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Ballerina full Movie in English | Animation movie_Free
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Short filmTranscript
00:00:00You know, gotta know
00:00:02You can do it on your own
00:00:06Guess that's why I wrote this song
00:00:09You know it's about you
00:00:11It's always about you
00:00:13So then you go
00:00:22Bye-bye, orphanage.
00:00:25Slowly.
00:00:26Almost there.
00:00:28Stop!
00:00:38Where is Felice?
00:00:41Uh, sir, I don't know
00:00:43What are you looking at, you idiot?
00:00:49Go get Felice
00:00:51You know, I'm having a little bit of trouble
00:00:53Knowing which direction you're
00:00:55No!
00:00:58No!
00:00:59No!
00:01:00No!
00:01:01No!
00:01:02No!
00:01:03No!
00:01:04No!
00:01:05No!
00:01:06No!
00:01:07No!
00:01:08No!
00:01:09No!
00:01:10No!
00:01:11No!
00:01:12No!
00:01:13No!
00:01:14No!
00:01:15No!
00:01:16No!
00:01:17No!
00:01:18No!
00:01:19No!
00:01:20No!
00:01:21No!
00:01:22No!
00:01:23No!
00:01:24No!
00:01:25No!
00:01:26No!
00:01:27No!
00:01:28No!
00:01:29No!
00:01:30No!
00:01:31No!
00:01:33No!
00:01:34No!
00:01:35Oh, no!
00:01:36No!
00:01:37What do you have to do?
00:01:38No!
00:01:39don't start you know how this ends we arrived at the same time and we'll escape at the same time
00:01:46i promise okay
00:01:48hey victor
00:01:53oh no here we go
00:02:09you just gotta know
00:02:19you can do
00:02:22you can do
00:02:26this is the last time we're sorry we're sorry and let them go
00:02:45you go to your room thank you thank you mother superior enough go to your room
00:02:50and may i just say that you were looking very enough superior today
00:02:54enough okay felicia i know you have this dream of being a dancer
00:02:59we all know it but i all the world has a dream
00:03:03but get this into your head dreams are not reality
00:03:06dreams are buried because life is hard brutal and without pity
00:03:11but agreed
00:03:13agreed
00:03:24a dance school in paris little lady the opera de paris full of dancers and dance
00:03:33where did you find this i have my sources okay enough can i see it again no please
00:03:40no but if you escape with me tonight you have my word i will take you to this dance school
00:03:45and you will become the greatest dancer and i will become the greatest inventor
00:03:50ever
00:03:52do you have a plan a brilliant plan a plan worthy of my total other unquestionable genius
00:03:57let me see
00:03:58let me see
00:03:59after you escape now
00:04:00now
00:04:01now
00:04:02i said after after
00:04:03now
00:04:04now
00:04:05now
00:04:06dance school in paris
00:04:08dance school in paris
00:04:09dance school in paris
00:04:10dance school in paris
00:04:11dance school in paris
00:04:12dance school in paris
00:04:13dance school in paris
00:04:14dance school in paris
00:04:15dance school in paris
00:04:16dance school in paris
00:04:17dance school in paris
00:04:18dance school in paris
00:04:19dance school in paris
00:04:20dance school in paris
00:04:21dance school in paris
00:04:22dance school in paris
00:04:23dance school in paris
00:04:24dance school in paris
00:04:25dance school in paris
00:04:26dance school in paris
00:04:27dance school in paris
00:04:28dance school in paris
00:04:29dance school in paris
00:04:30dance school in paris
00:04:31Hmm.
00:04:53Shh, shh, shh. It's me. Come on.
00:04:56Oh, my.
00:04:57Is the chicken part of your brilliant plan?
00:04:59Affirmative.
00:05:01Great.
00:05:14I'm taking this pitiful desert at her mother superior.
00:05:19Okay, sister.
00:05:25Emergency!
00:05:26Emergency!
00:05:27Activate Plan B!
00:05:28This way!
00:05:29That was your best ever plan?
00:05:32You are so critical!
00:05:33You are a terrible escaper!
00:05:35Escaper is not a word!
00:05:36Get out!
00:05:37Not again!
00:05:38Get back down here!
00:05:42Open the door!
00:05:43For the last three months, I have been studying chickens.
00:05:52I know how they eat.
00:05:53I know how they walk.
00:05:55I know how they lay an egg.
00:05:58There is nothing about a chicken that I do not know.
00:06:02Ta-da!
00:06:04I call them chicken wings!
00:06:10Chickens don't fly!
00:06:14But they have wings.
00:06:15They must fly.
00:06:16You fly.
00:06:17You fly.
00:06:18Don't you?
00:06:19Fly!
00:06:20Uh-oh.
00:06:21I'm going to...
00:06:22Come here, you rascals!
00:06:24Goodbye.
00:06:25What?
00:06:26Let's go!
00:06:27Go!
00:06:28Go!
00:06:29Go!
00:06:30Go!
00:06:31Go!
00:06:32Go!
00:06:33Go!
00:06:34Go!
00:06:35Go!
00:06:36Go!
00:06:37Go!
00:06:38Go!
00:06:39Go!
00:06:40Go!
00:06:41Go!
00:06:42Go!
00:06:43Go!
00:06:44Go!
00:06:45Go!
00:06:47One day, everyone will travel like this!
00:07:02My music box!
00:07:04Go!
00:07:08Victor!
00:07:09He's behind you!
00:07:10I've got my eye on you!
00:07:11You're not going anywhere!
00:07:29Oh, no!
00:07:30Oh, no!
00:07:31Oh, no!
00:07:32Oh, no!
00:07:33Oh!
00:07:34Oh!
00:07:35Oh!
00:07:36Oh!
00:07:37Oh!
00:07:38Oh!
00:07:39Oh!
00:07:40Oh!
00:07:41Oh!
00:07:42Oh!
00:07:43Oh!
00:07:44Oh!
00:07:45Oh!
00:07:46Oh, yeah!
00:07:47Oh!
00:07:48Oh!
00:07:49Hang on!
00:07:50Stop the damage!
00:07:51Oh!
00:07:52Oh!
00:07:53Oh, thanks!
00:07:54Victor, watch out!
00:07:55Oh!
00:07:56Oh!
00:07:57Oh!
00:07:58Oh!
00:07:59Oh!
00:08:00Oh!
00:08:01Oh!
00:08:02Oh!
00:08:03Oh!
00:08:04Oh!
00:08:05Now I've got you!
00:08:06Oh!
00:08:07Oh!
00:08:08Oh!
00:08:09Oh!
00:08:10Oh!
00:08:11Oh!
00:08:17Oh!
00:08:18No!
00:08:27This way! Go!
00:08:41Wait!
00:08:42Oh, no!
00:08:44Come on!
00:08:45Oh, no!
00:08:47Let me go!
00:08:50Let me go, stinky!
00:09:04That went well, you know?
00:09:06You are unbelievable.
00:09:09I know.
00:09:10Hey, Victor, we actually did it!
00:09:13Yes, we actually did!
00:09:17What the hell?
00:09:20I can fix this.
00:09:23But I should say that seeing as this is the one thing that was in your crib when you were left outside the orphanage,
00:09:30you should take a teeny-tiny,
00:09:32easy-weensy,
00:09:34little bit more care of it.
00:09:37Fixed!
00:09:39Don't thank me!
00:09:41And tomorrow, Sherry,
00:09:43Paris...
00:09:47will be ours.
00:09:48Do we all go there or else...
00:09:49and come here or else?
00:09:50Do we all go there?
00:09:51No, no, no.
00:09:52We should do it.
00:09:53Well, here's the one thing.
00:09:54A very famous star for its sake.
00:09:55Oh, my Lord!
00:09:56Of course!
00:09:57Let's go!
00:09:58Well, here's my own star.
00:10:00We've got an eye on the inevitably.
00:10:01A very new star.
00:10:02Now, it's Oskar.
00:10:03Good morning, sunshine.
00:10:19Ew.
00:10:20When's the last time you brushed your teeth?
00:10:22Stout.
00:10:23Windy's wand.
00:10:24Whoa!
00:10:25One, two, three, one, two, three, two, three, four, four, four, four, four, four, four, four,
00:10:33four, four, four, four, four, five, four, f**k.
00:10:41You can't see where we are.
00:10:47Relax, we're in Paris.
00:10:50Be quiet.
00:10:52We're going to get caught.
00:10:55Not another noise out of you.
00:10:55That wasn't me.
00:10:57Uh.
00:10:58Ugh.
00:10:59Whoa.
00:11:01Griditor.
00:11:02Willie.
00:11:03Wow! It's incredible!
00:11:06Paris is amazing.
00:11:17So where's the dance school?
00:11:19Relax, Felice. Enjoy Paris.
00:11:22Breathe it in. Hi there.
00:11:25Love your mustache, monsieur.
00:11:26Ah, yes. Paris.
00:11:29City of romance. City of dreams.
00:11:32City of fame and fortune.
00:11:34City of lampposts.
00:11:37City of pigeons.
00:11:39Did I say romance?
00:11:40Yes, you did. Now where's the dance school?
00:11:42Uh, I don't know.
00:11:46Don't worry. We're a team. We'll find it together.
00:11:52Do you think it was stupid to come to Paris?
00:11:54Don't say that. We should never give up on our dreams.
00:11:57We're kids. We're all alone.
00:12:00Was I really crazy to think I could be a dancer? What do you think?
00:12:06Victor?
00:12:08I said...
00:12:10Victor?
00:12:11I'm okay!
00:12:12Come back!
00:12:13I can't swim!
00:12:14Meet me on this bridge at this time tomorrow.
00:12:15No matter how dangerous it is, I will return!
00:12:18Victor! Come back! Don't leave!
00:12:20Please.
00:12:23Please.
00:12:45Oh, my God.
00:13:15Oh, my God.
00:13:45Oh, my God.
00:14:15Oh, my God.
00:14:45Oh, my God.
00:15:15Leave her alone.
00:15:17She came here to steal!
00:15:18I didn't.
00:15:20I really didn't.
00:15:22Think this through.
00:15:23If you hurt her, then you will have to explain how she got here in the first place.
00:15:28And aren't you supposed to be taking care of the building?
00:15:32Do you really want to take the fall for this?
00:15:43Clear off.
00:15:44Wait.
00:15:48Go.
00:15:49Go.
00:15:49Get out of here.
00:15:50I don't know.
00:15:58I don't know.
00:15:59I have nothing to steal.
00:16:07I have nothing to steal.
00:16:20I can't speak.
00:16:21I can't speak.
00:16:24I just want to say thank you for saving me.
00:16:26You've said it.
00:16:27Have a nice life.
00:16:28Excuse me, but who was that dancer on stage?
00:16:37Rosita Marie, top dancer at the opera.
00:16:39Wow.
00:16:40And what she did?
00:16:41That crazy jumpy thing.
00:16:43What was that?
00:16:45Are you a dancer too?
00:16:46I am a cleaner.
00:16:47And you are an irritation.
00:16:49Go away.
00:16:49But you're the first person to show me any kindness in this city.
00:16:56I've been separated from my best friend.
00:16:59I have nowhere to go.
00:17:01And I'm an orphan.
00:17:03Nice try.
00:17:05But I hate kids.
00:17:07Especially orphans.
00:17:09Go find another idiot.
00:17:19The stairs, Odette.
00:17:24The stairs are a disgrace.
00:17:26I have guests tomorrow afternoon, and I want my building looking worthy.
00:17:30Top to bottom.
00:17:32I understand, ma'am.
00:17:33If you understand, why are you entering your rooms?
00:17:37Let me help you.
00:17:50Get out of here.
00:17:52You need me.
00:17:54I can clean.
00:17:56In fact, squeaky clean is my middle name.
00:17:58I'm young.
00:17:59My legs work.
00:18:00Yours don't.
00:18:02It's going to feel so much easier with me helping.
00:18:07Are you coming?
00:18:18Whoa.
00:18:19That's a lot of stairs.
00:18:22Are you the caretaker?
00:18:24Yes.
00:18:25And you can stay with me until you get on your feet.
00:18:27On one condition.
00:18:29No more questions.
00:18:31How long can I stay?
00:18:32That was a question.
00:18:34By the way, who was that witch?
00:18:36Regine Léon.
00:18:38She owns this building, and she eats ginger orphans with ponytails.
00:18:43Now clean them.
00:18:46Huh?
00:18:48How long have you worked here?
00:18:49What's your name?
00:18:49Do you have a nickname?
00:18:50Want to know mine?
00:18:51Will I have my own bed?
00:18:52What's your favorite kind of soup?
00:18:53Do you snore?
00:18:53Are you a morning person?
00:18:54What's your favorite fruit?
00:18:55What do you have for breakfast?
00:18:56I love baguette and jam.
00:18:58You know I escaped from the orphanage to become a pupil at the opera?
00:19:01Did you?
00:19:02You work there, so you must know people.
00:19:05Could you help me?
00:19:06Don't hold your breath.
00:19:07What that et al did yesterday?
00:19:09It was so magical.
00:19:12I love dancing.
00:19:13Do you love dancing?
00:19:16Is that because you've got a limp?
00:19:19Get up.
00:19:21Yes, ma'am.
00:19:21Who is this?
00:19:23No one.
00:19:24She helps.
00:19:25You feed it, out of your wages.
00:19:28Yes, ma'am.
00:19:29I want you to air and press the linen, now.
00:19:37It's not clean.
00:19:38It's not clean.
00:19:38It's not clean.
00:19:42Hmm.
00:19:43Hmm.
00:19:47Hmm.
00:19:50Hmm.
00:19:55Hmm.
00:19:57Hmm.
00:20:07Hmm.
00:20:08Serpents are supposed to knock.
00:20:26Who are you?
00:20:29I'm Felice.
00:20:30I work with Odette.
00:20:31I clean.
00:20:32Ta-ta-ta-dum.
00:20:33Okay.
00:20:34I'm done.
00:20:35Bye now.
00:20:36Wait, little rat.
00:20:37You were spying, weren't you?
00:20:39I don't think so.
00:20:40Yes, you were.
00:20:42You were admiring the most wonderful dancer you've ever seen.
00:20:46Isn't that so, little rat?
00:20:47You're not the most wonderful dancer.
00:20:50Yesterday I saw...
00:20:51Don't be insolent.
00:20:57Are you a ballet dancer?
00:20:58I will be.
00:20:59Mother and I are waiting for the letter that admits me to the opera.
00:21:03I am so talented.
00:21:05Plus, the director dines in my mom's restaurant and he loves the prime rib.
00:21:12So, this time, next year, I shall be a famous ballerina.
00:21:17Ballerina?
00:21:18Me too.
00:21:21Reality check, little rat.
00:21:22You're nothing.
00:21:24I'm a star.
00:21:26You're just orbiting around me.
00:21:29What's that?
00:21:30Have you stolen something from me?
00:21:32No.
00:21:33Show me.
00:21:34What is it?
00:21:35It's mine.
00:21:36And it's precious.
00:21:37Oh.
00:21:42I'm sure.
00:21:43Fetch!
00:21:44No!
00:21:45Oops.
00:21:46Ow.
00:21:47A letter for Madame Régine Lehot.
00:21:51and Mademoiselle Camille from the opera.
00:21:58Handmade paper.
00:21:59Embossed.
00:22:00Blue ink.
00:22:01Oh, how rude.
00:22:02Children today have no manners.
00:22:03Ah.
00:22:04Ah.
00:22:05Ah.
00:22:06Ah.
00:22:07Ah.
00:22:08Ah.
00:22:09Ah.
00:22:10Ah.
00:22:11Ah.
00:22:12Ah.
00:22:13Ah.
00:22:14Ah.
00:22:15Ah.
00:22:16Ah.
00:22:17Ah.
00:22:18Ah.
00:22:19Ah.
00:22:20Ah.
00:22:21Ah.
00:22:22Ah.
00:22:23Ah.
00:22:24Ah.
00:22:25Ah.
00:22:26Ah.
00:22:44Give me that.
00:22:47Eh.
00:22:48You are not coming along.
00:22:49Of course I am.
00:22:50No You're not.
00:22:51This time I call the police.
00:22:53Police?
00:22:54Police...
00:22:55I know!
00:22:56La la la la la la la la la la!
00:23:00What's going on here?
00:23:02She says she's Camilo.
00:23:05Are you Camilo?
00:23:08Um, yes.
00:23:12She is Camilo!
00:23:15Return to your post, my friend.
00:23:17All right, please yourself.
00:23:19Welcome, Miss Low.
00:23:21Charmed.
00:23:23Charmed.
00:23:24I am Auguste Emmanuel von Courbet, director of the opera.
00:23:29You are here because your mother serves the best prime rib in Paris.
00:23:34Oh, I hope you dance as well.
00:23:38Of course.
00:23:39When I look at my life, wanna see myself shine on the dance floor.
00:23:44But I won't get it right until I stop asking why and just let it go.
00:23:51Sometimes I take a look at my life, take a look at my life.
00:23:54I say, oh, oh, wanna get it, yeah, gotta get it, don't need a pot of gold.
00:24:00Looking for the rainbow and break the stone inside of me.
00:24:08You're not a dancer, are you?
00:24:14Yes, I am.
00:24:15Who would have thought?
00:24:17Return to your class.
00:24:18Return to your class.
00:24:19Okay.
00:24:20Oh, greatest ballet master of all time, oh, most talented choreographer in the universe
00:24:27and beyond.
00:24:28He is handsome, he is elegant, he is strong, he is powerful, he is the man.
00:24:35You want something from me?
00:24:36You want something from me?
00:24:37How did you know?
00:24:38Yes, I have enrolled Camilo in your class.
00:24:42Oh, thank you.
00:24:44Looking for the rainbow to break the storm inside of me.
00:24:54The rainbow to take the clouds that hide in me.
00:25:00All I want is someone to heal the heart of me.
00:25:06The rainbow to be the start of me.
00:25:14Super.
00:25:15I'm Felice.
00:25:16Felice.
00:25:17Uh, no, no, no, no, no, sorry.
00:25:19I'm, I'm friendly, ever so friendly.
00:25:24And my name is Camille.
00:25:26Okay, I'm Nora, but everyone calls me Nora.
00:25:31That's the name that goes with my face.
00:25:35Hey, you should warm up.
00:25:37Warm up?
00:25:40Oh my, that is crazy.
00:25:43I'm guessing you're new, my darling.
00:25:45You can tell that because?
00:25:55Who is that?
00:25:56You are joking, right?
00:25:58It's Louis Merant.
00:26:00Ballet master, world famous choreographer.
00:26:03The man who performed the most fouettes ever in a single solo.
00:26:06Fou what?
00:26:07Turns.
00:26:08Really difficult turns.
00:26:10187 in total.
00:26:12And right after, he vomited!
00:26:14Silence, mademoiselle.
00:26:16First position.
00:26:17Uh, what?
00:26:18Second.
00:26:19What?
00:26:20Third.
00:26:21Uh...
00:26:22Fourth.
00:26:23And rest in fifth.
00:26:24Huh?
00:26:25Uh...
00:26:26Today is an important day.
00:26:28I've gathered all the coiffes together to audition for the part of Clara in the Nutcracker.
00:26:32Which will debut on Christmas Eve and star Rosita Mowry.
00:26:35Rosita?
00:26:36Rosita Mowry?
00:26:37I don't believe it.
00:26:39So, every girl in this room has a chance to dance in my new ballet.
00:26:43Except you.
00:26:45You've all worked hard.
00:26:48Except you.
00:26:50You are here because of talent and guts.
00:26:54Except me.
00:26:55Exactly.
00:26:56Starting tomorrow, we'll have an audition.
00:26:59One of you will be eliminated each day.
00:27:01So, tomorrow, little rich girl, no matter what strings you pulled to get here, that will be...
00:27:09you.
00:27:10But, my mother serves the best prime rib in Paris.
00:27:13I am a vegetarian.
00:27:20First.
00:27:21Second.
00:27:22Second.
00:27:23Ah, no.
00:27:24Second.
00:27:25Third.
00:27:26Third.
00:27:27Third.
00:27:28Third.
00:27:29Third.
00:27:30Fourth.
00:27:31Third.
00:27:32Fourth.
00:27:33Fifth.
00:27:34First.
00:27:35Second.
00:27:36Third.
00:27:37Third.
00:27:38Bonjour.
00:27:39Fifth.
00:27:40Six.
00:27:41How are you?
00:27:42There is no...
00:27:43Well, I'm happy to see you, too.
00:27:45Oh, Victor!
00:27:46Hello.
00:27:48I have so many things to tell you.
00:27:50Me, too.
00:27:52Wow, this time it's really broken.
00:27:55Can you do something?
00:27:56Don't worry, I've got it.
00:27:58I am the winner of our little bet.
00:28:02What bet?
00:28:03You know, the one about who gets their dream first.
00:28:06I am going to be an inventor.
00:28:08Really?
00:28:09You're just jealous that in 24 hours I've got a job with the man who was building that.
00:28:15Did you bump your head when you fell in the boat?
00:28:18Nope.
00:28:19Yesterday, after you got separated, I just took a quiet walk around the streets of Paris.
00:28:24It was all good.
00:28:25Totally good.
00:28:26I was really not scared at all.
00:28:28I met some charming locals who helped me find my way.
00:28:31And you will never believe this, but then I stumbled on a Bretton bar and I got a big, warm, and friendly welcome.
00:28:37They welcomed me like a brother, a son, a nephew.
00:28:41And then I met this super guy called Maturon.
00:28:44We talked, we laughed, we danced together.
00:28:49And then my new best buddy and I decided to head home to his place.
00:28:55And you are never ever going to believe this, but he works in the atelier of Gustave Eiffel.
00:29:02The nicest, best, and most magnetic invention in the whole world.
00:29:11I am going to be the most famous engineer's right hand man.
00:29:16Oh, and I've come back to square one with my chicken wings.
00:29:19I am now working on combining air velocity with fibrous catchment systems.
00:29:23I'm trying a kite.
00:29:25Wow.
00:29:26I made progress too.
00:29:28Really?
00:29:29I'm a dancer.
00:29:30Yes.
00:29:31Yes, a student at the opera.
00:29:33And soon I'm going to be in a toile at the Opera de Paris.
00:29:36You?
00:29:37A dancer at the opera?
00:29:39Okay.
00:29:40And may I know how you came to be at the opera?
00:29:43By the door.
00:29:44I saw some lights and...
00:29:45Liar.
00:29:46Okay.
00:29:47It's Camille the O.
00:29:48The one who broke my music box.
00:29:50Liar.
00:29:51She wanted to apologize.
00:29:52Liar.
00:29:53Let me finish.
00:29:54Liar.
00:29:55So she gave me the letter that allowed her into the opera.
00:29:56Liar.
00:29:57Liar.
00:29:58Liar.
00:29:59Liar.
00:30:00When you're lying, you're no shivers.
00:30:01You're exhausting.
00:30:02I stole her identity.
00:30:04What?
00:30:05You stole it?
00:30:06Are you insane?
00:30:07Whoa.
00:30:08Whoa.
00:30:09Uh-oh.
00:30:10Victor!
00:30:11Victor!
00:30:12Victor!
00:30:13Victor!
00:30:14Victor!
00:30:15Victor!
00:30:16Come back!
00:30:17Don't leave!
00:30:18I'll be back!
00:30:19Again.
00:30:20You're gonna be somebody.
00:30:21You'll be bigger than Mars.
00:30:22They might walk on you now.
00:30:23But they'll walk on your star.
00:30:24You're gonna take the title of the champion you are.
00:30:26From a keeper to L.A.
00:30:28London to Qatar.
00:30:29You'll be somebody.
00:30:30You'll be somebody.
00:30:31You'll be somebody.
00:30:32You'll be somebody.
00:30:33You'll be somebody.
00:30:51You'll be somebody
00:30:55You'll be somebody
00:31:00You're gonna be somebody
00:31:06You'll be bigger than Mars
00:31:09You'll be somebody
00:31:10You'll be somebody
00:31:14And to finish, the splits
00:31:21Now, rise
00:31:28The class is over
00:31:34And the person who's leaving us today is you
00:31:36You have the energy of a bullet
00:31:39But the likeness of a depressed elephant
00:31:41Pack your trunk
00:31:43Rise, please, mamsell
00:31:50But I like it here
00:31:52Rise now
00:31:55I'm stuck
00:31:57Get her out of here
00:31:58Didn't you say one person per class?
00:32:03Very well
00:32:04Until the next audition
00:32:06Then it really will be
00:32:09Bye-bye
00:32:10Merlot hates me
00:32:12Don't say that
00:32:14That's just his way
00:32:15No, she's right
00:32:16He hates you
00:32:17If he could, he'd smash your kneecaps with his cane
00:32:20I have no chance
00:32:22There's always a chance
00:32:23Not always
00:32:24This might be one of those times
00:32:26There's no chance at all
00:32:26But I really want to stay here
00:32:28Then you have 12 hours to work really hard
00:32:31Listen, push yourself
00:32:32And then work some more
00:32:34Who is that?
00:32:57Brody
00:32:58From the top boys class
00:33:00Holder of the best cheekbones at the opera award
00:33:03I love him
00:33:05He's so blonde
00:33:06And shiny
00:33:07Oh, wow
00:33:21You are new, yes?
00:33:29Yes
00:33:29She's Camille
00:33:32She has two eyes
00:33:33You have spirit, Camille
00:33:36But your dancing
00:33:37Sucks
00:33:39Who does he think he is?
00:33:42Until we meet again, minushka
00:33:45Only in your dreams
00:33:47Felicity
00:33:48What are you doing here?
00:33:51I can explain
00:33:52There is nothing to explain
00:33:54Wait
00:33:57Wait
00:33:58Wait
00:33:58I'm sorry
00:34:27Triple sorry
00:34:28There is a bigger word for sorry
00:34:30I'd say it
00:34:30I let you into my life
00:34:33And you lied to me
00:34:34I don't like lies
00:34:35I could lose my job because of you
00:34:37I get it
00:34:39I messed up
00:34:41But you don't understand
00:34:43Since I can remember
00:34:45I've wanted to dance
00:34:46And when I saw Rosita Mori
00:34:49And she did those amazing moves
00:34:51I knew that's what I wanted to be
00:34:53I knew my dream could come true
00:34:55I know it's hard to understand
00:35:00You hate dancing
00:35:02But I just want you to know
00:35:06I'm truly sorry
00:35:08I want you to know
00:35:09I was just going to find some Beispiel
00:35:10You meant to pierce my gotten
00:35:16But I never saw you
00:35:18I see
00:35:18I am not finding you
00:35:20But Irest
00:35:20I can't believe
00:35:21I'm hurt
00:35:22You meant to be
00:35:23But I didn't think so
00:35:26I thought you were
00:35:27I meant to be
00:35:27I have to take some advice
00:35:28And I missed you
00:35:29I know
00:35:30I'm
00:35:31you
00:35:31I eat
00:35:32any mail
00:35:42there is no mail
00:35:46as soon as there is
00:35:51fetch it
00:35:52can you dance?
00:35:56yes
00:35:56at least I think I can
00:35:59training starts at 5am tomorrow
00:36:02are you a teacher?
00:36:04do you have another option?
00:36:085am
00:36:29time to train
00:36:31jump and ring the bell
00:36:33why?
00:36:34just do it
00:36:35you don't want me to dance?
00:36:36no talking
00:36:37jump and ring the bell
00:36:38again
00:36:42you said we were going to train
00:36:44this is it
00:36:45again
00:36:45you lack precision and finesse
00:36:51you have little or no sense of rhythm
00:36:53you're without balance, grace and charm
00:36:55come on
00:36:56you can't tell all that from one jump
00:36:57can you?
00:36:58can you?
00:37:00you can
00:37:01on the good side
00:37:03you have the energy of a bullet
00:37:04but you also have the lightness
00:37:06of a depressed elephant
00:37:08hey
00:37:08Kavarant used exactly the same phrase
00:37:11after 10 years of cleaning
00:37:13you pick stuff up
00:37:14okay
00:37:14now jump up
00:37:15ring the spell
00:37:16land
00:37:17and do not splash the water
00:37:19that's impossible
00:37:20I thought it was your dream to dance
00:37:22okay
00:37:25come on
00:37:33get lost
00:37:59can't see
00:38:00get lost
00:38:01shoot
00:38:03shoot
00:38:03I can still see the road ahead
00:38:23I know you're full down
00:38:43but don't let them breathe out
00:38:45cause you're unstoppable
00:38:48that was not merely bad
00:39:07it was a catastrophe
00:39:08wrapped in a disaster
00:39:09with a side order of bad
00:39:11ta-ta
00:39:13hold on
00:39:18don't let go
00:39:20you
00:39:20me
00:39:21up
00:39:22you
00:39:23you
00:39:23you
00:39:25can be
00:39:26right in the stars
00:39:28and you
00:39:28it's incredible
00:39:30you
00:39:31you
00:39:31you
00:39:32you
00:39:32you
00:39:33you
00:39:33you
00:39:34you
00:39:34you
00:39:35you
00:39:35you
00:39:36you
00:39:36you
00:39:37you
00:39:38you
00:39:38you
00:39:39you
00:39:39you
00:39:40you
00:39:40you
00:39:41you
00:39:41you
00:39:42you
00:39:42let me introduce myself
00:39:44I am Rudolf Dimitriev Stanislav Artyom Rankovsky III
00:39:48the sir
00:39:49big choice of names there
00:39:51don't worry
00:39:53everyone finds it hard at first
00:39:55but you and I
00:39:56are unique
00:39:57and we do not follow silly rules
00:40:00yes
00:40:00how is that pickup line working out for you
00:40:05it is no line
00:40:05I say it only to you Camille
00:40:07just to you
00:40:09yes
00:40:22hey up
00:40:23are you alright Camille
00:40:24Are you all right, Camille?
00:40:33Yeah, I'm okay.
00:40:36There's this boy, Rudolph, who it turns out is a real Russian prince
00:40:40with a castle and peacocks and cheekbones.
00:40:43And he took me on the roof of the opera and he was looking at me like this.
00:40:48Then like this.
00:40:49And then once like this.
00:40:52Wait, a boy? What type of boy?
00:40:56Peacocks? What type of cheekbones?
00:40:58And Rudolph?
00:40:59He's a friend. He says I'm going to be everything I want to be.
00:41:03I say that too.
00:41:04But he's deep as well.
00:41:06Deep? Yeah, well, I have these.
00:41:10Ta-da!
00:41:12Woo-hoo. Doors.
00:41:14Yes, the doors to the atelier of my new boss.
00:41:18Engineer. Genius.
00:41:20If you saw what was behind these doors, I would have to kill you.
00:41:24Woo-ah!
00:41:25Looks like you're going to have to kill me then.
00:41:29Ooh la la.
00:41:33What's that?
00:41:35The Statue of Puberty.
00:41:38Soon to go to America.
00:41:40But it is a super secret, so you did not see it.
00:41:46Okay?
00:41:47Okay.
00:41:49So, here's my office.
00:41:52The home of big ideas and genius.
00:41:55For example, here we see the plans for Chicken Wings Version 3.
00:41:59At the moment, my boss and I are working on several, uh, important inventions.
00:42:11He, uh, he, he calls me his ideas man.
00:42:15Do you know how to use all this stuff?
00:42:17Uh, not yet.
00:42:18But I, I, I have a chair.
00:42:21Whoa, whoa, whoa!
00:42:23Oh, hey, Victor.
00:42:28He's the cleaner.
00:42:29He's two sandwiches short of a picnic.
00:42:31Oh.
00:42:33So, the Panthers all need sharpening, and the boss wants us to polish his boots for tomorrow.
00:42:39So, your big boss calls you his ideas man, huh?
00:42:42Well, uh, he has the ideas, and I think they're great.
00:42:47But, it's a start.
00:42:50Hey, Victor.
00:42:51You were right for once.
00:42:53Dreams can come true.
00:42:55Oh, oh, oh, oh, oh, no.
00:42:59Oh, no!
00:43:01Ah!
00:43:02Ah!
00:43:03First position, second, third, fourth, fifth.
00:43:07These five positions form the basis of everything.
00:43:10First position, second, third, fourth, fifth.
00:43:13Now you jump.
00:43:14First position, second, third, fourth, fifth.
00:43:17And pose.
00:43:19And smile.
00:43:21It's when you're tired that you start to progress.
00:43:24You were a dancer, weren't you?
00:43:28No more questions.
00:43:30Again.
00:43:35Oh, to reach, you might need to stand on your points.
00:43:40Feel the balance.
00:43:42So, your toes must be as flexible as Willard.
00:43:47And hard as Rock.
00:43:52Ah!
00:43:53First position!
00:43:55Ah, ah, ah.
00:43:57No hands allowed.
00:44:00What?
00:44:01Oh, oh, oh.
00:44:02Try this way.
00:44:03Oh, stop, stop!
00:44:04Oh!
00:44:05Oh, you were a dancer, weren't you?
00:44:07Of course I was a dancer, Sherlock Holmes.
00:44:09Oh.
00:44:10Oh.
00:44:11To pirouette, you must become the mistress of your dizziness.
00:44:16Stare at a spot.
00:44:17And don't ever lose it.
00:44:22Okay, now come to me and don't spill the water.
00:44:25I don't have the perfect sign, but I know just what it takes.
00:44:37Cheers.
00:44:38Cheers.
00:44:39When you ask me to jump, I say how hard...
00:44:44Try to introduce your left foot to your right foot.
00:44:47See if they can get along one day.
00:44:50I've waited a night, but now that it's...
00:44:55There's a bright future for you as a candle seller.
00:44:59First position, second, third, fourth, and rest in fifth.
00:45:14Thank you, Mademoiselles.
00:45:24That was better.
00:45:27Thanks.
00:45:27I'm ready to do that crazy, jumpy thing.
00:45:30And I'm the Empress Josephine.
00:45:32I am.
00:45:33Of course you are, but there's a difference between being ready and being ready to do it well.
00:45:38That's why we train every day.
00:45:40That's what we've been doing.
00:45:42And then you'll be ready when you can answer the question, why do you dance?
00:45:46I've answered it.
00:45:47It's my dream.
00:45:48It's my dream.
00:45:57By the way, that crazy, jumpy thing is called le grand jeté.
00:46:10And you're not ready.
00:46:11Are you doing dance or kung fu?
00:46:14You are so funny.
00:46:17This is Victor.
00:46:19We escaped from the orphanage together.
00:46:21Hello.
00:46:21I am loving your apron.
00:46:24It seems that you are going out tonight.
00:46:28Yep.
00:46:29Bring her back late and you will be six inches smaller.
00:46:32Of course.
00:46:33Of course.
00:46:34Of course.
00:46:35It's a quiet, sober, quiet, sober thing.
00:46:41Threaten music.
00:46:42I love it here.
00:47:00Party.
00:47:05Did you say you loved me or the bar?
00:47:09Yeah.
00:47:12That's my girlfriend.
00:47:33You're a lucky guy.
00:47:40Woo-hoo!
00:47:42Woo-hoo!
00:47:47Oh, wow.
00:47:52Yeah!
00:47:53Woo-hoo!
00:47:58Oh!
00:47:59Oh!
00:48:04I hope that tomorrow you act with a little more dignity.
00:48:07Anyway, tonight was a good performance.
00:48:14Thank you, sir.
00:48:17Woo-hoo!
00:48:20I have no idea why you're happy, but it is great!
00:48:25Well, you better go in.
00:48:37You've got my audition tomorrow.
00:48:39Of course.
00:48:40Sleep well.
00:48:40And I...
00:48:41I...
00:48:42What?
00:48:43I think you're...
00:48:44I think you're, uh...
00:48:46I think you're great.
00:48:49Thanks.
00:48:50What are you doing?
00:48:51What are you doing?
00:48:52Uh, uh, nothing.
00:48:53No.
00:48:54I'm stretching.
00:48:55Yeah.
00:48:56Got to...
00:48:57Ooh!
00:48:58Got to get that one.
00:48:59Okay.
00:49:00Yeah, it's best I leave.
00:49:01Stupid.
00:49:02Stupid.
00:49:03Stupid.
00:49:04Stupid.
00:49:05Stupid.
00:49:06Stupid.
00:49:07Stupid.
00:49:08Stupid.
00:49:09Stupid.
00:49:10Stupid.
00:49:11Stupid.
00:49:12Stupid.
00:49:13Hey, Victor!
00:49:14Uh-huh?
00:49:16I had...
00:49:17the best time.
00:49:19Thanks.
00:49:21Good night, Felice.
00:49:22Oh, sorry.
00:49:24Mademoiselle Camille Le Haut.
00:49:40Uh-huh.
00:49:46Wretch!
00:49:47I want her put in prison!
00:49:49She stole my life!
00:49:52My honor and my name!
00:49:54I want it back!
00:49:58Too much.
00:49:59Okay.
00:50:01What is your name?
00:50:07My name is Felice Le Bras.
00:50:09I come from an orphanage in Brittany.
00:50:13I didn't mean to hurt Camille.
00:50:14I just wanted to be at the opera and...
00:50:17I'm sorry.
00:50:19Madame.
00:50:22You...
00:50:24Traitor!
00:50:26You knew this!
00:50:28You stabbed me in the back!
00:50:30You are sacked!
00:50:32Silence!
00:50:34All right.
00:50:35Like it or lump it, here is my deal.
00:50:37Miss Le Haut.
00:50:38You may enter the Coryphée class starting tomorrow.
00:50:43And you will also be in the auditions for the part in the Nutcracker.
00:50:47But I want to be clear.
00:50:48If you sack Madame Odette, I will sack Camille.
00:50:52You!
00:50:53You made a terrible start to the classes.
00:50:56And you have lied and cheated to be here.
00:51:00But...
00:51:02You have also shown great promise.
00:51:05And you've worked hard and shown your dedication.
00:51:08You must have a good teacher.
00:51:11So you may also stay in the auditions.
00:51:14If you get the part in the Nutcracker fair and square, you may become a Coryphée too.
00:51:17If you fail to get the part, then you must leave the Opera. Is that clear?
00:51:22Yes.
00:51:24Is that also clear to you, Madame?
00:51:26Clear.
00:51:28Then...
00:51:30Your future at the Opera is in your hands.
00:51:33What if she's good, Mother?
00:51:46Get that part!
00:51:47Do you hear me?
00:51:49I want vengeance.
00:51:51I will have it.
00:52:04She even makes Sweeping look graceful.
00:52:07She was a good dancer, wasn't she?
00:52:09Not just a good dancer.
00:52:10The best of her generation.
00:52:12And then there was a fire on stage.
00:52:21Oh!
00:52:23What's this for?
00:52:26For everything.
00:52:30We don't have time for this.
00:52:31We're talking about your future now.
00:52:34You have only one opponent.
00:52:36Camille.
00:52:40I have seen her.
00:52:42I know her.
00:52:44Her technique is perfect, and she is stronger than she looks.
00:52:48She is precise, she is sharp, and losing is not a word in her vocabulary.
00:52:54Up! Down! Up! Down! Up! Down!
00:52:57Again! Up! Down! Up!
00:52:59I'm tired.
00:53:00Tired is for losers. Again!
00:53:03I am going to get that part!
00:53:06If you try to take her down on her turf, you will fail.
00:53:10Your diet suffers from eating very little food.
00:53:13Your muscles are like marshmallows.
00:53:15In short, on paper, you're going to get humiliated.
00:53:19Ah!
00:53:21Great pep talk.
00:53:22So how do I get that part?
00:53:23You get the part because you have something she can only dream of.
00:53:29Passion.
00:53:30Build on this.
00:53:31Feel your anger, and your pain, and your sorrow, and your joy, and put it all into your dance.
00:53:46Live the music. Feel it.
00:53:48Feel it.
00:53:52Every note, every sound, every harmony needs to have your body vibrating from the end of your hair to the tips of your toes.
00:54:00And then, and only then, will you take her down.
00:54:07All right. The person leaving us today is...
00:54:18This is the end of the road, Miss Nora.
00:54:34What road?
00:54:35Oh.
00:54:37I'm finished.
00:54:39I like you.
00:54:40Beat her.
00:54:42Camille and Felicie.
00:54:43Tomorrow morning at 8am, we will know which one of you will have the honor of dancing Clara in the Nutcracker with Rosita.
00:54:50I can only advise you to give everything, ladies.
00:54:55You've made lots of progress, dirty little rat.
00:54:58But tomorrow, I am going to be the chosen one.
00:55:01We'll see.
00:55:02Hey, you can work as hard as you like.
00:55:04You can train 24 hours a day.
00:55:06But you will always be nothing.
00:55:09I am somebody.
00:55:10Who exactly?
00:55:11Answer me.
00:55:12Who are you?
00:55:15Ugh.
00:55:16You're nothing.
00:55:21Nothing.
00:55:25She's wrong, you know.
00:55:27You're not alone.
00:55:28What?
00:55:29Hey!
00:55:31You have me.
00:55:33And I know exactly what we are going to do.
00:55:35Tonight, to prove our connection, we will embark on a little romantic party.
00:55:40I offer you the Eiffel Tower.
00:55:43I offer you fireworks.
00:55:45Tonight, 7pm.
00:55:47I should train.
00:55:48You don't need to train.
00:55:50You don't need to know who you are.
00:55:52You are unique.
00:55:54Say that again.
00:55:56Tonight.
00:55:57Felice.
00:55:58Felice.
00:55:59It gives me great pleasure to present to you.
00:56:02No.
00:56:07Victor!
00:56:08I'm in the final audition.
00:56:11Wow!
00:56:12Congratulations!
00:56:13I have great news too.
00:56:14My boss finally spoke to me.
00:56:16He said,
00:56:17Get off my foot, you biological mutation!
00:56:21That's good, right?
00:56:24Ugh.
00:56:26You have no class.
00:56:27What, me?
00:56:28No class?
00:56:29Rudy has class.
00:56:31Rudy again?
00:56:32What, is he your boyfriend now?
00:56:34No.
00:56:36He and I, we're connected.
00:56:39Okay, okay.
00:56:40You win.
00:56:41I will give you class and connectivity-ness.
00:56:45Dinner.
00:56:46You and me.
00:56:47Some knives and forks.
00:56:48Napkins.
00:56:49Uh, 7pm.
00:56:51North leg of the Eiffel Tower.
00:56:55Is that a yes?
00:56:58Yeah.
00:57:00That's a yes.
00:57:02Sit.
00:57:03I've got something for you.
00:57:08They were mine.
00:57:09Now they're yours.
00:57:11Wow.
00:57:13Thanks.
00:57:14Okay.
00:57:15Enough talking.
00:57:16Eat and then we practice for tomorrow.
00:57:18What?
00:57:20Well, I'm going out with Rudy.
00:57:24He says I'm ready.
00:57:26He says I'm unique.
00:57:29Why do you dance?
00:57:31Stop asking me that question.
00:57:33When I was a dancer,
00:57:35the night before an audition,
00:57:36I trained and then I rested.
00:57:38Rudy's waiting for me.
00:57:39Stay.
00:57:40No.
00:57:41You're not my mom.
00:57:43I'm sorry.
00:57:44I wasn't thinking.
00:57:45Okay.
00:57:46Go then.
00:57:47Look at the bird.
00:57:48Um.
00:57:49No.
00:57:50Look at me.
00:57:51Look at the bird.
00:57:52Um.
00:57:53No.
00:57:54Look at me.
00:57:55Look at the bird.
00:57:56No.
00:57:57No.
00:57:58Look at the bird.
00:57:59No.
00:58:00Look at me.
00:58:01Look at the bird.
00:58:02No.
00:58:03Look at me.
00:58:04This is a poem I composed in your honor.
00:58:05Ah, of course.
00:58:06A poem.
00:58:07Look at the bird.
00:58:08He flies in the sky.
00:58:09No one can trap him.
00:58:10Pew pew.
00:58:12Pew pew pew.
00:58:13Pew pew pew.
00:58:14Pew pew pew.
00:58:15Look at me. Look at the bird. No, look at me.
00:58:20This is a poem I composed in your honor.
00:58:22Ah, of course. A poem.
00:58:25Look at the bird. He flies in the sky.
00:58:30No one can trap him.
00:58:31Pew, pew, pew, pew, pew.
00:58:34Caw, caw, caw, caw, caw.
00:58:36Do you like?
00:58:40That's, well, original.
00:58:43I know. Thank you.
00:58:44Come on, Mianushka. Let us go.
00:58:47To the very top, to the stars.
00:58:50Okay, Maddie. We practice.
00:58:53Music, please. Classical.
00:58:55Okay, but that's not my musical comfort zone.
00:59:01Oh, stop. Stop, stop, stop, stop.
00:59:03We'll go, Breton, but soft and romantic.
00:59:07This will blow her away.
00:59:09She arrives. She giggles.
00:59:11I am looking dark and mysterious.
00:59:13I give her the music box.
00:59:15She's, oh, oh, overwhelmed.
00:59:19I, I don't know much about girls.
00:59:22Frankly, they are a mystery to me.
00:59:25But I do know that this one's not coming.
00:59:28Young, innocent fool.
00:59:30Well, of course, she will come.
00:59:32I can already smell her perfume.
00:59:40Oh, no.
00:59:42Beggars.
00:59:44Paris is infested with beggars.
00:59:46Yuck.
00:59:47Don't be afraid.
00:59:49What?
00:59:49Quiet.
00:59:50Follow me.
00:59:51Have no fear.
00:59:52I have developed a fighting technique based on Cossack dancing.
00:59:57Don't be ridiculous.
01:00:01Okay, stop right there.
01:00:03He's my friend.
01:00:04Whoa.
01:00:05Is this some kind of joke?
01:00:06No.
01:00:07This is Victor.
01:00:08We grew up together.
01:00:09Oh, my.
01:00:10This is funny.
01:00:12Friends, huh?
01:00:13If we're friends, why are you looking so ashamed?
01:00:15I'm not looking ashamed.
01:00:17Oh, yes, you are.
01:00:19I feel sorry for you, Felici.
01:00:22Oh, you're jealous.
01:00:24No.
01:00:25Ever since you started at the opera, who are you trying to be?
01:00:29Mixing with this big, hairy asparagus?
01:00:32You're so sad.
01:00:34Whoa, whoa, whoa, Spakoin.
01:00:36I could knock you out with one flick of my tiny finger,
01:00:40but that would make my finger dirty and smelly.
01:00:44So I'm dirty.
01:00:46But at least I don't spend my day in tights.
01:00:49I can't believe this.
01:00:51She is my muse.
01:00:52Yeah, well, she's my whatever you just said, too,
01:00:55with knobs on, asparagus.
01:00:57You're both idiots.
01:01:11Okay.
01:01:12Well, goodbye, Zane.
01:01:16Well, goodbye.
01:01:20That is so low.
01:01:23Oh, my God.
01:01:53Oh no, the audition.
01:02:23Thank you, mademoiselle.
01:02:53The orphan is late.
01:02:55It's over.
01:02:56Well, as Felici did not deign to show up for the audition, it is Camille who will dance with Rosalyn.
01:03:03Wait, wait, I'm here.
01:03:06Please, please let me dance.
01:03:08It's over.
01:03:09Don't you understand?
01:03:10Sit down.
01:03:13I apologize.
01:03:15Did you sleep?
01:03:17Not much.
01:03:18Did you train yesterday?
01:03:21No.
01:03:22Why?
01:03:23All right, music.
01:03:29Start again.
01:03:49She fell.
01:03:49She's eliminated.
01:03:51Start again.
01:04:06You remember our deal.
01:04:10Camille, you will have the honor of dancing Clara in the Nutcracker.
01:04:15Did you think it would end here, little rat?
01:04:30No!
01:04:31Let me go!
01:04:34No!
01:04:35Oh no.
01:04:38Please.
01:04:40Please.
01:04:42Onet!
01:04:43No!
01:04:45Onet!
01:04:46Felici!
01:04:47You will never see her again.
01:04:51And of course, you're sacked.
01:05:14Stop!
01:05:15Where is Felici?
01:05:25I'm here.
01:05:27Oh.
01:05:28Well.
01:05:30Good.
01:05:30Good.
01:05:45She's lost her spirit.
01:05:53Stop, stop, stop, stop.
01:05:55Pull yourself together, you big fool.
01:06:05I know.
01:06:07I miss him too.
01:06:08I miss him too.
01:06:08I miss him.
01:06:08I miss him too.
01:06:10I miss him too.
01:06:12I miss him too.
01:06:14I miss him too.
01:06:15I miss him too.
01:06:15I miss him too.
01:06:16I miss him too.
01:06:16I miss him too.
01:06:17I miss him too.
01:06:17I miss him too.
01:06:18I miss him too.
01:06:18I miss him too.
01:06:19I miss him too.
01:06:19I miss him too.
01:06:20I miss him too.
01:06:20I miss him too.
01:06:20I miss him too.
01:06:21I miss him too.
01:06:21I miss him too.
01:06:22I miss him too.
01:06:22I miss him too.
01:06:23I miss him too.
01:06:23I miss him too.
01:06:24I miss him too.
01:06:24I miss him too.
01:06:25I miss him too.
01:06:25I miss him too.
01:06:26I miss him too.
01:06:26I miss him too.
01:06:27Have you told me I've got things to say?
01:06:57Hey, I'm talking to you. We got things to do. We got plans to make. And I want to take you with me. Yeah, I want to take you with me.
01:07:17But if I have guys, there's a warning, babe. Can you feel it? And if you can't tell, I'm a restless girl. What are you here?
01:07:29I want to take you with me.
01:07:31I want to take you with me.
01:07:33I want to take you with me.
01:07:35I want to take you with me.
01:08:03Okay, I was escaping, but it's stupid, and you caught me, so big sorry to you, and I'll
01:08:28just go back to the dorm.
01:08:30This way, quick.
01:08:32Huh?
01:08:33Huh?
01:08:37Whoo!
01:08:39Woo-hoo!
01:08:41Whoo!
01:08:52Whoo!
01:08:53Whoo!
01:09:00All right?
01:09:16Go now.
01:09:32Let me help you.
01:09:40You need me.
01:09:42I can clean.
01:09:44Squeaky clean is my middle name.
01:09:48In fact, I need you.
01:09:52I want to stay with you.
01:10:02I'm so sorry.
01:10:10I really missed you.
01:10:12Me too.
01:10:18Come on.
01:10:20Morent has given me a room in the attic.
01:10:22There's a little corner for you.
01:10:24Work starts at 6am.
01:10:26One hour for lunch.
01:10:286am?
01:10:32I promise he's not here.
01:10:36Do you know when he's coming back?
01:10:38Please.
01:10:40Well, I...
01:10:42Ow!
01:10:44Nope.
01:10:46I don't know that.
01:10:48So...
01:10:54Will you please tell him that I'm sorry?
01:10:58I've been unkind.
01:11:00And foolish.
01:11:02And silly.
01:11:03And stupid.
01:11:04And rude.
01:11:05And rude.
01:11:06Tell Victor that he's my best friend.
01:11:10Ever.
01:11:12Oh, uh...
01:11:14That's my other hand.
01:11:16I have three hands, actually.
01:11:32You're welcome.
01:11:34Goodbye, then.
01:11:36Bye, Victor.
01:11:38Victor.
01:11:39That wasn't him.
01:11:40He is not here.
01:11:42Victor has worked a miracle.
01:11:44Who'd have thought?
01:11:45He just has the look of a total nitwip.
01:11:48He doesn't want to speak to me ever again.
01:11:50He will.
01:11:51No.
01:11:52No.
01:11:53No.
01:11:54No!
01:11:55Here we go.
01:11:56As cold as lard.
01:11:58Miss La'o, you performed tonight, and so far we have no emotion.
01:12:03But I'm doing exactly the steps you told me.
01:12:06It's not enough to do the steps.
01:12:09Find some anger or some pain or some love.
01:12:14But find something.
01:12:17She lacks this.
01:12:19Tonight we'll make that clear.
01:12:22Okay.
01:12:23I'm going to do the stairs in the lobby.
01:12:25You can finish here.
01:12:26Okay.
01:12:44Leave it.
01:12:45Give it back.
01:12:46Silly me.
01:12:48I didn't throw it hard enough the first time.
01:12:51Don't make the same mistake.
01:12:55Why are you leaving?
01:12:57Scared of being humiliated?
01:12:59Looks like you need more training.
01:13:01You are nowhere near ready.
01:13:07I'm going to show you what a real dancer looks like.
01:13:09Are you sure about that?
01:13:10Quiet!
01:13:11Tonight these seats will be full.
01:13:13Paris will be looking at me.
01:13:16Adoring me.
01:13:18Or not.
01:13:19I already told you.
01:13:20You are nothing.
01:13:22You will always be nothing.
01:13:26Only one way to find out.
01:13:28Right here.
01:13:29Right now.
01:13:34It's time for me to take it.
01:13:36I'm the boss right now.
01:13:38Not gonna fake it.
01:13:40Now when you look down.
01:13:42Cause this is my game.
01:13:43And you better come to play.
01:13:49I used to hold my brick back.
01:13:51Now I'm letting go.
01:13:53I make my own choice.
01:13:55Chicago!
01:13:56Ugh!
01:13:58Oh!
01:13:59Whoa...
01:14:00Oh!
01:14:01Oh oh!
01:14:02Oh!
01:14:04Oh!
01:14:05Oh oh.
01:14:06Oh!
01:14:07Oh oh!
01:14:08Oh!
01:14:09Oh oh!
01:14:10Oh!
01:14:11Oh!
01:14:12Oh!
01:14:13Oh!
01:14:16Oh.
01:14:17Oh!
01:14:18Oh!
01:14:19Oh!
01:14:20What's wrong with being, what's wrong with being, what's wrong with being confident, what's wrong with being, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's wrong with being confident, what's
01:14:50Oh, my God.
01:15:20Impressive, ladies.
01:15:44But let me ask you both an important question.
01:15:49Why?
01:15:50Do you dance?
01:15:52I dance because...
01:15:54I dance because...
01:15:57Because...
01:15:59My mother makes me.
01:16:04Because it's always been a part of my life.
01:16:07It was there with my mom when I was a baby.
01:16:11And it's here now, thanks to Odette.
01:16:12It allows me to live.
01:16:17To be myself.
01:16:19She should dance.
01:16:23That was very honest, Miss Lo Oh, and brave.
01:16:26You have a future of the opera, if you wish it.
01:16:30Félicie, tonight, you dance the Nutcracker.
01:16:34Great job.
01:16:44Well done, my sweetest.
01:16:47Okay.
01:16:48Bravo.
01:16:49Bravo.
01:16:50Bravo.
01:16:51Yes!
01:16:52Here.
01:17:02Voila!
01:17:03I call them pigeon wings.
01:17:06Wow, great.
01:17:07But I'm not sure I want to pet them.
01:17:10Live dangerously, Maddie.
01:17:12I promise you they will almost certainly work.
01:17:17Oh.
01:17:19This is nice.
01:17:20Maddie, can you give us some privacy?
01:17:23When?
01:17:23Maddie, privacy!
01:17:25Oh, now.
01:17:27Okay.
01:17:32I'm dancing tonight at the opera.
01:17:34I want you to be there.
01:17:37Really?
01:17:38Really.
01:17:41I like you, Félicie.
01:17:44You make me laugh and cry at the same time.
01:17:50You're a weirdo.
01:17:52You cannot help him.
01:17:58First, you deceive my daughter.
01:18:00Then, you take her identity.
01:18:02Now, you try and take our honor and our future?
01:18:06Mother!
01:18:07Do you think you can turn my daughter against me and get away with it?
01:18:13No one treats me!
01:18:16Mother!
01:18:16You scared her!
01:18:18Stop!
01:18:19The last time she was this late, it did not end well.
01:18:26No one treats me, it was the last time she would be later.
01:18:28ecological responses.
01:18:29Oh, my God.
01:18:31Mother!
01:18:31No one treats me!
01:18:36For...
01:18:37Oh, my God!
01:18:39Oh, my God!
01:18:39Oh, my God!
01:18:40Oh, my God!
01:18:41Ah!
01:18:43Oh!
01:18:53Oh!
01:18:54Oh!
01:18:54Hey, it's Maddie, and his twin sister.
01:19:04What happened?
01:19:05There's a big scary lady chasing your girl up the statue,
01:19:09trying to kill her.
01:19:10What?
01:19:10And also, I wet myself.
01:19:16Come on, quickly, save her.
01:19:18Maddie, the pigeon wings.
01:19:24This is the only crown you will touch.
01:19:54Today, victim of a terrible accident on the night of your debut.
01:20:00You will have something to share with Odette.
01:20:02Both of you used to be dancers.
01:20:06Finish me! Let's go!
01:20:10Uh-oh. Okay.
01:20:15Uh-oh.
01:20:16Uh-oh.
01:20:30Finish you!
01:20:32No!
01:20:34No!
01:21:00Woo!
01:21:01Felici, don't worry.
01:21:03Don't be on time!
01:21:04Fire!
01:21:05Yes!
01:21:08We will be on time!
01:21:16In version three, it might be a good idea
01:21:18to work on some breaks.
01:21:21Can't you just say that I've invented something
01:21:23and it worked?
01:21:24I can.
01:21:25Then say it.
01:21:28Victor Francoise Xavier I,
01:21:30you're a great inventor.
01:21:41You're ready.
01:21:44Then dance right here.
01:21:50You won the bet.
01:21:52You made your dream come true.
01:21:53I had a dream, or was it real?
01:21:54We crossed the line, and it was on.
01:21:55Can't make it stop.
01:21:56Give me all you got.
01:21:57Let's set Paris on fire.
01:22:02I want to go on and fly.
01:22:04I want to go on and fly.
01:22:05Let's go.
01:22:06Let's go.
01:22:07Let's go.
01:22:08Let's go.
01:22:10Let's go.
01:22:10I had a dream, or was it real? We crossed the line, and it was on.
01:22:16Can't make it stop. Give me all you got.
01:22:20Let's set Paris on fire.
01:22:22I want to go all the way. Shake me to emotion.
01:22:26I want to go all the way. Show me devotion.
01:22:30And take me all the way. Take me all the way.
01:22:35I want to come through the clouds. Break the ceiling.
01:22:40I want to dance on the roof. You and me alone.
01:22:45I want to cut to the feeling. Oh yeah.
01:22:49I want to cut to the feeling.
01:22:52That really is my girlfriend.
01:22:55With the angel. I want to cut to the feeling.
01:23:00I want to cut to the feeling. I want to cut to the feeling.
01:23:04I want to cut to the feeling. Oh.
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