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One Foot in Hell (1960) is an adventurous drama film that follows a determined individual as they face unexpected challenges and navigate new experiences in a unique community. Through perseverance, teamwork, and problem-solving, they learn valuable lessons about personal growth, friendship, and making thoughtful choices.
With engaging storytelling, memorable characters, and captivating settings, One Foot in Hell (1960) offers an inspiring and entertaining experience for viewers of all ages. The film emphasizes courage, cooperation, and personal development, making it a heartwarming story suitable for families and fans of classic adventure dramas.
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With engaging storytelling, memorable characters, and captivating settings, One Foot in Hell (1960) offers an inspiring and entertaining experience for viewers of all ages. The film emphasizes courage, cooperation, and personal development, making it a heartwarming story suitable for families and fans of classic adventure dramas.
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:01:36¡Gracias!
00:01:38¡Gracias!
00:01:39¡Gracias!
00:01:42¡Gracias!
00:01:43¡Gracias, Puch!
00:01:47¡Made, Puch!
00:01:47¡Made, Puch!
00:01:49¡Made, Puch!
00:01:50¡No, Puch, pe could!
00:01:52¡No, Puch, por favor!
00:01:53¡The more the people you are jostling around,
00:01:55the quicker the baby comes.
00:01:57¡Por favor!
00:01:58All right, then.
00:02:28Let me help you, Ellie.
00:02:40Here.
00:02:47That's the girl.
00:02:51We'll have a doctor in a few minutes.
00:02:58All right, all right.
00:03:12Stop that racket.
00:03:13Hurry, mister.
00:03:14Now, wife's very sick.
00:03:16What's the matter with her?
00:03:17It's her time.
00:03:18Could we have a room, please?
00:03:19Oh, now, don't get your tail flapping.
00:03:21She's not the only woman ever to birth a baby.
00:03:24Roommate, upstairs to your right.
00:03:26Oh, thanks.
00:03:27That'll be $2.
00:03:28I'll pay you later, after I get her to bed.
00:03:30You'll pay me now.
00:03:31Rules for the hotel.
00:03:32Itch.
00:03:33It's all right, honey.
00:03:36Please give me a doctor.
00:03:38I can't leave the premises.
00:03:40Doc Seltzer lives up the street, the other side.
00:03:44Come on, honey.
00:03:53Itch.
00:03:53Itch.
00:03:53Itch.
00:04:26Try to rest.
00:04:28I'll get the doctor.
00:04:30Be right back.
00:04:50She's a real sick girl, mister.
00:04:52You go wake Sam Geller at the general store.
00:04:56You get this medicine for me.
00:04:58Yes, sir.
00:05:06When you feel like yelling, ma'am,
00:05:08you go right ahead and yell.
00:05:10Don't even try to hold it back.
00:05:14This town's too quiet anyway.
00:05:18Or maybe...
00:05:20Maybe if we talk it'll help.
00:05:22You like to talk, ma'am?
00:05:24Hurry, mister.
00:05:26Please hurry. She's very sick.
00:05:28And they say haste makes waste.
00:05:30Never truer than a situation like this.
00:05:34Have to pour real careful-like,
00:05:38or no telling what's going to happen.
00:05:40Do you realize that?
00:05:42Yes, but hurry, please.
00:05:44I'm coming, coming.
00:05:46That'll be $1.87.
00:05:58Sure.
00:06:00The hotel took all my money.
00:06:02I'll pay you tomorrow.
00:06:04Oh, no.
00:06:06Waking me out of bed expecting credit
00:06:08when I never even saw you before
00:06:10in my whole life?
00:06:12I'll pay you tomorrow, on my word of honor.
00:06:14Can't feed my family on a stranger's word of honor.
00:06:17You tell Doc Seltzer if he wants credit,
00:06:19let him come in and ask for it.
00:06:20Look, I've got a pair of mules down there
00:06:22in a wagon in front of the hotel.
00:06:24You keep them until I pay you.
00:06:26Mules and a wagon for $1.87?
00:06:29Where did you steal them, Reb?
00:06:35Give me that medicine.
00:06:36Yes, sure, of course.
00:06:38Didn't mean any offense.
00:06:39Here, take it.
00:06:40Help!
00:06:45Sheriff!
00:06:46Sheriff!
00:06:47Stop him, Sheriff!
00:06:49Help!
00:06:50Hold on there, mister.
00:06:53It's medicine.
00:06:54It's for my wife.
00:06:55He's got a gun, Ole.
00:06:56A gun.
00:06:57Please, Sheriff.
00:06:58Please don't.
00:06:59My wife.
00:07:00Go on, move.
00:07:01Move before I put a hole through you.
00:07:05He robbed me, Ole.
00:07:06He held a gun on me.
00:07:10It's medicine.
00:07:11The doctor sent me for it.
00:07:12Simmer down.
00:07:13Now get over to these posters
00:07:14so as I can get a good look at you.
00:07:16What else he takes, Ant?
00:07:18Taking it at the point of a gun.
00:07:19That's the main thing.
00:07:20Nobody's got a right...
00:07:21I have no harm.
00:07:22My wife is sick at the hotel.
00:07:23She's gonna have a baby.
00:07:24Please, Sheriff, let me go.
00:07:25I gotta get this medicine to her.
00:07:26All right.
00:07:27Let's go have a look.
00:07:28Thank you.
00:07:29You walk in front of me.
00:07:30Thank you.
00:07:31Thank you.
00:07:32George!
00:07:33George!
00:07:34What the hell is it?
00:07:35What the hell is it?
00:07:37How's it going to happen?
00:07:38What's it going to happen?
00:07:39You are not the point of a gun.
00:07:40That's the main thing.
00:07:41Nobody's got a right...
00:07:42I'm having no harm.
00:07:43My wife is sick at the hotel.
00:07:44She's gonna have a baby.
00:07:45Please, Sheriff, let me go.
00:07:47I gotta get this medicine to her.
00:07:48All right.
00:07:49Let's go have a look.
00:07:50¡Suscríbete al canal!
00:08:20Here's the medicine.
00:08:22Sorry, medicine's no use now.
00:08:28She died a couple of minutes ago.
00:08:50$1.87.
00:08:52Ellie.
00:08:54God, Ellie.
00:08:56All the way from Atlanta, she said.
00:09:00They were burned out in the war.
00:09:04The two of them...
00:09:06...should have been three...
00:09:08...wanted to start a new life.
00:09:10...wanted to start a new life...
00:09:12...came all the way west, here, to us.
00:09:16To us, my hospitable friends...
00:09:20...that's a long way to come...
00:09:22...just to lay down and die.
00:09:24...just to lay down and die.
00:09:28I'll see your graves looked after, Mitch.
00:09:30I'll see your graves looked after, Mitch.
00:09:32Thank you.
00:09:34Thank you.
00:09:36Thank you.
00:09:38Thank you.
00:09:40Thank you.
00:09:42That's a long way to come...
00:09:44...just to lay down and die.
00:09:46I'll see your graves looked after, Mitch.
00:09:56Thank you.
00:10:00Why don't you stay here, Mitch?
00:10:02Give the town another chance.
00:10:04I'll see your graves looked after, Mitch.
00:10:08Thank you.
00:10:12Why don't you stay here, Mitch?
00:10:14Give the town another chance.
00:10:16Yeah.
00:10:18Same chance they gave Ellie.
00:10:20Sure, sure, I know.
00:10:22But I don't think your wife would feel that way.
00:10:24Maybe she might rest more peacefully...
00:10:26...if she knew you were settling down.
00:10:28Save your preaching, will you?
00:10:29That's not preaching.
00:10:30That's not my kind of thing, Mitch.
00:10:32I'm just trying to make sense.
00:10:34Now, the town's offering you a choice of jobs.
00:10:36Anything from banking...
00:10:38...to store clerking...
00:10:39...to deputy sheriffing.
00:10:40You're...
00:10:41...you're wasting your time.
00:10:43Look, I got...
00:10:44...I got lots of it to waste.
00:10:46You see, Mitch, I want you to change your mind.
00:10:49I want folks around here...
00:10:51...to have another chance from you.
00:10:52I like them.
00:10:53I like this town.
00:10:55Now, you can't blame me for that, can you?
00:10:57No, I'm not blaming you for anything.
00:10:59This is a fine place to light, Mitch.
00:11:02Where else would you get a choice of jobs?
00:11:04Yeah, I know.
00:11:05Now, personally, I'd recommend...
00:11:06...between bank and sheriff.
00:11:07They pay about the same.
00:11:08But it's a matter whether a man likes sitting down...
00:11:09...while he's working...
00:11:10...or moving around...
00:11:11...with his more excitement.
00:11:12That I will uphold the laws of Arizona territory...
00:11:13...at all times.
00:11:14I will uphold the laws of Arizona territory...
00:11:15...at all times.
00:11:16...so help you God.
00:11:17So help me God.
00:11:18So help me God.
00:11:19There you are, Deputy Baron.
00:11:21The is the complete end of the criminal justice store.
00:11:24And the final death of that man likes sitting down...
00:11:26...while he's working...
00:11:26...or moving around and moving around with his more excitement.
00:11:29That I will uphold the laws of Arizona territory at all times.
00:11:32I will uphold the laws of Arizona territory at all times.
00:11:34So help me God.
00:11:36There you are, Deputy Baron.
00:11:38I can do it at any time, boy.
00:11:39You just let me know now.
00:11:40Thank you.
00:11:41Si hay algo que puedo hacer para ti en cualquier momento, te lo puedes saber ahora.
00:11:45Gracias.
00:11:45¿Puedo tomar ese trabajo conmigo, Mitch?
00:11:47Está bien, Mitch, está bien.
00:12:05¿Pulley?
00:12:07¡Marc!
00:12:08¡Mitch!
00:12:09¿Por qué?
00:12:10¿Coffee?
00:12:11¡Had mi rice and a while back!
00:12:15¡Chake hands with our bread and butter, Mark Dobbs!
00:12:17¡Buyes all our cattle!
00:12:19¡This me new deputy, Mitch Barrett!
00:12:20¡Nice to meet you, Barrett!
00:12:22¡Oh, thanks!
00:12:23¡Sure bought yourself a handful of cattle this trip!
00:12:25¡More than $80,000 worth!
00:12:27¡Making your town healthy rich!
00:12:28...¡I'll be back as soon as we lock up this loot from the bank!
00:12:43¡Vamos a volver a la caja de la caja de la caja!
00:12:55¡Vamos a ver en septiembre, Barrett!
00:13:13¡Vamos a ver!
00:13:43¡Vamos a ver!
00:14:13¡Vamos a ver!
00:14:19¡Vamos a ver!
00:14:23¡Vamos a ver!
00:14:25¡No, gracias!
00:14:27¡Vamos a ver!
00:14:29¡Vamos a ver!
00:14:35¡Vamos a ver!
00:14:37¡Vamos!
00:14:39¡Vamos a ver!
00:14:41¡Vamos a ver!
00:15:13¡Vamos a ver!
00:15:15¡Vamos a ver!
00:15:17¡Vamos a ver!
00:15:19¡Vamos a ver!
00:15:21¡Vamos a ver!
00:15:53¡Vamos a ver!
00:15:55¡Vamos a ver!
00:15:57¡Vamos a ver!
00:15:59¡Vamos a ver!
00:16:01¡Vamos a ver!
00:16:03¡Vamos a ver!
00:16:05¡Vamos a ver!
00:16:07¡Vamos a ver!
00:16:09¡Vamos a ver!
00:16:13¡Vamos a ver!
00:16:15¡Vamos a ver!
00:16:19¡Vamos a ver!
00:16:23¡Vamos a ver!
00:16:25¡Vamos!
00:16:28¡Vamos a ver!
00:16:29¡Vamos!
00:16:30Voy a beber esto con vosotros, y me voy a cuidar de tu amigo de blanco.
00:16:48¿Qué le da a usted?
00:16:50Un minuto de whisky.
00:16:51Vamos a dejarlo hasta que le pagas.
00:17:00Muy bien.
00:17:05C'mon, Scottie, help me with you.
00:17:08That's it. Up, boy.
00:17:10Let's go.
00:17:12Don't make practical sense, Mitch.
00:17:14Can't go getting soft for every saddle tramp that drips into town.
00:17:18Yeah, but he's different.
00:17:21He's got talent.
00:17:23Yep, for drinking.
00:17:25You mean that you're really going to put up two bucks of your own money
00:17:28for that stew bum in there?
00:17:30Maybe so, I'll see.
00:17:33All right, Sandy, fellas.
00:17:35I'm going down to Sam Gillard's.
00:17:36See if he's got a shipment of them new repeating rifles.
00:18:00You know, I told the sheriff I'd pay you afraid out of jail.
00:18:05You see, I was at Manassas in Shenandoah, too.
00:18:10Third cavalry.
00:18:11Hoorah, Hoorah, Hoorah.
00:18:303rd Cavalry.
00:18:35Hoorah for our side.
00:18:37Hoorah, hoorah, hoorah.
00:18:43Virginia, 44th.
00:18:46They used a lot of liquid fire, didn't they?
00:18:49We burn more Yankee bottoms than you can count.
00:18:56You got a drink on you, Misty?
00:19:00You know how to put it together?
00:19:05What?
00:19:06Liquid fire.
00:19:09How do you think I got to be a lieutenant in the 44th?
00:19:14What are you going to do when you get out of here?
00:19:17Me?
00:19:19I'm going to buy me a railroad.
00:19:23No, no, no. No railroads for me.
00:19:26I'm going to build me a whole herd of boats.
00:19:28Lots and lots of boats and little, little bottles.
00:19:34Big, big boats and little, little bottles.
00:19:41This place stinks.
00:19:44You hear me? It stinks.
00:19:45Dirty, rotten, filthy stink.
00:19:48Hey, everybody!
00:19:50Hey, this place stinks!
00:19:51You hear me, everybody? It stinks!
00:19:58It stinks!
00:19:58It stinks!
00:19:59Bitch!
00:19:59Yeah!
00:20:00Lots of good men had a tougher than you.
00:20:15But they went on living.
00:20:17They didn't lay down and try to die.
00:20:19Don't you preach to me, mister.
00:20:24I don't cotton to no preaching.
00:20:29My folks worked their lives out,
00:20:31trying to make something out of a lot of worn-out dirt
00:20:33nobody else would spit on.
00:20:36They farmed that land with their hands
00:20:38because they didn't have tools.
00:20:41And I built a home, too, and I couldn't.
00:20:43They didn't rest until I had a place
00:20:45that people would point to and say,
00:20:48that there's the Keats place.
00:20:50You know what was left of that place
00:20:51when I come back from the war?
00:20:53It was right back to dirt again.
00:20:55Not a piece of wood there that was not burnt,
00:20:58and there wasn't a crop there left standing.
00:21:00Not one little thing,
00:21:02not so much to show for 30 years of work.
00:21:05And sweat.
00:21:07Don't you stop preaching to me, mister,
00:21:10because I don't want nobody preaching to me!
00:21:12I'm not preaching, Keats.
00:21:14You know, I had a farm like yours once
00:21:16before the Yanks came in.
00:21:19So,
00:21:21well, I'm not preaching.
00:21:26Did you ever dream of rebuilding your place?
00:21:30So, the grass is green.
00:21:33The color back in the ground.
00:21:38You got enough whiskey,
00:21:39you don't have to dream about things not worth dreaming.
00:21:44You know, I read something a long time ago.
00:21:49Follow the rainbow,
00:21:51but don't wait for the gold at the end.
00:21:54Look for the silver in between.
00:21:57Yeah, I know.
00:21:57I went to school once, too.
00:22:00So, what are you?
00:22:03Is this some kind of a do-gooder or something?
00:22:06You want to save my soul, mister?
00:22:08No, I want a few men with anger and guts enough
00:22:11to follow that rainbow and grab a pot full of gold.
00:22:15Not petty silver in between.
00:22:18Gold enough to build five farms.
00:22:21What kind of a pitch is this?
00:22:24You talk too much crazy talk, mister.
00:22:28Well, no, what I got to do,
00:22:29I'm going to do myself, my own way.
00:22:33Just leave me be, will you, mister?
00:22:35Get out of here.
00:22:37Sure, I'll do that.
00:22:37But it's Yankee gold.
00:22:43Well, they burned your farm.
00:22:44What'd they do, burn your guts out, too?
00:22:46Wait a minute.
00:22:48You're wasting my time.
00:22:50Did you say Yankee gold?
00:22:52Yes, $100,000 worth, right in this town.
00:22:56This is kind of a funny talk from a lawman
00:22:58trying to take his own town.
00:23:00Now look who's preaching.
00:23:02Wearing this tin star doesn't change my feelings
00:23:05about this town.
00:23:06Why are you telling me all this for?
00:23:09Because I need help.
00:23:10I need somebody who can sketch,
00:23:12make detailed plans,
00:23:13and somebody who knows how to put together liquid fire,
00:23:17somebody who can give and take orders.
00:23:19Trying to make me feel important, mister?
00:23:24You've got to feel important or you're no use to us.
00:23:26Are you with us or not?
00:23:29I don't know.
00:23:30I never figured out anything like this.
00:23:33What do you figure on?
00:23:34Getting your place back or
00:23:35rotting here in jail and feeling sorry for yourself?
00:23:39Shut up.
00:23:41You know any better way to get healthy
00:23:42than by using Yankee money?
00:23:47No.
00:23:48I reckon not.
00:23:49What about it?
00:23:53Do I buy you out of here or no?
00:23:57Well,
00:23:57mister,
00:24:00you just hired yourself a man.
00:24:12The sofa's yours.
00:24:13Well...
00:24:13Who's the gal?
00:24:28It's my wife.
00:24:31You didn't say there's a Mrs. Barrett.
00:24:34She's dead.
00:24:35It doesn't happen to be a small drink around here,
00:24:46if I stand there.
00:24:48In the cabin.
00:24:49Right into town whenever you have to.
00:25:06Study Main Street.
00:25:08Every window, post, everything.
00:25:12That's easy enough.
00:25:13But stay out of the saloons.
00:25:16Who, me?
00:25:18Home drinking just suits me fine.
00:25:21Just be reasonable.
00:25:24Sure.
00:25:26As soon as you can, give me a list of what you need for liquid fire.
00:25:29Kerosene, percussion caps, bottles, that's all.
00:25:32Fine.
00:25:34I'll pick them up in easy stages of Grand Forks and Hempstead.
00:25:38You know something?
00:25:39The way you plan things, sort of slow and careful,
00:25:44you must want that money awful bad.
00:25:48Not as much as I once wanted a dollar and 87 cents.
00:26:06Rustled them right from under my nose.
00:26:08Six of my best.
00:26:09Not long ago.
00:26:10They drove them for the pass.
00:26:12Let's go.
00:26:13Won't need you, Sim.
00:26:15You stay and tend to your chores.
00:26:16I ain't scared to go along.
00:26:17Last thing in the world we'd be thinking.
00:26:19Only two rustlers in on this.
00:26:23Hardly enough for Mitch and me to do.
00:26:27We'll be seeing you right quick.
00:26:39�i excited for me.
00:26:54I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I-I.
00:26:58No, no, no, no, no, no.
00:27:28You ready to come out?
00:27:35Soon be dark enough for him to break out.
00:27:38I'm going to climb down.
00:27:41Keep him busy.
00:27:58All finished, Dolly.
00:28:13Don't let killing them two upset you, none.
00:28:14They had a rope waiting for them anyway.
00:28:16I...
00:28:17I'm not bothered about them.
00:28:23I was just thinking about my first night in Blue Springs.
00:28:27No sense thinking about the past.
00:28:30I try not to.
00:28:32But it doesn't put me to sleep.
00:28:35Mitch.
00:28:38I can't tell you how many times I've been ashamed of that night.
00:28:43Every time I used to go to the graveyard,
00:28:45I'd tell Dolly how ashamed you and...
00:28:48Geller and Culver were.
00:28:51That ain't fair.
00:28:53If there was anything I could do to change things,
00:28:55don't you think I would?
00:28:56Oh, sure.
00:29:01But you should have known her.
00:29:06She was so pretty.
00:29:08She loved to laugh.
00:29:10You know, I loved every minute of being with her.
00:29:12She wanted that baby so bad.
00:29:22Mitch.
00:29:23You gotta stop talking that way.
00:29:24This happened a long time ago.
00:29:26You gotta try and forget.
00:29:28I aim to.
00:29:31The only way I know how.
00:29:33Yeah, but Mitch, you're...
00:29:37Mitch, don't.
00:29:39You're crazy.
00:29:40You don't know what...
00:29:40You don't know what you're doing.
00:29:43Ellie screamed.
00:29:45Why don't you scream?
00:30:02No.
00:30:03Oh, no.
00:30:07Your horses are hobbled in Mesa Canyon.
00:30:09No horses are worth this.
00:30:11Nothing is worth this.
00:30:13It's our job.
00:30:15You'd better take a shovel.
00:30:17I didn't bury the restless.
00:30:18Sorry, Mitch.
00:30:19I know how you felt about Oli.
00:30:22No, I don't think so.
00:30:24Nobody will ever know that.
00:30:30That I will uphold the laws of Arizona Territory at all times.
00:30:33So help me God.
00:30:35So help me God.
00:30:35So help me God.
00:30:40Congratulations, Sheriff.
00:30:42You're gonna do a wonderful job.
00:30:43Thank you, Sheriff.
00:30:44Thank you, Sheriff.
00:30:45Good luck, Mitch.
00:30:46This is a sketch you want me to draw for you, Sheriff.
00:30:48I got me looking my natural best.
00:30:51How's about letting it hang in my store, Mitch?
00:30:53No sale.
00:30:55Say, young fellow, why are you charged to do a picture of me?
00:30:58Just me alone?
00:30:59Oh, no, I couldn't do that, Mr. Giller.
00:31:01I don't think folks are stamped for two likenesses of you in one town.
00:31:09You see?
00:31:10Now, you can't just lob it in there soft-like.
00:31:11You gotta slam it in there real hard.
00:31:13Now, watch.
00:31:24You try one.
00:31:42Fine job, Dan.
00:31:43Good enough for a drink or two?
00:31:45Sure, in my saddlebag.
00:31:57Well, everything's set on this end.
00:31:59Now we tie up the other end.
00:32:01Where's that?
00:32:03The border.
00:32:04Royce City.
00:32:05That hellhole.
00:32:07There's nothing there but lice.
00:32:09That's what we're looking for, isn't it?
00:32:10Human lice.
00:32:11Present company not accepted.
00:32:15Right.
00:32:17You take the wagon and paintings.
00:32:19I'll meet you in four days in Royce City.
00:32:23Here's to present and future company.
00:32:25Here we go,.
00:32:27There we go, David.
00:32:31Thisvoy...
00:32:31He'll be right.
00:32:33That's a happy hour.
00:32:35Thank you.
00:32:37Bye.
00:32:43He's very good.
00:32:46Yeah.
00:32:47Thank you, Mrs.
00:32:47White.
00:32:48Yeah.
00:32:49I'm happy.
00:32:51I'm happy.
00:32:52I'm happy.
00:32:53¡Gracias!
00:33:23¡Gracias!
00:33:24¡Gracias!
00:33:25¡Gracias!
00:33:31¡Gracias!
00:33:32¡Gracias!
00:33:39¿Qué?
00:33:40¡Gracias!
00:33:41¡No, nada, nada, nada, espera que yo-
00:33:44¡Gracias!
00:33:46¡Gracias!
00:33:47¡Ah!
00:33:48¡Ed, envolvemos una copia!
00:33:50I came all the way from Durango to be in the shootout.
00:33:55Lightning draw, nobody quit.
00:33:57I'm looking for a friend of mine called Dan Keats.
00:34:00Wouldn't know him.
00:34:02He wears a red uniform.
00:34:05Draws pictures?
00:34:06Yeah.
00:34:06Empty belly for whiskey?
00:34:08Afraid so.
00:34:10Try upstairs.
00:34:11Thank you.
00:34:20I'm looking for a friend of mine, Dan Keats.
00:34:33Your name, Dan Keats?
00:34:50Wake up, you slob.
00:35:03No, no, Julie.
00:35:04No, no.
00:35:05Wake up.
00:35:06What's the matter, Julie?
00:35:07I like you.
00:35:08Don't you like me?
00:35:10Come on, Julie.
00:35:12That's no way to treat a partner.
00:35:17You're Julie.
00:35:18Why?
00:35:19I asked you a question.
00:35:20And I asked you one.
00:35:21Why?
00:35:22He mentioned your name.
00:35:24Why not?
00:35:25Every once in a while, I make an impression on somebody.
00:35:28Before or after you get them drunk?
00:35:31Now, when it comes to drinking, your friend doesn't need any help, Mr. Barrett.
00:35:36I don't recall meeting you.
00:35:37That's right.
00:35:38This is our first hello, Sheriff.
00:35:41Who are you?
00:35:42Me.
00:35:44I'm the girl you told folks about back in Blue Springs.
00:35:47The bride you're bringing back from St. Louis.
00:35:50My friend has dreams when he's drunk.
00:35:53You'd be surprised at the dreams I hear and the offers I get.
00:35:56You're wasting your time listening to this one.
00:35:58I wonder if they'd think so back in Blue Springs.
00:36:01I mean, the people who run the bank.
00:36:10All right.
00:36:11How much?
00:36:14How much to forget you listen to him?
00:36:16I'm a partner.
00:36:19A full partner.
00:36:20One-fifth, isn't it?
00:36:33Sheriff, don't even give it a thought.
00:36:36The last time a man used a six-shooter up here, he didn't even get past the bottom of the staircase.
00:36:40You're right.
00:36:42It's not going to solve anything.
00:36:45But quit shoving.
00:36:46It isn't going to work.
00:36:47Look, Mr. Barrett, I happen to need this break badly enough to do anything to get it.
00:36:52Anything.
00:36:54I have to have a chance to get enough money together to leave places like this.
00:36:58And when it's over, I'll head east.
00:37:00I promise you that.
00:37:02I dream too, Mr. Barrett.
00:37:03But someday I'll start living brand new in a place where no one ever heard of Julie Reynolds.
00:37:09Find some other way.
00:37:12Why?
00:37:13You need a woman for this job, don't you?
00:37:15Why be sore?
00:37:15Because he found one.
00:37:17I'll do my own hiring.
00:37:19Fair enough.
00:37:21You shop around if that suits you.
00:37:24You won't find anybody able to handle this job better than me.
00:37:28All right, I'll do that.
00:37:30I'll shop around.
00:37:33Meanwhile, sober up this.
00:37:46Come on.
00:37:47If I told you once, I told you 50 times.
00:37:50I don't make the rules.
00:37:51We ain't allowed to waste time on stiffs.
00:37:53Particularly if this one ends a period of the enemy.
00:37:56Now, who is talking to you?
00:37:58Proper question.
00:37:59But hardly an answer to the lady's complaint.
00:38:01You said it.
00:38:02Oh, look here, I wasn't bellyaching, was I?
00:38:04All I said was you could drink a Mike Sloan instead of gulping them down like they was being bought by the house.
00:38:10Harry, give us another refresher.
00:38:12Bravo.
00:38:12Oh.
00:38:15Millie, an endorsement of your hospitality.
00:38:19Can't we drink someplace private?
00:38:21A little later, honey.
00:38:22There has to be at least five of us girls on the floor at all times.
00:38:25I never saw a house with so many rules.
00:38:30Hey!
00:38:31Elbows!
00:38:31You're all elbows, my dear fellow.
00:38:33Get your paws off of me.
00:38:34Oh, the greatest of pleasure.
00:38:37Madam, a very good evening to you.
00:38:41Hey!
00:38:42Hey, you!
00:38:42You with a fan to happen!
00:38:44You stole my poker, you dirty grunt!
00:38:46I beg your pardon.
00:38:47You're going to give me my poker, ain't you?
00:38:48Dear fellow, you're intoxicated.
00:38:50Search him, Pete!
00:38:51Make him hold still for a search.
00:38:52Lay a hand upon my person and I shall be forced to react accordingly.
00:38:56Call him, Pete.
00:38:56Call the dude's bluff.
00:38:58We're back in your play, Pete.
00:38:59You're going to hold still and let me search you?
00:39:01At your peril, sir.
00:39:04You lost your poke?
00:39:05Didn't lose it.
00:39:06This dude stole it.
00:39:08You're wrong, mister.
00:39:09I found this poke at the bar.
00:39:11Say, that's mine.
00:39:13How do I know it is?
00:39:14Well, look, see, there's a PK on it.
00:39:17Hmm.
00:39:18PK is right.
00:39:19You owe him an apology.
00:39:21Yeah, sure do.
00:39:22Say, uh, least I could do is buy a drink, mister.
00:39:26Your apology is accepted.
00:39:28However, I see no reason for us to mix socially.
00:39:31Does that mean a yes or a no?
00:39:32Sir, I bid you good evening.
00:39:33Oh, well, sorry.
00:39:35Well, thanks to you, mister.
00:39:43Fortunate thing you have to buy, sir.
00:39:44I'd say so.
00:39:46I might have had to kill the fellow.
00:39:48With a barrage of words?
00:39:50Hardly.
00:39:52Lethal little gadget from properly used.
00:39:55May I now introduce myself?
00:39:57Sir Harry Ivers, of the Lancaster Ivers.
00:39:59My name is Mitch.
00:40:01Mitch Barrett.
00:40:03Have you ever had to use that little gadget?
00:40:05Only when necessary.
00:40:06You know you have a talent I could use, Ivers.
00:40:09And a remuneration?
00:40:10Large or small?
00:40:12Big.
00:40:13You need to say no more, Mr. Barrett.
00:40:14I'm an infallible judge of human character.
00:40:17Let us retire to a table and seal our bargain.
00:40:19Hmm?
00:40:19Why not?
00:40:20Well, here it is, folks.
00:40:45Here's what you've been waiting for.
00:40:47For $500 in gold, Stu Christian of Durango against Clark Boyd of Sioux City.
00:40:55Get set up there.
00:40:58We're going to start.
00:41:01Now, there's one thing I want you both to keep in mind.
00:41:04Anybody who tries beating my count of ten gets his head blown off by my boys.
00:41:10Is that your widow over there?
00:41:14All right.
00:41:15Let's stand together, gents.
00:41:17Back to back.
00:41:20Too bad you won't be here to see your baby.
00:41:23Ready?
00:41:24One, two, three, four, five, six, seven, eight, nine, ten.
00:41:35One, two, three, four, five, six, seven, eight, nine, ten.
00:41:40How about the money?
00:41:52Sure.
00:41:53As soon as you saddle up to leave town.
00:41:56Don't run me out.
00:41:57Me?
00:41:59Not me, mister.
00:42:00I don't have to try.
00:42:02I got boys who handle my chores for me.
00:42:04Let me know when you're ready to go, and then you can pick up the prize money.
00:42:08We don't want you around.
00:42:10It's all right.
00:42:11I never stay for the funerals anyway.
00:42:16My name is Mitch Barrett.
00:42:17I'd like to talk to you.
00:42:18Don't recall asking to listen.
00:42:19You'll listen and be glad you did for $20,000 in gold.
00:42:22Mister, when you talk, you talk big.
00:42:26I came 300 miles to higher than one of this shootout.
00:42:29Two weeks of your time, $20,000 in gold.
00:42:32Interested?
00:42:34Might be.
00:42:36Parking me talk in private.
00:42:38I've got myself room at the hotel.
00:42:40Fine.
00:42:50I'd like to see you a minute, Dan.
00:42:53Couldn't care less.
00:42:54Beat it.
00:42:55Menace.
00:42:55Menace.
00:42:56You keep out of this.
00:42:58Go on.
00:42:58Take your business someplace else.
00:42:59Hey, soldier boy, that ain't no way to talk to Julie.
00:43:03You fixin' the change, my words?
00:43:06Yeah.
00:43:07Yeah, that's what I need to do.
00:43:09Give him.
00:43:10He's not my type.
00:43:12Not like me, huh, Julie?
00:43:14Full of money and romance.
00:43:16Stand for yourself a shot, Julie.
00:43:19Yes.
00:43:19Hey, here he is, everybody.
00:43:27The fastest gun in the world.
00:43:33Dan Keats, Harry Ivers.
00:43:36I'd like a drink.
00:43:37Hey, what do you have to do around here to get a drink?
00:43:46You sure you're old enough?
00:43:48Hey, hi, Stu.
00:43:49Help yourself.
00:43:57Well, now, Lady Bird, since you asked.
00:43:59I sure am.
00:44:03I'm old enough and big enough.
00:44:08I don't like tear-cold fingers anywhere near me.
00:44:11Julie, don't talk like that to him.
00:44:12You've got to be special nice to him.
00:44:15I told her to be special nice to you.
00:44:17Thanks, fat boy.
00:44:20Mind if Lady Bird sits with me?
00:44:21I mind.
00:44:22Come on, Julie.
00:44:23Do what he wants.
00:44:24Take their greasy hands off me.
00:44:26Oh, look.
00:44:27Who do you think you're talking to?
00:44:28You're pie and me were real good friends, remember?
00:44:31Yeah, we used to go back.
00:44:33All right, then, you show some.
00:44:36Quick draw, Lady Bird.
00:44:39Come here.
00:44:40You touch me again and I'll put your eyes out.
00:44:51I'd better go and make sure she's all right.
00:44:53Never mind.
00:44:54You talk too much, I'll go.
00:44:58Come here.
00:45:11Yeah?
00:45:12Julie, it's Mitch Barrett.
00:45:13You know, I like a woman who doesn't run away from trouble.
00:45:25I stopped running a long time ago.
00:45:28One-fifth interest, Mrs. Barrett.
00:45:33You won't be sorry.
00:45:36We'll leave tomorrow, after we're married.
00:45:37Married?
00:45:40I could play Mrs. Anybody without using a preacher.
00:45:44Uh-huh.
00:45:44I want to hear the man say the words.
00:45:47Back in Blue Springs, people hang their marriage certificates on the wall.
00:45:51We've got to have ours up there, in case we have company.
00:45:53We've got toCo Paddy.
00:45:54You won't be sorry.
00:45:55You've got to be sorry.
00:45:56We'll go.
00:45:56We've got to have a Man Hausto.
00:45:59You've got to have room for laundry.
00:46:04We've got to have an apartment.
00:46:05We've got to have a ** to bez right.
00:46:07Uh-huh.
00:46:07We've got to have a ** kick a chance.
00:46:08That's also a Jack.
00:46:08A Pode.
00:46:09It's just aص.
00:46:09No.
00:46:12Come to...
00:46:13A house.
00:46:14Open the door.
00:46:14I'd love to pew needs.
00:46:16Go to the ar party.
00:46:16Now, heaven's there.
00:46:17Open the door.
00:46:18set the door, I'd love you to cross.
00:46:19bend the door, I'd love you to do that.
00:46:20You wish...
00:46:22¡Gracias!
00:46:52¡Gracias!
00:47:22¡Gracias!
00:47:24¡Gracias!
00:47:26Put it down.
00:47:29Let me have it.
00:47:32What for? You're not talking to a schoolboy?
00:47:36Look, you drowned yourself in Royce City for the last time.
00:47:39Well, maybe so, but it turned out sugar-sweet for you, didn't it?
00:47:43Congratulations.
00:47:52No, no, no, no.
00:48:22This is a business partnership, not a honeymoon.
00:48:34What's the matter? Too cold inside for you?
00:48:37Get some sleep. We'll pull out a sunup.
00:48:49Everything's done to scale measurement.
00:48:52The street and the buildings, the windows, the posts, everything.
00:48:56Along here, this street measures exactly 107 yards
00:49:01from the north end of the hotel here
00:49:03all the way down to the very south end of this here general store.
00:49:08It's the same system we used in the Army.
00:49:10Rather a good job.
00:49:12Thanks.
00:49:14I was hoping somebody would notice it.
00:49:17Mark Dobbs, the cattle buyer, will come in from this direction.
00:49:20He has a couple of riflemen as escorts.
00:49:24He'll come to the jail and I'll escort him to the bank for the money.
00:49:27An admirable arrangement.
00:49:28You'll have six days to learn to be perfect in the use of liquid fire.
00:49:32More than ample.
00:49:32Now, the cattle will come in from this direction, past the house I rented a month ago.
00:49:39Julie, you'll drive the wagon with the liquid fire.
00:49:42Go behind the hotel and then to the rear of the bank.
00:49:45The rest of you, pick up Julie at two minutes and nine.
00:49:48And what if somebody recognizes her and remembers her later?
00:49:51She's Mrs. Barrett, the sheriff's wife.
00:49:54She's a housewife.
00:49:56She's waiting for the cattle to get out.
00:49:58Sound logic.
00:49:59Any questions?
00:50:00Yeah, when do we get some sleep?
00:50:02Right now.
00:50:02You can buck here or out on the porch.
00:50:18You can buck here or out on the porch.
00:50:48Who's that?
00:51:11Thought I was the only one who couldn't sleep.
00:51:15Sleep is always tough for me.
00:51:18So I've had a little help.
00:51:22Drink?
00:51:23No.
00:51:25I thought Mitch got rid of those.
00:51:27He did.
00:51:29Only I happen to carry a spare.
00:51:31Dependable Dan.
00:51:32Yeah, I always depend on Dan to get drunk before and after sundown.
00:51:37That shouldn't bother you any.
00:51:40You've been around drunks before.
00:51:42And you've been nice to him, too.
00:51:45Keep away from me.
00:51:46You've got whiskey in every pour.
00:51:49You know, you're a cheap, lousy drunk.
00:51:51Well, look who's talking.
00:51:56What are you, the school mom type or something?
00:51:59Back home where I come from, I wouldn't even be seen talking to a woman like you.
00:52:02Good.
00:52:03Keep it that way.
00:52:03You know what's the matter with you?
00:52:04Drew, you just can't stand to have a man near you.
00:52:09Something happens to you every time you're near a man and you feel his hand.
00:52:13Well, at least you'll touch me.
00:52:20Julie, Julie, Julie, please don't go.
00:52:24I don't want to talk to you.
00:52:26Look, look, Julie, look.
00:52:28Look, I'm going to stay right here where I am.
00:52:31I won't move from this spot.
00:52:32I won't go across this line.
00:52:34I won't even touch you.
00:52:35I swear I won't.
00:52:36Cross my heart.
00:52:39Julie, please, talk to me.
00:52:41Hmm?
00:52:42Please?
00:52:43I can't stand being by myself.
00:52:46I swear I just can't.
00:52:49You don't know what it's like feeling lonesome all the time.
00:52:52You couldn't possibly know that.
00:52:54Maybe I do.
00:52:55Maybe I know how it feels, but there's no sense in feeling lonely.
00:53:00At least when you do, you've got to stand up to the feeling.
00:53:02Fight it down.
00:53:04Tell yourself a couple of lies till the feeling goes away.
00:53:09You do that, too?
00:53:12Sometimes.
00:53:12Sometimes.
00:53:13What are you trying to do to yourself?
00:53:17Isn't there something you want out of life more than drinking yourself to death?
00:53:22Mm-hmm.
00:53:22I want a new world.
00:53:24Hmm.
00:53:24Hmm.
00:53:25Hmm.
00:53:25Hmm.
00:53:25Or maybe even this old world.
00:53:28But I...
00:53:29I want something that...
00:53:30that is mine.
00:53:33Maybe Mitch will get it for you.
00:53:35For me, too.
00:53:36Maybe.
00:53:37Maybe.
00:53:37Anyway, that's what I'm praying for and hoping.
00:53:43I've got nothing else to lean on but that.
00:53:45It's not funny, Dan.
00:53:50Oh, yes, it is.
00:53:51Everything's funny.
00:53:52You, me, everybody.
00:53:54You, me, everybody.
00:53:58Except Mitch.
00:54:00Oh, he ain't funny.
00:54:04I'll tell you something about him, Julie.
00:54:07He hates.
00:54:08I mean, a deep, crazy kind of hate.
00:54:12He's burning up his insides.
00:54:14I don't want to hear talk like that.
00:54:17We both happen to owe Mitch an awful lot to Dan.
00:54:20Me, maybe, but not you.
00:54:21I don't want to hear talk like that.
00:54:51Howdy, Mitch.
00:54:56It's good to have you all again.
00:54:57How is St. Louis?
00:54:58Howdy, Mitch.
00:54:58Oh, she sure is pretty, Mitch.
00:55:00She sure is.
00:55:01This is Julie.
00:55:01How do you do?
00:55:02How do you do, Mrs. Barrett?
00:55:03Welcome to Blue Springs, Miss Julie.
00:55:05Nothing like St. Louis, is it, Mrs. Barrett?
00:55:07Oh, forget St. Louis, Sam.
00:55:10She'll feel the same way about this town as I do.
00:55:12Right, honey?
00:55:14Absolutely.
00:55:15That's a wrong way to start a marriage, Mrs. Barrett.
00:55:18Mustn't agree with him that easy.
00:55:21After all this advice, let's go see the house.
00:55:23Now, hold it, Mitch.
00:55:24Hold it.
00:55:25Tell him, Doc.
00:55:25You bet I will.
00:55:26It's a happy moment for me.
00:55:28Mitch, when you went off to collect your bride, folks began figuring how we could prove to
00:55:33her she was marrying the most popular fella in Blue Springs.
00:55:37Well, here's the proof, Mrs. Barrett.
00:55:40No more rent on that house down the street.
00:55:43You and Mitch own it.
00:55:45It's our wedding present to you both.
00:55:47All free and clear.
00:55:48It's all yours.
00:55:49It's a very pretty house.
00:55:49And not a penny of mortgage left on it.
00:55:51All fixed up.
00:55:53Spick and span.
00:55:55I don't know what to say.
00:55:56I'm not good at speeches.
00:55:58Ah, never mind trying, Mitch.
00:56:00By now, we know how you feel.
00:56:03Well, thank you.
00:56:05Thank you very much.
00:56:06Thank you.
00:56:06Thank you.
00:56:10I don't understand.
00:56:15Understand what?
00:56:16You, these people.
00:56:18How can you rob your friends, Mitch?
00:56:21Friends?
00:56:23Calling them friends is funny.
00:56:26Come on, boy.
00:56:40Going to the well again.
00:56:54Yep.
00:56:56Only this time I brought the well back with me.
00:57:02Don't drown yourself, gray belly.
00:57:10How long you figure it's going to take much to melt Julie down?
00:57:28Why don't you shut your dirty mouth?
00:57:32You talking to me, gray belly?
00:57:34Yeah.
00:57:35Right smack up to you.
00:57:38You don't scare me no more than a cockroach.
00:57:41Not now with your gut spread out all over this table, you don't.
00:57:47Now, what are you going to do about that, huh?
00:57:50Now, just what are you figuring on doing about that?
00:57:54I'm going to rip your head off, gray belly.
00:57:57That'll be all.
00:58:00Drop a stew.
00:58:01I said drop it.
00:58:09Looks like you're taking sides, Mitch.
00:58:11I don't take sides.
00:58:13We're trash against trash.
00:58:15As far as I'm concerned, you can kill each other.
00:58:18But not until this job is finished.
00:58:21I've risked too much to end up at the end of a rope.
00:58:23My lieutenant.
00:58:30My southern gentleman lieutenant.
00:58:35Where's the rest of the rot got?
00:58:37That's all there was.
00:58:39He's telling you the gospel, Mitch.
00:58:40There were three.
00:58:41This was the last.
00:58:44You get on your horse, go to my place.
00:58:52Lieutenant.
00:58:54You and me are going to get together again real soon.
00:58:56I'll be looking forward to that.
00:59:11How much longer we got to wait?
00:59:14Until Saturday.
00:59:15Four more days.
00:59:16I want you to rehearse until you know all the answers.
00:59:21The big one's all that matters to me.
00:59:23When do we divvy the $100,000?
00:59:26When it's safe, in about a week.
00:59:28And when I've convinced the posse that Chase is hopeless.
00:59:32After the robbery, you go to the miner's cabin over the ridge.
00:59:35And wait for me.
00:59:38Harry, you go to the hotel in Basin City.
00:59:42And get out of that clown outfit.
00:59:43Anybody can spot you.
00:59:44So you're a ruddy fashion expert, too.
00:59:47I'm anything and everything I have to be.
00:59:49To get this job over with.
00:59:51What about the money?
00:59:52Who becomes custodian?
00:59:54It'll be here.
00:59:56With Julie, Dan, and myself.
00:59:57Why here?
01:00:00Because any place I own, the posse won't look.
01:00:03I've got a picture for you to study.
01:00:04Be right back.
01:00:10Well, if nothing else, we're becoming art students.
01:00:13What difference does it make?
01:00:14What he says goes.
01:00:16He's smart.
01:00:17Mad men frequently are.
01:00:19Him mad?
01:00:20I should be that crazy.
01:00:22Wouldn't surprise me at all.
01:00:27Don't mention this one to Keats.
01:00:29Some things he has in his stomach for.
01:00:31Yeah, lots of things.
01:00:32I aim to find out what they are.
01:00:34You do what you like after this is over.
01:00:37That's your business.
01:00:38This is a painting he made of a sketch when I was sworn in.
01:00:43Stu?
01:00:44This is your man.
01:00:46He's the hotel man Calvo.
01:00:47I want you to get to know his face as well as you know your own gun.
01:00:51This one's your study, Harry.
01:00:52Sam Giller runs a general store.
01:00:54You haven't too much time.
01:00:56The cattle have been rounded up and are heading toward town.
01:00:58You haven't.
01:01:00You haven't.
01:01:01You haven't.
01:01:02Look.
01:01:03You haven't.
01:01:03I'm sorry.
01:01:04I'm sorry.
01:01:04It's all about.
01:01:05You haven't.
01:01:05Look.
01:01:06Look.
01:01:08Marshall.
01:01:08Huh?
01:01:10¡Gracias!
01:01:40¡Gracias!
01:02:02We wait ten minutes and then we move in behind the bank.
01:02:10¡Gracias!
01:02:40Bien.
01:02:43¡Gracias!
01:02:46¡Fatía, señor!
01:02:50¿Qué tal?
01:02:51¿De acuerdo?
01:02:54Parece, mi padre, te pido.
01:02:55You came to the right place.
01:02:56You were recommended by your sheriff.
01:02:58Mitch, one of my closest friends.
01:03:00Really?
01:03:01Amazing, simply amazing.
01:03:02Something smallish.
01:03:03My sister has a certain delicacy.
01:03:05Got a dandy.
01:03:09Here you are.
01:03:10$16.
01:03:14That'd be $16 plus $1.87, won't it?
01:03:17What?
01:03:18But your close friend, Mitch Barrett,
01:03:20asked me to pay what he's owed you for so long,
01:03:22ever since the death of his wife.
01:03:24$1.87, wasn't it?
01:03:45What are you doing that for, mister?
01:03:47Hands went home.
01:03:49Nice looking beef.
01:03:51Yeah, we raised the finest in the country.
01:03:52The noisiest, too.
01:03:55Well, I guess we'd yell some, too,
01:03:56if we was heading for the slaughterhouse.
01:03:58That's right.
01:03:59Never thought of that before.
01:04:03Wish I had time to hear you yell.
01:04:04Stampede, come on.
01:04:28Come on.
01:04:28Don't do it, Mitch, don't.
01:04:52A hundred thousand dollars.
01:04:55The town's bread and butter.
01:04:57The best kind of swap I could make for $1.87.
01:05:03We got it all.
01:05:04All right, boys.
01:05:06Give me the liquid fire stuff.
01:05:10Hightail out of here.
01:05:12Stu!
01:05:13You forgot something.
01:05:15Oh, yeah.
01:05:17Got to make you look like a hero for the neighbors.
01:05:21So long, Mitch.
01:05:22How long are you going to be with us, Mr. Lancaster?
01:05:52As briefly as I find endurable.
01:05:55Have the saddlebags removed to my quarters while I seek some refreshments.
01:05:59Before I swear the posse in, there's a couple of things I want to say.
01:06:22This town has been hit hard.
01:06:24We're broke.
01:06:25And four men are dead.
01:06:27Any man who's in this just for an exciting day or two can step out.
01:06:30I don't want him.
01:06:33All right, let's get on with it.
01:06:36Raise your right hand.
01:06:38There you go.
01:06:39Let's get on with it.
01:06:39Let's get on with it.
01:06:40Let's get on with it.
01:06:40We'll let you go.
01:06:41¡Suscríbete al canal!
01:07:11¡Suscríbete al canal!
01:07:41¡Suscríbete al canal!
01:08:11¡Suscríbete al canal!
01:08:41¡Suscríbete al canal!
01:08:43¡Suscríbete al canal!
01:08:45¡Suscríbete al canal!
01:08:47¡Suscríbete al canal!
01:08:55¡Suscríbete al canal!
01:08:57¡Suscríbete al canal!
01:08:59¡Suscríbete al canal!
01:09:01¡Suscríbete al canal!
01:09:03¡Suscríbete al canal!
01:09:05¡Suscríbete al canal!
01:09:07¡Suscríbete al canal!
01:09:09¡Suscríbete al canal!
01:09:11¡Suscríbete al canal!
01:09:13¡Suscríbete al canal!
01:09:15¡Suscríbete al canal!
01:09:17¡Suscríbete al canal!
01:09:21¡Suscríbete al canal!
01:09:23¡Suscríbete al canal!
01:09:25¡Suscríbete al canal!
01:09:27¡Suscríbete al canal!
01:09:29¡Suscríbete al canal!
01:09:31¡Suscríbete al canal!
01:09:33¡Suscríbete al canal!
01:09:35¡Suscríbete al canal!
01:09:37¡Suscríbete al canal!
01:09:39¡Suscríbete al canal!
01:09:41¡Suscríbete al canal!
01:09:43¡Suscríbete al canal!
01:09:45¡Suscríbete al canal!
01:09:47¡Suscríbete al canal!
01:09:49¡Suscríbete al canal!
01:09:51¡Suscríbete al canal!
01:09:53¡Suscríbete al canal!
01:09:55¡Suscríbete al canal!
01:09:57¡Suscríbete al canal!
01:09:59I was drunk as a skunk.
01:10:01A lot meaner.
01:10:04This isn't why
01:10:05I brought it up now, but
01:10:06I just wanted to say to you that
01:10:08I have never known any girl
01:10:11as much of a lady as you are, Julie.
01:10:14Not any time
01:10:15or any place.
01:10:17That's a very nice thing for you to say.
01:10:20No nicer than you.
01:10:24Look, we better eat things
01:10:26and get cold.
01:10:29¡Suscríbete al canal!
01:10:59¡Suscríbete al canal!
01:11:29¡Suscríbete al canal!
01:11:31¡Suscríbete al canal!
01:11:35¡Suscríbete al canal!
01:11:39¡Suscríbete al canal!
01:11:41¡Suscríbete al canal!
01:11:43¡Suscríbete al canal!
01:11:45¡Suscríbete al canal!
01:11:49¡Suscríbete al canal!
01:11:51¡Suscríbete al canal!
01:11:55¡Suscríbete al canal!
01:11:57¡Suscríbete al canal!
01:11:59¡Suscríbete al canal!
01:12:01¡Suscríbete al canal!
01:12:03¡Suscríbete al canal!
01:12:05¡Suscríbete al canal!
01:12:07¡Suscríbete al canal!
01:12:09¡Suscríbete al canal!
01:12:11¡Suscríbete al canal!
01:12:13¡Suscríbete al canal!
01:12:15¿Qué es eso?
01:12:25Habit, creo. ¿Possey quit?
01:12:29Casi. Están buscando el río.
01:12:31Aquí?
01:12:34No, no hay nada que preocupa.
01:12:37Cuando me lleve el este camino,
01:12:39va a la río y va a mi cabina.
01:12:40¿Cófí, ¿no?
01:12:45No me gusta la río con la posse.
01:12:50¿Tú bad tu mente no es tan rápido como la guna?
01:12:53Si alguien se encuentra con el río,
01:12:54¿sabes un río?
01:12:56Sí, supongo que supongo.
01:12:58¿Dónde está empezando?
01:12:59Voy a cubrir el tráfico y la posse.
01:13:02¿Gray belly a tu lugar?
01:13:05Sí, con Juli.
01:13:07Quiero que me lleve en una pieza
01:13:08hasta que me lleve el dinero.
01:13:12$100,000.
01:13:13¿Qué es eso?
01:13:15Para que me quede bien.
01:13:19Vamos.
01:13:43¡Viva!
01:13:47¡Viva!
01:13:50¡Viva!
01:13:52¡Se ha convertido en una oportunidad!
01:13:55¡En esto es todo!
01:13:58Sólo rechare.
01:14:01¡Ave ahora! ¡Ave bien!
01:14:13¿Qué tal?
01:14:15¿Qué?
01:14:16¿Qué?
01:14:19¿Qué?
01:14:21¿Qué?
01:14:25¿Qué?
01:14:27¿Has en el city?
01:14:28¿Qué?
01:14:29¿Qué?
01:14:31No hay problema, Luis?
01:14:33He es el suerte.
01:14:39¿Por qué?
01:14:41No, no.
01:14:43No, no.
01:14:45No, no.
01:14:47No, no.
01:14:49No, no.
01:15:03¿Sabes algo?
01:15:05These past few days,
01:15:08being here with you,
01:15:11they've been good days.
01:15:13I know.
01:15:16I was hoping that'd never end.
01:15:19We'd better be getting back. Mitch might be coming.
01:15:22Don't run away from me, Julie.
01:15:25Please, don't.
01:15:27What's a crazy sense of talking, Dan?
01:15:29Is it too late for that or anything else?
01:15:31No, it isn't.
01:15:35We've been running away all our lives.
01:15:38Running from other people, from ourselves.
01:15:41When are we gonna stop?
01:15:43Not till I get far enough away so that nobody'll know me.
01:15:46Anything about me.
01:15:48That's all I want, Dan.
01:15:50I don't believe that, Julie.
01:15:53I think what you want is what we've had right here together.
01:15:56You've been happy. I know you've been happy.
01:15:59It'll be over soon. That's the way it's gotta be.
01:16:02Julie, listen.
01:16:06Look at me, Julie.
01:16:12I haven't had a drop of liquor since I've been here, have I?
01:16:16And I didn't mind it a bit, did I?
01:16:19That's just because of you.
01:16:21It's because I wanted to be right with you.
01:16:26I wanted to be with you.
01:16:28I love you, Julie. I love you.
01:16:31And I know that past anything else in the world, I love you.
01:16:34Oh, Dan, stop it, will you?
01:16:37Listen to me and try to understand something.
01:16:42Being here with you is probably the only true happiness that I've ever known.
01:16:48But, Dan, you don't really love me.
01:16:51Julie, now you stop.
01:16:56Stop being ashamed for what's past.
01:17:00I want to have a new life with you.
01:17:04Just you and me.
01:17:05Well, there are some things you don't scrub off.
01:17:10Do you remember that night in Royce City when that man Luke grabbed me?
01:17:15Do you remember he started to say something about my father?
01:17:19Well, I never saw my father one sober day of his life, not one.
01:17:24When he didn't have money for liquor, then he needed me.
01:17:30Ah, it's nice to be needed.
01:17:36He brought his friends to the house.
01:17:40And they liked me.
01:17:44Don't. Don't.
01:17:47Julie, Julie.
01:17:49I love you. I love you.
01:17:51Listen. Listen to me.
01:17:56Back home where I come from, that's deep in Virginia.
01:18:00I still got a piece of land there.
01:18:03I'm gonna work that piece of land on my two hands.
01:18:06And I want your two hands with me, working it with me.
01:18:10To turn that earth, plow, plant.
01:18:14And we won't stop until we have a place that we can be really proud of.
01:18:17A place that folks will look at and say, there's the Keats place.
01:18:33We're together now for always and always.
01:18:36Yes. Yes.
01:18:40I'm gonna ride into town and talk to Mitch.
01:18:43What we gotta do now, we can do for ourselves.
01:18:46We're gonna start fresh and clean.
01:18:49We'll let the others keep the money.
01:18:53You don't want the money, do you, Julie?
01:18:55Oh, no.
01:18:56I've got what I've always wanted all my life right here.
01:19:01You don't want the money here.
01:19:02Right here.
01:19:31Just got two of them.
01:19:34Who gunned them, Jonesy?
01:19:35Mitch. Went in after him single-handed while we backed him up.
01:19:49A couple of you men take him around to the rear.
01:19:51Stay with Doc. Where's Mitch?
01:19:54Running down the hideout of the others.
01:19:56Look, I told you. He went to town.
01:20:02I told both of you to stay put.
01:20:04But why are you so upset? He'll be back.
01:20:07You think so?
01:20:08I know so.
01:20:09Probably on his way to Virginia by now.
01:20:11That's not very funny, Mitch.
01:20:13No, it isn't. And it won't be funny for him when I catch up with him.
01:20:16Look, I told you he'd be back, all right?
01:20:19You sound like a protective mother.
01:20:21His mother had the wrong word for it.
01:20:24We're in love.
01:20:26That's what he went into town to tell you.
01:20:28When he finds out that you're not there, he'll come back, Mitch.
01:20:31He'll find out other things, too.
01:20:34Stu and Ivers are dead.
01:20:36Dead?
01:20:38How?
01:20:39With you leading the posse, Mitch? How?
01:20:43With me leading the posse.
01:20:46Oh, Dad.
01:20:49He can't hear you.
01:20:51He'll come back.
01:20:53He'll come back, Mitch.
01:20:54This kind of people never change.
01:20:59I told you, boy.
01:21:04One sound out of you and I'll kill him from here.
01:21:09Dan! Dan! Stop!
01:21:11Bitches!
01:21:13Throw your gun out, Keisha.
01:21:15I'll kill her right now.
01:21:16Now, come on in.
01:21:32That's far enough.
01:21:37You must have drunk a pint of guts to ride up here.
01:21:40Money's all yours, Mitch.
01:21:42We don't want a penny of it.
01:21:43The money's not yours to want.
01:21:45At least let Julie go.
01:21:46She can't hurt you any.
01:21:48It's not what I planned.
01:21:50She was tired of living, just as you were tired.
01:21:52I hired a lot of tired people.
01:21:56The scum of the earth.
01:21:57What about after us, Mitch?
01:22:00You didn't tell us about wanting to kill all those people in town.
01:22:03Innocent people.
01:22:04Good people.
01:22:06You got rid of everybody that ever touched you.
01:22:09Everybody that loved you.
01:22:10That wanted to help you.
01:22:11How are you going to live now?
01:22:13How are you going to live without anybody to hate?
01:22:15I got $100,000.
01:22:19I don't need anybody.
01:22:21All the money in the world isn't going to help you, Mitch.
01:22:24Everything you ever had, ever really wanted, is dead.
01:22:28It's buried in that cemetery up on the hill.
01:22:30Shut up.
01:22:31Killing us isn't going to change things, Mitch.
01:22:34Your wife is dead, and she's not going to come back,
01:22:37and you've got nothing.
01:22:38Nothing!
01:22:39I said shut up!
01:22:41Let Dan go, Mitch.
01:22:42Mitch, I'll stay with you here, anywhere you ask.
01:22:45I'll be good to you, Mitch.
01:22:47I'll make you forget her.
01:22:48I swear to you, I'll make you forget her.
01:22:50You.
01:22:51You cheap tramp, you.
01:22:54Make me forget Ellie!
01:23:01Oh!
01:23:12Oh!
01:23:32Oh!
01:23:33Oh!
01:23:35Oh!
01:23:40Oh, honey, don't cry, honey.
01:23:49You didn't have any choice.
01:23:52You had no choice at all.
01:23:56So we figured by coming here and telling you everything that happened would run much less risk of a lynching party.
01:24:04We're not a lynching town, son.
01:24:06I can't tell you how important this money is to the town.
01:24:13Difference between security and panic, I guess.
01:24:17You and Julie will be tried in court.
01:24:22Fair and square.
01:24:25If you're still here after I get back with Judge Swain...
01:24:29We'll be here.
01:24:31Could take three, four hours for me to find the judge.
01:24:35A couple of horses could be long gone by that time.
01:24:39No, Doc, we're through with running.
01:24:42Could take two, three, maybe as much as five years out of your lives.
01:24:47We're expecting it.
01:24:48I've been bragging for a long time about my town.
01:25:01My neighbors being kindly and understanding folks.
01:25:06I sure aim to prove it to you both.
01:25:08Dan.
01:25:31Dan.
01:25:31Tell me about Virginia again, Dan.
01:25:42What'll it be like?
01:25:46That's going to take time, Julie.
01:25:48A lifetime.
01:25:53Not even Doc Seltzer can walk that slow.
01:25:55That's going to take time, Julie.
01:25:56Thank you, Julie.
01:25:56Thank you, Julie.
01:25:57Thank you, Julie.
01:25:58Thank you, Julie.
01:25:58Thank you, Julie.
01:25:59Thank you, Julie.
01:25:59Thank you, Julie.
01:26:00Thank you, Julie.
01:26:00Thank you, Julie.
01:26:01Thank you, Julie.
01:26:01Thank you, Julie.
01:26:02Thank you, Julie.
01:26:03Thank you, Julie.
01:26:04Thank you, Julie.
01:26:05Thank you, Julie.
01:26:06Thank you, Julie.
01:26:07Thank you, Julie.
01:26:08Thank you, Julie.
01:26:09Thank you, Julie.
01:26:10Thank you, Julie.
01:26:11Thank you, Julie.
01:26:12Thank you, Julie.
01:26:13Thank you, Julie.
01:26:14Thank you, Julie.
01:26:15Thank you, Julie.
01:26:16Thank you, Julie.
01:26:17Thank you, Julie.
01:26:18Thank you, Julie.
01:26:19Thank you, Julie.
01:26:20Thank you, Julie.
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