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  • 4 days ago
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00:00:00Hey, how much should I take you to my place, baby doll?
00:00:24Sorry, I don't do private dances.
00:00:26She'll strip her money, but you won't fuck a guy?
00:00:29I'm not a hooker. Show some respect.
00:00:32You fucking bitch. I'll show you respect.
00:00:35Mr. Morgan, I am so sorry.
00:00:37She's new here. I've got to train her better.
00:00:40Just have a seat. We'll be with you shortly.
00:00:42Sorry about that.
00:00:48You ungrateful bitch.
00:00:50You remember who saved your ass when you were knee deep in debt?
00:00:54Me!
00:00:59And how are we doing with the search?
00:01:01Not good, boss. Still going.
00:01:03Find her. I don't care what it takes.
00:01:10I found the perfect woman for you. It's about time you settle down and get married.
00:01:13Her name is Carla. She's a daughter of a friend of mine.
00:01:16Dad, we've been over this. I don't need you to find me the perfect woman.
00:01:21Of course I do. You're an Arduin. I have to make sure my son marries the perfect woman.
00:01:25So now all of a sudden you give a shit about me? You never care when you drove Mom away?
00:01:29Or when you sent me to that orphanage all by myself?
00:01:31Silence! How dare you? It's for the Arduin family business. You're marrying Carla Jennings. End of discussion.
00:01:39Dad. Dad.
00:01:45I paid your 500 grand debt. And I gave you a job.
00:01:49Now if you want to quit so bad, pay me back and get the fuck out of my club.
00:01:54Please, you know I don't have $500,000. Just give me another chance!
00:01:58Then get the fuck back in there, apologize to that nice gentleman, and do whatever the fuck he tells you to do!
00:02:04Now if I get any more complaints from our clients, you will be sorry. Got it?
00:02:11Is there a problem here?
00:02:13No sir. Everything's fine.
00:02:17She looks just like her.
00:02:26Will you marry me?
00:02:28No, let's tell my father I've chosen a wife for myself.
00:02:39Are you sure, boss? She's a stripper.
00:02:42How about we make a deal? Name any price you want, and we get married.
00:02:47I owe my boss $500,000. He's not gonna let me go until I pay it.
00:02:56Anything else?
00:02:57This is your house?
00:03:07It's our house now. Welcome.
00:03:10All right. Sign this agreement, and we'll be contractually married for a year. After that, you can file for divorce. Until then, you're part of the richest family in the country.
00:03:27My heart belongs to somebody else, though. I want you to know that I'm not attracted to you. We're just gonna be married on paper.
00:03:44Is that so? Well, don't worry. I'm not attracted to you either. I just wanted the money.
00:03:53Hey, where am I staying, by the way?
00:04:07In the guest room.
00:04:08Wow. I'm a total jerk. This is an ad.
00:04:16It's been over ten years. I miss you so much.
00:04:29I miss you so much.
00:04:30I miss you so much.
00:04:31I miss you so much.
00:04:36I miss you.
00:04:59Nuss, I need you to find out everything you can about the woman I just married.
00:05:03See if she grew up in the same orphanage.
00:05:20Sorry, I didn't mean to.
00:05:22This is my bathroom.
00:05:24What do you think you're doing?
00:05:26Nice try, trying to use your little tricks to get my attention.
00:05:29It's not going to work though. Sorry.
00:05:32I wasn't trying to get your attention!
00:05:36Ugh!
00:05:41You mind turning that off?
00:05:44I just thought the carpet needed some cleaning.
00:05:46You're here to be my wife, not a maid.
00:05:52Who are you?
00:05:53Wait, you're that stripper.
00:05:58What are you doing in Edward's house?
00:06:01I am. Who are you?
00:06:03I am Edward's fiancé.
00:06:08Edward, you're marrying a stripper?
00:06:11I thought I was your fiancé.
00:06:13My father arranged for us to get married only for the sake of our families.
00:06:16We wouldn't be happy even if we did get married.
00:06:19But I would be happy, Edward.
00:06:21Carla, you know I have someone that I love.
00:06:24She's the one I'm waiting for.
00:06:26I don't know who the fuck you are, but if you think you have a chance against me, you're dumbit than I thought.
00:06:33Miss, get it straight. I'm not competing with you.
00:06:39Stop it.
00:06:41Edward!
00:06:43Are you defending her now?
00:06:45You're not dumb bitch. Just wait.
00:06:48Just wait.
00:06:51Wow. You got a lot of admirers, huh?
00:06:53Need more that I need to watch out for?
00:06:56Look, if you see me in the living room, don't show your face.
00:07:00Same will go for me.
00:07:01Your house, your rules, big deal!
00:07:03Hi, I'm Velma. I've worked a lot of odd jobs in the city. Waitressing and working in nightclubs. All for a chance to act.
00:07:26I'm also looking for someone.
00:07:37And I hope that one day he sees me on screen.
00:07:46That way he knows that I'm still here.
00:07:56Oh, Kerr. I hope you see me.
00:08:11Okay.
00:08:19That's okay, Sarah. Thumbna doesn't need to dine with me.
00:08:23need to dine with me? Bring my food to my room and I'll eat there.
00:08:27Yes. It's fine. I usually don't eat with people
00:08:31anyway. By the way, I'm going out for a bit
00:08:35today. Where you go is none of my concern.
00:08:39Fine!
00:08:43Is he always this big of a jerk? Excuse him, ma'am.
00:08:47He's just used to living alone. I'm sorry, Sarah.
00:08:51It must be difficult dealing with him every day. It's okay.
00:08:59Yeah, I'll be right there.
00:09:15Okay, sit. So, I heard a funny little rumor
00:09:19that you married the famous billionaire
00:09:21Edward Arduin. Is it true?
00:09:23I didn't know that he was a billionaire
00:09:25until after we were married.
00:09:27You're joking! How did you manage that?
00:09:29Shh! I just
00:09:31signed a contract. It's fake.
00:09:33What? Well, who cares?
00:09:35What are you waiting for? Seal the deal.
00:09:37I know that I can't think about anyone but
00:09:39Algar.
00:09:41T, it's been ten years since you two escaped the orphanage.
00:09:45I mean, Algar could be anywhere. He could be dead.
00:09:47He's not dead!
00:09:49Okay, um, it's okay.
00:09:51I'm sorry.
00:09:53So, what's your plan?
00:09:55Keep things the way they are, I guess.
00:09:57Except, now I can focus more on acting and not dancing in strip clubs.
00:10:03Hey, that's exciting, right?
00:10:05That's something you've always wanted to do since you were a kid.
00:10:07Is that audition today?
00:10:09Yeah!
00:10:17Hi, I'm here for the audition.
00:10:21You think you could just show up like that, you slut?
00:10:23What?
00:10:27You slut?
00:10:28Are you stalking me?
00:10:30Oh, don't flatter yourself.
00:10:31I'm the lead of this production.
00:10:33She's not auditioning.
00:10:35Sorry.
00:10:37You can't do this!
00:10:38I worked so hard for this opportunity!
00:10:40Oh, like stripping for men and fucking them in strip clubs?
00:10:44Got it!
00:10:45I was dancing, that's it!
00:10:47What's the fucking difference?
00:10:49I eat girls like you for breakfast.
00:10:52Let's go, Derek.
00:10:57No!
00:10:58Please!
00:10:59Wait!
00:11:06Be quiet!
00:11:22We need a camera!
00:11:23Yes!
00:11:24You got it!
00:11:25Wait!
00:11:26You are too sick!
00:11:27Okay, this is so sad!
00:11:28But I've got to wear a mask and I can't take that mask too much.
00:11:30What's the way was that we are expecting?
00:11:31Here we are!
00:11:32Thank you!
00:11:33It'smbols coming!
00:11:34We have to wear a mask too much!
00:11:35This is to wear a mask too much!
00:11:36This is anyone in our office!
00:11:37This is a woman in a room!
00:11:38The next one is to wear a mask too much!
00:11:39That's a woman of a mask too much!
00:11:40The next one is to wear a mask!
00:11:41It's for a mask too much!
00:11:42I'm all set!
00:11:43Boss, get the details.
00:11:47Thelma, she went to high school not far from here.
00:11:50Drought up, the husband auditioned for films.
00:11:53She worked at nightclubs to make a living.
00:11:56Bad relationship with her parents.
00:12:05But not an orphan.
00:12:07No name changes.
00:12:09And definitely never been to an orphanage.
00:12:13I wanted it to be her so bad.
00:12:22Of course it can't be Helen.
00:12:25You've been looking for this girl for ten years.
00:12:28Who is she?
00:12:30Someone more important to me than life itself.
00:12:33Hmm...
00:12:35Hmm...
00:12:43Oh my god.
00:12:45It is her!
00:12:50Find me the location where this photo was sent.
00:12:52Got it.
00:12:53Photo's been sent.
00:12:54Good.
00:12:55Where is she?
00:12:56Oh...
00:12:57Out like a lame.
00:12:59I guess marrying Edward won't solve everything.
00:13:03How about I said it?
00:13:05Do whatever you want with her.
00:13:06And clean it after you're done.
00:13:07I've been searching for you for so long and you were right here.
00:13:26I've been searching for you for so long and you were right here.
00:13:29One of the people who saved her.
00:13:31You're right here.
00:13:32Yes.
00:13:33Her搭y.
00:13:34Yes, my God.
00:13:35No, no, no.
00:13:36No, no.
00:13:37No, no!
00:13:38No, no, no.
00:13:39No, no, no.
00:13:40No, no, no.
00:13:41No, no, no, no.
00:13:42No, no, no.
00:13:43No, no, no.
00:13:44I didn't see you.
00:13:45No, no, no, no.
00:13:46No.
00:13:47Boss, he's gone.
00:13:51Find him.
00:13:52Keep this between us.
00:13:53Got it.
00:13:54Elgar, save me.
00:13:57Come on.
00:13:58I got you.
00:14:10Elgar.
00:14:12I'm sorry.
00:14:15I can't tell you who I am.
00:14:18Not yet.
00:14:34We'll need your names once we're out of here, right?
00:14:38Yeah, we're starting a new life.
00:14:40I'll be Thelma.
00:14:42What about you?
00:14:44Elgar.
00:14:46Helen!
00:14:47Where are you?
00:14:49You have to run quick.
00:14:51Trying to escape again?
00:14:53I warned you it's not gonna work.
00:14:55Looks like I gotta give you some real punishment.
00:14:58You go first.
00:14:59At least one of us needs to escape.
00:15:01No, you go.
00:15:03She's gonna kill you.
00:15:04I won't let her catch me.
00:15:06Just go, I'll find you.
00:15:08Let's meet the amusement park.
00:15:09I'll wait for you, Elgar.
00:15:19Oh, you're not going anywhere.
00:15:22I'll bring her back.
00:15:23Rest assured.
00:15:24After I'm done with you...
00:15:26I'll wait for you, Elgar.
00:15:33What happened?
00:15:44Nothing to worry about.
00:15:45Just some issues with the film crew.
00:15:46Why are you being so nice to me?
00:15:51No reason.
00:15:52Here.
00:15:53Take this card.
00:15:55It's unlimited.
00:15:56Spend it however you want.
00:15:58Why are you doing this?
00:15:59I don't want your money.
00:16:00Well, if you need money, just let me know and you can stop looking for odd jobs.
00:16:11Odd jobs?
00:16:13Acting is my dream.
00:16:15I danced in strip clubs for a living, but people like you, born from a silver spoon, wouldn't
00:16:22understand that.
00:16:23Then stop doing it.
00:16:25We're in a contract marriage, right?
00:16:27I won't interfere with your life, and you can't meddle in mine.
00:16:33Acting is something that I've always wanted.
00:16:36And besides, I'm not going to take your money besides the number that we agreed on.
00:16:43You need to rest now.
00:16:48Do you mind?
00:16:57Look at this mess.
00:17:10Clean it up if you even think about going to bed.
00:17:13Eat up.
00:17:28You must be starving.
00:17:31Nah.
00:17:32You probably work hard for this.
00:17:35Come on, take it.
00:17:36I can't believe she locked you out for three days and made you do all this.
00:17:44Did she even feed you all?
00:17:47You made it easier for me.
00:17:48No, get back before she sees you here.
00:17:50Excuse me.
00:18:10I'm calling to ask about my audition.
00:18:13I'm sorry.
00:18:14Your name has been blacklisted from reproduction.
00:18:17What?
00:18:18What?
00:18:20This is the dude who took them out and sent you those pictures.
00:18:34How about a drink?
00:18:36There are two glasses of scotch there.
00:18:38Pick one.
00:18:40I'm sorry, Mr. Edward.
00:18:41Please.
00:18:43Just a friendly gesture from the boss.
00:18:46One more thing.
00:18:47Only one of those glasses is poisoned for you.
00:18:52You should have known better.
00:18:54That would happen when you kidnapped Emma.
00:18:56Here.
00:18:57I'll do it for you.
00:18:59Hold it.
00:19:03Go.
00:19:06Go.
00:19:06Take him away.
00:19:21This is what I've become, Thelma.
00:19:24I hope you never see me like this.
00:19:28Ruthless.
00:19:29Merciless.
00:19:30Both glasses would have silenced the man.
00:19:36I simply can't forgive him for what he did.
00:19:41Thelma, will you forgive me?
00:19:49What?
00:19:51What the fuck happened to you?
00:19:52How did he find you?
00:19:53What happened?
00:19:54Oh, you can't even talk now?
00:19:58God, you fucking useless.
00:20:02Inform every production you can reach.
00:20:05Thelma will never be an actress.
00:20:09Make sure of it.
00:20:12Go!
00:20:21Dad.
00:20:22Dad.
00:20:22No.
00:20:24Are you okay?
00:20:27I've been blacklisted by every production company.
00:20:31Even the Actors Guild.
00:20:32What am I going to do?
00:20:34Hey, don't lose heart, okay?
00:20:35I happen to know of an audition going on today,
00:20:37if you're interested.
00:20:38Since when did...
00:20:40A good friend of mine tip me off.
00:20:41Now, come on.
00:20:42Let's go.
00:20:43All right?
00:20:43It's better than moping around here.
00:20:45Come on.
00:20:48Here it is.
00:20:50So I can just go in there?
00:20:52Just like this?
00:20:53Yes, I got everything set up, okay?
00:20:55Just go ahead, go in, and do your thing.
00:20:57You got this.
00:20:59Break a leg.
00:21:00What is she doing to you?
00:21:18Who is she?
00:21:20Nobody.
00:21:21She's not here for the audition, too, is she?
00:21:25Well, in that case, we're in for a treat.
00:21:31Carly Jenny, you're up next.
00:21:32You're up next.
00:21:34I can't believe it.
00:21:52It was you all along.
00:21:54That's right.
00:21:58I never thought you'd find me.
00:21:59But it must come to an end.
00:22:03Oh, no!
00:22:05Oh!
00:22:05No!
00:22:05No!
00:22:05No!
00:22:05No!
00:22:06No!
00:22:06No!
00:22:07No!
00:22:07No!
00:22:07No!
00:22:07No!
00:22:07No!
00:22:07No!
00:22:08No!
00:22:08No!
00:22:08No!
00:22:09No!
00:22:09No!
00:22:10No!
00:22:11No!
00:22:12No!
00:22:13No!
00:22:14No!
00:22:15No!
00:22:16No!
00:22:17No!
00:22:18No!
00:22:19No!
00:22:20No!
00:22:21No!
00:22:22No!
00:22:23Just step on your toe.
00:22:25Can I just try again?
00:22:26I was just a bit nervous.
00:22:28Miss Jennings, we are making a thriller with a tragic ending.
00:22:33What you just did was borderline comedy.
00:22:36Excuse me?
00:22:37Yeah?
00:22:37Do you know how close I am with your investor?
00:22:42Sir, she was indeed recommended for the role.
00:22:46May we give her another chance?
00:22:47Sometimes.
00:22:52Oh, no!
00:22:53No!
00:22:54No, no, no, no!
00:22:55We are creating art that appeals to our audience and she is clearly not right for the role!
00:23:02Next!
00:23:03I'm sorry, Miss Jennings, that was great!
00:23:05Maybe, another project.
00:23:07Or, another-
00:23:08What are you still doing here?
00:23:12I thought you were blacklisted.
00:23:13So it was you.
00:23:15You know, if that's the best you got, then I'm not that worried.
00:23:18You think you could do better than me?
00:23:21You're nothing.
00:23:24Yeah! Show us what you got!
00:23:27Thelma?
00:23:38So it was you. All this time!
00:23:47That's right. I never thought you would find me.
00:23:53But now it must come to an end.
00:23:57No! This can't be it for us!
00:24:03Cut!
00:24:10Well, that was amazing!
00:24:14You fully captured that role!
00:24:17Congratulations! You get the part!
00:24:19What?!
00:24:25What about me? You promised me!
00:24:27Oh, come on. You have to admit, she was exceptional!
00:24:30She is perfect for the part!
00:24:32Girl, you killed it!
00:24:35You were great.
00:24:36I'm Alex.
00:24:37Looks like we're going to be scene partners.
00:24:39Thelma.
00:24:40Hey, do you want to go somewhere more private?
00:24:42We can talk about the script.
00:24:43Yeah, sure.
00:24:58What the fuck?
00:24:59I'm hitting on the wrong girl, buddy.
00:25:01Edward, what are you doing?
00:25:04I need to go talk to Thelma.
00:25:05How about you shoot another day?
00:25:11What are you doing?!
00:25:13Gonna explain yourself?
00:25:14I don't owe you any explanations.
00:25:17So you're seeing new guys?
00:25:20What? No! We were just acting out a scene!
00:25:23A scene where you two get real close?
00:25:25Like a couple?
00:25:26I was just doing my job.
00:25:27There's nothing wrong with it!
00:25:29And besides, even if I was seeing someone, it would be none of your business!
00:25:32Yay!
00:25:42I heard you got the lead parole.
00:25:44That's amazing!
00:25:45I knew you'd kill it!
00:25:46Janet, what is Edward doing here?
00:25:48Who?
00:25:49Come on, you know who I'm talking about.
00:25:51Gosh, you still don't know, do you?
00:25:55Well, what?
00:25:59Well, he's actually the investor of this movie.
00:26:02This is his project.
00:26:09Why did you bring me here then?
00:26:11Well, it was actually his idea.
00:26:17Hello?
00:26:19Hi, is this Jean?
00:26:20Who is this?
00:26:22This is Edward Arduin.
00:26:23I recently invested in a film project, and I want you to take your friend Thelma.
00:26:28I think she'll be great for a lead role.
00:26:30Wait, wait, you're Edward Arduin?!
00:26:33I wired the payment to your account.
00:26:36Wait, wait, wait!
00:26:37I still can't believe I spoke to the legendary Edward Arduin.
00:26:44I can't believe you knew all this time and you didn't tell me.
00:26:48Oh, well, don't look at me.
00:26:50I'm just the middle man doing somebody else a favor, okay?
00:26:53And you still got the lead.
00:26:55It's amazing.
00:26:57But, you know, a lot of people say that Edward's not very nice.
00:27:01He's like a stone-cold man.
00:27:03So why is he being so good to you?
00:27:05Yeah, I don't get it either.
00:27:07I mean, women must be throwing themselves at him.
00:27:11Why would he help me?
00:27:20Maybe he's fallen for you.
00:27:22Come on.
00:27:23That's impossible.
00:27:24Why?
00:27:25He said some pretty harsh stuff earlier, so...
00:27:27Wow.
00:27:28Was that why you look all gloomy?
00:27:30What happened?
00:27:31Did you guys fight?
00:27:32He saw me doing a scene with another actor and...
00:27:37It's... whatever.
00:27:42Why do you care what he thinks, though?
00:27:46Come on, girl.
00:27:47This does not sound like you.
00:27:49Are you sure you haven't fallen for him, too?
00:27:51No, it's just...
00:27:54There's something about him that's...
00:27:57Familiar, like...
00:27:59Like...
00:28:01I've seen him before.
00:28:03Hm.
00:28:04I think I didn't see you here, Helen.
00:28:05This place is depressing.
00:28:06I don't know if I could make it without you.
00:28:07You're the one protecting me.
00:28:08I can't stand watching you getting hurt.
00:28:09You're as sweet as a sugar pea.
00:28:10Can I call you sugar pea?
00:28:11Sure, as long as I can call you my little watch.
00:28:12Sure, as long as I can call you my little watch.
00:28:13I can't stand watching you getting hurt.
00:28:14You're as sweet as a sugar pea.
00:28:15Thank goodness you here, Helen.
00:28:23This place is depressing.
00:28:25I don't know if I can make it without you.
00:28:28You're the one protecting me.
00:28:31I can't stand watching you getting hurt.
00:28:33You're as sweet as a sugar pea.
00:28:35Can I call you sugar pea?
00:28:37Sure, as long as I can call you my little rock.
00:28:40My little rock?
00:28:41Because you make me feel safe.
00:28:43Like a rock that I'll never break.
00:28:46Deal.
00:28:54Elker.
00:28:57What have you done to me?
00:29:03I see your face everywhere.
00:29:05Oh, good.
00:29:16Just in time.
00:29:17Oh, good.
00:29:24Damn.
00:29:27Why are you being so nice to me?
00:29:33Look, I'm sorry about today.
00:29:36It was stupid of me to react that way.
00:29:40No, I mean, why did you help me get the role for your film?
00:29:50Well, you won't take my money.
00:29:53And I can't allow the wife of Edward Ardoin to just work a regular job.
00:29:56Oh, okay, so that's why.
00:30:02They're all rich people this one of themselves.
00:30:05What was that?
00:30:06Nothing.
00:30:07This is great.
00:30:08You know, you can be real sweet sometimes.
00:30:15This is delicious.
00:30:18I'm glad you like it.
00:30:21Sweet pea.
00:30:22Good morning, ma'am.
00:30:27Edward is left already.
00:30:31Oh, I saw you were cooking last night.
00:30:33I watched the utensils.
00:30:35Uh, yeah.
00:30:37It was Edward.
00:30:39He was the cook.
00:30:41Edward.
00:30:42Gotta go.
00:30:43We're cooking.
00:30:45Are we good?
00:30:50What is going on?
00:30:52What are we waiting for?
00:30:53Let's get started.
00:30:55One of our lead roles is not here yet.
00:30:57Oh, my God.
00:30:58The one thing I ask everyone here is to be professional.
00:31:04Oh, sorry, guys.
00:31:07Traffic was nightmare.
00:31:09All right, I'm ready to start.
00:31:11Wait, I thought that she didn't get the part.
00:31:14Well, how about that?
00:31:15Looks like I'm going to be playing your SD.
00:31:19After this, nobody's even going to remember you.
00:31:22We'll see about that.
00:31:2742 Delta take two.
00:31:30Ready and action.
00:31:32You have to leave now.
00:31:34Not without the love of my life.
00:31:36I'll wait for him no matter what.
00:31:43Cut.
00:31:44Cut.
00:31:45What do you think you're doing?
00:31:47Just playing my role.
00:31:48I don't want to say maybe I'm just going to go.
00:31:51Carla.
00:31:52What the hell was that?
00:31:54That wasn't even in the script.
00:31:56I was just adding some extra touch to it.
00:31:58You know, for the sake of art.
00:31:59Art?
00:32:01A slap doesn't make any sense.
00:32:03And who gave you the authority to change my script?
00:32:08It's fine.
00:32:09She can hit me.
00:32:10Oh.
00:32:12Thelma, are you sure about this?
00:32:14It's all good if it's all for the sake of the effect.
00:32:18Wow.
00:32:18I knew I was right.
00:32:20I'm choosing you as my lead.
00:32:23Okay.
00:32:23Okay.
00:32:24Back to ones, please.
00:32:26Yes, thank you.
00:32:26Can you pick up my script?
00:32:28And action.
00:32:31You have to leave now.
00:32:33Not without the love of my life.
00:32:35I'll wait for him no matter what.
00:32:39Edward.
00:32:39Edward.
00:32:39Good to see you here.
00:32:46Were you watching me?
00:32:48Me and Thelma make a perfect D-noe.
00:32:51Jay, have these two switch roles.
00:32:53I want Thelma to do the slapping.
00:32:56Since it's all for the sake of art.
00:33:04But Thelma's the lead.
00:33:06Yeah, that wouldn't make any sense.
00:33:09We can't make more changes to the script, Ed.
00:33:11We're already behind.
00:33:12Better get right to it, then.
00:33:14You don't have to do this for me.
00:33:17I'm not doing it for you.
00:33:18I'm doing it for my own investment.
00:33:25All right.
00:33:26We have added a line to the script.
00:33:30So now, Thelma, Carla's new line will be your cue for the slap.
00:33:36Got it?
00:33:38All right.
00:33:39And action.
00:33:42You have to leave now.
00:33:44Not without the love of my life.
00:33:46I'll wait for him no matter what.
00:33:48But what if he's dead?
00:33:49What if he finds somebody else?
00:33:51You're just going to spend the rest of your life waiting for someone who will never come?
00:33:55Then I'll be sure to leave no room for regret.
00:34:06Cut!
00:34:07Oh, bravo!
00:34:10That was perfect, Thelma!
00:34:12You handled that perfectly.
00:34:15Thelma, were you not supposed to love Carla after that line?
00:34:18Uh, no need for that.
00:34:20I think that my character is above that kind of pettiness.
00:34:23I'm going to expose you, Thelma.
00:34:35Sooner or later.
00:34:36Where are you, my little rock?
00:34:49I'm doing fine.
00:34:51Don't you worry.
00:34:55You know it's bad to waste food.
00:34:57Do you think you deserve to be punished?
00:34:59Yes, headmistress, I do.
00:35:01Ma'am, Helen's sick.
00:35:04That's why she couldn't finish.
00:35:05Isn't that sweet?
00:35:07Too bad.
00:35:08She's getting more punishment because of you.
00:35:11Isn't that sweet?
00:35:13Well, if you so insist, you can take it for her.
00:35:16Oh, get off.
00:35:19You're all right.
00:35:31Found the worker who leaked info to our computer.
00:35:35A manager who's worked with us for 20 years.
00:35:38What do we do with him?
00:35:41Uh, fire him.
00:35:43Sue him if we need to.
00:35:46Can't have disloyalty in the company.
00:35:48It might ruin him and his family.
00:35:50So be it.
00:35:53All right.
00:36:31Elker.
00:36:37Elker.
00:36:41Elker.
00:36:42Elker.
00:36:42Where's my...
00:37:12Oh, no, no, no.
00:37:20Morning.
00:37:36What are you doing?
00:37:39Nothing.
00:37:41I carried you to your bed last night and that was it.
00:37:56No, seriously, what are you doing?
00:38:00Nothing, Sweet Pea.
00:38:02What did you just call me?
00:38:05Sweet Pea.
00:38:08You sat in your sleep last night.
00:38:11I see.
00:38:12Well, don't ever do that again.
00:38:16Sure.
00:38:18Hi.
00:38:19Could you maybe explain this scene a little bit?
00:38:33I'm not sure if I get it.
00:38:35I mean, it is pretty straightforward to just do what it says without improvising.
00:38:41Thelma, you were so great yesterday.
00:38:45I want to go over this one part.
00:38:47Now, when you say this line, I'm about...
00:38:50We'll see who wins.
00:38:54Nos, what am I doing this afternoon?
00:38:57Well, it's kind of a very important meeting.
00:39:00Did you forget?
00:39:02Canceled.
00:39:03Send them my apologies.
00:39:05What?
00:39:06So, what do you normally do when you're not working?
00:39:10Uh, I do striptease.
00:39:13Oh.
00:39:14I was thinking more along the lines of going to the movies.
00:39:18There's actually a good one out right now.
00:39:21I mean, maybe if you're interested, we could try to catch it together.
00:39:24Sorry, but I really need to focus on this job right now.
00:39:28Oh, yeah.
00:39:29Sure, sure.
00:39:30You're a really interesting person to talk to.
00:39:33You know that?
00:39:35Edward!
00:39:37Are you here to see me?
00:39:39Oh, you're a little dad.
00:39:42Oh.
00:39:44Edward?
00:39:45It's not for you.
00:39:46I'm sorry.
00:39:47Why is she still talking about me?
00:39:49I don't know.
00:39:50Go put this knife in the lounge.
00:39:52Got it, boss.
00:39:53Edward?
00:39:54What's your name again?
00:39:55Actually, it doesn't matter.
00:39:56What were you talking to my wife about?
00:40:14Oh.
00:40:15Thelma, I had no idea that you were married.
00:40:19Oh, don't worry about it, man.
00:40:21We were just talking about stuff in the script.
00:40:23Is that right?
00:40:24Yeah.
00:40:25Hey, so you must be Edward Arduin.
00:40:28I've heard a lot about you.
00:40:29I'm Alex.
00:40:30Cool.
00:40:31Bye, Alex.
00:40:32Great.
00:40:33Yeah.
00:40:34I'll see you later down line.
00:40:36No, you won't.
00:40:37Good.
00:40:38You guys are all here.
00:40:39Edward brought snacks.
00:40:40They're in the lounge if anyone wants them.
00:40:42Yes, I'll come.
00:40:43What?
00:40:44Snacks.
00:40:45Edward doesn't usually come to set this often.
00:40:46He's quite the busy man.
00:40:47I think he's here to see you.
00:40:48He's here to see Carla, not me.
00:40:49Oh, please.
00:40:50Can you not see the way he looks at you?
00:40:51Whatever.
00:40:52Oh.
00:40:53Speak of the devil.
00:40:54I will give you two some privacy.
00:40:55Wait.
00:40:56No.
00:40:57Don't.
00:40:58Excuse me.
00:40:59You're getting out of hand.
00:41:01Don't forget, I'm the one who hired you.
00:41:03Excuse me?
00:41:04Stay away from Alex.
00:41:05You're getting out of hand.
00:41:06Don't forget, I'm the one who hired you.
00:41:07Excuse me?
00:41:08What are you talking about?
00:41:09I'm not just...
00:41:10You're getting out of hand.
00:41:19Don't forget, I'm the one who hired you.
00:41:21Excuse me?
00:41:22Stay away from Alex.
00:41:24Got it?
00:41:25What are you talking about?
00:41:26There's nothing going on between us.
00:41:27Besides, you came here to see Carla.
00:41:31So you're jealous?
00:41:34What are you talking about?
00:41:36I'm not jealous.
00:41:37What are you doing?
00:41:47Carla and I are together.
00:41:49I'm here for you.
00:41:51You really expect me to believe that?
00:41:53Don't look.
00:41:59Yeah, girl?
00:42:03What?
00:42:07Jean, are you absolutely sure?
00:42:13Yes, positive.
00:42:14I used to know this guy from the streets and he and Algar drifted around for months.
00:42:18So where is he?
00:42:20Well, they later got separated so he has no idea after that.
00:42:24But that's got to mean that Algar is still alive, right?
00:42:28Oh my goodness.
00:42:29Thank you so much.
00:42:30You have no idea how much this means to me.
00:42:32It's been ten years.
00:42:34Don't forget, you are married too.
00:42:38What are you going to do?
00:42:40I'll divorce him once our contract is up.
00:42:43I needed the money.
00:42:45Algar will understand.
00:42:47I don't know.
00:42:48Edward seemed really into you.
00:42:52Actually, Jean, I think I should keep my distance from him.
00:42:55You okay?
00:43:07Yeah.
00:43:11Want to tell me what happened?
00:43:14I just want to be alone for a bit, okay?
00:43:18Is this about Carla?
00:43:20I told you I went to see you, not her.
00:43:23Edward, I don't care who you're seeing.
00:43:26We're only married on paper, right?
00:43:30Is this because we're moving too fast?
00:43:38Is this about Carla?
00:43:41I told you I went to see you, not her.
00:43:44Edward, I don't care who you're seeing.
00:43:46We're only married on paper, right?
00:43:48Is this because we're moving too fast?
00:43:56I just think that we should keep our distance.
00:43:59Please.
00:44:07Thought she was playing hard to get, huh?
00:44:09Maybe she doesn't want to seem too eager.
00:44:11I mean, why would anyone project you?
00:44:15It's impossible.
00:44:17Come on.
00:44:18Let's get to the set.
00:44:23Hey, Thelma.
00:44:24You'll be wearing this dress for the next scene.
00:44:26Is that okay?
00:44:26That's fine.
00:44:30So you think you could just take whatever you want?
00:44:32I thought this was my personal changing room, like it's always been.
00:44:41Carla, this room is for the lead role.
00:44:44Yours is outside.
00:44:46Well, actually, I'm all done here.
00:44:48Carla loves taking things that aren't hers.
00:44:51Be my guest.
00:44:52Use it.
00:44:53Oh.
00:44:54Well, aren't you quite generous then, hmm?
00:44:58Edward's not here, so you can drop the act.
00:45:00We actually need to get back to work, if there's nothing else.
00:45:04Actually, I can finish my makeup myself.
00:45:11Go on.
00:45:12What do you want to talk about?
00:45:13Let's make a deal.
00:45:14A deal?
00:45:19Who the fuck do you think you are?
00:45:21Well, as far as I know, I'm Edward's wife.
00:45:28Gunner deal.
00:45:29Stop picking fights with me.
00:45:31Stop giving me a hard time on set, and I won't take anything away from you.
00:45:35I'll actually help you with whatever you and Edward have going on.
00:45:41All right, deal.
00:45:43I'm done with this room, by the way.
00:45:45It's yours if you still want it.
00:45:47I don't need your pity.
00:45:48I don't need your pity.
00:45:49Don't you have, like, business to run?
00:46:04What are you doing here all day?
00:46:05Hey, um, actually, about what happened.
00:46:15I think that we should talk.
00:46:17Why don't you meet me in the lounge after we wrap up?
00:46:21Why can't we talk now?
00:46:22I want it to be a surprise.
00:46:24See you later.
00:46:25What does she want to talk about?
00:46:37Does she not want to see me?
00:46:40Hi, Edward.
00:46:42Carla?
00:46:43Carla?
00:46:43Why are you here?
00:46:46Where's Thelma?
00:46:47Who should I know?
00:46:49Maybe another script?
00:46:53What are you doing?
00:46:54Are you trying to set those two up?
00:46:56Yeah, and if they're together, then they'll have nothing to do with me.
00:47:01Sounds like a terrible idea.
00:47:03Well, if you have a better idea, then let's hear it.
00:47:05Edward!
00:47:12If they're together, then they'll have nothing to do with me.
00:47:17Well, as long as you're okay with this.
00:47:20Of course I am.
00:47:22Why wouldn't I be?
00:47:22I mean, now I can just focus on what really matters, and I can try to find Algar.
00:47:31Edward!
00:47:33What the fuck are you doing?
00:47:34Whatever games you're playing, you need to stop.
00:47:44What are you talking about?
00:47:45You came here to see Carlos, right?
00:47:48Thelma, come on.
00:47:50Edward, we're going to be divorced really soon.
00:47:52So?
00:47:53So if you're attracted to somebody, then go for it.
00:47:56I want you to be happy.
00:47:57The only person I love is you.
00:47:59Edward, how could you?
00:48:07Everything I do for you, Carla, I do for your father.
00:48:12He looked out for me, so this is me paying him back.
00:48:15I'm already in love with somebody else.
00:48:25It's never going to be you.
00:48:28But if that man didn't exist, would you consider me?
00:48:30Stop it, Edward.
00:48:31It's never going to happen.
00:48:33What do I do, Algar?
00:48:40I know you're out there.
00:48:43What do I do?
00:48:56Boss, you've been here for a while.
00:48:58Is everything okay?
00:48:59Why don't you tell her you're the one she's looking for?
00:49:06Do you remember when I did to return to the Ardoin family?
00:49:21About Algar.
00:49:23Are you telling me that Mr. Ardoin knows his illegitimate son is Algar?
00:49:29Yes.
00:49:31And now the old man wants him back.
00:49:34Mmm, another brat to share their inheritance.
00:49:37If I could only get rid of his mother, getting rid of him shouldn't be a problem.
00:49:43Madam, it's our fault.
00:49:46Please don't withdraw your donation to the orphanage.
00:49:49If we work together on this, I could even help you.
00:49:55Get rid of Algar for good.
00:49:59Take care of it.
00:50:05But make sure we don't lose it.
00:50:10Shall we go to the Rose Garden?
00:50:12Yes, please, sir.
00:50:13You have to see it, sir.
00:50:15I've heard you.
00:50:16Goodness, sir.
00:50:16Yes.
00:50:20I got rid of the woman who killed my mother.
00:50:23Sent me to an orphanage.
00:50:24I eliminated everyone associated with her.
00:50:30Over the years.
00:50:36I did whatever it took to gain my father's approval.
00:50:40To secure my inheritance.
00:50:43My methods were ruthless.
00:50:46My conscience.
00:50:49Callous.
00:50:51You did what you had to do.
00:50:53And now I'm a different man.
00:50:56A monster she doesn't even recognize.
00:50:58If she finds out this is the man she's been looking for all these years, it'll drive her away.
00:51:06I can't lose her again.
00:51:10So it was true?
00:51:12Argon and I, we roamed the city for a winter and a lot of people say he made some enemies.
00:51:28One night under the bridge where we slept, he got stabbed and he died.
00:51:34No, you're mistaken.
00:51:39He always had a ring with him.
00:51:41It was a nice ring.
00:51:44I think it had the letters A and H on it.
00:51:48I told him he could pawn it for a few bucks, but he just kept it with him.
00:51:55No, he can't just be gone.
00:51:58He can't just be gone.
00:51:59It's okay.
00:52:00It's okay.
00:52:04Oh, Thelma.
00:52:10Sweetie, what's wrong?
00:52:12Oh, my God.
00:52:13Baby, you have an evening three days.
00:52:16Can I get you something?
00:52:18Anything?
00:52:19It's not good for you.
00:52:22Oh, my God.
00:52:24It's okay.
00:52:26It's okay.
00:52:28This is my fault.
00:52:32She's burning up.
00:52:33The doctor said it was from emotional distress and not eating.
00:52:39Go make her something light.
00:52:41I'll stay with her.
00:52:43Yes.
00:52:43You need to get some rest and let me handle this.
00:52:53No, it's okay.
00:52:54Leave it to me.
00:52:56Look, I know you care, but I've never seen you do this for anyone.
00:53:01And if the old lady were here, she'd be heartbroken to see you this exhausted.
00:53:07Don't worry about me, Sarah.
00:53:08You can go now.
00:53:09I'm not hungry.
00:53:21I'm not hungry.
00:53:25Please eat and get better.
00:53:26Thelma, oh, my God.
00:53:55Are you okay?
00:53:56I've been trying to call you ten times.
00:53:59You haven't done something stupid, have you?
00:54:01I can't find a reason to go.
00:54:03Stop saying that, okay?
00:54:07Don't listen to what that guy said.
00:54:09He doesn't know what he's talking about.
00:54:11They never found Alger's body.
00:54:13Maybe he's still alive.
00:54:16You've waited ten years, okay?
00:54:19You sure you're going to give up now?
00:54:21Don't you want to find out the truth for yourself?
00:54:24Yeah, you're right.
00:54:25And I should keep going.
00:54:29Good.
00:54:30Now go get some sleep and get back to set, girl, okay?
00:54:33That is something that you've always wanted, and you're not going to screw it up, all right?
00:54:38Yeah.
00:54:40I understand.
00:54:42I'll keep going for Algar.
00:54:44I want that bitch, Ted.
00:54:49You got that thing ready?
00:54:52Sure, I would do the job.
00:54:58All right.
00:55:00Don't mess this up.
00:55:01Ready for first day.
00:55:03Coming!
00:55:03Coming!
00:55:04Coming!
00:55:14You wanted to see me?
00:55:17Yes.
00:55:17It is about the scene where you're stabbed.
00:55:20We will be using this as a prop.
00:55:23So once the safety is clicked off, the blade will go back inside itself upon impact.
00:55:28So don't worry.
00:55:28It's not going to hurt you.
00:55:30See?
00:55:31Nice.
00:55:34Exactly.
00:55:40Thelma, Carla, all set?
00:55:42All departments ready?
00:55:48And action!
00:55:54Wait!
00:55:56Cut!
00:55:56Cut!
00:55:57Edward?
00:55:57Are you okay?
00:55:58Oh, God, how did this happen?
00:55:59Edward, don't die on me.
00:56:04Please.
00:56:06I know that my past is complicated, and I'm not worthy of your time or your love.
00:56:11What makes me so special?
00:56:17Okay, I admit.
00:56:19I think somewhere along the way I became attracted to you.
00:56:23And I know that you keep this stone-cold face.
00:56:26But I know that that's not the real you.
00:56:31Please.
00:56:33Show me the real you.
00:56:35Let me in.
00:56:35Edward!
00:56:44What are you doing?
00:56:47That's not funny.
00:56:48I was worried sick.
00:56:49What's the matter with you?
00:56:50How else could I get such a lovely monologue?
00:56:53Okay, you know what?
00:56:54I'm going to go get a doctor.
00:56:55No, no, no, no.
00:56:57I'm fine.
00:56:58No.
00:56:59Look, not even a scratch.
00:57:01Just need a minute.
00:57:02Are you sure?
00:57:03It seemed pretty serious.
00:57:05Yeah, the knife didn't even get to me.
00:57:08Something blocked it.
00:57:10Really?
00:57:11Where is it?
00:57:11Nothing.
00:57:14I'll find out what happened today.
00:57:16Meanwhile, be more careful on set.
00:57:19Yeah?
00:57:19No, don't worry about it.
00:57:22You're the patient.
00:57:23Just rest up now.
00:57:26I heard everything you were saying, by the way.
00:57:29Okay.
00:57:29You know what?
00:57:30I'm really getting you a doctor now.
00:57:31Just shut up.
00:57:42You saved my life.
00:57:45How are you doing, boss?
00:57:51Not too shabby.
00:57:54So, what do you plan to do with Karma?
00:57:58Cool.
00:57:59Almost forgot.
00:58:01Let's get payback.
00:58:02Let's go.
00:58:05I'm not sure what we're going to do after your little incident.
00:58:10I'm sorry.
00:58:11I wasn't thinking.
00:58:12It won't happen again.
00:58:13I promise.
00:58:14Jay, get a replacement for her role.
00:58:16She's done.
00:58:22Edward, what are you saying?
00:58:23I told you to stop pulling these tricks behind my back.
00:58:26I didn't do anything.
00:58:28Don't listen to her.
00:58:28She's making it all up.
00:58:30Carla had someone on the prop team switch the fake knife with a real one.
00:58:34She almost killed Thelma.
00:58:35And myself.
00:58:37Edward, I'm sorry.
00:58:39I messed up.
00:58:40Please, please give me another chance.
00:58:42I've given you plenty of chances.
00:58:45Really, Edward?
00:58:48After all these years?
00:58:50Please stop burying yourself.
00:58:54Hey, hey.
00:58:55Doing all of this for a man?
00:58:57I hope it's worth it.
00:59:00Edward, you know everything I did is because I love you.
00:59:03If you try hurting her again, you will be sorry.
00:59:15Hand her over to the police.
00:59:20Well, now that that's over, we should talk about what you said to me earlier.
00:59:24Which is what?
00:59:27That you were attracted to me.
00:59:32We're not going to talk about that.
00:59:34That's not fair.
00:59:34You tricked me.
00:59:37Got it.
00:59:38What if the person you're looking for is me?
00:59:55Don't be ridiculous.
01:00:02Besides, you come from a rich and powerful family.
01:00:05And he's an orphan like me.
01:00:10And he's incredibly kind.
01:00:12He wouldn't even step on an aunt.
01:00:14I can't say the same thing about you.
01:00:21People can change.
01:00:23I will never stop searching for him.
01:00:26I'm afraid that you can't stop me.
01:00:34Am I even worthy of love?
01:00:40Am I even worthy of love?
01:00:42You're a billionaire.
01:00:45I'm sure that there's plenty of women fighting over you.
01:00:49Plus,
01:00:50I stand by what I said.
01:00:55I don't think that this Edward is the real you.
01:01:00Do you remember when we first met?
01:01:03You saved me.
01:01:05You're a good person.
01:01:07You're kind to Nos.
01:01:10To Sarah.
01:01:12You'll find the love that you deserve.
01:01:21He's gone.
01:01:26I waited ten years and he's just gone.
01:01:33Do you like the man I am now?
01:01:34It doesn't matter.
01:01:36We're getting divorced in a year.
01:01:42If I give you all my properties and assets,
01:01:45can we not get a divorce?
01:01:48Oh.
01:01:48Oh.
01:01:49Oh.
01:01:51No.
01:01:52My head.
01:02:15Do you remember what happened?
01:02:17He said something about money and assets.
01:02:30And then after that,
01:02:31not a thing.
01:02:33I can't be watching people get arrested all the same day.
01:02:47Can we talk?
01:02:50I heard you've been looking for someone.
01:02:53Yes.
01:02:57I believe this could be helpful.
01:02:59This place is re-opening soon.
01:03:04I'd like for you to come.
01:03:07What does this have to do with the man that I'm looking for?
01:03:10You'll see.
01:03:14Okay, I'll go.
01:03:15Good.
01:03:17Edward is all the place.
01:03:19What does this have to do with Edward?
01:03:21You'll see.
01:03:22Look at that.
01:03:26See?
01:03:27Oh my God.
01:03:28Yes, I trusted you.
01:03:29Guys, we're blowing up.
01:03:31What do you mean?
01:03:32After we posted the behind the scenes,
01:03:34we went viral.
01:03:36Thelma became a sensation.
01:03:38She's now trending number one.
01:03:40Big star.
01:03:41Trending?
01:03:42Does this mean more money?
01:03:43Of course it does.
01:03:45And that is just the easy part.
01:03:47I was thinking about my next movie.
01:03:49And I want you to be in it.
01:03:52Wow.
01:03:53This is a dream come true.
01:03:55And we're having a wrap party at the hottest bar tonight.
01:03:59All right.
01:04:00You'll wonder who's so generous.
01:04:09Boss, I bought this new contract.
01:04:11Do you think Thelma will be surprised by the party I'm throwing for?
01:04:14Oh, definitely.
01:04:17So should I pick her up?
01:04:18Or do I have to show up at the party?
01:04:21You don't do this often, do you?
01:04:40Great party, Edward.
01:04:43It'll only be fitting, right?
01:04:44I'm not entirely bad.
01:04:47So, thank you.
01:04:51How would you like to thank me?
01:04:53Sorry, everybody.
01:04:54Attention, attention.
01:04:55Thank you, thank you.
01:04:57First off, this has been an amazing three months.
01:05:02I'd like to thank everybody in here.
01:05:04And, uh, well, here is to its huge success.
01:05:10Cheers.
01:05:10Cheers.
01:05:11Cheers.
01:05:12Mm-hmm.
01:05:14And now, a few words from Edward, the man, the big boss.
01:05:18Without him, none of this would be possible.
01:05:21Thank you all so much.
01:05:23I just want to say how grateful I am for the opportunity.
01:05:28Jay is an exceptional director.
01:05:30He's casting remarkable.
01:05:33Thelma's performance in particular, out of this world.
01:05:37And I'd like to take this moment to tell her that I'll always be there to support her.
01:05:43Cheers.
01:05:44Thelma, the superstar!
01:05:51Stop it.
01:05:52Uh, by the way, do you think Alger will watch my new show?
01:05:56Do you think it'll recognize me?
01:05:58No.
01:05:59Thelma, I know this is really hard to hear, but you gotta let him go.
01:06:05Alger's gone.
01:06:07I'm not giving up until I know for sure.
01:06:14Hey!
01:06:21Let me out!
01:06:27Thelma!
01:06:29Are you quitting?
01:06:30What are you talking about?
01:06:31Production told me you turned down Jay's new project.
01:06:34And you didn't show up for any of the promo events.
01:06:37What new project is this about?
01:06:39Who told you this?
01:06:40Oh.
01:06:41Oh, no.
01:06:41It couldn't be Edward.
01:06:46Could it?
01:06:48Edward?
01:06:50So, he turned it down and he told everybody that I quit?
01:06:54Maybe he thought it was for your own good?
01:06:58Interfering with my career without telling me?
01:07:00How is that for my own good?
01:07:06Babe, Mr. Ardoin is in a meeting right now.
01:07:09You got me out of my way.
01:07:10Apologies, gentlemen.
01:07:12Let's take a break.
01:07:13We'll continue this afternoon.
01:07:18Did you turn down the offer for my new film?
01:07:25Can I explain?
01:07:27This will terminate our contract marriage.
01:07:29The deal is over.
01:07:30What do you mean?
01:07:33I'll pay the penalty for breaching our contract.
01:07:36Once it's settled, I don't want you meddling in my life anymore.
01:07:39You almost got hurt on set.
01:07:41I was trying to protect you.
01:07:43God, I don't need your protection, okay?
01:07:45I can look out for myself.
01:07:46This is my life.
01:07:48You're making a big mistake here.
01:07:51Just stay out of my work and my personal life, Edward.
01:07:54We're done.
01:08:02Hey, it's Thelma.
01:08:04Can I see you real quick?
01:08:08Thelma, you're very talented.
01:08:11It was such a shame just seeing you give up.
01:08:14But I knew you had it in you from this start.
01:08:18I saw it in you all the way.
01:08:23Now I strictly get to make decisions for myself.
01:08:28Now let's see this next project.
01:08:30Next project, next project.
01:08:31Here it is.
01:08:36What do you think?
01:08:37Let's just say that it's a pleasure doing business with you, Jay.
01:08:49Congratulations.
01:09:02Come on.
01:09:03Please move.
01:09:03I'm leaving it.
01:09:04You need to calm down.
01:09:05What are you doing?
01:09:05Excuse me, I'm perfectly calm.
01:09:08How about we both compromise?
01:09:10You continue with your acting
01:09:11as long as it's through Ardoin investments.
01:09:14You still don't get it, do you?
01:09:16I'm not your accessory.
01:09:17I'm not a part of the Ardoin family.
01:09:20Plus, the only person that can make decisions for me is myself.
01:09:23Can't we talk about it for the sake of our relationship?
01:09:28Look.
01:09:29I'm thankful for everything that you've done for me.
01:09:33You've crossed the line.
01:09:35Goodbye, Edward.
01:09:40Oh, Thelma.
01:09:42Look, I have rarely seen Edward smile since his father passed away.
01:09:47And he's like a new man now that you're here.
01:09:50I'm sorry, but I can't stay here.
01:09:53It's okay, Sarah.
01:09:57Let her go.
01:09:58Since when did we become stalkers?
01:10:17Where is she?
01:10:20You know, she has a bunch of crazy fans trying to get her attention,
01:10:22but if those assholes think they have a shot with my woman...
01:10:25You've not seen the news?
01:10:27Thelma has announced she's single again.
01:10:30What?
01:10:30Yeah, even a bunch of haters have turned into fans now.
01:10:34Especially after watching her show.
01:10:41This is so weird for you guys.
01:10:42Yeah.
01:10:43Damn it.
01:10:44Knew that guy was up to do good.
01:10:45Thelma, Thelma, Thelma, Thelma, are you still working with Ardawan Investment Family?
01:10:59The Ardawan family's never officially announced your divorce.
01:11:02Is there something that they're hiding?
01:11:03Was your marriage to Edward Eddard strictly business, like the tabloids say?
01:11:11Uh, why don't you ask the man himself?
01:11:23Hey, Mr. Ardawan, you got a second?
01:11:25I don't.
01:11:26I'm sorry.
01:11:27So, Mr. Ardawan, what brings you here?
01:11:34Thinking of joining the entertainment industry?
01:11:36You know why I'm here.
01:11:38Sorry, I can't help you with that.
01:11:41Uh, so this new film is a romantic drama with some comedy.
01:11:46Is your and Jay's new movie, too, yeah?
01:11:48I was like, wow.
01:11:49You ever wanted to eat?
01:11:50Let's go!
01:11:51No.
01:11:52Not yet.
01:11:53Anyways, I would love to thank our amazing director, Jay,
01:11:56for all of his amazing visions
01:11:59and everyone else who's helped me on this incredible journey.
01:12:03What?
01:12:03Well, specifically.
01:12:06And I'm so excited to get started
01:12:08because I know that this is going to be another hit.
01:12:10All right, ready to check out the set for the new movie?
01:12:13I'll walk in.
01:12:14Uh, actually, do you want to check it out together?
01:12:17Sure.
01:12:20Thelma, Thelma, Thelma.
01:12:24How do you win back a little bit?
01:12:25Uh, flowers, romance, gifts are always a good move.
01:12:32Oh, Regina.
01:12:33Let's get back to the other side.
01:12:34I, uh, got these for you.
01:12:47You can just leave them there.
01:12:54Thelma, I'm sorry.
01:12:56I was wrong.
01:12:57Please, give me another chance.
01:13:06I promise I won't be overbearing.
01:13:09I'll respect all your opinions.
01:13:11And I'll never interfere with your career again.
01:13:18The flowers look good.
01:13:19I'll take these and we can talk about the rest later.
01:13:37Go!
01:13:38I don't want to see you again!
01:13:39Cuts!
01:13:41Well done, everybody.
01:13:44That is a wrap.
01:13:46Great.
01:13:47Here, I got you a cup of coffee.
01:13:49Thanks, Alex.
01:13:50Oh, shoot!
01:13:51I need to know where she is.
01:14:16Now!
01:14:17I think I might know where she is.
01:14:22Why the hell would you know?
01:14:23Do you have something to do with it?
01:14:23No, man.
01:14:24Look, all right.
01:14:24Carla was talking to some sketchy dude about Carla's basement.
01:14:28I think Thelma might be there.
01:14:29Trust me, man.
01:14:30I don't want anything bad to happen to her either.
01:14:32Believe me.
01:14:39Thelma?
01:14:40Where are you?
01:14:53Let's not do anything stupid.
01:14:55Whatever you want, just name it.
01:15:00Edward, Edward, Edward.
01:15:05How did you find this place?
01:15:10You again?
01:15:13You didn't seriously believe I would just walk away, did you?
01:15:16You're a coward.
01:15:20Killer.
01:15:21And, Edward, I want you to watch.
01:15:24If you touch her, I will skin you alive.
01:15:28I got it.
01:15:36Thelma, run!
01:15:37It's okay.
01:16:04It's over.
01:16:04It's over.
01:16:04It's over.
01:16:07It's all over.
01:16:30It's today.
01:16:31I promised Ness I would go.
01:16:37to meet Little Rock at.
01:16:47I thought it closed down years ago.
01:16:51Thelma?
01:16:52Edward?
01:16:54What are you doing here?
01:16:55Nas told me to come.
01:16:57What are you doing here?
01:16:59Well, now that you're here,
01:17:02I need to tell you a little secret.
01:17:04Be right back.
01:17:04Edward?
01:17:06Edward?
01:17:18Don't be scared, sweet man.
01:17:20What did you just call me?
01:17:29I told you I'd meet you here, Ellen.
01:17:30I told you I'd meet you here, Ellen.
01:17:41Alcar, but how?
01:17:43Why didn't you tell me after all this time?
01:17:47After I escaped the orphanage,
01:17:50the headmistress sent people after me.
01:17:51So I had to fake my death.
01:17:52So I had to fake my own death.
01:17:55I survived.
01:17:57But the price was becoming a different man.
01:18:01Cold.
01:18:02Ruthless.
01:18:04Even cruel.
01:18:05And I was so scared
01:18:08that if you found out this was the man I'd become,
01:18:13you wouldn't love me anymore.
01:18:14Besides, the
01:18:15Arduin family erased every trace of my past.
01:18:19If they find out you're the one I'm looking for,
01:18:22they'll use you against me.
01:18:24And I can't risk that.
01:18:26Alcar,
01:18:27you know
01:18:29that I love you.
01:18:32You do?
01:18:36Yeah, with you by my side,
01:18:37I'm not afraid of anything.
01:18:41I don't want us to ever be apart again.
01:18:54Yes.
01:19:11You
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