00:00Thank you, sir.
00:30Thank you, sir.
01:00Thank you, sir.
01:30Thank you, sir.
01:32Thank you, sir.
01:34Thank you, sir.
01:36Thank you, sir.
01:38Thank you, sir.
01:40Thank you, sir.
01:42Thank you, sir.
01:44Thank you, sir.
01:46Thank you, sir.
01:48Thank you, sir.
01:50Thank you, sir.
01:52Thank you, sir.
01:54Thank you, sir.
01:56Thank you, sir.
01:58Thank you, sir.
02:00Thank you, sir.
02:02Thank you, sir.
02:04Thank you, sir.
02:06Thank you, sir.
02:08Thank you, sir.
02:14I think actor's book is the best way to handle it, so how will it be done?
02:21So mentally stable yourself, so I do yoga and meditation for this.
02:27And if there is a lot of frustration, then go to gym.
02:30So that's all I did.
02:32And because of that pressure, I did a good job.
02:35Because the pressure is so much better.
02:37And then I reached the set.
02:40And when I shot it, I saw all the results.
02:43How do you describe your character in one line?
02:47How do you describe your character as a soldier or a human?
02:50In a soldier, it's emotional and aggressive.
02:55In a human, it's all human beings.
02:59I mean, I mean, what do I define in that?
03:03It's also a human being.
03:05There are emotions.
03:06There are also longing for getting home.
03:08It reminds us of getting home.
03:10And it also feels there.
03:12So it's just emotion.
03:15And my character is aggressively emotional.
03:19What is the most challenging aspect of this character?
03:22What has the most challenging aspect of this character?
03:23The whole world has a whole character in this world.
03:29Because you have such a big starcast and so large.
03:33Everyone plays a big team.
03:35Everybody gets the day-night.
03:37So the whole character was challenging.
03:39It was very challenging. I would think that it's not a challenge to any other scene.
03:45So that scene will not be good. If you take a challenge in a small scene, maybe there will be a big moment.
03:51Was it such a scene that you emotionally hit and looked at your character?
03:57Sir, when the war was shot, I realized that there are so many shots, there are so many shots,
04:05there are so many shots, there are so many shots, there are so many shots, there are so many shots.
04:15So it came to me that those who are in the army, who are on the border,
04:2124 hours have become a place for 24 hours, and they are not scared.
04:26I am saying that they are so scared, but it doesn't happen.
04:30If they are scared, they will go back.
04:34They will go back.
04:36Do you have a role in the soldier?
04:40What kind of physical and mental preparation were you?
04:43I did the physical preparation.
04:45I did a little yoga and stretches.
04:48It was a little flexible.
04:49It was a little bit of weight.
04:51But when I saw the soldiers, I thought that the weight is the same.
04:58So I started to eat more and eat more.
05:01How much real I have made the character.
05:03And it will also be seen on the screen.
05:05There is a little gold face on the screen.
05:07There is a little bit of weight.
05:09There is a little bit of weight.
05:11So I did the rest of it.
05:13I worked on the flexibility.
05:15So what did you say about the military officers and veterans?
05:21How did you stay with them?
05:23Sir, there were a lot of army officers who were shooting at Babeena in Kent.
05:27And I told them, how did they feel about the time of war?
05:33So they said, this is our daily work.
05:35It feels like our training is still working.
05:37So whatever we are in war, we are always doing training.
05:40So listening to that, I felt like that they are so habitual.
05:44So we work with the military discipline or routine.
05:49The aspect of it we have in real life.
05:52Sir, basically I started yoga for myself to do my body for flexibly.
05:56Because I know it is action and everything.
05:58And so it became such time that I was doing yoga.
06:00I know there is action, everything is.
06:02And that has become such a habit that I am doing yoga today.
06:06My lifestyle has changed from yoga.
06:08I have become very strong and I have become mentally free.
06:12With the director, how do you manage your guidance?
06:16Especially with the emotional change?
06:18With the Anurag Sir, I had a lot of fun.
06:20In the first two days, I had no confidence to me.
06:24I had no confidence.
06:26But I had no confidence to be able to guide and do it.
06:28But after the next two days, I had no confidence to be able to guide me.
06:32It is very rare that they have told me something.
06:34So, I thought I was going to go. Sir, you haven't said anything.
06:36If you don't say anything, it's a good thing.
06:38And I shot them with them very freely.
06:46Sir, Brotherhood. Army is about Brotherhood.
06:49Usually, we say that when you get informed by the army,
06:53the current responsibility comes from the actor.
06:55When you go to the border,
06:57you will have a responsibility.
06:59But how do you feel about wearing a uniform?
07:01Sir, wearing a uniform,
07:05I feel like it has been 56 inches.
07:07And I feel that if you look at the front,
07:10if you look at the front,
07:11if you look at the front,
07:12you will stand up.
07:13And go ahead and go ahead.
07:15And that responsibility is very big.
07:17It is very big.
07:19Because when you are inspired by the real life,
07:23then you will have responsibility.
07:25But when you are doing something like a Border,
07:28like a Border movie,
07:29then it turns into 10.
07:31It is very big.
07:32So,
07:33I feel like it is a good thing.
07:34It is a good thing.
07:35So,
07:36I feel like it is a good thing.
07:37How do you feel about the border?
07:39I am saying that
07:40a co-actor is a good thing.
07:42If you get a good actor,
07:43if you get a good actor,
07:44then you will not be happy.
07:46The scene will not be good.
07:48I do not understand that
07:51without a good actor,
07:52you will be able to do the scene.
07:54So,
07:55I have seen a scene on the border,
07:56and I have seen a good actor.
07:58So,
07:59people have started to tell me
08:00that it is a scene of the century.
08:01That is because
08:02our bonding was so strong.
08:03So,
08:04the bonding is everything.
08:05The camera
08:06catches the silence bonding.
08:08Border,
08:09Border,
08:10Border 1,
08:11Border 2,
08:12Border 1
08:13is not an iconic film.
08:14So,
08:15people also compare to Border 2.
08:17So,
08:18you know,
08:19in some of the social media,
08:21there are actors told
08:23that Border 1
08:24are iconic actors.
08:25In Border 2,
08:27there are actors,
08:28there are young actors,
08:30but
08:31people who are
08:32who are the actors
08:33who are the actors?
08:34Sir,
08:35Border 1
08:36became iconic after
08:37Border 1.
08:38Today,
08:39they are iconic.
08:40So,
08:41if you haven't seen the film,
08:42how can you compare them directly?
08:44I think,
08:45when Akshay Khanna Sarvi came,
08:47I don't know,
08:48it was the first film,
08:49it was the second film.
08:50After the film,
08:51you say,
08:52they were iconic.
08:53So,
08:54what is the benefit of the film now?
08:56Let's see.
08:57Let's decide.
08:58After that,
08:59let's decide.
09:00After that,
09:01let's decide.
09:02After this film,
09:03yes,
09:04after this film,
09:05yes,
09:06after this film,
09:07I'm always selective.
09:08Because,
09:09you need to be so sensible,
09:10you need to be so sensible,
09:11you need to go to any direction,
09:12and you need clarity on your target.
09:13If there is clarity,
09:14then you will choose every project.
09:15If there is clarity,
09:16then you will choose every project.
09:17Sir,
09:18you will choose every project,
09:19you will choose every project,
09:20and you will choose every project.
09:21If there is clarity,
09:22then you will choose every project.
09:23Sir,
09:24you have to choose every project.
09:25Sir,
09:26you have to choose every project,
09:27and you will choose every project.
09:28and you will choose everything.
09:29All individuals have to choose every project.
09:30All individuals have to choose every project.
09:32You will choose every project.
09:33What should I choose?
09:34What should I choose?
09:35What should I choose?
09:36Character, complexity,
09:37and story's impact.
09:38Story's impact.
09:39I mean,
09:39the biggest story is,
09:40the story is good,
09:41it will be great,
09:42and I will enjoy watching the character.
09:44If I make the character very complex,
09:46so I don't have to pay attention,
09:47then I will also have fun,
09:49and people will not see it again.
09:50How much are you doing with your big screen? How much are you doing with the big screen?
10:02It's different and it depends on how the film is being made. And what is the vision of the director?
10:11Some of the directors want to perform in real space, so it's good to keep the cinema and OTT and realism.
10:18There are some relatable things from OTT and the film is larger than life.
10:24So people want to keep themselves in the area of the hero. And that's the magic of cinema.
10:30For the promotion of the actors, the promotion is very important.
10:37Do you see any promotion? How much do you want to promote promotion?
10:45No sir, every person wants to promote promotion. And I think the promotion of the people who are doing,
10:50Sunny sir, Varun bhai, Diljeet bhai,
10:53all of these people are working on a lot of time and they have been working there to reach.
10:57So I am also working on that. And after a while, I will see you there.
11:03Thank you. Thank you. Thank you.
11:23And my message for the fans is that you get a lot of motivation when you all support so much and love you.
11:31And that's how you support.
11:33The border is coming, go to the border and enjoy it.
Comments