FULL MOVIES ENGLISH SUB
Follow our Channel group to get the latest movie updates
#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
Follow our Channel group to get the latest movie updates
#drama #cdrama #romantic
#drama #cdrama #romantic #love #movie #shortdrama
Category
🎥
Short filmTranscript
00:00MUSIC
00:18Oh! Hello! Hello!
00:21Oh, thank you very much.
00:23Thank you so much. That's very kind of you.
00:26Thank you. Hello, hello, and welcome to the show.
00:29Hey, everyone. It's only 12 days till Christmas.
00:33I know, and I have an early present.
00:36Five guests are chatting.
00:38Yeah, we've got a great lineup for you tonight,
00:40singing for us later.
00:41It's the fabulous Jade, everybody.
00:43She'll be singing her latest single, Church.
00:47And it's another broad church on my sofa tonight.
00:50At just 18, he became the youngest fashion director
00:53of an international magazine
00:55before reshaping British Vogue as editor in chief.
00:58Now he's launching his own magazine, 72.
01:01It's Mr. Edward Ennenfall.
01:03Right, there he is now.
01:08Hello.
01:10Welcome back.
01:12Namaste, doom, Mr. Ennenfall.
01:15This comedy genius has created iconic characters
01:19like Johnny English, Edmund Blackadder,
01:22and the one and only Mr. Bean.
01:24Now bringing us a battle of wits
01:26in the new Netflix series Man Vs Baby,
01:28it's the great Rowan Atkinson.
01:31Yay!
01:32That's awesome.
01:33Let me see you.
01:34That's it, Mark.
01:35That's Rowan.
01:36Look at that.
01:37That's a good scene.
01:38He's one of the most brilliant actors of his generation.
01:41The star of Wonka, sci-fi epic Dune, and the Bob Dylan biopic A Complete Unknown.
01:51His latest film is called Marty Supreme.
01:54It's Timothee Chalamet.
01:55Thank you very much.
01:56Happy to see you.
01:57Happy to see you.
01:58Happy to see you.
01:59Happy to see you.
02:00Happy to see you.
02:01Happy to see you.
02:02Happy to see you.
02:03Happy to see you.
02:04And she's the double Oscar winning star of Power 10,
02:09Sense of Sensibility, Love Actually,
02:11and the fabulous Nanny McPhee.
02:13Now, she's turning detective in Down Sematary Road.
02:16It's Dame Emma Thompson!
02:18CHEERING AND APPLAUSE
02:20The glamour and the side down!
02:23It's Barry Thompson's car!
02:25Oh!
02:26You look great.
02:27I say hello to everybody.
02:28Oh!
02:29Golly, golly!
02:31Golly, golly!
02:32Side down!
02:33Ooh!
02:34Ooh!
02:35Ooh!
02:36Fashion down the end.
02:37Fashion down the end.
02:38Hello, everyone.
02:39It's welcome back to everybody.
02:40Yeah.
02:41It's a rare time.
02:42And lots of connections on the couch tonight.
02:45Of course, Emma Thompson was in the pages of British Vogue.
02:49Yes.
02:50Yes.
02:51Did you enjoy your fashion shoot?
02:52Looking like an elderly owner of a brothel in Berlin in the 1920s.
02:56LAUGHTER
02:57Thanks a lot, Edward.
02:58Now, you might think she's exaggerating.
03:01LAUGHTER
03:02We've got the picture.
03:03We've got a picture.
03:04Here we go.
03:05That's Tonto, isn't it?
03:07LAUGHTER
03:08Did you pick these clothes, Edward?
03:10She was supposed to be Queen Boudicca.
03:12LAUGHTER
03:13To me!
03:14Meanwhile, there's fire engines going by and people are going,
03:17What have you come in?!
03:19LAUGHTER
03:20It's very nice.
03:21Very nice.
03:22And, er...
03:23Now, Timothy...
03:24Yes.
03:25You worked with the great Ron Atkinson.
03:26Yes, on Wonka.
03:27No, I worked with the great Ron Atkinson.
03:28Yes, on Wonka.
03:29Yes, yes.
03:30Wonka.
03:31Say it like this, Wonka.
03:32Wonka.
03:33Because if it just even vaguely moves towards a different Val, it's a different, totally different...
03:38Yeah, that was true.
03:39This is...
03:40I was warning you, because it was slightly bit Wonka.
03:42Yeah, yeah.
03:43And I thought, oh...
03:44That'll get bleeped out.
03:45That'll get bleeped out.
03:46Yeah.
03:47And, er, you played Father Julius, but off-screen you were giving Timothy advice, I hear.
03:50He was giving me a great... you know, he was giving me unaffordable car advice.
03:54Yes.
03:55Oh, OK.
03:56So, Rowan is an incredible car collector.
03:57I reached out to him, I, to this day, have not bought a car, and the references he gave
04:01me were wildly out of my league, you know.
04:04I didn't think they were, so...
04:06I'm sorry that they were.
04:07Yeah, I tried my best.
04:08When you were about 20, you gave me a lift in an Aston Martin.
04:12Good.
04:13I was about 20, you were 22?
04:15Oh, gosh, yes.
04:16Something like that.
04:17You had an Aston Martin then.
04:2022?
04:21Yes.
04:22Wow.
04:23I can only imagine the insurance.
04:25It was the only reason that I entered show business was to attempt to buy an Aston Martin.
04:29LAUGHTER
04:30And I got one quite young.
04:31Yeah.
04:32He did, very young.
04:33Did you, how did you feel in the experience?
04:35Was it OK?
04:36Um, I thought, to be honest, Ro, I thought, what a knob.
04:41LAUGHTER
04:43I'm so sorry.
04:44I was quite...
04:45How funny, what...
04:46I thought I was a bit kind of thingy at the time.
04:48I was quite...
04:49OK, what you felt a knob, you mean?
04:51LAUGHTER
04:52And why have you got this huge car at 22?
04:55Why were you in this car?
04:57We...
04:58Because we've known each other since you were about 10.
04:59Yeah, yeah, yeah.
05:00I mean...
05:01It must have been short.
05:02But it was platonic, it was normal?
05:03It was platonic.
05:04LAUGHTER
05:05Yes, it was.
05:06I wasn't putting out.
05:08LAUGHTER
05:09Oh, yes.
05:10It was platonic.
05:11You're glad now, Rowan.
05:12Yeah, yeah, yeah.
05:13I'm setting the record straight.
05:14Hugely relieved.
05:15The other thing that links Emma and Rowan is you were both in...
05:19I think, is it your favourite Christmas movie of all time?
05:22Love Actually.
05:23What a jam.
05:24What a jam.
05:25Yeah.
05:26I was re-watching it last night, and that's a sort of complicated ethically storyline, you know?
05:30Oh, yeah.
05:31Because you guys resolve the dispute quite easily.
05:33Well, do you think?
05:34I don't think so.
05:35I think that when he gets off that plane, Alan Rickman, God rest him, playing my husband,
05:40I think you just don't know...
05:42You know it'll never be the same again.
05:44Mm-hm.
05:45That's the thing.
05:46But you were in the same scene, weren't you?
05:47Yeah, I can't remember...
05:49You?
05:50You wrap up the naughty necklace.
05:51Well, I...
05:52Yes, exactly.
05:53But I think...
05:54You see, this is the problem with not actually watching films you've made.
05:57LAUGHTER
05:58It's trying to remember the story.
06:00LAUGHTER
06:01You were in Selfridges.
06:02Yes.
06:03Because I was in Selfridges all night with Alan Rickman.
06:06We were, we were.
06:07We were all there in Selfridges.
06:08And Alan Rickman, God bless him, was pretty annoyed about...
06:11Yeah.
06:12He didn't really want to be up all night, you know, shooting.
06:14In Selfridges.
06:15Because we had to shoot during the night because they didn't allow us to shoot during the day.
06:17Yeah.
06:18So we had to pretend it was another day.
06:19And, er, and he was, he was in, he was fairly short-tempered.
06:23Yeah.
06:24Whereas I just did a spot of shopping.
06:25Yeah, yeah.
06:26Yeah, you were just shopping.
06:27Put a lot of things aside.
06:28Shopping.
06:29Yeah, exactly.
06:30Shopping.
06:31Shoplifting.
06:32What was the vibe on?
06:35So was there tension from the, from the car experience?
06:37Years prior?
06:38Oh, yeah.
06:39No, do you know what?
06:40Actually, by then, by then...
06:41Are you channelling the knob?
06:42I'm so sorry, Rowan.
06:43I didn't mean to be rude, but at that time I was only 22.
06:48Yeah, yeah.
06:49You've got to, you know, forget.
06:50It's quite hurt.
06:51Give and forget, love.
06:52Er, yeah.
06:53Er, no, no.
06:54Er, yeah.
06:55Er, now.
06:56Edward Eneville, great to have you here.
06:58A fashion expert.
06:59But even you have off days with fashion.
07:02Tell us about getting your OBE.
07:03Oh, my God.
07:04So, I mean, I mean, you've, you've, you've both been at the palace.
07:07You've both...
07:08So I remember, yes, I had the OBE.
07:10I went into the palace, Buckingham Palace.
07:12So proud.
07:13My family, my...
07:14You know, there's something about that day, isn't there?
07:16Yeah.
07:17You know, you go into that red room and Princess Anne's there and...
07:21And I got into the room and I realised, oh, I have to walk backwards.
07:25That morning, I just got a brand new McQueen suit.
07:27I was in a McQueen suit, but they forgot to add the braces.
07:30So I thought, you know what?
07:31They're never going to know.
07:32Got a pair of stockings.
07:33Jimmy rigged it.
07:34Oh, my God.
07:35I'm going to be fine.
07:36So, I'm there.
07:37I get presented, you know, with a medal.
07:40Yeah.
07:41And my trousers start to fall.
07:43LAUGHTER
07:44And I have to walk backwards.
07:45And I'm walking backwards, literally petrified.
07:48I'm like, I don't want to be the Edward and them for that mooned.
07:52LAUGHTER
07:53Mooned up a palace.
07:55So I kind of managed to sort of go back slowly,
07:58shamefully grab my shorts and run out.
08:00And if you see any picture that day, you see the pants are literally...
08:03It's so funny.
08:04There's a picture of you.
08:05I think Naomi Campbell is holding your trousers off.
08:07LAUGHTER
08:09That's so cool.
08:10They do look very baggy.
08:12LAUGHTER
08:13They do look fucking baggy.
08:14It was nearly there.
08:15I was nearly done.
08:16The stockings didn't quite make a good bell.
08:18Listen, let's get started, because Emma's latest work is a thriller.
08:23It's called Down Cemetery Road.
08:25The final episode just dropped, so all episodes are available now on Apple TV.
08:29So this is from the Mick Herron novel, Mick Herron, who wrote Star Horses.
08:34And when they came to you with this, you already knew the book.
08:37Yeah, because I've always loved Mick.
08:39OK.
08:40In fact, I came across him in my local bookshop in 2015 or something,
08:44and I picked this book up, because I love thrillers.
08:46I've always read thrillers.
08:47And I started to read it, and I thought,
08:50that's a good thriller.
08:51And then I started to laugh, because it's really funny.
08:54And he told me, actually, subsequently, that when he first sent Cemetery Road,
08:59the Zoe Boehm thrillers and the Slough House thrillers, to the publishers,
09:04they were very confused, because they said,
09:05look, is this a thriller or is it a comedy?
09:08Because, weirdly, in this country, which is the funniest country,
09:11I think, on the planet, people can't cope when you mix comedy
09:15with something else.
09:16You know, somehow it's just got to be separate.
09:18Yeah.
09:19But he's terribly, terribly funny.
09:21And for people who haven't read the books, Zoe Boehm, tell us about her.
09:25What is going on?
09:26She's a shit-kicking, very tough private detective, private investigator,
09:33probably had a dreadful childhood with that kind of parent
09:37who never gives you any kind of backup whatsoever
09:40and doesn't believe in you, so that she's got very low expectations.
09:44I'm sure some of you in the audience know what I mean,
09:47where you just go, no, I'm not going to expect much.
09:50Yeah.
09:51And so she's quite tough, quite compassionate.
09:55I had this wonderful bond with Ruth Wilson, who's playing my co-star.
09:59There she is.
10:00So we had a fantastic time making it, and I love her.
10:04She's sort of a good avatar because she's decided not to be a good girl.
10:09She doesn't have to be a good girl.
10:11She doesn't have to assuage her way around people through life,
10:14being nice, always being nice.
10:16We just have to be so fucking nice.
10:18I'm so fed up with it.
10:19Why do we have to do that all the time?
10:21Why?
10:22There are many women in the audience going, yeah.
10:25I know you can relate, so don't pretend that you don't.
10:30Anyway, so Zoe just doesn't do that.
10:33She's very unapologetic, shall we say.
10:35Well, we've got a clip.
10:36This is you, Zoe Boehm, meeting Sarah, played by the great Ruth Wilson,
10:40for the very first time.
10:42Well, well, well.
10:43A customer.
10:44Well, have you taken a wrong turn en route to the artisanal cheese shop?
10:48Doors open.
10:50I'm looking for Joseph Silverman.
10:55Let me guess.
10:56You've got a husband.
10:57He's got a secretary.
10:58Am I warm?
10:59No.
11:00The secretary's still a thing.
11:02OK, but not a secretary.
11:04Personal assistant.
11:05Posh secretary.
11:06You seem like the type who might have a handsy husband in the media.
11:09What type is that?
11:10Sort of, you know, doe-eyed and helpless.
11:15You seem like a bit of a cock.
11:17I feel seen.
11:21Hi.
11:22I'm Zoe Boehm.
11:24Sarah.
11:26Trafford.
11:27Ooh.
11:28Look at that.
11:31Look at that.
11:32Look at that.
11:33And what is it that you felt to get into Zoe Boehm's character,
11:37the look and everything, you tapped into kind of a younger version
11:40of yourself?
11:41Yeah.
11:42I mean, she struck me as somebody, and I don't know,
11:45well, you'll understand, Rowan.
11:46I don't think Edward will because you're younger.
11:48That's right.
11:49And you won't.
11:50Definitely.
11:51Mr...
11:52Mr...
11:53Little darling.
11:55But I grew up in Camden Town in London, which was rough.
11:59You know, I mean, the school I went to, Camden School for Girls,
12:02which is a wonderful school, but, of course, quite early on in
12:05women's education, let's face it, I was born in 1959.
12:08We'd only just kind of got the bloody vote.
12:11So, girls' schools, right, for instance, round the back gates,
12:15there was always a bloke and a Mac exposing himself.
12:18Oh, God.
12:19Does that still happen?
12:20I don't know.
12:21But it was just normal.
12:22It was just completely normal.
12:23It was just completely normal.
12:24I haven't done it for ages.
12:25You see?
12:26Don't.
12:27But anyway, we grew up in sort of a scrappy, grimy London,
12:32and I think of Zoe as part of that sooty past, you know,
12:37when there was still fogs and kind of dirt and a lot of aggro,
12:42actually, but also quite a lot of community as well.
12:46And there's kind of a lack of vanity about Zoe.
12:49What do you mean?
12:51Well, the hair...
12:53You know, you're very quaffed tonight.
12:55Tonight, yeah, but a lot of effort gone into this.
12:58There's two people back there who are just, you know,
13:00they're on drips.
13:01They've done so much fucking well.
13:02Yeah.
13:03That's, um, that's...
13:05Yeah.
13:06I think that's all right.
13:07No, no, it looks good.
13:08It looks good.
13:09Talking of haircut,
13:10Timothy, Timothy,
13:11what happened to the beautiful Chalamet locks?
13:13They're all gone.
13:14Yes.
13:15They've been stolen.
13:16How long have they been missing?
13:18Since June 25th.
13:20Did you put them on eBay?
13:22No.
13:24Somebody could have stuffed a cushion with them
13:26and made a lot of money.
13:27I didn't think of that.
13:28Actually, what did that?
13:29Did they just throw the Chalamet locks away?
13:32You know, the...
13:34It was for a different...
13:35It was for a film for Dune Part 3,
13:37and there's supposed to be a nice character shift,
13:40and I'm playing 15, 20 years older,
13:43so we did a three-millimeter haircut, I think it's called,
13:45and the director wanted more, 1.5,
13:47and then we did one, and I begged him.
13:48I said, please, please, like...
13:50You know, your hair, weirdly, we're all attached.
13:53It's kind of like our personality.
13:54This would be follicles that grow out of our heads.
13:56Yeah.
13:57Samson.
13:58Yeah.
13:59You know?
14:00Your hair contains your power.
14:01Could do.
14:02I've never heard that.
14:03Samson and Delilah, she cut all his hair off
14:04and took all his power.
14:05I have no clue what you're talking about.
14:07I'm going to take you for margaritas after this.
14:12I'm going to tell you lots of stories about hair.
14:15But you're right, you're right.
14:16It's, like, a really powerful thing.
14:17It's a powerful thing, yeah.
14:18Like, margaritas and read the Bible to Timothee Chalamet.
14:20It's a great hombo.
14:22It's a great hombo.
14:23Meanwhile, down somebody's road, I am surprised here,
14:26this is your kind of first kick-ass action thing.
14:30Yes.
14:32Which, actually, as it turns out, at 66 was a really stupid idea.
14:36Um, what can I tell you?
14:38My knees will never be the same again.
14:40Why do people do it?
14:41Yeah.
14:42I don't know.
14:43I've rung friends who are action heroes and said,
14:45how have you managed?
14:46How are you still alive?
14:47And they've all said, we've had a lot of operations.
14:49Oh.
14:50Yes.
14:51Oh, exactly.
14:52Yeah.
14:53So I'm thinking, why didn't I read it, probably?
14:57But, you know, it's not in the bloody book,
14:59so you know you get the pages later.
15:03And I'm going, being pulled out of a rat-infested tunnel
15:06by her feet, backwards, blown up on a...
15:10Blown up on a beat?
15:11Well, hang on a second.
15:12Are you looking through the book, okay?
15:14It's not in the book, it's not in the...
15:16Nobody told me.
15:17Actually, I'm sorry, Rowan, because the things you've done,
15:20there is such a physicality to them all.
15:22Yes.
15:23Well, sometimes, yeah.
15:24But do they go over into kind of stunt work?
15:27Do other people have to ever do things for you?
15:30Um, yeah, not so much the driving.
15:32I tend to do my own driving.
15:33Oh, yeah, yeah.
15:34What a knob.
15:35What a knob.
15:36I am too much, by the way.
15:40I think it's the coolest stuff ever.
15:42That's very sweet.
15:43Don't let them bump.
15:44No, I've got to keep up my reputation as a knob.
15:48And, yeah, on and off set.
15:53But, I mean, generally speaking, yeah, I've done...
15:56I did a movie quite a while ago called Mr Bean's Holiday.
15:59Oh, yes.
16:00Woo!
16:01In which Mr Bean...
16:03And there's a scene.
16:05You're so casual about that.
16:07I did a film called Mr Bean's.
16:08I did a film about it.
16:09Bow!
16:10Well, does he look like an even bigger knob if he said,
16:13oh, well, of course you will know Mr Bean's Holiday.
16:16You know, so it's actually very...
16:18I'm trying to reduce my knob quotient as far as I possibly can.
16:23In which we had this idea in which I must have been would
16:27overtake a peloton of cyclists.
16:29Oh, yes.
16:30And no matter almost how slowly we got the peloton to go,
16:34I was finding it quite tricky.
16:36But I really, you know, we did several takes...
16:39Oh, there you are.
16:40Oh, there it is.
16:41There it is.
16:42Which I overtake the peloton of cyclists.
16:44And I really did it, for real.
16:46You know, it was in the days when CGI was less...
16:49It was less accessed and...
16:51But, oh, goodness me, after the second take,
16:53I was absolutely dead.
16:55You made it do it more than once.
16:57Yeah, yeah, we did it several times.
16:59But the...
17:00And, of course, you know, they were only going
17:02probably 20 miles an hour.
17:04You know, the peloton, but you can make it look
17:06as though they're going faster if you track with the camera.
17:09And so I, you know, I just, yeah, I sort of hung on in there.
17:12But after, yeah, after a couple of takes, I was...
17:15I was dead.
17:16But I survived.
17:17You did.
17:18Yes.
17:19You really are Jacques Tati, Roe.
17:20Well...
17:21It suddenly occurred to me...
17:22Well...
17:23Well, I mean, this was definitely his world.
17:25Exactly.
17:26Well, thank you.
17:27Yeah.
17:28Nice compliment.
17:29He's a compliment.
17:30You can take it because I have been very rude.
17:32But now I want to make up for you.
17:34Sitting between this mending energy.
17:36I feel mending and healing.
17:38Getting back to Down Sematary Road,
17:40you have an exciting announcement to make.
17:43Oh, well, yes.
17:45We're going to do a second season of it.
17:48Excellent.
17:49I just finished the first one last night,
17:51so I'm delighted.
17:53Very, very good.
17:55And just a reminder that the first season,
17:56all eight episodes of Down Sematary Road
17:58are on Apple TV now.
18:00Thank you very much.
18:01You're welcome.
18:02You're welcome.
18:04Thank you very much.
18:06Our big movie tonight comes from Timothee Chalamet.
18:09It is called Marty's Supreme.
18:11It'll be in UK and Ireland cinemas from the 26th of December.
18:15And here's just a glimpse of the trailer.
18:18I don't think you understand the stakes here.
18:21Why is that funny?
18:22I get nervous laughter sometimes.
18:24Are my eyes broke or is that mouth?
18:27Thank you so much.
18:28You're like, oh, we believe in you.
18:30Hey, I'll rip that unibrow right off his forehead.
18:34All right.
18:35You want to get physical?
18:36Like an ape?
18:40Come on!
18:41He's ready!
18:42Come on!
18:43Have you ever thought about what you're doing to me?
18:45Give us all right!
18:46Give us all right!
18:47When they do love you, I'd be hiding.
18:48Everybody wants to love you.
18:49And it's only a matter of time before I'm staring at you from the cover of the
18:50Wheaties box.
18:51You think it's that simple?
18:52Yeah, I do.
18:53Wow!
18:54I mean, the main headline here is you are astonishing in this movie.
18:58You are so, so good in this.
18:59So tell us about Marty Supreme.
19:00Who is Marty Supreme?
19:01Marty Supreme is a film about a fictional character named Marty Mouser loosely inspired by a real-life
19:08figure named Marty Reisman who was a table tennis legend in New York in the 1950s.
19:14And the movie is about the pursuit of a singular dream, about ambition, about following your heart.
19:35And I do believe it's an important film to kind of put out now in the sense that you wouldn't be an
19:40idiot for thinking we're living in a dark time, especially if you're young.
19:43And I hope this movie can serve as an antidote, you know?
19:46And though the metaphor is table tennis, which is perhaps unusual, it ultimately is about dreaming big,
19:53which is why it's the tagline of the movie.
19:55Also, what I liked about it is he's dreaming big and he's kind of a grifter and there's a con-man element
20:01and all that, but it's based on genuine talent.
20:04Oh yeah, he's the best in the world, or he believes him to be the best in the world.
20:09I don't want to reveal plot lines in the movie, but what starts as a table tennis movie,
20:12sort of evolves into a heist film and lands in a very human place, you know?
20:17I was in Brazil last week, we did a premiere in L.A. three days ago.
20:21I'm so happy to be here to get a chance to talk about it with you, Graham, and for you guys to be here.
20:25Marty Supreme comes out Boxing Day, I want to say that about 30 times so it all gets in your head.
20:29Yeah, yeah, yeah.
20:30No, but really this is like a...
20:31And Boxing Day, very old message.
20:33Mind Boxing Day.
20:34Yeah, yeah.
20:35December 26th, exactly.
20:37Nothing to do with, you know, throwing hands.
20:39That was a terrible joke.
20:41But, uh, so...
20:43And, uh, this is an indie film ultimately, you know, financed by A24,
20:47which is an indie production company in America.
20:49So if you like original films, if you're, you know, tired of seeing remakes and studio blockbusters,
20:54many of which I've been a part of, this is a, this is, this is it, and I can't say it enough,
20:59Marty Supreme, Boxing Day, December 26th.
21:02Good on you!
21:03Yeah!
21:04Yeah!
21:09And it's a weird thing to say, because the scale of the film is really big,
21:12and the, the, what I thought was amazing, the casting of it, everyone, every,
21:16there isn't an extra, you feel, that wasn't chosen.
21:20Everyone has a really interesting face, a really interesting look.
21:23We had an incredible detail-oriented director, his name's Josh Safdie,
21:27he's sort of a street poet, he referred to Abel Ferrara like that yesterday,
21:30sort of the early Scorsese films, and Josh is that guy,
21:33he directed a film called Uncut Gems, with Adam Sandler,
21:35with, uh, Good Time, with the United Kingdom's own Robert Pattinson,
21:39and, uh, I thought that was gonna get more low, and...
21:45Never tell him, never tell him that happened.
21:47Yeah, yeah, yeah.
21:48No, I'm just...
21:49I said your name and nothing.
21:50Yeah, yeah.
21:52That's not true, man, by the way, hey Rob, if you ever watched this,
21:55I didn't plug that enough, man.
21:57I didn't get it.
21:58Yeah.
21:59Um...
22:00Twilight's Robert Pattinson.
22:04They love him.
22:05They love him.
22:06And the director, what's his thing that he wanted to tap into,
22:10a bit like Emma tapping into her younger self.
22:12Yeah.
22:13You were tapping into your younger self.
22:14Well...
22:15Young...
22:16Well, like when you were five.
22:18He's very young already.
22:20The idea was, you know, Josh is from New York,
22:23I was raised in Hell's Kitchen.
22:24You know, much like living in London,
22:26you grow up in a box in a lot of ways.
22:28You wear your personality.
22:29Audacity could be personality.
22:31It's your armor, it's your sleeve.
22:33And certainly, I was hawking, you know,
22:35modified PlayStation controllers.
22:37I was on the subway singing the French national anthem
22:39to try to impress girls.
22:40You know, like, I was an outlandish youth.
22:43You know, that's why I landed here.
22:44Yeah.
22:45You know, straight shot to Graham Norton's couch.
22:47Yeah.
22:48Yeah.
22:49There wasn't the time to read the Bible, Emma.
22:51Yeah.
22:52You know, so, anyway.
22:55And those...
22:56And that idea of you being like that...
22:59So, Marty Supreme, this character,
23:01has this kind of singular vision
23:03and this kind of self-belief,
23:05unshakable self-belief.
23:06And then I heard you,
23:07when you were picking up your SAG Award
23:09for A Complete Unknown,
23:10where you played Bob Dylan,
23:11in your speech you said this thing about, you know,
23:13you are in pursuit of greatness.
23:14And I've heard you talking about this film.
23:15I've heard you talking about this film.
23:16Are you tapping into Marty Supreme's kind of vision?
23:20Yeah, and that was two months after we finished filming,
23:22so I was sort of...
23:23Oh, was it? Oh, wow.
23:24Yeah, kind of like still in that...
23:25That's not in a pretentious way.
23:27It's not like a method way.
23:28It's just sometimes you're in the energy
23:29of the tone of the character.
23:30Yeah.
23:31And...
23:32But that's an ephemeral pursuit, you know?
23:34I am living in absolute humility
23:38next to Dame Emma Thompson
23:40and the legend Rowan Atkinson
23:41and Edward Enniffel.
23:42Thank you for the British Vogue cover, my brother.
23:44Oh, yeah.
23:45I've got you the Dylan role with the curly hair.
23:47Yeah, with the curly hair.
23:49And the other thing then,
23:51so in terms of promoting this film,
23:53you want people to see this film, clearly,
23:55and you're really backing it.
23:57You've done this PR campaign
23:59with all sorts of things.
24:00This is you in New York.
24:02If people hadn't seen the film,
24:03this is Marty Supreme's ping pong ball
24:06on people's heads.
24:08Did you come up with this idea?
24:10Yeah, those are my friends.
24:12Are they still your friends?
24:14After seven, eight years in Hollywood,
24:16you know, the people that, you know,
24:18the day ones get sick of your new life.
24:20These are my new friends.
24:21Yeah.
24:22What else have you done?
24:24Is that you in there?
24:26Yes.
24:27That I self-financed, you know?
24:28They didn't love that, you know, 824.
24:30They didn't tell me not to do it,
24:31but I paid for it.
24:33And that was more expensive than you'd think.
24:34I had a whole crew.
24:36Yeah, a whole crew.
24:37I got to set as like 25 people.
24:39You could have bought one of Rowan's cards for that shit.
24:41I know.
24:42Jesus Christ.
24:43Yeah, when you start to pay for yourself,
24:45you suddenly realise,
24:46oh, this is quite expensive.
24:47This is expensive, man.
24:48No way.
24:49Oh, you've put a fucking orange-pink pong ball on your head.
24:51What is this?
24:52It's this sort of masochism, isn't it?
24:53It's a little masochism.
24:54I did realise I was in there.
24:55We have leaf blowers underneath.
24:57It was on a,
24:58it was a special effects master,
24:59Ridley Scott special effects master.
25:00I really should know his name.
25:01It was in his backyard.
25:02And I'm sitting there,
25:04and I had the head on,
25:05and I'm getting bruised by the balls.
25:06I did think to myself,
25:08and I thought,
25:09this is sort of a,
25:10you know, I got to explore this,
25:11you know, in my personal life.
25:12You might have to.
25:13But then,
25:14you know,
25:15it's all set in the 50s,
25:17but the jackets and the logo,
25:19these have become very desirable.
25:21OK, you need to stop now.
25:22This is,
25:23because look,
25:24come on.
25:25He's in merch.
25:26Yeah.
25:27It's merch already.
25:28No, but like,
25:29but this is very desirable.
25:31Everybody wants this merch.
25:32Hell yeah.
25:33Yeah.
25:34Like,
25:35even your mother,
25:36even your mother,
25:37you posted a text from your mother,
25:39can you please send me a Marty Supreme jacket?
25:41Of course I will.
25:42Please do it now.
25:43It's timely.
25:44I can wear it to the mirror here.
25:45Please get a size small.
25:46She called me,
25:47she called me two days ago.
25:48She said,
25:49hey,
25:50you know,
25:51your parents said,
25:52well, the tone was already,
25:53I was like, okay, hey,
25:54what did I do?
25:55She goes, did you,
25:56did you post the message I sent you about the jacket?
25:57I said, yeah.
25:58And I said, sorry,
25:59I should have asked you.
26:00And she goes, no,
26:01it's all right,
26:02but where's the jacket?
26:03I said,
26:04you can still have to give it to mom.
26:05But I will say,
26:06real quick,
26:07I feel like,
26:08they're well designed,
26:09I'm proud of these,
26:10but in an era where like,
26:11excess consumerism isn't chic,
26:12blah, blah, blah,
26:13I feel like the idea of this
26:14is what people have been liking.
26:15As far as dreaming big,
26:16and being relentless in that pursuit,
26:18I feel like it's what it represents.
26:19And if that's marketing one-on-one,
26:21or if you cringe at that,
26:22Marie Supreme Boxing Day,
26:23there's someone,
26:24there's someone,
26:25there's someone at home
26:26that's not cringing at that,
26:27you know what I mean?
26:28Can I just say,
26:29Ronak is sitting there thinking,
26:30I've got man v. baby in a minute.
26:32It's really gonna plug it.
26:33You are really good at this.
26:44Yes.
26:45Cheers.
26:46But Edward,
26:47in terms of fashion promotion,
26:49you went the extra mile for your new company,
26:52E72.
26:53E72, yes.
26:54You commissioned these,
26:55a lovely grill.
26:57Oh!
26:58I thought you might be wearing it tonight.
27:02No, you know,
27:03I'm from Lubbrook Grove,
27:04pretty much like you.
27:05I'm from the hood.
27:06OK.
27:07You know what?
27:08I'm a long way away,
27:09but we're gonna wear it.
27:10Yeah.
27:11I want it tonight for you.
27:12It's the Lubbrook Grove,
27:13by the way.
27:14Yeah.
27:15West London.
27:16It's the very West London thing.
27:17It's the bling version of Nanny McPhee,
27:19isn't it?
27:20I can see.
27:21I really want that.
27:22I love that clip.
27:23I might get you.
27:24I'll get you with you.
27:25I'll get you with you.
27:26Fantastic.
27:27Now,
27:28Marty Supreme,
27:29as I said,
27:30your performance is astonishing.
27:32You've had rave reviews.
27:33And now,
27:34well,
27:35the movie's got three Golden Globe nominations.
27:37You for best actor,
27:38best film,
27:39best screenplay.
27:42Congratulations.
27:44And I'm sure there'll be plenty more.
27:45Good luck when it comes to them all.
27:48You deserve all the praise.
27:49I appreciate it, Graham.
27:51And I must remind people,
27:56because they may not know,
27:58Marty Supreme in cinemas from...
28:01Boxing Day!
28:03You've done it, Timothy.
28:04You've done it.
28:05You've sold it.
28:06Thank you, guys.
28:12All right.
28:13Comedy fans rejoice.
28:15Rowan Atkinson returns as the hapless Trevor Bingley,
28:18we go big on this, Rowan.
28:19Yeah.
28:20In Man Vs Baby.
28:21It's out on Netflix now,
28:24and this is the much-anticipated sequel to Man Vs B.
28:28So, did you always know there was going to be another one,
28:31or how long did it take to come up with the idea of a baby?
28:34No, no, no.
28:35With Man Vs B,
28:36we just thought it was quite funny to do a show about a man
28:38stuck in a house with a bee.
28:40And it was!
28:41And it was!
28:42A man house saving.
28:43It turned out, in the end,
28:44to be quite a good idea.
28:45And that was a couple of years ago on Netflix,
28:49and it did, you know, well enough to justify them wanting
28:51some more.
28:52So, then we thought, well, what are we going to do?
28:55Do we do Man Vs B2?
28:57Or do we do Man Vs Wasp?
29:00Or we...
29:02Anyway, and actually, with this one, it's a Christmas show.
29:05It's set at Christmas.
29:06My character is the same, called Trevor Bingley,
29:09and he's a house-sitter.
29:11A sort of reluctant house-sitter,
29:13and certainly under-qualified house-sitter.
29:15I think it's fair to say.
29:17Certainly on the basis of his experience in Man Vs B.
29:21Yeah.
29:22Anyway, but he manages to wangle another job.
29:25This time he's looking after a Swiss oligarchs penthouse flat
29:29in Mayfair in central London.
29:31But for reasons that maybe I shouldn't explain how it comes
29:36about, but anyway, he's stuck with a baby.
29:38So he has to house this flat looking after a baby,
29:41which isn't his.
29:42And he's trying to find the parents, the carers of the baby,
29:46and he can't.
29:47So he's stuck with it.
29:48So that's the essence.
29:50Well, we've got a clip.
29:51This is you as Trevor, out and about with your baby.
29:55Oh, my goodness.
29:58Hello.
29:59Hello.
30:01Good morning.
30:02Oh, he's so darling.
30:03What's his name?
30:05Erm...
30:08Jesus.
30:10How old is he?
30:14Erm...
30:16About three months.
30:19Well, but he's huge for three months.
30:22Well, you should see his mother.
30:25What I find sad about that is I think Trevor only tells a joke about twice a year.
30:48And I think that's one of his, you know, that was one of his attempts and it's gone down so badly.
30:54So badly.
30:55I feel sorry for him.
30:57And I don't think of your characters ever as being mean or nasty-spirited, but you think that Trevor is nicer than the characters normally.
31:04Yeah, I mean, in Man Vs B, he was quite psychopathic because the B drove him kind of nuts.
31:11But in this one, he's not so psychopathic.
31:14He's actually, he's a genuinely sweet man, I think, Trevor Bingley.
31:18And I, and that's relatively rare, actually, in my, in the characters that I played.
31:23Because I think, you know, Mr Bean is a selfish, self-centred, anarchic child.
31:29You know, really a very, you know, he looks after number one and is quite charmless sort of character.
31:36And the Blackadder is a sarcastic, you know, sardonic, negative sort of guy.
31:43I mean, humorously negative in terms of what he says and the way he says it.
31:47But, you know, not, you know, not, and even Johnny English, you know, the comedy spy character,
31:53which I occasionally play, that he, he's, he's vain and sort of, again, self-centred,
32:01doesn't care about anybody else.
32:03He's a knob, really.
32:04And he's another knob.
32:05Yeah, yeah.
32:06Clearly.
32:07But, but, but, so, I think Trevor Bingley is a, is a pleasant contrast.
32:10Yeah.
32:11To actually these, this sort of, yeah, this, um, catalogue of, of, of, I mean, just people
32:18that you wouldn't want to have dinner with.
32:20You know.
32:21That's true.
32:22That is true.
32:23You wouldn't want to have dinner with any of those people.
32:25And, er, lots of people still big fans of Mr Bean, Timothy, loving Mr Bean's holiday.
32:30But I'd sort of forgotten that at its height, I mean, Mr Bean was a kind of global phenomenon.
32:35Yeah.
32:36It was just kind of, it was a madness.
32:37Mm-hmm.
32:38Yeah.
32:39Er, it could be, yeah.
32:40I, I, I had very little experience of it, except, oh yeah, once in Amsterdam, I, I remember
32:45doing signing in the old days when he used to sign videos.
32:48Wow.
32:49Video cassettes, that's how long ago it was.
32:51Um, er, and I remember going to Amsterdam and there was this signing and, oh, there was
32:55a tremendous fuss and flim-flam and, you know, crowds and, um, er, and I remember being shuffled
33:02out of the back of the store in a police car and all, all, all that sort of stuff.
33:06Wow.
33:07Yeah, that was kind of...
33:08And because, because Mr Bean didn't need language so it could play anywhere.
33:10Yes.
33:11Was there anywhere that it didn't play?
33:13Was there anywhere, you know, that it didn't go?
33:15No, eventually it went everywhere, but in the 90s there was the capacity, because it
33:20was just television distribution over, over which I had some control.
33:25Er, and, you know, sort of pre the mass use and access of the internet.
33:30Yeah.
33:31Er, but, and therefore that I did see an opportunity to stop Mr Bean being shown in Italy.
33:40So for a number of years it wasn't, it was shown all over the world except in Italy.
33:44Why?
33:45Er, well just because I wanted to go on holiday to Italy.
33:48And, er, and it worked for several years.
33:51This was kind of in the early mid-90s.
33:54And, er, and it worked very well.
33:58No one, no one had the slightest clue who it was.
34:00And then the, the, the first Mr Bean movie, Bean, what's it called, Bean the ultimate disaster
34:05movie, something like that, er, which came out in 97, that of course the film company
34:09wanted it to be everywhere, including Italy.
34:11Er, and then actually Italy turned out because then the TV shows went there and it turned
34:16out to be, you know, one of our most enthusiastic audiences was in Italy.
34:21So now there's no way you can go on holiday?
34:23Er, exactly.
34:24Exactly.
34:25OK.
34:26Er, well, you can see Rowan in Man Vs Baby.
34:28That is on Netflix now.
34:30There you go.
34:31Woo!
34:32All right.
34:34Right.
34:35Edward Ennenville has the rarest of things.
34:40A new glossy fashion magazine.
34:42It is called 72 and the winter issue is available in stores and online now with two lovely, two
34:48covers.
34:49Two covers.
34:50Yeah.
34:51Two covers.
34:52So it is extraordinary, a new magazine.
34:53Because everyone's saying, oh, magazines are dead, they're dead and buried.
34:55You obviously say no.
34:56I mean, you know, my whole life I've worked in magazines.
35:01I wanted to set up a media company, EE 72.
35:05And initially I thought, you know what, I'm going to do a platform.
35:08That's what everybody wants.
35:09The young generation, they don't read magazines.
35:11But then everywhere I went, everyone's like, we hope you're doing a magazine.
35:14So I thought, OK, maybe, why not?
35:16And also, you know, I just wanted to have fun.
35:18I just wanted to create something that people will enjoy reading.
35:21So I thought, why not?
35:22Four times a year.
35:23Oh, so it's quarterly.
35:24So this is the winter issue.
35:25And why 72?
35:27Do I have to really tell you my age?
35:30You're never 72.
35:32I'm not 72.
35:33I was born in 1972.
35:35I was born in 1972.
35:37I was born in 1972.
35:38I was thinking, you look marvelous.
35:40Suddenly.
35:41I don't mean 72.
35:43I look good for 72.
35:44Yeah.
35:45Go with that.
35:46Yeah.
35:47It's the year of my birth.
35:48So my initials and the year of my birth.
35:49Oh, OK.
35:50And it's interesting actually, I keep calling it a fashion magazine, but actually it covers
35:54a lot of things.
35:55Culture, yeah.
35:56Yeah.
35:57I mean, I was always, I always liked culture, you know, film, music, architecture, art,
36:00for me, was always under the umbrella.
36:02So that's really what this is about.
36:04Something you can read.
36:05It's also very friendly.
36:06It's not so out there you can't relate to it.
36:09And yeah, it was just, it just felt like the right thing to do right now.
36:12Is it because also you can be together with people in a room?
36:15I love it.
36:16And just be, because you're a creative, aren't you?
36:18Be together ideas, ideas.
36:19I haven't done that in years.
36:20Yeah, yeah.
36:21Because you know, when you have sort of, sort of a big corporate job, you spend a lot
36:25of time in meetings and Zooms, but here's like being in there, you know, and the kid's
36:29telling you, nah, you can't do it like that.
36:32You can't say that.
36:34And when you were last year, you were the man in charge of Vogue.
36:38And when you finally, after six years, said bye-bye to Vogue, you had this extraordinary
36:43cover, which is worth reviews.
36:45Oh my God, yeah.
36:46Is it 40 of the greatest female stars in the world, minus Emma Thompson.
36:51Uh...
36:52You weren't available.
36:54I tried.
36:55Shush.
36:56I'll speak to you later.
36:59And are they all really there?
37:01They're all there.
37:02I mean, we did the...
37:03When we shot this picture, I knew that was going to be the question, so we did a video
37:07of all of them at the same time clapping, and I've known most of them before I started
37:12working at Vogue, and it was just amazing to have them all in the same room.
37:17I hid, I hid, I have to be honest, at one point I was so sort of overcome with emotions
37:22that I kind of hid.
37:23They couldn't find me.
37:24Yeah, yeah, yeah.
37:25But I'm really, really proud of it.
37:27I mean, there's...
37:28Yeah, everyone's there.
37:29That Oprah in the middle.
37:30Yeah, Oprah, Jane Fonda.
37:31Amazing.
37:32But they've also all followed me to my new magazine, so...
37:34That's so great.
37:35I'm very happy about that.
37:36Yeah, yeah.
37:37And did anyone say no, or did everyone say yes?
37:38I mean, everyone said yes.
37:39I mean, a couple of people scheduling couldn't make it.
37:42Emma, Emma, Emma.
37:43Yeah, busy, busy, busy.
37:44I was so busy.
37:45I was on my Bible call.
37:46And a couple of people couldn't make it.
37:47Yeah.
37:48Yeah.
37:49Timothy, you couldn't make it.
37:50That's true.
37:51That's true.
37:52Timothy was the first man on the cover of Vogue, and we did that cover together.
37:55Were you?
37:56But you weren't available.
37:57You were shooting.
37:58That's true.
37:59Seriously.
38:00I was playing table tennis now.
38:01Oh, yeah, yeah.
38:02Everyone on the cover has been on the cover before.
38:05That was the whole idea.
38:06Oh, I see.
38:07Rowan and I...
38:08Hold on, you're my next cover.
38:09I've shot these two, so you're my next.
38:11OK, what am I going to do?
38:13Yeah, we'll discuss it.
38:14I'm in charge of styling.
38:16OK.
38:17Knitwear.
38:18Knitwear.
38:19You can find the latest edition of 72 in shops and online now.
38:24Marvellous.
38:25Right.
38:26It's time for music.
38:27She was just 18 when she burst onto the scene as a member of Little Mix.
38:35Now she's a Brit award-winning solo artist.
38:38Here performing her latest single, Church, it is Jade.
38:42.
38:43.
38:44.
38:45.
38:46.
38:47.
38:48.
38:49.
38:50.
38:51.
38:52.
38:53.
38:54.
38:55.
38:56.
39:09.
39:10.
39:11.
39:12.
39:13.
39:14.
39:15.
39:16.
39:17.
39:18.
39:19.
39:20.
39:21.
39:22.
39:23.
39:37.
39:38.
39:39.
39:40.
39:42.
39:44Like I would pray for you
39:46Whatever gets you out
39:48Until your knees are bruised
39:50While the world burns
39:52Let me see your word
39:54Down on your knees
39:56Let me be your church
40:02Now I'm fully blessing
40:04But my flowers live the dream
40:06Carrying the wisdom
40:08That was passed down onto me
40:10If you need advice
40:12Or you don't believe
40:14Get onto my level
40:16Listen up, I'll set you free
40:18It's hard enough
40:20To be alive
40:22Might as well
40:24Dance or die
40:26Heaven's close
40:28But we can try
40:30Cause we won't
40:32Have a good time
40:34Pray for me
40:36Like I would pray for you
40:38Whatever gets you out
40:40Until your knees are bruised
40:42While the world burns
40:44Let me see your word
40:46Down on your knees
40:48Let me be your church
40:50Baby, stay a while
40:52Till we see the light
40:54Let's get wet and walk
40:56Till our tears are dry
40:58While the world burns
41:00Let me see your word
41:02Down on your knees
41:04Let me be your church
41:06Let me be your church
41:08All the sinners in the place
41:10Show me love, give me faith
41:12Girls, dolls, party boys
41:14Rise above the dirty noise
41:16If you're all out of sugar
41:18Then I'm the sweetest taste
41:20Take this holy water
41:22And wash that green face
41:24Girls, dolls, party boys
41:26Rise above the dirty noise
41:28I'm the girl to the stars
41:30I'm everywhere you are
41:32Now let me see your word
41:34Work, work, work, work, work
41:36Let me be your church
41:38Church, church, church, church
41:40Church, church, church, church, church
41:42Oh, we will
41:44Ah, ah, ah, ah, ah
41:48While the world burns
41:50Let me see your word
41:52Down on your knees
41:54Let me be your church
42:10Let me be your church
42:12Oh, yeah
42:18Jade, everybody
42:20And those amazing dancers
42:22Thank you so much
42:24Beautiful job
42:26Gorgeous
42:28Absolutely gorgeous
42:30I think they're going to
42:32Pop cake off the stage now
42:34Here she comes
42:36Oh
42:40Thank you so much
42:42For that epic performance
42:44That was absolutely beautiful
42:46Thank you so much for that epic performance
42:48Thank you, thank you
42:50Thank you, thank you
42:51Jade, you know
42:52Edward, Rowan, Timothy, Emma
42:54Gang's all here
42:56I love your bare feet
42:58Lovely to see you, Jade
43:01Hi
43:02Hi
43:03Now I know you know Edward
43:04Because you were in issue one of 72
43:06Yes
43:07There you are
43:08In some very big shoes
43:10Those are
43:12Those are
43:13Minnie Mouse
43:14Yeah
43:15And there's someone else on the couch
43:17Don't
43:18Don't give it away
43:19Er
43:20We've got a clip
43:21This is Jade
43:22Now
43:23See
43:24If you can guess
43:25Who she's going to transform into
43:27Okay
43:28Presumably this was a Halloween thing
43:29This Halloween thing
43:30I dressed as one of my favourite
43:32Okay
43:33So
43:34We don't know who could have been
43:35You know
43:36It could have been Willy Wonka
43:37Could have been Nanny McPhee
43:38Mr Bean
43:39Edward it's not you
43:40Er
43:41Different times
43:43Different times
43:44Er
43:49Alright
43:50Let's
43:51Let's have a look
43:52See if we can guess
43:53Who she's going to transform into
43:55Here we go
43:56No clues so far
43:57No clues
43:58Look look at you
43:59Look look at you
44:00This is really impressive
44:02Look at that
44:03Wow
44:04Wow
44:05Isn't that good
44:08Well
44:09Very good
44:10Wow
44:11Thank you
44:12That's very sweet
44:13Goodness me
44:14Well I wasn't expecting that
44:16Right
44:17Now that amazing song you just played
44:20That is off that showbiz baby
44:22The encore
44:23Is this your debut album
44:24But it's a deluxe version
44:25Yes
44:26It's got eight new tracks on
44:28Yeah
44:29I love eight tracks
44:30You know
44:31I didn't want to
44:32I don't do things by halves
44:34It's essentially a new album
44:35Yeah
44:36But still part of that showbiz baby era
44:38And lots of new tracks
44:39But there's a Madonna cover on here
44:41Madonna cover
44:42My favourite Madonna song
44:43Frozen
44:44Wow
44:45Yeah
44:46Banger
44:47So that's on there
44:48And church that I just performed
44:50Is on there
44:51Beautiful
44:52And you have had an amazing year Jade
44:55I'm so happy for you
44:56Thank you
44:57You know Glassbury, Radio on Big Ray again
44:58And of course I mentioned in the intro
45:00Your solo Brit win
45:02Yes
45:03Yes
45:06It must have been such a thrill
45:08Yeah
45:09Amazing
45:10And you know
45:11Watching that performance over there
45:12You know
45:13Thrown away by the dancers
45:14You appear to be fearless
45:15You appear to be fearless
45:16But in that epic performance at the Brits
45:18So Bernie
45:19Nerves did get to you
45:20Oh my gosh
45:21I was so nervous for the performance
45:23When I performed
45:24Age of My Dreams
45:25In my head
45:26When the beat drops
45:27There would always be like this trap door moment
45:29So I said yes
45:30I'm going to trap door
45:31I pushed and pushed the label
45:32We've got to do it
45:33It'll be epic
45:34It'll be really good on telly
45:35Then I got our rehearsals
45:36The trap door
45:37I'm not kidding
45:38It was up to the season
45:39I think we've got a picture
45:40So this is you
45:41In the beginning
45:42You dressed as the bride
45:43Yes
45:44And if you go
45:45Look at that
45:46That is very high
45:47That is very high
45:48They said they needed a good shot of me
45:49Mid-air still falling
45:50So it was really scary
45:52And that's like in the first
45:5310 to 20 seconds of the performance
45:55So you're going to sing after you've fallen
45:57Yeah
45:58And I said I'm not doing it
45:59It's too scary
46:00But like we've paid for it now
46:01You're doing it
46:02So
46:03Nice
46:04Yeah and on the night
46:05I was so nervous
46:06I had to climb up the ladder
46:07Like I was climbing to my death
46:09And then I get to the top
46:10And I thought
46:11We're on live TV
46:12And I was like I can't do it
46:13So I turned around
46:14They've removed the ladder
46:15And I was like
46:16You're doing it then
46:19But you know what
46:20I was grateful
46:21Because the sheer drop of it
46:23It felt like
46:24Just winded the sort of nerves out of me
46:26And the rest was just a blur
46:27But I still do have like
46:28A bit of mini PTSD
46:30So I'll just be walking
46:31I think I'm going to fall through this
46:32Honestly
46:34It was such a bizarre feeling
46:35But um
46:36No more trap doors
46:37No
46:38Well it's a congratulations
46:39On the Brit
46:40And on everything
46:41And uh
46:42Thank you for that performance
46:43And good luck with the deluxe album
46:44Yeah
46:45Thanks everybody
46:46Yeah they love you
46:49Yeah they love you
46:50They love you
46:51That is nearly it before we go
46:53And just time for a quick visit
46:54To the big red chair
46:55Who have you got?
46:56Hello
46:57Hi
46:58I have high hopes for you young lady
46:59What's your name?
47:00Megan
47:01Megan
47:02All right
47:03Where are you from Megan?
47:04Originally from Wigan
47:05But I live in Twickenham now
47:06God is in the details
47:07What do you do Megan?
47:11I'm a multimedia content producer
47:13Sweet Jesus
47:14It basically means I do social media
47:17And I do it for sports
47:18Marvelous
47:19Okay off you go with your story
47:21Come on
47:22So I have a lot of stomach problems
47:23And I'm missing
47:24Great way to start
47:25And I'm missing a digestive organ
47:30And it means that I can often go to the toilet a lot
47:33And when I was undergoing my diagnosis
47:36We were trying to find loads of recipes that I could eat and not cause grievous bodily harm
47:40Yes
47:41And I found this website that was like dedicated to people with stomach issues
47:45And I was like amazing fantastic made some recipes it was brilliant
47:48Great
47:49And then I was back home later for a Christmas party with my mum
47:52And like a load of family friends and they were asking me after my health
47:55And I was like yeah no it's going well I've found this website
47:58And they said oh what's the name of this website
48:01And I couldn't remember the exact name but I knew one thing
48:04And it was called the bottom friendly recipe website
48:07Oh
48:08And I didn't realise that I just recommended a website to a load of 50 year old women
48:12That was about people who enjoyed anal sex
48:14And these recipes for me
48:20You Lung Lady can walk well done
48:22Thank you
48:23Oh
48:25Eh
48:26Ok
48:27That really is all about time for
48:28If you like that
48:29Go over the road
48:30Share yourself and tell your story
48:31You can contact us via our website at this very address
48:34Please say huge thank you to all of my guests
48:36Jade
48:38Edward Edinburgh
48:41Ron Atkinson
48:44Timothy Chalamet
48:47And Emma Thompson
48:50Join me next week with music from Tom O'Dell
48:54Comedian and writer Michelle Deswart
48:56Award winning actor Jesse Buckley
48:58And Hollywood comic greats Jack Black and Paul Rudd
49:01I'll see you then good night everybody bye bye
49:03Joe Marla
49:11Joe Marla fresh from the celebrity traitors
49:13Tackles celebrity minds his way with his new podcast on BBC Sounds
49:17This and everything across the BBC is made possible because we are funded by you
49:22So thank you
Comments