- 1 day ago
Category
🎥
Short filmTranscript
00:00:00¡SuscrĂbete al canal!
00:00:30¡SuscrĂbete al canal!
00:01:00Oh, Jocelyn, what is it?
00:01:03Boss, I understand the pressure that you are under right now.
00:01:08You are a top-notch designer, well-known model, very successful businessman.
00:01:14It's a lot on your plate, sir.
00:01:15But all eyes are on you right now.
00:01:18You have to get some rest.
00:01:20All I do is work.
00:01:23I can't sleep.
00:01:24My mind goes 10,000 miles an hour, and at least with this, I can drink this, and it'll give me something.
00:01:30I can't sleep for, okay?
00:01:37I love this song.
00:01:41We should dance.
00:01:43Oh, and my favorite song just came on.
00:01:53So I will take this, and I will...
00:01:58Whoa, who was that no-shits-given girl dance in my favorite song?
00:02:03We're going to have to investigate that.
00:02:04Oh, you don't care if anyone sees you, do you?
00:02:14I see shark to care about what people think.
00:02:17Oh, who are you?
00:02:19It doesn't matter.
00:02:22I, and me, and you, are you.
00:02:26And now, we're dancing.
00:02:30I like your earring.
00:02:32You know, this and you are exactly what I need.
00:02:36And what if I were to tell you that I want more of you?
00:02:40Wait, what if there is no-shits-given girl?
00:02:52...
00:02:53Shit, what have I done?
00:03:07What's that in there?
00:03:09You're such a mess when you drink.
00:03:11Can you remember when you slept with-
00:03:27Who are you?
00:03:37I am so sorry I'm late for my interview. Is it over that I could just qualify it?
00:03:43You would have on any other day, but he's late too, so, you know, this never happens.
00:03:48What happened? Did you oversleep?
00:03:50I, uh, went to this hotel room with this guy.
00:03:55Wild night eyes, yeah.
00:03:57So wild and so hot.
00:04:02Oh no, you freak.
00:04:05Must have lost in the hotel room, dammit.
00:04:08Oh well, here goes our custom-made friendship earrings.
00:04:12I'm a shitty friend.
00:04:13No you're not. I get it.
00:04:15Hot dudes before hoes.
00:04:18I'm sure we can get your replacement.
00:04:20He's here!
00:04:32Good morning, Mr. Holzer.
00:04:37This is Celine.
00:04:38She had that design in that pitch meeting last week that you liked.
00:04:41And in part of your instructions, she is now on the junior design team.
00:04:47Wait.
00:04:51It's you.
00:04:56Meet me in my office. Immediately.
00:04:58I believe you lost this.
00:05:21May I?
00:05:22Thank you.
00:05:28Thank you.
00:05:30I, uh...
00:05:31I know this might sound crazy, but...
00:05:34I had such a fun time with you last night that I want to see if we can make this...
00:05:39a thing.
00:05:41What do you think?
00:05:45Mr. Holzer, you said that you wanted to interview the assistant candidate in here.
00:05:48May she come in?
00:05:49Uh, yes. Send her in.
00:05:58Oh. My. God. It's him.
00:06:06So, uh...
00:06:08Do you have any questions about my resume?
00:06:12We have a saying in the fashion world.
00:06:14You wear who you are.
00:06:16And honestly, with your presentation right here, I feel like I don't even need to read your resume.
00:06:21It doesn't remember me from last night.
00:06:23That's a good thing.
00:06:24Well, I know I've not majored in fashion. I apologize for not making myself presentable today due to personal reasons.
00:06:37But, I'm a hard worker and I'm smart.
00:06:40I graduated top of my class at CalArts.
00:06:43I understand the creative process.
00:06:46And, I'm not applying for a designer job here, am I?
00:06:48Isn't it better for your assistant to be more keen on learning and catering to your needs as opposed to spending the day thinking about how to climb up the corporate ladder?
00:07:01Unfortunately, wanting to be in the fashion world is a prerequisite.
00:07:09So, I am unable to extend you an offer today at this time.
00:07:13Miss, um...
00:07:14McCartney, you can call me Nia.
00:07:18Sure.
00:07:19Thank you for the opportunity.
00:07:21Yes.
00:07:25Wait.
00:07:27You drew this.
00:07:35Today is your lucky day.
00:07:38You're hired.
00:07:40Miss...
00:07:42Wrinkly Hoodie and Dirty Sneakers.
00:07:48Miss... Wrinkled Hoodie and Dirty Sneakers.
00:07:51You know, I should be happy that I got the job, but...
00:07:53That condescending tone really gets on my nerves.
00:07:57I mean, he's not wrong though.
00:08:00Well, still.
00:08:03Plus, you could take one look at him and you know he's a playboy.
00:08:06That he sleeps with random women on a daily basis.
00:08:09You know, you shouldn't talk about his private life.
00:08:13He's our boss after all.
00:08:15Yeah, I should, um, probably tell you something.
00:08:18Um, I have a boyfriend now.
00:08:19What?
00:08:20When?
00:08:22And most importantly, who is the unbelievably lucky bastard?
00:08:26You don't know him.
00:08:28But you're gonna introduce him to me and Cutter, right?
00:08:31Hello?
00:08:33BFF?
00:08:35Of course.
00:08:50Miss Celine.
00:08:52I presume?
00:08:54I've been sent here to pick you up on a date.
00:08:57I was unaware of this, but sure.
00:09:00What kind of boyfriend you got there? The Prince of England?
00:09:11Where are we going?
00:09:12What's wrong? You didn't seem this nervous last night.
00:09:26I, um...
00:09:28Hey!
00:09:30I'll just...
00:09:32I'm sorry, I'm just a little clumsy.
00:09:35Look, she's looking for you.
00:09:36I'm just looking for you.
00:09:46I wanted to see what he looks like.
00:09:48Is he handsome?
00:09:49Yeah, he is.
00:09:51Next time I'll introduce him to New Academy.
00:09:53Just a sneak peek.
00:09:55Yay!
00:09:57I just started dating him, okay?
00:09:58He's a close-up person, so...
00:10:00Next time.
00:10:01Probably soon.
00:10:03Rich guy temperament, huh?
00:10:05Got it.
00:10:07Why are they always the same?
00:10:09Go.
00:10:11Fine.
00:10:13Enjoy your date.
00:10:15Good for you.
00:10:17For securing your financial future.
00:10:19While the rest of us still have to work.
00:10:29So you two are friends?
00:10:31Yeah, is that a problem?
00:10:32No, it's...
00:10:34Just both of you wear the same perfume.
00:10:41Yeah, we both tend to like the same things.
00:10:48Nia?
00:10:50To dreams coming true.
00:10:52To jobs that pay the rent.
00:10:54Cutter, I wish you could have been there.
00:10:55And the girls that work there.
00:10:58They're all Celine.
00:11:00So beautiful.
00:11:02So fashionable.
00:11:04You know, I'm not the insecure type, but...
00:11:06It made me feel really...
00:11:08Self-conscious.
00:11:10What are you talking about?
00:11:11You are so beautiful.
00:11:13And you are fashionable.
00:11:15And above all else, you are talented.
00:11:16I mean, Nia means purpose, right?
00:11:19And like you said, it's a job that pays the rents.
00:11:23To finish my graphic novel at night.
00:11:25Yeah.
00:11:27I always need you in my corner.
00:11:29Thank you, thank you.
00:11:31Mr. Holzer, I thought you already found the girl you met here the other night.
00:11:35I did.
00:11:36Something just doesn't feel right.
00:11:37I can't put my finger on it.
00:11:40That's...
00:11:41That's the new assistant you just hired.
00:11:44Well, looks like we're not making the job demanding enough for her.
00:11:47We got time for her doodles and dates with her boyfriend.
00:11:50Let's go.
00:11:51Where is the pitch deck that I asked you to prepare?
00:12:07I'm supposed to have it by tonight.
00:12:09Good evening, Mr. Holzer.
00:12:11To be fair, you said you wanted it to be finished soon.
00:12:15If you change your mind, I could go back to the office and finish it tonight.
00:12:22No, don't go to the office.
00:12:25Come to my house.
00:12:39So...
00:12:41Where were you when I called?
00:12:43Just because you don't have a life doesn't mean the rest of us don't.
00:12:47Were you on a hot date?
00:12:49Why do you care?
00:12:50I don't.
00:12:51I just need you to be focused on your job.
00:12:55And I haven't seen anything out of you that's irreplaceable yet.
00:12:58Oh, no, I...
00:12:59This couch was a gift from somebody very important to me.
00:13:04You...
00:13:05I...
00:13:06I...
00:13:07I...
00:13:08I'm very sorry, I...
00:13:09Get out.
00:13:10What?
00:13:11You bumped into me.
00:13:12It was my Sharpie, but it wasn't my fault.
00:13:13Get out before I make you get out.
00:13:14Let's make it chic.
00:13:45Y creo que el tema puede ser blanco y blanco.
00:13:49Blanco y blanco, meet y greet party
00:13:51por peak capital.
00:13:54Got it.
00:13:55Podemos decorar el espacio y totalmente
00:13:56lo que es chic.
00:13:58¿Cuándo quieres hacer esto?
00:14:00Tomorrow.
00:14:02Tomorrow?
00:14:03That's...
00:14:04I'll get right on it.
00:14:07No.
00:14:09No.
00:14:10No.
00:14:15Hey, ugly duckling.
00:14:31Great.
00:14:33He's still holding a grudge
00:14:34over that $30,000 sofa.
00:14:37But why am I being punished
00:14:39for his clumsiness?
00:14:43This is your canvas.
00:14:44Have it decorated
00:14:45by tomorrow morning.
00:14:46It's for our black and white party.
00:14:48It's for our important investors.
00:14:50Google what that means.
00:14:51Also, please make sure
00:14:52that you go against
00:14:53your fashion instinct.
00:14:55Then we'll be in the clear.
00:14:56And a reminder.
00:14:58Really decorate
00:14:59for the clientele.
00:15:01Everyone here
00:15:01would be a fashion guru
00:15:02so you can't just
00:15:03draw on the wall
00:15:05with a sharpie.
00:15:07God, he really knows
00:15:08how to hold a grudge.
00:15:10I said I was sorry.
00:15:12Do you want me
00:15:13to just pay for it?
00:15:14All like you could afford it.
00:15:15And what do you want me
00:15:16to do about it?
00:15:18Just
00:15:18get it done.
00:15:20Check in with Michelle Ogden's office
00:15:36to see about that cover shoot
00:15:37next month with Elle
00:15:38and tell Editorial
00:15:40I need more outfits
00:15:41for our models.
00:15:42Oh, and where is the pitch
00:15:44for the collab with Chanel Blue?
00:15:46Haven't seen it.
00:15:46Oh, uh, I'll check on that.
00:15:48Good.
00:15:50Ah!
00:15:52What is a homeless person
00:15:53doing sleeping here?
00:15:55Mia, could you be more pathetic?
00:15:58Get up, go home,
00:16:00get changed,
00:16:00and get back here.
00:16:01You need to take care of catering
00:16:03for the party, too.
00:16:04And for the party, too.
00:16:16Nia.
00:16:19It's not a total embarrassment.
00:16:21Don't mess it up
00:16:31by dressing like an idiot.
00:16:33Again.
00:16:33How about this one?
00:16:43Uh, no, it's too formal.
00:16:45I mean, you're not
00:16:45going to a funeral, right?
00:16:48No.
00:16:50No, it's too casual.
00:16:52I mean, they wouldn't even
00:16:53let you on a tennis court
00:16:55with that one, right?
00:16:56You really don't know
00:16:57how to dress for the occasion, do you?
00:17:00Hey, I'm just
00:17:01not used to this woman.
00:17:03fashion scene.
00:17:05I know.
00:17:05I know.
00:17:06Hey, look.
00:17:07Hey.
00:17:07Yeah.
00:17:08There we go.
00:17:10Well, it's a good thing
00:17:12that you've got, like,
00:17:14a natural eye
00:17:14for the beauty
00:17:16and photography
00:17:17and literature.
00:17:18So you shouldn't think of
00:17:19fashion as this
00:17:20isolated island of a thing,
00:17:22right?
00:17:23All art forms are connected.
00:17:25And plus,
00:17:25you look beautiful
00:17:26in everything.
00:17:29Everything.
00:17:33It's a great party.
00:17:57You're right.
00:17:58Hey,
00:18:00where's your ugly
00:18:00little friend?
00:18:02Is she too embarrassed
00:18:02by her pathetic style
00:18:03to show up?
00:18:04I mean,
00:18:05this isn't really her scene,
00:18:07but she's trying.
00:18:08She'll have to try
00:18:09a lot harder
00:18:10than she has.
00:18:10Anyone want a cupcake?
00:18:30James, is this part
00:18:39of your line?
00:18:40I love it.
00:18:41It's so modern-day
00:18:42Audrey Hepburn.
00:18:44My daughters would wear
00:18:45the hell out of that.
00:18:47And the model,
00:18:48shall we say,
00:18:49is drop-dead gorgeous, too.
00:18:51Oh, it is.
00:18:53It's not.
00:18:55Mr. Broham,
00:18:56this is merely
00:18:57one of the ideas
00:18:58Mr. Holzer is testing out.
00:19:00If you already like this one,
00:19:01your mind will be blown
00:19:02by the rest of the collection.
00:19:04I can see the seams
00:19:05on your dress.
00:19:06Did you make it yourself?
00:19:07I didn't know
00:19:08that you could sew.
00:19:09Dumb beginner's luck.
00:19:10Do you have anything
00:19:28to change into?
00:19:29Let's go to the bathroom.
00:19:37Hey, hey.
00:19:38It's gonna be okay.
00:19:40Look, let me just
00:19:40I don't need you
00:19:42to come to my rescue.
00:19:43I can do it myself.
00:19:47Is something wrong, Celine?
00:19:54I'm sorry.
00:19:55It's just that
00:19:56I totally embarrassed myself
00:19:57and you,
00:19:58you just,
00:19:59you don't even care
00:20:00about fashion.
00:20:01You didn't study it,
00:20:03but you somehow
00:20:04pull off a modern-day
00:20:05retro scheme
00:20:06out of nowhere.
00:20:07I, I had help.
00:20:09Cutter helped me.
00:20:10Of course you did.
00:20:11Of course you did.
00:20:11Of course you did.
00:20:11Of course you did.
00:20:11Of course you're just always good
00:20:17at whatever you do.
00:20:20I'm regretting recommending you
00:20:22to work here.
00:20:22I might just be lucky.
00:20:26I might just be lucky.
00:20:29Somehow just
00:20:30worked.
00:20:33I don't even know
00:20:34what I'm doing.
00:20:35that's not true.
00:20:38I know you work hard
00:20:44and you have
00:20:45killer instincts.
00:20:49I'm sorry, okay?
00:20:51Like, you
00:20:52totally deserve
00:20:53a thumbs up tonight.
00:20:55And goddamn,
00:20:56you really do look
00:20:58like a modern-day
00:20:58Audrey Hepburn.
00:20:59How?
00:21:07Here.
00:21:09Let me help you.
00:21:14Oh, uh, come here.
00:21:20No, no, no.
00:21:22Nia.
00:21:22Mr. Broly,
00:21:23I'd like to speak with you.
00:21:24You dance.
00:21:41I
00:21:42try.
00:21:44Sometimes.
00:21:45What's going on?
00:21:47Why is my heart
00:21:48beating out of my chest?
00:21:49Did I see it right?
00:21:50He felt that electric jolt, too?
00:21:54You really didn't have
00:21:59to do all this, James.
00:22:02Although, I have to admit
00:22:03I've always wanted
00:22:03to come here.
00:22:04Of course.
00:22:06Happy birthday, Celine.
00:22:15Is, um,
00:22:16is that a new
00:22:17perfume that I smell?
00:22:19It smells different
00:22:19than the last one.
00:22:24Yeah.
00:22:26Yeah, I recently
00:22:27switched brands.
00:22:28I like the old one.
00:22:30Me, too.
00:22:32I just ran out
00:22:33of my last one,
00:22:33but I re-softed.
00:22:35Celine, you don't
00:22:36have to be so formal
00:22:37with me.
00:22:38We're not at work.
00:22:39We're all alone.
00:22:41Where's that
00:22:41carefree girl
00:22:42that I met?
00:22:45Gotta miss her.
00:22:45May I have one, please?
00:22:51Oh, actually,
00:22:52um, I guess we'll have
00:22:54a bottle?
00:22:55We can handle it, right?
00:22:56Come on.
00:23:00Yeah.
00:23:06Long day, huh?
00:23:07I mean, do you think
00:23:09Celine's coming home
00:23:10with her boyfriend,
00:23:10though?
00:23:11Like, who is that guy?
00:23:13She tells you everything.
00:23:14Why didn't she, uh,
00:23:15tell you about that?
00:23:16I know, right?
00:23:18I just hope he's
00:23:19good to her.
00:23:20Otherwise,
00:23:21he'll have me
00:23:22to answer to.
00:23:28I wouldn't even be here
00:23:29if it weren't for Celine.
00:23:30I just want to say
00:23:43thanks, Celine,
00:23:45for organizing
00:23:46this awesome party.
00:23:49You guys are the best
00:23:50present I could ask for.
00:23:52Cheers!
00:23:54We're here.
00:23:56Now,
00:23:57what do you want to do,
00:23:58birthday girl?
00:24:00Oh, yeah.
00:24:01There it is.
00:24:02Oh!
00:24:03Woo!
00:24:05Oh!
00:24:06Woo!
00:24:07Yeah!
00:24:08Woo!
00:24:09Up!
00:24:12Um,
00:24:13before we join them,
00:24:14can I talk to you
00:24:14for a sec?
00:24:17Cutter,
00:24:17I've been thinking
00:24:19about this a lot,
00:24:20and I want to tell you
00:24:22that I...
00:24:22It's, it's Nia's
00:24:23birthday.
00:24:25I don't, I don't think
00:24:26we should keep her waiting.
00:24:27Right?
00:24:28Mm-hmm.
00:24:30Okay, get it, get it.
00:24:32Oh my God.
00:24:33Nia!
00:24:34Oh my God!
00:24:34She's going, she's going,
00:24:35she's going, she's going.
00:24:36Woo!
00:24:37Nia!
00:24:38Oh my God!
00:24:41Yeah, I got it, I got it.
00:24:42Nia!
00:24:43Oh.
00:24:45Nia?
00:24:48Nia!
00:24:49Oh my God.
00:25:02Oh my God.
00:25:07Oh my God.
00:25:08Are you okay?
00:25:10You went a little too wild there,
00:25:11birthday girl.
00:25:12You saved my life.
00:25:14Oh my God.
00:25:14Shit.
00:25:17I'm going to have to repay you
00:25:18for your birthday next month.
00:25:21You got an energy,
00:25:22no joke.
00:25:23You're okay.
00:25:24You're okay.
00:25:33Oh my God.
00:25:38Let's dance.
00:25:51Whoa, okay.
00:25:52Let's dance.
00:25:54I will show you
00:25:56the girl you met
00:25:59at that shitty little bar.
00:26:02Oh.
00:26:04Oh boy.
00:26:06Okay.
00:26:06Oh hi.
00:26:07Hi.
00:26:08Whoa, whoa, whoa, whoa.
00:26:09Hey, hey, hey.
00:26:10We should go.
00:26:11Check, please.
00:26:11Let's go.
00:26:12This way, this way.
00:26:13Go, go.
00:26:14Okay.
00:26:15Why don't you just take a seat?
00:26:16Oh.
00:26:18Whoa.
00:26:26What's wrong?
00:26:31Nothing.
00:26:33I think that you should
00:26:34take some rest.
00:26:35I'm going to take a shower.
00:26:47What happened here?
00:26:51Should we go shopping tomorrow
00:26:53and find your new couch?
00:26:56No.
00:26:58That spot is
00:26:59actually drawing on me.
00:27:23Get out of here
00:27:24before I kick you out.
00:27:26Oh my God, Cutter.
00:27:29It's you.
00:27:30I'm so sorry.
00:27:31It was just my reflex.
00:27:33Why were you so close to me?
00:27:34Well, I was getting something
00:27:37off your face.
00:27:37I mean, like,
00:27:38who did you think I was?
00:27:39Like, Adam James?
00:27:46I'm sorry, Celine.
00:27:47I feel really tired
00:27:48all of a sudden.
00:27:49Maybe you should go home tonight.
00:27:51And I want to make clear
00:27:53about one thing again.
00:27:54We're still trying this thing out.
00:27:56Okay?
00:27:57Yes.
00:27:58Of course.
00:27:59I'm keeping it casual, too.
00:28:02No labels.
00:28:02Just fun.
00:28:04Good.
00:28:05Good night, Celine.
00:28:07Good night, Celine.
00:28:09Who did you think I was?
00:28:10Like, ah, James?
00:28:12Of course not.
00:28:14Why would I think about James?
00:28:16Because he's, like,
00:28:17all you ever talk about,
00:28:18and, I mean,
00:28:19he's clearly into you.
00:28:20What?
00:28:22No.
00:28:23He is.
00:28:25No, no, he can't be.
00:28:27Is he?
00:28:30Great.
00:28:31Next urgent situation.
00:28:33Roxy had to drop out
00:28:34of the promo shoot
00:28:34with you today.
00:28:35Her agent let me know
00:28:37this morning
00:28:37because her Botox
00:28:38went all array.
00:28:39Do we push it,
00:28:41or do we...
00:28:42No, no, we can't push it.
00:28:44We have to get this done
00:28:44for Pete Capital.
00:28:46Is there anybody else
00:28:46that we can reach out to?
00:28:48It's a simple modeling job.
00:28:50The footage will be edited anyway.
00:28:52Maybe we can get
00:28:53one of the girls
00:28:53from the office to do it.
00:28:55How about Celine?
00:28:56You're slender and pretty.
00:28:58Yeah, Celine would be
00:29:00a great choice.
00:29:01I remember one of our
00:29:02photographers mistook her
00:29:03for a model on set once.
00:29:05That's right.
00:29:05I was there.
00:29:08Okay.
00:29:08Do you think you can do it?
00:29:10I think so.
00:29:11You think so?
00:29:14My God, we have no time.
00:29:15Can you please stand up
00:29:16so we can see
00:29:17if the outfits will fit you
00:29:18like Roxy's body?
00:29:20Do a spin.
00:29:22I don't know.
00:29:23It's, um...
00:29:24Oh, excuse me.
00:29:27Hey, hi.
00:29:28Yes, you.
00:29:29If you could please
00:29:29come in here, please.
00:29:30Thank you.
00:29:31Jocelyn, let's have her do it.
00:29:32Mr. Broham likes her already.
00:29:34And as I can see,
00:29:35her waist is a little bit smaller.
00:29:38Yeah, that'll fit better.
00:29:40Okay, Celine,
00:29:41you're gonna assist on the shoot.
00:29:42Thank you for the spin.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:43Thank you.
00:29:44Thank you.
00:29:44Thank you.
00:29:44Thank you.
00:29:44Thank you.
00:29:45Thank you.
00:29:45Thank you.
00:29:45Thank you.
00:29:50Hey, are you all right?
00:30:07I only made Nia the model
00:30:09because she has a similar body type to Rob.
00:30:11I understand.
00:30:12And I also don't want special treatment
00:30:14just because I'm here.
00:30:15My what?
00:30:16Celine, we've talked about this.
00:30:18I know, but you know that I'm not the kind of girl
00:30:21who took a night like nothing.
00:30:23I'm not the irresponsible type.
00:30:25That's why I'm giving this, us even a chance, aren't I?
00:30:30I know, but...
00:30:32Hey, Celine, the makeup people and the photographer
00:30:36can't decide on a good pair of earrings for you to wear.
00:30:39Can I just borrow yours?
00:30:40You know, that's my...
00:30:41Yes, of course.
00:30:48Oh, Mr. Holzer, you're here too.
00:30:54Did I interrupt something?
00:30:57No, no.
00:30:58Um, cut two shots from the list and go to the time.
00:31:04Yes.
00:31:04Got it, Mr. Holzer.
00:31:06Come on.
00:31:07We have a very tight schedule.
00:31:08Hold on.
00:31:09Can we have the female model
00:31:15in her first outfit take her position
00:31:17so we can test the lighting?
00:31:22An outfit, please.
00:31:26Yeah, come here.
00:31:31Change it to this.
00:31:33This is so crazy.
00:31:35Can you imagine me a model?
00:31:37Go, go, go, go.
00:31:38Talk after that.
00:32:02Do you see the pattern on her underwear?
00:32:05Is that a butterfly?
00:32:07How old is she?
00:32:09Hey, maybe some guys like that.
00:32:11Ew.
00:32:12That style looks straight out of my grandma's underwear.
00:32:15Well, I know we were going for provocative,
00:32:17but I didn't think we were going this far.
00:32:21Um.
00:32:21I think this might work, don't you think?
00:32:37Absolutely smashing.
00:32:39Gorgeous, gorgeous.
00:32:40Okay.
00:32:40How about you strike a few poses for me?
00:32:44Stunning.
00:32:45Perfect.
00:32:46I love that pose.
00:32:47Perfect.
00:32:48Yeah.
00:32:48I mean, James, she is such a natural.
00:32:51She released something?
00:32:51Yeah.
00:32:52Smile.
00:32:53There you go.
00:32:54That is phenomenal.
00:32:56Perfect.
00:32:57I loved it.
00:32:58Loving it.
00:32:59What?
00:32:59What?
00:33:03No.
00:33:03No.
00:33:04No.
00:33:04No.
00:33:05No.
00:33:05No.
00:33:06No.
00:33:06No.
00:33:06¡Gracias!
00:33:36No, no, no, that was great, don't be sorry, just keep it going, keep it going, perfect, yes, I love this, loving it, crash into each other, okay, I love that, yeah, okay, how about, oh, ooh, ooh, one more final spin and then let's end on a classic code, you grab her by the waist, James, you lean back, Nia, I'm loving this, I'm loving this, I really love each other, and cut, perfect,
00:34:06So you do dance, do you also wear the same perfume as Sully?
00:34:17What?
00:34:21Oh, that was H.O.T.
00:34:24Oh, God, I could feel the electricity through the screen, now, you two aren't really dating each other in real life, no, not because I don't want to, wait, wait, I'm not saying I want to date him.
00:34:36either, can we just get back to work, is there really nothing going on between the two of you, oh, did I just strike a nerve, no, um, why don't we just go ahead with a second look, okay, let's get back to work, everyone, back to work, please,
00:34:52Do you want a way to replace a replacement, there's a way, what, I don't, I don't, this wrinkled hoodie and dirty sneakers is becoming a favorite of his, been too quickly, don't you think, I mean, I know she's supposed to be your friend and all, but, all I've seen her do is get ahead of you,
00:35:19Yeah, you're supposed to be my friend, why do you keep stepping on me?
00:35:26Well, you're supposed to be my friend, why do you keep stepping on me?
00:35:30I mean, you're supposed to be my friend, why do you keep stepping on me?
00:35:32I mean, I'm supposed to be my friend, why do you keep stepping on me?
00:35:34I mean, you're supposed to be my friend, why do you keep stepping on me?
00:35:35That's perfect.
00:35:37¡SuscrĂbete al canal!
00:36:07¡SuscrĂbete al canal!
00:36:37¡SuscrĂbete al canal!
00:36:41¡SuscrĂbete al canal!
00:36:43¡SuscrĂbete al canal!
00:36:45¡SuscrĂbete al canal!
00:36:47¡SuscrĂbete al canal!
00:36:49¡SuscrĂbete al canal!
00:36:51¡SuscrĂbete al canal!
00:36:53¡SuscrĂbete al canal!
00:36:55¡SuscrĂbete al canal!
00:36:57¡SuscrĂbete al canal!
00:36:59You suffered a mild electric shock
00:37:02And you have a concussion
00:37:04Hey, hey
00:37:07I'm alright, look, look
00:37:09Whoa, whoa, whoa, take it easy
00:37:11Here, it's
00:37:13I'm just a little dizzy
00:37:17I'm okay
00:37:19Celine
00:37:29Thank you, Mr. Holzer
00:37:37Look, you can call me James and
00:37:39Don't thank me
00:37:41You just need to be less clumsy
00:37:43You can't be getting hurt, you are very
00:37:45I am
00:37:47What?
00:37:49You're the face of the new collection
00:37:51And I'm gonna need you more
00:37:55And there have been
00:37:57Two instances where your instincts have proven
00:37:59Pretty good
00:38:01The Audrey Hepburn outfit
00:38:03The sash that you wore today
00:38:05So
00:38:06I'll be promoting you
00:38:08On the design and editorial side of things
00:38:11I know that you never wanted to be in fashion
00:38:15And that you wanted to write your own graphic novel
00:38:18Right?
00:38:19Well, this promotion will help you
00:38:22More down the road
00:38:25What?
00:38:27What the hell happened?
00:38:41Celine, I mean, I...
00:38:42She got electrocuted and took a fall?
00:38:44Like...
00:38:45Is she alive?
00:38:46Where is she?
00:38:47She's inside
00:38:48She's...
00:38:49Okay, I think
00:38:50She just woke up
00:38:54But I fucked up, Karan
00:38:57It's all my fault
00:38:59What does that mean?
00:39:03Did you have something to do with this?
00:39:05It was meant to be a fall
00:39:07Maybe she would twist her ankle
00:39:09And can't do the shoot anymore
00:39:11That's all
00:39:12I didn't mean to
00:39:13Wait
00:39:14It's James Holstridge, your boyfriend
00:39:20What the hell, Celine?
00:39:22You electrocuted your best friend for a guy?
00:39:25I mean, that billionaire douchebag
00:39:27Have we... kissed before?
00:39:49It was an accident
00:39:51I just wanted to give her a small lesson
00:39:54Especially since she's openly seducing my boyfriend
00:39:58You rushed over here
00:40:00All worried about her
00:40:02You interrogate me
00:40:03Riding on your freaking high moral horse
00:40:05You've always been in love with her
00:40:07But you're too chicken to tell her
00:40:11Now look at you
00:40:12You are finally where I was
00:40:14When I had a crush on you back in college
00:40:17The one not picked
00:40:19The one who stayed close with me
00:40:21Just so you can get closer to Nia
00:40:24That's...
00:40:25I'm sorry
00:40:26No!
00:40:27Don't apologize now, okay?
00:40:28I've moved on from you, Cutter
00:40:31I'm glad now you know how it felt
00:40:33Because as long as there's Nia
00:40:35I'll always be reminded that
00:40:38Some people are just born the stars of this life thing
00:40:43And you and me
00:40:44Somehow we're bound to be their supporting characters
00:40:48Can you blame me
00:40:50For trying to come into the foreground
00:40:52In my own life?
00:40:53I still can't let you hurt
00:40:55Selene, I can't...
00:40:56I can't let you do that
00:40:59But you're right
00:41:02You and I
00:41:04We need to at least try
00:41:11Have we kissed before?
00:41:12By seeing that
00:41:15You have your ear spears
00:41:16But you never wear any earrings
00:41:27Nia, should I file an occupational hazard lawsuit against Mr. Holzer
00:41:33Because Selene just told me that
00:41:35It was an exposed wire
00:41:37That caused her fall on set
00:41:38No
00:41:40Cutter, what are you talking about?
00:41:42I trip, that's it
00:41:44Exposed cable or not, you know me
00:41:47I trip walking on flat ground
00:41:49I'm not gonna sue him
00:41:51Fine
00:41:53But Mr. Holzer, if she gets hurt in your offices
00:41:54You won't
00:41:56I can assure you
00:41:58Um, this is Cutter, my very good friend since college
00:42:03Cutter?
00:42:05James Holzer?
00:42:07You know
00:42:08The boss?
00:42:12She won't get hurt ever again
00:42:14I can assure you
00:42:15Not on my watch
00:42:16And I will find out who's responsible for that exposed cable
00:42:18Okay
00:42:20Well you should go get on that then
00:42:22Having you been away from your super important office long enough
00:42:24Joss, yes, what is it?
00:42:25What was that about?
00:42:27I haven't seen you this aggressive since our college team lost to Duke
00:42:43Well, I was worried about you and I felt unfair for you
00:42:48I mean you've done so much for that job and
00:42:52Now you're in the hospital
00:42:54You and Salih
00:42:56You two really care about me so much
00:42:59Trust me
00:43:01I'm really fine
00:43:03I was actually having a lot of fun being a fashion model
00:43:07Before you know
00:43:09This
00:43:11I saw you kiss him
00:43:13That
00:43:14It was an accident
00:43:16I
00:43:17I went for his cheek and he turned
00:43:18Don't you remember that he has a girlfriend?
00:43:21Shit
00:43:23You're right, I
00:43:24But it really was an accident
00:43:28Did you want to kiss him for real though?
00:43:36I'm a really shitty person, aren't I?
00:43:38No
00:43:40We all make mistakes
00:43:41Don't we?
00:43:44You're not a bad person, Nia
00:43:47You could never be that
00:43:50You're actually
00:43:51The most incredible person I know
00:43:54Nia, I wanted to tell you to
00:44:02Looks like I forgot my water
00:44:04What are you guys doing?
00:44:10You need to-
00:44:11Stop!
00:44:12Stop!
00:44:13Stop!
00:44:16Everybody knew
00:44:17That you had a reputation
00:44:20A playboy
00:44:22A heartbreaker
00:44:23And you might think that that's a good reputation to have
00:44:25But I can tell you right now
00:44:27That it is not
00:44:29A good man
00:44:30Stays true to the one that he loves
00:44:32And doesn't go around kissing other people's girls
00:44:35When he already has
00:44:36A girlfriend
00:44:37Oh my god
00:44:38Nia is not
00:44:39Your girlfriend
00:44:40And I don't
00:44:44Selene, I'm sorry
00:44:45Selene is his girlfriend
00:44:46He's the guy?
00:44:47No, that's not true
00:44:48This-
00:44:49You're explaining to me?
00:44:50You have some explaining to do to her
00:44:51Can I talk to you?
00:44:52In private?
00:44:54I'm heading back, but
00:44:56You should take your time
00:44:58Whenever you're 100% recovered
00:44:59You can come back to the office
00:45:00I should stop
00:45:01I should try and vote
00:45:02I should try and vote
00:45:03I should go with you
00:45:05Bye
00:45:07I know
00:45:08Kenny, my friend
00:45:14She took a perovi
00:45:16She took a bribe
00:45:17She took two
00:45:18Yeah
00:45:19So
00:45:21прид придitt
00:45:22No, no, no, no, no.
00:45:52I know you might not believe me, but what can I possibly say to her now?
00:46:00She already believes I'm her best friend's boyfriend who also kissed her.
00:46:10You're like an old, sickly lady.
00:46:15Well, the last F in BFF is forever, isn't it?
00:46:20So, when we're both old and sickly, we might end up talking here.
00:46:27Just like right now.
00:46:29Celine, I really didn't know you and James were dating.
00:46:34The kiss really was an accident.
00:46:37When did you guys start dating?
00:46:40The night at the bar.
00:46:41I know, accidents happen.
00:46:45We don't have to talk about it.
00:46:50I know about James' history and his reputation.
00:46:55But Nia, will you promise me one thing, though?
00:47:00Promise me you won't steal him from me.
00:47:08He's everything I've always wanted.
00:47:10People actually like me here.
00:47:32Apparently.
00:47:33Welcome back.
00:47:36There's no one else I'd rather see.
00:47:39Who is this?
00:47:41Could it be Cutter?
00:47:44Nia, can you come here, please?
00:47:51Nia, can you come here, please?
00:47:54Quick announcement.
00:47:57Nia is the newest junior designer.
00:48:00Congratulations, Nia!
00:48:02So well deserved.
00:48:04Thank you.
00:48:05Come to my house.
00:48:10So she's back now.
00:48:13Stronger than ever.
00:48:15How long did it take you to get that position?
00:48:18Five years?
00:48:20Took her what?
00:48:21Five weeks?
00:48:23Oh, you gave up.
00:48:26Oh, the BFF team is back in action now, huh?
00:48:29The worst part is she didn't want any of this.
00:48:36So what are you going to do about it now?
00:48:37I believe they are in the second drawer under my desk.
00:49:03Both sketchbooks.
00:49:04Thank you so much, Selene.
00:49:06You're a lifesaver.
00:49:07Yeah, of course, Nia.
00:49:15Anything for you.
00:49:16Yeah.
00:49:16Good job.
00:49:31Good job.
00:49:32Please.
00:49:33Gracias por ver el video.
00:50:03Gracias por ver el video.
00:50:33Gracias por ver el video.
00:51:03Gracias por ver el video.
00:52:02¿Qué?
00:52:04¿Qué?
00:52:06¿Qué?
00:52:08¿Qué es esto?
00:52:09¿Qué?
00:52:11¿Qué?
00:52:13¿Qué?
00:52:15¿Qué?
00:52:17¿Qué?
00:52:19¿Qué?
00:52:21¿Qué?
00:52:23¿Qué?
00:52:25¿Qué?
00:52:27¿Qué?
00:52:29¿Qué?
00:52:31¿Qué?
00:52:33¿Qué?
00:52:35¿Qué?
00:52:37¿Qué?
00:52:41¿Qué?
00:52:43¿Qué?
00:52:45¿Qué?
00:52:47¿Qué?
00:52:48¿Qué?
00:52:49¿Qué?
00:52:51¿Qué?
00:52:53¿Qué?
00:52:55¿Qué?
00:52:57¿Qué?
00:52:59¿Qué?
00:53:01¿Qué?
00:53:03¿Qué?
00:53:05¿Qué?
00:53:07¿Qué?
00:53:09¿Qué?
00:53:11¿Qué?
00:53:13¿Qué?
00:53:15¿Qué?
00:53:17¿Qué?
00:53:19¿Qué?
00:53:21¿Qué?
00:53:23¿Qué?
00:53:24¿Qué?
00:53:42¿Qué?
00:53:44Nia, no es hora de hide y solucionar. ¿Dónde quieres saber quién hizo esto?
00:54:04Nia, ¿dónde están esos videos?
00:54:08Mi apartamento.
00:54:09ÂżDĂłnde tenemos que ir ahora?
00:54:11No, no, no, no.
00:54:13No, no, no.
00:54:21Everything's been taken care of.
00:54:23You're short.
00:54:24Good.
00:54:29All of the emails have been deleted.
00:54:31Eighty-four percent of them weren't even opened.
00:54:34So the situation has been handled.
00:54:37You never doubted it could be me.
00:54:40Trying to promote myself.
00:54:44Would you think of me differently if it really were me?
00:54:48I wouldn't.
00:54:50Because I know that it wasn't you.
00:54:53Because you don't crave attention.
00:54:56You get attention naturally wherever you go.
00:54:58No.
00:54:59No, this was somebody the opposite of you.
00:55:01Somebody desperate.
00:55:03And vile.
00:55:05And that's not you.
00:55:06You can get attention now.
00:55:07And you know what to do with your face.
00:55:08But people don't even think this is fake.
00:55:09So you wouldn't think it was going to be my hand away.
00:55:10And what to do with my hands?
00:55:11So you don't think so.
00:55:12You don't think so.
00:55:13No, you don't think so.
00:55:15No.
00:55:16No, it's not bad.
00:55:17No, it's not bad.
00:55:18So you don't think so.
00:55:19It's not bad.
00:55:21So you don't think so.
00:55:22Maybe it's not bad.
00:55:23So you don't like this is the ugly square.
00:55:24It's not bad.
00:55:25It's not bad.
00:55:27Oh, it's not bad.
00:55:28Oh, it's not bad.
00:55:29It's not bad.
00:55:30No, no, no, no, no, no, no, no.
00:56:00So besides Celine and Cutter, there's nobody else in your apartment?
00:56:08And no signs of intrusion?
00:56:10None that we could spot in any way.
00:56:13The good thing is the cameras that we have are brand new, ones still had the tag on it.
00:56:19And now that's looked to see if the person who brought the cameras was careless enough to leave them behind.
00:56:26You sure you want to do that? You're going to ruin your expensive suit.
00:56:29Well, it's not no expense to me. I bought them.
00:56:36All right.
00:56:38Oh.
00:56:40Back.
00:56:41Not seeing anything helpful, you?
00:56:55No.
00:56:59Well, thank you.
00:57:03Of course.
00:57:04Who would have thought dumpster diving would be on the fancy, impeccable Mr. Holzer's schedule today?
00:57:11Well, take the rest of the day off. We'll get to the bottom of this.
00:57:21That's alright.
00:57:22That's all.
00:57:40Celine Donovan.
00:57:41Get into my office now.
00:57:44Ahora, tĂş tienes que hacer algo para hacer.
00:57:55¿Por qué te lo hiciste?
00:57:59¿Qué significa?
00:58:09No sé qué estás hablando.
00:58:11You can drop the act.
00:58:14Look, I know that we had a fun night when we said that we were going to give this a try.
00:58:18But I never said that we were an item.
00:58:20And when Nia got hurt, I let you mislead her because I didn't want to come in with two of you girls.
00:58:25But then you went ahead and did that to your best friend.
00:58:29Did you tell her?
00:58:31No.
00:58:33I haven't because unlike you, I don't want to hurt her.
00:58:38But I should tell her, shouldn't I?
00:58:42You absolutely should.
00:58:47But you're right.
00:58:49She will feel so hurt if she found out it was me.
00:58:54Sure you want to do that?
00:58:55And drop the good guy ass.
00:58:59You slept with me.
00:59:00You pretended you wanted a relationship with me just so that it wouldn't confirm that you are exactly the floozy playboy the tabloids made you out to be.
00:59:09But you flirted with Nia every chance you got.
00:59:13You want her.
00:59:15I have eyes.
00:59:16Everyone in the office can see it so don't try to lecture me.
00:59:21I just realized something.
00:59:25I just realized that this is the real you.
00:59:29And that soft spoken, reserved and hard working Celine, that wasn't Nia.
00:59:33I misjudged you.
00:59:34Nia misjudged you and you and I were done.
00:59:40You're not Nia's friend and you don't deserve to be her friend.
00:59:43You know why?
00:59:44Because you're jealous, small and desperate.
00:59:47And you're right.
00:59:50I do want her.
00:59:51Not you.
00:59:53It'll never be you.
00:59:55Because she's everything that you're not.
00:59:56And will never be.
00:59:58And that night between us.
01:00:00It meant nothing to me.
01:00:02You can get the hell out of my office.
01:00:08Send out a memo.
01:00:10Celine Donovan no longer works here.
01:00:17Hey.
01:00:18Hey.
01:00:33I just wanted to come by and check on you.
01:00:38And also to let you know that OnlyFansgate has been taken care of.
01:00:48You're here.
01:00:49Yeah, of course I'm here.
01:00:50I'm a friend.
01:00:53What are you doing here on her day off?
01:00:56Boss man.
01:00:58I'm feeling much better already.
01:01:01Thank you both for checking in on me.
01:01:05Weird though, I haven't heard from Celine.
01:01:09Is she working late?
01:01:12The collection is starting up very soon.
01:01:14The one that you're the face of.
01:01:16And if you were up to it, there were a few things on the event plan that I'd like your input on.
01:01:23Right now?
01:01:25Are you kidding me?
01:01:26Nia, you don't have to go with him.
01:01:31Do you want to go with him?
01:01:33Maybe it will help me get my mind off things.
01:01:37Whoa!
01:01:38Look, Nia, I hope you know that I'll always be there to protect you.
01:01:45Always.
01:01:46No matter if it's stalkers, creams, whatever the variety.
01:01:47I'll always be there.
01:01:48What other varieties are there?
01:01:51Well...
01:01:52What other varieties are there?
01:01:53Well...
01:01:54Well...
01:01:55You said the couch was a gift from someone important.
01:01:57I don't know.
01:01:58No matter if it's stalkers, creams, whatever the variety.
01:02:01I'll always be there.
01:02:02I'll always be there.
01:02:03What other varieties are there?
01:02:04Well...
01:02:05You said the couch was a gift from someone important.
01:02:09Who was it?
01:02:10My mum.
01:02:11I'll...
01:02:12Apologize to her for me.
01:02:14She's passed away.
01:02:17She died while I was working.
01:02:19I'm here.
01:02:20No, I'm here.
01:02:21No, we're here.
01:02:22No, I'm here.
01:02:23No, no, no, no.
01:02:24I'm here.
01:02:25No, no.
01:02:26I'm here, yes.
01:02:27Oh, you're here.
01:02:28I'm here.
01:02:29No, no.
01:02:30No, no, no, no, no.
01:02:33I'm here.
01:02:35No, no.
01:02:36I'm here.
01:02:37No, no, no.
01:02:38No, no, no.
01:02:39No, no, no, no.
01:02:40Oh, God, I am so, so sorry.
01:02:47I really messed up big time, didn't I?
01:02:53For what it's worth, I lost my mom in high school.
01:02:58Celine helped me through those dark, dark days.
01:03:03Nadine, about Celine and I.
01:03:07I was doing research on how to clean marks off of sheepskin.
01:03:13They might not work, but...
01:03:14No, no, it's fine. You can keep it that way.
01:03:18Keep the dirty spot?
01:03:20Yeah, I kind of like it that way. It reminds me of you.
01:03:29You're Celine's boyfriend. We can't. We shouldn't.
01:03:34Celine and I are not in a relationship. I mean, we only went out on two dates. That's it.
01:03:42But Celine seems to really like him, though.
01:03:46I don't know what's going on between you two.
01:03:50Relationship or not, what matters to me is...
01:03:53She likes you for real.
01:03:56And I promised her I'd stay away from you, so...
01:04:00Let's just keep things strictly professional, okay?
01:04:04So, you're not going to hear my side of the story?
01:04:08That's fine. You can just...
01:04:11Do work.
01:04:12Jocelyn booked Tropicana for next week. It's his party. It's nothing high-end, but...
01:04:22Because it has the outdoor pool.
01:04:24It matches the energy of the collection.
01:04:29Okay, James. Focus on work.
01:04:32It's a very delicate and complicated situation with Celine.
01:04:35I mean, find another time to explain it to her.
01:04:39God, she smells so good.
01:04:41She's wearing that perfume again.
01:04:44He's Celine's. He's Celine's. He's Celine's.
01:04:49Ian, get it together.
01:04:50You're here to work.
01:04:52You're here to work.
01:05:23You're here to work.
01:05:24Yup, holy crap.
01:05:26I mean, have you been doing it?
01:05:27You're here to work.
01:05:29You're here to help.
01:05:29I know you, you are here to work.
01:05:40Okay, good job.
01:05:41Okay, good job.
01:05:42Go, I'm sorry.
01:05:44I'm sorry.
01:05:48Okay I'm sorry.
01:05:51He's...
01:05:51¿Qué tal es más grande para la visita de esta reunión, señor Holzer?
01:06:13¿Qué? ¿Qué? ¿Esto... lo que... lo que... es... lo que... es lo que... ahora?
01:06:21Good work, Jocelyn.
01:06:26Now, if you could have this cleaned, refined, and ironed for our new life-size model of this
01:06:34flagship dress of the new collection for her to wear to the actual party.
01:06:51Coming up with a new main dress on the day of the collection launch.
01:07:09Only James Holzer can do that.
01:07:11The dress is really beautiful.
01:07:13Ah, thank you.
01:07:15Well, it's a gift to you as my inspiration.
01:07:19Cheers.
01:07:20Oh!
01:07:23Your face.
01:07:24The gathering.
01:07:25I see.
01:07:27Oh!
01:07:28Sure.
01:07:33Look at her.
01:07:36In dresses she claimed she didn't care for.
01:07:40Looking like his perfect farm candy.
01:07:45What are we gonna do about it?
01:07:47Selene.
01:07:48Where have you been?
01:07:50Ever since that creep posted that video of Nia online we've been looking for you every...
01:07:57Was that you?
01:07:59Selene!
01:08:00Why would you do that?
01:08:01Because you're still too much of a coward to do what you want to do and say what you want to say.
01:08:08I need to figure out a way and to do something to break them apart for both our sakes.
01:08:15Wait.
01:08:16I need to tell her.
01:08:17No you don't.
01:08:18What happened to you?
01:08:19You love this James dude so much that you'd be willing to do anything?
01:08:20I don't even recognize you anymore.
01:08:21Yes.
01:08:22I want to be with Nia.
01:08:23But I would never ever stoop this low.
01:08:24Now let go of me.
01:08:28No let go of me.
01:08:30Aw!
01:08:31Do.
01:08:34I know.
01:08:35Oh.
01:08:36Ahs?
01:08:37I got it all.
01:08:38I'm so sad so much that you'd be willing to do anything.
01:08:40I don't even recognize you anymore.
01:08:41Yes.
01:08:42I want to be with Nia.
01:08:43But I would never ever stoop this low.
01:08:44Now let go of me.
01:08:45No, no, no, no, no, no, no.
01:09:15And I didn't want to sound like I was coming in between you girls, but Nia, you have to believe me that all I want is you.
01:09:45I've noticed this all along.
01:10:03You have your ear spears, but you never wear earrings except that one time on set.
01:10:10I lost my favorite pair of earrings, and I guess I didn't feel like wearing them anymore.
01:10:16You lost a pair.
01:10:18What did they look like?
01:10:19Well, I didn't lose a pair.
01:10:20I lost just one.
01:10:23They were little, tiny champagne bottles.
01:10:26Celine and I bought them together.
01:10:29They're kind of like our friendship earrings.
01:10:31That night at the bar, when we were dancing all night long, me and you together, the perfume, the earrings, that wasn't Celine.
01:10:41That was you.
01:10:42What do you mean it wasn't Celine?
01:10:50I don't know.
01:10:51I was drinking a lot that night, and I can't really remember.
01:10:55Yeah, I know you forgot you had sex with me.
01:10:59Why do you think I was so pissed at you in the first day?
01:11:02Come on, it was humiliating.
01:11:06But what about Celine?
01:11:08She has been pretending to be you this entire time.
01:11:16Look, I didn't want to be a total asshole, so that's why I tried seeing her.
01:11:22But she's just misrepresenting what we are.
01:11:24Stop, stop, stop.
01:11:25I don't want to be here anymore.
01:11:33Why would she...
01:11:35I'm so sorry that this is happening to you.
01:11:47I'm so sorry.
01:11:56You feel better.
01:11:59I feel so, Mama.
01:12:00I feel so, Mama.
01:12:05Now there's that smile that I fell in love with.
01:12:22Did he just say he's in love with me?
01:12:24Shit, shit, shit.
01:12:25This is when you drop the L word?
01:12:27James Holzer, you idiot.
01:12:29I should say something back.
01:12:31What do I say?
01:12:33Do I love him?
01:12:34What is she thinking?
01:12:35Can she tell that I'm freaking out?
01:12:36I need to say something.
01:12:38But what?
01:12:39I think I fell in love with you, too.
01:12:43What?
01:12:43What did you just say?
01:12:46I said I, too, fell in love with you the first night we met.
01:12:54So, did you talk to Celine?
01:13:19Did you find her?
01:13:28Did you find her?
01:13:34It's like she disappeared off the face of the earth.
01:13:37She won't return any of my calls.
01:13:39James fired her, so she won't be at work anymore.
01:13:44I'm in such a conflicted state because she broke my fucking heart.
01:13:49Yet at the same time, my heart is full because I'm with James.
01:13:56Celine berated me too.
01:13:59For being a coward.
01:14:01For not telling you how I actually felt about you.
01:14:06But truthfully, I think you've always known.
01:14:08You want to stay friends.
01:14:12You don't want things to get awkward.
01:14:15And, you know, I want the same.
01:14:16So, so no more awkwardness.
01:14:21You know, no, no more one-sided feelings.
01:14:24At least I'll try to stop them from now on.
01:14:27Come on.
01:14:29Come on, a big hug.
01:14:32For an old friend.
01:14:35That way we don't have to talk about this anymore.
01:14:37I mean, God, that was painful to-
01:14:39I do love you, Cotter.
01:14:50I know.
01:14:51Oh, hey.
01:14:57Hey.
01:14:58Hey.
01:15:01You okay?
01:15:02What's going on?
01:15:05Um.
01:15:07Oh, we should go.
01:15:07Yeah.
01:15:08Let's go, yeah.
01:15:14Positive.
01:15:15I'm pregnant.
01:15:16Oh, my God.
01:15:20There's no way.
01:15:21There's no way.
01:15:22I don't know.
01:15:33We've got to go.
01:15:35No.
01:15:37No.
01:15:39ÂżViste promete Mr. Broham que era el memo de hoy?
01:15:42No, no quiero.
01:15:44ÂżPara que el mundo famoso trabajador James Huller no quiere ir a trabajar?
01:15:49ÂżVale ha hecho la Mission Impossible?
01:15:52Creo que has hecho, MarĂa McCartney.
01:15:54Porque lo que quiero hacer todo el dĂa...
01:15:58... es que...
01:16:05Hey Joss, he'll be right there.
01:16:16I'll be here when you get back.
01:16:19I'm not going anywhere.
01:16:20You promise?
01:16:22Promise.
01:16:23Because I waited long enough to find you.
01:16:35And, uh, when you get back, I may have something to tell you.
01:16:42Okay.
01:16:44You little teemies.
01:16:46I love you.
01:16:49Love you.
01:17:05I love you.
01:17:35I love you.
01:18:05I love you.
01:18:06I love you.
01:18:07I love you.
01:18:09I love you.
01:18:10I love you.
01:18:11I love you.
01:18:12I love you.
01:18:13I love you.
01:18:14I love you.
01:18:15I love you.
01:18:16I love you.
01:18:17I love you.
01:18:18I love you.
01:18:19I love you.
01:18:20I love you.
01:18:21I love you.
01:18:22I love you.
01:18:23I love you.
01:18:24I love you.
01:18:25I love you.
01:18:26I love you.
01:18:27I love you.
01:18:28I love you.
01:18:29I love you.
01:18:30I love you.
01:18:31I love you.
01:18:32I love you.
01:18:33I love you.
01:18:34I love you.
01:18:35I love you.
01:18:36I love you.
01:18:37I love you.
01:18:38I love you.
01:18:39I love you.
01:18:40I love you.
01:18:41I love you.
01:18:42I love you.
01:18:43I love you.
01:18:44I love you.
01:18:44I love you.
01:18:45I love you.
01:18:47I love you.
01:18:52I love you.
01:18:52I love you.
01:18:57So this siren is passed away.
01:19:01What's wrong?
01:19:03I love you.
01:19:06I love you.
01:19:06Once again, we have a call.
01:19:11No, no, no, no, no.
01:19:18No, no, no.
01:19:18She, I mean, she's alive.
01:19:20They're just, they're working on her in there.
01:19:21I mean, I mean, so she left the stove on.
01:19:24My God.
01:19:25That doesn't make any sense.
01:19:27Like, she doesn't cook that much to begin with.
01:19:29I mean, today she cooked?
01:19:31What do you mean, today?
01:19:32Why did you say it like that?
01:19:35She found out she's pregnant, man.
01:19:37She was going to tell you.
01:19:39Fuck!
01:19:41I took one of Sylvain's cameras
01:19:49and I put her bottom near his door
01:19:51to make sure that she's safe.
01:19:54She's stable now, but...
01:20:06But, but, but what?
01:20:07The pregnancy sustains some serious damage.
01:20:12Gas poisoning.
01:20:13She needs to be extra, extra careful now.
01:20:16Thank you, doctor.
01:20:17Yes, 911?
01:20:29James, if you wanted me dead,
01:20:40you're going to just left me at home,
01:20:42trying to kill me with that hug.
01:20:44Only you would make death jokes at a time like this.
01:20:46What was that?
01:20:53Nia.
01:20:55We have some news, and...
01:20:57it's about Selene.
01:20:59Selene Donovan, you are arrested for the attempted murder of Mia McCartney.
01:21:11You have a right to remain silent.
01:21:13Everything you say can and will be used against you and afford the law.
01:21:16That's it.
01:21:20Selene Donovan, you are arrested for the attempted murder of Mia McCartney.
01:21:24You have a right to remain silent.
01:21:26Everything you say can and will be used against you and afford the law.
01:21:29That's it.
01:21:29Oh, no.
01:21:52Is this yours?
01:21:53You almost got my baby asleep.
01:21:56My baby with James.
01:21:58Y luego...
01:22:00Y luego...
01:22:02ÂżHas salvado mi vida antes?
01:22:04Yo creo que ahora mismo.
01:22:06Quiero decir,
01:22:08que por todo lo que ha pasado,
01:22:10tĂş eres mi mejor amigo en todo el mundo.
01:22:14TĂş helped me through so mucho.
01:22:16TĂş were siempre ahĂ para mĂ.
01:22:20Y porque yo tenĂa,
01:22:22yo estaba demasiado feliz.
01:22:24Y en mi cabeza,
01:22:26yo te hecha.
01:22:28Yo te hecha.
01:22:30Yo no he leuché.
01:22:32Y por eso,
01:22:34no leuché.
01:22:36No leuché.
01:22:38Pero para mi.
01:22:40Pero por lo menos.
01:22:42No leuché.
01:22:44Pero no me merece.
01:22:46Yo no me merece.
01:22:48¡Muy creyente!
01:22:50¡Pues me pertenece!
01:22:52¡Presente!
01:22:54I don't think I'll ever be able to forgive you, but no, I did love you so very much, so did Cutter, even James in a boy-y-de-vaz kind of way.
01:23:14It might not have been the love you wanted or needed, but it was love. You were loved, Selene. And that's all I came here to say. Goodbye, Selene. Have a good life.
01:23:32Nia! I'm sorry. I'm sorry, Nia.
01:23:43No.
01:23:49I won't forgive myself either.
01:24:03You okay?
01:24:06I'm done with the past. It's time to move forward. Fully and completely.
01:24:15And a future with me? You still want that?
01:24:19Well, that's up to you, isn't it? You'd have to keep me interested.
01:24:25Challenge accepted.
01:24:27You ready to go?
01:24:40Wait.
01:24:56Hi.
01:24:57I love your book. You ready to fall with me? Yeah, I'm so happy.
01:25:11Thank you.
01:25:12Look, you're okay.
01:25:13Thank you.
01:25:19Hi.
01:25:20I loved your book.
01:25:21Thank you.
01:25:22It's so sweet and gut-wrenching at the same time. What inspired the story?
01:25:32It was based on a real-life mistake. The best mistake ever.
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