My Husband Is Missing (2026) is a gripping Lifetime thriller inspired by a true story, following a desperate search that uncovers dark secrets, deception, and unexpected danger. When a devoted husband suddenly disappears, a seemingly ordinary life turns into a terrifying mystery.
As the investigation deepens, trust is shattered and hidden truths come to light, forcing difficult choices in a race against time. With emotional performances and relentless suspense, this drama thriller keeps viewers captivated until the final reveal.
Perfect for fans of new Lifetime movies, true-story-based thrillers, and psychological suspense dramas.
#myhusbandismissing #lifetimemovie #thrillermovie #basedonatruestory #fullmovie #suspense #psychologicalthriller #englishmovie
As the investigation deepens, trust is shattered and hidden truths come to light, forcing difficult choices in a race against time. With emotional performances and relentless suspense, this drama thriller keeps viewers captivated until the final reveal.
Perfect for fans of new Lifetime movies, true-story-based thrillers, and psychological suspense dramas.
#myhusbandismissing #lifetimemovie #thrillermovie #basedonatruestory #fullmovie #suspense #psychologicalthriller #englishmovie
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Short filmTranscript
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00:05:30Up to 15 generations of islanders are buried here, with some gravestones going back to the Spanish missionaries who followed on the heels of Columbus' voyages to the New World.
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00:28:16Yeah, yeah, yeah, yeah, yes.
00:28:19Mom, do you mind if my associate and I take a look around?
00:28:28Aren't you the one that's been...
00:28:31Are you not feeling well, Miss Carrie?
00:28:36No, I'm not.
00:28:39Do you mind if we come in?
00:28:42Yeah.
00:28:45I'm okay.
00:28:54Just have a seat right here.
00:28:56I'm not drunk.
00:29:15What exactly are you feeling, Miss Carrie?
00:29:20I don't know, I just, I feel weird.
00:29:28Tingly, I don't know.
00:29:30You know her?
00:29:45What are you doing?
00:29:46We're trying to help you, Miss Carrie.
00:29:48I'm going to find my husband.
00:29:49Look, I think you should come down to the office.
00:29:53If you're not feeling well, we can find a bed.
00:29:57Somewhere where you can lay down.
00:29:59You want me to go to the police?
00:30:06Miss Carrie, do you understand what I'm saying?
00:30:08Look, Miss Carrie, you're obviously a little misoriented.
00:30:15So I think it's in everyone's best interest if he comes to the office.
00:30:19That way I can get a better understanding of what's going on.
00:30:23Okay?
00:30:24Okay.
00:30:24Oh, my God.
00:30:54Yeah, come in.
00:31:24Miss Carrie, do you remember me?
00:31:30Yeah.
00:31:31Am I under arrest?
00:31:33No, no, you're not.
00:31:34Please come in.
00:31:35Gracias.
00:31:36Excuse me.
00:31:45Sorry about the cell.
00:31:47It was the only place we could find with a bed for you.
00:31:50How long was I out for?
00:31:52Nine hours.
00:32:01I was drugged.
00:32:04Explain, please.
00:32:07It had to be the orange juice at the hotel.
00:32:09Can we get that tested?
00:32:11Well, they probably took that away by now.
00:32:13Well, what else could it be?
00:32:16Well, that's one question.
00:32:19Among others.
00:32:21So, you heard what happened.
00:32:25My husband was kidnapped.
00:32:27Have you received the ransom note?
00:32:32No.
00:32:33The kidnappers contacted you in any way?
00:32:36No, but...
00:32:38Look, Miss Carrie, I spoke with your brother-in-law, Glenn Carrie.
00:32:44Glenn Carrie.
00:32:45It was one of the last numbers you dialed on your cell phone.
00:32:49You called Glenn?
00:32:51He said that last month you found your husband having an affair.
00:32:57I don't see how that's relevant here.
00:33:04I'm just trying to understand where his head is.
00:33:10We went through some intense therapy.
00:33:15Saved our marriage.
00:33:17You were taking some anxiety medication.
00:33:22Glenn told you that?
00:33:24But you didn't bring your medication to San Carlos.
00:33:30I didn't think I'd need it.
00:33:34This was supposed to be a nice romantic getaway.
00:33:37Instead, your husband's missing and all the evidence points to another woman.
00:33:41That another woman is involved, not that he's having an affair with her.
00:33:45You know, after what happened this morning, I'm beginning to think that someone planted that photo in his golf bag.
00:33:49Why would anybody do that?
00:33:51To make me think he ran away with another woman.
00:33:53Instead, he was kidnapped.
00:33:54Why won't anyone listen to me?
00:34:00Look, Miss Carrie, I understand you're distressed.
00:34:03But as an investigator, I need to see the whole picture.
00:34:11I know how it looks, okay?
00:34:13I'm not stupid.
00:34:15But neither is Jake.
00:34:17He's very smart.
00:34:18He's a very successful lawyer.
00:34:20Why would he put a picture of his girlfriend in his golf bag when he was going away with his wife?
00:34:26It doesn't make sense.
00:34:28Sometimes, when there's a beautiful woman involved, intelligent men don't do things so intelligent.
00:34:37Are you gonna help me find him or not?
00:34:42What makes you think he wants to be found?
00:34:46You cheated on me! I'm your wife! I'm your wife!
00:34:52I'm your wife!
00:34:54I love you.
00:34:59I'm begging you.
00:35:00Okay?
00:35:02Please.
00:35:04Just...
00:35:05Put his search party together.
00:35:07Or...
00:35:08Put some flyers out there.
00:35:09Put his face in the paper.
00:35:12I know he's in trouble, okay? I know it.
00:35:14We will investigate Miss Carrie.
00:35:25Am I free to go?
00:35:29Yes.
00:35:30I want my stuff back.
00:35:46Lieutenant Vega will take you back.
00:35:49I think I'm gonna walk.
00:35:51Use the fresh air.
00:35:54Miss Carrie, this is an official matter now.
00:35:56There's really not much you can do.
00:35:59I think you'd be better off if you leave San Carlos.
00:36:02I'm not leaving without Jake.
00:36:10Can I help you?
00:36:13Come on.
00:36:14Yeah, have a seat.
00:36:19Can I get you a drink?
00:36:20Rum, maybe?
00:36:21Oh, no.
00:36:26So...
00:36:36This is about your husband.
00:36:40How'd you know that?
00:36:42Expensive wedding ring.
00:36:45Eyes in pain.
00:36:48You did not come alone to San Carlos.
00:36:52You suspect he's cheating.
00:36:53No.
00:36:56Well, sweetheart.
00:36:58You came to the right place.
00:37:05The police are following me.
00:37:07Why?
00:37:10All I know is that my husband disappeared two days ago
00:37:13and the police seem to be more interested in me than him.
00:37:15Bye.
00:37:28Police.
00:37:36So have you seen this happen before?
00:37:38Tourists get robbed, yes.
00:37:40But kidnapping is different.
00:37:43If they can get into my room to drug my orange juice,
00:37:47should I change hotels?
00:37:49Maybe not.
00:37:51The easier they can find you,
00:37:53the easier you can find them.
00:37:55What if they come in while I'm sleeping?
00:38:00Move a heavy piece of furniture in front of the door.
00:38:04And don't forget that the police is watching.
00:38:07Well, what about this Inspector Radimus?
00:38:09Can I even trust him?
00:38:11I believe Radimus is a man with a good conscience,
00:38:14but that doesn't mean you can trust him.
00:38:16So what do you think happened to my husband?
00:38:21I have ideas.
00:38:23But give me some time, yeah?
00:38:25How long?
00:38:27San Carlos is not a big island.
00:38:29Not too many places to hide.
00:38:31So if your husband is here,
00:38:34I find him.
00:38:36So I will call you tomorrow to let you know what I find out.
00:38:39Okay?
00:38:41And I want to be respectful.
00:38:43But I charge $500 a day.
00:38:47And a $5,000 bonus if I find him.
00:38:53Fine.
00:39:02Can I get a glass of Merlot from a new bottle
00:39:06that I want to see you open right in front of me?
00:39:08See something.
00:39:10Are you afraid they spiked the drinks here?
00:39:13Let's just say I had a bad experience.
00:39:15Well, do tell.
00:39:18You might want to be careful of the morning OJ from room service.
00:39:22Oh, remember that.
00:39:23Dennis Jones, Portland, Oregon.
00:39:25Oh, Carrie.
00:39:27I see Mrs. Carrie.
00:39:29Yep.
00:39:30You mind if I ask where your husband is?
00:39:31I do, actually.
00:39:32I don't mean to be nosy.
00:39:33I don't mean to be rude, sorry.
00:39:35Well, at least are you enjoying your stay here?
00:39:37I'm sorry.
00:39:38I just, I really don't feel like having a conversation right now.
00:39:42I'm just trying to be polite, you being a fellow American and alone.
00:39:44You said I was alone.
00:39:45Uh, could you put this on Jake Carey's bill, please?
00:39:46I'm sorry.
00:39:47Excuse me.
00:39:49Excuse me.
00:39:50We're all here.
00:39:51Okay.
00:39:52We're all here.
00:39:53I'm sorry.
00:39:54We're all here.
00:39:55Come on.
00:39:56You said I was alone.
00:39:58Uh, could you put this on Jake Carey's bill, please?
00:39:59I'm sorry.
00:40:00Excuse me.
00:40:01We're going to get to meet him.
00:40:03Come on.
00:40:31Hey, I thought I recognized you.
00:40:56Oh, hi.
00:40:58Sorry to bother you.
00:40:59Listen, I really need to talk to you privately.
00:41:02Do you have dinner plans tonight?
00:41:04Can't you tell I'm not interested?
00:41:06I'm sorry.
00:41:07I think you got the wrong idea.
00:41:09Uh, excuse me.
00:41:14Hello.
00:41:15It's Gergold.
00:41:16Um, can you come to my office?
00:41:18Yeah, did you find out something?
00:41:19Have you heard of a town called Malamore?
00:41:22Or a man named Ulmero?
00:41:25Uh, no.
00:41:26I better explain it to you in person.
00:41:29Okay, I'm on my way.
00:41:31Oh, uh, Mrs. Carey?
00:41:33Don't trust anyone.
00:41:35Not until we've spoken.
00:41:37Uh, got it.
00:41:38Bye.
00:41:39Uh, was that your husband?
00:41:40I'm sorry.
00:41:41I've got to go.
00:41:42I really need to talk to you.
00:41:49I'm sorry.
00:41:50I'm sorry.
00:41:51I've got to go.
00:41:52I really need to talk to you.
00:41:54I need to talk to you.
00:41:55Oh, God.
00:41:56Oh, God!
00:41:57Oh, man.
00:41:58Oh, God!
00:41:59Oh, God!
00:42:00Oh, God!
00:42:01Oh, God!
00:42:02Oh, God!
00:42:03Oh!
00:42:04Oh, God!
00:42:05Oh, God!
00:42:06Oh, God!
00:42:07Oh, man!
00:42:08Oh, God!
00:42:09Oh, God!
00:42:10Oh, God!
00:42:11Oh, God!
00:42:12Oh, God!
00:42:13Oh, God!
00:42:14What happened?
00:42:15There's a hit in it!
00:42:16It was carried.
00:42:17Ms. Carey, come with me.
00:42:25Do you think this was an accident?
00:42:31Well, we haven't investigated yet.
00:42:34But as a precaution, I think we need to find you another hotel room.
00:42:37No, this hotel's fine.
00:42:39Well, there's always the holding cell back in headquarters.
00:42:42You found that bed comfortable? Yes?
00:42:44Are you threatening to lock me up?
00:42:46Look, Ms. Carey, it's very important for me and for the people of St. Carlos that you remain safe.
00:42:54Thanks for caring.
00:42:56But if you guys were doing more to find my husband, I wouldn't have to run around trying to find him myself.
00:43:00We know how to do our jobs.
00:43:04Look, that private investigator was trying to help me.
00:43:06Now he's dead. Doesn't that tell you something?
00:43:09Yes. What it tells me is that you need to stay in your room until we can find some answers.
00:43:16Correct.
00:43:27You have to stick with peace.
00:43:28Let's stay in your room until you get to the mountain.
00:43:29Perfect.
00:43:29Hi.
00:43:57Hi.
00:43:58I need to go to Malamore.
00:44:08You have a friend there?
00:44:09No, I'm just going to do some sightseeing.
00:44:13Hey.
00:44:14Señorita, I don't know, but there's not much to see Malamore, you know.
00:44:21Can you just take me where I want to go, please?
00:44:26I'll pay you double the fare, okay?
00:44:30Okay, triple, just please.
00:44:34Okay, we go, huh?
00:44:44All right, you're going to wait for me, right?
00:44:54How long?
00:44:55I'll just make it worth your time, trust me.
00:45:04Okay, lady.
00:45:05I'll wait.
00:45:06All right, you're going to wait for me, right?
00:45:11How long?
00:45:12I'll just, I'll make it worth your time, trust me.
00:45:15Okay, lady.
00:45:16I'll wait.
00:45:17Okay, lady.
00:45:18I'll wait.
00:45:22Okay, lady.
00:45:23I'll wait.
00:45:24I'll wait.
00:45:25I'll wait.
00:45:26Bye.
00:45:27Hi.
00:45:28I was wondering if you could help me.
00:45:31Hi, uh, I was wondering if you could help me.
00:45:39I'm looking for my husband.
00:45:42We're a marriage.
00:45:49Hi, I'm just looking for my husband, and I was told that maybe he came through here.
00:45:55What about this girl?
00:45:57Do you recognize her?
00:46:01Hi, uh, do you guys know, uh, Balmero?
00:46:16Have you heard of someone named Balmero?
00:46:20What about her?
00:46:22Do you recognize her?
00:46:23No.
00:46:29Hey!
00:46:31Hey!
00:46:32Hey, hey, hey, hey!
00:46:33You were at La Casanegra in Old Town.
00:46:36Do you remember my husband?
00:46:37You got mad at him for trying on that mask.
00:46:39No hablo inglés.
00:46:41Okay, wait, wait, wait, wait.
00:46:43Hey!
00:46:45Come here!
00:46:47Wait, please!
00:46:49Can you please tell me that my husband is the American who wanted to buy that mask?
00:46:53Well, please, I know he went back to your shop, okay?
00:47:02What, are you afraid of something will happen if you tell me?
00:47:05Why won't you just talk to me, please?
00:47:06Yes, yes, yes, yes, yes, yes, yes.
00:47:10I feel the pain that the lady is feeling.
00:47:12Well, what, what does he say?
00:47:13I don't understand.
00:47:14He, he, I don't understand.
00:47:15He understands and he wants to help.
00:47:17Yes, yes.
00:47:18Yes.
00:47:19Su marido estuvo en la tienda, dos veces, dos veces, una vez con la señora y otra vez con solo, él compró la máscara, después yo oà que tenÃa una discusión afuera de la tienda.
00:47:49¿Qué?
00:47:50He got into an argument with someone outside the shop.
00:47:57And he drove away in a truck.
00:47:59He wasn't driving. Who put him in that truck? Do you recognize the voices of the people?
00:48:06Who are you trying to protect?
00:48:09Why would you just talk to me?
00:48:11Please, please, I'm not going anywhere until I know what happened to my husband.
00:48:16It's not safe to stay, señor.
00:48:18Please, let's go.
00:48:19It's not safe to stay.
00:48:21Please, let's go.
00:48:23Hey!
00:48:26I just want to talk!
00:48:33Wait!
00:48:34I just want to talk to you!
00:48:36I need to talk to her!
00:48:52Please!
00:48:53Please, I need to talk to her!
00:48:56Okay, have you seen my husband?
00:48:58And I'm looking for this man.
00:48:59Have you seen him?
00:48:59Please!
00:49:00Please, I need your help.
00:49:02I just need to talk to her.
00:49:03I need to talk to you.
00:49:04Señorita! Señorita!
00:49:05Señorita!
00:49:06Come on!
00:49:21So, why do you think your husband is in Malamore?
00:49:24I don't know where he is.
00:49:26I just got the name of a town and the name Bulmaro.
00:49:32Bulmaro?
00:49:33Oh, my God.
00:49:35Wait, who is he?
00:49:37Bulmaro is a very powerful man. That's who he is, okay?
00:49:40Well, what's his connection to Malamore?
00:49:42Oh, that's where his followers live.
00:49:45His followers?
00:49:47Bulmaro makes his own church.
00:49:49People think he's sacred.
00:49:52Many loves him.
00:49:54More are afraid of them.
00:49:59Have police tried to find your husband?
00:50:02I haven't seen them do anything.
00:50:07You cannot fight Bulmaro, no.
00:50:09He's too strong.
00:50:12His eyes and ears are everywhere.
00:50:14What would you want with Jake?
00:50:17I don't know.
00:50:19Sometimes we take people and convert them.
00:50:25Yeah.
00:50:26No, no, not Jake.
00:50:28He wouldn't let himself fall into something like that.
00:50:33Bulmaro has a special magic, you know?
00:50:38I think.
00:50:39I think.
00:50:51Here's $300.
00:50:53Who?
00:50:55I'll give you another $300 if you'll be my driver tomorrow.
00:50:57You don't want to go back to Malamore.
00:51:00I don't know yet, but I just...
00:51:02I need someone to drive me, okay?
00:51:06I'm Hope.
00:51:08Okay.
00:51:09I'm Rodrigo.
00:51:12Go away.
00:51:33Go away.
00:51:52Mary come in.
00:51:54I think I was followed here.
00:52:08Look.
00:52:09You must leave San Carlos right away.
00:52:11Where's my husband?
00:52:12His life is not in danger.
00:52:14Then why hasn't he tried to contact me?
00:52:16He will contact you when he's ready.
00:52:19Does he want a divorce?
00:52:22I don't know.
00:52:23Look.
00:52:25I'm sorry for your pain.
00:52:27Why are you here?
00:52:29I'm telling you.
00:52:30You must leave San Carlos.
00:52:31It is very dangerous.
00:52:33If he's not in danger, then why am I?
00:52:36I cannot say more.
00:52:37I took a big risk by coming.
00:52:39Who's Bulmaro?
00:52:41I had to warn you.
00:52:42That is all I can do.
00:52:43I'm sorry.
00:52:44Wait!
00:52:46Just tell me why you really came here.
00:52:49Are you and my husband?
00:52:50No.
00:52:51Don't lie to me!
00:52:52I swear to you, we're not lovers.
00:52:55Jake...
00:52:57He...
00:52:58He's...
00:52:59He's my father.
00:53:01And please don't follow me.
00:53:04If he finds out I spoke to you, I will be punished.
00:53:06Please.
00:53:07What'd you find out?
00:53:20There is a ceremony tonight.
00:53:23In a cave near Malamore.
00:53:26Jake might be there.
00:53:28If he is, you cannot rescue him.
00:53:31Not by yourself.
00:53:33I just...
00:53:34I just need to know, okay?
00:53:35I just...
00:53:37I want to see him.
00:53:40No.
00:53:41No, it is impossible.
00:53:42No, no.
00:53:43Please, I'll pay you more money, okay?
00:53:44Señorita.
00:53:45You already made me the richest cab driver on San Carlos.
00:53:48Look.
00:53:50If I can see him with my own eyes, I can take that to the police and they have to believe me.
00:53:58Please.
00:53:59We only watch.
00:54:04Yes?
00:54:06Then you come back and tell the police.
00:54:10Only watch.
00:54:13I just...
00:54:14I just want to see him, okay?
00:54:20I know.
00:54:29I need to get close now, Louie.
00:54:55Be very careful.
00:54:59The key opens are revolves.
00:55:13What is he doing?
00:55:15I can't.
00:55:18In the creatine.
00:55:20The doors open langgly
00:55:24discovering a new universe,
00:55:26to reveal a new universe, a new life.
00:55:33Descarga. Descarga.
00:55:36Release. Release.
00:55:56Jake.
00:56:00Vamos.
00:56:03We need to go. We need to go.
00:56:26I saw Jake. He was there. I saw the shopkeeper, the woman from the newspaper. They were all there.
00:56:48Didn't I tell you not to leave your hotel room?
00:56:50Oh, come on. We're way past that. I just saw my husband.
00:56:53Either you go in there and get him out or I'll call the U.S. consulate.
00:56:57Not even your consulate can help you when you disobey a police order and interfere with an investigation.
00:57:02Give me a break.
00:57:05And give me no choice.
00:57:08What are you...
00:57:10Please take Miss Carrie to a holding cell. She's allowed no outside contact until further notice.
00:57:16Si, senor.
00:57:18Come with me.
00:57:19If Jake gets hurt, I will hold you personally responsible.
00:57:22This way, please.
00:57:23This way, please.
00:57:35Tenemos que hablar.
00:57:36It's going on.
00:57:37They're releasing you to me.
00:57:38Why?
00:57:39Let's walk in.
00:57:40It's walking.
00:57:41It's walking.
00:57:42I want a glass of water, please.
00:57:45Let me do one of my hands, please.
00:57:48Hey, look!
00:58:01What's going on?
00:58:03They're releasing you to me.
00:58:05What?
00:58:06Let's walk.
00:58:07I'm with the FBI.
00:58:12John Grayson? Why are you here?
00:58:15Well, I know you know the name Bulmaro.
00:58:17For the last decade, Bulmaro has been recruiting the San Carlo citizens to his church.
00:58:22They pledged complete devotion to him and turned over all their assets.
00:58:26Why does the FBI care?
00:58:28Well, a year ago, a U.S. citizen named Mark Penter came to San Carlo on business and never went back.
00:58:34He called his family, told him he was moving to Malamore and cut off all contact.
00:58:39He sold everything he had and wired that money to an account of Bulmaros here on the island.
00:58:44Jake wouldn't fall into something like that.
00:58:46Well, Bulmaro has become a master in mind control.
00:58:49He uses a powerful drug called yerba de diablo, which means the devil's herb.
00:58:54Like a hallucinogenic?
00:58:56Yes.
00:58:57Can't the FBI just go in and get Jake out of there?
00:59:00Uh, this is in the U.S.
00:59:02We're negotiating with a police official named Radamus.
00:59:05Oh, no, no.
00:59:06You shouldn't trust him.
00:59:07He's protecting Bulmaro.
00:59:09He's probably being paid off by him or something.
00:59:11No, it has nothing to do with money.
00:59:13Bulmaro and Radamus are brothers.
00:59:15What?
00:59:17But now that you've seen your husband with Bulmaro, we can force Radamus' hands.
00:59:25So within the next 24 hours, I have an extraction team that will penetrate Bulmaro's compound to get Jake and Mark Pinter out of there.
00:59:34Could Jake get hurt?
00:59:35Well, as you've seen, Bulmaro is not above violence.
00:59:38Radamus wants you out of San Carlo.
00:59:40I'm not leaving without Jake.
00:59:42So I figured.
00:59:43Listen, I gotta meet with some of my operatives.
00:59:45You have to promise me you do not leave this room until you hear from me.
00:59:48We promise.
00:59:49Remember, Radamus and I have something in common.
00:59:50We're here to keep you safe.
00:59:52Well, I believe that about you.
00:59:53I'm not so sure about him.
00:59:55Well, we can talk about that later.
00:59:56Mr. Grayson.
00:59:58John.
01:00:10Don't let it go.
01:00:12Uno.
01:00:13Tony.
01:00:34Is there the police?
01:00:36Johnny!
01:00:37Tony!
01:00:38U.S. Consulate, go.
01:00:42They'll try to get you, too.
01:00:46Señorita, maybe you need a taxi.
01:00:48Go!
01:00:49Go! I'll be all right!
01:01:02Hurry! Go!
01:01:04Go, go, go!
01:01:06Come on, go!
01:01:08All right, put your hands up and don't move.
01:01:10I'm over.
01:01:25Get out of the car. Put your hands behind your back.
01:01:38Let's go.
01:01:46You're okay.
01:01:51Why are you burning here?
01:01:53For your safety.
01:01:55Why don't you just let me go to the consulate?
01:01:57Because you'll be safer here.
01:01:58You're safer from who?
01:02:03Your brother?
01:02:12Be careful about making assumptions.
01:02:14An American FBI agent was just shot by someone working for Balmara.
01:02:19Am I wrong?
01:02:21We're looking for the perpetrator.
01:02:23How do you justify protecting him?
01:02:27Oh, well, you don't need to justify it because you're a judge of the department.
01:02:32You see everything in black and white, don't you, Miss Carrie?
01:02:38What I see is that my husband has been kidnapped and is being held against his will.
01:02:42How do you know it's against his will, as he told you?
01:02:44Jake kidnapped.
01:02:48Gregorio Rey killed.
01:02:50John Grayson shot.
01:02:52Balmara connects these dots.
01:03:09Do you have any brothers or sisters, Miss Carrie?
01:03:14I had a sister.
01:03:18She died when she was young.
01:03:21I'm sorry.
01:03:23My father left us when I was a baby.
01:03:26So Balmara was my father.
01:03:28My older brother took care of my mother and his four brothers and sisters.
01:03:35He taught me how to hit a baseball, how to drive a car.
01:03:41Then he had a nervous breakdown.
01:03:44If something happened, I don't know what.
01:03:47But he left San Carlos.
01:03:49Came back a year later and started his church.
01:03:53How far are you going to let him go before you do something?
01:04:01He's my mother's son.
01:04:04She loves him.
01:04:05He'll break her heart.
01:04:08Does she know he kidnaps and kills people?
01:04:10He will stay here until we get this resolved.
01:04:17We can't touch it behind these walls.
01:04:20You know what?
01:04:20If you've got a decent bone in your body, you'll do everything you can to get Jake back to me.
01:04:26I'm working on it.
01:04:27You're just going to have to trust me.
01:04:29Yeah, I guess I don't really have a choice, huh?
01:04:34Good job.
01:05:04Oh, my God.
01:05:34Oh, my God.
01:06:04The American woman.
01:06:05I don't want to hear it.
01:06:06I don't want to hear it.
01:06:37Please have some water and fruit.
01:06:38At least take a moment to watch your face and hands.
01:06:46You just came from the most germ-infested place in the Caribbean.
01:06:49Where's my husband?
01:06:58Americans, impatience has become your disease.
01:07:04But what can you expect from a society that values instant gratification above all else?
01:07:10Where's my husband?
01:07:12First impatience, then rudeness.
01:07:14I got you out of the human sewer and not even a thank you.
01:07:17Why are you doing this?
01:07:23My actions are dictated by a hyping.
01:07:26I tell that to the FBI.
01:07:31You've now kidnapped three U.S. citizens.
01:07:34Pardon me, Miss Gary.
01:07:36Your husband came to San Carlos of his own free will.
01:07:39He was lured here by that girl.
01:07:42My beautiful Luisa.
01:07:44She has made her father very proud.
01:07:48You're her father?
01:07:50Her mother died six months ago.
01:07:51I invented a fiction that Jay was Luisa's father and that she needed him to sign a legal document
01:08:01that would allow her to claim her inheritance.
01:08:05One hour in the San Carlos court and he would fulfill his obligation.
01:08:11Why would Jay believe that?
01:08:16Did your husband ever tell you he went backpacking through San Carlos as a young man?
01:08:22He and his friend passed through Malamore.
01:08:25He never mentioned Malamore.
01:08:27They started drinking at the cafe, got drunk, and went looking for local girls.
01:08:35They found three old teenagers.
01:08:38They fed them alcohol and had sex with them.
01:08:46One of those girls was named Juana.
01:08:48I was in love with her.
01:08:50She was pregnant with my child, with Luisa.
01:08:55So this is about revenge.
01:08:58There were four.
01:09:00Del Nersen,
01:09:02William Well,
01:09:05Mark Penter,
01:09:06and J. Carey.
01:09:10So this has nothing to do with a higher power.
01:09:14This is about you getting back at them at something they did 20 years ago.
01:09:19I will show them the path to redemption.
01:09:21You show them?
01:09:22You're shoving it down their throats.
01:09:24Real redemption can only be achieved through real suffering.
01:09:28Oh, you call this suffering?
01:09:31I have already been redeemed.
01:09:34I was chosen to show others the path.
01:09:37You're crazy.
01:09:39All the great prophets in history were called crazy by non-believers.
01:09:43Where's Jake?
01:09:44I told you I am leading him down the path to redemption.
01:09:48No, you're brainwashing him.
01:09:52The key is turning in the luck.
01:09:56The doors to our new perceptions are opening.
01:10:01Slowly.
01:10:04Surely opening.
01:10:06Revealing a path you could never find without a guide to show you the way.
01:10:12We don't believe that.
01:10:13The first step to be enclenched is to give yourself to the redeemed one.
01:10:19Don't fight it!
01:10:21Don't take that energy and put it into a new trajectory.
01:10:25Stop!
01:10:25A trajectory of boundless in love.
01:10:27No!
01:10:28No!
01:10:30No!
01:10:32Dad!
01:10:34Dad!
01:10:35You resist because of your social conditioning.
01:10:38But the only way to be enclenched is to give yourself.
01:10:41Don't fight me.
01:10:44No!
01:10:46Father, please.
01:10:46Do it, Sam!
01:10:47Father, not this woman.
01:10:48It is wrong.
01:10:49Please.
01:10:49Father, no.
01:10:50Go!
01:10:51Please, Father, no.
01:10:52No!
01:10:55Lock her up with her husband.
01:10:56Lock her up with her husband.
01:10:56No!
01:11:05No!
01:11:11Jake.
01:11:18Jake.
01:11:21Jake.
01:11:25Jake.
01:11:28Jake.
01:11:30Jake, hey, no.
01:11:31No, no, no.
01:11:31Please, please.
01:11:33Look at me.
01:11:34Look at me.
01:11:35Please.
01:11:36Please.
01:11:37Please.
01:11:37I'm not allowed.
01:11:40It's okay, it's okay.
01:11:43Come here, please.
01:11:46Oh my God.
01:11:46I love it, too.
01:11:48Your name is Jake Thomas Carey.
01:11:56You're married to me, Hope Hanson.
01:12:01We live at 21 Bridgewater Circle in Orlando, Florida.
01:12:05Your brother's Glenn.
01:12:13Your mother's Marlene.
01:12:16Look at me.
01:12:17Look at me.
01:12:18You know me.
01:12:20You know me.
01:12:23Jake.
01:12:29Your name is Jake Thomas Carey.
01:12:33You're married to me, Hope Hanson.
01:12:39We live at 21 Bridgewater Circle in Orlando, Florida.
01:12:47Your brother's Glenn.
01:12:51Your mother's Marlene.
01:12:53Look at me.
01:12:55Look at me.
01:12:57You know me.
01:12:59I'm your wife.
01:13:06I'm your wife.
01:13:09I'm your wife.
01:13:10I'm your wife.
01:13:10I'm your wife.
01:13:12I'm your wife.
01:13:30I'm your wife.
01:13:32I'm your wife.
01:13:34Where is your ring?
01:13:59I locked it up. I don't want to lose it.
01:14:09Jake. Jake. Jake.
01:14:29Why didn't you just tell me?
01:14:39We were doing so well. I just thought I would set us back.
01:14:47I love you so much.
01:14:57I mean no harm. I want to help you get away here.
01:15:01Why should we trust you?
01:15:03You have no choice. It's me or my father.
01:15:07In one hour, we're going to have a prayer group in the room of ancestral spirits. Everyone must attend. Even my father's bodyguard would be there too. I'm going to leave the door unlocked. So when you hear the drums, get on and run down to the road.
01:15:21Here, take this card. His name is Rodrigo. He's a taxi driver. Tell him Hope called.
01:15:25Okay. So we're clear. You hear the drums, get out and run. Okay?
01:15:30Luisa. Thank you. Very brave. If I was brave, I would leave San Carlos. I must go now. You hear the drums, get out and run. I will call taxi, okay?
01:15:44You ready? Yeah. Okay. Come on. Okay.
01:16:12Oh!
01:16:17What?
01:16:22Oh, baby.
01:16:25You ready?
01:16:41Where is he?
01:16:55Where's Rodrigo?
01:16:56I believe there is a traitor among you.
01:17:26Don't do this!
01:17:32I gave you my love, my teaching, my nursery.
01:17:38How could you betray me?
01:17:40I could not let you hurt them.
01:17:42So you hurt me instead!
01:17:44Please, I've got Jake back. Just let us go!
01:17:47Please!
01:17:52Take him to the airport as fast as you can.
01:17:54If anyone stops you, just come to call me at my cell phone.
01:17:57Hello, brother.
01:18:01Do you come as a public official?
01:18:04If so, you are trespassing on sacred land.
01:18:08I have a warrant for your arrest.
01:18:10You have no authority here.
01:18:11I have legal authority on the entire island of San Carlos.
01:18:14My authority comes from a higher being.
01:18:17The Criminal Court of San Carlos charges you with kidnapping, extortion, conspiracy, and attempted murder.
01:18:23You would turn against your own brother.
01:18:25My job is to protect the people of San Carlos.
01:18:27And my job is to save the people of San Carlos.
01:18:31I try to enlighten you.
01:18:34But you turn a blind eye to my spiritual ascendance.
01:18:38You feel anything beyond your intellectual comprehension.
01:18:41Now you attack me on my property in front of my disciples.
01:18:45Because you've gone too far.
01:18:46It needs to stop right now.
01:18:48Yes.
01:18:49It has to stop.
01:18:52I know you so well.
01:18:54My baby brother would never harm his mother's firstborn.
01:19:02He's too good.
01:19:04He has too much conscience.
01:19:07Too much heart.
01:19:09He's too good.
01:19:10You feel good.
01:19:11You feel good.
01:19:12You have to breathe.
01:19:13I'm scared.
01:19:14I'm scared.
01:19:16I'm scared.
01:19:17I'll help you around this one.
01:19:18You're trying to kill me.
01:19:20No, no.
01:19:21You're trying to kill me.
01:19:22No, no.
01:19:24You're trying to kill me.
01:19:25There's no more evidence.
01:19:26Don't kill me.
01:19:27Don't kill me.
01:19:28No, no.
01:19:29That's the deal.
01:19:30I'm scared.
01:19:32Oh, my God.
01:20:02Oh, my God.
01:20:32Oh, my God.
01:21:02I've got to take care of things around here.
01:21:08You got your husband back.
01:21:11Take him home.
01:21:11I've got to take care of things around here.
01:21:17I've got to take care of things around here.
01:21:19I've got to take care of things around here.
01:21:27I've got to take care of things around here.
01:21:29I've got to take care of things around here.
01:21:51I've got to take care of things around here.
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