Ministry Of Fear (1944) Watch HD

Movira Pulse

Ministry of F3ar (1944) is a classic suspense drama that follows an ordinary man drawn into a puzzling chain of events after a chance encounter. What begins as a simple moment quickly turns into a web of secrets, misunderstandings, and hidden agendas that challenge his sense of trust and reality.   Set against the backdrop of wartime London, the film creates tension through atmosphere, shadow-filled visuals, and sharp storytelling rather than explicit action. As the mystery deepens, the main character must rely on intuition and courage to uncover the truth while navigating a world where nothing is quite as it seems.   Directed with a distinctive cinematic style, Ministry of F3ar is praised for its moody tone, clever plot twists, and strong performances. This 1944 film is an excellent choice for fans of classic cinema, suspenseful storytelling, and vintage films that rely on intelligence and mood to captivate the audience.

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00:28:12Can you make room for Mr. Hilfer over there doctor?

00:28:14Certainly

00:28:15This is Dr. Forrester

00:28:19Mr. Hilfer

00:28:20And

00:28:22And

00:28:24You

00:28:25Mr. Neal

00:28:27Over there

00:28:29Mr. Newby

00:28:30How do you do?

00:28:32How do you do?

00:28:34Miss Pentiel?

00:28:35His extraordinary powers of painting the inner world.

00:28:37Colored rhythmic arrangements.

00:28:40Will

00:28:42Will you please form the circle?

00:28:45You

00:28:50Now, if you will all join hands.

00:28:55Before the lights be.

00:29:00We mustn't break.

00:29:05The circle.

00:29:10The lights will.

00:29:15Oh, Mr. Cost, I didn't think you were coming.

00:29:20I'm going to surprise those customers at the last moment.

00:29:23May I?

00:29:24May I present our newcomers?

00:29:25Mr. Neal, Mr. Cost.

00:29:27How do you do?

00:29:29It seems we've met before.

00:29:31I'm sorry.

00:29:32I don't believe I recall it.

00:29:34This is Mr. Hilfer.

00:29:36Secretary of the Mothers of the Free Nations.

00:29:38How do you do?

00:29:39How do you do?

00:29:40How do you do?

00:29:44The lights will fade.

00:29:45The lights will fade now.

00:29:50How do you do?

00:29:51How do you do?

00:29:53The lights are above.

00:29:55Wow!

00:31:49Steven, you sat there watching the clock, I know.

00:31:54You waited for me to die, was a poison strong.

00:31:59The clock stood still, you killed me.

00:32:04The poison, the clock stood still, you murdered.

00:32:09Who speaks? Who said that?

00:32:12Who told you that?

00:32:15Turn on the lights!

00:32:17Turn on the lights!

00:32:18Turn on the lights!

00:32:19Hey, the lights!

00:32:23Of course.

00:32:24Look at cost!

00:32:29What happened out there?

00:32:33What happened out there?

00:32:34Good evening.

00:32:36Good afternoon.

00:32:37Good afternoon.

00:32:38Good afternoon.

00:32:39Thank you very much.

00:33:01He did it.

00:33:02He broke the circle.

00:33:03All our hands were locked.

00:33:06I didn't kill him.

00:33:07You have that revolver.

00:33:09But I didn't fire it.

00:33:10There was only one...

00:33:11One bullet left.

00:33:11It's still there.

00:33:16I didn't kill him.

00:33:17I didn't kill him.

00:33:20He's locked.

00:33:21I didn't kill him.

00:33:22He's locked.

00:33:23I just didn't kill this guy.

00:33:25You'll excuse me. I have to catch my train.

00:33:27I'd advise you to stay, Newby. The police will want all of us.

00:33:30Well, I'll not wait in here with him.

00:33:33Then go into the library.

00:33:35Wait for me, Mr. Newby.

00:33:40I'll be right back.

00:33:45You have to believe me, Hellfire.

00:33:50You word for it that there was one bullet.

00:33:51It's the truth.

00:33:53I'm done if the police arrest me again and someone here...

00:33:55who knows it, knows all about me.

00:33:58But why would they kill him?

00:33:59I don't know.

00:34:00He's the one who came to Lembridge for the cake.

00:34:03Oh, I see.

00:34:05Give me a chance to find out, Hilfer.

00:34:09I'll never clear my...

00:34:10I'll leave myself behind bars.

00:34:13I'd like to, Neil.

00:34:15But I'd be in trouble myself if I let you go.

00:34:19I'm an alien.

00:34:20You know what?

00:34:26You might knock me out.

00:34:28Go ahead. It's a good alibi.

00:34:30But get away from London.

00:34:32Well, I've never said thank you.

00:34:33Well, I've never said thank you this way before.

00:34:38Well, I've never said thank you.

00:34:40It's a good alibi.

00:34:41We've never said thank you.

00:34:43To be honest, haven't I earned that?

00:34:45You can be honest with them.

00:34:47You know, I've never said any of them.

00:34:48You can make a lot of sense.

00:34:51You can make a lot of sense.

00:34:54I won't go to work for a lot of sense.

00:34:58I'm on.

00:34:58Yeah, okay.

00:35:00Yeah, okay.

00:35:00Let's get me for this, you guys.

00:35:02Ready?

00:39:28It's hot, isn't it?

00:39:29Yes.

00:39:34Carla.

00:39:35What?

00:39:36I wonder...

00:39:37if you realize...

00:39:38what it means

00:39:39to stand all alone

00:39:40on a dark corner.

00:39:42knowing that somewhere...

00:39:44one person is coming towards you to help.

00:39:46Yes.

00:39:47It was that way...

00:39:48It...

00:39:49It...

00:39:50It...

00:39:51It was that way...

00:39:52It...

00:39:52the first night...

00:39:53I stepped off the boat...

00:39:54in England.

00:39:57It changed things.

00:39:58I thought at first...

00:39:59I could let you help...

00:40:00without telling you the truth...

00:40:01but...

00:40:02it...

00:40:08one person is coming towards you.

00:40:09And now...

00:40:10I can...

00:40:11just cut off...

00:40:12I can...

00:40:13let...

00:40:14you know...

00:40:15I can...

00:40:16let...

00:40:17it...

00:40:18I can...

00:40:19it...

00:40:20I can't guess what you're doing...

00:40:21I can...

00:40:22but...

00:40:23it...

00:40:24I can...

00:40:25I can...

00:40:26I can...

00:40:27if...

00:40:28it...

00:40:28I can...

00:40:30I can...

00:40:31lying awake every night thinking of it.

00:40:36Until at last you go out and buy the drug.

00:40:41I bought it to kill my wife.

00:40:44She'd been ill for more than...

00:40:46More than a year, slowly wasting away.

00:40:48She couldn't stand the pain any longer,

00:40:50and the doctors could...

00:40:51She couldn't help her.

00:40:53We'd come all the way from a plantation in Africa.

00:40:56And the doctors couldn't do a thing.

00:40:59She begged me then, day after day...

00:41:01I got the drug for her.

00:41:06Carried it home.

00:41:09Then I couldn't go through with it.

00:41:11But I hid it in a drawer.

00:41:13And she found it.

00:41:16I didn't know until just before she died.

00:41:20The pain was gone.

00:41:21What was gone then?

00:41:24She smiled.

00:41:26and held my hand while she fell asleep.

00:41:31I sat there for hours holding her hand.

00:41:36Watching the clock.

00:41:41Then it was dawn.

00:41:46And there wasn't any more pain.

00:41:51The court called her the mercy killing.

00:41:54Send me to an asylum.

00:41:56I wasn't mad, you see, but the law called for it.

00:42:01I don't know if I was right, even now.

00:42:06Anyway, you know.

00:42:09Yes.

00:42:11It makes a difference.

00:42:13No.

00:42:15It's still like...

00:42:16I don't know if I was right to help.

00:42:21I don't know if I was right to help.

00:42:26I don't know if I was right to help.

00:42:31What?

00:42:35He was the one who'd rented his office.

00:42:40I don't know if I was right to help.

00:42:42I don't know if I was right to help.

00:42:44I don't know if I was right to help.

00:42:45I don't know if I was right to help.

00:42:47I don't know if I was right to help.

00:42:49I don't know if I was right to help.

00:42:50I don't know if I was right to help.

00:42:54I don't know if I was right to help.

00:44:23All clear.

00:44:25What time is it?

00:44:27Almost five.

00:44:29Five.

00:44:31Did you sleep?

00:44:33I thought...

00:44:35I thought our friend with the fingernails might come back.

00:44:37You won't need to worry where I'm taking you.

00:44:39You won't need to worry where I'm taking you.

00:44:41I'm taking you.

00:44:45Let's leave.

00:44:49There we go.

00:44:51I'm taking you.

00:44:55You're welcome.

00:44:57I...

00:45:09Not a word.

00:45:14I don't know.

00:45:15Belay nothing.

00:45:16Why would the police keep it quiet?

00:45:17I don't know, but they have.

00:45:18Probably want to keep me happy.

00:45:25Oh, Miss Hilfer.

00:45:26Come in.

00:45:27Come in.

00:45:28I'm sorry.

00:45:30I'm sorry to disturb you so early, Mr. Newland, but I had to see you.

00:45:35You don't visit me often enough.

00:45:39And who is...

00:45:40You don't visit me often enough.

00:45:42Mr. Newland.

00:45:43How do you do?

00:45:44In travel eight, come along.

00:45:47You're very lucky, Mr. Neal, having this young lady for a friend.

00:45:52She's always helping people.

00:45:54You aren't Austrian.

00:45:56No British.

00:45:57He has to hide for a few weeks.

00:45:59He isn't guilty, but the police are looking for him.

00:46:01Fine.

00:46:02Fine.

00:46:03The room for Maria stayed in?

00:46:04Do you mind?

00:46:05Not at all.

00:46:07Fine.

00:46:08Fine.

00:46:09Fine.

00:46:10Fine.

00:46:11Fine.

00:46:12Fine.

00:46:13Fine.

00:46:14What is it?

00:46:15I noticed a book here.

00:46:16The Psycho-analysis of Nats...

00:46:17by Dr. Forrester.

00:46:19That's selling very well.

00:46:21Bring a copy along if you like.

00:46:22Thank you, I will.

00:46:24Who is Dr. Forrester?

00:46:26He's a psychiatrist.

00:46:27He's been quite famous here.

00:46:29Sort of advisor to the Ministry of Home Security.

00:46:32That's propaganda.

00:46:33Interesting fellow, too.

00:46:35Purchases books from me now and then.

00:46:37Here you are.

00:46:40Here you are.

00:46:42Dr. Forrester.

00:46:43So, now you can choose to figure this way.

00:46:45I'm just going to figure this way.

00:46:46We're starting.

00:46:47How are you aware of this disease?

00:46:48I can see you, Dr. Forrester.

00:46:51Do you know what?

00:46:52I'm sure you are asking me.

00:46:53I'm curious.

00:46:54Of course, ladies and gentlemen.

00:46:55I will be here.

00:46:56If you look into this disease,

00:46:57a person's locked in,

00:46:59I will be here and I can't wait.

00:47:01VB, I can't wait.

00:47:02I can't wait.

00:47:04I'm getting a response.

00:47:05There's a choice.

00:47:06Is there any other issues?

00:47:07I can't wait.

00:47:08I can't wait.

00:47:09I can't wait.

00:47:11I can't wait.

00:46:47Customers.

00:46:49Sometimes I loathe people.

00:46:52People who like to read.

00:46:57I love you.

00:47:07Customers.

00:47:12Customers.

00:47:17The Ministry for...

00:47:22Home security.

00:47:25It's a nice place to be an advisor.

00:47:28The heart of Britain's defense system.

00:47:30You don't think he's a...

00:47:31He's a friend of...

00:47:32This is Bellane's.

00:47:33And Kost wasn't after that cake because he was hungry.

00:47:35But that doesn't make the doctor a spy.

00:47:37Just because he went to a seance.

00:47:39Any more than you or Villy.

00:47:41I wonder if they're listed in your volunteers.

00:47:45Oh.

00:47:46Now the mothers of the free nations are turning into a spy.

00:47:50Next year.

00:47:51You'll pass me one.

00:47:53No.

00:47:54You don't look like me.

00:47:55No.

00:47:56You don't look like me.

00:47:56Or you can forget it.

00:47:57Villy and I have run that office for three years.

00:47:59And your dear old dowagers are...

00:48:01I know.

00:48:02But Mrs. Bellane was listed.

00:48:04Why not some of the others?

00:48:05Dr. Fox...

00:48:06Newbie.

00:48:07Miss Penteel.

00:48:08The artist?

00:48:09Was she there?

00:48:11You know her?

00:48:12I've never met her but...

00:48:14She has a studio and...

00:48:16called art center.

00:48:17She auctioned off some paintings for us.

00:48:19The volunteer?

00:48:20Yes.

00:48:21Yes.

00:48:22I'm going back to the office and look to every card in our...

00:48:26house.

00:48:27Still angry?

00:48:28Of course.

00:48:29A woman always.

00:48:31hates to be wrong.

00:48:32Good.

00:48:33Will you have dinner with me tonight?

00:48:36I'll meet you here.

00:48:41Good.

00:48:43Yes.

00:48:44I'll meet you.

00:48:45I'll meet you.

00:48:46My name is my friend jellyzer.

00:48:47I'm gonna meet you.

00:48:48Bye.

00:48:49Bye.

00:48:50Bye.

00:49:06Well, Mr. Neal, you do get about.

00:49:09I was just thinking the same.

00:49:11Aren't you afraid of the police?

00:49:13When they're nearby, yes.

00:49:16It'd be a shame if they found you there.

00:49:18The building has a bad enough reputation.

00:49:21Won't you come in?

00:49:26Going to hold a seance here?

00:49:30No.

00:49:31No.

00:49:31The last one was quite enough for a while, thanks to you.

00:49:35You don't trust me.

00:49:39No.

00:49:40No.

00:49:41Where's Miss Pentiel?

00:49:43Shopping.

00:49:44It's just as well.

00:49:45You've found her to death once already.

00:49:47You've found her to death once already.

00:49:47Don't you come in?

00:49:51Okay.

00:49:52Won't you sit down?

00:49:53Won't you sit down?

00:49:55I don't...

00:49:56Won't you sit down?

00:50:11Whiskey and soda?

00:50:26What did you have against Mr. Cost?

00:50:29I didn't kill him and you know it.

00:50:31You're most attractive when you're lying.

00:50:41I'd even enjoy hearing you say you're interested in me.

00:50:46I am.

00:50:47How did you know about me?

00:50:51That microphone or whatever it was.

00:50:54I always try to frighten people.

00:50:56It's not the first time they come to a seance.

00:50:58They'd love it.

00:50:59I never thought it would make you start shooting.

00:51:02How did you know about me?

00:51:04Your trial testimony was in all the papers.

00:51:07And my assistants keep an excellent file on people.

00:51:10They couldn't have looked me up as...

00:51:11as quickly as all that.

00:51:12You'd be surprised.

00:51:15You'd surprise me continually.

00:51:17Did it ever occur to you...

00:51:18that some women lack affection even better than conversation?

00:51:22So do some men.

00:51:23If they're sure they're not going to be shot any moment.

00:51:27Take the bullets out of it if you want to.

00:51:29I only carry it for protection.

00:51:31You don't miss much.

00:51:34You don't miss much.

00:51:36I seem to be missing a lot today.

00:51:41You're a strange person.

00:51:46I tell you all my trade secrets.

00:51:47And still you don't trust me.

00:51:49Why did you say you told fortune?

00:51:51Do you have any questions at Lembridge?

00:51:52Why?

00:51:53Because I did.

00:51:54I was there.

00:51:55One to one.

00:51:56The one who told mine.

00:51:59That female battleship with...

00:52:01the moons and stars?

00:52:02That's the one.

00:52:03Oh, she was some Lembridge woman.

00:52:05She wanted...

00:52:06to keep the booth open after I left...

00:52:07and practice her palmistry.

00:52:09Well, she did and I got the cake.

00:52:12I suppose you don't know about that either.

00:52:14Of course.

00:52:15But how did you get...

00:52:17What was in it?

00:52:18I don't know.

00:52:19Was there supposed to be something in it?

00:52:22That's the truth.

00:52:23The lady in the cake booth asked me to let her gentleman friend...

00:52:26Winnet.

00:52:27If someone came to me and said...

00:52:28Don't bother about the past.

00:52:29Tell me the future.

00:52:31I was to give him the correct weight.

00:52:33Did you say that?

00:52:34Something like it.

00:52:36Well, that explains it.

00:52:37Now, are you happy?

00:52:40I've got exactly...

00:52:41nowhere.

00:52:44Neither have I.

00:52:46I have to.

00:52:47I couldn't.

00:52:48I was thinking...

00:52:49I will get to the next one...

00:52:51So, I'm going to take the next one.

00:52:53I'm going to try to make a small shop.

00:52:55So, I'm going to try to create a nice little shop.

00:52:56I'm going to try to be apresent.

00:52:57I've got my old shop.

00:52:58And then, that'll be the Dennie孩.

00:53:00I want to be rick to it.

00:53:01So, I'm going to try to get a little bit of my hands.

00:53:02To do the first time...

00:53:03It's time to come into my hands.

00:53:04I'm going to do the same.

00:53:05I'm going to try.

00:53:06I love to try to Mark and continue it.

00:53:08And then, I'm going to try to figure out some timely situations.

00:53:09I've got my hands on the phone.

00:53:10You're going to try and do it.

00:53:11Yes.

00:53:26There you are.

00:53:27I was worried about you last night.

00:53:30It was a pasting.

00:53:31No.

00:53:32I got caught in it.

00:53:34What's this?

00:53:36Housecleaning?

00:53:37It's going to be.

00:53:40We've been patriarchal...

00:53:41We've been patriarchal slaving for three years to help us firing.

00:53:45What?

00:53:46Oh, nonsense.

00:53:48Here.

00:53:48Look at these.

00:53:49Adamson.

00:53:54Never heard of him.

00:53:55Aiken.

00:53:56Both recommended by Dr. Forrester.

00:53:59Elpach.

00:54:00Dr. Forrester.

00:54:02Cost.

00:54:06Newbie.

00:54:06Pentil.

00:54:07All those at the séance.

00:54:08All are commended by Dr. Forrester.

00:54:11And he...

00:54:12works for the Ministry of Home Security.

00:54:17How did these get in our files?

00:54:19I don't know.

00:54:22Get in.

00:54:27Mrs. Maik in here.

00:54:32Yes.

00:54:33Do you know how these cards got here?

00:54:37Mr. Aiken.

00:54:40Oh, yes.

00:54:41I remember filing...

00:54:42His name struck me as so odd.

00:54:46This is one of the batches...

00:54:47You mailed me.

00:54:48I mailed you?

00:54:50Yes, from Kent.

00:54:51While you brought...

00:54:52on your holidays last year.

00:54:54I've never seen them before.

00:54:56Oh, but I'm sure, Miss...

00:54:57They're just as you always send them from meetings and such.

00:55:02I may be wrong.

00:55:05Thank you, Mrs. Maik.

00:55:06Oh, not at all.

00:55:07Thank you, Mrs. Maik.

00:55:12They even know how we mail our cards.

00:55:15They're Nazis, Willie.

00:55:16I know it.

00:55:17The same as they were in Austria.

00:55:19It's the way they work all around you.

00:55:21Knowing about everybody.

00:55:22Everything.

00:55:23Where to find you.

00:55:24That night they hunted us.

00:55:25Come on.

00:55:26Come on.

00:55:27Not the old fear again. We aren't there now.

00:55:30But they are here, in London.

00:55:32You're imagining too much.

00:55:34Something's going on, but you can't charge...

00:55:37...people with being Nazis just because they belong to a charity.

00:55:41Especially in a...

00:55:42...to the ministry, the police would laugh at us.

00:55:45That is what I told Stephen.

00:55:47But first...

00:55:50Stephen.

00:55:51Mr. Neal.

00:55:52He's the one that thought of searching the cards.

00:55:54And he was right.

00:55:56I'm going to show them to him.

00:55:57Wait a minute.

00:55:59How did you get in touch with them?

00:56:01He telephoned...

00:56:02...for you.

00:56:03He's safe now.

00:56:04I took him to the book shop where I had my ear.

00:56:06I was...

00:56:07...posed you hadn't done that.

00:56:08Why not?

00:56:09You're helping him.

00:56:10Yes, I know.

00:56:12But I'd rather you didn't get mixed up with him.

00:56:16But why, Willie?

00:56:17You don't think he killed that man...

00:56:19...Cost?

00:56:20I didn't.

00:56:22No way.

00:56:23I've checked up on him.

00:56:25He was sentenced for murder two years ago.

00:56:27He told me.

00:56:29But it wasn't murder.

00:56:30Even the court called it a mercy.

00:56:32He told me.

00:56:33What's the killing?

00:56:34And you still want to help him?

00:56:35Yes.

00:56:37You're not...

00:56:41You're not...

00:56:42...falling in love with him by any chance.

00:56:44Yes.

00:56:46Very much.

00:56:47The point was super 맞아요.

00:56:48I'm gonna get a flip of the house.

00:56:49...assistently, I need you to forget.

00:56:50I'm gonna get going all that shit.

00:56:51Good luck.

00:56:52It's not this one.

00:56:53I'm gonna get ready.

00:56:54I'm gonna get ready.

00:56:55This one's a quick way again though.

00:56:56It's just so gross it too.

00:56:57I'll make sure the story all that is...

00:56:58I want to know.

00:56:59You're going to get ready.

00:57:00You might get ready.

00:57:01I'm gonna get ready.

00:57:02I'm gonna miss the hour and see you.

00:57:03I'm gonna get ready.

00:57:05You're gonna get ready.

00:57:06I'm gonna get ready for a couple weeks.

00:57:08I'm gonna get ready.

00:57:09You're gonna get ready for a couple weeks.

00:57:11And I'll get ready.

00:57:14You're gonna get ready for a couple weeks.

00:57:15Dr. Morton, I was coming to London to spend a quiet life.

00:57:19It's been like riding down the...

00:57:20...in the side of a whirlpool.

00:57:22From what you say about the Ministry...

00:57:24...Willie and I are only a half turn behind...

00:57:25...the children.

00:57:26We'll get out of it, all right.

00:57:27Even if I have to drown some of these free mothers...

00:57:30...you wouldn't object?

00:57:32No.

00:57:35Someday, when I get back to that quiet life, I...

00:57:38...I want to ask you if you'd be interested...

00:57:40...willie asked me if I was...

00:57:44...for...

00:57:45...falling in love with you.

00:57:49And?

00:57:50I said...

00:57:53...yes.

00:57:55...

00:58:00...

00:58:05...

00:58:10...the shop.

00:58:11Oh, Dr. Forrester.

00:58:12Pleasure to hear from you, sir.

00:58:15I found a set for you.

00:58:17Oxford Medicine by Christian.

00:58:19Nineteen...

00:58:20...volumes.

00:58:21Is that correct?

00:58:22Tonight.

00:58:25I don't know.

00:58:26You're quite far out.

00:58:28Oh, here?

00:58:30Just a moment.

00:58:34Regal...

00:58:35...cour...

00:58:37...

00:58:50...let.

00:58:4029, as the Porto Requis...

00:58:45Right. I'll have it there before blackout time.

00:58:50Miss Hilfer, did you hear that?

00:58:55Yes.

00:59:00Nineteen volumes.

00:59:02Are you two going out to get some dinner tonight?

00:59:06We'll drop them off for you.

00:59:07Would you? Thank you very much.

00:59:10A book is all right for mental stimulation, but if there's anything I know...

00:59:15It's struggling about the streets with great quantities of print.

00:59:20We'll see you next time.

00:59:22We'll see you next time.

00:59:25We've spoken to the Porto Requis...

00:59:31Won't the doctor be there?

00:59:32No. He's out at his nursing home.

00:59:34Has a...

00:59:35In a collection of maniacs he psychoanalyses.

00:59:41No Half Toxic Pre此 Easy

00:59:44Soap lug days, I had 매� parlament Nayakely

00:59:49Yeah

00:59:55Okay, here we go.

00:59:57Alright, here, here we go.

00:59:59It's a possible cause ofockey proceeds on a family.

01:00:02That's what it tastes like.

01:00:04But it kind of tastes like it's a لotsie.

01:00:06Travers left orders to let you in.

01:00:08Travers? But these are for Dr. Forrester.

01:00:11Don't be wrong, sir. We haven't any Dr. Forrester.

01:00:13The 29th rate, and Mr. Travers is...

01:00:16We have had some incorrect names, sir, for a gentleman...

01:00:21...has a hideout from his wife.

01:00:23But those gentlemen were not spending their time with...

01:00:26There you are, sir.

01:00:32Not at all, sir.

01:00:36Travers, eh?

01:00:41Goodbye!

01:00:46He needs a few books.

01:00:51He needs a few books.

01:00:56He needs a few books.

01:01:01He needs a few books.

01:01:31The line's dead.

01:01:36He needs a few books.

01:01:41He needs a few books.

01:01:46He needs a few books.

01:01:51He needs a few books.

01:01:52He needs a few books.

01:01:53He needs a few books.

01:01:54He needs a few books.

01:01:55He needs a few books.

01:01:59He needs a few books.

01:02:00He needs a few books.

01:02:44You've been hard to find, Mr. Neal.

01:02:54Who was the girl?

01:02:56What girl?

01:02:59That went into the flat with you.

01:03:03I was alone.

01:03:04I was there when we found you.

01:03:06The reporter saw her go in.

01:03:08It's very interesting.

01:03:10A mysterious girl.

01:03:12I don't see her.

01:03:14I don't know.

01:03:16I don't know.

01:03:18I don't know.

01:03:20I don't know.

01:03:22I don't know.

01:03:24You're much better at that occupation.

01:03:26I don't know.

01:03:28I don't know.

01:03:30I don't know.

01:03:32I don't know.

01:03:34Get out of that asylum, Mr. Neal.

01:03:36You all have a record of all this.

01:03:38I've said all I've said all I have to say.

01:03:40You'll say quite a bit more before you leave here.

01:03:42And just where am I?

01:03:44Scotland Yard.

01:03:46Where do you think?

01:03:48Where do you think?

01:03:51Inspector?

01:03:53Inspector?

01:03:56Stephen Neal, questioning by Inspector...

01:04:01Apprentice.

01:04:02File number 2HLJ14.

01:04:04Charge.

01:04:05Murder.

01:04:06What?

01:04:07I didn't kill him.

01:04:08Who didn't you kill?

01:04:09Casted Mrs. Belaine's...

01:04:11Police.

01:04:12You haven't heard about that one.

01:04:14But the police were there.

01:04:15What do we have to say on?

01:04:16There's been no such murder reported.

01:04:18A friend of...

01:04:19There's been no such murder reported.

01:04:20A friend of...

01:04:21A friend of mine saw them.

01:04:22They questioned him.

01:04:23My friend.

01:04:26You wouldn't know him.

01:04:27They must oppose his...

01:04:28You wouldn't know him.

01:04:29They must oppose his...

01:04:30They must oppose his...

01:04:31Police too.

01:04:32Who?

01:04:33The people at the seance.

01:04:34The ones who tried to kill me.

01:04:35They're enemy agents.

01:04:36Police.

01:04:37It's Mrs. Belaine.

01:04:38Dr. Forrester, the psychiatrist.

01:04:39Forrester.

01:04:41Not the advisor to the ministry.

01:04:42Yes.

01:04:43He telephoned Newland at his book shop...

01:04:44To kill me with that bomb.

01:04:46And the doctor...

01:04:47No.

01:04:48No.

01:04:49No.

01:04:50No.

01:04:51No.

01:04:51Give him a sedative.

01:04:52I'll talk to him later.

01:04:53Wait.

01:04:54You ask for the truth...

01:04:55You listen to it.

01:04:56I have all their names.

01:04:57Look at the cars in my coat.

01:04:59There weren't any cars in your...

01:05:01Spies.

01:05:02Seances.

01:05:03You've been very careful not to mention...

01:05:04George Rennett.

01:05:06When you're ready to tell me what you did to him...

01:05:09Let me know.

01:05:11I didn't do anything to him.

01:05:16No.

01:05:17I didn't think so.

01:05:18Of course you didn't.

01:05:19He left his office with you and wasn't...

01:05:21Seen again alive.

01:05:22His body was found near Battersea Bridge.

01:05:23He's bludgeoned.

01:05:24You are charged with his...

01:05:26deliberate murder.

01:05:27I don't know what happened to him.

01:05:28I didn't even know he disappeared...

01:05:29until I got back to his office.

01:05:31Well...

01:05:32That's bad.

01:05:33That's...

01:05:34You were with him.

01:05:36Yes.

01:05:37I retained him.

01:05:38To find out why they tried to kill me.

01:05:39They were after something hidden in a cake...

01:05:41I won.

01:05:42Cake.

01:05:43I know I saw...

01:05:46You sound insane?

01:05:47You are, without doubt.

01:05:51Inspector, wait.

01:05:52Please.

01:05:53Inspector, wait, please.

01:05:56You don't know what he...

01:05:57I didn't care.

01:05:58I'm really into, without doubt.

01:05:59I didn't care.

01:06:00I didn't care.

01:06:01I did not care.

01:06:02I knew you were a bad one.

01:06:03I be看able.

01:06:04I didn't care.

01:06:05You are right.

01:06:06I won't know what you said.

01:06:07Of course.

01:06:08I received a little bit of video.

01:06:09I was missing my dream.

01:06:10I don't know if I was a big fan.

01:06:11I was missing my dream.

01:06:12I did know what you did.

01:06:13If I was a big fan.

01:06:14You're not missing my dream.

01:06:19I was missing my dream.

01:06:20If I was a big fan.

01:06:21I became a big fan.

01:06:22Make a big fan.

01:06:23I was missing my dream.

01:06:24at Blackmoor factory near Lembridge.

01:06:26I want to search around it to see if there's any trace of what was in that cake.

01:06:29There was a cake.

01:06:34There was a cake.

01:06:39There was a cake.

01:06:44There was a cake.

01:06:49There was a cake.

01:06:54There was a cake.

01:06:56There was a cake.

01:06:58There was a cake.

01:07:00There was a cake.

01:07:04There was a cake.

01:07:06There was a cake.

01:07:08There was a cake.

01:07:12There was a cake.

01:07:14There was a cake.

01:07:16There was a cake.

01:07:18There was a cake.

01:07:20There was a cake.

01:07:22There was a cake.

01:07:24There was a cake.

01:07:26Amen.

01:07:31Here is the code.

01:07:36What's left of it?

01:07:41Here is the code.

01:07:46Here is the code.

01:07:51Here is the code.

01:07:53Climed hands?

01:07:54Yes.

01:07:56Here is the code.

01:07:58Here is the code.

01:08:02Here is the code.

01:08:04Here is the code.

01:08:06Here is the code.

01:08:08Here is the code.

01:08:12Here is the code.

01:08:18You

01:08:23You

01:08:28You

01:08:30It's the piece in that gun

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