- 15 hours ago
Mystery Visions 5 Senses of Thrills (2015) is an exciting anthology film that presents a collection of adventurous and suspenseful stories, each designed to engage the imagination and curiosity of viewers. Through clever storytelling and creative scenarios, the film explores unexpected twists and intriguing situations.
With entertaining plots, memorable characters, and imaginative storytelling, Mystery Visions 5 Senses of Thrills delivers a fun and family-friendly cinematic experience. This film is perfect for viewers who enjoy engaging anthologies, clever surprises, and suspenseful yet safe narratives.
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With entertaining plots, memorable characters, and imaginative storytelling, Mystery Visions 5 Senses of Thrills delivers a fun and family-friendly cinematic experience. This film is perfect for viewers who enjoy engaging anthologies, clever surprises, and suspenseful yet safe narratives.
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FunTranscript
00:02:30If I had known then what I know now, I never would have let that bitch in my house.
00:02:38Oh, yeah, okay, okay. Hello, how can I help you?
00:02:49Good morning, Mr. Kyle.
00:02:51Did I wake you?
00:02:52Yeah.
00:02:53How do you know my name?
00:02:54It's 8.30.
00:02:55You're supposed to be at work at nine, aren't you?
00:02:57Yeah, I'm sick, so...
00:02:59Sick or sick of trying?
00:03:01What is all this trash?
00:03:05I can see you have no wife.
00:03:08Ex-wife.
00:03:09Thanks for bringing it up.
00:03:11No girlfriend, no pets.
00:03:14I have a plan.
00:03:15You need a woman in your life, Mr. Kyle, not a sad little sprout.
00:03:26Okay.
00:03:26What are you doing here?
00:03:31Why are you in my house?
00:03:32I'm here to change your life, Mr. Kyle.
00:03:35It's not your fault you're unlucky in love.
00:03:37It's your pheromones.
00:03:39My pheromones?
00:03:40Success has a certain scent.
00:03:43And so does failure.
00:03:45Your pheromones lack the ability to attract.
00:03:47You smell undesirable.
00:03:51You want me to change my soap?
00:03:53I do wish you would take this more seriously, Mr. Kyle.
00:03:57I'm on a tight schedule.
00:04:00This will do for you what your pheromones will never be able to.
00:04:05Cologne.
00:04:06You want to sell me cologne?
00:04:08Consider it a free sample.
00:04:11Trust me.
00:04:12It's a scent to die for.
00:04:17Ah, ah, ah.
00:04:19Not around others.
00:04:21It's a very powerful tool.
00:04:24I suggest you use it sparingly at first to see how you react.
00:04:31If you notice anything out of the ordinary, stop using it immediately and call me.
00:04:36What do you mean out of the ordinary?
00:04:39Oh, that's just something we're supposed to say.
00:04:41Good day, Mr. Kyle.
00:04:43Wait, that's it?
00:04:44You have my card.
00:04:47Good day.
00:05:17I don't know.
00:05:47What?
00:06:17What?
00:06:19What?
00:06:21What?
00:06:23What?
00:06:25What?
00:06:27What?
00:06:29What?
00:06:31What?
00:06:33What?
00:06:35What?
00:06:37What?
00:06:39What?
00:06:41What?
00:06:43What?
00:06:45What?
00:06:49What?
00:06:53What?
00:06:55What?
00:06:56I've been saying it for weeks, right?
00:06:57Hmm?
00:06:58Haven't I?
00:06:59Hmm?
00:07:00Tell me.
00:07:02I've been saying it for weeks...
00:07:03Cutbacks.
00:07:05We're next, man.
00:07:07I'm telling you, the Goot got the boot!
00:07:10The Goot got the boot, but we're just further down the alphabet, okay?
00:07:13Today, it's Gutenberg.
00:07:14Tomorrow, it's Masters.
00:07:17Whatever your last name is.
00:07:19You don't even know my last name?
00:07:20I'm bad with names.
00:07:21Yeah.
00:07:22You know Gutenberg's last name.
00:07:24Yeah.
00:07:24Goot's been here forever.
00:07:26Goot!
00:07:26Goot!
00:07:27I train Gutenberg.
00:07:30There's a wall between us, Seth.
00:07:32Not just a physical one.
00:07:34Okay.
00:07:35I'll let somebody in.
00:07:38Want a hug?
00:07:38I'll let somebody in.
00:07:39Okay.
00:07:39I'll let somebody in.
00:07:40Okay.
00:07:41Okay.
00:08:12Hey.
00:08:25Seth.
00:08:28Hi. What are you doing here?
00:08:30I know I shouldn't bother you here.
00:08:32Or ever.
00:08:33But, uh...
00:08:35Here.
00:08:42Seth, I...
00:08:44I don't know what to say.
00:08:49You're beautiful.
00:08:50I've been going crazy thinking about you.
00:08:54Think about us and everything that happened,
00:08:57and I wish... I wish I could fix things.
00:09:00I just miss you.
00:09:03I miss you, too.
00:09:03I know we said we wouldn't do this, but...
00:09:11I've... I gotta see you.
00:09:13What are you... What are you doing Friday?
00:09:15You wanna get a drink? Something to eat?
00:09:17I don't care. Something.
00:09:19Please.
00:09:22Okay.
00:09:23Okay.
00:09:23Um, let's... Let's do, uh...
00:09:28Michael's. 8 p.m.
00:09:31My favorite.
00:09:33I know.
00:09:39Okay. Um...
00:09:42I'll leave now, but, uh...
00:09:44I'll see you Friday.
00:09:468 p.m.
00:09:49Michael's.
00:09:50Hey, where you been, then?
00:10:17Lunch.
00:10:18I already told you.
00:10:19Look, two...
00:10:20Two more got canned while you were gone.
00:10:22Harmon and Johnson.
00:10:24They were asked for Kyle, but you were already gone,
00:10:25so they skipped to Lewis.
00:10:27Dude, I walked past there earlier,
00:10:29heard him crying.
00:10:31Lewis doesn't cry.
00:10:32He's not a crier.
00:10:33Yeah, I heard what I heard.
00:10:38Mr. Kyle.
00:10:40I see you're back from lunch.
00:10:41Would you mind stepping in here, please?
00:10:43Uh...
00:10:44Uh, yes.
00:10:45Just...
00:10:45You give me...
00:10:46Give me...
00:10:47Give me two minutes.
00:10:48I'll be...
00:10:49Restroom.
00:10:50Gotta use the restroom!
00:10:51Come on.
00:11:21Oh, my God.
00:11:51Seth, we just wanted to take a moment and, well, we no longer feel that, that you're right for your position, but, I mean, after sitting with you for a moment, I think it's clear, you're not being utilized properly at all.
00:12:20No, absolutely not. It's obvious. Seth has been unable to succeed because we have failed him as leaders. Seth, you know, you just possess a natural charisma and confidence that just says manager to me.
00:12:33Absolutely. I just can't believe we didn't see you this sooner. I mean, where have you been hiding, Seth, Kyle?
00:12:41I've been right there the whole time.
00:12:43How long have you been with us?
00:12:45I've been here for eight years.
00:12:47Eight years? How come I didn't know that?
00:12:49I think he's due for this manager's job.
00:12:53Absolutely.
00:12:53I think he's due for this manager.
00:13:23I think he's due for this manager.
00:13:26I got a ticket to your happiness and you know I'm gonna stay.
00:13:33I got a ticket to your happiness and the trip take me away.
00:13:39Oh, yeah.
00:13:41Sugar in the house.
00:13:43Hit me.
00:13:45Whoa, grenade.
00:13:47Yo.
00:13:49Boom, boom.
00:13:51You got a ticket to happiness.
00:13:53You know you're gonna stay.
00:13:55You know you're gonna stay.
00:13:57You're gonna stay.
00:13:59And you don't want to do.
00:14:01You got a ticket to happiness.
00:14:03You know you're gonna stay.
00:14:05You know you're gonna stay.
00:14:07You know you're gonna stay.
00:14:09You know you're gonna stay.
00:14:11Get a ticket to happiness.
00:14:13Let the trip take you away.
00:14:15Let the trip take you away.
00:14:17Oh.
00:14:23Yeah.
00:14:25Yeah.
00:14:27Yeah.
00:14:29Yeah.
00:14:31Yeah.
00:14:33Yeah.
00:14:35Yeah.
00:14:37Yeah.
00:14:57Oh, my God.
00:18:57Hello?
00:18:59Hello?
00:19:01This message is for Miss Margaret.
00:19:07This is Seth.
00:19:09Seth.
00:19:11Seth Kyle.
00:19:13I'm having serious problems with your product.
00:19:19So...
00:19:21Mimi, can you call me back, please?
00:19:23Call me back?
00:19:25Just call me back.
00:19:27Just call me back.
00:19:35Hi, man.
00:19:37Hey!
00:19:39Where are they?
00:19:41You all right?
00:19:43It's me.
00:19:45It's me.
00:19:47What?
00:19:49What?
00:19:51What is it?
00:19:53It's me, Seth Kyle!
00:19:55Remember?
00:19:57You remember me!
00:19:59Eight...
00:20:01years.
00:20:03Eight years!
00:20:05I spent...
00:20:07at this desk...
00:20:09on this keyboard...
00:20:11just tapping!
00:20:13It's coming!
00:20:14Stop, stop, stop, stop, stop, stop, stop...
00:20:16It's for wide!
00:20:17For wide!
00:20:18For wide!
00:20:24Seth, come on.
00:20:26Oh!
00:20:27Spencer!
00:20:28Oh!
00:20:29Spencer, my best friend!
00:20:31He doesn't even know my last name!
00:20:36Why not?
00:20:38Call security
00:20:43Seth you're sick. I think you need to go home, and I think you should shut up
00:20:49This gentlemen I just want to thank you
00:20:53for this glorious promotion I
00:20:57Can't say enough awful things about this godforsaken hellhole
00:21:07Oh
00:21:37ah
00:22:05Hello
00:22:07Where are you?
00:22:09I'm sorry.
00:22:11What are you talking about?
00:22:13I'm sorry.
00:22:15I'm sorry.
00:22:17I'm sorry.
00:22:19I'm sorry.
00:22:21I'm sorry.
00:22:23Seven.
00:22:25I'm sorry.
00:22:27I missed our date.
00:22:29Seven, are you okay?
00:22:31I loved you.
00:22:33I loved you.
00:22:35I loved you.
00:22:41Seth, where are you?
00:22:49Seth, tell me where you are.
00:22:51Hello? Seth?
00:22:53Hello?
00:22:55Um, yeah.
00:23:05I'm sorry.
00:23:07Can you tell me what hotel this is?
00:23:09Hello?
00:23:23Seth?
00:23:29Hello?
00:23:31What are you saying?
00:23:35Hey, where is he?
00:23:37Take care of me.
00:23:39Hello?
00:23:41Hello?
00:23:43Hello?
00:23:45I'm sorry?
00:23:47I'm sorry.
00:23:49I'm sorry.
00:23:51I'm sorry.
00:23:53I'm sorry.
00:23:55I bought it.
00:23:57Please, come on.
00:24:19It's interesting to think about what happens after we die.
00:24:23I don't mean spiritually.
00:24:25I mean the remains of our physical selves.
00:24:28I've met a lot of people who say they want to be cremated.
00:24:32It always seemed like such a waste to me.
00:24:35I've always liked the idea that I'll just fade into the earth.
00:24:39Feeding the worms and the grass.
00:24:42In some small way,
00:24:45my body will perpetuate the circle of life.
00:24:48Even if I never accomplish anything in life,
00:24:56it's nice to think I'll be significant in death.
00:25:02In death.
00:25:15Which is better?
00:25:17Number one?
00:25:19Or...
00:25:20Number two.
00:25:24Number two.
00:25:26Okay.
00:25:28One little adjustment here.
00:25:32Hey.
00:25:33And...
00:25:34Here we are.
00:25:47Here we are.
00:25:58Very good job.
00:26:17Dr. Tom?
00:26:47Amy Kelleher is here for her 11.30.
00:26:51Amy.
00:26:54Dr. Tom?
00:26:57Hello?
00:26:59Hello?
00:27:00Yeah, sorry.
00:27:01Send her to exam room three.
00:27:10Okay.
00:27:11Let's see what we can see, shall we?
00:27:15Oh, my.
00:27:16A little bump on your cheek there.
00:27:19Mind if I ask what happened?
00:27:21Just clumsy.
00:27:23Aren't we all?
00:27:25But you know, with eyes like yours, you need to be extra careful with injuries like that.
00:27:30Your glaucoma isn't getting any worse, but your keratoconjunctivitis is aggravated.
00:27:35Well, I have my mother's bad eyes.
00:27:37Oh.
00:27:38I think your eyes are fine.
00:27:40Just fine.
00:27:41Besides, if you didn't have a few ocular issues, I wouldn't get to see you so much.
00:27:47So, when am I gonna meet this new boyfriend of yours?
00:27:53Uh, Tucker, isn't it?
00:27:55Uh, Travis.
00:27:56Oh, Travis.
00:27:57Right.
00:27:58He's still having trouble with, uh, reading close-up?
00:28:01Yeah, you know, but he won't admit it.
00:28:03He's got this germ thing, and he thinks he's gonna catch something from the eye machine.
00:28:08No, Amy.
00:28:11I think I better check that farsightedness again.
00:28:41Leave a message.
00:29:06Hey there, Amy.
00:29:09Listen, I was just thinking about Travis's vision problem.
00:29:13And I completely forgot to mention that we have a first visit special going right now.
00:29:18Guess what?
00:29:19It's free.
00:29:20Yep, free.
00:29:22So just call up and we'll make an appointment for him.
00:29:33I think the patient lacks insight.
00:29:36Well, he could see the error of his ways.
00:29:41Hmph.
00:29:42Several doses of medicine very like his own should do the trick.
00:29:47Well, you got a little early onset myopia.
00:30:00Means the, uh, nearsightedness we all get with age is coming on a little early with you.
00:30:06No worries.
00:30:07We'll get you fixed up with some bifocals.
00:30:09Heh.
00:30:10Bifocals?
00:30:11Relax.
00:30:12You only have to wear them when you want to.
00:30:15But let's get you checked for glaucoma.
00:30:17Over here.
00:30:18Now, this is the one that blows in the eye.
00:30:24Don't worry.
00:30:25Big, tough guy like you can surely handle it.
00:30:34That's gonna be a little puff.
00:30:37But first, tell me though, Travis.
00:30:40Do you love her?
00:30:41What?
00:30:42What?
00:30:43What the hell business is it of you?
00:30:47Oh.
00:30:49Oh, my God.
00:31:19Oh, my God.
00:31:49Oh, my God.
00:31:50Oh, my God.
00:31:53Oh, my God.
00:31:58Oh, my God.
00:32:01Travis?
00:32:04Travis?
00:32:08Please stop. I'll be good. I'll be a good boy. I promise you're a dirty piece of crap
00:32:21What the hell is happening? What's happening?
00:32:51He's gonna be with you. We shouldn't hurt you like that
00:33:21He just needed to be scared straight
00:33:26But enough of him. This is our time
00:33:33What the hell did you do?
00:34:03What did you do to me? I said, what the hell did you do to me?
00:34:07No, no
00:34:08Amy Kelleher, Reflections and Mirrors
00:34:13I can explain
00:34:14Never mind
00:34:14I don't know how exactly, but I think I got a pretty good idea what you've done to me
00:34:21No, don't...
00:34:23What's that for?
00:34:44Well, it ain't going in your ass cheeks, that's for sure
00:34:50Please, please don't. I'm sorry
00:34:52I shouldn't have...
00:34:54Shouldn't have what?
00:34:55Messed with other people's business?
00:34:58Peeping Tom to where you don't belong?
00:35:00I only wanted to see
00:35:02Really see...
00:35:03See what?
00:35:05Everything
00:35:05You want to know what I see, Doc?
00:35:09Blood
00:35:10I know it's not really there anymore, but
00:35:16I still see her blood
00:35:21You were supposed to stop
00:35:23You were supposed to understand
00:35:25You think
00:35:26Heaping a pile of murderous images and abuse on my brain was going to make me think
00:35:31Oh, God
00:35:32Oh, God, what a bad man I am
00:35:35I repent
00:35:37You know, you may be an okay, odd doctor
00:35:42And you're sure as hell some kind of mad scientist freak
00:35:46But you're a crap psychologist, Doc
00:35:49You don't know a thing about me
00:35:51My life
00:35:52What I've seen
00:35:54Look, I know I may not be the nicest guy I know
00:35:58But guess what?
00:36:00What?
00:36:01At least I'm out there trying to live a real life
00:36:03While you sit here alone in the dark
00:36:07Mentally masturbating to the memories of others
00:36:10You thought this would help me
00:36:17You turbocharged me
00:36:20Who knows?
00:36:23Maybe if you loaded my head full of images of cute, cuddly kittens
00:36:26I would have straightened out right as rain, you know?
00:36:29But you messed up
00:36:31You killed her, Doc
00:36:35Oh, no
00:36:36I didn't mean for this to happen
00:36:38Shh, don't cry, Doc
00:36:40Not yet, at least
00:36:42Come on, seriously
00:36:48God, no
00:36:50No, please, no
00:36:51No, no, no
00:36:52Hold still, David
00:36:53No, Doc
00:36:54Ow
00:36:55Ow
00:37:00Ow
00:37:00God
00:37:06God, make it stop
00:37:07Make it stop
00:37:08I get it now
00:37:15I see now
00:37:16Make it stop
00:37:18Make it stop
00:37:20I see now
00:37:25Oh, oh, oh, oh, oh, oh, oh
00:37:31He stopped
00:37:33He stopped
00:37:33He stopped
00:37:35See now
00:37:36That wasn't so bad, huh?
00:37:38Who's there?
00:37:49Who's there?
00:37:49If someone's there, I need help
00:37:54No, no, no, no, no, no
00:38:06No
00:38:06Oh
00:38:23No, it goes like this
00:38:30Yeah, Harry and I used to sing it on the radio, right?
00:38:36How many miles Henry 38 I don't know how he does it it's unreal
00:39:01Mom
00:39:03Mom
00:39:07What happened?
00:39:16Henry
00:39:18Dad?
00:39:20What's wrong?
00:39:22What happened to the car?
00:39:25Wait for police
00:39:34The phone is broken
00:39:38You gotta get your mother out of here. Can you help me?
00:39:40Can you help me?
00:39:42Okay
00:39:44Okay
00:39:45Look at her
00:39:46Okay
00:39:53Dad?
00:39:57Dad?
00:39:58You know who the car is, right?
00:40:01East
00:40:03Good
00:40:06Wait for help
00:40:13Mom
00:40:14I gotta go find help
00:40:18Henry now
00:40:20There's a tree
00:40:22It's not far from here
00:40:24I'll find you
00:40:26Stay here
00:40:27Stay here
00:40:29Stay here
00:40:31Stay here
00:40:33Stay here
00:40:35Stay here
00:40:36Stay here
00:40:39cool
00:40:41I don't know
00:40:42We'll be back
00:40:44What's the truth?
00:40:45We'll be back
00:40:47We'll be back
00:40:49We'll be back
00:40:51We'll be back
00:40:53We'll be back
00:40:55We'll be back
00:40:57We'll be back
00:40:59We've been back
00:41:00Help!
00:41:25Can anyone hear me?
00:41:30Can anyone hear me?
00:41:34I'll have a mic.
00:41:39I'll have a mic.
00:41:45I'll have a mic.
00:41:57Clearing log, east, path, sign, southeast, road, car, so...
00:42:27...
00:42:37...
00:42:43...
00:42:47...
00:42:51...
00:42:55...
00:42:56I don't know.
00:43:26Help me, please, please help me.
00:43:46Hello?
00:43:48Please help me.
00:43:50Help.
00:43:52Help me.
00:43:54Help me.
00:43:56Help me.
00:43:58Help me.
00:44:00Help me.
00:44:02Help me.
00:44:04Help me.
00:44:06Help me.
00:44:08Help me.
00:44:10Help me.
00:44:11Help me.
00:44:12Help me.
00:44:21Hello?
00:44:22Hello?
00:44:52I didn't mean to just walk in, but I was in an accident. I need help.
00:45:08My family, our car ran off the road. I'm blind, but I can show you where it is.
00:45:16He left to find the accident. He's hunting using traps. He doesn't like to be touched.
00:45:26He has nine fingers.
00:45:46He's a dog.
00:45:49He's a dog.
00:45:50He's a dog.
00:45:52Thanks, I'm sorry.
00:45:54I have to find a dog.
00:46:00Where are you going?
00:46:02Where are you going?
00:46:04Where are you going?
00:46:06The dog is a dog.
00:46:08Where are you going?
00:46:10I'm in the background.
00:46:12Trap.
00:46:27Hold her.
00:46:29Please, I need help.
00:46:31Do you have a phone?
00:46:32Are you all right?
00:46:34Our car ran off the road.
00:46:35I'm blind, but I can take you there.
00:46:37Can you call the police?
00:46:39Don't worry.
00:46:40Where are your parents?
00:46:42They were in the accident, too.
00:46:44They're hurt.
00:46:46What's your name?
00:46:47Henry.
00:46:48There are other people that need help, too.
00:46:50No one lives up there, Henry.
00:46:53It's abandoned.
00:46:55But there's a house.
00:46:57It has people in it.
00:46:58I don't know how many.
00:46:59Okay.
00:47:00Take me to your parents.
00:47:10What's wrong?
00:47:12I have to pick up my cane.
00:47:18You need to be careful out here, Henry.
00:47:21There's a lot of things to trip on if you're not careful.
00:47:24Don't go crazy.
00:47:36No.
00:47:37No.
00:47:37No.
00:47:37No.
00:47:38No.
00:47:39No.
00:47:40No.
00:47:40No.
00:47:40No.
00:47:41What about your parents?
00:48:08How long are you going to hide, Henry?
00:48:11Hello?
00:48:16Hello?
00:48:17Hello?
00:48:19I know I heard something out there.
00:48:38Are you out there, kid?
00:48:40I found your parents up the road.
00:48:43Hello?
00:48:44I saw your house, you sick bastard.
00:48:50I already called the cops.
00:49:01I saw your parents up the road.
00:49:06I saw your parents up the road.
00:49:10I saw your parents up the road.
00:49:12I saw your parents up the road.
00:49:16I saw your parents up the road.
00:49:18I saw your parents up the road.
00:49:20I saw your parents up the road.
00:49:36I know you can't see, but I have a gun.
00:49:52Four.
00:49:54Three.
00:49:57What are you counting?
00:49:58You don't like germs, do you?
00:50:02Two.
00:50:03You don't like to touch things.
00:50:06I don't need to.
00:50:10Maybe you should.
00:50:12Maybe it'll help you keep track of things.
00:50:15One.
00:50:15Ah!
00:50:17Ugh!
00:50:18Ugh!
00:50:20Ugh!
00:50:21Ugh!
00:50:22Ugh!
00:50:22Ugh!
00:50:34Mister?
00:50:36Are you okay?
00:50:37I
00:51:07Oh
00:51:09Oh
00:51:36Your 10 o'clock should be here shortly
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00:54:59Can you tell me what I'm doing here?
00:55:01I'm sorry, that's not my job.
00:55:03What is your job?
00:55:05To make sure that you see Lacey.
00:55:07And what's her job?
00:55:09To evaluate you to make sure that you can do your job.
00:55:11And what is my job?
00:55:13She'll tell you that.
00:55:15Now please, have a seat over there and fill out these forms.
00:55:29Excuse me.
00:55:43Hey.
00:55:45Have you guys been in to see Lacey yet?
00:55:53Of course not.
00:55:55I
00:55:57Already know what I'm doing though.
00:55:59They've got me teaching seventh grade.
00:56:06What about you?
00:56:07Law.
00:56:08I guess someone's got to keep things nice and tight for them, huh?
00:56:21Have I seen you before?
00:56:23I
00:56:25I don't think so.
00:56:26Hmm.
00:56:27It's your first time here?
00:56:29Is it obvious?
00:56:31Yeah.
00:56:33I remember my first time.
00:56:34I was nervous too.
00:56:36Right off the bat, I was a cable guy.
00:56:38Yeah.
00:56:39Didn't think much of it at the time, but
00:56:41Yeah.
00:56:42You'd be surprised at how much you can influence people when you're controlling what they watch.
00:56:46Right.
00:56:50Can you tell me what I'm doing here?
00:56:52I haven't told you yet.
00:56:54So far all I've gotten is a free limo right here and it's not my job.
00:56:58No, it's certainly not mine either.
00:57:00Right.
00:57:01But this is your job.
00:57:05That's right, bub.
00:57:07This.
00:57:11And that.
00:57:14And that.
00:57:17Anything else they need.
00:57:20They?
00:57:21They're hungry for guys like you.
00:57:23Young.
00:57:24Fresh.
00:57:25You know, if they haven't told you what it is yet, it's probably a big one.
00:57:30Even if it isn't, you take it.
00:57:34Lacey's a shark.
00:57:35Trust me.
00:57:36I'm sorry.
00:57:37Don't worry about it.
00:57:38I gotta get back.
00:57:39On duty.
00:57:40Don't worry about filling those out.
00:57:41Seems like they've got their sights on you.
00:57:43You take care, bub.
00:57:44You too.
00:57:45Aaron Whitworth.
00:57:46Aaron Whitworth.
00:57:47I don't.
00:57:48You all.
00:57:49Don't worry about it.
00:57:50Don't worry about getting back.
00:57:52I don't.
00:57:52Really?
00:57:53Don't worry about filling those out.
00:57:54Seems like they have their sights on you.
00:57:55You take care, bub.
00:57:56You too.
00:57:59Aaron Whitworth.
00:58:00Aaron Whitworth.
00:58:05Aaron Whitworth.
00:58:14Aaron Whitworth.
00:58:15Miss Sharpe should be with you shortly.
00:58:22Please, make yourself at home.
00:58:45Where the hell are you and how the hell did you get here?
00:59:15Already hard at work, I see.
00:59:21Sorry.
00:59:23No, you're not.
00:59:25You were doing exactly what you wanted.
00:59:36Impressive.
00:59:38They were right about you.
00:59:47I'm sorry, but who are you again?
00:59:50I'm Lacey. Lacey Sharpe.
00:59:53It's your job to tell me what I'm doing here?
00:59:55My job is to find people.
01:00:00And I've had my eye on you for quite some time.
01:00:04Really?
01:00:06I need someone such as yourself to do a job for me.
01:00:15Which of my many talents are you referring to?
01:00:20Hmm.
01:00:23We have a project.
01:00:26It requires someone who can take charge.
01:00:29Someone with the balls to get the job done.
01:00:32What kind of project?
01:00:33I don't even know what you guys do here.
01:00:35Wherever I am.
01:00:37Watershed.
01:00:38I'm sorry?
01:00:39Watershed.
01:00:40Where you are.
01:00:42And, uh...
01:00:44We do things that need to be done.
01:00:49Wherever they need to be done.
01:00:51In every city, every state, every country.
01:00:56What makes you think I'm the man for the job?
01:00:59Hmm.
01:01:00Your resume says you're more than qualified.
01:01:02My resume?
01:01:04Hmm.
01:01:05Aaron Whitworth.
01:01:07Born September 26, 1985.
01:01:10By the time you were 16, you had breached every secure network within 200 miles of your home.
01:01:16I get it.
01:01:17I have an eye for talent.
01:01:20And when I find it, I bounce.
01:01:28This offer is non-negotiable.
01:01:30Should you refuse, you will be considered a direct competition.
01:01:34And, well, we don't have any competition.
01:01:37How do you manage that?
01:01:39Because we don't allow there to be any.
01:01:42On this project, you will be working with two teams to find the origins of a treatment.
01:01:48What kind of treatment?
01:01:50A song.
01:01:52Split amongst several devices.
01:01:54It must be recovered and restored.
01:01:56I need you...
01:01:57What's in it for me?
01:01:58A full-time position.
01:02:06I'll take care of you.
01:02:08Keep you busy.
01:02:11Long hours.
01:02:16That's nice and all.
01:02:19But you see, I like my freedom.
01:02:24I'm not really a tied-down kind of guy.
01:02:27Oh, I think you'd like being tied down here.
01:02:31I work by myself.
01:02:34I don't know what it is you guys do here, but I'm not interested.
01:02:40Thanks for the offer.
01:02:42But at the same time...
01:02:44No thanks.
01:02:48This...
01:02:52Place...
01:02:55Really isn't my taste.
01:02:57So I guess that means you're refusing my offer.
01:03:05So I guess that means you're refusing my offer?
01:03:07No!
01:03:08I'm sorry!
01:03:09I'm sorry I'll take the job!
01:03:10No!
01:03:11I'm sorry!
01:03:12I'm sorry I'll take the job!
01:03:13I'm sorry!
01:03:14I'm sorry I'll take the job!
01:03:15I'm sorry!
01:03:16I'm sorry!
01:03:17I'm sorry I'll take the job!
01:03:19I'm sorry!
01:03:20I'm sorry!
01:03:21I'm sorry!
01:03:22I'm sorry I'll take the job!
01:03:23I'm sorry!
01:03:24I'm sorry!
01:03:25I'm sorry I'll take the job!
01:03:27I'm sorry!
01:03:28I'm sorry!
01:03:29I'm sorry!
01:03:30I'm sorry I'll take the job!
01:03:31I'm sorry!
01:03:32I'm sorry!
01:03:33I'm sorry!
01:03:34I'm sorry I'll take the job!
01:03:35I'm sorry!
01:03:36I'm sorry!
01:03:37I'm sorry!
01:03:40I'm sorry.
01:04:06I'll take the job.
01:04:10I'll take the job.
01:04:40Please help me.
01:04:45Why isn't anyone helping me?
01:04:52Please help me.
01:04:54Help me.
01:04:56Why isn't anyone helping me?
01:04:58Dad!
01:05:07Dad!
01:05:11Dad!
01:05:29Ma'am, Grace Englehart is on her way.
01:05:32She'll be here shortly.
01:05:41This is a warning.
01:06:06This is a warning.
01:06:08So you're making a movie about a song that kills you?
01:06:12Um, well, yeah, but it's based on a real-life story about an actual song.
01:06:17It's Russian.
01:06:18What would happen then?
01:06:19I mean, how do you die?
01:06:20Does your face melt?
01:06:22Do you go crazy?
01:06:25I keep filming.
01:06:28Isn't that what we want her to do?
01:06:29No, that's what the network wants her to do.
01:06:32Can I make a fake office person do?
01:06:33I'm sorry, fake office people?
01:06:35The office people, you're, um, the pirate cook?
01:06:39Um, you know, she's not a pirate.
01:06:41Yeah, she's not a pirate.
01:06:42Yeah, so just be a little sensitive because she can hear everything you're saying.
01:06:47Actual, I mean, not proof, but...
01:06:50Supposedly there's a performance of it.
01:06:52Yeah, like a performance took place in the 1970s, supposedly, depending on the conflicting primary sources.
01:06:58Do you think it's worth trying to find the real one?
01:07:13This are my children in Russian.
01:07:15I can't believe they stole this.
01:07:18We didn't actually steal it.
01:07:20It was actually, uh, given to us by a really, really nice older man.
01:07:24Let's cut this.
01:07:30Check out this honker.
01:07:32Oh my...
01:07:36And we are ready.
01:07:40You look a little...
01:07:47Are you scared?
01:07:52Ready?
01:07:55Hey, play.
01:07:56Oh my god.
01:07:57Uh...
01:07:58Don't kill him.
01:08:11Oh my god.
01:08:12Don't kill him.
01:08:14The Supergirl.
01:08:16The Supergirl...
01:08:18...and the Supergirl...
01:08:20So, um...
01:08:22Out of order!
01:08:24Incomplete an ad warrior.
01:08:26It doesn't make any sense.
01:08:28Is that downstairs?
01:08:30What's that going on?
01:08:41We want to go down for time.
01:08:43We've got more tapes.
01:08:45And someone...
01:08:47Well, someone we think from the Institute, who's cool and maybe on our side, is like feeding us more material.
01:08:56So, I mean, I don't know if it's a hoax, but I feel like we should pursue it and maybe treat it more like it's non-fiction.
01:09:05Are you good?
01:09:06I think so.
01:09:08What we think we found is some kind of test.
01:09:12And if it's real, and holy I think it is, then it's awesome.
01:09:18The tapes don't really make any linear sense right now, but I think we put it together.
01:09:23Yeah, we're just going to try to cut it together into a full thing and see what we get.
01:09:27Do what we get.
01:09:42This is D3932GAI39.
01:09:55Now, there's already on the record that these events cannot be viewed as duplicative or divulged to any other party without the consent of all students.
01:10:0270% of all fibre that wire the brains of the air are outgoing.
01:10:07We cannot hear what we think we hear.
01:10:09All sound is subject to neurological processes.
01:10:12And in our recent oral experiments, we have found a number of compound frequencies that turn this processor against itself,
01:10:19leading to distraction, nausea, and synesthetic hallucination.
01:10:23Although it was certainly wronglessly translated as a listening child, the title of the song is, in fact,
01:10:28listen, might, listen, might, listen.
01:10:30And Losio, who, for the first 30 years of his life, completed nearly 200 songs before being committed to an asylum
01:10:37where he composed only one song.
01:10:39This song.
01:10:43Within one unified known song of paradoxical conversions of consonant and distinct,
01:10:48phase one is finding a pianist capable of playing this music.
01:10:52No easy, no easy task.
01:10:58You'll find the music on the piano.
01:11:22So this one is RT for a presentation.
01:11:24.
01:11:34.
01:11:38.
01:11:40Vick Hambly, just whenever.
01:12:10Please.
01:12:31Thank you, Mr. Hamley.
01:12:33There's a small stipend and a few papers being signed in your way.
01:12:40With repetition. You'll be ready.
01:12:56Guys?
01:13:01I don't know.
01:13:04You all right?
01:13:06Who is this?
01:13:10Guys, it's Grace. I'm sorry. I'm sick. I'm really, really sick.
01:13:16Look, I'm turning the phone off and I'm turning off everything in the house that makes noise.
01:13:30Say, all right, just tell us your name.
01:13:32I'm Dan. I'm going to be doing sound for this project eventually.
01:13:36And I'm here tonight because...
01:13:38He's worried about us.
01:13:40I'm a little worried about these guys.
01:13:42Dan, thank you for coming and being the eyes.
01:13:54So we might die tonight.
01:13:56But it's going to be worth it because it's...
01:14:00This is ours.
01:14:14What do you want to do?
01:14:16Let's go for it.
01:14:22This is crazy. This is crazy.
01:14:24It's not crazy.
01:14:25It's like a source.
01:14:26Like journalists, you know, they have sources.
01:14:28Just keep looking.
01:14:30Go around the corner.
01:14:34Oh, s***.
01:14:35Come here.
01:14:37This has got to be for us.
01:14:39This is so weird.
01:14:53I just searched all the way up there and there's nobody in there.
01:14:55Okay, well, if they left this out in the open, they wouldn't have gone fall.
01:14:59Take it right now.
01:15:00Let's just look around because they might...
01:15:01Just run.
01:15:09Mr. Hamlet has nine bars from completion.
01:15:24It seems unable to continue.
01:15:27Is it correct?
01:15:29No, it must remain unbroken.
01:15:39It's my responsibility to determine you.
01:15:45You've run out of time.
01:15:51I can't keep you.
01:15:53It's all that makes linear sense.
01:15:55The rest is broken up into three frame fragments.
01:16:03Oh, my God.
01:16:17I can't stand it.
01:16:18It's kind of real.
01:16:19So, I think I can just transfer those over to make it into a group of stills and a group of slides.
01:16:30Awesome.
01:16:31Right.
01:16:32The clips or the frames are...
01:16:33All the...
01:16:36Like a piano is a sequence and a...
01:16:39You take it from...
01:16:40I'm sorry.
01:16:41I don't get it.
01:16:42Just start...
01:16:44And then if I do...
01:16:45It's fine.
01:16:46It's fine.
01:16:47It's fine.
01:16:50Yeah.
01:16:51It's time good.
01:16:52Probably listed in the order the fragments come in.
01:16:55You guys...
01:16:56Really didn't see this?
01:16:59Go, go, go, go, go.
01:17:06Guys.
01:17:07I think someone's giving you...
01:17:08The option.
01:17:09I mean...
01:17:11Do you want to see this?
01:17:12I mean...
01:17:15I mean, really.
01:17:17Do you want to see this?
01:17:18You're f***ing f***ing orc in the tank!
01:17:23Guys, what's the problem?
01:17:24Why haven't you sent it?
01:17:25Look...
01:17:27I'm sorry.
01:17:28We have to make cuts out of the soundtrack.
01:17:31We're getting really behind here.
01:17:33Have you finished editing?
01:17:34Well, not really.
01:17:35No.
01:17:36We had to...
01:17:37We had to edit with the sound off.
01:17:39And then we had to watch something else next to it.
01:17:41Like...
01:17:42Like movies we loved as little kids.
01:17:45Make the audio cuts.
01:17:46It'll be scarier.
01:17:47Then both of you sit down and watch the whole thing.
01:17:50Front to back.
01:17:51Probably shouldn't be stopping.
01:17:53Are you singing?
01:17:55Okay, we're watching.
01:17:56Mr. Hamley's consent.
01:18:05We have found a solution.
01:18:07That will allow him to play the entire song.
01:18:11Uninterrupted.
01:18:26ì €ê¸°...
01:18:27weit...
01:18:29To put a moment...
01:18:35horse are even...
01:18:37Why don't you say anything?
01:18:39What can you say?
01:18:42Where do you say anything?
01:18:46Who are you saying anything?
01:18:47Nothing...
01:18:49Just sit down!
01:21:50I can't do it anymore.
01:22:09We have to destroy it.
01:22:13Right now.
01:22:38What if we can't tell how fast we're getting worse?
01:22:47Why is this the craziest camera?
01:22:53It's on?
01:22:54What's that sound?
01:22:56It's still playing.
01:22:57It's on.
01:23:03She uploaded it.
01:23:06Oh my god.
01:23:08It's starting at 18 views.
01:23:09Check the audio time frame and see which version it is.
01:23:14Okay.
01:23:15It's uncut.
01:23:21Oh, the audio.
01:23:22No, no, no, no.
01:23:24I'm trying to move my hand and the other hand is moving.
01:23:26Just take your hand down.
01:23:27We can start.
01:23:28We have to start.
01:23:29Hold on.
01:23:30Do you want us?
01:23:32Do you want us to start?
01:23:35Oh, yeah.
01:23:36I'm sorry.
01:23:37We'll worry.
01:23:44This is a warning.
01:23:48This is a warning.
01:23:49A warning for everybody out there.
01:23:51Please.
01:23:51It's important that it be seen.
01:23:53Pass this along to your friends and your family, everyone you want to be safe.
01:23:57Send it everywhere.
01:23:58There's a link still out there.
01:23:59We could.
01:24:00We try it.
01:24:00I'm really sorry.
01:24:01You get an email with the subject line, listen to my children.
01:24:06Don't open it.
01:24:07Don't click on it.
01:24:07Don't open it.
01:24:08If you see a picture of this guy, don't watch it.
01:24:13The opening line of this piece of music.
01:24:18If you hear the music, if you hear the beginning of the song, just please don't listen.
01:24:26If you hear the music, it's going to be safe.
01:24:27I'm sorry.
01:24:27Sorry.
01:24:28I'm sorry.
01:24:29I'm sorry.
01:24:29I'm sorry.
01:24:30I'm sorry.
01:24:31I'm sorry.
01:24:32I'm sorry.
01:24:32I'm sorry.
01:24:33I'm sorry.
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