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Stolen Identity (1953) is an engaging and suspenseful drama that follows a determined individual working to solve a puzzling situation and uncover important truths. Through clever thinking, persistence, and teamwork, the story highlights problem-solving, personal growth, and the importance of understanding and trust.
With captivating storytelling, memorable characters, and intriguing plot developments, Stolen Identity (1953) offers a thought-provoking and family-friendly experience for viewers of all ages. The film emphasizes intelligence, cooperation, and resilience, making it an enjoyable and uplifting classic for audiences who enjoy character-driven dramas.
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With captivating storytelling, memorable characters, and intriguing plot developments, Stolen Identity (1953) offers a thought-provoking and family-friendly experience for viewers of all ages. The film emphasizes intelligence, cooperation, and resilience, making it an enjoyable and uplifting classic for audiences who enjoy character-driven dramas.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:01:32¿Fueltas en inglés?
00:01:33¡Gracias!
00:01:34¡Gracias!
00:01:35¡Gracias!
00:01:36¡Gracias!
00:01:38¡Gracias!
00:01:43¡Forten shillings, $50,00!
00:01:45¡Gracias!
00:01:58¡Gracias!
00:02:00Perhaps there's something in that
00:02:15In the years there's always
00:02:17such a commotion
00:02:18Oh
00:02:25Here it is
00:02:27Mrs. Karen Minnelli
00:02:29You're in luck
00:02:30Please
00:02:34Would you sign here
00:02:36Thank you
00:02:42Hope it's good news
00:02:43Of course
00:02:44Happy New Year
00:02:45Thank you
00:02:47The same to you
00:02:59Thank you
00:03:14Thank you
00:03:16No, no, no, no, no.
00:03:46No, no, no, no, no, no, no, no.
00:04:16But the shoes are in your closet, Mr. Kruger.
00:04:22Right where I put them.
00:04:24Really?
00:04:25And I didn't see them.
00:04:26Thank you.
00:04:31Again nothing?
00:04:32Well, this time there is.
00:04:34A telegram.
00:04:36Jack Mortimer arrives today.
00:04:37This train arrives at seven.
00:04:48Yes.
00:04:49What time is it now?
00:04:51It's four o'clock.
00:04:53I wonder what she wrote to him.
00:04:56Why don't you ask her?
00:04:58Ask her.
00:05:00Why not?
00:05:02I will.
00:05:04Why, Claude, you shouldn't get upset.
00:05:07You have a concert tonight.
00:05:09Perhaps I shouldn't have shown it to you.
00:05:11I'm very grateful you did.
00:05:12Mrs. Fraser, tell me, how many letters or telegrams have you given my wife lately?
00:05:25That's good enough.
00:05:26Interesting, your book.
00:05:45Not especially.
00:05:46What is it?
00:05:47You know how you look like someone sitting in a railroad station at a train as late, holding a book to fill in the time, and waiting.
00:05:59What are you waiting for, Karen?
00:06:01I don't know what you mean.
00:06:03Perhaps for an answer.
00:06:05The answer to a letter you have written.
00:06:09What did you write to Jack Mortimer, Karen?
00:06:11Well, come on.
00:06:15Invent something.
00:06:16It shouldn't be so difficult.
00:06:18Why don't you lie?
00:06:19Stop it, Claude.
00:06:20I've had enough.
00:06:22Now leave me alone.
00:06:41Karen, why do you have confidence in strangers instead of in me?
00:06:51Why do you want to leave me?
00:06:53Don't play games with me, Claude.
00:06:54I can't bear it.
00:06:55I'm not playing any games.
00:06:58It's so simple, Claude.
00:07:00I've told you a thousand times.
00:07:04I'm not happy.
00:07:08I know it's hard living with me.
00:07:11But there's never been a moment where I didn't need you.
00:07:14Whatever I might have done or said, you know that.
00:07:17Well, then, why don't you talk to me like this more often?
00:07:21Darling, I will.
00:07:22If you stay with me, I promise you I will.
00:07:25Everything will be different.
00:07:26There'll be no more spying and no more suspicions.
00:07:29Look, this came for you from Jack Mortimer.
00:07:33That's the message you were waiting for, isn't it?
00:07:36You see, I'm not afraid to show it to you.
00:07:40Thank you.
00:07:41Darling, I don't want to know what you wrote to him.
00:07:44And I don't want to know what your plans were.
00:07:46There's just one thing you have to tell me.
00:07:49And that is that we'll stay together.
00:07:52Yes.
00:07:53You won't see him?
00:07:55No.
00:07:56You swear it.
00:07:58Yes, Claude.
00:08:05Excuse me, Claude, but you're late.
00:08:07We have already called twice.
00:08:08You have got to leave now.
00:08:09All right, Kruger.
00:08:10Get the car ready.
00:08:11All right.
00:08:12I'll be home before midnight.
00:08:16We'll see the New Year end together.
00:08:17Yes, Claude.
00:08:19What kind of a New Year would there be for me without you?
00:08:22What kind of a life?
00:08:25The other.
00:08:26It will be a better year.
00:08:28You'll see.
00:08:28You'll see.
00:08:47¿Dónde estás?
00:09:14¿Dónde estás?
00:09:15¿De qué hice?
00:09:19¡Outhankaba!
00:09:20¡Paame el medio!
00:09:22¡Fío!
00:09:24¡Viva!
00:09:26¡Fío!
00:09:28¡O conferences!
00:09:38¡Bien!
00:09:42¡Fío!
00:09:43¡Suscríbete al canal!
00:10:13¡Suscríbete al canal!
00:10:43¡Suscríbete al canal!
00:10:47¡Suscríbete al canal!
00:10:49¡Suscríbete al canal!
00:10:51¡Suscríbete al canal!
00:10:53¡Suscríbete al canal!
00:10:55¡Suscríbete al canal!
00:10:57¡Suscríbete al canal!
00:11:29¡Suscríbete al canal!
00:11:31¡Suscríbete al canal!
00:11:33¡Suscríbete al canal!
00:11:35¡Suscríbete al canal!
00:11:37¡Suscríbete al canal!
00:11:39¡Suscríbete al canal!
00:11:41¡Suscríbete al canal!
00:11:43¡Suscríbete al canal!
00:11:45¡Suscríbete al canal!
00:11:47¡Suscríbete al canal!
00:11:49¡Suscríbete al canal!
00:11:51¡Suscríbete al canal!
00:11:53¡Suscríbete al canal!
00:11:55¡Suscríbete al canal!
00:11:57¡Suscríbete al canal!
00:11:59¡Suscríbete al canal!
00:12:01¡Suscríbete al canal!
00:12:03¡Suscríbete al canal!
00:12:05¡Suscríbete al canal!
00:12:07¡Suscríbete al canal!
00:12:09¡Suscríbete al canal!
00:12:11¡Suscríbete al canal!
00:12:13¡Suscríbete al canal!
00:12:15¡Suscríbete al canal!
00:12:17¡Suscríbete al canal!
00:12:19¡Suscríbete al canal!
00:12:21¡Suscríbete al canal!
00:12:23No gun and no saber.
00:12:26Just a sharp little pencil.
00:12:30He points it at me and says very politely,
00:12:33What's your name, my boy?
00:12:35I say, Tony Sponer, sir, with your permission.
00:12:40He says,
00:12:42Now show me your papers, my boy.
00:12:45And I start to sweat.
00:12:48My heart begins to pound like crazy.
00:12:50I scream and wake up.
00:12:53You have got to eat. You have got to keep driving.
00:12:56Sure.
00:13:00Say, how much money have you got?
00:13:03Approximately.
00:13:04Approximately, I don't know.
00:13:06Exactly, I have 82 shillings and 40 croce.
00:13:11We're in the same bracket.
00:13:15Well, that's enough for tonight.
00:13:17We'll give ourselves a real New Year's Eve.
00:13:19What do you say?
00:13:20And what about tomorrow?
00:13:21Tomorrow?
00:13:23It's all taken care of.
00:13:27Tomorrow morning, bright and early, I'm going to the police and say,
00:13:30Here I am, Tony Sponer.
00:13:3232 years old, 150 pounds, but losing weight fast.
00:13:36Speak three languages fluently.
00:13:39Temporary visitor, United States of America, England, France, Czechoslovakia, and Austria.
00:13:43The proud possessor of no permit of residence, no passport, but an interesting criminal record.
00:13:51Illegal entry, vagrancy, selling cigarettes without a permit, driving a taxi without a permit, eating without a permit, sleeping without a permit, trying to earn a living without a permit.
00:14:00Here I am, dear police, a New Year's gift, wrapped in no permits.
00:14:06Do whatever you want with this dangerous individual.
00:14:09Tony.
00:14:10I'm sorry.
00:14:13Now I'm going to wake up my drunken benefactor and tell him to get moving.
00:14:18Hey, hey, Eitel, Eitel, come on, wake up, wake up.
00:14:26Oh, good morning.
00:14:29It's late in the afternoon, but good morning.
00:14:33Come on now, up you get.
00:14:35Why up?
00:14:37Because of Vienna.
00:14:38You're needed.
00:14:39Oh, who needs me?
00:14:41Everyone.
00:14:42Schubert, the Blue Daniel, Strauss, distinguished foreigners we have here, the Americans, the Russians, the British, the French, all the tourists in and out of uniform.
00:14:53They need transportation.
00:14:55You're right.
00:14:57They need me to me less than else.
00:15:00Where's my taxi?
00:15:01It's downstairs.
00:15:03Here are the keys.
00:15:09Happy New Year.
00:15:11Oh, Tony, how can you let him drive like that?
00:15:16Marry.
00:15:17He'll crash into the first lamppost he sees.
00:15:20You stay here and have some coffee.
00:15:22Oh, uh-uh.
00:15:23You have to be at the railroad station to meet the express.
00:15:27The cab is assigned.
00:15:28Oh, then you have to go.
00:15:30Huh?
00:15:30You have stood it so long.
00:15:31Another couple of hours won't hurt you.
00:15:33It gives me time to get dressed and to get him sober.
00:15:36Uh, please, Tony, chase the cab of hours.
00:15:40Uh, I feel lousy.
00:15:43Oh, okay, Curly, but this is the last time.
00:15:46Thanks a million, Tony.
00:15:48Oh, oh.
00:15:49Evening paper, sir.
00:15:59Thank you.
00:16:02It's rather chilly in here.
00:16:03Would you like some tea?
00:16:05I don't bother.
00:16:06Oh, it's no bother at all.
00:16:08We'll be ready in a minute.
00:16:10All right, all right.
00:16:11He's doing his books.
00:16:19If you leave now, you won't notice.
00:16:23What's the matter, darling?
00:16:24I'm afraid.
00:16:25Oh, nonsense.
00:16:26In a day, you will be in America and safe.
00:16:29What can he do to you there?
00:16:30I don't know.
00:16:31But I'm afraid.
00:16:33Claude never gives up anything that belongs to him.
00:16:36And when he finds out that you helped me.
00:16:39Oh, don't think about me.
00:16:40Think about yourself.
00:16:42You can't go on like that.
00:16:44Come on, darling, come.
00:16:56Thank you, Anna.
00:16:58For everything.
00:16:59And a better new year, darling.
00:17:01Well, thank you.
00:17:25Terribly stuffy in here.
00:17:28We ought to open a window.
00:17:29Excuse me, Mr. Kruger.
00:17:31Yes?
00:17:31There's something I'd like to ask you.
00:17:33Well?
00:17:34I know Mr. Manelli listens to you.
00:17:36Well, what is it?
00:17:37Oh, he was so angry with me about the telegram.
00:17:40But what should I have done?
00:17:42Madame begged me to do it.
00:17:44All right, all right.
00:17:46Next time she asks you something like that, go ahead.
00:17:49But tell us about it first.
00:17:50Please, your tea, Mr. Kruger.
00:17:52I'll open the window for you.
00:17:53I'll open the window for you.
00:17:53I'll open the window for you.
00:17:53Hello?
00:17:54Yes?
00:17:55Oh, Mr. Manelli would like her to be at the concert.
00:18:14I'll ask her.
00:18:15Hold on.
00:18:16Madam is asleep.
00:18:20I'll just have to wake her.
00:18:23Miss Manelli?
00:18:38Harry!
00:18:41Harry!
00:18:49She has taken her passport.
00:19:04Hello.
00:19:04Hello.
00:19:05Hello.
00:19:06Call Mr. Manelli to the phone.
00:19:08Immediately.
00:19:09It's very important.
00:19:10I can't possibly disturb him now.
00:19:13It's impossible.
00:19:14Just impossible.
00:19:15All right, Mr. Kruger.
00:19:18I'll tell him.
00:19:19Yes.
00:19:20Yes, as soon as I can.
00:19:22All right, Mr. Kruger.
00:19:24All right, Mr. Kruger.
00:19:25I'll tell him.
00:19:27Yes.
00:19:28Yes, as soon as I can.
00:20:00All right, for you, Claude.
00:20:01Good. Gentlemen, let's go back to D.
00:20:16Mr. Kruger wants to know what he should do.
00:20:19Nothing.
00:20:19Oh, wait a minute. Tell him...
00:20:21No. Tell him I call him later.
00:20:31That was much better.
00:20:33Claude, please, the last two bars of the cadenza.
00:20:37From letter H.
00:20:38Thank you.
00:20:39Thank you.
00:20:40The End
00:20:45¡Gracias!
00:21:15Dear William,
00:21:20please.
00:21:22Do you have a
00:21:23reservation for Mister Mortimer?
00:21:25Jack Mortimer?
00:21:27Yes, he arrives on a
00:21:28seven o'clock train.
00:21:30That's in half an hour
00:21:31if the train isn't late.
00:21:33Where can I wait?
00:21:34Perhaps in the writing-room.
00:21:35Thank you.
00:21:45¡Gracias!
00:22:15Thank you very much, gentlemen.
00:22:45¡Gracias!
00:23:15¡Gracias!
00:23:45¡Gracias!
00:23:47¡Gracias!
00:24:15¡Gracias!
00:24:17Hey, that's my car
00:24:24Oh, all right, all right
00:24:26Follow me, sir
00:24:29Thank you, sir
00:24:47Thank you
00:25:17It's a funny way to spend New Year's Eve
00:25:29Longer waterways
00:25:31I said it's a funny way to spend New Year's Eve
00:25:33Hi, Bart
00:25:41Oh, yes, ma'am
00:25:42Take the suitcase into the office, please
00:25:44The big one
00:25:45You can rely on us, Mr. Mortimer
00:25:50Everything is to be taken care of
00:25:52And a very pleasant privilege
00:25:55And a happy new year
00:25:56Okay, it's in the limit
00:26:06Thanks
00:26:14I'll send us with the tickets to the Gordon Live
00:26:17Oh, yeah
00:26:28¡Gracias!
00:26:58¡Gracias!
00:27:28The Golden Lion is a very comfortable hotel, sir.
00:27:38I think you'll like it.
00:27:58You don't mind my saying so.
00:28:06You'll save yourself a lot of time if you take a taxi to the airport instead of the bus.
00:28:11If you'd like me to, I can ask my partner.
00:28:26What's the matter, sir?
00:28:26I will.
00:28:28Here, let me help you out.
00:28:31Hey, take it easy, will you?
00:28:32Something's happened to my passengers.
00:28:34Hey, what's going on there?
00:28:35What are we going in for you?
00:28:36Don't be afraid.
00:28:38Don't be afraid.
00:28:38It's so sweet.
00:28:48Whoa!
00:28:49¡Gracias!
00:29:19¡Gracias!
00:29:21¡Ordera!
00:29:28¡Gracias!
00:29:29¡Gracias!
00:29:30¡Gracias!
00:29:31¡Gracias!
00:29:40¡Offic severidad!
00:29:42¡Officier, officer!
00:29:44¡A אר skipphon italiano!
00:29:46¡No puedoâtren!
00:29:48¡Están kilofuaxing!
00:29:49¡Gracias!
00:30:19¡Gracias!
00:30:49¡Gracias!
00:31:19¡Gracias!
00:31:34Police, 27th District, Sartén-El, speaking.
00:31:38Police?
00:31:38Yes.
00:31:39I want to report a dead man.
00:31:41Was it an accident?
00:31:42No, no accident.
00:31:44What happened?
00:31:45Well, I don't know exactly, but he's dead.
00:31:46What's your name?
00:31:48My name?
00:31:49¿Qué mi nombre tiene que ver con esto?
00:31:50Solo quiero reportar.
00:31:53Estoy aquí en un café.
00:31:55No sé el nombre de la calle.
00:31:57Solo un momento, voy a ver.
00:32:00Espera.
00:32:01¿Cómo se puede ver un momento, por favor?
00:32:02Sí, señor.
00:32:03Immediately.
00:32:07¿Cómo se puede ver el nombre de la calle?
00:32:09Sí, sí, estoy tratando de ver.
00:32:11¿Quién es?
00:32:12No, no, no en la calle, en la calle.
00:32:16Sí, está bien.
00:32:17¿Qué es su nombre?
00:32:18No, no, no, no, no, no.
00:32:19No, no, no, no, no, no, no, no, no, no, no, no, no.
00:32:26¿Mi permiso?
00:32:31Sí.
00:32:34Bueno, bueno, mi nombre es...
00:32:35¡Suscríbete al canal!
00:33:05¡Suscríbete al canal!
00:33:35¡Suscríbete al canal!
00:33:39¡Suscríbete al canal!
00:33:41¡Suscríbete al canal!
00:33:45¡Suscríbete al canal!
00:33:49¡Suscríbete al canal!
00:33:51¡Suscríbete al canal!
00:33:55¡Suscríbete al canal!
00:33:57¡Suscríbete al canal!
00:33:59¡Suscríbete al canal!
00:34:01¡Suscríbete al canal!
00:34:03¡Suscríbete al canal!
00:34:05¡Suscríbete al canal!
00:34:07¡Suscríbete al canal!
00:34:09¡Suscríbete al canal!
00:34:13¡Suscríbete al canal!
00:34:15¡Suscríbete al canal!
00:34:17¡Suscríbete al canal!
00:34:19¡Suscríbete al canal!
00:34:21¡Suscríbete al canal!
00:34:23¡Suscríbete al canal!
00:34:25¡Suscríbete al canal!
00:34:27¡Suscríbete al canal!
00:34:29¡Suscríbete al canal!
00:34:31¡Suscríbete al canal!
00:34:33¡Suscríbete al canal!
00:34:35¡Suscríbete al canal!
00:34:37¡Suscríbete al canal!
00:34:39¡Suscríbete al canal!
00:34:41¡Suscríbete al canal!
00:34:43¡Suscríbete al canal!
00:34:45¡Suscríbete al canal!
00:34:47¡Suscríbete al canal!
00:34:49¡Suscríbete al canal!
00:34:51¿Qué es eso, Harry?
00:34:53Leave the fellow alone.
00:34:55Stay out of this, Precious.
00:34:56I'm using the diplomatic approach.
00:34:59In Vienna, schnitzel, pastry, and waltzes.
00:35:05I fooled you that time, didn't I?
00:35:08Say, say, can you dance a waltz?
00:35:10Sure he can waltz, Harry, but maybe he doesn't want to dance.
00:35:14Come on, you diplomat.
00:35:16Leave him alone.
00:35:17Shut up, Precious.
00:35:18Hey, Irving, Irving.
00:35:19Put on that one that goes da-da-da-da-da.
00:35:22Okay, Harry.
00:35:24You see, Precious wants to dance a real Viennese waltz.
00:35:28With a real Viennese.
00:35:29Be a good fellow and give her a whirl, huh?
00:35:31¿Quieres conducir a la calle?
00:35:59Sí, ¿por qué?
00:36:00¡Quieres que sea!
00:36:10¡Uh, hey!
00:36:12Hey, what do you want there?
00:36:13Oh, here are you!
00:36:16I thought you were sleeping it off in there.
00:36:20Where, where are your straf...
00:36:23straf...
00:36:24The door's broken.
00:36:26Fly over on the other side.
00:36:28No, no, no, no, no, no, no.
00:36:58No, no, no, no, no.
00:37:28No, no, no, no, no.
00:37:58No, no, no, no, no.
00:38:28No, no, no, no, no.
00:38:58No, no, no, no, no, no.
00:39:28No, no, no, no.
00:39:30No, no, no.
00:39:32No, no, no, no.
00:39:34No, no, no, no.
00:39:36No, no, no, no.
00:39:38No, no, no, no.
00:39:40No, no, no, no.
00:39:42No, no, no, no.
00:39:44No, no, no, no, no.
00:39:46No, no, no, no, no.
00:39:48No, no, no, no, no.
00:39:50No, no, no, no, no, no.
00:39:52No, no, no, no, no, no.
00:39:54No, no, no, no, no, no, no.
00:39:56No, no, no, no, no, no, no, no.
00:39:58No, no, no, no, no, no.
00:40:00No, no, no, no, no, no, no.
00:40:02¡Bien!
00:40:03Yo he tenido mucho trabajo con el Heintelssober.
00:40:05Vamos a llamar antes de empezar.
00:40:07No, María.
00:40:08¿Qué pasa?
00:40:09¿Qué pasa?
00:40:11Sí, sí, algo ha pasado.
00:40:13Voy a dejar Viena mañana.
00:40:15¿De dejar Viena?
00:40:17¿Dónde?
00:40:18No puedo hablar ahora.
00:40:19No hay tiempo.
00:40:20Voy a volver a un par de horas y decirle.
00:40:22Voy a poner esto con el resto de mis cosas.
00:40:26¿Dónde está esto, Tony?
00:40:28¿Qué ha hecho?
00:40:31Yo tengo la oportunidad.
00:40:33Por una vez en mi vida,
00:40:34se me dio.
00:40:35No te preocupes.
00:40:37Todo va a estar bien.
00:40:39Voy a ver luego.
00:41:01No te preocupes.
00:41:02No te preocupes.
00:41:03Sí.
00:41:04Voy a ponerse.
00:41:05No te preocupes.
00:41:06No te preocupes.
00:41:07No, no, no.
00:41:37Exception. Oh, yeah, yes. I'll send out the passport to you later. Boy. Yes, ma'am. Oh, yeah. This way, sir.
00:42:07Will that be all, sir?
00:42:28Now, will you ask the desk to telephone the airline about my ticket immediately?
00:42:31Right away, sir.
00:42:32Come on.
00:42:34Come on.
00:42:35Come on.
00:42:37Come on.
00:42:39Come on.
00:42:40Come on.
00:42:41Come on.
00:42:42Come on.
00:42:44Come on.
00:42:45¡Millie!
00:43:06Call the airline office and ask about the ticket for the gentleman in number 14.
00:43:11He's waiting for it.
00:43:12Mr. Mortimer, the gentleman has just arrived.
00:43:15Jack Mortimer, number 14.
00:43:19What are you waiting for?
00:43:20The airline office, R49292.
00:43:23Don't worry, you'll get up in time for your party.
00:43:38Who's there?
00:43:39May I see you for a moment?
00:43:44Excuse me, may I talk to you for a moment?
00:43:49What about?
00:43:50May I come in?
00:43:51Of course.
00:43:52I'm sorry to disturb you, but it's rather urgent.
00:43:54Are you sure you haven't the wrong room?
00:43:57This is number 14.
00:43:58Well, whom did you want to talk to?
00:44:02Aren't you Mr. Williams from New York?
00:44:07Oh, no, no, no.
00:44:08My name is Mortimer.
00:44:10Jack Mortimer.
00:44:11I just arrived in Vienna.
00:44:12I knew immediately you must have been mistaken.
00:44:15I'm sorry.
00:44:16No harm done.
00:44:17Why do you say you were someone you're not?
00:44:23Jack Mortimer happens to be an old friend of mine.
00:44:25So you're a friend of his?
00:44:28Yes.
00:44:32Very clever.
00:44:34You've tricked me.
00:44:37Well, the truth is very simple.
00:44:40You see, Jack also happens to be a friend of mine.
00:44:42He had to stay in Paris, and he knew the rooms were short here,
00:44:45so he suggested that I use his reservation.
00:44:47He stayed in Paris, but I got a telegram from Salzburg.
00:44:52Well, I really don't know.
00:44:53Well, perhaps I misunderstood.
00:44:55You see, everything happened in such a hurry,
00:44:57it was difficult for me to...
00:44:59Excuse me a minute.
00:45:02Yes?
00:45:02We called the airline, sir.
00:45:04They say the tickets were on the way.
00:45:06Good.
00:45:07They'd like to know if there's any luggage on the other ticket
00:45:09for Mrs. Manelli.
00:45:12No, I have no luggage.
00:45:14Thank you.
00:45:19Why are you lying?
00:45:20Who are you?
00:45:20I... I just told you.
00:45:22You say you're a friend of Jack's.
00:45:23Well, he was coming here to see me.
00:45:25Didn't he tell you that?
00:45:26You say he gave you permission to use his room.
00:45:28Did he also give you permission to use his luggage?
00:45:30Or do you have the same initials, perhaps?
00:45:32And this is Jack's watch, and...
00:45:33When did you steal all this?
00:45:34Where is Jack's?
00:45:35Listen to me, please.
00:45:36Be quiet.
00:45:36I tell you, I didn't steal anything.
00:45:37Where is he?
00:45:37What have you done with him?
00:45:38He didn't give you these things.
00:45:39You've robbed him, haven't you?
00:45:40You've robbed him, and you...
00:45:43Look at him.
00:45:44Come back here.
00:45:45Come back here.
00:45:47Come back here.
00:45:48Come back here.
00:45:49Come back here.
00:45:51My passport, please, quickly.
00:46:02Your passport?
00:46:03Oh, I had forgotten to fill out the arrival form.
00:46:07Just a moment, please.
00:46:08It won't take a moment.
00:46:10What's the number?
00:46:114-0-0-5-6-2.
00:46:13How was that?
00:46:14Oh, what's the difference?
00:46:15Around the corner.
00:46:29There he is.
00:46:34Mr. Mortimer?
00:46:35Yes, what is it?
00:46:37I'm sorry.
00:46:38You have to come with us.
00:46:38There's a horrible reason for all this,
00:46:51or he wouldn't say he was someone else,
00:46:52and he wouldn't have Jack's thing.
00:46:53Don't excite yourself, Mrs. Manelli.
00:46:55If anything happened to your friend,
00:46:58we'll find out in no time.
00:47:00If you'll excuse me for just one moment.
00:47:02Sir, would you mind coming here?
00:47:14You say your name is Mortimer?
00:47:17Yes.
00:47:19You arrived this evening?
00:47:20Yes.
00:47:22May I see some identification?
00:47:25A passport would do.
00:47:28Or don't you have it with you?
00:47:29Of course I have it.
00:47:59Born the 2nd of April in...
00:48:10What's the name of the town?
00:48:13Spokane, Washington.
00:48:15Oh, that's right.
00:48:16There's a state, Washington,
00:48:17and then there's a Washington
00:48:19where I sent all the money from.
00:48:21It's very confusing.
00:48:23Yes.
00:48:24Well, did you reach him?
00:48:25Yes.
00:48:26I spoke to him.
00:48:29Well, it's not very regular,
00:48:33but...
00:48:36All right.
00:48:41Will you follow me, please?
00:48:43Yes.
00:48:43Yes.
00:48:59Yes.
00:49:01Yes.
00:49:01Oh, no.
00:49:03Yes.
00:49:03Yes.
00:49:04Yes.
00:49:22Yes.
00:49:23Please.
00:49:32Good evening, inspector.
00:49:34Good evening, madame.
00:49:35Happy to see you back so soon.
00:49:37Mr Manelli will be with you in just a few minutes.
00:49:40Please.
00:49:40No, no, no, no, no, no.
00:50:10No, no, no, no.
00:50:40No, no, no, no.
00:51:10No, no, no, no.
00:51:40No, no, no, no.
00:52:10No, no, no, no.
00:52:40No, no, no, no.
00:53:10No, no, no, no, no.
00:53:12No, no, no, no, no.
00:53:14No, no, no, no, no, no.
00:53:16No, no, no, no, no, no.
00:53:18No, no, no, no.
00:53:20No, no, no, no, no, no.
00:53:22No, no, no, no, no.
00:53:24No, no, no, no, no, no, no, no, no.
00:53:28Mr. Mortimer?
00:53:30Yes.
00:53:32No, no, no, no, no.
00:53:34No, no, no, no, no, no, no.
00:53:36No, no, no, no, no, no, no, no, no.
00:53:38No, no, no, no, no.
00:53:40No, no, no, no, no, no, no.
00:53:42que no es realmente responsable.
00:53:44Es mi culpa.
00:53:46¿Qué quieres decir?
00:53:48No soy solo mi esposa,
00:53:50también soy su guarda y responsable de actos.
00:53:55Mi esposa está mal.
00:53:57Es...
00:54:01Es que...
00:54:02Es que imagina cosas.
00:54:04Que tal vez su historias son muy plazas,
00:54:07y así se involucran gente en sus fantasías.
00:54:11Inocent people, like yourself.
00:54:13Many times I've been advised to send her away to some institution.
00:54:19But before she became ill, our marriage was very happy.
00:54:24If you've ever loved someone, you will understand.
00:54:27Please accept my apologies.
00:54:29Of course.
00:54:31I didn't know.
00:54:33And, Mr. Mortimer, I hope you'll forgive me, too.
00:54:36Being a great admirer of Mr. Manelli, I wanted to avoid a scandal.
00:54:40I should never have arrested you.
00:54:43It's all right.
00:54:45Perfectly all right.
00:54:49Karen!
00:54:57Isn't it always locked?
00:54:59I opened it for Mrs. Manelli just now, a minute ago.
00:55:01Where does the corridor lead?
00:55:02It's a fire exit. It leads to the rear of the building.
00:55:05Thanks.
00:55:06Don't worry. We'll find her in no time.
00:55:09Thank you, Inspector. I don't want the police looking for her.
00:55:11She'll come home on her own.
00:55:13Kruger.
00:55:14I'm sorry about all this.
00:55:16Inspector, may I go now?
00:55:17Sure.
00:55:18Must you? I was hoping you'd be my guest after the concert.
00:55:21I've just one more piece to play, a little Chopin.
00:55:23Wouldn't you like to hear it?
00:55:24Well, thank you very much, but I'm leaving Vienna tonight.
00:55:27Perhaps some other time.
00:55:28Oh, well, then, of course, you're in a hurry.
00:55:30So I can only thank you once more for your understanding.
00:55:33Goodbye, Mr. Mortimer, and Godspeed.
00:55:35Good night.
00:55:36Have a good trip.
00:55:39Oh, my passport. You forgot to give me my passport.
00:55:42The passport, of course.
00:55:44That would have been awful.
00:55:46It's not so easy to get one.
00:55:50Good night.
00:55:51Good night.
00:56:17May I wish I have a new idea to you now?
00:56:19Thank you.
00:56:23¿Puedo ir a mi key, por favor?
00:56:24Oh, Mr. Mulder, ¿eh?
00:56:25You didn't lock your door when you left.
00:56:27Shouldn't do that.
00:56:28Has my ticket arrived from the airline yet?
00:56:29Yeah, just after you left.
00:56:31Didn't you get it?
00:56:32The lady said she would give it to you.
00:56:33What lady?
00:56:34The lady.
00:56:35Who was here earlier?
00:56:36Mrs. Manelli.
00:56:37You gave it to her?
00:56:38No, no.
00:56:39Tickets was in her name.
00:56:40Shouldn't have done it.
00:56:41Where is she now?
00:56:42Ah, she just left a minute ago.
00:56:49Mr. Mortimer, the lady left a message for you.
00:56:56The place is my idea.
00:56:59It's where I always take my girlfriends.
00:57:01Thanks.
00:57:02Thank you.
00:57:06Good evening, sir.
00:57:10One fifty, please.
00:57:17She'll be right here.
00:57:19Good evening, sir.
00:57:31Just follow me.
00:57:33Give me your hand.
00:57:35In here.
00:57:38We have a beautiful brook ram.
00:57:41On the banks of the Ganges.
00:57:42Here is your place, sir.
00:57:51Thank you.
00:57:53Enjoy yourself.
00:57:53I knew you wouldn't give up that airplane ticket.
00:58:15You're very anxious to leave, aren't you?
00:58:21I need that ticket.
00:58:23Give it to me.
00:58:24You'll get it when you tell the truth.
00:58:27What do you want to know?
00:58:28Did my husband tell you I was out of my mind?
00:58:31He said that you often imagine things.
00:58:33You should know better.
00:58:37Should I?
00:58:38My husband accepted you as Mortimer.
00:58:39Why?
00:58:40Why shouldn't he?
00:58:41Because he knows Jack Mortimer as well as I do.
00:58:46Jack is dead, isn't he?
00:58:47He was killed in my taxi.
00:58:53I drive a taxi.
00:58:54That's what I do.
00:58:55I pick him up at the station and...
00:58:56Please.
00:58:57Give me a moment.
00:58:59We'll talk in a moment.
00:59:05Don't miss the pictures.
00:59:06We're closing soon.
00:59:07The thing I can't understand is...
00:59:15If you had nothing to do with this, why do you help the murderer?
00:59:17I'm not helping anyone except myself.
00:59:20You're pretending to be someone you're not.
00:59:22My husband didn't give you away.
00:59:23Why?
00:59:24No, detective.
00:59:25I don't know why he didn't.
00:59:28Jack Mortimer came to Vienna.
00:59:30If you leave Vienna, he leaves too.
00:59:33And as far as the police here are concerned, there never will have been a crime.
00:59:36I see.
00:59:37And that's what your husband wants.
00:59:41Yes.
00:59:43Because he killed Jack Mortimer.
00:59:48It's 11 o'clock.
00:59:49Sorry.
00:59:50We're closing.
00:59:55Happy New Year.
00:59:56Happy New Year.
00:59:57Don't miss our new program.
00:59:59It's very exciting.
01:00:01Aren't you a new customer?
01:00:03I hope you will come again.
01:00:05Just get the habit.
01:00:06Everyone likes to see foreign places and imagine she too can go away.
01:00:11Happy New Year.
01:00:12Happy New Year.
01:00:13Of course, some come just because it's dark.
01:00:22Hello, honey.
01:00:23Are you going our way?
01:00:24Tough luck.
01:00:26Let's go.
01:00:27I must talk to you some more.
01:00:28Where can we go?
01:00:30Come with me.
01:00:38It's ruined.
01:00:39And it was perfectly new when I took the taxi.
01:00:41I had compliments on it all evening.
01:00:43It's so new, it's not even paid for.
01:00:46I don't know what these spots are, but they look like blood.
01:00:50Now, wait a moment.
01:00:52What do you think I'm carrying in my taxi?
01:00:55Peaks?
01:00:57It's probably red wine.
01:00:59It does look like blood.
01:01:00How do you explain it, Heinzel?
01:01:03I don't know.
01:01:05Maybe it's lipstick.
01:01:07How long have you been driving tonight?
01:01:09That's my first load.
01:01:11I sure will be happy when this year is over.
01:01:13Didn't we have you in here a couple of months ago for letting a man drive for you without a license?
01:01:18Where should I do that?
01:01:20Come on.
01:01:21Didn't you have trouble with us before?
01:01:23Since I can remember.
01:01:24What's the name of the man?
01:01:26I don't know.
01:01:26Come on, what's the name?
01:01:28I don't know.
01:01:29All right.
01:01:31It'll take a second to find out.
01:01:38You should leave as fast as you can.
01:01:41Once you're far away, you'll know the right thing to do.
01:01:45Tony, when you get to America, couldn't the police find you just the same?
01:01:51No.
01:01:52Once I'm there, I can change my name.
01:01:55No one will be able to find me.
01:01:57Oh, I'll get along, all right.
01:01:58Don't forget, I lived there as a child.
01:02:01Then I would use this passport.
01:02:12See how happy he's to get out of here?
01:02:14It's all because of this window.
01:02:17What do you mean?
01:02:18Well, his father was a professor.
01:02:22They had a big house, the windows looking out on a garden, or even a park.
01:02:27So every time he looks at this, he just thinks, how can I get a better view?
01:02:34Don't you?
01:02:35I look at it and think, how can I get decent curtains up here, get new springs in this sofa, and sit on it with the right kind of man?
01:02:47Then I'd love the view.
01:02:57Marie is right.
01:02:59We should leave.
01:03:01We?
01:03:01Yes, you still have the tickets.
01:03:04The plane takes off at two o'clock.
01:03:06Your husband will never think that we're leaving together.
01:03:08He'll look for you everywhere but at the airport.
01:03:10What time does the bus leave?
01:03:13In an hour.
01:03:15Good.
01:03:16Do you know the new year starts in five minutes?
01:03:19Look at this, Tony.
01:03:20I was afraid I would have to drink it all alone.
01:03:23Now I'm going to share it with you.
01:03:26So you owe me 30 shillings.
01:03:28That's only fair.
01:03:35For you both, a safe trip.
01:03:39And for you, the kind of view you want.
01:03:42And for you, the kind of view you want.
01:03:45Marie.
01:03:48Happy New Year.
01:03:51Oh, look.
01:04:01They're looking for you.
01:04:03Come on.
01:04:04Up the stairs, quickly.
01:04:12Marie.
01:04:13Go.
01:04:14Go.
01:04:18Where's Ashley?
01:04:20Does a certain Tony Sponer live there?
01:04:23Thank you.
01:04:35We are looking for a man named Sponer.
01:04:38Tony Sponer.
01:04:39Yes.
01:04:40He lives here.
01:04:41Why?
01:04:42What's he done?
01:04:44Why is he?
01:04:44I don't know.
01:04:46We had a date here to see the new year in.
01:04:49But he stood me up.
01:04:50So I'm getting drunk all by myself.
01:04:54Happy New Year.
01:04:55Happy New Year.
01:05:11Wait a minute.
01:05:12Wait a minute.
01:05:12Wait a minute.
01:05:12Wait a minute.
01:05:12Wait a minute.
01:05:13Wait a minute.
01:05:13Wait a minute.
01:05:13Wait a minute.
01:05:14Wait a minute.
01:05:14Wait a minute.
01:05:15Wait a minute.
01:05:15Wait a minute.
01:05:16Wait a minute.
01:05:16Wait a minute.
01:05:17Wait a minute.
01:05:18Wait a minute.
01:05:19Wait a minute.
01:05:20Wait a minute.
01:05:21Wait a minute.
01:05:22Wait a minute.
01:05:23Wait a minute.
01:05:24Wait a minute.
01:05:25Wait a minute.
01:05:26Wait a minute.
01:05:27Wait a minute.
01:05:28Wait a minute.
01:05:29Wait a minute.
01:05:30Wait a minute.
01:05:31Wait a minute.
01:05:32Wait a minute.
01:05:33Wait a minute.
01:05:34Wait a minute.
01:05:35Wait a minute.
01:05:36Wait a minute.
01:05:37¡Gracias!
01:06:07¡Gracias!
01:06:37¡Gracias!
01:06:39¡Gracias!
01:06:41¡Gracias!
01:07:03¡Gracias!
01:07:09¡No!
01:07:39¡No, no, no, no!
01:08:09¡No!
01:08:39¡No, no, no!
01:09:09¡No, no, no!
01:09:11¡No, no, no!
01:09:15¡No, no!
01:09:17¡No, no!
01:09:19¡No, no!
01:09:21¡No, no!
01:09:23¡No, no!
01:09:25¡No!
01:09:27¡No!
01:09:29¡No!
01:09:31¡No!
01:09:33¡No!
01:09:35¡No!
01:09:37¡No!
01:09:39¡No!
01:09:41¡No!
01:09:43¡No!
01:09:45¡No!
01:09:47¡No!
01:09:49¡No!
01:09:51¡No!
01:09:53¡No!
01:09:59¡No!
01:10:01¡No!
01:10:03¡No!
01:10:05¡No!
01:10:07¡No!
01:10:09¡No!
01:10:11¡No!
01:10:13¡No!
01:10:15¡No!
01:10:17¡No!
01:10:18¡No!
01:10:19¡No!
01:10:21¡No!
01:10:22¡No!
01:10:23¡No!
01:10:24¡No!
01:10:25¡No!
01:10:26¡No!
01:10:27¡No!
01:10:28¡No!
01:10:29¡No!
01:10:31We met on my first trip to Europe!
01:10:33I was alone!
01:10:35My parents died when I was fourth.
01:10:39We married after one month.
01:10:43And I was happy.
01:10:45For one week.
01:10:49And then...
01:10:53A cat and mouse game.
01:10:55No end, no respite, day and night.
01:10:59Claude tiene un amor muy grande.
01:11:01Seguro.
01:11:04Este amor es como una religión.
01:11:06Dios quiere sacrificar humanas.
01:11:08Voy a ver en el barrio.
01:11:10¿Qué hay en el barrio?
01:11:12¡Están bien!
01:11:13¡Están bien!
01:11:14¡Están bien!
01:11:15¡Están bien!
01:11:29¡Están bien!
01:11:44¡Están bien!
01:11:47¡Estás fuera!
01:12:39¿Qué es? ¿Qué es lo que pasa?
01:12:49Ven aquí, por aquí.
01:12:53¿Qué es lo que pasa?
01:12:56No sé. Es una roca o algo.
01:12:59¿Qué? ¿Qué es lo que pasa?
01:13:03Hay una caja en la caja.
01:13:06Está bien. Solo un tiempo y me voy a resolver.
01:13:09¿Qué es lo que pasa?
01:13:11¿Por qué has dejado su esposa antes de esto?
01:13:15Oh, he dejado. Muchas veces.
01:13:19Cada vez que me haces, cada vez que me haces, cada vez que me haces.
01:13:22Hasta el final, me haces near suicidio.
01:13:27Hay un doctor, un amigo de Claude, su más fervente admiración.
01:13:33Él me ha declarado no responsable.
01:13:39Pero desde entonces, ha sido solo una simple choice.
01:13:45Claude's love were an institución.
01:13:47La vida es un amigo de la vida.
01:13:52¡Como comien!
01:13:52¡Como comien!
01:13:53¡Como comien!
01:13:54¡Como comien!
01:13:54¡Como comien!
01:13:55¡Como comien!
01:13:55¡Vamos!
01:14:05No hay nadie aquí.
01:14:07No, Hansi, me llevo.
01:14:09Veo, cinco minutos.
01:14:11No, ya estoy tarde.
01:14:13¿Quién te lo más, tu madre o yo?
01:14:17Te estás diferente.
01:14:19Ven, tenés.
01:14:21Mi madre.
01:14:31Bueno, la situación está lleno de peligro.
01:14:35Pero no para nosotros.
01:14:42¿Cuánto tiempo es?
01:14:47Mi watch está stuck.
01:14:49Tiene que estar cerca de uno.
01:14:51¿No tienes Jack's watch?
01:15:02Listen.
01:15:03¿Cuánto tiempo?
01:15:04¿Cuánto tiempo?
01:15:05Pero aún tenemos tiempo.
01:15:07¿Cuánto tiempo?
01:15:08¿Cuánto tiempo es Jack Mortimer?
01:15:13¿Cuándo fue Jack Mortimer?
01:15:16¿Cuándo fue Jack Mortimer?
01:15:19Bueno, pero todavía hay tiempo.
01:15:24¿Quién fue Jack Mortimer?
01:15:27Algo muy raro.
01:15:29Un amigo real.
01:15:32Nos creamos juntos.
01:15:34La última vez que vi a él fue a mi hija.
01:15:36Él era nuestro mejor hombre.
01:15:40Después de la febrera, él dejó la luz de la luz.
01:15:43Y le dijo, 12 de octubre, el 29 de septiembre.
01:15:47¿Recuerdas lo que te digo ahora?
01:15:51Y le raro y le dije que no sería el fin de mi vida.
01:15:55Y le dijo,
01:15:57¿Cuándo te necesitas, déjame un ring y te voy a venir?
01:16:02Claude estaba haciendo un viaje de Australia,
01:16:04y le dije que es muy difícil de llamar de Australia.
01:16:09Y le daba un beso y le dije que le reúse de la luz.
01:16:17Le llamé un día hace 2 semanas.
01:16:29Es mi último.
01:16:31Tenemos que compartirlo.
01:16:39No, no, no.
01:17:09She's slim, blonde, and she's wearing a brown coat.
01:17:13Quattro.
01:17:16Oh, thank you very much.
01:17:18Well?
01:17:21Try another.
01:17:22Call every hotel.
01:17:23I've already called dozens, and there are hundreds more in Vienna.
01:17:26Never mind.
01:17:27I must find her.
01:17:39Hotel Savoy.
01:17:40There's a lady named Mrs. Manelli registered with you.
01:17:44Manelli liked the pianist.
01:17:46Oh, thank you.
01:17:52Wait a minute.
01:17:54This fellow.
01:17:56He said he was going to leave tonight.
01:17:58What?
01:17:59But Karen's not going to travel with a man she thinks a criminal.
01:18:03Anyway, you don't know how he was going to leave.
01:18:05By car, train, plane.
01:18:08Get me the police, Inspector.
01:18:13Claude.
01:18:14This is pure madness.
01:18:17Leave the police out of it.
01:18:19I don't care.
01:18:19Listen, Claude.
01:18:24Karen doesn't love you anymore.
01:18:26That's finished.
01:18:27Let her go.
01:18:28I can't.
01:18:30Perhaps I could have yesterday, but not now.
01:18:33Too much has happened.
01:18:34Listen, is there a passenger booked on this plane named Mortimer?
01:18:50Yes, there is.
01:18:51He didn't cancel his reservation.
01:18:54Not that I know of.
01:18:55Is there any message for the gentleman?
01:18:57No.
01:18:58Thank you.
01:19:04Thank you, Mr. Neumann.
01:19:09Mr. Van Swieten.
01:19:15All right, Mr. Jelinek.
01:19:19Thank you, Mr. Mortimer.
01:19:22Mr. Mortimer.
01:19:24Yes?
01:19:26I come from the Löwen.
01:19:28The what?
01:19:29From the Golden Lion.
01:19:31Oh, you mean the hotel.
01:19:33Didn't you forget something?
01:19:35My suitcase.
01:19:36Mm-hmm.
01:19:37There it is.
01:19:38Just a moment.
01:19:39First, there is the little metal of the bill.
01:19:4275 shillings.
01:19:44Yes, of course.
01:19:45You know, it's not much of a way to spend New Year's Eve
01:19:48logging a suitcase to the airport,
01:19:51and one has to leave one's family.
01:19:53I'm sorry.
01:19:55Is that how to take care of it?
01:19:56Oh, thank you.
01:19:58That's too much.
01:20:00May I wish you a Happy New Year.
01:20:02May I offer you a cigarette.
01:20:04And now it's three and one.
01:20:05Thanks.
01:20:06And now, in the suitcase.
01:20:10Here it is.
01:20:11I wish you a Happy New Year.
01:20:12Same to you.
01:20:13And do come again.
01:20:15Madam, it's been five years since you've been to the United States.
01:20:18I'm afraid you have to have a vaccination certificate
01:20:21at the first aid station.
01:20:23Where's that?
01:20:23Right over there.
01:20:27You had $600 with you, Mr. Mortimer.
01:20:29How much have you got left?
01:20:31Most of them.
01:20:32That's too bad.
01:20:33We like visitors to spend their dollars here.
01:20:36But you've only had a short visit,
01:20:37so you'll be excused.
01:20:38If you promise to spend more next time.
01:20:41Thanks.
01:20:42Thank you.
01:20:43Goodbye.
01:20:43Pleasant trip.
01:20:45May I have the passport, please?
01:20:46All right, tell me.
01:20:47Come on.
01:20:51This must be it here.
01:20:52There's nobody here.
01:21:08Claude.
01:21:12Good evening.
01:21:13Or should I say good morning?
01:21:16Say whatever you want.
01:21:22What is this?
01:21:24A trap?
01:21:26Just a friendly hint not to interfere with things that don't concern you.
01:21:30You are not leaving, Karen.
01:21:31The trip wouldn't be good for your health.
01:21:33It can't be good for her health to be left in the company of a murderer.
01:21:39You shouldn't use big words like that.
01:21:41You probably don't believe them yourself.
01:21:44Maybe the police will believe them.
01:21:46Will they?
01:21:47Let's see.
01:21:48Kruger, would you be so kind and ask the police inspector to come in here?
01:21:52Now, get one thing into your head.
01:21:57Anybody who comes between me and my wife had better watch out.
01:22:00I realize that.
01:22:02Just what should I do, in your opinion?
01:22:05It's a very simple choice.
01:22:06Either you leave with all my good wishes,
01:22:09or a certain taxi driver will be convicted of killing and robbing Jack Mortimer.
01:22:13Please leave, Tony.
01:22:14You must leave.
01:22:16Nobody believes me.
01:22:18Nobody will believe you.
01:22:18Hello, Mr. Mortimer.
01:22:22Nice seeing you once more.
01:22:25Flight number 72, Frankfurt, New York.
01:22:28Passengers, please board the plane.
01:22:30Isn't that your plane, Mr. Mortimer?
01:22:32Flight number 72, Frankfurt, New York.
01:22:35Passengers, please board the plane.
01:22:37Yes, that's my plane.
01:22:41Yes, that's my plane.
01:22:41Yes, that's my plane.
01:23:07Flight number 72, Frankfurt, New York.
01:23:17Passengers, please board the plane.
01:23:27Thank you.
01:23:28Mr. Mortimer?
01:23:33Yes.
01:23:34Will you hurry along, please?
01:23:38I'm not going.
01:23:42Flight number 72, now leaving Vienna.
01:23:47Flight number 72, now leaving Vienna.
01:23:51Mr. Mortimer, you missed your plane.
01:23:54Have you forgotten something?
01:23:55Inspector, I want you to arrest me.
01:23:58Arrest you?
01:23:59Yes, for falsifying a passport,
01:24:01for stealing someone else's identity,
01:24:02and for aiding a murderer.
01:24:03What are you talking about?
01:24:05A murder.
01:24:06Of Jack Mortimer, murdered by him.
01:24:08For Mr. Manelli, are you?
01:24:09Do you know what he's talking about?
01:24:11I suppose he's repeating one of my wife's fantasies.
01:24:14Or perhaps he's accusing me of something he's done himself.
01:24:17You knew I was an imposter.
01:24:18Why didn't you give me away?
01:24:19You knew the real Jack Mortimer, didn't you?
01:24:21I never knew anyone named Mortimer before.
01:24:23If I did, I don't remember.
01:24:24You don't remember the best man at your own wedding?
01:24:27He was your best man, wasn't he?
01:24:29Or is this, too, a fantasy?
01:24:30I have the slightest idea what he's talking about.
01:24:33All right.
01:24:34In this suitcase, which I took from the man you killed,
01:24:37is a photograph of you and your wife at your wedding,
01:24:40together with Jack Mortimer.
01:24:42Do you remember now?
01:24:43The man is obviously insane.
01:24:45Show me the picture.
01:24:48I will.
01:24:49I will.
01:25:00The man...
01:25:16I will.
01:25:18¡Gracias!
01:25:48The chase is over
01:25:55For him and for me
01:25:57What will happen to you?
01:26:01Nothing special
01:26:02If I'm lucky, I'll only get a few months
01:26:05After that, I'll be right back where I started
01:26:10It looks like we both get our wish
01:26:15You wanted to get away and you will
01:26:18I wanted to go to jail
01:26:21And I will
01:26:23Only now I'm not so eager anymore
01:26:27When will you be leaving?
01:26:35I'm not leaving, Tony
01:26:36I'll be here
01:26:45I'll be here
01:26:50I'll be here
01:26:51¡Gracias por ver el video!
01:27:21Gracias por ver el video!
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