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00:01:04¡Geos twelve!
00:01:14¡Backandad, backandad, that a good dog, that's such a good dog!
00:01:30¡Suscríbete al canal!
00:02:00I think he looks good, don't you?
00:02:08Now, we're out of film. All right, take five. We're reloading now.
00:02:11This is the dumbest dog in the whole world. Where the hell did you get such a dumb dog?
00:02:15It's my dog. I trained that dog. I love this dog.
00:02:19Then you are as dumb as the dog.
00:02:30All right. Is everybody ready? Is your camera loaded?
00:02:41Yeah.
00:02:41Are we all happy?
00:02:46Then give me the goddamn dog.
00:02:48The Women's Press Club of America
00:02:49This program is sponsored by the Women's Press Club of America, along with the Friends of Public Television.
00:03:07I'm Melissa Kent.
00:03:08And I'm Sander Davis.
00:03:10In a few minutes, we will switch our control to the Women's Press Club to honor Emmanuel Griffith as Woman of the Year.
00:03:17Some people may not know the name, but they should be able to recognize the face.
00:03:21At age 25, Miss Griffith has appeared on the front cover of some of the most famous fashion magazines in the world.
00:03:29The covers of Vision, Olay, and Valari, just to name a few.
00:03:34Emmanuel, as she is best known, has now become the world's standard of beauty and fashion, and is also a major symbol of the feminist movement.
00:03:44She denies any interest in the job of president of the Women's Press Club.
00:03:48So, Melissa, what about those rumors?
00:03:51Well, Sander, it's a demanding position, and she's already in great demand.
00:03:56She's been described as the highest paid fashion model in the history of the business.
00:04:00Now we switch our cameras to Washington, D.C., and Joan Harris, current president of the Women's Press Club.
00:04:12Good morning, ladies.
00:04:14Good morning.
00:04:15I'm so very happy to see all of you here this morning.
00:04:20When I first became president of the Women's Press Club five years ago, I had a problem.
00:04:27No, no, no.
00:04:29Yes, I did.
00:04:29I didn't think that I could handle the job.
00:04:32It was too difficult, too hard, and at times it seemed impossible.
00:04:39Women were second-class citizens then, and they still are today.
00:04:45But let me tell you what.
00:04:47Things are changing.
00:04:49Manuel, I would like you to accept this award as it is given.
00:04:59You represent our strength and our desire for equality.
00:05:04God love you.
00:05:06Good morning, ladies, and welcome to a man's world.
00:05:22Let me tell you a little about men, ladies.
00:05:26They'll tell you anything they want you to hear.
00:05:29They'll tell you that they'll pay you as much as they're earning for doing the same jobs.
00:05:35Yes, they will.
00:05:37They will tell you that there is no sexual harassment in the workplace.
00:05:43And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:05:53All of this is going to change, ladies.
00:06:00Thank God for that, honey.
00:06:01Thank God for that.
00:06:03I don't want to take this world away from the boys.
00:06:11All I want is for us to have a piece of the pie.
00:06:18And when I'm talking peace, ladies, I don't mean a little one.
00:06:25I am talking 50% right down the middle.
00:06:31I want to thank you so much for having me here tonight.
00:06:46I will cherish this moment for the rest of my life.
00:06:56Lord, Lord, I can't believe this.
00:06:58I mean, I can't believe it.
00:06:59I mean, God, this is beautiful.
00:07:01I mean, this woman could be the president of the United States.
00:07:03I got to see this again.
00:07:05This is history in the making.
00:07:06I mean, this is tape at its best.
00:07:07I got history right in front of me.
00:07:09I can't believe it.
00:07:10Let me rewind this.
00:07:11Let me see this again.
00:07:12Come on.
00:07:12Let's go, man.
00:07:14I will tell you you should remain barefoot and pregnant.
00:07:20Now, ladies, all of this is going to change, ladies.
00:07:25Yes, 50, 50, 50, 50%, honey.
00:07:27Come on.
00:07:28Come on.
00:07:29Wake them up.
00:07:31I don't want to take this world away from the boys.
00:07:34No, 50, 50.
00:07:35All I want is for us to have our piece of the pie.
00:07:41Yes, 50% down the middle.
00:07:43Nothing more, nothing less.
00:07:44Come on, baby.
00:07:45When I'm talking piece, ladies, I'm not talking a small piece.
00:07:52I am talking 50% right down the middle.
00:07:58Yes, yes, yes.
00:08:00Let's get the pie piece.
00:08:01Let's get them, honey.
00:08:02Come on.
00:08:03I want to thank you so very much for having me here today.
00:08:07I will treasure this for the rest of my life.
00:08:10Thank you.
00:08:33Okay, I have a suite set up for you at a lovely Japanese hotel in Beverly Hills.
00:08:45Good.
00:08:46Then you have to be at the location by four this afternoon.
00:08:48Fine.
00:08:49What about the deal?
00:08:50Okay.
00:08:50For every day they go over, it's an additional $12,000.
00:08:54Good.
00:08:55Now, we aren't sure about after Paris.
00:08:57Howard thinks it may be Mexico City, but he won't know until you get to France.
00:09:01Phil, what do you do when I'm not in town?
00:09:07No, come on.
00:09:07You can tell me.
00:09:08I'm in town three months out of the year.
00:09:10You're on a full salary.
00:09:12Well, I work out.
00:09:14I go to a lot of movies.
00:09:16I hope I haven't created a problem.
00:09:18I'm always ready when you need me.
00:09:20I know you're a very good boy, Phil.
00:09:31Girl, I see you walking that certain way.
00:09:44There's something about you that turns heads the other way.
00:09:49They all adore you.
00:09:51That's easy to see.
00:09:53They're all you love it.
00:09:54But it won't be me.
00:09:57They're all you love it.
00:10:00They're all you love it.
00:10:01They're all you love it.
00:10:02They're all you love it.
00:10:03They're all you love it.
00:10:05Oh, girl, I can't see you with somebody else.
00:10:13I've got to have you, darling, now.
00:10:18Hold me and nobody else.
00:10:22I'm going to make you laugh.
00:10:25Hold you through the night.
00:10:32Look what you've just done to my heart.
00:10:35Look what you've just done to my heart.
00:10:41Look what you've just done to my heart.
00:10:46Look what you've just done to my heart.
00:10:49Look what you've just done to my heart.
00:10:55Look what you've just done to my heart.
00:11:10Oh, yeah.
00:11:12Good morning, ladies, and welcome to a man's world.
00:11:17Let me tell you a little about men, ladies.
00:11:21They'll tell you anything they want you to hear.
00:11:26They'll tell you that they'll pay you as much as they're earning for doing the same job.
00:11:32God, I hope not.
00:11:35Oh, Lord, woman.
00:11:38We have a problem here, Emmanuel.
00:11:39Well, it's the word they.
00:11:45Now, we all know that they pertains to men.
00:11:49So, why don't you just come out and say, men, you're blessed with great beauty.
00:11:56You should be satisfied with that advantage.
00:11:58But you're not.
00:11:59I think all you girls should remember the terminology, manpower, manipulate, the rights of man, manhole.
00:12:09I mean, all you girls can climb down and it's still going to be a manhole in the eyes of God, in the eyes of everyone.
00:12:14You can't change that.
00:12:15Not even God can change that.
00:12:16Understand that, lady.
00:12:17You have a lot to learn, Emmanuel.
00:12:26And one Richard Tate is going to teach you, darling.
00:12:30Okora Hotel.
00:12:51Oh, yes, Miss Manuel Griffith, please.
00:12:54May I say who's calling?
00:12:55Yes, tell her that our studio driver has arrived.
00:12:58One moment, please.
00:13:00Yes?
00:13:01Yes, Miss Griffith?
00:13:02Yes, your limo is here.
00:13:04What time is it?
00:13:05No, I'm an hour from now.
00:13:07Oh, no, but they moved the time up, ma'am.
00:13:09Did they tell you that?
00:13:11No.
00:13:12All right, fine.
00:13:14I'll be down in a minute.
00:13:15Ok, thank you.
00:13:16I'll be right back.
00:13:46Ok, thank you.
00:14:16Hey, buddy.
00:14:30I smell some gas back here.
00:14:36Hey, guy.
00:14:37You got a leak or something?
00:14:39Can't you get the window down?
00:14:50Hey, mister.
00:14:52Hey, mister.
00:14:53What are you doing?
00:14:54What are you doing?
00:14:58Open my window.
00:14:59What are you doing?
00:15:20I'm gonna die.
00:15:21I'm gonna die.
00:15:38What are you doing?
00:15:39¿Qué pasa?
00:16:09No te preocupes, baby.
00:16:14Quiero me ayudar.
00:16:16Todo va a estar bien.
00:16:39Hola.
00:17:09What's going on?
00:17:21Where am I?
00:17:24Why do you ask?
00:17:27Who the fuck are you and why am I here?
00:17:31I don't like women who use profanity.
00:17:33You don't?
00:17:36Well, then you just tell me a few things.
00:17:44What the fuck is going on, where the fuck am I, and who the fuck are you?
00:17:51We'll find out, Manny.
00:17:59What the fuck are you doing?
00:18:07Listen to me, you bastard.
00:18:19You let me out of here right now, or I'm going to see that you go to jail for the rest of
00:18:28your life.
00:18:29Well, if you haven't already figured it out, you're the one that's in jail.
00:18:35And for how long depends entirely on you, my pretty.
00:18:51Let's move ahead into a bright new future.
00:18:56Now it's lesson time, sweetheart.
00:18:58So pay attention.
00:18:59I think you're going to enjoy this.
00:19:01This is something very close to your heart.
00:19:05They'll tell you that there's no sexual harassment in the workplace.
00:19:09And some of them, ladies, some of them will tell you you should remain barefoot and pregnant.
00:19:17I must tell you, I love the barefoot and pregnant line.
00:19:22I'm going to play for you again, and watch the smile that crosses your face just after
00:19:27you say the line.
00:19:28It was great.
00:19:29You were in charge then, and wasn't it wonderful?
00:19:34Good morning, ladies, and welcome to a man's world.
00:19:43You know what, I think we're going to have to rethink that dumb speech of yours, but don't
00:19:47worry.
00:19:48I mean, we're going to make it right.
00:19:50You know, I want you to memorize every stupid word you say.
00:19:54I want you to see the look on your face.
00:19:57But, you know, it's like anything else.
00:20:00I want you to see every arrogant, sarcastic expression that you presented to that audience.
00:20:06But don't worry, it's going to be okay.
00:20:08We're going to make it out just fine.
00:20:13Now, what would you like for lunch?
00:20:17Nothing.
00:20:18I want nothing from you.
00:20:21Oh, okay.
00:20:22Well, I tell you what.
00:20:24There's a buzzer right on that table in front of the TV.
00:20:28And if you just push it, I'll bring you anything you need.
00:20:34Leave it dirty, Emanuel.
00:20:37Get ready.
00:20:38I want you to agree.
00:20:40No.
00:20:41It's all right.
00:20:42I can't see it.
00:20:43Let's try it.
00:20:44I want you to go.
00:20:45I want you to see it.
00:20:46Okay.
00:20:47I want you to go to the next slide.
00:20:49Yes, sir.
00:20:51Okay?
00:20:52Come on.
00:20:53Yes, sir.
00:20:54All right.
00:20:56I want you to close the wood.
00:20:57I want you to see it as a nice.
00:21:02We'll see it again.
00:21:03I want you to close it.
00:21:05¡Suscríbete al canal!
00:21:35¡Suscríbete al canal!
00:22:05¡Suscríbete al canal!
00:22:35¡Suscríbete al canal!
00:23:05¡Suscríbete al canal!
00:23:15¡Suscríbete al canal!
00:23:17¡Suscríbete al canal!
00:23:19¡Suscríbete al canal!
00:23:21¡Suscríbete al canal!
00:23:23¡Suscríbete al canal!
00:23:25¡Suscríbete al canal!
00:23:27¡Suscríbete al canal!
00:23:29¡Suscríbete al canal!
00:23:31¡Suscríbete al canal!
00:23:33¡Suscríbete al canal!
00:23:37¡Suscríbete al canal!
00:23:39¡Suscríbete al canal!
00:23:41¡Suscríbete al canal!
00:23:43¡Suscríbete al canal!
00:23:45¡Suscríbete al canal!
00:23:47¡Suscríbete al canal!
00:23:49¡Suscríbete al canal!
00:23:51¡Suscríbete al canal!
00:23:53¡Suscríbete al canal!
00:23:55¡Suscríbete al canal!
00:23:57¡Suscríbete al canal!
00:23:59¡Suscríbete al canal!
00:24:01¡Gracias en la cama!
00:24:09¡Fue la única señora en la casa!
00:24:16¡No es malo, ¿eh?
00:24:18¡Suscríbete a mi bernet sauce con un poco de brandy!
00:24:21¡Estoy impresionante!
00:24:22¡Gracias!
00:24:23¡Gracias!
00:24:24¡Suscríbete con un gran chef en el Waldorf Astoria en Nueva York!
00:24:28¡Gracias!
00:24:29¡Gracias!
00:24:29¡Gracias!
00:24:29¡Gracias!
00:24:30¡Muy specialidad es pastero!
00:24:35¡Wow!
00:24:37¡Now I want to know who you are and why I'm here!
00:24:40¡Well, my dear, you already know why you're here!
00:24:42¡That's to give you time and instruction
00:24:44until you get your pretty little head straightened out!
00:24:47¡As for me, I am your chef and host!
00:24:51¡And, in due time, if you're really nice and kind,
00:24:55I may even be your lover!
00:24:57You should live so fucking long
00:25:02I told you that I don't like that kind of language from a woman
00:25:05I don't want to have to say it again
00:25:07What's your name?
00:25:15My name is Richard
00:25:16Hello Richard
00:25:19What did they call you in school?
00:25:24Did they call you Ricky?
00:25:27Did they call you Dicky?
00:25:31Or did they just call you Dick?
00:25:57Oh
00:25:59Oh
00:26:01Oh
00:26:03Oh
00:26:05Oh
00:26:07Oh
00:26:11Help
00:26:17Richard
00:26:21Help
00:26:25You're about as dumb as a boxer at rocks
00:26:40You're about as dumb as a boxer at rocks
00:26:54I mean what the hell made you think you could get your ass through that small open, huh?
00:26:58Please help me
00:26:59Honey, you just said a magic word, please
00:27:03My neck gun is caught on something here at the waist and I can't pull back out
00:27:07Oh
00:27:07Well, that's no problem
00:27:09Okay, try it again
00:27:12Go on
00:27:15I can't do it
00:27:21Why not
00:27:22You got in there
00:27:22Well, that's obvious, but now I can't get back out
00:27:25Okay, well, I'll tell you what
00:27:26Let me check out the situation
00:27:27Let me check this out
00:27:29Okay
00:27:29Okay
00:27:30All right, I'm checking it out
00:27:33You know, the only thing I can figure
00:27:35Is that your tits got bigger
00:27:37You are a disgusting pig
00:27:40Well, I'll tell you what
00:27:42I can take this thing off its hinges
00:27:44And you'll be wearing a door for the rest of your life
00:27:46Please
00:27:51That's better
00:27:52You know what?
00:27:54You're starting to get to me
00:27:55The possibility exists
00:27:58Is that you may even be getting better
00:28:00But I doubt it
00:28:03I don't believe this
00:28:08Children
00:28:13Healing with children
00:28:17Oh, this is that fake butter
00:28:27I hate this shit, don't you?
00:28:32All right
00:28:33All right
00:28:35This is the gold we have been searching for
00:28:39Yes
00:28:42Oh, yes
00:28:44Yes, baby
00:28:47Oh, yeah
00:28:50Come on, come on, come on
00:28:51Move over a little bit
00:28:52I see a touch of you, babe
00:28:54Come on
00:28:54Come on, honey
00:28:55Come to daddy
00:28:56That's it
00:28:57That's better
00:28:58Oops, not enough
00:29:00Just get your magis
00:29:02Oh, come on
00:29:03Get in the view
00:29:03Come on
00:29:04Let me strike a close-up
00:29:07On
00:29:08Your magic spot
00:29:10What are you doing to me?
00:29:16Come on
00:29:17Come on
00:29:17Yeah
00:29:19Yeah, no, I want to go someplace where I can totally be lost
00:29:32But at the same time, if I wish to escape into some excitement, it's nearby
00:29:38Well, I understand that thing
00:29:41But I want it to be magnificent, first class all the way
00:29:45Of course
00:29:46I like the ocean, but it has to be more than that
00:29:51I want something that oozes love
00:29:55I beg your pardon?
00:29:59Oh, excuse me, oozes, I was just flashing on something
00:30:04Oh, right
00:30:04Uh, what do you have in mind?
00:30:06Well, the, uh, people in the travel business might call me Mr. T because T stands for travel, of course
00:30:15So you've come to the right place
00:30:17What I'm about to show you, young man
00:30:19Is splendor in the sand
00:30:23Oh, hold your breath, you'll be screaming for oxygen
00:30:27This
00:30:28This is Antigua
00:30:31The island of beaches
00:30:34Five years ago, very dear
00:30:37Well, close, intimate
00:30:40Friend of mine and I spent five glorious days there
00:30:45It was magnificent, I'll never forget it
00:30:47But we'd lay on the beach and write love poems to each other
00:30:51And put them in a seal
00:30:54An empty orange juice, bondling, hiding under this rock
00:30:58Look, this is the very rock
00:31:01And the nights, oh, don't ask, the nights were magical
00:31:06The wind, the people
00:31:09Island, the beaches
00:31:12The love poems
00:31:15Then when the mood struck us, which was quite often
00:31:19We would adjourn to our magical suite
00:31:23Yeah
00:31:24This is the actual suite
00:31:29Just between us
00:31:31We did it everywhere
00:31:33Upstairs, downstairs, in my lady's chamber, so to speak
00:31:38It was magnificent
00:31:42I bet
00:31:43What a memory
00:31:46Yes
00:31:48Oh, excuse me
00:31:49Now tell me, will you be traveling alone?
00:31:53Uh, no, I'll be traveling with my wife
00:31:56Your wife?
00:31:59Of course, sorry
00:32:02No harm done
00:32:03Now you want me to write that up?
00:32:08Yeah, sure thing, pal
00:32:09Like I said, I want a first class all the way
00:32:14I'll take the beach, I'll take the sand
00:32:15I'll take the nightlife
00:32:16But I definitely do not want that, bro
00:32:19Hello
00:32:36This is Dick
00:32:38What can I do for you?
00:32:41Look, Richard
00:32:41I have nothing against you
00:32:45Please let me go
00:32:48Not until your act is together, my darling
00:32:50Okay
00:32:52You're right, I'm sorry
00:32:55Let me explain something to you, darling
00:32:58Okay?
00:32:59I kidnapped you
00:33:00I kidnapped you
00:33:02You know what that means?
00:33:03The FBI is involved with this
00:33:05As we speak, even here
00:33:06And I'm not going to let you out
00:33:09Until you get your head straight
00:33:10And that, my love
00:33:12Is quite up to you
00:33:14Look, Richard
00:33:16I have nothing against you
00:33:19Please let me go
00:33:21Not until you get your act together
00:33:24I know
00:33:26You're right, I'm sorry
00:33:28Not only do I hate women who use foul words
00:33:32But I hate women who lie
00:33:34Good night, sweetheart
00:33:36Oh, no
00:33:37Richard
00:33:39Richard, come back
00:33:42Oh, please, don't go away
00:33:45Oh, please, you've got to come back
00:33:49You've got to talk to me, Richard
00:33:52Please
00:33:53Oh, God
00:33:55Oh, God, don't go away
00:33:59Please, Richard
00:34:05Please
00:34:08Yes, my darling
00:34:12I can hear you
00:34:14Isn't it nice to see a friendly face?
00:34:17Look, Richard
00:34:19I have money
00:34:21I have a lot of money
00:34:25I don't need new money
00:34:27What do you want, then?
00:34:31I want you to be a nice little girl
00:34:32I want you to be nice to the men who support you
00:34:36I want you to be barefoot and not pregnant
00:34:39I hate kids
00:34:40Look
00:34:43I will do whatever you want
00:34:48I have got to get out of here
00:34:52I am going crazy in here
00:34:54Okay
00:34:55Take off the towel
00:34:57I want to see you
00:35:00You can see me?
00:35:08You've been watching me?
00:35:10Just relax, baby
00:35:11How do I turn off this fucking thing?
00:35:16It's locked
00:35:17I control it from here
00:35:18Just relax, okay?
00:35:20What is it?
00:35:22Is it a people?
00:35:23Bull dick, you prick
00:35:24Oh, no, not a peephole
00:35:27Not for dicky boy
00:35:28Dicky boy is much too clever for that, isn't he?
00:35:31Oh, it's got to be something else, huh?
00:35:33How about a TV camera?
00:35:35How does that sound?
00:35:36And when I find it
00:35:38And I will find it
00:35:41I am going to smash the shit out of it
00:35:45Don't even give it a thought, baby
00:35:46You'll never find it
00:35:48Never
00:35:48You bastard
00:35:49You sick son of a bitch
00:35:52Who do you think you are, anyway?
00:35:54You listen to me and you pay attention
00:35:56I'm the guy with a key to your mind
00:35:59God, I hate you
00:36:01You are the lowest of the low
00:36:03You listen to me, dicky boy
00:36:07When I get out of here
00:36:09You are dead meat
00:36:11Don't do it, don't do it
00:36:15That was a bad idea, baby
00:36:23You best plug that back in
00:36:26Fuck you
00:36:28Good night, sweetheart
00:36:32Oh, this is just perfect
00:36:36Oh, what's the matter, dicky boy?
00:36:39Reality gets to be too much for you?
00:36:41Huh?
00:36:42Reality gets to be a little tough
00:36:44And you can't take it
00:36:45You've got to turn off the sound, huh, buddy?
00:36:48Well, let me tell you something
00:36:50I'm still going to find it
00:36:52And when I find it
00:36:54You can watch yourself
00:36:55For the rest of your fucking life
00:36:57P You can watch yourself
00:39:43¿Qué pasa?
00:39:45¿Helo?
00:39:46¿Hay no agua?
00:39:50¿Qué pasa?
00:39:52¿Qué pasa?
00:39:54¡Richard, no tengo agua!
00:40:04¿Cómo te voy a darme?
00:40:08¿Cómo te voy a enseñar?
00:40:12¿Qué?
00:40:20¿Qué pasa?
00:40:24¡Suscríbete al canal!
00:40:54¡Suscríbete al canal!
00:41:24¡Suscríbete al canal!
00:41:54¡Suscríbete al canal!
00:41:56¡Suscríbete al canal!
00:41:58¡Suscríbete al canal!
00:42:00¡Suscríbete al canal!
00:42:02¡Suscríbete al canal!
00:42:04¡Suscríbete al canal!
00:42:06¡Suscríbete al canal!
00:42:08¡Suscríbete al canal!
00:42:10¡Suscríbete al canal!
00:42:12¡Suscríbete al canal!
00:42:14¡Suscríbete al canal!
00:42:16¡Suscríbete al canal!
00:42:18¡Suscríbete al canal!
00:42:20¡Suscríbete al canal!
00:42:22¡Suscríbete al canal!
00:42:24¡Suscríbete al canal!
00:42:26¡Suscríbete al canal!
00:42:28¡Suscríbete al canal!
00:42:30¡Suscríbete al canal!
00:42:32¡Suscríbete al canal!
00:42:34¡Suscríbete al canal!
00:42:36¡Suscríbete al canal!
00:42:38¡Suscríbete al canal!
00:42:53¡Oh, man!
00:43:00¡Well...!
00:43:01¡Look at that!
00:43:03¡Front page, above the fold
00:43:06¡In living color!
00:43:08Oh, I really am fantastic.
00:43:11Good morning, Emmanuel.
00:43:37I have something very special for you.
00:43:41I have something pink for pink lady.
00:43:45How are you?
00:43:46Hey, you.
00:43:47What's going on here?
00:43:48Plug it back in.
00:43:49There's a little bra for you in black.
00:43:50I've been calling you all day.
00:43:51I don't have any water.
00:43:52Where the hell's my food?
00:43:53Plug it back in and things will be quite beautiful for you.
00:43:56Here's something royal for a royal lady.
00:43:58Oh, yes.
00:43:59You prick.
00:44:00Here's some golden threads for you.
00:44:01Just plug it back in.
00:44:03Another thing for pink lady.
00:44:04Here's a little thing for purple.
00:44:05I want some goddamn water.
00:44:07I don't know what the hell you're talking about.
00:44:09Well, try running for the goddamn water with these tennis shoes.
00:44:13You bet your life.
00:44:14There they are.
00:44:15Run for it, baby.
00:44:16I'm going to stick these shoes right up your ass.
00:44:18Give me some water.
00:44:19Come on.
00:44:20Here's the little undies for the baby.
00:44:21You prick.
00:44:22You turned the water off, didn't you?
00:44:23You got it, sweetheart.
00:44:24And if you want it back on, plug it back in.
00:44:27What the hell are you talking about?
00:44:30Oh, well, Jesus Christ.
00:44:35I got faith in you.
00:44:36I mean, I think you'll figure it out.
00:44:39I'm not taking any calls, sweetheart.
00:45:07And I'm going to get some water, all right?
00:45:11Jeez.
00:45:12Jeez.
00:45:42¡Suscríbete al canal!
00:46:12¡Suscríbete al canal!
00:46:42¡Suscríbete al canal!
00:46:44¡Suscríbete al canal!
00:46:46¡Suscríbete al canal!
00:46:48¡Suscríbete al canal!
00:46:50¡Suscríbete al canal!
00:46:52¡Suscríbete al canal!
00:46:54¡Suscríbete al canal!
00:46:56¡Suscríbete al canal!
00:46:58¡Suscríbete al canal!
00:47:00¡Suscríbete al canal!
00:47:02¡Suscríbete al canal!
00:47:04¡Suscríbete al canal!
00:47:06¡Suscríbete al canal!
00:47:08¡Suscríbete al canal!
00:47:10¡Suscríbete al canal!
00:47:12¡Suscríbete al canal!
00:47:14¡Suscríbete al canal!
00:47:16¡Suscríbete al canal!
00:47:18¡Suscríbete al canal!
00:47:20¡Suscríbete al canal!
00:47:22¡Suscríbete al canal!
00:47:24¡Gracias!
00:47:54I would do with my heart and soul and I would do anything for you.
00:47:57But please cooperate with me.
00:48:08Pour some for yourself, darling. It's wonderful.
00:48:15Here's looking at you, baby.
00:48:21It's wonderful.
00:48:25Once you try the steak, it's great. I mean, I'd like to see what you think.
00:48:37It's very good.
00:48:39Later I'll share the method and the recipe with you as soon as we get to know each other better.
00:48:44The secret is, though, that I used two egg yolks in the sauce at the end. It makes it smoother.
00:48:50It's very smooth. Look, Richard, can we talk?
00:48:55Of course we can. That's what I'm here for.
00:48:59That's good. I wanted to know when I could get out. I mean, when I could be released.
00:49:04That's quite up to you. You know that by now. Why don't you pour yourself some more wine, okay?
00:49:15You know, tonight I'm going to be the designated driver.
00:49:18Are we going out?
00:49:21No, no. I can't trust you to go any place. No.
00:49:25Oh, yes, you can. I'd behave.
00:49:28I love the word behave. Yes, I do. I mean, when you learn to apply that, it'd be better for both of us.
00:49:33I have learned that. Really, I have.
00:49:37Oh. We'll hear this toast. Okay?
00:49:41Oh, just a little lower.
00:49:50Tell me this.
00:49:52What did they call you when you were a kid in school?
00:49:56By my name.
00:49:59They called me Dick.
00:50:03What did they call you?
00:50:06By my name.
00:50:10How about Manny?
00:50:14Did they call you that?
00:50:20No.
00:50:21Kids can be so cruel.
00:50:26You are cruel.
00:50:28No.
00:50:30I represent the truth.
00:50:34You have a very nice voice.
00:50:37Thank you.
00:50:39I love compliments.
00:50:46Here's looking at you, kid.
00:50:51Oh, I got your back on now.
00:50:57So, after that, I invented this crazy thing that helps idiots program their VCRs and I, uh, I made a fortune.
00:51:05You're very smart.
00:51:06Oh.
00:51:07Oh. No. Just, just lucky.
00:51:09What about you? I mean, how'd you get into your crazy business?
00:51:12That was funny.
00:51:14Oh, no.
00:51:16I'm sorry.
00:51:18I'm sorry.
00:51:20I'm sorry.
00:51:22I'm sorry.
00:51:24I'm sorry.
00:51:26I'm sorry.
00:51:28I'm sorry.
00:51:30I'm sorry.
00:51:32I'm sorry.
00:51:33I was funny.
00:51:36I went to New York to become an actress.
00:51:42I was 19.
00:51:44What a joke.
00:51:47So, what happened?
00:51:50I found out I was no actress.
00:51:54Then what?
00:51:58My mom needed money.
00:52:00I didn't know how to do anything.
00:52:02Cheers.
00:52:06I'm not ashamed.
00:52:08It was in all the papers.
00:52:10What?
00:52:12I did nude dancing at a Times Square bar.
00:52:17Well, I mean, uh, how'd you handle that?
00:52:23It was easy.
00:52:24I actually enjoyed it.
00:52:29I got off on guys watching me.
00:52:34It was a turn-on.
00:52:36That's what all models do.
00:52:40Turn guys on.
00:52:43Hmm.
00:52:45Doesn't matter if you're naked or not.
00:52:47It's a turn-on.
00:52:49It's a sexist thing, so you're a sexist.
00:52:54I didn't say that.
00:52:56Yes, you did.
00:52:59Well, men just take advantage.
00:53:02Oh.
00:53:05So, when you're stuck naked in front of those good old boys.
00:53:10I mean, uh, who has the advantage then?
00:53:13Why don't you play me some music?
00:53:27I wanna dance for you.
00:53:29I wanna dance for you.
00:53:30Yeah.
00:53:32Ah.
00:53:33Ahh.
00:53:35Ahh.
00:53:37Ah.
00:53:41Ahhh.
00:53:43Ah.
00:53:48Ah.
00:53:50Ah.
00:53:52Ah.
00:53:54Ah.
00:53:56Ah.
00:53:57Ah, ah.
00:53:58Amén.
00:54:28Amén.
00:54:59I'll be down in the living room.
00:55:02Just come down the stairs and bear to your left.
00:55:28Amén.
00:55:58Hola.
00:56:07Hola.
00:56:09Ven a ir a mi.
00:56:28Sit down.
00:56:35I got a present for you.
00:56:40It's by your side, under that pillow.
00:56:47Open it.
00:56:56Try it.
00:56:58It's very nice.
00:57:12Yeah.
00:57:14It blends with your body.
00:57:18It's you all the way.
00:57:19Yeah.
00:57:35Yeah.
00:57:37No, no, no, no, no, no, no.
00:58:07¡Suscríbete a ti, baby! ¡Suscríbete a mi padre!
00:58:19Si piensas que puedes escapar a Richard Tate, te deberías ser loco.
00:58:24No en un millón de años.
00:58:27Ahí estás. ¡Vamos!
00:58:37¡Vamos, baby! ¿Dónde estás? ¡No puedes esconder! ¡Vamos! ¡Vamos!
00:59:07¡Vamos, baby!
00:59:23¡Vamos, baby! ¡Vamos! ¡Vamos!
00:59:27¿Sabes lo que?
00:59:28Tú me lloré, baby.
00:59:30Tú me lloré.
00:59:32Después de todo lo que te dio.
00:59:34Y tú intentas correr de mí.
00:59:36Y esconder de mí.
00:59:37Cuando te hablas de Richard,
00:59:39te hablas de estilo,
00:59:42de clase,
00:59:43y de elegance.
00:59:45Te hablas de punks.
00:59:47Te hablas de no-classes.
00:59:49Te darás el mejor de vino,
00:59:52el mejor de comida,
00:59:54el mejor de clothes,
00:59:56y el mejor de perfume.
00:59:58Perfume que puedo sentir
01:00:00un millón de miles de distancia.
01:00:03¡Gracias!
01:00:26...
01:00:30...
01:00:31...
01:00:37...
01:00:38¡Suscríbete al canal!
01:01:08¡Suscríbete al canal!
01:01:38¡Suscríbete al canal!
01:02:08¡Suscríbete al canal!
01:02:10¡Suscríbete al canal!
01:02:12¡Suscríbete al canal!
01:02:14¡Suscríbete al canal!
01:02:16¡Suscríbete al canal!
01:02:18¡Suscríbete al canal!
01:02:20¡Suscríbete al canal!
01:02:22¡Suscríbete al canal!
01:02:24¡Suscríbete al canal!
01:02:26¡Suscríbete al canal!
01:02:28¡Suscríbete al canal!
01:02:30¡Suscríbete al canal!
01:02:32¡Suscríbete al canal!
01:02:34¡Suscríbete al canal!
01:02:36¡Suscríbete al canal!
01:02:38¡Suscríbete al canal!
01:02:40Do you remember the color of the car?
01:02:43It was a brake.
01:02:45And the driver.
01:02:48Do you remember what he looked like?
01:02:50Yes.
01:02:54What? Describe him.
01:02:57He was tall.
01:03:00He had on a brake jacket and a brake hat.
01:03:04Was it a brake man?
01:03:05No, a white man.
01:03:07Let's go back to that long limo.
01:03:10Do you remember what kind it was?
01:03:13Oh, you mean a brake or a brake?
01:03:17Yeah.
01:03:17Oh, I don't know.
01:03:23Miss, I've come a real long way to talk to you.
01:03:27Thank you very much.
01:03:31Thank you very much.
01:03:33Is there anything you can do to...
01:03:36Jerry, she's your witness, ma'am.
01:03:39Jump right on in here.
01:03:40I want to concentrate on what this man looked like.
01:03:47Yes.
01:03:48Can you handle that?
01:03:51Handle what?
01:03:54What the guy looked like?
01:03:55Oh, yes. Yes, I can.
01:03:56Well, great.
01:03:57What did he look like?
01:03:59He had a...
01:04:01Black head.
01:04:02Oh, wait, wait, wait.
01:04:02Please, please.
01:04:03Let's forget about the hat, okay?
01:04:04Let's just try this for a minute.
01:04:07Picture yourself standing in front of the hotel, okay?
01:04:10That morning, all right?
01:04:12You see the guy.
01:04:13He's standing right in front of you.
01:04:15You got it?
01:04:15Yes.
01:04:16Okay, picture it there now.
01:04:18Yes.
01:04:19Now, tell us.
01:04:21What do you see?
01:04:23I see a big, round head of a face.
01:04:27Yes.
01:04:28Thank you very much.
01:04:30Jesus Christ.
01:04:31Thank you very much.
01:04:32You're a very nice lady.
01:04:36Thank you very much.
01:04:39You're an asshole, Jerry.
01:04:42Thank you very much.
01:04:44It was a big head.
01:04:51Good morning, Mr. Richard.
01:04:53Estella, I called you.
01:04:54I left you a message.
01:04:55I'm not going to need you for a while.
01:04:56I told you that.
01:04:56I got no message, Mr. Richard.
01:04:57Yes, but you don't understand.
01:04:58I'm not going to need you for a while.
01:05:00I already been paid for this,
01:05:01so I clean up when I can today.
01:05:03Yeah, but nothing is dirty, can't you?
01:05:04See around, everything is clean.
01:05:05I do dishes and I change sheets.
01:05:08Yeah, you did.
01:05:08Well, listen, I'm going away for a month or so,
01:05:10so come on.
01:05:10I'll tell you what,
01:05:11I'll give you a buzz as soon as I get back.
01:05:12Pero, pero, pero.
01:05:12Okay, I'll give you a buzz.
01:05:14No, no, Mr. Richard.
01:05:15You, Mr. Richard, you do not take money
01:05:16for something you do not do.
01:05:18Estella, you've been good to me.
01:05:19I mean, you do good work,
01:05:20and I'll be in touch with you
01:05:21as soon as I get back from the vacation.
01:05:22No, no, Mr. Richard, here.
01:05:24I got a pen, and I got some ones.
01:05:28God, I don't want money.
01:05:29I don't want money from you.
01:05:30Okay, I don't want money from you.
01:05:32Here, here.
01:05:32You're going to die in there, Mr. Richard.
01:05:34If it weren't for me,
01:05:35you would die like a rat.
01:05:36Oh, God, Mr. Estella,
01:05:37I'll be in touch with you, okay?
01:05:38I promise I'll be in touch with you.
01:05:40As soon as I get back from the vacation,
01:05:41all right, darling?
01:05:41All my best.
01:05:42God bless.
01:05:43God bless.
01:05:43You better not take much longer, baby,
01:05:56or we're going to die like rats in here.
01:05:58You're fucking up my life here.
01:06:00Do you understand that?
01:06:01Huh?
01:06:02I had to fire the goddamn maid.
01:06:04You know what that means?
01:06:06No clean laundry,
01:06:08no clean dishes,
01:06:09garbage up the yin-yang,
01:06:11dust everywhere.
01:06:12Come on, honey,
01:06:13get your act together.
01:06:15We're living like pigs here.
01:06:17Come on, lady,
01:06:18you're going to have to make
01:06:18some son-of-a-bitch contribution here.
01:06:20Do you know that?
01:06:21I mean, come on,
01:06:22get in your head.
01:06:23I supply the food,
01:06:24the clothes,
01:06:25the shelter,
01:06:26the clean sheets,
01:06:27the clean towels,
01:06:28the toilet paper,
01:06:29and the best of kind.
01:06:30And complete attention
01:06:32to your selfish ass.
01:06:34Come on,
01:06:34get your act together,
01:06:35goddammit.
01:06:37Or else I'll never lay on this
01:06:38goddammer.
01:06:38You got that?
01:06:40Now, you get it together, lady,
01:06:41you're on the way out.
01:06:42And I mean way out.
01:06:52Here's my gun permit
01:06:53from New York,
01:06:55North Carolina,
01:06:56Texas.
01:06:58I got a whole bunch
01:06:58of them things
01:06:59if you want to look at them.
01:07:00That won't be necessary.
01:07:02May I call you Sam?
01:07:04I've been called a lot worse.
01:07:07Sam, we're doing everything
01:07:08we can to find this girl.
01:07:10I'm sure you are.
01:07:11But I don't feel
01:07:12that there's anything
01:07:13that you could possibly do
01:07:14that would add anything
01:07:16to the situation.
01:07:18That might well be,
01:07:19but I've been hired
01:07:20by her mother
01:07:20who's paying me
01:07:21a lot of money
01:07:22to come on out here
01:07:23and help your boys
01:07:23locate her baby girl.
01:07:26Now, I know you don't want me
01:07:27to lose out on good money.
01:07:29And I know you don't want me
01:07:31backing on the employment line,
01:07:32do you?
01:07:33What I want
01:07:34is for you to keep us
01:07:36informed of everything
01:07:37you're doing
01:07:37and anything that you
01:07:39might come up with.
01:07:40No problem.
01:07:42I used to be a cop.
01:07:43I know what it's like.
01:07:44We don't want no
01:07:45double work, do we?
01:07:47No.
01:07:48All right.
01:07:49My goodness.
01:07:50All you've got to do
01:07:51is tell me what you boys
01:07:52have found out so far.
01:07:55Nothing.
01:07:58Well, there you go.
01:07:59Then there's absolutely
01:08:00nothing for me
01:08:01to interfere with
01:08:01since you boys
01:08:02got nothing to start with.
01:08:04But you'll let us know
01:08:05if you come up with something.
01:08:07May I call you Jim?
01:08:08Why not?
01:08:10Jim,
01:08:11you've got his first name
01:08:11on my list.
01:08:16It's a hot day today,
01:08:17isn't it?
01:08:21Richard,
01:08:22I feel weak.
01:08:24Oh, come on.
01:08:25Women give birth.
01:08:25It's got to be worse
01:08:26than this.
01:08:27Well, that makes me feel
01:08:28a lot fucking better.
01:08:30I'm sorry.
01:08:31I didn't mean to swear.
01:08:33Come on.
01:08:34I want to believe,
01:08:35but you make it hard.
01:08:36You make it hard on both of us.
01:08:37I know I'm sorry.
01:08:39Yeah, I know.
01:08:41Good.
01:08:42It's just that sometimes
01:08:43you can't seem to control it.
01:08:46You have to help me.
01:08:49All right.
01:08:51I will.
01:08:54Have to pan up, you know.
01:08:56You know, perhaps
01:08:58it's something in your childhood.
01:09:01Maybe it's your parents.
01:09:03I mean,
01:09:03did you have any
01:09:04brothers and sisters?
01:09:07Yes, my brother is a lawyer
01:09:09and my sister,
01:09:10she's a teacher.
01:09:11Mm-hmm.
01:09:12And what about your mother?
01:09:15My mother?
01:09:17She's fine.
01:09:18Did she swear a lot?
01:09:19No, never.
01:09:22Oh.
01:09:23All right.
01:09:24Well, what about your father?
01:09:27My father died in Vietnam.
01:09:29The service?
01:09:30Yes.
01:09:31What branch?
01:09:33The Navy serving with the Marines.
01:09:36The Marines?
01:09:37I knew it.
01:09:38I knew it.
01:09:39I know all about them.
01:09:40All they're trained to do
01:09:41is drink, swear, and kill,
01:09:43and not necessarily in that order.
01:09:45My father was a chaplain.
01:09:48A chaplain?
01:09:52Well,
01:09:54I tell you what,
01:09:55I'll get you some water,
01:09:56I'll get you some clothes,
01:09:57and, uh,
01:09:58even through too much.
01:09:59Ah, my name is Sam Weston.
01:10:08Now, you people rent limousines, right?
01:10:11Say that again?
01:10:13I'm sorry,
01:10:14I don't understand you.
01:10:16Um,
01:10:17my question is,
01:10:19you people rent limousines, right?
01:10:23Um,
01:10:25uh,
01:10:26well, let's try this one.
01:10:28Uh,
01:10:28do you have anybody
01:10:31who works for your company
01:10:33that speaks English?
01:10:36Comprende English?
01:10:41Well,
01:10:41can I talk to your boss?
01:10:44I,
01:10:44I want to talk to the guy
01:10:45that you work for.
01:10:46Comprende?
01:10:52Yes, sir.
01:10:53And how are you?
01:10:55Well,
01:10:55thank you very much.
01:10:57Sam Weston here.
01:10:59Now,
01:10:59I understand you people
01:11:00rent limousines.
01:11:03Um,
01:11:03big,
01:11:04long cars?
01:11:07Yes,
01:11:07I'm a private detective,
01:11:09and I'm trying to track down
01:11:09a black limo
01:11:10rented on April 5th
01:11:11of this year.
01:11:16I,
01:11:17I don't understand you,
01:11:18sir.
01:11:19Where are you from?
01:11:20Korea?
01:11:21Korea.
01:11:21Yes.
01:11:21That's a nice town, sir.
01:11:22I,
01:11:22I just love that place.
01:11:24Um,
01:11:24you got anybody else
01:11:25who speaks English
01:11:26at your place?
01:11:26I just love that place.
01:11:29Um,
01:11:29you got anybody else
01:11:31who speaks English
01:11:32at your place?
01:11:33What's wrong?
01:11:54What's wrong?
01:11:55I'm alone here.
01:11:57I don't like being alone.
01:12:00I hate being alone.
01:12:03Look,
01:12:03calm down,
01:12:03okay?
01:12:04Richard,
01:12:06I'm trying.
01:12:09I can't take anymore.
01:12:13I'm trying,
01:12:14but I just can't take anymore.
01:12:17Everything's gonna be fine,
01:12:18okay?
01:12:19Richard,
01:12:19this is not fine.
01:12:22This is weird.
01:12:24When it's fine,
01:12:25it's fine.
01:12:25When it's weird,
01:12:26it's weird.
01:12:26This is weird.
01:12:27Just don't cry anymore,
01:12:28okay?
01:12:29I can't stand it
01:12:29when you cry,
01:12:30all right?
01:12:30Just stop it.
01:12:32I need some space.
01:12:34I need something for me.
01:12:38I tried to make a statement.
01:12:40I was wrong.
01:12:42I tried to say some things.
01:12:43I was wrong.
01:12:45You know what?
01:12:46I think we're making
01:12:47some headway here.
01:12:49Headway?
01:12:52I am dying in here,
01:12:54and you are talking
01:12:55about headway!
01:12:57Cam?
01:13:01I'm gonna die
01:13:02in this stinking,
01:13:03rotten hole.
01:13:04Richard.
01:13:08Richard.
01:13:11The night we spent together
01:13:13was the most beautiful night
01:13:15of my life.
01:13:17I want that again.
01:13:22I swear to you
01:13:23I will do whatever you want.
01:13:26All I want
01:13:28is more of you.
01:13:29It's all I have.
01:13:33Is that too much?
01:13:38I have to get out of here.
01:13:43I have to see you.
01:13:46To touch you.
01:13:48I don't believe you.
01:14:02I don't believe you.
01:14:02I don't believe you.
01:14:16God.
01:14:17This is exasperating.
01:14:19Emmanuele,
01:14:32I'm sorry.
01:14:35I really am sorry.
01:14:37I feel your pain, and yet
01:14:39I desperately need your love.
01:14:45I feel your strength.
01:14:49The strength of your beauty, even through this metal door.
01:14:52Nothing could separate us.
01:14:55And I mean nothing.
01:15:03The look of you,
01:15:06the thought of you,
01:15:08it permeates my mind.
01:15:11You know, anger, anger has made me say
01:15:14and do many, many ugly things.
01:15:19That I'm not proud of.
01:15:23When actually,
01:15:25my heart, mind, and soul adores you.
01:15:30Jesus Christ.
01:15:31I am so thankful that you're here with me.
01:15:40So that I can tell you how much I love you.
01:15:44If you can find a way to forgive me,
01:15:47and I mean forgive me,
01:15:49and if you can find a way to reciprocate my love,
01:15:52I will be with you always.
01:15:58Jesus Christ.
01:16:00I am so thankful that I am so thankful that I am so thankful.
01:16:04I am so thankful that I am so thankful that I am so thankful that I am so thankful that I am so thankful that I am so thankful that I am so thankful for my love.
01:16:05I am so thankful that I am so thankful that I am so thankful that I am so thankful that I am so thankful that I am so thankful.
01:16:06Gracias por ver el video.
01:16:36Gracias por ver el video.
01:17:06Do you know whether she's up in Aspen, Colorado, shacked up with some guy, or in New York, or France, or, huh?
01:17:16No, I don't know where she is.
01:17:19And neither do I.
01:17:20This is a shitty way to make a living.
01:17:29Let's go to lunch.
01:17:35You need to get out of here, man.
01:17:38Blow the snake off of you.
01:17:40Let the lady come in and clean the place up.
01:17:43Start fresh.
01:17:43A cop with a heart?
01:17:46I love him.
01:17:48Thank you.
01:17:50Yes, brush my teeth.
01:17:51All right, my thing.
01:17:54I'll make a couple of calls off your list.
01:17:56Hello, this is Sergeant Lytell of LAPD.
01:18:13Yes.
01:18:13Do you rent limos out of your place?
01:18:17I want to know if you rented out a black limo 18 days ago.
01:18:23That would be the fifth.
01:18:24Yeah.
01:18:25Okay.
01:18:26I'll wait.
01:18:32Yeah?
01:18:325.45, you say?
01:18:35A black one?
01:18:37Uh-huh.
01:18:39And do you happen to have the guy's name?
01:18:42Yeah, sure.
01:18:43I got it.
01:18:45You don't have his address, do you?
01:18:47Uh-huh.
01:18:48Yeah, got it.
01:18:49Thank you.
01:18:50Thank you.
01:18:51Yes, if I need anything else, I'll give you a call, okay?
01:18:54Thank you.
01:18:57That's Stu Latch.
01:18:59Hey, I got a lead.
01:19:02You got a what?
01:19:04A lead.
01:19:05You know what a lead is, don't you?
01:19:08Talk to me, Jim.
01:19:09I called this guy up in Pacoio.
01:19:12He says that he rented a black limo to this guy at this address at 5.45 a.m. on the morning of the fifth.
01:19:21Rick.
01:19:21Hey, I just dialed the next number on your list.
01:19:27What's the problem?
01:19:29No problem.
01:19:31Yeah, but you're acting like there's a problem.
01:19:34Me?
01:19:35Acting like there's a problem?
01:19:37Oh.
01:19:37Yeah.
01:19:38I just spent 27 hours on that telephone calling everybody in the world.
01:19:43He got nothing.
01:19:45Now, you make one phone call, and you got our man.
01:19:49I know exactly what you're doing.
01:19:51What am I doing?
01:19:52You people, how you work?
01:19:56Because I know damn well that since you know you can't go in and arrest him, you want me to do the dirty work for you, don't you?
01:20:03Isn't that how you people work?
01:20:05And what the hell do you mean by you people?
01:20:08I don't tell me the racial innuendos are starting.
01:20:10There was no racial innuendos.
01:20:16I just call him as I see him.
01:20:20I call a spade a spade.
01:20:22I was talking about LAPD, the way you people do business.
01:20:26I should have spoken more clearly.
01:20:31I should have been referring to you people as assholes.
01:20:34Real nice.
01:20:36Real good.
01:20:37I'm out of here.
01:20:38Sam.
01:20:41What?
01:20:43Good luck.
01:20:49You owe me 50 cents for that phone call.
01:20:53See ya.
01:20:56It's a little rough up in here.
01:21:05Come on, mate.
01:21:06Great.
01:21:09Well, come here.
01:21:10I want you to see something.
01:21:13Look at that view.
01:21:16I don't see much of anything.
01:21:20Well, you will when I cut that tree down.
01:21:22Hey, look at this rope.
01:21:23Here, grab this, okay?
01:21:24Because we're going to have to pull ourselves up the rest of the hill.
01:21:26I'm going to lead the way, okay?
01:21:28Okay, you were behind me?
01:21:29Yeah.
01:21:29Okay, here we go.
01:21:31Pull up.
01:21:38Where are you taking me?
01:21:39You said you wanted to go out.
01:21:41Well, when I said out, I meant out.
01:21:43This is the back of your house.
01:21:45No, out, out.
01:21:46Look up there.
01:21:46You see the sky?
01:21:47That's out.
01:21:49I mean, you're about as far out as I can trust you.
01:21:53Here, come on.
01:21:54Grab my hand.
01:21:55Come on.
01:21:56Swing up in here.
01:21:56That's it.
01:21:57Way to go.
01:22:04Well, here it is.
01:22:06What do you think?
01:22:10It's fantastic.
01:22:11Come on.
01:22:17Really is nice up here, isn't it?
01:22:20Yeah.
01:22:25All it takes is a little cooperation.
01:22:27I know that now.
01:22:30Do you?
01:22:31Mm-hmm.
01:22:33You know, I'm not going to go to jail for this.
01:22:35I hope you know that.
01:22:37I don't want that.
01:22:41That's a relief.
01:22:42It's a relief for me.
01:22:44So it's, uh, it's you and me against the world from here on in, huh?
01:22:48You have to understand something.
01:22:52What's that?
01:22:53I'm different now from when you met me.
01:22:56You gotta forget that woman.
01:22:58She doesn't exist.
01:23:01I'll tell you something.
01:23:04Let's do it together.
01:23:07You and me.
01:23:09Let's make it happen.
01:23:11I mean, I've got the money.
01:23:13I've got the power.
01:23:14I've got the power.
01:23:18You've got the talent.
01:23:23Let's make it a team play.
01:23:31You really mean that?
01:23:33Yes, I do.
01:23:42Can we do it again?
01:23:43Right now?
01:23:44Let's go, baby.
01:23:45You're moving in with me.
01:23:46Everything's going to be just fine.
01:23:48I know it will.
01:23:49Listen, I'm going to get your clothes, okay?
01:23:51So why don't you go down there and just get in bed?
01:23:53I'll be waiting for you, baby.
01:23:55All right, honey.
01:24:02Mwah!
01:24:03Emmanuel!
01:24:15Emmanuel!
01:24:15Emmanuel!
01:24:15Emmanuel!
01:24:16Come on, honey, we made a deal!
01:24:21Don't break a deal!
01:24:22Come on, open the door!
01:24:25Open the goddamn door!
01:24:27Come here!
01:24:51Bye-bye!
01:24:52Come on!
01:25:24Richard, listen, it was all over, baby. I mean, it was all over. I was letting you go.
01:25:29You're free to go anywhere you want, anytime you want, any place you want.
01:25:33I love you, babe.
01:25:35Thanks, Dick.
01:25:37You're welcome. Listen to me.
01:25:39I got us first-class tickets to the Bahamas.
01:25:43Just you and me, baby. Just you and me. I mean, all the way.
01:25:47Do you understand that? I mean, are you staying with me?
01:25:50Royal Danish Cruise Lines, you don't believe me? Well, check it out, okay?
01:25:52Check it out, guys. I got the tickets in my tan coat.
01:25:55I mean, go ahead, you see? Inside breast pocket.
01:25:58Go up there and look. Please, for me, okay?
01:25:59Please, for me right now. Would you check one for me?
01:26:03God, I miss you. I miss you, baby.
01:26:08Are you listening to me, honey?
01:26:10You're not thinking of leaving me here, are you?
01:26:12Of course I hear you, sweet cakes.
01:26:19Oh, thank God.
01:26:21Jesus, you made me feel alone.
01:26:25What would you like for dinner?
01:26:28For dinner?
01:26:32For dinner?
01:26:33Yes?
01:26:55Emanuel Griffith?
01:26:57Yes.
01:26:58I'm Sam Weston.
01:27:02I was hired by your mother to find you.
01:27:06Oh.
01:27:08Well, you found me.
01:27:10Hold it.
01:27:13Lady, a lot of people worried about you.
01:27:16The thing is, Sam, I just needed a break.
01:27:24I needed some time for myself, okay?
01:27:27So you tell my mom I love her, everything's fine,
01:27:30and I'll send her the money for the rent.
01:27:34You tell the rest of the world I love them, too.
01:27:37You tell them I'll be back.
01:27:41Thanks a lot, Sam.
01:27:42Yeah.
01:27:43Good morning, ladies, and welcome to a man's world.
01:27:56Good morning, ladies, and welcome to a man's world.
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