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Category
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Short filmTranscript
00:01Previously on The Rookie...
00:02All I feel is dirty listening to everybody's secrets.
00:05Now I'm supposed to work next to Angel Lopez.
00:07All I can think about is how much I want to...
00:10Let me take over this case.
00:11Oh, forget it.
00:12You give us this case, I will take NoHoDo.
00:15Deal.
00:16I interviewed for my dream job, and I got it.
00:19That's great!
00:20In New York.
00:21Oh.
00:22Time's up, boot. You find a place to live?
00:23Let me introduce you to my new landlord.
00:25Don't listen to Bradford. This place is Shangri-La.
00:29Jason.
00:30Her husband.
00:31Did you get any information on Jason Weiler?
00:33Jason, my man!
00:34I can get you out of here.
00:35I've secured a VIP exit package.
00:37Where can I drop you?
00:38L.A., baby.
00:39What's wrong?
00:40Oscar and Jason just escaped from prison.
00:51Come in.
00:52Hey.
00:53Thank you for doing this. I know it's a bit of a weird request.
00:55No, it's smart.
00:56Who better to test your security system than a cop?
00:58Yeah.
00:59I want it all up and running before Bailey gets back from Germany.
01:02If Jason hits us, it will be then.
01:05Two tickets to the Lakers, as promised.
01:09Bet you're reconsidering buying a house made of windows.
01:11Ah, yeah.
01:12Definitely.
01:13But I have made this place a fortress.
01:16Shatterproof glass on all the windows.
01:18Alarm system hardwired with built-in redundancies.
01:21Even put motion sensors on the hillside.
01:23Matter of fact, I am so confident that my home is impenetrable that I am going to take a nap while you fail to break in.
01:30Sounds good.
01:31You sleep well.
01:32Oh, I will.
01:33Oh, god, my 15,000.
01:34овор mode.
01:35Oh!
01:36Oh!
01:41System armed.
01:42Oh.
01:43OK.
01:44How did.
01:48How did.
01:49How did, how, how did, how?
02:01That'll cost you two more Lakers tickets.
02:11I know she's married, but I can't get Angela Lopez out of my head.
02:15She's the total package.
02:17And the way she works a case.
02:18What are you listening to?
02:19And why aren't you helping me get the kids ready?
02:20Nothing.
02:21Just work stuff, which you can't hear.
02:23Why do you look upset?
02:24I'm not.
02:26I am a little bit.
02:28Just the Blair tapes.
02:29I thought you were done with those.
02:31I am.
02:32I mean, still following up on some of the open corruption cases.
02:36It's no big deal.
02:37Seems like a big deal.
02:38Now, can you help me get these kids out the door?
02:40We gotta go.
02:43So how was the first night of Shangri-La?
02:46Yeah, communal living with a bunch of middle-aged,
02:47mostly divorced cops in a parking lot of Shangri-La.
02:51Now, I'd hate to see what heaven looks like.
02:53Morning.
02:54How did?
02:54All right.
02:58Hey, you asked me to keep an ear to the ground about Jason and the Southern Front.
03:02Yeah.
03:03Graham caught a double homicide earlier this morning.
03:05Now, suspect in custody used to roll with the front.
03:07But the rumor is, he was tight with Jason back in the day, before the falling out.
03:13Oh, yeah.
03:15I'm partial to the liquor tickets.
03:16Did you talk to Tim?
03:18Who did you talk to Tim?
03:20Right for Jen.
03:21My office now.
03:27What did you do?
03:28Me?
03:29Nothing.
03:30What did you do?
03:30You're a troublemaker.
03:31I'd argue, but given my recent history, it's a fair assumption.
03:37It's come to my attention that you two are betting on your rookies.
03:43Sir, I...
03:43It's my fault.
03:44Don't do that.
03:45Do what?
03:46Jump on the grenade.
03:47I don't need you to protect me.
03:48I wasn't implying you did.
03:49I'm just...
03:49I'm sorry to interrupt, but can we circle back to me yelling at you?
03:53Yes, sir.
03:54Sorry.
03:55The city of Los Angeles has invested a quarter million dollars of taxpayer money in each of
04:00these rookies, so they're not here for sport or to scratch whatever weird itch you both
04:05have?
04:05Sir, I...
04:06You're right.
04:08That was unnecessary.
04:09To be clear, we didn't put any money on it.
04:13Which is not the point.
04:15This ends today, and to make sure I'm swapping your rookies...
04:20Yes, sir.
04:24Yes, sir.
04:25Now go.
04:26Yep.
04:28Look, I'm sorry I got you in trouble.
04:29It's just...
04:30I'm not trying to be noble, but the bet was my idea.
04:32True, but I accepted.
04:36Hey, you know, um...
04:38Gray said that the competition ended, but he didn't say what time.
04:41And with the rookie swap, this gives us the perfect opportunity to check each other's
04:45methods.
04:45So you're just saying we have a little wiggle room?
04:47One last shift to declare a winner?
04:49Well, I'm not saying anything.
04:51Out loud.
04:52Hmm.
04:52Hmm?
04:52Yes.
04:58Hey, shop's all set up.
05:01Rolling out.
05:02Uh, in a few, I got something I need to do first.
05:04Okay.
05:04By myself.
05:06Oh.
05:07Okay.
05:08Sure.
05:10Hey, Kate.
05:11Um, what cell is the double homicide?
05:13Three, riding solo.
05:15Graham wanted me to keep him isolated.
05:16I need to talk to him about something.
05:18What's his name?
05:19Um, Daniel Goodwin.
05:21Thanks.
05:22Should I let Graham know?
05:24Uh, no.
05:25I'll film him in later.
05:26Shh.
05:26Shh.
05:35Daniel Goodwin.
05:37What?
05:38I hear you used to hang out with Jason Weiler.
05:42No comment.
05:43I don't need a comment.
05:44I just need an address or the name of someone who knows it.
05:48And I need a couple witnesses silenced so I don't spend the next 30 years in Pelican Bay.
05:53You gonna do that for me?
05:55No.
05:57But this is very personal for me.
06:00Jason's escape puts my wife's life in danger.
06:04Now, if you give me something, I'll talk to the DA.
06:07Maybe...
06:07What the hell are you doing talking to my suspect?
06:09No.
06:10No, I'm not...
06:10I'm not trying to step on your toes or anything.
06:12He asked for a lawyer.
06:14That means we can't talk to him until he has one.
06:16He might know where Jason Weiler is.
06:18Bailey's ex.
06:19I need that guy back in prison before she comes home.
06:22I feel for you, but Dan Goodwin killed two teenagers in cold blood last night.
06:26I won't let you do anything to jeopardize his conviction.
06:28You come anywhere near him again and you're looking at a letter of reprimand.
06:31Understood?
06:31No, I...
06:32Of course.
06:33Of course.
06:37Good morning.
06:38Okay, Officer Penn, you'll be riding with me today.
06:41Ridley, you will be with Sergeant Bradford.
06:45What's going on, guys?
06:47Hello.
06:48There's a very attractive woman that's trying to get your attention.
06:53Oh, my gosh.
06:54Rachel.
06:55Surprise!
06:55Hi.
06:55Hi.
06:57Girl, you look good.
06:58She probably like country books.
07:00She probably likes...
07:01She wore my cowboy hat.
07:02I'm sorry for dropping in unannounced and for being MIA recently.
07:08Okay, for the last six months.
07:10But the truth is, New York kind of chewed me up and spit me out.
07:14I lost my job and then my apartment and I was embarrassed.
07:18I didn't want to call you up and just trauma dump all over your exciting LA successes.
07:23So I booked a flight home and I came straight here from the airport.
07:26My bags are at the front desk.
07:28Oh, wow.
07:30Okay.
07:31Okay, yeah, that was a lot.
07:32I'm going to let you talk now.
07:34Tell me everything.
07:35Should I be changing your contact to Detective Lucy Chin?
07:39Are you and Tim picking out wallpaper and baby names?
07:42Oh, no.
07:43And no.
07:44Um, I don't mean to one-up your bad news, but, uh, I did not make Detective and Tim and I broke
07:50up.
07:50Well, he broke up with me, so.
07:53And actually, Tamara moved out.
07:55So that's been...
07:56Yeah, I'm-I'm the one trauma dumping right now, aren't I?
08:00I'm sorry.
08:00No, I'm sorry.
08:02Screw him.
08:02He's an idiot.
08:03Right?
08:04Honestly, I think it's all for the best.
08:07Selena is my roommate now, so that's been fun.
08:10So, uh, that means you probably don't have an extra spare bed I could crash on when I
08:15get my life together.
08:16No, but I got a super comfy couch and it's yours for as long as you need it.
08:21Hey, the rookie squared away with the swap?
08:23Yeah.
08:23Rachel.
08:26Hey.
08:26Hey, what are you doing here?
08:28Uh, looks like I might be moving back to L.A.
08:31I don't have a place yet, but Lucy very graciously offered me her couch.
08:35That's great.
08:36Here are the keys to the apartment.
08:38Make yourself at home and I'll see you after shift.
08:40You're the best.
08:44Did she know she was coming?
08:46No, and she ghosted me.
08:48That's her thing.
08:49Bradford Chin.
08:50We have a fugitive situation unfolding in Melrose Hill.
08:54A burglar broke into two homes.
08:56He assaulted the homeowners and stole a gun.
08:59Hollywood Division managed to put a perimeter in place, but I need you two to go help set
09:03up checkpoints.
09:04They have an ID on the suspect?
09:05Yeah.
09:06Um, Declan Granger.
09:08Angela.
09:10What's happening?
09:11Guy with a similar M.O. to our Larchmont burglar has been pinned down in Melrose Hill.
09:15Patrol's been asked to assist in the hunt.
09:17Great.
09:17Don't screw this up.
09:18I think you mean thank you for doing the heavy lifting.
09:20I think I'll say the thank you until the cuffs are on.
09:23Personally, I would love to thank you right now.
09:24I think it's a nice way to start the day.
09:26And I would love my parole officers to follow orders and get their asses on the street.
09:32Sir.
09:33All right.
09:33Hey, quick question.
09:35Sure.
09:35Uh, Detective Graham has a double homicide suspect in custody that might know where Jason
09:39is.
09:40Go on.
09:40Nothing.
09:41Go on.
09:41Well, he's not going to talk without a deal.
09:43Ah, that isn't happening.
09:44He shot two honor students.
09:45We're throwing the book at him.
09:46Well, there has to be a way.
09:48There isn't.
09:48Not with him, anyway.
09:50But we're not the only ones who might have sway in his life.
09:54You need to find the right leverage.
09:56Thanks.
09:56Mm-hmm.
10:00Juarez?
10:01We're on the move.
10:01Where are we going?
10:10Finished up geological features in text.
10:13Drainage features.
10:17Medians.
10:18Mrs. Goodwin?
10:19Excuse me.
10:19I don't know.
10:20Uh, if this is about Daniel, I told the detective we haven't spoken in years.
10:24Well, it is and it isn't.
10:26I am not involved with this current case.
10:28But I need some information from him to help a family member.
10:34And I need you to get it for me.
10:38Why on earth would I do that?
10:39Well, we understand you have another son, Keith.
10:42He's had a few runners with the LAPD.
10:44Those are misunderstandings.
10:45He's a good kid.
10:46He's not like his brother.
10:47And if there ever happened to be any other misunderstandings, I would be there to help look out for him.
10:53Within reason.
10:54The amount of his word.
11:00He's the best man I know.
11:01And he'll help if he can.
11:02What are the five conditions to enter a private residence?
11:15Uh, are we doing this now?
11:17High-stakes situations are exactly when rookies forget their own names.
11:20Okay.
11:20I need to know that you can focus when things get real.
11:22All right.
11:23Well, five conditions to enter a private residence are consent, fresh pursuit, exigent circumstances, pursuant to a warrant, incident...
11:30Vooda been shot!
11:31Okay, I know this one.
11:32We're on Wilton and Melrose, nearest hospital, St. Stephen.
11:35Officer Jet warned you?
11:36No, I don't...
11:37You psychically knew the answer before I even asked?
11:39Maybe.
11:40I think...
11:41What else did she say?
11:42You have to leave your belt on a bathroom door, keep your radio away from explosives,
11:45and if you assign you a cop who seems like a slug, it's probably a test.
11:49All right.
11:49That's fine.
11:50I just have to get more inventive.
11:51How about time?
12:07Yeah.
12:08Neighbors a little grumpy?
12:09More than a little.
12:10Can you guys take over here?
12:11We need to fold in with the house-to-house units.
12:13Last sighting was 10 minutes to go, 12 blocks west of here.
12:15No problem.
12:16We'll set up the sawhorses.
12:17Yeah.
12:18All right.
12:18Help Seth with the barriers.
12:19Should have thanked, darling.
12:20Hold on.
12:20Does Sergeant Bradford let you call him Darlin?
12:25Uh, no, ma'am.
12:26Apologies.
12:27Sometimes the text is just...
12:28It just slips out.
12:29Uh-huh.
12:32Hi.
12:34How's it going with Seth?
12:35Great.
12:36Because you coached him.
12:37I trained him.
12:38Something you don't seem to have done with Penn.
12:41Darlin?
12:43That won't happen again.
12:44Penn, you're with me.
12:45Darlin.
12:46He's a decoy.
12:48He's a decoy.
12:49He's a decoy.
12:50Ripley, hold the light.
12:58Copy that.
13:00Don't move.
13:04I told him there was a bad idea.
13:07He's a decoy.
13:09Hey, stop.
13:14Seth, get in the shop.
13:15Let's go.
13:16Let's go.
13:17Let's go.
13:18Let's go.
13:19Let's go.
13:28Control 7 out of 100.
13:30Code 3 backup.
13:31In pursuit of a burglary suspect.
13:32Black jacket, blue jeans south of Victoria Avenue.
13:34Parallel grid with 7 out of 19.
13:38We have barricades on every exit to the neighborhood.
13:40He won't be able to get out.
13:42Should I have fired?
13:43He's armed.
13:45He could kill someone.
13:46No, look.
13:46He wasn't an immediate threat, okay?
13:48It's a complicated question.
13:50We can dig into it after we get the suspect into custody.
14:00Kill the sirens.
14:01You guys here on Motorcycle Engine?
14:07No.
14:09So either he's gotten far enough away from us, or he digs the bike.
14:13There he is.
14:17Stop!
14:17Foot pursuit, suspect headed northbound through the park toward Victoria Avenue.
14:21LAPD, stop!
14:22Hey, police, stay where you are!
14:42Hey, stay where you are!
14:43Come on, this way, this way.
14:48Pat, Ridley, do not enter that residence!
14:53Hold the perimeter!
14:53You got a gun!
14:55Stay back or she's dead!
14:56What now?
15:01Tell me.
15:02Granger took a hostage, dragged her into the house.
15:06And our rookies went in after him.
15:08Side gate.
15:08Someone sent one victim to save her.
15:11Now we got three.
15:13We need to get them out the house.
15:14I tried stopping them from going in.
15:15And they didn't listen?
15:16Look, it all happened so fast.
15:17If we radio, we risk giving away their position.
15:18Then send them a damn text.
15:19I'm sorry.
15:20I'm sorry.
15:21I'm sorry.
15:22I'm sorry.
15:23I'm sorry.
15:24I'm sorry.
15:25I'm sorry.
15:26I'm sorry.
15:27I'm sorry.
15:28I'm sorry.
15:29I'm sorry.
15:30I'm sorry.
15:31I'm sorry.
15:32That's our fault.
15:32If we radio, we risk giving away their position.
15:35And then send them a damn text.
15:40I'm hurrying.
15:41Quiet!
15:43We just got orders to stand down.
15:45Mixer should be here, sir.
15:47Or they won't come in and take it if we had a sense of the situation.
15:50And by the end, she could be dead.
15:53But we have orders.
15:55You got a text which you never saw because you was saving the day.
15:59Well, you're not comfortable with that.
16:01All right, all right, all right. Well, then, uh, let's split a difference.
16:05We're going to take a peek, and then you can text back with a situation report.
16:09Okay, I like that. It's like, um, we're doing recon for Metro.
16:13Unless an opportunity to intervene arises.
16:16Then why do I think that it's going to arise?
16:18Because the good Lord loves men.
16:20What about me? Does he love me, or am I going to go get shot because you think you have divine protection?
16:25Which answer gets you out of this kitchen?
16:31Is there anyone else in the house?
16:32No.
16:33Answer me truthfully.
16:34No, it's just me.
16:37Don't let me go.
16:38What's the plan?
16:41I'm going to sneak in and jump him when he's not looking.
16:44That's a terrible plan.
16:46You got a bad one.
16:50Yes. Yes, I do.
16:51Hey, Dirk.
16:52Shut up! I've got to think.
16:56Mom?
16:58He said you were alone.
17:01I didn't want you to hurt him.
17:04Mom, do we have any brownies left?
17:07Tell him to come in here.
17:09Honey, come see me in the living room.
17:12I'm kind of busy right now.
17:14Mom, why are these cop cars outside?
17:17Don't move.
17:28Drop it!
17:29Drop it!
17:31You're under arrest.
17:32Interlock your fingers.
17:33Oh, my God.
17:33I can't believe it actually worked.
17:35You got him, partner?
17:35Yeah, I got him, partner.
17:41You want a radio in here?
17:42Yeah.
17:43Yeah.
17:43Yeah, right.
17:44Um, suspect in custody, code four.
17:47I think it has had a stroke.
17:48He said code four.
17:49I spoke to Daniel.
18:13He refused to help the police with anything.
18:15But he is a better brother than a son.
18:18He told me to tell you that his friends haven't been able to find a man you asked him about,
18:22but they haven't given up hunting him.
18:24They've hired an outsider.
18:26El Malvado.
18:28And do you say who that is?
18:31Malvado is a myth.
18:32The criminal equivalent of the boogeyman.
18:34Don't snitch or a Malvado will get you.
18:36He's made up.
18:37Who's made up?
18:38Malvado?
18:38Oh, no, he's definitely real.
18:40Myths don't leave a trail of bodies along the border.
18:42Well, apparently, Southern Front hired him to kill Jason.
18:45Anything that you remember about him?
18:47Specific people he was supposed to have killed?
18:49I can dig through my old files, but if Malvado is after Jason, then he's a dead man walking.
18:54Which is good news for you.
18:55Best thing for you to do is step back and let nature take its course.
18:59Yeah, I'm not wired like that.
19:01Justice is Jason back in prison, not buried in an unmarked grave.
19:04That was epic.
19:08Did you see all the neighbors with their foes?
19:10This is going to go viral.
19:11Yeah, you think so?
19:12Oh, sure will.
19:13The way that lady hugged you, that's going to be the front page of the L.A. time tomorrow.
19:16Hey, you think you're going to graduate early?
19:18Not a chance in hell.
19:19Do you honestly not see what's going on right now?
19:23Are they talking about us?
19:24Yes, they are.
19:25And that's not Gray's happy face.
19:26Gray has a happy face?
19:29Not the time.
19:31But we say that woman's life.
19:32Disregarded your training and made everyone's job ten times harder.
19:35Forget skipping to P2.
19:36You'll be lucky if he doesn't bounce you today.
19:38You're station bound for the rest of shift.
19:41Doing what?
19:45Technically, neither of us lost the bet.
19:47It was a draw.
19:48It's a loss, no matter how you spin it.
19:52Here I was thinking that helping Gray out with a temporary T.O. position was going to help my career.
19:56Instead, it's probably just going to be another black mark.
19:59Look, as long as the brass doesn't fire him, we still have time to turn him into good cops.
20:02You'll walk away with the win.
20:03What are the odds they don't get fired?
20:06Slim to none?
20:07Yeah.
20:13I'm just saying it's not right.
20:16Agreed.
20:17But deals are the lifeblood of our justice system.
20:20Look, I'm not talking about plea deals, which are mostly used to strong-arm people with our resources.
20:26I am talking about violent criminals getting sweetheart deals so that law enforcement can trade up to arrest equally violent criminals who happen to be higher up the food chain.
20:35This chicken's amazing.
20:37I can't even take credit for it.
20:39Lila made it before she went over to her bestie's house.
20:41Mm.
20:42Well, the girl has a gift.
20:43And again, I'm not trying to argue with you.
20:46But in this case, we didn't even offer a deal.
20:48Even though the suspect may have vital information on the whereabouts of an escaped convict.
20:52An escaped convict who is threatening someone we care about.
20:55Right.
20:56No, I know.
20:57But that suspect killed two honor students with wealthy parents.
21:01Now, can you honestly, honestly say that it would have played out the same way if the victims had come from different circumstances?
21:08Okay, I am pulling the ripcord on this conversation.
21:11Every person at this table is very well versed in the injustices in the justice system.
21:16And we are all trying to address those inadequacies in our own way.
21:21Yeah, but not everyone in the DA's office thinks like us.
21:28Thank you so much for letting me stay here.
21:31Girl, don't worry about it.
21:32I'm just, I'm so happy to see you.
21:35I, I missed you.
21:37But?
21:38But I wish you could have confided in me about everything you're going through.
21:41You know, I mean...
21:43Would you have told me about your breakup with Tim?
21:47I, I don't know.
21:48It's, it's kind of awkward.
21:50You dated him too.
21:52Wait, you dated Tim?
21:54Yes, a million years ago.
21:57Lucy set us up.
21:58And you're still friends.
21:59Yeah.
22:00Yeah, I felt, I felt a little weird about it at first.
22:02But, um, you know, I called her when Tim and I got together and we talked it out.
22:07Yeah, and honestly, they were a much better match anyway.
22:10Pose before bros.
22:11I love it.
22:13Now, I have to say, I am a little surprised you guys broke up.
22:17Yeah, you and me both.
22:19So much happened last year.
22:20I don't know.
22:21I, I made all these moves so we could be together and the whole thing just blew up in my face.
22:25But I learned a very important lesson.
22:27I need to focus on my career.
22:29So, no more messy station romances.
22:32I love that.
22:33And, you know what?
22:35No more Tim talk.
22:36Yeah.
22:36At least not tonight.
22:38I'm gonna get ready for bed.
22:39Okay.
22:40Good night.
22:40Good night.
22:42You wouldn't happen to have anything of Nolan something personal?
22:46Uh, I don't think so.
22:48Why?
22:49I'm worried about him.
22:50He's spinning out over Jason.
22:52Oh.
22:52Well, why do you need a personal item?
22:54A protection spell.
22:55Oh.
22:56Well, okay.
22:57He, he probably, he'll, he'll be fine with a good night's sleep.
23:00Yeah.
23:00Yeah.
23:12Come on.
23:13Yeah, this is officer John Nolan.
23:25I need two units sent to my house.
23:27We're possible four, five, nine.
23:31Who's out there?
23:39Show me your hands.
23:40Oh my God.
23:40Don't shoot me.
23:41How did you get in the gate?
23:44It was open or I climbed over it.
23:46I, I don't exactly remember.
23:48I've been drinking.
23:49I'm looking for Marnie's house.
23:51She's my BFF.
23:52But you don't know where she lives?
23:54No, I totally know where she lives.
23:57But did I mention I've been drinking?
23:59Did you drive here?
24:01No, silly.
24:03At least, I don't think so.
24:05Who are you again?
24:06I'm the guy whose house you broke into.
24:08Hi, this is John Nolan.
24:10You can cancel that four, five, nine.
24:13Okay, well, I'm feeling much more sober
24:16and you are clearly stressed.
24:19So I'm gonna go.
24:21Probably a good idea.
24:24Please don't drive.
24:26Please don't drive.
24:56Nolan, is the station on fire?
25:07No.
25:08Because that's the only reason you should bother a man
25:10in the middle of the night,
25:12especially when his day off is tomorrow.
25:14So I'll see you in, uh, in 17 hours.
25:17Do you even know how many hours are in a day?
25:19At four in the morning, no.
25:21Smitty, Smitty, this, this is important.
25:23You, you were the first officer on the scene
25:26at the murder of Julian Power a year ago?
25:29Oh, yeah.
25:30Gruesome business.
25:31What about it?
25:32Well, you put in your notes
25:33that you noticed a late model Cadillac sedan
25:36leaving the area at a suspicious rate of speed.
25:38You even included a partial plate.
25:39No one ever said Quigley Smitty wasn't thorough.
25:41Yeah, it was, it was actually excellent attention to detail.
25:46Go figure.
25:46But did the lead detective follow up on that?
25:49Nah, a victim had major beef with his ex-business partner.
25:52They're pretty sure he'd done the deed.
25:55But they thought the Cadillac was unrelated.
25:58Good luck.
25:59Thanks.
26:00Uh, sleep well.
26:02Good luck.
26:32Good luck.
27:02Good luck.
27:32Good luck.
28:02I swear, I don't know where he is.
28:13You're lying.
28:15I haven't talked to Jason in months.
28:18Even if that were true, it wouldn't mean anything.
28:21There's half a dozen ways that you could have the knowledge that I need without direct contact.
28:26Okay, look.
28:27Stop acting like a tough guy, and you start talking.
28:30Police, toss the gun.
28:34Show me your hands.
28:36You're going to shoot me in the back?
28:38If I have to.
28:42John Nolan.
28:45That's a pretty neat trick.
28:46How'd you know my voice?
28:48I do my homework.
28:49It's how I stay alive and on target.
28:51You gotta make your own luck in this life.
28:53Well, it looks like you're lucky to serious speed bump.
28:56Now toss the gun.
28:57This is stupid.
28:58We have the same goal.
29:01The end of Jason Weiler.
29:03And our friend here knows where he's at.
29:05No, I don't.
29:06Shut up!
29:09All you have to do is leave, and your problems go away.
29:12I can't do that.
29:15Morality is such a frustrating quality.
29:20No, stay down!
29:20You all right?
29:34Did it go through?
29:35Just keep pressure right there.
29:37Okay.
29:40The phone's not worked out.
29:41Yeah, I'm getting that.
29:43Is there an exit where he went?
29:44No, it just goes deeper in the building.
29:45The boiler room.
29:47Look, you gotta get me out of here, okay?
29:49I need an ambulance.
29:50Yes, I know.
29:51But I cannot let him escape it.
29:53I don't think you want me to.
29:54Because he'll keep coming after me.
29:56That's right.
29:56Now, what do you know about Jason Weiler?
29:58Nothing, dude.
29:59I am trying to save your life.
30:01Tell me what you know.
30:02Fine.
30:02I heard he's shacked up with some woman.
30:04I swear, it's all I know.
30:06All right.
30:08You keep pressure on that, all right?
30:10You keep pressure on it.
30:11I'm gonna go get him before he can soak around and get us.
30:17If we're getting fired, someone would have called, right?
30:19Unless they want to do it in person.
30:21And Sergeant Bradford definitely seems like that kind of guy.
30:24If they kick me out, I have no idea what I'm gonna tell.
30:28You'll be all right.
30:29You're not living in your car.
30:30They kick me out.
30:31I'm sleeping at a rest stop.
30:33Working at the Circle K back in Sugar Land.
30:35Penny, Ridley, my office.
30:38Now.
30:44You put me in a difficult position.
30:47On one hand, you screwed up massively.
30:49On the other hand, I'm told some hashtag is going around.
30:52Rookie heroes.
30:54It's been trending since last night.
30:55I also saw hero hottie.
30:57Which one is the hottie?
30:58No.
30:59Enough.
31:01Sergeant Bradford, how much do I care about the opinions of the Chronically Online?
31:07Zero, sir.
31:08Correct.
31:09But we are dealing with an ongoing corruption scandal and the public relations crisis.
31:15And I'm told that we can't afford to fire two hero cops.
31:20Thank you, sir.
31:21We won't waste a second chance, sir.
31:22Oh, it's not a second chance, son.
31:25And why is that, Officer Chen?
31:27Because a second chance implies a clean slate.
31:29Exactly.
31:30You two?
31:32On the edge of very thin ice.
31:35Am I understood?
31:36Yes, sir.
31:37I'm sorry to interrupt, sir, but I can't find Nolan anywhere.
31:41I'll be there.
31:42Yeah.
31:43Go.
31:56Bye.
31:57Bye.
31:58Bye.
31:59Bye.
32:00Bye.
32:01Bye.
32:02Bye.
32:02I'm sure I'll build them like they used to.
32:17And they sure don't work like they used to.
32:23Okay.
32:32Oh, my God.
33:02You think you're out of bullets, Malvato?
33:20I'm not, but I'm curious as to why you think I am.
33:24You're firing a Glock 26.
33:26It's an excellent weapon for concealed carry, but it only holds 10 rounds.
33:29You've already fired 20.
33:32And I don't think you're the type to carry more than one spare magazine.
33:35Why's that?
33:36You take pride in being a professional.
33:38Takes you more than 20 bullets.
33:40You failed in an epic way, and I think you're far too confident to think that could ever happen to you.
33:46Pride goeth before destruction.
33:49And a haughty spirit before fall.
33:51Proverbs 16.18.
33:53You're a religious man, John.
33:55My mother.
33:56She found the Bible a useful tool in her line of work.
33:59Now you're going to throw that gun out, and you're going to come out slowly, and your hands are going to be empty.
34:06Turn around.
34:20Hands on your head, interlace your fingers.
34:21You even twitch.
34:29I will shoot you.
34:32I'm sure you're some kind of ninja, but I got no ego about fighting you, so if you move, you die.
34:36Do you understand?
34:38Yes.
34:42I got him.
34:43Uh-oh.
34:44Shut up.
34:46On your knees.
34:46Knees.
34:54Oh, man.
34:58Damn it.
34:59Yeah, I'm going to go for help.
35:01Nice try.
35:02It's your only option to save his life, John.
35:04He's down at least two pints.
35:07If you release the pressure, he will bleed out.
35:10So, Nolan is not at home.
35:12They knocked and did a visual scan, but they couldn't get inside without driving a shop through the wall.
35:16No sign of forced entry, and his truck is missing.
35:19I'll try to get a trace on his GPS and his phone.
35:22So, what are we thinking?
35:23Someone attacked him on his way to work?
35:24According to security logs, Nolan came back to the station at three in the morning and left just before dawn.
35:28It has to be related to Jason.
35:30Bailey gets home next week, and he's been obsessed with catching him before then.
35:33He's looking for Malvato.
35:34I mean, it sounds like he's found him, right?
35:37No, if Nolan had hit at a dead end, he would be here.
35:39At the very least, he would be answering his phone.
35:41We should just retrace his investigation.
35:43All righty, on it.
35:45All right, it looks like he accessed his case file around 3 a.m.
35:52I know who we need to talk to.
35:57What?
35:58It's my day off.
35:59When's the last time you talked to Nolan?
36:014 a.m.
36:01He woke me up, too.
36:02What did he want?
36:03Something about a Cadillac.
36:05Hey, uh, the trace on Nolan's phone came up empty, but its last building location was downtown off Spring Street.
36:09Let's go.
36:11Oh, you're welcome.
36:13You're making a big mistake, John.
36:16The cardinal rule of policing is to protect the public.
36:20How about you come over here?
36:21You put the pressure on, and I'll go call for help.
36:24Sorry.
36:25The only pressure I'm going to apply is on you.
36:27He told me where Jason is.
36:29You come help me, I'll help you.
36:32You were right.
36:33I can't let him die.
36:35Really?
36:36You expect me to believe that you had a change of heart?
36:39I expect you to believe that this man's life has more value than Jason's.
36:45When push comes to shove, I'll do the right thing.
36:49Okay.
36:50Easy.
36:51Easy.
36:52We got you.
36:53Okay, I'm going to move you into cell phone range.
37:06It is going to hurt, but you're going to die if I don't, all right?
37:11Hey!
37:11We found Nolan, theater baseman.
37:17Calling an ambulance.
37:18We need to get him to the hospital right away.
37:19Requesting R.A. to our location.
37:21We have a 50-year-old male with a gunshot wound.
37:25I'll see you.
37:26Hey.
37:26Hey.
37:27How you doing?
37:27Some scratches and scrapes, killer headache, but Trey's going to come out all right, so call it a win.
37:32Any leads on Mulvado?
37:34No.
37:35House was cleared out when salt arrived, car abandoned.
37:37I mean, you've got to believe, a professional like Mulvado has gold bags everywhere and a host of identities to choose from.
37:43Yeah, not surprising, but still disappointing.
37:45Yeah, I mean, I guess there's still a chance you'll solve your Jason problem.
37:47Yeah, that's just not how I want it solved.
37:49Yeah, of course.
37:50Me either.
37:52So, any, uh, big plans for tonight?
37:54Only if you would call taking out the alarm system I just put in as a big plan.
37:58What happened?
37:59It's overkill.
38:00It's insanely complicated.
38:02I was trying so hard to keep Jason out of my house, in the end I just wound up letting him get in my head.
38:08Bailey and I can't live in fear.
38:10We do that, Jason's already won.
38:12Maintaining radical acceptance of the situation until you get that psycho dirtbag off the streets.
38:17Exactly.
38:17I like it.
38:18Now I just need to find someone to take some gently used but very high-end security equipment off my hands, I'll be golden.
38:24You think Area 51 might be looking for an upgrade?
38:26I was thinking secret Vatican archive.
38:28Hmm.
38:28You think this is going to scar?
38:33Oh, yeah.
38:33Hi.
38:38Hey.
38:38Hope you had a good first night back.
38:40I did.
38:41Yeah.
38:41It's, uh, nice to enter a room and not have to take off 17 layers of clothing.
38:45I, um, I actually wanted to talk to you because I didn't want things to be weird between us.
38:52I know I kind of disappeared, but I...
38:53No, I appreciate what you're doing, but honestly, you don't owe me an explanation.
38:57I don't need closure.
38:58I do.
38:59Look, if we're going to be back in each other's lives, I want us to be honest with each other.
39:02I know we ended with a whimper and not a bang, and I'm sorry I didn't keep in touch.
39:07I was just working constantly, and then my company downsized, and I was just trying to keep my head above water until I couldn't, and now I'm here.
39:15But Lucy's my friend, and I'd like you and me to be friends, too, without the burden of past relationship baggage, which I guess is just a more formal way of saying, are we cool?
39:29We are so cool.
39:30Good. Good. Okay.
39:34Well, uh, I'm going to grab Lucy, and we're going to go hang out at a bar with music so loud we can't even hear ourselves think.
39:40Oh, it sounds like a nightmare.
39:41You are not invited.
39:43Well, thank God.
39:45Good night.
39:45All right, have a good night.
39:53So, I have a question.
39:56If it's anything more complicated than where are we ordering dinner from tonight, I'm afraid I can't help.
40:02Too much thinking today?
40:03I just feel like I need to ice my brain.
40:06Well, you're in luck.
40:07It's an easy one.
40:08The Blair tape you were listening to the other day.
40:11I realized where I know the voice from.
40:13It was Graham, wasn't it?
40:14I-I can't reveal anything about the tapes.
40:17It's confidential.
40:17No, I know.
40:18I don't need to know if he has mommy issues or whatever, but I work with him, and I trust him, and if he's under investigation...
40:24It's not...
40:24You don't have to worry about that.
40:29Okay.
40:31Now, you can turn your brain off.
40:33Okay.
40:39Okay.
40:41Options are leftovers, leftovers, leftovers.
40:52Bailey, you're home early.
40:53I was trying to surprise you.
40:55I'm surprised.
40:56My key isn't working.
40:58It's like there's no keyhole.
41:00Right.
41:01No, uh, that's...
41:02It's, uh, it's biometric now.
41:04I switched it out, and I tried to switch it back, and I...
41:06And I haven't...
41:07I think I took out the thing that changed the thing.
41:10Just punch in your code.
41:11It's your birthday.
41:12Uh, June 28th.
41:13You mean February 12th?
41:15Crap.
41:16Okay, hang on.
41:16You know what?
41:17I'm just in the middle...
41:19Hey, I'm so happy you're home.
41:22Almost home.
41:24Me too.
41:25I really missed you.
41:27You know what?
41:27I'm gonna be honest.
41:28If you, um, crawl up on top of the HVAC system, you can shoot me in the bathroom window.
41:32Oh, great.
41:33I'll be right back.
41:33I'll meet you there.
42:05Damn it.
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