- 4 hours ago
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🎥
Short filmTranscript
00:00What began as a dream is now becoming real.
00:09Come and play Gara Electronics.
00:30Why are you talking about Gula?
00:31How do you know how you are going to go there?
00:35Let's go, let's go.
00:36Why are you playing a fool?
00:38Let's tell everyone.
00:40Anjali, why are you playing a fool?
00:43Let's wait for a moment.
00:51What happened in the theater?
00:53After the third time, the drama starts.
00:55Something will happen.
00:58What happened?
01:00Chacha ji, we have to do an important announcement.
01:04Listen, listen, listen.
01:07Tomorrow, tomorrow, tomorrow,
01:09society compound will be dhvajarohan.
01:13And you have to reach here at 7 o'clock.
01:16Yes.
01:20Oh ji, we all know this.
01:22Tomorrow, tomorrow, we have to wear traditional dress.
01:25Yes.
01:26Are you telling me about this?
01:28What?
01:29Because, dear brother,
01:31today's night,
01:33we are going to do something to meet with all of us.
01:35We are going to do something to meet with all of us.
01:37And that's why,
01:38from now to the morning,
01:38from now to the morning,
01:39from now to the morning,
01:40we are going to do something to meet with all of us.
01:43We are going to do something to meet with all of us.
01:44This is about the time to meet with all of us,
01:45and the journey.
01:45It's about the time to meet with all of us,
01:46We are going to meet with all of us,
01:47and we are going to meet with all of us.
01:47Oh, Anjali, you can come to the balcony, right?
01:51No, no, Roshan.
01:52Neither in the balcony nor in the door.
01:55Society Compound won't be in the society compound.
02:01What's wrong?
02:02We can come, right?
02:03But you, ladies?
02:06No.
02:07Then how can you come?
02:08You didn't hear what Anjali said.
02:11You can come to the Mela Mandali.
02:14Right.
02:15Why is that?
02:17I don't even know how to do this.
02:19Because they're not ladies.
02:22Yes, this is Mela Mandali.
02:25Ask them.
02:28Look, look.
02:29That's because of it in the morning.
02:31No.
02:32Oh, good.
02:34It's a surprise.
02:36It's a surprise.
02:40But it's a surprise.
02:41Where are we experts?
02:43We will help you.
02:46Yes, please.
02:47No.
02:48No.
02:49No, kids.
02:50When you get a surprise to us,
02:52we will trust you or not?
02:54That's right.
02:55That's right.
02:56You should also trust us.
02:59And that's right.
03:01You've done the work of decoration.
03:04So now you don't need someone to stop here.
03:07Let's go to the house.
03:08Yes.
03:09But auntie, we are here.
03:10Tappu.
03:11I, auntie.
03:12They're all right.
03:13We need to give them a surprise.
03:15We need to give them a surprise.
03:19But what a surprise is this?
03:21That we can't come to the compound.
03:25Come on, Hans.
03:26Surprise.
03:27Tell us about the surprise.
03:30But if you have to go outside the night of society,
03:33then...
03:35Hey, Dippe.
03:36Today's night,
03:37no one will go anywhere.
03:39Then we'll be filming.
03:42Okay, auntie.
03:43But believe me
03:44that you have to go outside the night of society,
03:47then...
03:48What?
03:52Is there a day and night
03:53death also?
03:57I'm not saying that, Jethalal.
03:59So, how are you saying that?
04:00Hey, Dippe.
04:01Stay calm, brother.
04:02No one will see you at night
04:03no one will see you at night.
04:07When someone doesn't see you at night,
04:08then who will see you at night?
04:10Oh, mate.
04:11What are you saying?
04:12They say a little bit.
04:13How many women came to see you at night?
04:15They came to night.
04:16But what happened?
04:17The day of the night was nothing.
04:18No, nothing happened.
04:19They said nothing happened.
04:20You married,
04:21you mean you said,
04:22I mean, you say money?
04:23You're wrong.
04:24You're wrong.
04:25You're wrong.
04:30Okay, okay.
04:31You're wrong.
04:32You're wrong.
04:33You're wrong.
04:34You're wrong.
04:35You're wrong.
04:36You're wrong.
04:37Yes, Taurat.
04:38We'll be ready all the time
04:39to stop the surprise.
04:44What are you planning to do?
04:45Then, in the morning, get ready and get ready.
04:48We will manage it. Don't worry.
04:51Okay.
04:52Now, you guys have decided to stop at night,
04:54and you will do so much,
04:56so...
04:57we will also take tea for you.
04:59Yes.
05:02Oh, so sweet.
05:04It's a good way to come in the compound.
05:07Look, Maitre Sahib,
05:08there is no need for tea.
05:10There is no need for coffee.
05:13So, coffee?
05:15Coffee will go, Babita Ji.
05:17I will take coffee for everyone.
05:19No, Jitha Ji.
05:21There is no need for coffee.
05:23Moesambi juice.
05:25Moesambi juice?
05:27Where will Moesambi come from?
05:29Moesambi is in the house.
05:31There is a new water.
05:33There is a new water in the house.
05:35There is a new water in the house.
05:37There will go, Babita Ji.
05:39Jitha Ji.
05:40We have tea, coffee, juice,
05:42nimbu panni.
05:43No need for anything.
05:44Thank you so much.
05:45There is no need for it.
05:49What is this, Babita Ji?
05:50You will have so much fun at night,
05:52so we will have something else to do,
05:54or not, Maitre Sahib?
05:56That's why I offered tea.
05:58Yes.
05:59I thought I thought.
06:00Let's drink the nimbu panni.
06:02That's a good thing.
06:04Chacha Ji.
06:05I don't think they are going to live in peace today at night.
06:13So, we think that we will need you.
06:16I feel that waiting for you.
06:17How much time do you wait for you?
06:18What would you think?
06:19I didn't know.
06:20I don't think we are running.
06:21I don't think we will have to kill the little devil.
06:23Never kill the devil.
06:24There will be some people.
06:25Leave the devil in the house.
06:26What can we do?
06:27That's not true.
06:28Don't eat this.
06:29Don't eat away from the castle.
06:30But don't eat the fuck.
06:31They don't have to kill the little devil.
06:32Then eat this little devil.
06:33I don't eat the castle.
06:34Don't eat this much.
06:35Just eat it.
06:36They don't want to kill the devil.
06:37They don't kill the devil too.
06:38Yes.
06:39Yeah.
06:40Now, everyone, open your eyes and listen to me one thing.
06:44Now, at 7 o'clock in the morning,
06:46there will be no one coming in the compound.
06:48I mean, we won't come in.
06:49No, no, no, no.
06:51And if anyone has tried to run into the compound,
06:53with the door, with the door, or any other way,
06:56to run into the compound,
07:00then he will get this chance
07:02that he will not be able to run into the compound.
07:08Thank you so much.
07:11Chacha ji, you're not able to run into the compound.
07:12Yes, you're so able to run into the compound.
07:16You'll get the power to run into the compound.
07:20And that will also be in front of everyone.
07:24Chacha ji, thank you so much for this support.
07:26Thank you, thank you.
07:27Yes, son.
07:28You guys have said it like that.
07:31If you want to try to run into the compound,
07:35then tell me.
07:38Thank you so much, Chacha ji.
07:40Chacha ji.
07:41Chacha ji.
07:42Chacha ji.
07:43Chacha ji.
07:43Now, now or now?
07:44Now?
07:44Now, now or now?
07:46Now or now?
07:47Society compound, let's go.
07:48Let's go.
07:49Let's go.
07:51Chacha ji.
07:51Oh, yes.
07:52Just confirm.
07:53Just confirm.
07:54Don't do it.
07:55Tomorrow, the traditional dress program is fixed, right?
07:58Yes, tell me, brother.
08:00She has ready Punjabi suits today.
08:03Ladies, people wear Punjabi suits.
08:06I'm going to wear Punjabi dress.
08:11Sorry, brother.
08:12What was the decision?
08:13We're going to leave everyone.
08:15Our surprise is additional.
08:19Before I go, I'll tell you...
08:22I'll take my mic.
08:24Stop, Abdul.
08:25Why are you having to speak?
08:27How do you hear the mic?
08:28Why do you hear the mic?
08:30Where do you hear the mic?
08:31Then take my mic.
08:34Wait.
08:35Hold on, Abdul.
08:36What am I saying to you, brother?
08:38What do you say to me?
08:40Why am I saying it?
08:43Do you know it?
08:52Hello, hello, hello, check, check, mic check, hello, hello,
08:55ha, check.
08:56See, I'm going to go to the GoKundam Society of the 1st secondary.
09:04I want to tell you this,
09:07that tomorrow morning, 7.30am,
09:10no one will come to the compound.
09:13No one will come to the compound.
09:16Okay?
09:16And at the same time,
09:19the hands of the Champak Chajaji will not be able to get the surprise of the Maila Mandal.
09:26Yes!
09:33Okay, let's go, good night everybody.
09:35And all the very best, Maila Mandal.
09:38Start the mess.
09:39Okay, come get the prize.
09:46Okay, in the morning, when everyone knows about our surprise,
09:52we will all be so happy.
09:54But for that, we need to start now.
09:56Let's start.
09:57Let's start.
10:05What happened? Why did you miss call me?
10:07Oh, I have to talk to you about something.
10:11And what did I do?
10:12No, no, you didn't do anything, son.
10:14But you have to do my work.
10:17What?
10:18To know what is the surprise of the ladies' surprise.
10:21Father, how can I know that?
10:24Sonu, son.
10:26Sonu got to know what he did.
10:27That's the lady,
10:29that's the Maila Mandal in the Maila Mandal.
10:31He got to know what he did.
10:33Father, Sonu is Tappu's member.
10:35And now you can listen to me,
10:36all the auntie also wanted to know Tappu's name.
10:38Oh, Tappu, son.
10:40You are here?
10:41When are you looking for yourself?
10:42Why do you also know?
10:44What?
10:47What?
10:48What?
10:49What do you want to know?
10:51What do you want to know?
10:56What do you want to know?
10:58How can I tell you?
11:00Okay.
11:01Why did you say this?
11:03Why did you say this?
11:05Why did you also know Tappu's name?
11:07B said B.
11:08Why did you say this?
11:10Why did you say this?
11:11Is it the idea?
11:12What?
11:13Because I think you have to know what you want to know?
11:16I am too.
11:18Is it?
11:19It's for you!
11:20You have to know this, Dad.
11:22Do you want to know this man?
11:28What is the surprise of Mahila Mandol?
11:43I know, I want to know that man.
11:49There's nothing wrong, man.
11:52There's nothing wrong with a man.
11:54If you want to know what he wants to do,
11:57he wants to do the best.
12:02Go.
12:03Go to the balcony and see.
12:10Go, boy.
12:11I'm still standing there.
12:13Go.
12:14Go and see.
12:19Go.
12:22Listen.
12:24And then, I'll tell you too.
12:26No, no.
12:27And then,
12:28tomorrow morning,
12:28he's prepared for the whole society.
12:33What?
12:37Come on, Baba Ji.
12:38What, Baba Ji?
12:39What are you talking about?
12:41What do you know so much?
12:43Mahila Mandol said,
12:45that tomorrow morning,
12:45everyone will know that.
12:49Why are you so fast?
12:53And you're not going to keep up with your hands.
12:58Because you're thinking like that.
12:59You're thinking like that.
13:00You're thinking like that.
13:01And you're thinking like that.
13:02That's not even.
13:04That's all.
13:05Why I've been laughing.
13:07Oh.
13:08Oh.
13:09Oh.
13:10Oh.
13:10Oh.
13:11Oh.
13:12Oh.
13:13Oh.
13:14Oh.
13:15Oh.
13:16Oh.
13:17Oh.
13:18Oh.
13:19Oh.
13:19Oh.
13:20Oh.
13:21Listen, let's go to the next morning.
13:24At the next morning, at 7 o'clock, we have to reach the compound.
13:31Yes, Papuji.
13:34What is it, Papuji?
13:36What did you say?
13:38At which time, at which time we have to reach the next morning?
13:41At 7 o'clock, at the next morning, at the next time.
13:51Let's go to the next hour.
13:55Hey,κ lucCEU.
13:58いてμά派
14:02semis
14:06大
14:17Hey, hey, sorry, hey.
14:47Let's go, let's go, let's go.
14:51Let's go, let's go, let's go.
14:55Let's go, let's go, let's go.
15:03Wow, how beautiful these rongoli are.
15:05You were planning this surprise?
15:09What a joke, Anjali.
15:11Wonderful, incredible.
15:13Huh?
15:16Now, I understand, friends, how much the mandal has made this whole night?
15:20To give this surprise?
15:21Yes.
15:24This is not only Rangoli.
15:26This is Kalaka Sarwot Krishn Udharana.
15:28Atiyut.
15:31For three words I have to say.
15:34Anupam, Adbhut, Adwit.
15:39Thank you so much.
15:41And one word, Jodli jiyeh, Aparateev.
15:43Aparateev.
15:45And one word, Jodli jiyeh.
15:46Fantastic.
15:47La-chawap.
15:50Aray, jordar.
15:52Matlab, jabar jaast hai.
15:54Wow, wow, wow, wow.
15:55Manna padega Gokul Dham ki Mahila Mandal ko hai.
16:00Man mohag kala krati hai.
16:02Thank you, thank you so much.
16:05Wow, wow, wow.
16:06Kya badia.
16:07Bahaati badia.
16:08Kya detailing e kumal.
16:11Thank you, huns.
16:11Oh, ho, super hit, Sodiya.
16:15Oh, kumal kar ditta.
16:17Tambu phad kar rumal kar ditta.
16:19Oh, ay, dil kush kar ditta.
16:21Oh, I'm so proud of you.
16:24Aray, sorry, bhai.
16:25Yeh ranguri ham sab ne mil kar barai hai hai.
16:27Haan.
16:30Oh, ho, sorry, sorry.
16:31Oh, ji.
16:32Mahila Mandal ko lak lak barai hai, ji.
16:35Haan.
16:36Tappu san hai toh sirf ye hai kahi ki.
16:38Top of the world.
16:40Haan.
16:41Thank.
16:42Tachmeh, Babita, baut hi fantastic, baut hi beautiful ranguli bana hai hai tum laga hai hai.
16:46Thank you so much.
16:47Aray, wah, wah, wah, wah.
16:49Meri beeti ho ne raad ghar jaak kar kya kama kiya hai.
16:52Satchmeh, is ranguli ke liye jitne bhi shabt kao kama hai.
17:00Haan.
17:02May toh aap sabse ye kaunga ki 26 januari ko aap sabne ekta aur piaar ke rangu se bhar diya.
17:08Thank you, cha cha.
17:09Aray.
17:12Wah, wah, wah, humara bharat desh.
17:14Ar, humare bharat desh me sabhi dharmu mil jun kar rete hai hai.
17:19Yeh sab aap logon ni is ranguli me baut acche tariqe se dhikha ya hai.
17:26Or, dada ji, kitnay acche slogan likha hai.
17:28Aakma nirvar bharat.
17:30Hum, hum.
17:30Hum, hum.
17:31Hum, hum, hum.
17:31Hum, hum, hum.
17:31Hum, hum, hum.
17:31Hum, hum, hum.
17:33Hum, hum, hum.
17:35Digital India.
17:35Mera bharat mahan.
17:37Vibitita mein ekta.
17:39Jai jawan, jai kisan.
17:41Ar, hum.
17:43Or, humari sunskriti ka prateek.
17:45Jaisa vasudhev kutumbukam.
17:47Uhaa, bilkul sahhi ga, beetha.
17:50Agar ham pure vishu ko eek paribar maal nene na,
17:52tuh e sarhadon ke bhedhaa vh ki khatn ho jai.
17:56Hindu, muslim, sikh khai sai,
17:58hum sab hai bhai bhai.
18:00Sahi bahat hai.
18:02Desh bakti ke rangu se saji hui is ranguli ke liye,
18:05sab se pehlè hum hum, humari istri shakti ko saliute perenge.
18:09Yes.
18:10Thank you so much. Thank you. Thank you so much. Thank you.
18:18Now, we will play for all of you for this Bhovia Rangoli.
18:22You are welcome.
18:29You are welcome to all of us.
18:31Without any doubt, you all have to prepare us for the surprise.
18:35Yes, very important.
18:37Yes, absolutely. Thank you.
18:39Thank you. Thank you. Thank you. Thank you.
18:49Friends, however, how great this Bhovia Rangoli is,
18:53we all have to wear so big.
18:56How many people are in this Sanskrit Bhovia Rangoli?
19:01We all have to prove it again.
19:06This Bhovia Rangoli is a mini-India.
19:12Yes, absolutely.
19:18Look at you, Mitha Saab.
19:20What are you talking about in the Raja Sari Poshab?
19:22Oh, what are you talking about in the Raja Sari Poshab?
19:26Yes.
19:26Come on, Mitha Saab.
19:28Oh, the Raja Sari Poshab is wonderful.
19:31And Anjali Bhabi,
19:33you look so beautiful in Gujarati style.
19:37You look so beautiful.
19:38You look so beautiful.
19:41You're welcome.
19:43Oh, thank you.
19:44Come on, Anjali Bhabi.
19:46You've already had our Daya Bhabi's heart.
19:49Yes.
19:54Roshan Bhabi,
19:55remember that we all come to the Raja Bhabi.
19:58Jethan Ji, please, Daya Bhabi, please, please.
20:04How many days are you?
20:06It will come.
20:07It will come very quickly.
20:08Well, Jethanal,
20:13you and Chacha Ji have worn a great Gujarati dress.
20:16You look great.
20:19Thank you, Mitha Saab.
20:24Jethan Ji,
20:26you're going to go to the Gujarati village today.
20:30Oh,
20:32you're going to go to the Raja Sari Poshab.
20:35You look very beautiful.
20:39You look beautiful.
20:41No, no, no.
20:42You're beautiful.
20:44I mean, you look beautiful in Bungali.
20:49Thank you so much.
20:50No, Babuji.
20:51Yes?
20:52General,
20:53I don't want to tell you.
20:54How are you?
20:56Oh, you look very bad.
21:02Good.
21:03I mean, you look very good.
21:05Oh,
21:06you look like a South Carolina superstar.
21:08No, you look?
21:09Oh.
21:10Oh.
21:11Oh.
21:12Oh.
21:13Oh.
21:14Oh.
21:15Oh.
21:16Oh.
21:17Oh.
21:18Oh.
21:19Oh.
21:20Oh.
21:21Oh.
21:22Oh.
21:23Oh.
21:24Oh.
21:25Oh.
21:26Oh.
21:27Oh.
21:28Oh.
21:29Oh.
21:30Oh.
21:30Oh.
21:31Oh.
21:32Oh.
21:32What's the name of Asham, Bapu Ji?
21:33Yes, I don't have a name.
21:35Komal Bhabi and Hati Bhai,
21:37you both look like Gunda Gundi, don't you?
21:42Cute, cute.
21:43What? Gunda Gundi?
21:45No, Gunda Gundi.
21:46They are small-sized toys, right?
21:48Okay.
21:49It looks like that.
21:50Thank you, Madhavi Bhabi.
21:52So, Madhavi Bhabi,
21:53you and our secretaries,
21:56you both look very beautiful in Maharashtra Poshak.
21:59Good.
22:01Good.
22:02Thank you, thank you, Aati Bhai. Thank you.
22:07Hey, let's see our Abdulmiya,
22:09what is the answer?
22:14Thank you, thank you.
22:16What's our Parsi, Bannu?
22:22Roshan Bhabi,
22:23Parsi saari maa,
22:25a hundred thousand dollars.
22:27Oh.
22:29I have traditional Parsi gara saari che.
22:32And, Suri, what a joke.
22:34You look great.
22:35You're a great.
22:36I'm great.
22:37I'm fun.
22:42Are you guys,
22:43who has seen my book?
22:49Are you ready?
22:50You're ready to see, Maai?
22:51Come on, come on.
22:52Come on.
22:53He's big.
22:54He's 26 January.
22:56He's 26 January.
22:57Today too.
22:58Now we know.
22:59Hey, we're all Gokul-dham,
23:00we can do it sometimes and sometimes.
23:02Yes.
23:03It's true.
23:04Yes.
23:05Yes.
23:07It's like a tapu, right?
23:09You look superb in Poshak.
23:11Yeah.
23:12You look different.
23:18You look different.
23:22Like, Goli, where is this dress?
23:24This is Manipuri Poshak.
23:26Yes.
23:30Wow.
23:31It looks good.
23:32One, two.
23:33And, Pinko,
23:34don't you have the dress of Goa?
23:36Yes.
23:37Wow.
23:38Wow.
23:39Wow.
23:40Wow.
23:41Wow.
23:42Wow.
23:43And, Sonu,
23:44you look very much in this Kashmiri dress.
23:46Thank you, Babita, Aunty.
23:48Thank you, Babita, Aunty.
23:49Ha ha.
23:50Oh, Tappu, son.
23:51Tell me about your dress.
23:53Aunty, I have a traditional traditional dress.
23:56Oh!
23:57Himachal, Baba Ji.
23:58Ha ha.
23:59Oh, Tappu and Sonu,
24:00you guys are very good in this pahari dress.
24:03Yes, yes, yes.
24:04Oh, Roshan, Baba Ji.
24:05Where is Himachal Pradesh?
24:06Where is Himachal Pradesh?
24:07Where is Kashmir?
24:08Where is Kashmir?
24:09You, who?
24:10Yes, yes, yes.
24:11Hey, Roshan Babi,
24:14which means, where is Himachal Pradesh,
24:15where is Kashmir?
24:16They are both far and far away.
24:19No, no.
24:20So far away, folks.
24:22And it's more far away than you and they are in the country?
24:24Yes.
24:25Sure.
24:26We're fine.
24:27But, folks,
24:28Kashmir and Himachal Pradesh are in the same way,
24:30it is not far away.
24:32I said, where are you paying?
24:34It's amazing.
24:36Oh, it's amazing.
24:38Today, the whole Hindustan lives in Gokul Nam.
24:42That's the right thing.
24:44But our Hindustan,
24:46there is no other country.
24:48It's a good country.
24:50There are so many people.
24:52There are so many religions,
24:54there are so many traditions,
24:56there are so many traditions.
24:58There are so many traditions.
25:00There are so many traditions.
25:02In other words,
25:04there are so many traditions.
25:06Whatever you want,
25:08we all have a true story.
25:10We are all in our country.
25:12Say,
25:14that's the right thing.
25:16That's the right thing.
25:18That's the right thing.
25:20Let's do it.
25:22Let's do it.
25:24Come on.
25:26Come on.
25:28Come on.
25:32Oh.
25:49Where are Tappu at the driver's tempo?
25:51He said he just lost his tempo.
25:53Yeah, yeah, yeah.
25:54Papa, we don't know where the tempo came from.
25:58We don't know what it is.
26:00There will be all decoration in the tempo.
26:05No, no, uncle.
26:06The time that came from the night,
26:09then...
26:12Then, who's the tempo?
26:14What's your name?
26:17You're the secretary of society.
26:19You should know what to do.
26:20No, Pidu.
26:21I don't even know what to do.
26:23Yes, it can happen.
26:24Tomorrow, the time of the night,
26:25he was making a ring on the night.
26:27So, that's the same thing in the tempo.
26:28No, no.
26:31What's the question?
26:32Why will the tempo come so small for the time?
26:36Yes.
26:37So, who's the tempo?
26:39Where's the tempo from?
26:42Doctor, who's the tempo from?
26:44This is not a question.
26:45If this is the tempo,
26:47how will we do this?
26:50Abdul,
26:51you've seen the tempo inside?
26:55No, I haven't seen it.
26:59It's great, brother.
27:00How much time is the tempo in society
27:02and you don't know?
27:04What time is the time of the time
27:06and the tempo is still here?
27:09It's great, Popatla.
27:10You also live in society, right?
27:12I don't know.
27:13You're still here.
27:14You're still here.
27:15Do you know the tempo is coming?
27:17Yes, I don't know.
27:18You're not sure.
27:19You're not sure.
27:20You're not sure.
27:21You're not sure.
27:22How long have you been here?
27:23I don't know.
27:24How long have you been here?
27:25I don't know.
27:26I don't know.
27:27How long have you been here?
27:28I don't know.
27:29How long have you been here?
27:30How long have you been here?
27:31I don't know.
27:32You have to spend some time.
27:33Why are you in the life of the tempo?
27:34That's the way I got to spend it.
27:35When I am here, I used to spend some time.
27:38Oh, what am I doing?
27:39About the time of the time of the time.
27:40Oh, that's the time of the time.
27:42Can you tell me the time of the tempo?
27:43I have to spend some time on my life.
27:47I have to spend some time on my life.
27:50Oh!
27:51A, how long have you been here?
27:54That's the time.
27:56You're still here.
27:57I have to spend some time on my life.
27:58You have to spend some time on my entire life.
28:00No, no!
28:04This is good like you don't see anything without telling you!
28:09Jaitalal, remember! Once in Nauratri,
28:13Sunderlal shared clothes for whole society.
28:19We should sell clothes for him.
28:26You must have put these clothes for whole society.
28:30All the people who have been, who have been, who have been,
28:34After I realized that you have been the best of the people.
28:37So that's the same thing that this tempo has been offered for you.
28:41Stop. I'm asking my phone.
28:43Hold on. What's wrong with me?
28:45Why do that?
28:47The best of the time is coming.
28:48Let's go and see where the tempo came from.
28:51What?
28:53What about it? Look, it's written in the tempo.
28:56The top of my head is the same as Punjab.
29:00You know the tempo is Punjab.
29:07The song is not like you have any friend of mine here.
29:12Hey, Pupu.
29:14If my friend will come to the house,
29:15then I will come to the house.
29:19It's possible that you have to keep it here for repair.
29:22Oh my God, my brother, if someone comes to repair someone, then tell me about it.
29:30And why does someone come to our society?
29:33He came to my garage, right?
29:35Yeah.
29:37So, what do you check in the tempo?
29:42Chodi Pao?
29:43Yes, I'm afraid of anyone.
29:52Oh my God, I'm afraid of someone.
29:55Oh my God, I'm afraid of someone.
29:57I'm afraid of someone.
29:58Atipra, this tempo is for you.
30:06What is it?
30:08What is it?
30:10No, Atipra.
30:13There are boxes of sanitizer.
30:17Why would someone send me a sanitizer?
30:19Oh, Atipra.
30:20Now I'm going to be a doctor, right?
30:24Oh, lady, I mean, why would someone send me such a sanitizer?
30:29Oh, what do I know?
30:32Oh, come on, lady.
30:33There's a clinic.
30:35There's a hospital.
30:36Yes.
30:37Oh.
30:38Huh?
30:39This is all in the church.
30:42Oh, my God.
30:43What a nightmare, man.
30:45Here's my time.
30:47How do you do it?
30:48Why do a doctor going through?
30:50Don't know who came to me.
30:51Ah, I know who came to me.
30:52I know who came to me.
30:53Where?
30:54You too.
30:55Why do you?
30:56Why do?
30:57Huh?
30:58Huh?
31:00Huh?
31:01Huh?
31:02Huh?
31:03Well, we're here.
31:05Here, here.
31:07Hey, who are you?
31:08Who are you here?
31:09It's the first time that you have come to me, but it's the first time that you have come to me.
31:24Why? If you can't come to the number plate from Gujarat, then why can't you come to me?
31:37No!
31:38Why?
31:39Because this time is for Abdul.
31:44Is it for me?
31:47Yes, come here.
31:52Come here.
31:53Come here.
31:54Come here.
31:55Come here.
31:56Come here.
31:57Come here.
31:58Come here.
31:59Come here.
32:02Come here.
32:04Come here.
32:07What's your name?
32:10But why will the time come here?
32:12You can ask me to ask me for your house.
32:18Oh, I haven't asked you.
32:21I'll see you again.
32:23Come here.
32:34Oh, my brother.
32:35Oh, my brother.
32:36Oh, my brother.
32:37I know.
32:38Who's this for the time?
32:40Who's this?
32:42Who's this?
32:43Who's this?
32:44Who's this?
32:45Who's this?
32:46Who's this?
32:47Who's this?
32:48What's the time you're saying, Abdul?
32:50Yes.
32:51Look at this.
32:52This is the time.
32:53Yes.
32:54And the time you're in the time.
32:57What?
32:59What?
33:00Why?
33:01What?
33:02Why?
33:03Why?
33:04Why?
33:05Why did he get blue?
33:06The time came for me?
33:08Hey, look.
33:09He accepted him.
33:10The time came for his life.
33:11Come here.
33:12Come back.
33:13Oh, love it.
33:14Why don't you go in there?
33:15This is not for me.
33:16Why don't you go in there?
33:17Why doesn't he get blue?
33:18Oh, you get blue?
33:19I got blue from my head.
33:21It's like.
33:22The time came for me.
33:24Ah, stop.
33:25Oh, my brother.
33:26Shut up, shut up.
33:27Why do you think?
33:28have
33:33the
33:55But this situation is a very complicated situation.
33:57I don't understand where the tempo is.
34:00The number plate is Gujarat.
34:03786 is written.
34:06This is written on the top.
34:08We are in Punjab country.
34:11This is the picture of Thirupati Balaji.
34:13This is the person who is driving there.
34:17And in the box of Sanitizer,
34:18there are no signs coming.
34:19I don't know how to go.
34:20Where is this tempo?
34:21And where is this driver?
34:22Where is this parking?
34:25This is all the wrong things.
34:29What is my wrong thing?
34:32What else is it?
34:33What else?
34:34In society, there will never be anything to go.
34:36So, you should know the secretary of society.
34:38It's the responsibility of it.
34:43Poplar Lal, we are the secretary of society.
34:45We are not the watchman.
34:47Yes, stop.
34:48Why are you talking to me here?
34:50Poplar Lal is talking to me.
34:52So?
34:53No, no, no.
34:54You are talking to me here.
34:55What is wrong?
34:56What is wrong?
34:59And how do you keep the judge's eyes?
35:01You have thought that my father told me.
35:02You have thought that my father told me
35:03that he will come to me at the morning
35:04and he will not come to me.
35:06No.
35:07Yes, right.
35:08Right.
35:09My father told me that he told me.
35:11He told me.
35:12He told me.
35:13He told me.
35:14He told me.
35:15He told me.
35:16He told me.
35:17He told me.
35:18He told me.
35:19Right.
35:20He told me.
35:21He told me.
35:22He told me.
35:23He told me.
35:24He told me.
35:25You are the one who came to me.
35:26Who came and who came and who came?
35:30Hey, wait a minute,
35:32You won't know who came and who came
35:34But you won't know who came and who came and who came
35:40These people were in the compound, right?
35:42You saw who kept the tempo?
35:44No, Dharap.
35:46We were making a ring and we were going to go to the house.
35:48Yes.
35:49So, maybe we'll leave the tempo behind that.
35:53Correct me.
35:54What?
35:56Hey, old man.
35:57It's not that way.
35:59If someone is a vendor of a society and has no money left,
36:01you haven't given any money,
36:02then you thought you have put the time in the program
36:04and left and left and left.
36:07The society didn't have a money left.
36:09What are you doing?
36:10How are you talking about this?
36:12How are you talking about this?
36:13How are you talking about this?
36:15That's right, I'm talking about it.
36:17You're talking about it.
36:19No, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no, no
36:49What do we need to do now? Nobody is thinking about it.
36:54Don't tell me about it. What do we need to do now?
36:58I'll tell you. What do we need to do now?
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