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Un evento speciale per un appuntamento speciale. Martedì 27 e giovedì 29 gennaio, il violoncellista Giovanni Sollima suonerà uno strumento di ghiaccio per onorare il passaggio della fiamma olimpica in Trentino-Alto Adige. Costruito a 2.845 metri di altitudine utilizzando l’acqua del ghiacciaio della Val Senales, con questo particolare strumento verrà eseguito un brano originale scritto da Sollima, mentre il concerto si completerà con l’ultimo capolavoro sinfonico di Mozart. Martedì 27 gennaio alle ore 20.30 presso la Casa della Cultura di Bolzano, e giovedì 29 gennaio alle ore 20.30 al Teatro Sociale di Trento, si terrà un doppio appuntamento esclusivo in cui la natura, qui rappresentata dall’acqua, incontrerà la grande musica. Musicista di fama internazionale, nonché il compositore più eseguito al mondo, Sollima si unirà per la prima volta con il suo violoncello di ghiaccio all’Orchestra Haydn per una performance in cui il solista sarà posizionato all’interno di una suggestiva bolla trasparente, a rappresentare simbolicamente la molecola dell’acqua. Strumento di grande fascino che con il suo suono sembra sfidare le leggi della fisica, il violoncello di ghiaccio è stato ideato e costruito dall’artista americano Tim Linhart usando l’acqua del ghiacciaio in Val Senales a 2.845 metri di altitudine, presso il Rifugio Bella Vista in località Maso Corto. Nel video, lo scultore racconta il processo di creazione e i motivi che lo hanno portato a questa scelta. (video Fondazione Haydn)

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00:00It's just great to be back. It's so nice to be building cellos again in their, you know, in
00:14their natural environment. That's where it all came from. Places like this, high places, cold places.
00:21You know, the cellos are this harvesting of the winter cold and the winter snow. You can't make
00:28this down below because you don't have those, the winter environment, which is where they
00:33come from. They're a child of the winter environment.
00:38In Bella Vista, it's like the classic origin hut up in the mountains. I think it was built
00:45in 1896 or something, long time ago. And it's got that feeling like, yeah, this is that safe
00:56spot in this wild, incredibly wild location up here. I think the audacity to build a place
01:03up here at the pass, right at the top of the Alps where the wind is screaming either this
01:07way or that way. It's a bold move. And the, you know, I, I, I admire the lifestyle choice
01:17of these guys who run it to like, yeah, we live up there. That's our thing. Okay. So here
01:22we are at the Bella Vista, uh, refugee and we're working in the snow cat garage over here.
01:29Um, you can see our toes in the back and the snow cat we're in here because, uh, when the,
01:35when the wind blows up here, it's could be a hundred kilometers an hour and it's just crazy
01:41weather. So in order to be able to have a safe place, we're inside together with the snow
01:46cats where they, uh, where they live where we're currently in what I call the frisante revolution.
01:53Uh, you know, it was a few years back. I discovered the use of frisante, uh, uh, bubble water in
02:02with the snow instead of just regular natural water. And, uh, and that opened up a whole new
02:08possibilities. So, um, it's a new exploration, a period of exploration, find out how, what does
02:14this mean? What is this, how's it going to make the instruments evolve in, in a new way,
02:19which is in still within the natural ice, you know, the, the exploration of ice itself and,
02:27and, you know, introducing all those little tiny mains of bubbles is, is could very open
02:33up the voice of the ice more in a way that we didn't, didn't do before.
02:37Hey, you know, if you're in Baltano or Trento or anywhere in the neighborhood and you want
02:57to see probably once in a lifetime chance, the ice cello in the hands of an absolute master,
03:04this is the time to go do it.
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