buddy.
00:24:46Edward, what are you doing?
00:24:48I need to go talk to Thelma.
00:24:49How about you shoot another day?
00:24:50What the fuck?
00:24:51I'm hitting on the wrong girl, buddy.
00:24:52Edward, what are you doing?
00:24:53I need to go talk to Thelma.
00:24:54How about you shoot another day?
00:24:55What the fuck?
00:24:56I'm hitting on the wrong girl, buddy.
00:24:57Edward, what are you doing?
00:24:58I need to go talk to Thelma.
00:24:59How about you shoot another day?
00:25:00What are you doing?
00:25:01Can you explain yourself?
00:25:02I don't owe you any explanations.
00:25:03So you're seeing new guys?
00:25:04What?
00:25:05No!
00:25:06We were just acting out a scene.
00:25:07A scene where you two get real close?
00:25:08Like a couple?
00:25:09I was just doing my job.
00:25:10There's nothing wrong with it.
00:25:11And besides, even if I was seeing someone,
00:25:12it would be none of your business.
00:25:13What are you doing?
00:25:14I'm going to shoot another day.
00:25:16What are you doing?
00:25:17I'm going to do this.
00:25:18I'm going to shoot another day.
00:25:19What are you doing?
00:25:20You can explain yourself?
00:25:21I don't owe you any explanations.
00:25:22So you're seeing new guys.
00:25:27What?
00:25:28No!
00:25:29We were just acting out a scene.
00:25:32A scene where you two get real close?
00:25:33Like a couple?
00:25:35Yay! I heard you got the lead role. That's amazing. I knew you'd kill it. Janet, what
00:25:48is Edward doing here? Who? Come on, you know who I'm talking about. Oh, um, gosh, you still
00:25:55don't know, do you? You know what? Well, he's actually the investor of this movie. This
00:26:03is his project. Why did you bring me here then? Well, it was actually his idea. Hello?
00:26:18Hi, is this Jean? Who is this? This is Edward Arduin. I recently invested in a film project
00:26:26and I want you to take your friend Thelma. I think she'll be great for a lead role. Wait,
00:26:31wait, you're Edward Arduin? I wired the payment to your account. Thank you. Oh, wait, wait,
00:26:36wait. I still can't believe I spoke to the legendary Edward Arduin. I can't believe you knew all this
00:26:47time and you didn't tell me. Oh, well, don't look at me. I'm just the middleman doing somebody
00:26:52else a favor, okay? And you still got the lead. It's amazing. But, you know, a lot of people
00:26:59say that Edward's not very nice. He's like a stone-cold man. So why is he being so good
00:27:04to you? Yeah, I don't get it either. I mean, women must be throwing themselves at him.
00:27:10Why would he help me? Maybe he's fallen for you. Oh, come on. That's impossible. He said
00:27:25some pretty harsh stuff earlier, so. Wow. Was that why you look all gloomy? What happened?
00:27:31Did you guys fight? He saw me doing a scene with another actor and... It's whatever.
00:27:38Why do you care what he thinks, though? Come on, girl. This does not sound like you. Are
00:27:49you sure you haven't fallen for him, too? No, it's just... There's something about him
00:27:55that's... familiar, like... Like... I've seen him before. Hmm.
00:28:08Thank goodness you're here, Helen. This place is depressing. I don't know if I can make
00:28:26it without you. You're the one protecting me. I can't stand watching you getting hurt. You're
00:28:33sweet as a sugar pea. Can I call you sugar pea? Sure. As long as I can call you my little
00:28:39rock. Why little rock? Because you make me feel safe. Like a rock I'll never break. Deal.
00:28:54Oh, girl. What have you done to me? I see your face everywhere.
00:29:01Oh, good. Just in time.
00:29:16Damn. Why are you being so nice to me?
00:29:31Look, I'm sorry about today. It was stupid of me to react that way. No, I mean, why did
00:29:41you help me get the role for your film?
00:29:46Well, you won't take my money, and I can't allow the wife of Edward Ardoin to just work
00:29:56a regular job. Oh. Okay, so that's why. Are all rich people this world themselves?
00:30:05What was that? Nothing. This is great. You know, you can be real sweet sometimes. This is delicious.
00:30:16Thanks. I'm glad you like it. Sweet pea.
00:30:26Good morning, man. Edward has left already. Thank you. Oh, I saw you were cooking last night. I watched the utensils.
00:30:35Uh, yeah. It was Edward. He was the cook. Edward. Gotta go.
00:30:44Are we cooking? Are we good?
00:30:46What is going on? What are we waiting for? Let's get started. One of our lead roles is
00:30:56not here yet. Oh, my God. The one thing I ask everyone here is to be professional.
00:31:04Sorry, guys. Traffic was nightmare. All right, I'm ready to start. Wait, I thought that she
00:31:12didn't get the part. Well, how about that? Looks like I'm going to be playing your SD.
00:31:17After this, nobody's even going to remember you. We'll see about that.
00:31:2742 Delta, take two. Ready and act. You have to leave now. Not without the love of my life.
00:31:36I'll wait for him no matter what.
00:31:38Cut. Cut. Cut. Cut. What do you think you're doing? Just playing my role. I don't want to say
00:31:49maybe I'm just missing. Carla. What the hell was that? That wasn't even in the script.
00:31:56I was just adding some extra touch to it. You know, for the sake of art. Art? A slap doesn't
00:32:02make any sense. And who gave you the authority to change my script? It's fine. She can hit
00:32:10me. Oh. Oh. Thelma, are you sure about this? It's all good if it's all for the sake of the
00:32:16effect. Wow. I knew I was right. I'm choosing you as my lead. Okay. Okay. Back to ones, please.
00:32:26Yes, thank you. Can you pick up my script? And action. You have to leave now.
00:32:32I'm not without the love of my life. I'll wait for him no matter what.
00:32:39Edward. Good to see you here. Were you watching me? Me and Thelma make a perfect
00:32:49scene, don't we? Jay, have these two switch roles. I want Thelma to do the slapping, since
00:32:57it's all for the sake of art.
00:33:02But Thelma's the lead. Yeah, that wouldn't make any sense. We can't make more changes
00:33:10to the script. Ed, we're already behind. Better get right to it, then. You don't have to do
00:33:16this for me. I'm not doing it for you. I'm doing it for my own investment.
00:33:20All right. We have added a line to the script. So now, Thelma, Carla's new line will be your cue
00:33:35for the slap. Got it? All right. And action.
00:33:42You have to leave now. Not without the love of my life. I'll wait for him no matter what.
00:33:48But what if he's dead? What if he finds somebody else? You're just going to spend the rest of
00:33:52your life waiting for someone who will never come? Then I'll be sure to leave no room for regret.
00:34:06Cut. Oh, bravo. That was perfect, Thelma. You handled that perfectly.
00:34:14Thelma, where are you next? We just left Carla after that line.
00:34:18Uh, no need for that. I think that my character is above that kind of pettiness.
00:34:32I'm going to expose you, Thelma. Sooner or later.
00:34:44Where are you, my little rock? I'm doing fine. Don't you worry.
00:34:55You know it's bad to waste food. Do you think you deserve to be punished?
00:34:59Yes, headmistress, I do.
00:35:02Ma'am, Helen's sick. That's why she couldn't finish.
00:35:05Isn't that sweet? Too bad. She's getting more punishment because of you.
00:35:11Isn't that sweet? Well, if you so insist, you can take it for her.
00:35:16Oh, get off.
00:35:19You're all right.
00:35:31Found the worker who leaked info to our computer.
00:35:35A manager who's worked with us for 20 years.
00:35:38What do we do with him?
00:35:41Uh, fire him.
00:35:43Sue him if we need to.
00:35:46Can't have disloyalty in the company.
00:35:48Why wound him and his family?
00:35:50So be it.
00:35:53All right.
00:35:53Good morning.
00:36:04Good morning.
00:36:07I'm so scared.
00:36:11All right.
00:36:11I don't know.
00:36:41I hug her.
00:37:07Where's my...
00:37:11Oh, no, no, no.
00:37:35Morning.
00:37:37What are you doing?
00:37:39Nothing.
00:37:47Nothing.
00:37:51I carried you to your bed last night and that was it.
00:37:55No, seriously, what are you doing?
00:37:59Nothing, Sweet Pea.
00:38:01What did you just call me?
00:38:03Uh...
00:38:05Sweet Pea.
00:38:07You said it in your sleep last night.
00:38:13I see. Well, don't ever do that again.
00:38:15Sure.
00:38:29Hi.
00:38:31Could you maybe explain this scene a little bit? I'm not sure if I get it.
00:38:33I mean, it is pretty straightforward to just do what it says without improvising.
00:38:39I don't know.
00:38:41You were so great yesterday.
00:38:45I want to go over this one part.
00:38:47Now, when you say this line, I'm about...
00:38:49We'll see who wins.
00:38:53Nice.
00:38:55What am I doing this afternoon?
00:38:57Well, it's kind of a very important meeting. Did you forget?
00:39:01Canceled.
00:39:03Send them my apologies.
00:39:05What?
00:39:07So, what do you normally do when you're not working?
00:39:09Uh...
00:39:11I do striptease.
00:39:13Oh.
00:39:15I was thinking more along the lines of going to the movies.
00:39:19There's actually a good one out right now.
00:39:21I mean, maybe if you're interested, we could try to catch it together.
00:39:23Sorry, but I really need to focus on this job right now.
00:39:27Oh, yeah. Sure, sure.
00:39:29You're a really interesting person to talk to, you know that?
00:39:35Edward!
00:39:37Are you here to see me?
00:39:39Oh, you're brutal, Dad.
00:39:41Oh.
00:39:43Edward?
00:39:45It's not for you. I'm sorry.
00:39:47Why is she still talking about me?
00:39:49Go put the snacks in the lounge.
00:39:51Got it, boss.
00:39:57Edward?
00:39:59What's your name again?
00:40:01Actually, it doesn't matter.
00:40:03What were you talking to my wife about?
00:40:13Oh.
00:40:15Thelma, I...
00:40:17I had no idea that you were married.
00:40:19Oh, don't worry about it, man.
00:40:21We were just talking about stuff in the script.
00:40:23Is that right?
00:40:24Yeah.
00:40:25Hey, so you must be Edward Ardoin.
00:40:27I've heard a lot about you.
00:40:29I'm Alex.
00:40:30Cool.
00:40:31Bye, Alex.
00:40:32Great.
00:40:33Yeah.
00:40:34I'll see you later, Thelma.
00:40:36No, you won't.
00:40:37Good.
00:40:38You guys are all here.
00:40:39Edward brought snacks.
00:40:40They're in the lounge if anyone wants some.
00:40:42Yes, I'll come.
00:40:43What?
00:40:46Snacks.
00:40:51Edward doesn't usually come to set this often.
00:40:53He's quite the busy man.
00:40:54I think he's here to see you.
00:40:56He's here to see Carla, not me.
00:40:58Oh, please.
00:40:59Can you not see the way he looks at you?
00:41:02Whatever.
00:41:03Oh.
00:41:04Speak of the devil.
00:41:06I will give you two some privacy.
00:41:08Wait.
00:41:09No, don't.
00:41:10Excuse me.
00:41:17You're getting out of hand.
00:41:18Don't forget, I'm the one who hired you.
00:41:20Excuse me?
00:41:22Stay away from Alex.
00:41:23Got it?
00:41:24What are you talking about?
00:41:25There's nothing going on between us.
00:41:27Besides, you came here to see Carla.
00:41:33So you're jealous.
00:41:34What are you talking about?
00:41:35I'm not jealous.
00:41:45What are you doing?
00:41:47Carla and I are together.
00:41:49I'm here for you.
00:41:50You really expect me to believe that?
00:41:52Don't look.
00:41:58Yeah, girl?
00:42:02What?
00:42:05Jane, are you absolutely sure?
00:42:12Yes.
00:42:13Positive.
00:42:14I used to know this guy from the streets and he and Algar drifted around for months.
00:42:18So where is he?
00:42:20Well, they later got separated so he has no idea after that, but that's gotta mean that Algar's still alive, right?
00:42:26Oh my goodness.
00:42:27Oh my goodness.
00:42:28Thank you so much.
00:42:29You have no idea how much this means to me.
00:42:31It's been ten years.
00:42:35Don't forget, you are married too.
00:42:37What are you gonna do?
00:42:38I'll divorce him once our contract is up.
00:42:39I needed the money.
00:42:40Algar will understand.
00:42:41I don't know.
00:42:42Edward seemed really into you.
00:42:43Actually, Jane, I think I should keep my distance from him.
00:42:45You okay?
00:42:46Yeah.
00:42:47Want to tell me what happened?
00:42:48I just...
00:42:55Want to be alone for a bit.
00:42:57You okay?
00:43:07Yeah.
00:43:11Want to tell me what happened?
00:43:14I just want to be alone for a bit.
00:43:16Okay?
00:43:18Is this about Carla?
00:43:20I told you, I went to see you.
00:43:22Not her.
00:43:23Edward, I don't care who you're seeing.
00:43:26We're only married on paper.
00:43:27Right?
00:43:30Is this because we're moving too fast?
00:43:38Is this about Carla?
00:43:41I told you, I went to see you.
00:43:43Not her.
00:43:44Edward, I don't care who you're seeing.
00:43:47We're only married on paper.
00:43:48Right?
00:43:51Is this because we're moving too fast?
00:43:54I just think that we should keep our distance.
00:43:59Please.
00:44:07Thought she was playing hard to get, huh?
00:44:09Maybe she doesn't want to seem too eager.
00:44:11I mean, why would anyone project you?
00:44:15It's impossible.
00:44:17Come on.
00:44:18Let's get to the set.
00:44:23Hey, Thelma.
00:44:24You'll be wearing this dress for the next scene.
00:44:26Is that okay?
00:44:26It's fine.
00:44:27So you think you could just take whatever you want?
00:44:36I thought this was my personal changing room, like it's always been.
00:44:41Carla, this room is for the lead role.
00:44:44Yours is outside.
00:44:44Well, actually, I'm all done here.
00:44:48Carla loves taking things that aren't hers.
00:44:51Be my guest.
00:44:52Use it.
00:44:53Oh.
00:44:54Well, aren't you quite generous then, hmm?
00:44:58Edward's not here so you can drop the act.
00:45:01We actually need to get back to work, if there's nothing else.
00:45:04Actually, I can finish my makeup myself.
00:45:11Go on.
00:45:12What do you want to talk about?
00:45:13Let's make a deal.
00:45:14A deal?
00:45:19What the fuck do you think you are?
00:45:21Well, as far as I know, I'm Edward's wife.
00:45:28Gun or deal?
00:45:30Stop picking fights with me.
00:45:31Stop giving me a hard time on set, and I won't take anything away from you.
00:45:35I'll actually help you with whatever you and Edward have going on.
00:45:41All right, deal.
00:45:42I'm done with this room, by the way.
00:45:45It's yours if you still want it.
00:45:47I don't need your pity.
00:45:48I don't need your pity.
00:45:49I don't need your pity.
00:45:49I don't need your pity.
00:45:49Don't you have, like, business to run?
00:46:04What are you doing here all day?
00:46:05Hey, um, actually, about what happened.
00:46:15I think that we should talk.
00:46:17Why don't you meet me in the lounge after we wrap up?
00:46:21Why can't we talk now?
00:46:21I want it to be a surprise.
00:46:24See you later.
00:46:25What does she want to talk about?
00:46:37Does she not want to see me?
00:46:40Hi, Edward.
00:46:42Carla?
00:46:45Why are you here?
00:46:46Where's Stella?
00:46:47Who should I meet?
00:46:49Maybe give me a little squirt?
00:46:51What are you doing?
00:46:54Are you trying to set those two up?
00:46:56Yeah, and if they're together, then they'll have nothing to do with me.
00:47:01Sounds like a terrible idea.
00:47:03Well, if you have a better idea, then let's hear it.
00:47:09Edward!
00:47:10Edward!
00:47:12If they're together, then they'll have nothing to do with me.
00:47:16Well, as long as you're okay with this.
00:47:20Of course I am.
00:47:22Why wouldn't I be?
00:47:24I mean, now I can just focus on what really matters, and I can try to find Algar.
00:47:31Edward!
00:47:33What the fuck are you doing?
00:47:41Whatever games you're playing, you need to stop.
00:47:43What are you talking about?
00:47:45You came here to see Carla, right?
00:47:48Thelma, come on.
00:47:50Edward, we're going to be divorced really soon.
00:47:52So?
00:47:53So if you're attracted to somebody, then go for it!
00:47:56I want you to be happy!
00:47:57The only person I love is you!
00:48:04Edward, how could you?
00:48:08Everything I do for you, Carla, I do for your father.
00:48:11He looked out for me, so this is me hanging back.
00:48:23I'm already in love with somebody else.
00:48:25It's never going to be you.
00:48:28But if that man didn't exist, would you consider me?
00:48:30Stop it, Edward.
00:48:31It's never going to happen!
00:48:33It's never going to happen!
00:48:38What do I do, Algar?
00:48:41I know you're out there.
00:48:43What do I do?
00:48:56Boss, you've been here for a while.
00:48:58Is everything okay?
00:49:02Why don't you tell her you're the one she's looking for?
00:49:05Do you remember what I did to return to the Ardoin family?
00:49:21About Algar.
00:49:23Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:49:29Yes, and now the old man wants him back.
00:49:34Another brat to share their inheritance.
00:49:37If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:49:43Madam, it's our fault.
00:49:46Please don't withdraw your donation to the orphanage.
00:49:49If we worked together on this, I could even help you get rid of Algar for good.
00:50:03Take care of it, but make sure we won't lose it.
00:50:10Shall we go to the Rose Garden?
00:50:12Yes, please, sir.
00:50:13I just have to see it, sir.
00:50:15I hope to.
00:50:16Goodness, sir.
00:50:16Yes.
00:50:20I got rid of the woman who killed my mother and sent me to an orphanage.
00:50:26I eliminated everyone associated with her.
00:50:30Over the years,
00:50:31I did whatever it took to gain my father's approval,
00:50:40to secure my inheritance.
00:50:44My methods were ruthless.
00:50:46My conscience,
00:50:49callous.
00:50:51You did what you had to do.
00:50:53And now I'm a different man.
00:50:56A monster she doesn't even recognize.
00:50:59If she finds out this is the man she's been looking for all these years,
00:51:02it'll drive her away.
00:51:06I can't lose her again.
00:51:10So it was true?
00:51:18Argon and I,
00:51:19we roamed the city for a winter,
00:51:23and a lot of people say he made some enemies.
00:51:28One night, under the bridge where we slept,
00:51:32he got stabbed,
00:51:33and he died.
00:51:34It's okay, it's okay, it's okay.
00:51:36No, you're mistaken.
00:51:39He always had a ring with him.
00:51:41It was a nice ring.
00:51:43I think it had the letters A and H on it.
00:51:48I told him he could pawn it for a few bucks,
00:51:52but he just kept it with him.
00:51:55No, he can't just be gone.
00:51:58He can't just be gone.
00:51:59It's okay, it's okay.
00:52:00It's okay.
00:52:04Oh, Thelma.
00:52:10Sweetie, what's wrong?
00:52:12Oh, my God.
00:52:13Baby, you haven't eaten in three days.
00:52:16Can I get you something?
00:52:18Anything?
00:52:20It's not good for you.
00:52:23Oh, gosh.
00:52:24It's okay.
00:52:25It's okay.
00:52:26It's okay.
00:52:27This is my fault.
00:52:32She's burning up.
00:52:33The doctor said it was from emotional distress and not eating.
00:52:39Go make her something light.
00:52:41I'll stay with her.
00:52:42Yes.
00:52:43You need to get some rest and let me handle this.
00:52:53No, it's okay.
00:52:54Leave it to me.
00:52:56Look, I know you care,
00:52:58but I've never seen you do this for anyone.
00:53:01And if the old lady were here,
00:53:03she'd be heartbroken
00:53:04to see you this exhausted.
00:53:07Don't worry about me, Sarah.
00:53:08You can go now.
00:53:09I'm not hungry.
00:53:25Please eat and get better.
00:53:39Thelma!
00:53:55Oh, my God.
00:53:55Are you okay?
00:53:56I've been trying to call you ten times.
00:53:59You haven't done something stupid, have you?
00:54:01I can't find a reason to go.
00:54:04Stop saying that, okay?
00:54:07Don't listen to what that guy said.
00:54:09He doesn't know what he's talking about.
00:54:11They never found Algar's body.
00:54:13Maybe he's still alive.
00:54:16You've waited ten years.
00:54:18Okay?
00:54:19You sure you're going to give up now?
00:54:21Don't you want to find out the truth for yourself?
00:54:24Yeah, you're right.
00:54:27I should keep going.
00:54:29Good.
00:54:30Now go get some sleep
00:54:31and get back to set, girl.
00:54:32Okay?
00:54:33That is something that you've always wanted
00:54:34and you're not going to screw it up, all right?
00:54:36Yeah, I understand.
00:54:42I'll keep going for Algar.
00:54:47I want that bitch, Dad.
00:54:49You get that thing ready?
00:54:52Sure, I would do the job.
00:54:58All right.
00:55:00Don't mess this up.
00:55:01Ready for first aid.
00:55:03Coming!
00:55:03Coming!
00:55:06You wanted to see me?
00:55:16Yes.
00:55:17It is about the scene where you're stabbed.
00:55:20We will be using this as a prop.
00:55:23So once the safety is clicked off,
00:55:25the blade will go back inside itself upon impact.
00:55:28So don't worry.
00:55:28It's not going to hurt you.
00:55:29See?
00:55:31Nice.
00:55:34Exactly.
00:55:40Thelma, Carla, all set.
00:55:43All departments ready?
00:55:48And action!
00:55:49Wait!
00:55:56Cut!
00:55:56Cut!
00:55:57Edward?
00:55:57Are you okay?
00:55:58Oh, God, how did this happen?
00:55:59Call 911.
00:56:02Edward, don't die on me.
00:56:04Please.
00:56:06I know that my past is complicated
00:56:08and I'm not worthy of your time
00:56:10or your love.
00:56:12What makes me so special?
00:56:13Okay, I admit.
00:56:19I think somewhere along the way
00:56:21I became attracted to you
00:56:22and I know that you keep this stone-cold face
00:56:26but I know that
00:56:27that's not the real you.
00:56:31Please.
00:56:33Show me the real you.
00:56:35Let me in.
00:56:40Edward!
00:56:43What are you doing?
00:56:47That's not funny.
00:56:48I was worried sick.
00:56:49What's the matter with you?
00:56:50How else could I get
00:56:51such a lovely monologue?
00:56:53Okay, you know what?
00:56:54I'm going to go get a doctor.
00:56:55No, no, no.
00:56:56I'm fine.
00:56:58No.
00:56:59Look, not even a scratch.
00:57:01Just need a minute.
00:57:02Are you sure?
00:57:03It seemed pretty serious.
00:57:05Yeah, the knife didn't even get to me.
00:57:08Something blocked it.
00:57:10Really?
00:57:11Where is it?
00:57:13Nothing.
00:57:14I'll, uh, find out what happened today.
00:57:16Meanwhile,
00:57:17be more careful on set.
00:57:19Yeah?
00:57:20No, don't worry about it.
00:57:22You're the patient.
00:57:23Just rest up now.
00:57:26I heard everything you were saying, by the way.
00:57:29Okay.
00:57:29You know what?
00:57:30I'm really getting you a doctor now.
00:57:31Just shut up.
00:57:32You saved my life.
00:57:49How are you doing, boss?
00:57:50I'm not too shabby.
00:57:54So, what do you plan to do with karma?
00:57:58Karma.
00:57:59Almost forgot.
00:58:01Let's get payback.
00:58:02Let's go.
00:58:05I'm not sure what we're going to do after your little incident.
00:58:10I'm sorry.
00:58:11I wasn't thinking.
00:58:12It won't happen again.
00:58:13I promise.
00:58:14Jay, get a replacement for her role.
00:58:16She's done.
00:58:22Edward, what are you saying?
00:58:23I told you to stop pulling these tricks behind my back.
00:58:25I didn't do anything.
00:58:28Don't listen to her.
00:58:28She's making it all up.
00:58:30Carla had someone on the prop team switch the fake knife with a real one.
00:58:34She almost killed Thelma.
00:58:35And myself.
00:58:37Edward, I'm sorry.
00:58:39I messed up.
00:58:40Please, please give me another chance.
00:58:42I've given you plenty of chances.
00:58:46Really, Edward?
00:58:48After all these years?
00:58:50Please stop burying yourself.
00:58:54Hey, mate.
00:58:55Doing all of this for a man?
00:58:57I hope it's worth it.
00:59:00Edward, you know everything I did is because I love you.
00:59:05If you try hurting her again, you will be sorry.
00:59:15Hand her over to the police.
00:59:20Well, now that that's over, we should talk about what you said to me earlier.
00:59:24Which is what?
00:59:27That you were attracted to me.
00:59:32We're not going to talk about that.
00:59:34That's not fair.
00:59:34You tricked me.
00:59:37Got it.
00:59:38What if the person you're looking for is me?
00:59:55Don't be ridiculous.
00:59:56You come from a rich and powerful family, and he's an orphan, like me.
01:00:08And he's incredibly kind.
01:00:12He wouldn't even step on an aunt.
01:00:16I can't say the same thing about you.
01:00:21People can change.
01:00:23And I'll never stop searching for him.
01:00:25I'm afraid that you can't stop me.
01:00:27Am I even worthy of love?
01:00:40Am I even worthy of love?
01:00:43You're a billionaire.
01:00:45I'm sure that there's plenty of women fighting over you.
01:00:48Plus, I stand by what I said.
01:00:55I don't think that this Edward is the real you.
01:01:00Do you remember when we first met?
01:01:03You saved me.
01:01:05You're a good person.
01:01:08You're kind to Nos, to Sarah.
01:01:10You'll find the love that you deserve.
01:01:21He's gone.
01:01:26I waited ten years, and he's just gone.
01:01:33Do you like the man I am now?
01:01:35It doesn't matter.
01:01:36We're getting divorced in a year.
01:01:40If I give you all my properties and assets,
01:01:45can we not get a divorce?
01:01:48No.
01:01:48No.
01:01:51No.
01:02:10You said something about money and assets,
01:02:29and then after that,
01:02:31not a thing.
01:02:33All right.
01:02:39Okay, back to work.
01:02:40Come on.
01:02:45Can we talk?
01:02:50I heard you've been looking for someone.
01:02:52Yes.
01:02:57I believe this could be helpful.
01:03:01This place is reopening soon.
01:03:04I'd like for you to come.
01:03:07What does this have to do with the man that I'm looking for?
01:03:10You'll see.
01:03:11Okay, I'll go.
01:03:15Good.
01:03:17Edward was bald-based.
01:03:19What does this have to do with Edward?
01:03:21You'll see.
01:03:25Look at that.
01:03:26See?
01:03:27Oh, my God.
01:03:28Yes, I trusted you.
01:03:29Guys, we're blowing up.
01:03:31What do you mean?
01:03:32After we posted the behind the scenes,
01:03:34we went viral.
01:03:36Thelma became a sensation.
01:03:38She's now trending number one.
01:03:40Big star.
01:03:41Trending?
01:03:42Does this mean more money?
01:03:43Of course it does,
01:03:45and that is just the easy part.
01:03:47I was thinking about my next movie,
01:03:50and I want you to be in it.
01:03:52Wow.
01:03:53This is a dream come true.
01:03:55And we're having a wrap party
01:03:57at the hottest bar tonight.
01:03:59All right.
01:03:59You'll wonder who's so generous.
01:04:01Boss, about this new country.
01:04:11Do you think Thelma will be surprised
01:04:13by the party I'm throwing for her?
01:04:14Oh, definitely.
01:04:17So should I pick her up,
01:04:18or do I just show up at the party?
01:04:21You don't do this often, do you?
01:04:22Great party, Edward.
01:04:43It'll only be fitting, right?
01:04:44I'm not entirely bad.
01:04:47So, thank you.
01:04:51How would you like to thank me?
01:04:53Sorry, everybody.
01:04:54Attention, attention.
01:04:55Thank you, thank you.
01:04:56First off, this has been an amazing three months.
01:05:02I'd like to thank everybody in here.
01:05:04And here is to its huge success.
01:05:10Cheers.
01:05:10Cheers.
01:05:11Cheers.
01:05:12Mm-hmm.
01:05:13And now, a few words from Edward,
01:05:17the man, the big boss.
01:05:18Without him, none of this would be possible.
01:05:21Woo.
01:05:21Thank you all so much.
01:05:23I just want to say how grateful I am
01:05:26for the opportunity.
01:05:28Jay is an exceptional director.
01:05:30He's casting remarkable.
01:05:33Thelma's performance in particular,
01:05:35out of this world.
01:05:36And I'd like to take this moment
01:05:38to tell her that I'll always
01:05:40be there to support her.
01:05:43Cheers.
01:05:48Thelma, the superstar!
01:05:51Stop it.
01:05:52By the way,
01:05:53do you think Algar will watch my new show?
01:05:56Do you think he'll recognize me?
01:05:58No.
01:05:59Thelma,
01:06:00I know this is really hard to hear,
01:06:02but you gotta let him go.
01:06:05Algar's gone.
01:06:07I'm not giving up until I know for sure.
01:06:19Hey!
01:06:20Let me out!
01:06:27Thelma!
01:06:29Are you quitting?
01:06:30What are you talking about?
01:06:31Production told me you turned down Jay's new project,
01:06:34and you didn't show up
01:06:35for any of the promo events.
01:06:37What new project is this about?
01:06:39Who told you this?
01:06:40Oh.
01:06:41Oh no.
01:06:43It couldn't be Edward.
01:06:46Could it?
01:06:48Edward?
01:06:48Edward?
01:06:48So,
01:06:50he turned it down
01:06:52and he told everybody
01:06:53that I quit?
01:06:54Maybe he thought
01:06:55it was for your own good?
01:06:58Interfering with my career
01:06:59without telling me?
01:07:00How is that for my own good?
01:07:07Mr. Ardoin is in a meeting right now.
01:07:09You got me out of my way.
01:07:11Apologies, gentlemen.
01:07:12Let's take a break.
01:07:13We'll continue this afternoon.
01:07:14Did you turn down the offer
01:07:20for my new film?
01:07:25Can I explain?
01:07:27This will terminate
01:07:28our contract marriage.
01:07:29The deal is over.
01:07:32What do you mean?
01:07:33I'll pay the penalty
01:07:34for breaching our contract.
01:07:36Once it's settled,
01:07:37I don't want you meddling
01:07:38in my life anymore.
01:07:39You almost got hurt on set.
01:07:41I was trying to protect you.
01:07:42God, I don't need
01:07:43your protection, okay?
01:07:45I can look out for myself.
01:07:46This is my life.
01:07:48You're making a big mistake here.
01:07:51Just stay out of my work
01:07:53and my personal life, Edward.
01:07:55We're done.
01:08:02Hey, it's Thelma.
01:08:04Can I see you real quick?
01:08:05Thelma, you're very talented.
01:08:11It was such a shame
01:08:12just seeing you give up.
01:08:15But I knew you had it in you
01:08:17from this start.
01:08:18I saw it in you all the way.
01:08:23Now I strictly get to make decisions
01:08:26for myself.
01:08:28Now let's see this next project.
01:08:30X project, X project, X project.
01:08:32Here it is.
01:08:36What do you think?
01:08:40Let's just say that it's
01:08:42a pleasure doing business with you, Jay.
01:08:49Congratulations.
01:09:00Please move.
01:09:03I'm leaving it.
01:09:04You need to calm down.
01:09:05What are you doing?
01:09:05Excuse me, I'm perfectly calm.
01:09:08How about we both compromise?
01:09:10You continue with your acting
01:09:11as long as it's through
01:09:12Ardoin investments.
01:09:14You still don't get it, do you?
01:09:16I'm not your accessory.
01:09:17I'm not a part of the Ardoin family.
01:09:20Plus, the only person
01:09:21that can make decisions for me
01:09:22is myself.
01:09:23Can't we talk about it
01:09:24for the sake of our relationship?
01:09:28Look.
01:09:28I'm thankful for everything
01:09:31that you've done for me.
01:09:33You've crossed the line.
01:09:36Goodbye, Edward.
01:09:40Oh, Thelma.
01:09:42Look, I have rarely seen
01:09:44Edward smile
01:09:44since his father passed away.
01:09:47And he's like a new man
01:09:48now that you're here.
01:09:50I'm sorry, but
01:09:51I can't stay here.
01:09:55It's okay, Sarah.
01:09:57Let her go.
01:09:58Since when did we become stalkers?
01:10:18Where is she?
01:10:19You know, she has a bunch
01:10:21of crazy fans
01:10:21trying to get her attention,
01:10:22but if those assholes
01:10:23think they have a shot
01:10:24with my woman...
01:10:25You've not seen the news?
01:10:27Thelma has announced
01:10:28she's single again.
01:10:30What?
01:10:30Yeah, even a bunch of haters
01:10:32have turned into fans now.
01:10:35Especially after watching her show.
01:10:36I knew that guy was up to do good.
01:10:45Thelma, Thelma, Thelma, Thelma.
01:10:54Are you still working with
01:10:57Ardawan Investment Family?
01:10:58The Ardawan Family
01:11:00has never officially
01:11:00announced your divorce.
01:11:02Is there something
01:11:02that they're hiding?
01:11:04Was your marriage
01:11:04to Edward Eddard
01:11:05strictly business
01:11:06like the tabloids say?
01:11:07Uh, why don't you
01:11:14ask the man himself?
01:11:15Hey, Mr. Ardawan,
01:11:24you got a second?
01:11:25I don't.
01:11:26I'm excited.
01:11:31So, Mr. Ardawan,
01:11:32what brings you here?
01:11:34Thinking of joining
01:11:34the entertainment industry?
01:11:36You know why I'm here.
01:11:38Sorry, I can't help you with that.
01:11:41Uh, so this new film
01:11:42is a romantic drama
01:11:44with some comedy.
01:11:46When Jay's in the script,
01:11:48I was like,
01:11:49wow, let's go.
01:11:51No, not yet.
01:11:53I would love to thank
01:11:55our amazing director, Jay,
01:11:56for all of his amazing visions
01:11:58and everyone else
01:12:00who's helped me
01:12:00on this incredible journey.
01:12:03Like, hello, specifically.
01:12:06And I'm so excited
01:12:07to get started
01:12:08because I know
01:12:08that this is going to be
01:12:09another hit.
01:12:10All right,
01:12:11ready to check out
01:12:12the set for the new movie?
01:12:13I'll walk in.
01:12:14Oh, actually,
01:12:15do you want to check
01:12:16it out together?
01:12:17Sure.
01:12:20Demba, Demba, Demba.
01:12:24How do you win back a little bit?
01:12:26Uh, flowers,
01:12:28romance,
01:12:29gifts are always a good move.
01:12:31Oh, Regina.
01:12:33Let's get back
01:12:34to the office.
01:12:34All right.
01:12:34Let's get back to the office.
01:12:36I got these for you.
01:12:45You can just leave them there.
01:12:48Toma, I'm sorry.
01:12:56I was wrong.
01:13:02Please, give me another chance.
01:13:06I promise I won't be overbearing.
01:13:09I'll respect all your opinions.
01:13:10And I'll never interfere
01:13:12with your career again.
01:13:18The flowers look good.
01:13:26I'll take these,
01:13:27and we can talk about the rest later.
01:13:29Go!
01:13:38I don't want to see you again!
01:13:41Cuts!
01:13:43Well done, everybody.
01:13:44That is a wrap.
01:13:46You're great.
01:13:47Here,
01:13:47I got you a cup of coffee.
01:13:50Thanks, Alex.
01:13:50Oh, shoot!
01:14:14I need to know where she is.
01:14:16Now!
01:14:17I think I might know where she is.
01:14:22Why the hell would you know?
01:14:23Do you have something to do with it?
01:14:23No, man.
01:14:24Look, all right.
01:14:24Carla was talking to some sketchy dude
01:14:26about Carla's basement.
01:14:28I think Thelma might be there.
01:14:29Trust me, man.
01:14:30I don't want anything bad
01:14:31to happen to her either.
01:14:32Believe me.
01:14:39Thelma?
01:14:42Where are you?
01:14:47Let's not do anything stupid.
01:14:55Whatever you want,
01:14:57just name it.
01:15:00Edward,
01:15:01Edward,
01:15:01Edward.
01:15:05How did you find this place?
01:15:11You again?
01:15:11You didn't seriously believe
01:15:14I would just walk away,
01:15:15did you?
01:15:16You're a coward.
01:15:20Killer.
01:15:22And Edward,
01:15:22I want you to watch.
01:15:24If you touch her,
01:15:25I will skin you alive.
01:15:28I got it.
01:15:36Thelma, run!
01:15:37It's okay.
01:16:04It's over.
01:16:04It's over.
01:16:07It's all over.
01:16:30It's today.
01:16:31I promised Ness I would go.
01:16:37to meet Little Rock at.
01:16:47I thought it closed down years ago.
01:16:51Thelma?
01:16:52Edward?
01:16:54What are you doing here?
01:16:55Nas told me to come.
01:16:57What are you doing here?
01:16:59Well,
01:17:00now that you're here,
01:17:02I need to tell you a little secret.
01:17:04Be right back.
01:17:05Edward!
01:17:06Edward?
01:17:18Don't be scared,
01:17:19sweet man.
01:17:20What did you just call me?
01:17:29I told you I'd meet you here,
01:17:30Helen.
01:17:30Oh, man.
01:17:36I told you I'd meet you here, Helen.
01:17:41Alcar?
01:17:42But how?
01:17:43Why didn't you tell me after all this time?
01:17:47After I escaped the orphanage,
01:17:50the headmistress sent people after me.
01:17:52So I had to fake my own death.
01:17:55I survived.
01:17:57But the price was becoming a different man.
01:17:59cold,
01:18:01ruthless,
01:18:03even cruel.
01:18:07And I was so scared
01:18:08that if you found out this was the man I'd become,
01:18:13you wouldn't love me anymore.
01:18:14Besides,
01:18:15the Arduin family erased every trace of my past.
01:18:19If they find out you're the one I'm looking for,
01:18:22they'll use you against me.
01:18:23And I can't risk that.
01:18:26Alcar,
01:18:27you know
01:18:29that I love you.
01:18:32You do?
01:18:36Yeah,
01:18:36with you by my side,
01:18:37I'm not afraid of anything.
01:18:41I don't want us to ever be apart again.
01:18:43I don't want us to ever be apart again.
01:18:45Ah.
01:18:55Yes!
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