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Short filmTranscript
00:00Five hundred years, enduring perennial. This be the time of our quincentennial.
00:25Husband, wife, son and daughter, pray silence for the story of this great slaughter.
00:40No, no, no, Dotty. Music needs to flow around my words like a river.
00:48Dotty, do remember, your cue is the Reverend Mother symbolically handing over the key.
00:56So sorry. I was worried I'd miss it.
00:58No, fear not, Miss Thimble. That will be near impossible.
01:01So the sisters wanted to be involved.
01:04The Reverend Mother's idea out with their heads held high.
01:07But I agree with you, it seems an odd time to celebrate staring down the barrel of St Vincent's being sold off.
01:12Apologies, Lord Sedgwick.
01:14No. Oh, you're right. Their courage and enthusiasm is inspiring.
01:20Hip, hip, hooray.
01:22Inspector, Mr Panasa here apparently has a model of the proposed development which will need to be brought on stage for the speeches.
01:33Right you are. Where is it? Somewhere very safe.
01:38Ruth?
01:42Hello, Sam.
01:44Ruth Penny. In the flesh, or flash as it were. How lovely.
01:49You know each other?
01:50We do.
01:51Hello, Felix.
01:52Hello, Ruth.
01:53Sister.
01:54But how? Why?
01:56Well, don't get excited, Sam. Things are wonderful with Kingsley.
01:59Yeah.
02:00I'm working.
02:01A story on how the St Vincent's development could be rolled out nationwide.
02:04I'll explain everything in my speech tomorrow.
02:07Tomorrow is about great slaughter, Mr Panasa, not world domination.
02:12Lynne Goodwin, as our town's council leader, I shall be doing the unveiling.
02:20I give you Lord Adam Sedgwick Towers.
02:25Oh, my.
02:28Yes, I thought you'd be impressed, sister.
02:31Progress.
02:32Like a shark, we keep moving forward or we die.
02:35I must remember,今回 decided we will become more mature than we die.
02:42Our last day before we're all separated.
03:08Let's try to enjoy it.
03:10At this rate, I'll be enjoying a hernia.
03:14No reward should be in heaven, sisters.
03:16One briefcase bomb.
03:18I remember that one. Thought I was a goner.
03:21One ritual dagger.
03:23From the secret covenant of witches.
03:26And one brassiere.
03:30Are you blushing, Sam?
03:32That was a lethal murder weapon.
03:34We had some fun, didn't we?
03:38Our little family's breaking up.
03:40There, there, Peggy.
03:42To everything, there is a season.
03:44The time to laugh.
03:47The time to...
03:48What do you think you are?
03:49I am the person kicking you out.
03:51Shout.
03:51You stubborn penguin.
03:52The new owner.
03:54Makes no odds to me who you are, dear.
03:57It is a matter of simple physics.
04:00If you want me moved, you are going to have to physically pick me up.
04:04Oh my, it's really her.
04:06For goodness sake, woman.
04:08My builder needs to take sight measurements.
04:10All right.
04:11We're all emotional.
04:12This is hard for every one of us.
04:14Oh, Lord Matthew Sedgwick.
04:17Upon whose land we stand.
04:19The fact that I oppose this Frankenstein's monster of a development is irrelevant.
04:24Oh, you horrible old battle axe.
04:30What on the earth is going on?
04:34This is a place of prayer, not a washerwoman's beck fence.
04:38Reverend Mother Adrienne, may I introduce Sister Helena, esteemed archaeologist and, well, something of a hero.
04:46We are acquainted.
04:48Helena.
04:50Reverend Mother, I have written permission from the diocese to photograph and document this glorious ancient chapel before it is butchered.
05:02Yes, and I try to tell her I need...
05:05Young man, you do not own this land, not yet.
05:08So until tomorrow, when contracts are exchanged, Sister Helena stays.
05:25Sorry for raising my voice earlier.
05:28Council elections are upon us and I boarded at a convent school.
05:34Life was a living hell.
05:36Hated nuns ever since, no offense.
05:38None taken.
05:41Yes.
05:44Cryptic as ever, Helena.
05:46We'll talk at dinner.
05:47Yes, sister?
05:57Boniface.
05:58I've read all your papers.
06:00Egypt, Machu Picchu, Ephesus.
06:02Just extraordinary.
06:03If you'll forgive.
06:05You are one of the reasons I felt called to the sisterhood, and just to know that you're a sister here yourself.
06:11All right, all right, all right, that's enough bootlicking.
06:14If you must know, I've admired your work from afar, too.
06:21Your forensic deductions, your eye for detail.
06:24Golly.
06:26Well, um, one detail from your writings.
06:31You already examined this chapel a number of years ago.
06:35Did you miss something?
06:37The Lord works in mysterious ways, Sister.
06:41Father, we shall speak further.
06:46Yes.
06:50And another just like that?
06:52It's lovely.
06:59Religious.
07:01Oh.
07:02You have a journalist's eye, Ruth Penny.
07:04Seek from my mum.
07:07She must be so proud.
07:10Actually, I don't know.
07:12Is she no longer with us?
07:14No, she...
07:16She got mixed up with some religious types.
07:19She left me with my dad.
07:26Are we done?
07:27Oh, yes.
07:49Good Lord.
08:04No, no.
08:05Just his helper wrestling this tiny batch of forensic records.
08:09Well, lucky you found a good Samaritan.
08:11Lord Sedgwick, I presume.
08:13Matthew, please.
08:14I could hardly leave Sister Boniface to shift all these on her own.
08:17I'm already making her homeless.
08:20Well, perhaps we could assage some of that guilt with an interview.
08:24Ruth Penny, journalist.
08:27I notice they're naming the development after your father.
08:30My only request.
08:32He loved St. Vincent's so dearly.
08:36I just wish there was another way.
08:41Sister, please run.
08:43Sister Peter, breathe.
08:45What is it?
08:46This is Sister Helena's writing.
08:52Return post-haste, vitally important.
08:56I can drive.
08:57Oh, yes.
09:02Sister Helena!
09:07Ah!
09:09Oh, goodness.
09:10Oh, goodness.
09:10There's no two ways about it.
09:17She's really, truly dead.
09:21What in the name of all the same's happened?
09:25Blunt force bopped to the back of the skull.
09:27I'm afraid it's murder.
09:28Oh, another one.
09:31Here.
09:32Now, listen to me, Inspector.
09:35I am not having the sisterhood's parting legacy be a brutal, unsolved killing.
09:42Understood.
09:42Sister Boniface?
09:44Sister Boniface?
09:45No bruising.
09:46No broken nails.
09:48All signs of a struggle.
09:50I think she was struck from behind, unaware.
09:52Sister.
09:53Sister.
09:54And what are these flags that are on her habits?
09:57Oh, yes.
09:58Ivory-coloured lipophilic compound.
10:01Wax.
10:05From its hue and pigmentation, it's the sort utilised in a traditional Catholic pillar candle.
10:21I believe we have a killer candlestick.
10:24Oh, no, no.
10:25Don't you.
10:26So, it was opportunistic, grabbed in the moment.
10:30But why?
10:32Why, indeed.
10:34Did Sister Helena say anything else at all when she gave you the note?
10:37No.
10:40Actually, yes.
10:43She was walking around, nervous, and whispered, I should tell you,
10:50in suchello, in conspectu.
10:55That, in the chapel, in plain sight.
11:00It's curious.
11:01It does suggest she'd either seen or found something.
11:08Her camera might contain a clue.
11:10If we can still use your darkroom.
11:12Expose the lead.
11:13Yes.
11:14It's been a genius idea, Peggy.
11:15It's been a genius idea, Peggy.
11:16Let's get this all to the lab.
11:18One last time.
11:19The chapel was out of bounds because of the model to everyone aside from the nuns, Sister Helena, and you two.
11:31You think one of us did this?
11:32Well, we did see you argue with her.
11:34Yes.
11:35Over getting started on building work.
11:38Why would we complicate things?
11:39What does this mean for the quintentennial?
11:41Do I need to cancel?
11:42Just keep calm and carry on.
11:44But let us do our job.
11:45And this chapel is now closed to everyone.
11:50Journalists included.
11:52Oh, come on, Sam.
11:54Don't be such a killjoy.
11:56Sister gets her last case.
11:57Why can't I play two?
11:59Oh, the old team together one last time.
12:02If we're going to do this, we do it properly.
12:04No games.
12:05Maybe you could check the bugle, see if there's anything on Sister Helena's past.
12:08Inspector Gillespie, you are on.
12:11The film's drying.
12:19I'm off to see Reverend Mother about her records.
12:24I know someone's been brutally murdered, but...
12:28I'm really going to miss doing this.
12:30You and me both, Peggy dear.
12:33I mean, what are we going to do without you, your sister?
12:36It's hardly like we can replace you, is it?
12:41Felix, Peggy, it's murder.
12:46You know what to do.
12:49Mind the camera?
12:50Achoo!
12:58What on earth is this?
13:02Sister?
13:03Sister?
13:05What is it?
13:06A fingerprint?
13:07Uh, no, no.
13:09It seems our killer had presence of mind to wipe those away.
13:12However, their waxy weapon remains illuminating.
13:16Have a look at this.
13:18Left their mark in the wax?
13:20An indentation containing form and detail, hitherto invisible to the human eye.
13:25Deduction, it was made as the killer gripped the candlestick holder to deliver the fatal blow.
13:31So it was something that they wore?
13:34Presumably on their wrist.
13:36Yes, precisely.
13:37Find that object and I'll catch our candlestick killer wax-handed.
13:41Ruth, me have something.
13:42That was quick.
13:43Well, Norman was already putting together materials on Lynn and Ronnie.
13:47He was willing to share for a favour.
13:48Oh, you may owe him a date, Peggy.
13:52Oh, thanks a bunch.
13:55So, what we know.
13:57Sister Helena used to be a resident at St Vincent's.
14:00What we didn't know, she used to teach at a local Catholic school called St Peter's.
14:06Sister's success.
14:07That St Peter's pupil wins national essay competition.
14:10She was scary even back then.
14:12Look at the girl.
14:13Wait, is that...
14:18Oh, no.
14:20Sister Helena was the teacher who made your life a living hell.
14:25When I saw her this morning, just...
14:28standing there,
14:30it all came flooding back to me.
14:33The humiliating, goading,
14:37demanding things of me I could never deliver.
14:40Did you speak to her, Lorne?
14:44It's too late for lies, Lynn.
14:47I wanted her to know what she'd done to me.
14:50I felt this urge.
14:54When I did, it was so odd.
15:00Ah!
15:02I wondered when you might muster the courage to speak.
15:07That's right, Lynn.
15:08I remember you.
15:09You have no idea how unhappy you made me.
15:17No idea.
15:19I'm afraid it was a habit of mine.
15:21I was always hardest on my favourites.
15:25Those girls who I could imagine achieving great things,
15:30going to the world with just the right amount of push.
15:33Look at you now, leader of the council,
15:36holding your own in a man's world,
15:39shaping your community.
15:41We may not agree on how,
15:43but I have to say,
15:45I'm proud of you.
15:47I always wondered where I'd got my resilience from.
15:53Maybe it was her all along.
15:56After that, I walked around outside, a bit dazed.
16:02I did hear raised voices,
16:04but I couldn't tell you who.
16:06The War of Roses did good times bring.
16:13There was Henry VII,
16:14our new Tudor king,
16:17and a theatre,
16:19and a poetry,
16:21to prick a tear,
16:23courtesy of our bard,
16:25Mr William Shakespeare.
16:28I'm so sorry.
16:29Not at all, Your Highness.
16:32It's terribly...
16:34Oh, me, for goodness sake,
16:35could you just keep going?
16:37Am I still sparkle, Larkle?
16:39Of course you're still dead, Tom.
16:41You've got an arrow through your head.
16:43Sister Peter, could you please
16:45stop wielding that broadsword?
16:47Whoa, whoa, whoa, whoa,
16:48Mrs Clam,
16:50where on earth do you think you are going?
16:53I am going to divest myself
16:55of this ridiculous costume.
16:56It's extremely cumbersome.
17:00And besides,
17:00I have to be back at the office
17:02for the last post.
17:03No, you do not.
17:06People, please, please, people,
17:10can we just get the last stanza right?
17:13The symbolic passing of the key.
17:16Are you ready, Reverend Mother?
17:18I would hope so.
17:21No longer a convent, but what?
17:24Ha, ha, ha, ha, ha.
17:25We shall see.
17:27It is time for the sisters
17:30to pass on the key.
17:41Reverend Mother.
17:42To pass on the key.
17:46Let go.
17:52Perhaps we should leave this bit for tomorrow.
18:04Sister, Lynn Goodwin's bracelet.
18:07Aunt, no one witnessed our walking outside yesterday.
18:10But we've still no idea who the raised voices belong to.
18:13Hmm. Well, I have a feeling my little putty pattern might get us close.
18:20Now, I wouldn't bet the convent on it,
18:23but I think this has the appearance of Guramuki's script.
18:26Possibly Sikh.
18:28That could make sense.
18:29We found something in the convent records.
18:31Remember how Ronnie Panassar said his mum was taken from him?
18:34That's right. Seduced by weird religious type.
18:37Right, well, look at this.
18:39A file on a young woman who was brought into St. Vincent's by Sister Helena.
18:44And her name was Randip Panassar.
18:47Excellent word, Barton.
18:49Right, I'm going to go and talk to Ronnie.
18:51Inspector, given that I remember the specifics of the case,
18:55it might be wise if I join you.
18:57Follow me!
18:59Right.
18:59Sister...
19:01Moving to England.
19:05A mixed-race family.
19:07Took its toll on Mum.
19:09And you lot took advantage of her.
19:13So this is about revenge against Sister Helena?
19:16Revenge?
19:17I just wanted to turn that stain of a convent
19:20into something that helps families,
19:22not tear them apart.
19:23Mr. Panassar.
19:26I was here when they brought your mother in.
19:29I can't imagine how hard it was for you.
19:32No?
19:34Then let me tell you.
19:36I woke up to a mum just gone.
19:39No contact allowed, no letters allowed.
19:42I'm afraid that's not true.
19:45No, my dad told me.
19:46You cut us off.
19:48Sister Helena brought your mother to St. Vincent's
19:51because she had been hospitalised.
19:54Hospital?
19:55Who by?
19:56Your father, dear.
20:00I'm so sorry, but...
20:03the marriage was a violent one.
20:07Your mother was terrified.
20:09She tried to take you with her, but...
20:12he threatened her.
20:15All St. Vincent's did was give her refuge
20:19until she could get back to family in India.
20:23You said she was up north,
20:25that she wouldn't speak to us.
20:28I need to cross-check,
20:30but the match is far from perfect.
20:32When did you realise that it was Sister Helena
20:35that took her in?
20:36I didn't.
20:37Not until now.
20:39Then what was the argument about her?
20:41Lynn Goodwin said she heard raised voices.
20:43Whoever those voices were,
20:46they were nothing to do with me.
20:49Another dead end.
20:50Did Sister Helena's photographs
20:52give us anything else to work with?
20:53They're mostly just shots of the altar.
20:55She took rather a shine to this bronze plaque.
20:58Hmm.
20:59This inscription,
21:00St. Vincent's convent,
21:01doors always open to those in need.
21:04Here there is goodness...
21:05Here there is goodness.
21:06In plain sight.
21:07Can the ransacking of this hallowed place
21:15not wait until tomorrow?
21:16The rivets were already loose.
21:18Sister Helena was hunting for something,
21:21and I dare say...
21:23she found it.
21:31Wax seal recently broken.
21:34Sister Helena took what was inside?
21:38Or...
21:39our killer.
21:40This jar was hastily replaced after the murder,
21:43so...
21:44lady logic implies
21:45whatever was inside was relevant.
21:47How long has the plaque been there?
21:49It was put up in memory of the late Earl
21:52by his family
21:52when he passed on some six months ago.
21:55You're sure?
21:56Certain.
21:56Poor man.
21:57We hadn't seen him for weeks.
21:58He was very ill.
22:00Could this be something
22:00that affects the building development?
22:03Possibly.
22:04It still implicates both suspects.
22:05Lim would lose her entire career
22:07and Ronnie his investment.
22:09Of course.
22:10There is one other person
22:12who might have known about this.
22:15She's right.
22:17Well, I do believe it's cocktail hour.
22:21So you knew there was a capsule
22:22behind the plaque?
22:24Absolutely.
22:25I was the one who had it put there.
22:27Father's dying wish.
22:28And you can tell us what was inside?
22:32You're lucky I can speak at all
22:34after these whiskies.
22:37He said it was a photograph of him as a boy
22:39on the day of his confirmation at the chapel.
22:43So he would remain part of St. Vincent's.
22:47But the jar was already sealed,
22:50so I never saw inside.
22:53Are you thinking it's something that could help us?
22:55I'm thinking
22:57how desperately
23:00you need this sale to go through.
23:04Miss Penny,
23:05I can't deny enjoying your company,
23:08but your subtext
23:09leaves something to be desired.
23:11Your father left you with debt.
23:13Yet,
23:14my editor in London tells me
23:15that after he died,
23:16you were quite the man about town.
23:18Circumstances change.
23:23Is that what your argument
23:24with Sister Helena was about?
23:26Lynn Goodwin heard raised voices.
23:31It was you.
23:36I didn't want everyone to know.
23:37It was after we'd locked horns that morning,
23:43I went to smooth things over.
23:46Miss Goodwin
23:47and Mr. Panassar
23:48are only trying to keep things on track.
23:50They both have much to lose.
23:53You wish to talk of loss
23:55whilst casting the sisters asunder.
23:58What?
23:59Do you think I want this?
24:01Do you think I somehow enjoy it?
24:03My father
24:04left me crushed
24:05under impossible debt
24:07with no choices.
24:08None.
24:09I didn't even get a chance to grieve
24:11because right away
24:12I was forced to be the villain
24:13or become the Earl
24:14who brought down his family.
24:17I knew your father.
24:20In his last correspondence to me,
24:22he told me he'd made provision
24:23to avoid this.
24:26And I know
24:27that the Sedgwick family estate
24:29was in fine fettle
24:31until your father died.
24:33It took one Lord Matthew Sedgwick
24:36to bring us all to this.
24:39Is this true?
24:41My father was no J.P. Morgan
24:43but he was a man of faith
24:45and he balanced his books.
24:49I can claim neither.
24:52I, uh,
24:53lost everything
24:54on the stock exchange.
24:56What did Sister Helena mean
25:02when she said
25:04your father made provisions?
25:07I don't know.
25:10But if there's some secret pot
25:11of money somewhere,
25:13I am all bloody ears.
25:14Hey.
25:29You don't have to
25:30eat your dinner off it.
25:32Yes.
25:33I just
25:33wanted to leave it clean.
25:36Silly, but
25:41I just keep thinking
25:43I don't quite know
25:45what I'm going to do
25:46without you
25:47next door every night.
25:51They have
25:51snoring up
25:52in Grimsby too.
25:57Here.
25:57Yeah.
25:57I know I'm all the way
26:04down in Hastings
26:04but
26:05we can write.
26:09I wish I was like you.
26:12Nothing gets to you.
26:15You may be right.
26:18When he was young
26:19me and Alfie
26:21learnt a lesson.
26:24If you act tough.
26:25You feel tough.
26:26So I'm trying.
26:33Right now.
26:35I don't feel too tough
26:36today.
26:51Morning, Reverend Mother.
26:56You've met our solicitors.
27:00It brings
27:01little pleasure
27:02to confirm
27:03we exchange
27:05contracts at midday.
27:08Directly after
27:09speeches.
27:09I just wanted to
27:18well
27:20thank you
27:22for what you did
27:25for my mother
27:25and
27:28I suppose
27:30I wondered
27:31if
27:31her address.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:33Yes.
27:34Yes.
27:35Yes.
27:35Yes.
27:35Yes.
27:39Yes.
27:48Yes.
27:48Yes.
27:49Sister?
27:52Yes, Lord?
27:53Oh, no, sorry.
27:55Oh, gosh, must have dozed off.
27:57I was just, um, attempting to replicate the, um,
28:02the wax imprint with our two objects collected from the suspects.
28:06Alas, no much.
28:09Maybe it was something else that one of the suspects was wearing or holding.
28:12Good news.
28:14Oh.
28:15The paper have spiked my puff piece,
28:17and they want my scintillating crime story instead.
28:20Oh, well, I suppose, uh, every unsolved cloud has a silver lining?
28:25Yes, the only problem is they want it for tomorrow,
28:27and they've already sent the courier to collect the prints.
28:29I don't suppose your darkroom's still operational?
28:32One final hurrah for the hydroquinone.
28:35Why not?
28:36Oh, you're a godsend.
28:41Right, I'd better be going.
28:42Sister, I just want to say, um, I'm sorry.
28:54Honestly, yesterday I thought that this would give us a chance to...
28:58I don't know, in some way...
29:01If I could undo all of this...
29:05Keep us together...
29:06I'm, uh...
29:10I'm afraid that I...
29:13I've let us down.
29:18Oh, Sam.
29:22There's one thing that's certain.
29:25You could never do that.
29:29We're family.
29:30We're family.
29:30The thing about family is
29:35that even when you're far apart,
29:39you're together.
29:43The Lord has a plan.
29:48Sister, Inspector,
29:50it's...
29:51it's...
29:52it's something...
29:53Just come, see!
29:54Yeah.
29:54Yeah.
29:54It's like a grenade went off.
30:05This was Sister Helena's room.
30:06Yeah, we've come to pack it up.
30:08It was neat as a pin first thing this morning, I swear.
30:12They never found it.
30:14Sister?
30:15Whatever Sister Helena discovered in the chapel
30:17were wrong.
30:19I'm going to go through her notes and materials again.
30:21Right, you two.
30:23Reverend Mother will be waiting.
30:25It's showtime.
30:29A touch of the...
30:31stage fright, perhaps.
30:36Such a simple thing.
30:38Hand it over.
30:40Hand it over.
30:41Five hundred years, enduring perennial.
30:44Today, I...
30:45I wanted to show people
30:46my sisters can go from strength to strength
30:50wife, son, and daughter.
30:53But now I'm here.
30:55And it's now.
30:56The story of this great slaughter.
31:04I know as well as anyone
31:06life can take things from us.
31:11Things we'll miss every day.
31:14But sometimes
31:17what shows the most
31:18strength
31:19is
31:20letting go.
31:28Oh, there you all are.
31:29Come along, everybody.
31:31Places, people.
31:32Places.
31:33Come along.
31:33Come along.
31:34You're late.
31:35Chop, chop.
31:35500 years, enduring perennial.
31:46This be the time
31:49of our
31:50quincentennial.
31:56They're the cook, don't they?
31:58The career will be here any minute.
32:00Oh, uh, well, no.
32:02Ideally, they'd be dry,
32:03so to speak.
32:06Hold the front page.
32:08I think we have a new headline.
32:09Ruth, what is this?
32:10Well, it's the coat of arms
32:11on the model.
32:21And there it is.
32:23Oh, of course.
32:26Oh, it all makes total sense.
32:27Oh, there what is?
32:29I need to go.
32:30What?
32:31This instant.
32:32Ah.
32:35Now the first Lord Sedgwick
32:37acquired some land,
32:39the hallowed soil
32:41upon which we stand.
32:45And with spade
32:47and shovel
32:47and saw
32:49and pick
32:50Sedgwick Manor rose
32:52brick by brick.
32:53And after starting
33:00his lineage
33:01of Sedgwick infants,
33:03they built
33:03on the edge
33:04of their land
33:05St. Vincent's.
33:07Yay!
33:09At first,
33:11an abbey
33:12of monks
33:13and misters.
33:15It became
33:15a convent
33:16of nuns
33:18and sisters.
33:20Ooh!
33:20And around it
33:23sprouted
33:24a fledgling town
33:25that grew
33:26into a place
33:27of great renown.
33:30And 500 years
33:31of habitation
33:32saw a post office,
33:35a tea shop,
33:37a fine police station.
33:40And under
33:43the steadfast
33:45Sedgwick wing,
33:46great slaughter
33:47began
33:48to really sing.
33:51Ah!
33:54The land
33:55passed down
33:56from father
33:57to son,
33:59the key
33:59to each
34:00and everyone.
34:03And today,
34:04sees an exciting
34:05new chapter start
34:06with St. Vincent
34:08still at this
34:09town's
34:10very heart.
34:12No longer
34:13a convent,
34:15but what?
34:17Ha, ha, ha, ha!
34:19We shall see,
34:21for it's time
34:23for the nuns
34:24to pass
34:25on the key.
34:27Wow.
34:38Well,
34:39that
34:39went surprisingly
34:41without calamity.
34:43Now then,
34:45to the future.
34:46Yeah.
34:46As leader
35:01of the town council,
35:03it's my
35:04great pleasure
35:05to give you
35:06Lord Adam
35:07Sedgwick
35:08Towers.
35:11Oh,
35:12that's a future
35:13and I...
35:14Heavens above!
35:16What a hideous
35:18carbuncle!
35:20It looks like
35:20a spaceship.
35:22Does it fly?
35:24Adam Sedgwick
35:25Towers
35:25is not just
35:26a development.
35:27It's a passion
35:28project.
35:30A step
35:30into the future.
35:32In this era
35:32of prosperity
35:33and progress,
35:34our aim
35:34is to keep
35:35the spirit
35:36of St. Vincent
35:36Convent alive
35:37while providing
35:38much-needed
35:39accommodation
35:39for the area.
35:40Impressive.
35:41Isn't it?
35:45Using your car
35:46to arrive
35:47at the police
35:47station
35:48before Sister
35:48Peter
35:49when she
35:49brought me
35:49the note
35:50made it seem
35:52almost impossible
35:53that you could
35:54have committed
35:54the murder
35:55even though
35:56you did.
35:58Are you
35:59out of your
35:59mind?
36:01Our apartments
36:02are generous,
36:04modern
36:04and
36:05aspirational.
36:07When you
36:07placed that capsule
36:08something to
36:09save St. Vincent's,
36:10local support...
36:11But with Sister
36:11Helena's remarks
36:12you knew
36:13you'd sealed
36:14your own fate.
36:15All I knew
36:16was the nonsense
36:18she spouted
36:19when I confronted
36:19her.
36:20It took one
36:22Lord Matthew
36:23Sedgwick
36:23to bring us
36:24all to this.
36:26The man
36:27who found out
36:27that his father
36:28planned to
36:29bequeath the
36:30convent
36:31to the sisters
36:32so he cut
36:34him off
36:34from the world.
36:36No more
36:36solicitors,
36:37no more
36:37pastoral visits,
36:38no more letters
36:39on the subject.
36:40But
36:41you failed
36:42to spot
36:43his code
36:44to me
36:44in his final
36:45correspondence.
36:47Find proof
36:49in
36:50Sacello
36:51inconspectu
36:54and find
36:55it
36:56I
36:57have.
36:59What have you
36:59found?
37:00Where is it?
37:03Tell me!
37:07In Sacello
37:08inconspectu.
37:11It's a bluff.
37:13There's nothing
37:14to find.
37:15Then why did you
37:16ransack her room
37:17this morning?
37:18Imagine waking
37:19to the views
37:19from your 12th
37:20You had no proof.
37:21You're trying to
37:22shame me
37:23to stop me
37:24leaving my mark.
37:25No, that's just
37:26the problem, Lord.
37:27You did leave
37:28your mark.
37:30The signet ring
37:31that you usually
37:32wear on your
37:32right hand.
37:34A wax letter
37:35seal that leaves
37:36the imprint
37:36of your family
37:37crest.
37:38Photographs show
37:39you were wearing
37:39it on the day
37:40of the murder.
37:42My guess is
37:43you found
37:44remnants of wax
37:45and then
37:47removed it.
37:49A forensic
37:50confession
37:50signed
37:52and sealed.
37:54Literally.
37:56Tell me!
38:02Get away from me.
38:05Stop, Lord Cedric.
38:07Lord Cedric,
38:07you wish to
38:08say a few words?
38:10There's nowhere to go.
38:11Don't make a scene.
38:12Shut up.
38:13Shut up!
38:14Just come with us.
38:16Matthew,
38:17it's over.
38:24I said shut up!
38:26Sister,
38:27know it all.
38:29I am walking away.
38:31I am not going
38:32to prison for this.
38:33It was you!
38:34How could you
38:35kill an innocent nun?
38:36Innocent?
38:37That nosy bit
38:38nearly ruined everything.
38:40Nobody cares
38:41about St Vincent's.
38:42Nobody cares
38:43about you stupid
38:44nuns
38:45moping and
38:45mooning about
38:46in your ridiculous
38:47penguin outfits.
38:48You're a stain
38:49on this town.
38:50You hear me?
38:51Beggars
38:51squatting
38:52on my land!
39:00Lord Cedric,
39:01I'm arresting you
39:02on suspicion
39:03of the murder
39:03of Sister Helena.
39:05You do not have
39:05to say anything
39:06unless you wish
39:06to do so,
39:07but what you say
39:08may be given
39:08in evidence.
39:09Oh, yeah.
39:11Give yourselves
39:11a big hand
39:12like it makes
39:13a difference.
39:15The sale
39:15will go through
39:16regardless.
39:21It's true,
39:22isn't it?
39:23Won't change
39:24a ruddy thing.
39:25I don't think
39:26we can stop
39:26them exchanging
39:27contracts.
39:28They'll take
39:29ownership in
39:30five minutes.
39:32Yes.
39:33Shall we?
39:35Reverend Mother?
39:36Of course.
39:51In Sicello,
39:53in Conspecto,
39:55she left me
39:56the same message,
39:58but what was she
39:58trying to tell me?
39:59In the chapel
40:01in plain sight.
40:03Should we
40:04go back
40:05to search?
40:09A different chapel.
40:11Yes.
40:12She knew
40:12that Matthew
40:13was prowling around
40:14and it wasn't safe,
40:15so she hid it.
40:23In plain sight.
40:29Oh, good golly gosh.
40:33The ownership
40:34of St. Vincent's
40:35convent
40:35and the land
40:36it hereby occupies
40:37shall...
40:38Reverend Mother!
40:44What is it?
40:46Land's deeds.
40:48Which sister
40:48Helen have found
40:49transferring ownership
40:51of St. Vincent's
40:52convent
40:52to the Catholic
40:53diocese
40:54and its sisters?
40:55Signed by
40:56Adam Sedgwick,
40:57Earl of Great Slaughter.
40:58It belongs
40:59to us?
41:00Uh, yes.
41:02St. Vincent
41:03belongs to us!
41:05Hallelujah!
41:06It's a plain
41:07in miracle!
41:09Hallelujah!
41:16You cut it
41:17fine this time,
41:17sister,
41:18but you did it.
41:18Oh, we did it.
41:19Oh, we did it.
41:19Oh, we did it.
41:20Oh, we did it.
41:20Oh, we did it.
41:21Oh, we did it.
41:22Oh, we did it.
41:23Oh, we did it.
41:25Oh, we did it.
41:27Oh, we did it.
41:28Oh, we did it.
41:29Oh, we did it.
41:31Oh, we did it.
41:39They're here.
41:39I wanted you all
41:41to have a copy.
41:42Front page exclusive.
41:43Holy homicide
41:44by Ruth Benny.
41:46Congratulations.
41:47Are you going
41:47to be going back
41:48to the writing
41:48full-time long?
41:49Oh, Kingsley
41:50would miss me too much.
41:51Alas,
41:52it's Jamaica,
41:53I'm afraid.
41:54Does it happen to mention how it utterly derailed my investment?
41:56No mention of that, no.
41:58Only how your story has inspired the local council
42:01to build a new women's refuge
42:03and partner with a certain developer,
42:08if they wish.
42:11Sister Helena House.
42:20That's it, sisters.
42:21Work those wimples.
42:23Straight to the laboratory.
42:27So, you intend to carry on this forensic business, then?
42:32Well, I had thought to.
42:35Good.
42:37I know, I know I haven't been the most supportive of advocates,
42:42but I confess,
42:44I really did think it was over for us all.
42:51I'm proud of you, sister.
42:53Well, thank you, Reverend Mother.
43:00Oh, and, um,
43:01if you tell anyone I said that,
43:03it's 10,000 Hail Marys.
43:05Is that clear?
43:06Oh, that's so true.
43:19Oh, that's so true.
43:21Come on, son.
43:23For 500 years, great slaughter has grown around families,
43:27building, living, and loving.
43:30This place is its people.
43:33And now the convent is safe for 500 years more.
43:36The nuns of St. Vincent keep their home.
43:39The town keeps its heart.
43:41And the family of great slaughter police
43:43keep their much-loved sister.
43:45So, criminals, beware.
43:48Come on, son.
43:49Gonzo.
43:53Bye.
43:57Bye.
43:57Gooon.
43:59Bye.
44:02Bye.
44:03Bye.
44:03Bye.
44:05Bye.
44:05Bye.
44:06Bye.
44:13Bye.
44:13Bye.
44:14Bye.
44:15Bye.
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