00:01I had a dancing teacher who used to say to me,
00:05Chris, show me something I never saw before.
00:11And that's what Tim does, every time.
00:15Tim is a rare thing in cinema.
00:17He's an auteur, he's a visionary, he's an artist with images and thoughts.
00:23Got a lot going on in there.
00:26Tim is a real thing, really the real, real thing.
00:31He creates these spaces out of his own head,
00:35and they're giant playgrounds with such a wide scope of things to be done.
00:41He examines in a different way to make something that's scary beautiful at the same time.
00:50There is no separation between how Tim feels and how Tim sees the world.
00:58I would love to take a trip inside his brain, the kingdom that is his heart, where these characters live.
01:06They just roam around and come out from sketches to film.
01:11My whole life is a dark room.
01:12The fact that you can see him, the artist behind the movie, is very unique, and that's why it will really relate to him.
01:24Tim has all the words inside, sometimes they don't come out, so they come out in other ways.
01:29He's always drawing. He's always working on something artistically.
01:34And then sometimes something becomes the beginning of an idea that makes it into his movie.
01:39There is a real life in that line, as there is in himself, and he's a constantly moving line.
01:48They may not understand.
01:49His brain is working so fast, much faster than the words want to come out.
01:53He'll kind of literally go up and walk around for a minute and then try to respond to what you were talking about.
02:02Tim speaks in sort of fractalized parts of sentences, but kind of shuffles the various parts.
02:10You have to put them back in their place to form whole sentences.
02:15That's how you learn to speak Timish.
02:19Other directors, they take interest in certain aspects, whether it's the acting or this or that.
02:25Tim, it's every single frame.
02:27It is like a painting, where it's his touch in every single aspect.
02:32He will work on it until it's ripped away from his hands.
02:35Filling it in, coloring it in, the last detail.
02:41What you've seen on screen is just the tip of the iceberg.
02:45Of course, the fear is 100% and the way it is.
02:46It's only one of those in a long way.
02:47We've got some serious people in the field.
02:48We've seen the fear in our legs.
02:50What you want to do?
02:51Of course, how you want to be the one in our heads.
02:54The fear is a perfect animal.
02:55The human in the forest, is not the only one in our heads, but it's more of the even more.
02:56The fear is the end.
02:58You'll find a great animal in our heads.
02:59The fear is not a good name.
03:00The fear is not a good old man, but it's so hard.
03:02If any of these people who want you to learn the truth, or find the truth,
03:06the fear is not a good word.
03:08You can't say anything.
03:09You can't think for it.
03:10You can't say anything.
03:11The word comes out on screen.
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